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Displayed below are some selected recent viaLibri matches for books published in 1920

        Knickerbocker MINATURE Leather Shakespeare

      KNICKERBOCKER 1920 CIRCA - There are 22 miniature books of the works of Shakespeare set in box typed slip cover. Box is worn and faded Books are faded and worn leather. Pages are yellowed. Titles include: Hamlet, the Tempest, Taming of the Shrew, Merry Wives of Windsor, Twelfth Night, Romeo and Juliet, As You Like It, Antony and Cleopatra, King Lear, The Comedy of Errors Venus and Adonis, Measure for Measure, Midsummer Nights Dream, Othello, Much Ado About Nothing, Macbeth, Merchant of Venice, King Henry IV-Part I, King Henry IV-Part II, King Henry VI-Part I, King Henry VI-Part II, King Henry VI-Part III, King Henry VIII DATE PUBLISHED: 1920 CIRCA EDITION: [Attributes: Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        Genius - Zeitschrift für werdende und alte Kunst. (3 Jge. in 6 Bänden: alles was erschienen).

      2 (35.5 x 26.5 cm), VIII Inhaltsverz., 319, 332 u. 356 S., ges. 16 Orig.-Graphiken (davon 1 koloriert), zahlr., tlw. farb. Abb. meist a. montierten s/w-Taf. in 1920/2 lose Verlagsanzeigen., Brosch. m. Rückenschildchen u. farb. Deckeltitel. Die zwei bädne des Jahres 1920 in HPerg., Broschierte Bde: Deckel etwas fleckig, gebräunt, Rücken am Kapital und Fuss mit kleinen Fehlstellen. HPerg-Bd.:Rücken etwas fleckig, Kanten berieben, innen sauber. - Gutes Exemplar. Enthält komplett die 16 ganzseitigen Orig.-Graphiken: 1919/1: Karl Schmidt-Rottluff: Kopf (Holzschnitt) Karl Caspar: Johannes auf Patmos (Lithogr.) Richard Seewald: Der Hirte (kolorierter Holzschnitt): 1919/2: Franz Marc: Aus der Tierlegende (Holzschnitt) Heinrich Nauen: Mutter und Kind (Radierung) Ignaz Epper: Mädchenkopf (Lithogr.) 1920/1: Erich Heckel: Mädchenkopf (Holzschnitt) G. Ehrlich: Tröstung (Lithogr.) Frans Masereel: Business-man (Holzschnitt) 1920/2: Max Kaus: Kopf (Holzschnitt) André Rouveyre: Kopf (Holzschnitt) 1921/1: Edwin Scharff: Die Brüder (Lithogr.) Alexander Archipenko: Figürliche Komposition (Lithogr.) Carl Hofer: Das Nest (Lithogr.) 1921/2: K. Schmidt-Rottluff: Lesender Mann (Holzschnitt) Alexander Kanoldt: Klausen (Lithogr.). Vgl. Raabe, Zeitschriften Nr. 74: Jeder Jahrgang zerfällt in 2 Teile: Die bildenden Künste Dichtung und Menschheit. [...] Repräsentative Kunstzeitschrift unter Einbeziehung der expressionistischen Dichtung. Führende Museumsleute und Kunsthistoriker nehmen zur expr. Kunst in eingehenden Würdigungen und Untersuchungen Stellung. [...] Mit dichterischen, philosophischen und literaturkritischen Beiträgen u. a. v. J. R. Becher, E. Bloch, M. Brod, E. R. Curtius, A. Döblin, H. Hesse, G. Heym, K. Hiller, F. Kafka, K. Pinthus, R. Schickele, E. Weiss, A. Wolfenstein. Ab 2. Jg. hgg. von C. G. Heise u. H. Mardersteig. - (Complete in 6 volumes, everything that's been published.). 35.5 x 26.5 cm,VIII pages of contents, 319, 332 and 356 pages, contains 16 original prints (1 of which is coloured), and many illustrations (partly in colour and mounted plates). Condition. Partly foxed and browend. spine with small faults - over all a good copy.

      [Bookseller: antiquariat peter petrej]
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        The Story of Opal The Journal of an Understanding Heart

      Boston, MA: Atlantic Monthly Press. Very Good+. 1920. Limited Edition; 1st Printing. Hardcover. B&W Illustrations; Limited to 650 copies - this is book number 521. Also included is a 1st Printing of the 1976 edition arranged and adapted by Jane Boulton. The book is in Very Good+ condition and was possibly issued without a dust jacket for this edition. The book and its contents are in mostly clean, bright condition. The covers have dark green paper covered boards and a paper vellum spine with a paper spine label. The spine ends and corners of the book covers have some beginning bumping and rubbing. The text pages are clean and bright. There is some beginning foxing to the endpapers. The limited edition of this book is quite scarce. The history of this book, and of the author herself is a strange one - the author was a noted amateur naturalist from a very young age and considered a child prodigy by many. This book however, is a compilation of her journals, purportedly written as a child in diaries written in phonetic spelling, which were later ripped up and reassembled. Opal believed (or conned people into believing, depending on who you believe) that she was the daughter of Henri, Prince of Orléans. This book deals both with her rather harsh upbringing and the love and interest Opal had for nature of all sorts. .

      [Bookseller: S. Howlett-West Books (member of ABAA & ]
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        The Cross of Ares and Other Sketches

      Brentano's, New York 1920 - First edition. Illustrated by Beatrice Stevens. Some foxing and a light stain on the foredge, near fine in attractive, very good dustwrapper with shallow chips and tears. Nicely Inscribed by the author. Accounts of young Americans during WWI. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Youth and the Bright Medusa

      New York: Knopf, 1920. The rare limited issue, one of 35 unnumbered copies issued with all edges untrimmed, signed in full "Willa Sibert Cather" on the front free endpaper. Original green cloth, spine has small areas of spotting where the green pigment is lost; number in ink on upper cover; ownership signature at the bottom of the front endpaper, (James R. Messenger, Emmy Award-winning documentary film maker, and sometime contributor to the Willa Cather Newsletter). A very good copy preserved in a clamshell box. As these copies are taller than the trade issue, and special binding cases had to be made, it's unlikely they were issued in dust jacket. Youth and the Bright Medusa was the first of Cather's books to be published by Knopf, who would remain her publisher thereafter.

      [Bookseller: Thomas A. Goldwasser Rare Books]
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      Boston: Small, Maynard & Company. 1920. Hardback. First American Edition. Later Boards, 8vo, (4) , 149 pages. Includes facsimile of the original Russian title-page. According to this infamous text, a secret cabal of Jews seek to dominate world affairs. "The Protocols" emanated from the Czarist secret police and first appeared in 1905. In the aftermath of World War I, the "Protocols" was more broadly disseminated by various anti-Semitic groups, eager to pin blame on the Jews for a toppled world order. The text remains to this day a source of virulent hatred in certain parts of the world. See C. G. De Michelis, The Non-Existent Manuscript (2004) ; also EJ, Vol. VI cols. 581-83. Ex-library with minimal marks, otherwise Very Good Condition (AMR-51-3) .

      [Bookseller: Dan Wyman Books]
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        Thuvia, Maid of Mars

      A.c. McClurg & Co,, Chicago 1920 - Very good conditon, some wear on top corner of the spine. This first edition is bound in an olive colored cloth with black lettering on the front board and the spine. There is very little corner bumping and spine edge wear. Interior text has yellowed slightly due to age but has no sign of foxing or any markings on the pages. Binding is very solid. Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition]

      [Bookseller: Lowry's Books]
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      New York: A. L. Burt, 1920. Early Printing. Hardcover. Very Good/Near Fine. New York: A. L. Burt, 1920 Early printing (1920) is Zueschner's #602 with frontis and dust jacket by St. John, and a grey cloth cover with black decoration and titling. P. 350 plus 11 pages of publisher's ads. Author's name on front cover is on one line.The exquisite near fine St. John dj is bright, unfaded and complete with a hint of wear at tips and corners. The book has some light page edge tanning and light cover soil noted, else clean, tight and unmarked. Seldom seen so clean. . Early Printing. Cloth. Very Good/Near Fine.

      [Bookseller: Finefinds Collection Management]
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      Privately printed for the author, 1920]. [1920], [Santa Fe - First edition. 12mo. Pictorial printed, black & white wrappers, [5] - 142 [1] pp., one page of advertising at the end. Six Guns 2028 says "Rare." "This rare little book further strengthened some of the legends about the Kid which by this time were so well established. The author repeats the many legends about the Kid's early life that were created by Ash Upson and follows the Garrett book very closely, even to the misspelled proper names. The book is full of errors, as have been pointed out in my BURS UNDER THE SADDLE (Item 7)." Light ex-library on verso of the title page' light wear to the spine ends, and front and rear covers lightly soiled and rubbed, else an internally clean, very good tight copy. Housed in a quarter leather and marbled boards cloth clamshell case with titles stamped on the spine. [Attributes: First Edition; Soft Cover]

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        Miracle Mongers and Their Methods.

      New York: E.P. Dutton, 1920. First edition. Octavo, original cloth. Inscribed by the author on the front free endpaper, "To Raymond Gallatovich Best wishes and good luck Houdini Feb 5/ 1921." The recipient was a fellow illusionist and magician Raymond Gallatovich. In near fine condition. Housed in a custom half morocco clamshell box and chemise. Harry Houdini was a unique figure in the history of entertainment... a hero of legend and folklore." Following the death of his mother in 1913, Houdini began to investigate spiritualism and "soon became an all-out crusader against it. Early in 1924 he began lecturing throughout the United States on fraudulent mediums. In city after city he attended seances in disguise, exposing frauds on the spot and sometimes securing their arrest, aided by his personal squad of detectives. The raids brought him huge publicity as well as a million dollars in lawsuits." At his death in 1927, "he was buried in a brass replica of the iron casket, his head pillowed on a bundle of his mother's letters to him" (ANB). The legendary magician and illusionist Harry Houdini turns a critical eye to the astonishing claims of those in his own profession in his work Miracle Mongers and Their Methods. Using personal research and observations, Houdini reveals the cunning techniques employed by fire-eaters, sword swallowers, and other masters of deception to mystify and amaze audiences around the world.

      [Bookseller: Raptis Rare Books]
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        Tapiau 1858 - 1925 Zandvoort). Die Bibel. Lithographie v. 1920. Signiert. 32 x 25 cm. Gerahmt.

      1920 - Schwarz 444 XXX.- Aus der Folge Martin Luther. Gewicht in Gramm: 500

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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      KIRK, MARIA. COLLODI,CARLO. (KIRK) PINOCCHIO. Philadelphia: Lippincott (1920). 4to (7 1/4 x 9 1/2"), blue & tan cloth, 234p., Fine IN ORIGINAL PICTORIAL BOX (box rubbed and sl. soiled). First edition of the DELUXE EDITION featuring 14 beautiful tipped in color plates by MARIA KIRK plus illustrations on text pages and pictorial endpapers. An enchanting version of this favorite tale, scarce in the box.

      [Bookseller: Aleph-Bet Books, Inc.]
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        Le Calumet. Illustrations by Andre Derain

      Paris: Nouvelle Revue FranÁaise, 1920. One of 750 copies, printed on velin blanc des papeteries Navarre. 110pp; handsomely rebound in 1/4 red morocco and marbled paper boards, spine paneled, title gilt, marbled endpapers, original wrappers bound in, very slight wear to shelf edge, else fine. Printed on the presses of Coulouma, ... Argenteuil, September 15, 1920. Illustrated with title page woodcut in black and red by Andre Derain (1880-1954) plus a woodcut on the half title page and 59 in-texte.

      [Bookseller: Priscilla Juvelis, Inc.]
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        Chiasmatype and Crossing Over

      New York, 1920 American Naturalist. PAMPHLET. Some damp staining. Covers soiled. Offprint. Reprinted from The American Naturalist. May-June 1920. First TH Morgan Nobel Prize winner. E. B Wilson author of important textbook The CellSeparate edition. Some soiling to covers. ? with the compliments of the authors in ink front wrapper. Some notations in ink in margins oftext. Scarce offprint. . Good.

      [Bookseller: Robinson Street Books, IOBA]
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        Original Art: "De Ox and De Frog"

      n.p.: n.p., 1920. Stiff card. Very good. An original pen and ink sketch by Edward Winsor Kemble produced for "The Youth's Companion", an early 20th century juvenile journal. The sketch 6½ by 8½ inches and with printer's marks along the bottom. Titled in pencil: "De Ox and de Frog". On the reverse is a sticker noting that the sketch has been published by The Youth's Companion as well as a notation, "Original Art". The Tale of the Ox and the Frog appears in AEsop, also in La Fontaine and possibly in Uncle Ned's Old Tales Retold. It describes a mother frog inflating herself to the point of bursting (and in some versions beyond that point) as she imitates the size of an ox. And indeed in Kemble's sketch we se a large chested female frog standing over a mushroom table addressing two frog-children. Cropped closely on the sides just touching the image else this is in very nice condition.

      [Bookseller: Thorn Books]
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        The King's Ships - K-Z.

      ?London: , c.1920. Quarto (276 × 179 mm) later twentieth-century brown buckram volume with bisected galley proofs mounted on 60 leaves, title gilt to the spine. First galley slightly browned and soiled, and with a few marginal splits, else very good. Proofs of the continuation of Lecky's remarkable work of compilation The King's Ships, containing outline details of over 1700 ships and their engagements. Volumes I-III, covering A-J, had been published by Horace Muirhead, 1913-4, but publication of the concluding 3 volumes was suspended due to the outbreak of the First World War, and never resumed. Naval and Maritime specialist bookseller Michael Nash was in contact with Lecky's eldest daughter Barbara in the early 1980s, and she explained that her father had been working on the continuation, but had left the manuscript on a train, and abandoned the project. She spent considerable time searching for the missing document (personal communication). The present proofs, headed sporadically "The King's Ships", and with a few minor manuscript annotations, were apparently in the reference library of the booksellers Francis Edwards until it was sold off in 1985. It is possible that Francis Edwards had intended to issue the final volumes at some point, which would explain their presence there. Lecky had a distinguished naval career between the Boer War, when he took part in the Delagoa Blockade, and the First World War, when he was responsible for the creation of the Auxiliary Patrol Service, for which he was awarded C.B., and served in the Aegean blockade of the Dardanelles and the occupation of Constantinople. In 1919 he organised the Mine Clearance Service, receiving the high appreciation of the Board of Admiralty. He retired in 1925, and died in 1940.

      [Bookseller: Peter Harrington]
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      [Santa Fe: Privately printed for the author, 1920]., [1920]. First edition. First edition. 12mo. Pictorial printed, black & white wrappers, [5] - 142 [1] pp., one page of advertising at the end. Six Guns 2028 says "Rare." "This rare little book further strengthened some of the legends about the Kid which by this time were so well established. The author repeats the many legends about the Kid's early life that were created by Ash Upson and follows the Garrett book very closely, even to the misspelled proper names. The book is full of errors, as have been pointed out in my BURS UNDER THE SADDLE (Item 7)." Light ex-library on verso of the title page' light wear to the spine ends, and front and rear covers lightly soiled and rubbed, else an internally clean, very good tight copy. Housed in a quarter leather and marbled boards cloth clamshell case with titles stamped on the spine.

      [Bookseller: BUCKINGHAM BOOKS]
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        Zehn handkolorierte Lithographien zu Choderlos de Laclos Liaisons dangereuses. [Nummeriertes Exemplar].

      Hannover, Banas & Dette, 1920. 4°. 30 cm. [10] Blatt, [6] Seiten. Illustrierte Original-Pappmappe im Original-Schuber. (= Zweiter Hölderlindruck). Nummer 34 von 120 nummerierten Exemplaren. Rodenberg 408. 10 handkolorierte Lithografien jeweils in schwarzen Passepartoutkarton montiert und mit Seidenpapier geschützt. Schuber mit deutlichen Gebrauchsspuren, Einrissen. Buch und Lithografien in tadellosem Zustand. Versand D: 4,90 EUR Original-Lithografie / Original-Lithographie / original lithograph; Pressendruck / fine press; Vorzugsausgabe / limited edition

      [Bookseller: Antiquariat Lenzen GbR]
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        Gurre-Lieder von Jens Peter Jacobsen Deutsch von Robert Franz Arnold für Solli, Chor und Orchester. [Full score]

      Wien Leipzig: Universal-Edition A.G. [PN U.E. 6300], 1920. First Edition. Scarce. The edition consisted of 100 copies bound in brown gilt-lettered boards, each numbered and signed by the composer; an additional number of copies were issued with light green printed wrappers. Rufer pp. 78-79. Ringer p. 311. Hilmar Schönberg Gedenkausstellung catalogue 231. First performed in Vienna on February 23, 1913, with Franz Schreker conducting the Vienna Philharmonic Choir and the Wiener Konzertvereinsorches "In March 1900 Schoenberg began setting Jens Peter Jacobsen's Gurre-Lieder as a song cycle for voice and piano, for entry in a competition... However, Schoenberg soon saw wider possibilities in the text... He therefore decided to connect the songs he had already composed (those in the first two parts of the finished work) with symphonic interludes and set the whole poem as a vast cantata employing several soloists and a huge chorus and orchestra. The work depicts the love of King Waldemar and Tove under the Tristanesque imminence of death, Waldemar's blasphemous defiance of God after Tove's death, the nightly ride at the head of a ghostly retinue to which the king's restless spirit is subsequently condemned, and its dismissal by the summer wind at the approach of day. Schoenberg encompassed all this in a series of tableaux of extraordinary magnificence." O. W. Neighbour in Grove Music Online. The Danish poet Jens Peter Jacobsen (1847-1885) wrote his Gurresange in 1871. The German translation is by Robert Franz Arnold (1872-1938).. Elephant folio. Modern full dark tan buckram, publisher's light green printed wrappers bound in. 1f. (recto title, verso list of performing forces), 3-189, [i] (blank) pp. With "Gestochen und gedruckt von F.M. Geidel, Leizpig" printed to verso of final leaf. Wrappers slightly worn and soiled with two small tape repairs to outer margin of lower; small New York music seller's stamp to lower margin of title.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Die Frau ohne Schatten. Erzählung.

      Berlin S Fischer 1920 - 189, (1) S., 1 Bl. Mit illustriertem radierten Titel von Hans Meid. Roter Orig.-Lederbd m. goldgeprägter Deckelvignette, goldgeprägtem Rückentitel u. Kopfgoldschnitt. Eines von 160 Exemplaren auf handgeschöpftem Zanders-Bütten. Von Hofmannsthal im Impressum handschriftlich nummeriert u. signiert. Einbandentwurf von K. E. Mende. - Houghton Lib. 302.- Einband leicht beschabt, mit schwachem Lichtrand u. kleinem Fleck auf hinterem Deckel, die Vorsätze in den Rändern etwas leimschattig. [Attributes: First Edition; Signed Copy]

      [Bookseller: Antiquariat Eckert & Kaun GbR]
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        Kubism [Cubism]

      Kirjastus "Arlekiin", [Tartu] 1920 - Octavo (18 × 11.2 cm). Original pictorial wrappers (presumably by Ado Vabbe); 19, [1] pp. Very light trace of moisture to part of cover; small Soviet-era bookstore stamp to rear wrapper; a very good copy. First appearance in Estonian of Nikolai Kulbin's essay on Cubism (1915), translated by the Futurist writer Albert Kivikas. Kulbin sketches the development of Cubism, focusing on Cezanne, Picasso and Andre Derain, while also referring to Russian artists at the turn of the century. This translation of his essay would have been a seminal influence on the development of Estonian modernist art in the 1920s. Following Estonian independence, visual experimentation flourished, especially around the Pallas art school in Tartu, where Cubist and Suprematist elements were promoted. Kulbin (1868- 1917) was a Russian artist, art theorist and representative of Russian futurism associated with the Cubo-Futurist "Hylaea" group. With a striking linocut cover design, most likely by Ado Vabbe (1892-1961), one of the most prominent Estonian modernist artists active in Tartu. KVK, OCLC only show the copy at Columbia University. [Attributes: Soft Cover]

      [Bookseller: Penka Rare Books, ILAB]
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        Pittura stile futurista.

      1920. Olio su tela incollata su cartone. Cm. 22 x 12.

      [Bookseller: Libreria Cicerone M.T.]
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        Collection of Artwork, Drawing, and Sketches by A S Van Eerde, c1920s - 1940s

      , c1920s - 1940s. c1920s - 1940s. The collection is overall in good condition. On some pieces there are glue stains on the back. The sketches and notes are on a finer paper, which as caused some very minor tears along the edges on some pieces. Some of the paper is toned and soiled. But overall fine. . A collection of over seventy (70) pieces of artwork by A S Van Eerde. The work is in various stages of completion, such as notes, outlines, sketches, illustrations, and completed works. A S Van Eerde was a commercial artist that designed advertisements for clients. He also sold his own fine art and was a writer/illustrator that did covers and interiors for magazines like "American Legion Weekly", and comic books. He had a short-lived comic strip called "2038 AD: An Excursion to Mars", that ran only four installments in "Amazing Mystery Funnies" comic book series published by Centaur between 1938-1940.Among the collection is a series of six (6) watercolors that depict what "Daddy & Bruce" did during their day together, such as visiting the Museum of Natural History, and the zoo. Another series of six (6) watercolors depict several hilarious moments, such as a young girls 'sensible winter outfit' and an early morning conversation at the bus stop. There are several one off pieces (in ink, pencil or watercolor): rides at an amusement park, a master painter painting using paint by number, a professor putting helium in his car tires instead of air, and sketches of different advertisements, as well as some finished products or possible reference pieces.Please view the collection by clicking on the link:

      [Bookseller: Eclectibles ]
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        Autograph Letter Signed

      1920. Signed. BERNHARDT, Sarah. Autograph Letter Signed. Paris: no date. Three pages, small octavo, window matted and framed with portrait. Entire piece measures 17-3/4 by 10-1/2 inches. $1500.Lengthy and intriguing Sarah Bernhardt autograph letter signed, in French, finely framed with a portrait.In this letter the actress writes, in French, that she ""has just arrived, to look for an apartment. I think I've finally found one, on the rue d'Alger, at the gate of the Tuileries. This brings me closer to the theater and I am near M. Olivier, who is on the side of the Place Vendome. Maman is up to her ears in her legal proceedings. Planat/Oscar P., the friend of her younger sister Jeanne sends a letter every day with love and compliments, but not a centime. It's too much. Jeanne loves him so much that she doesn't want to ask him for money! It's a scream! I have, dear one, followed your counsel. Grandmother has left, but that's not bad, and I have shed all my tears and am now feeling well. God is sending me good things. I thinkÂ… is sending you a little something soon. This unfortunate Paul Fouché hasn't written me; but I saw him yesterday beneath my windows at 11 p.m. It's crazy! Olivier has come back and is sad not to have seen you. He sends you ten thousand good wishes. I miss you terribly, my dear Lohigi, hurry back, I beg you. Maman told me to tell you not to forget her china. Certainly don't forget that. She believes—knows—that I will forget. But that's Maman—you know the rest. I'm in a real rush because I need to write to my son. Return to me soon, dear Lohigi, I miss you terribly. I must leave you know but I embrace you with all my heart.""""Sarah Bernhardt was not simply the most famous actress the world has seen; she was among the most giftedÂ… Working within the Romantic tradition, she created exciting entertainment out of wild emotion, yet never quite lost her ability to touch the heights and depths of tragic understandingÂ… audiences found it hard to resist making connections between her roles and her lifestyle"" (ODNB). Letter in French. Fine condition.

      [Bookseller: Bauman Rare Books]
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        Zinkgussfigur *Schirm-Trägerin*, um 1920.

      - Sehr dekorative Zinkgußfigur ( Höhe 45 cm ), teilweise bronzefarben bemalt. Dargestellt ist eine junge, sich gegen den Wind stemmende Frau mit Schirm. Der Schirm mit 8 eingelegten runden Perlmuttfeldern. Wohl um 1920 entstanden. Auf schmalem Marmorsockel - dieser lose, Montierung ist defekt . Ansonsten insgesamt guter Zustand. - selten - ( Gewicht 3300 Gramm ) ( Pic erhältlich // webimage available )

      [Bookseller: Antiquariat Friederichsen]
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        Nemzeti kérdés és kommunizmus. Az Internacionálé. A "kommunizmus Abécéje" alapján [The national question and communism. The International. Based on the "ABC of Communism"]

      Izdanie Ural'skogo Oblastnogo Izdatel'stva, Jekaterinburg 1920 - Octavo (22.5 × 15.5 cm). Original printed wrappers; 20 pp. Private inventory number to title and last page; light wear to lower right corner, else very good. First Hungarian edition of the seventh chapter of Nikolai Bukharin's "ABC of Communism" (Azbuka kommunizma, 1919), which deals with nationalism and oppression, a topic particularly relevant to Hungarian soldiers in the Russian Empire, most of whom were clearly oriented against the old Austro-Hungarian Regime. Printed and distributed by the regional committee of the Hungarian Section for agitation and propaganda in Jekaterinburg. KVK, OCLC only show the copy at the Hoover (possibly a variant, as the pagination differs: 16 pp). [Attributes: First Edition; Soft Cover]

      [Bookseller: Penka Rare Books, ILAB]
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        Krasnaia Maska

      1920. TSIRK KOLLEKTIV. Krasnaia Maska. [Russia: Tipografiia Sporta, circa 1920]. Large poster (28 by 21 inches), tissue-backed. Handsomely matted and framed, entire piece measures 34 by 27 inches. $2800.Large original poster announcing a program of competitive wrestling matches conducted under the auspices of the “Tsirk Kollektiv” (Circus Collective), typeset in a wide selection of Cyrillic wooden fonts, with bold woodcut of a pair of wrestlers.The “stellar program” described on this original sporting poster from the early years of the Soviet Union features three wrestling matches: the “Red Mask against Gersh Brodskii, the only Jewish wrestling champion in the world,” “Sali-Sulieman, the strongest Muslim wrestler, a fovorite of the Russian public, undefeated champion of the world, against the champion of the Volga region, Smirnov,” and finally the main event, “Kolya Kraviani vs. Borelli of Tiflis [Tiblisi].” Two faint fold lines, small paper repair to intersection. A striking piece.

      [Bookseller: Bauman Rare Books]
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        Frauen-Akt ( Rückansicht ). Ölgemälde auf Platte, signiert.

      Bildmaß der Darstellung: 25 x 17,5 cm ( Höhe x Breite ), Öl auf Hartfaserplatte, alt gerahmt ( Rahmenmaß: 31 x 23 cm ). Das Bild links unten zweifach mit *H. Stegemann * signiert, undatiert ( laut Auskunft des Vorbesitzers um 1920 ). Das Bild von guter Erhaltung, der Rahmen etwas bestoßen. ( Literatur: Rump: Lexikon der bildenden Künstler Hamburgs, Seite 444-445 u.a. )

      [Bookseller: Antiquariat Friederichsen]
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        A fantastic early A.A. Milne ALS, discussing an early children's book he authored before his success of Winnie The Pooh

      Chelsea, UK, January 12, 1920. 4.5" x 5.75". "Single page ALS, signed in full signature ""A.A. Milne"" and dated ""12. 1. 20"" (January 12, 1920), 4.5"" x 5.75"" on stationary with letterhead of 11, Mallord Street, Chelsea, S.W.3. Tel Kensington 2074. Expected center fold. Very soft rippling to the page. Near fine.Before Christopher Robin and Milne's children series of adventures of Winnie The Pooh, Milne dabbled with an earlier novel he in part considered as a work for children, whoever one which could also be enjoyed by adults. In his letter to Vincent Seligman, who became a life long friend spanning his adult lifetime, Milne displays his typical jocular humor about his new children's novel, ""One on a Time"", published in 1917 by Hodder and Stoughton. He jovially pokes fun at himself when notes to Seligman, ""You seem to have had nearly all the copies of ""Once on a Time"" which were sold. This is my favorite book, and it is a shock to find that I only had two readers when I thought I had eight."" Milne heavily critiqued this book, and was known to have even said ""This is an odd book"" and indeed it is very difficult to classify. Ostensibly a typical fairytale, it tells the story of the war between the kingdoms of Euralia and Barodia and the political shenanigans which take place in Euralia in the king's absence, all supposedly rewritten by Milne from the writings of the fictional historian ""Roger Scurvilegs"".This letter marks the early beginnings of the making of one of the most famous children's authors of the 20th century! Milne created ""Once on a Time"" to contain believable, three-dimensional characters, rather than the stereotypes which will satisfy children. Hence the book introduces us to a princess who is far from helpless; a prince who, whilst handsome, is also pompous and vain; an enchantment which is almost entirely humorous; a villain who is not entirely villainous and receives no real comeuppance; a good king who isn't always good; an evil king who isn't always evil, and so on. The result is a book which children may not enjoy as much as adults. The book was written by Milne partly for his wife, upon whom the character of the Countess Belvane was partially based.He was known to grapple with the definition of a children's book, and philosophical about what exactly constitutes the definition of a children's book, including ""Once on a Time"". Milne was known to have said ""Is it a children's book? Well, what do we mean by that? Is The Wind In The Willows a children's book? Is Alice in Wonderland? Is Treasure Island? These are masterpieces which we read with pleasure as children, but with how much more pleasure when we are grown-up. In any case, what do we mean by ""children""? A boy of three, a girl of six, a boy of ten, a girl of fourteen - are they all to like the same thing? And is a book ""suitable for a boy of twelve"" any more likely to please a boy of twelve than a modern novel is likely to please a man of thirty-seven; even if the novel be described truly as ""suitable for a man of thirty-seven""? I confess that I cannot grapple with these difficult problems. But I am very sure of this: that no one can write a book which children will like, unless he write it for himself first. That being so, I shall say boldly that this is a story for grown-ups. [...] But, as you see, I am still finding it difficult to explain just what sort of book it is. Perhaps no explanation is necessary. Read in it what you like; read it to whomever you like; be of what age you like; it can only fall into one of the two classes. Either you will enjoy it, or you won't.""This delightful early letter, signed in full by A.A. Milne, is shown below. Little did he know at the time just how much he would come to dominate children's literature, with no worries about just how many copies were to be sold and read:""12 . 1 . 20Dear Mr. Seligman,I am afraid we cannot manage lunch on Thursday. My wife is a way at present, and probably comes back on that afternoon and I am engaged (illegible) thursday. After … if we may; or you must come and see us then and be introduced to the elephant outside the door.Re. Simpson. First … he is imaginary, though I know somebody like him (in manner, not in appearance). But curiously enough my wife and I were at the theatre on Thursday – though not in a box- and on the way out I was spoken to by a man whom I know slightly who is exactly like Simpson, this imaginary Simpson, in appearance. I feel that this must have been the man you saw. Otherwise the whole theatre seems to have been crowded with them.You seem to have had (illegible) the copies of ""Once on a Time"" which were sold. This is my favorite book, and it is a shock to find that I only had two readers when I thought I had eight. But I am very grateful to you for insisting on it.Yours sincerely,A.A. Milne"""

      [Bookseller: University Archives]
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        Les maîtres du cubisme. Georges Braque

      First edition, printed in 100 numbered nominative copies on vergé paper, this one not justified but printed for Léonce Rosenberg.With 20 reproductions of Cubist works by Georges Braque.Printed collector's stamp serving as ex libris to title.Traces of dampstaining to spine of chemise, sunning and light worming to guards.A good and rare copy. Editions de L'effort moderne Paris 1920 25,5x32,5cm en feuilles sous chemise à lacets

      [Bookseller: Librairie Le Feu Follet]
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        Art Deco, honden - Carl Josef Bauer, ca. 1920.

      VREUGDEVOLLE DAME MET HAAR HONDJEEts vervaardigd ca. 1920 door Carl-Josef Bauer. Met potlood genummerd 29/50 en gesigneerd.Bauer (1895 -1964) studeerde aan de Kunst-Akademie in M?nchen en stelde tentoon in o.a. de befaamde Glasplalast. Bauer was 10 jaar voorzitter van kunstenaarsvereniging Allotria. Het leeuwendeel van zijn etswerk kwam tot stand tussen 1914 en 1928.Bauer werd met name bekend om zijn naakten en afbeeldingen van beroemde filmsterren zoals Greta Garbo, Dolores del Rio en anderen in typische Art Deco stijl.Prijs: ?950,- (incl. 21% BTW, incl. lijst).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
 31.   Check availability:     NVvA     Link/Print  

        Un gentilhomme

      - Flammarion, Paris 1920, 13x19cm, relié. - Prima edizione, una delle 40 copie numerate sulla Cina, edizione deluxe. foxing inevitabile che colpisce principalmente i margini di alcune foglie. - [FRENCH VERSION FOLLOWS] Edition originale, un des 40 exemplaires numérotés sur Chine, tirage de tête. Inévitables rousseurs affectant principalement les marges de certains feuillets.  

      [Bookseller: Librairie Le Feu Follet]
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        Excursions & visites dada. 1ère visite: Eglise Saint-Julien le Pauvre. Jeudi 14 avril a 3 h. Rendez-vous dans le jardin de l'eglise.

      Paris 1920 - 27,5 x 21,8 cm. Einblattdruck in Schwarz und Blau. Einladung u. Programm zur ersten Exkursion der Pariser Dadaisten, unterzeichnet von Aragon, Arp, Breton, Buffet, Eluard, Péret, Picabia, Tzara u. a. – Weitere Exkursionsziele sind der Louvre, der Parc des Buttes Chaumont, der Gare Saint-Lazare u. a. – Punktuell auf Pappe montiert u. gerahmt. – Der ursprünglich graugrüne Papierton durch die stärkere Bräunung nicht mehr erkennbar, winziger Abriß der oberen Ecke.-Motherwell-Karpel 114ff. (mit Abb.). – Verkauf 87 (Abb.) [Attributes: First Edition]

      [Bookseller: Antiquariat Eckert & Kaun GbR]
 33.   Check availability:     ZVAB     Link/Print  


      , 1920. 1920. VAN DYKE, Henry. The Works of Henry Van Dyke. New York: Charles Scribner

      [Bookseller: Bauman Rare Books ]
 34.   Check availability:     ABAA     Link/Print  

        Original Cartoon Artwork, "International Chamber of Commerce Vs Communist International" Graphite on Paper. Signed At Lower Right Corner

      (Dailty Worker), n.p. 1920 - Original art. Graphite on paper showing a gladiator with sword attacking a well-muscled working man doing well holding the soldier at bay. Very little is known about Daily Worker cartoonist Vose, although his work appeared frequently in the late 1920s Daily Worker, the newspapaer of the Communist Party of the United States. The appearance of this cartoon in the Daily Worker has not been traced. Very good+ with old fold at center. ; 14 x 10"; 1 pp

      [Bookseller: Beasley Books, ABAA]
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        Krasnaia Maska

      , 1920. 1920. TSIRK KOLLEKTIV. Krasnaia Maska. [Russia: Tipografiia Sporta, circa 1920]. Large poster (28 by 21 inches), tissue-backed. Handsomely matted and framed, entire piece measures 34 by 27 inches. $2800.Large original poster announcing a program of competitive wrestling matches conducted under the auspices of the

      [Bookseller: Bauman Rare Books ]
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        Tapiau 1858 - 1925 Zandvoorst) Die Opferung Isaacs (nach Rembrandt). Radierung von 1920. Unten rechts signiert. 31,5 x 25 cm (Blattgröße 46,5 x 30 cm). Unter Passepartout schön gerahmt.

      1920 - Schwarz 391. Gewicht in Gramm: 500

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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        The Storm of Steel. From the Diary of a German Storm-Troop Officer on the Western Front. - [Emotionally inscribed by Chapman, who voices his disgust at Ernst Juenger's account of World War One. / Comes with Storm of Steel, Folio Society edition, London, 2012].

      First English Language Edition. 14,5 cm x 20 cm. XIII, 319 pages. Original Hardcover. Red cloth with gilt lettering and ornaments to spine. Inscribed by Guy Chapman on the front free endpaper: 'The author is a most gifted liar...the usual bloody Boche'. / Small Exlibris / Bookplate 'Guy Chapman, Savile Club, London'. Very good condition with only minor signs of external wear. Storm of Steel (in German: In Stahlgewittern) is the memoir of German officer Ernst Jünger's experiences on the Western Front during the First World War. It was originally printed privately in 1920, making it one of the first personal accounts to be published. The book is a graphic account of trench warfare. It was largely devoid of editorialization when first published, but was heavily revised several times. Storm of Steel begins with Jünger as a private entering the line with the 73rd Hanoverian Regiment in Champagne. His first taste of combat came at Les Éparges in April 1915 where he was first wounded. After recuperating, he took an officer's course and achieved the rank of Leutnant. He rejoined his regiment on the Arras sector. In 1916, with the Battle of the Somme underway, Jünger's regiment moved to Combles in August for the defence of the village of Guillemont. Here Jünger was wounded again, and fortunately absent shortly before the final British assault which captured the village his platoon was annihilated. In 1917 Jünger saw action during the Battle of Arras in April, the Third Battle of Ypres in July and October, and the German counter-attack during the Battle of Cambrai in November. Jünger led a company of assault troops during the final German Spring Offensive, 21 March 1918 when he was wounded again. On 23 August he suffered his most severe wound when he was shot through the chest. In total, Jünger was wounded 14 times during the war, including five bullet wounds. He was awarded the Iron Cross 1st Class and was the youngest ever recipient of the Pour le Mérite. (Wikipedia) Ernst Jünger (29 March 1895 17 February 1998) was a highly decorated German soldier, author, and entomologist who became famous for his World War I memoir Storm of Steel. The son of a successful businessman and chemist, Jünger rebelled against an affluent upbringing and sought adventure in the Wandervogel, before running away to briefly serve in the French Foreign Legion, an illegal act. Because he escaped prosecution in Germany due to his father's efforts, Jünger was able to enlist on the outbreak of war. During an ill-fated German offensive in 1918 Jünger's World War I career ended with the last and most serious of his many woundings, and he was awarded the Pour le Mérite, a rare decoration for one of his rank. In the aftermath of World War II Jünger was treated with some suspicion as a possible fellow traveler of the Nazis. By the latter stages of the Cold War his unorthodox writings about the impact of materialism in modern society were widely seen as conservative rather than radical nationalist, and his philosophical works came to be highly regarded in mainstream German circles. Jünger ended his extremely long life as an honoured establishment figure, although critics continued to charge him with the glorification of war as a transcending experience. (Wikipedia) Major Guy Patterson Chapman OBE MC (September 1889 June 1972) was a British historian and author. He was educated at Westminster School, Christ Church, Oxford and the London School of Economics. He married Margaret Storm Jameson in 1926. Chapman served in the Royal Fusiliers, 191420, particularly in France and Belgium, 191518. He was appointed an Officer of the Order of the British Empire in the 1919 New Year Honours. He was awarded the Military Cross in December 1919:For conspicuous gallantry and leadership near Ghissignies, on 4th November, 1918. When the battalion was going through Gihissignies in support of the attack, information was received that the left company of the leading battalion had been held up. Under heavy shell fire he went forward to reconnoitre, and found that the supporting battalion appeared likely to become prematurely involved in the fighting. By his energy and initiative in taking command of the situation this was prevented. He also served in World War Two. He was engaged in book publishing, 192040, and was Professor of Modern History, University of Leeds, 194553, and visiting Professor, University of Pittsburgh, 194849." (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
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        DOCUMENTS SUR LA DANSEUSE LA ARGENTINA (coupure de presse, programmes, cartes postales, tirages photos)

      - Ensemble constitué de 21 documents d'époque (1920-1930) consacrés à la danseuse et chorégraphe "LA ARGENTINA" (1890-1936). Une coupure de presse (un feuillet in-4°) : deux articles de Andre-Levinson dont un extrait de "La Argentina, essai sur la danse espagnole." (Paris, 1928). Programmes : "Récital de danse espagnole donné par Mme Argentina avec le concours du pianiste Luis Galve", sans lieu ni date (vers 1930). Fascicule in-8°, non paginé (8 pp.), agrafé sous couverture illustrée. Programme orné de quelques illustrations; "Hommage à la Argentina par Nana de Herrera.", Paris, salle Pleyel, 18 juillet 1941. Un fascicule petit in-4°, composé de deux feuillets sous couverture illustrée en noir (deux exemplaires dont un comportant des rousseurs aux couvertures); Neuf cartes postales anciennes (studio d'Ora Paris) : six portraits de La Argentina (une carte est en deux exemplaires et une autre en trois exemplaires). 8 tirages photographiques en noir (argentique, années 30-40) : La Argentina devant une berline dans un parc (22 x17cm, tampon RAGEL, Madrid, daté 1935 au dos, marques de pliure en bordure); La Argentina assise dans un hôtel de Madrid (17 x 23cm, tampon DUQUE, daté 1931 au dos); Portraits de La Argentina : trois portraits en pied au format 17 x 23cm (studio "d'Ora Paris" à droite ou à gauche au bas de chaque photo, petite marque de pliure angulaire sur un des portraits); trois portraits en buste : un au format 16 x 19,5cm (tampon "d'ORA PARIS" au dos), un au format 13,5 x 19cm, un au format 11,5 x 13,5cm. [Attributes: Soft Cover]

      [Bookseller: Aparté]
 39.   Check availability:     IberLibro     Link/Print  


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