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Displayed below are some selected recent viaLibri matches for books published in 1920

        [CRICKET] Alice in Holidayland

      A parody in prose, verse and picture. Perpetrated with apologies to the immortal originals of Lewis Carroll and John Tenniel. Pictures by Frank H. Mason and Noel Pocock.Leeds: Chorley & Pickersgill, n.d. [c. 1920]. Second edition. Oblong quarto, illustrated card wrappers (light marks and corner wear), string bound, 47 pp, illustrated throughout with colour plates, including a delightful Australian plate of a kangaroo and British lion fighting over the Ashes, an urn which Alice is holding tightly; contents very clean and sound. This scarce publication was commissioned by the North Eastern Railway to accompany an advertising campaign which promoted the resorts in the North East of England using characters from Lewis Carroll's popular books. Charming juvenilia with Australian content. Five copies recorded in Australian collections (National Library of Australia; State Library of New South Wales; State Library of South Australia; Monash University Library; MCC Library).

      [Bookseller: Douglas Stewart Fine Books]
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        Old French Fairy Tales

      Illustrated by Virginia Frances Sterrett. Philadelphia : Penn Publishing Company, [1920]. Quarto, gilt-lettered cloth with pictorial onlay (slightly dulled to spine and rubbed lower edge), decorated endpapers, black and white illustrations, 8 magnificent colour plates. A fine copy. A superior copy of this book of fairy tales with illustrations done by Sterrett at the age of 19. This was her first commissioned work. In 1931, at the age of 31, Sterrett died from tuberculosis.

      [Bookseller: Douglas Stewart Fine Books]
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        Die Novelle. Mit 10 Steinzeichnungen Von Carl Rabus.

      Hesperos-Verlag, Munchen 1920 - Stone lithographs; 4to 11" - 13" tall; 39 pages; Circa 1920. Hesperos-Verlag, Munchen. Limited edition; #32 of 500 copies produced. Manuscript signature in pencil by the illustrator Rabus to 9 of the 10 tissue guarded lithographs. He has also signed the limitation colophon on the terminal leaf of the book. Bound in cream parchment over boards with pictorial emblem in gilt to cover and double fillet borders in gilt. Black morocco leather title label lettered in gilt has a tiny chip at the edge. A single tissue guard to the 7th plate is missing; all others present. 9 of 10 plates are hand signed. Boards yawn just a trifle at the front edge. Superficial bumping at front corners. Prior owner name and address stamp to the verso of the front endpage. VG to VG+; Signed by Author [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: DogStar Books]
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        Sphinx, The

      London: John Lane, The Bodley Head, 1920. Oscar Wilde's "The Sphinx" Illustrated by Alastair The 'Exquisite Grotesque! Half Woman and Half Animal!' ALASTAIR [VOIGHT, Hans Henning, illustrator]. WILDE, Oscar. The Sphinx. Illustrated by Alastair. London: John Lane, The Bodley Head, 1920. First edition illustrated by Alastair (first published in 1894, with decorations by Charles Ricketts). Limited to 1,000 copies. Large quarto. 36 pp. Ten plates printed in black and turquoise, with descriptive tissue guards, plus two additional plates on the front and rear endpapers. Thirteen large decorative initials (including repeats) printed in black and turquoise. Title printed in black and turquoise. Publisher's white buckram, front cover pictorially stamped in gilt and dark turquoise with a design by Alastair, spine lettered in gilt, top edge gilt, others uncut. Small circular bookplate on rear paste-down. Spine very slightly darkened, but the gilt and blue design on front cover quite fresh. A near fine copy. "The publication of The Sphinx in 1920 signalled the start of Alastair's decade of fame. The book had been planned before the war. The illustrations had been printed in Belgium and stored in London during the war years: as a note in the book pointed out... First published by John Lane in 1894, this was originally a youthful poem, later revised. An invocation to the Sphinx, the 'exquisite grotesque! half woman and half animal!', it brought in a multiplicity of Egyptian echoes in its heightened language." (Victor Arwas. Alastair Illustrator of Decadence, p. 12 & p.30) Alastair (Hans Henning Voight) 1887-1969, was a a writer, artist, dancer, and illustrator. His drawings were inspired by the work of Aubrey Beardsley, and combines his elegant skill with his fascination of the perverse, sinister, and satanic. Oscar Wilde (1854-1900). Oscar Wilde's poem "The Sphinx" depicts a sexually voracious monster - the legendary Sphinx, who, in Wilde's work, has been the lover of many classical figures, among them Ammon, the god Amenalk, the gryphon, and the Tragelaphos (a goat-stag monster of myth). Throughout the poem Wilde makes references to figures of legend.

      [Bookseller: David Brass Rare Books, Inc.]
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        Irish Fairy Tales

      London: Macmillan & Co., Ltd, 1920 - When Irish Elves Are Smiling It's an Arthur Rackham SpringWith the Lilt of Irish FairiesYou Can Hear the Goblins Sing[RACKHAM, Arthur, illustrator]. STEPHENS, James. Irish Fairy Tales. London: Macmillan & Co., Ltd, 1920. First trade edition. Quarto (8 1/4 x 6 5/8 in; 210 x 168 mm). x, 318 pp. Sixteen full color plates with captioned tissue guards, twenty-one drawings in black and white. Publisher's gilt-stamped green cloth. Top edge stained green. Corners and spine extremities a little rubbed. A near fine copy.The fairy tales in this book include:The Story of Tuan mac CairillThe Boyhood of FionnThe Birth of BranOisin's MotherThe Wooing of BecfolaThe Little Brawl at AllenThe Carl of the Drab CoatThe Enchanted Cave of Cesh CorranBecuma of the White SkinMorgan's Frenzy"Rackham's two great books of the twenties were James Stephens' Irish Fairy Tales of 1920 and Shakespeare's Tempest of 1926. Beyond the softness of style and inventiveness, the most striking thing about the colour plates for Irish Fairy Tales is the felicitous and appropriate use of celtic borders" (Gettings, p. 143)."Rackham's books for the English market in the early post-war years included Flora Annie Steel's English Fairy Tales Retold (1918)? and his friend James Stephen's collection of Irish Fairy Tales? In the latter book, Rackham broke new ground in the illustration of Irish literature. He had been persuaded to tackle Stephens's stories by Walter Starkie, who had vowed to give his uncle 'no peace' until he had agreed to illustrate them. In writing the stories, Stephens had attempted to create an Irish equivalent of The Arabian Nights, his own poetic retelling of the stories which existed in the oral tradition and in Gaelic texts, but which had not appeared accessibly in print. Rackham rose to the occasion, and his nephew's haunting of him was justified. The Dublin Independent was particularly warm in welcoming the collection, remarking: 'We read English tales with appreciation because pictures have familiarised us with English imagery. A Fenian tale lacks imagery because we have no art to give it colour and shape to what are presently only names. Some of Mr. Rackham's pictures are pure poems - they set you dreaming." (Hamilton, p. 128).Latimore and Haskell, p. 52. Riall, p. 138. [Attributes: First Edition]

      [Bookseller: David Brass Rare Books, Inc.]
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        RUR. Rossum's Uinversal Robots. Kolektivní drama o vsupiní komedii a trech aktech.

      Praze (Prague), Aventinum, 1920. Bound in a contemporary green half cloth with gilt lettering to spine. Binding a bit simple, but fine. Internally very nice and clean. Scarce first edition of the seminal work that coined the term "robot", introduced it to the English language - and all other languages - and to science fiction. The work constitutes a cornerstone of 20th century literature and a landmark work of science fiction. The work was first published, as it is here, in Prague, 1920, in the original Czech, bearing the English subtitle "Rossum's Universal Robots". The play premiered on January 25 1921 and became an immediate success. By 1923, it had been translated into thirty languages. The work was hugely influential from the very beginning, and today science fiction is scarcely imaginable without this groundbreaking work. Introducing the word "robot", Capek displaced older words such as "automaton" or "android" in languages around the world. The word is derived from the Czech "robota", which means forced labour of the kind that serfs had to perform on their masters' lands - "robota" again is derived from the Czech word "rab", which mean "slave". The name "Rossum" is an allusion to the Czech word "rozum", which means "reason", "wisdom", "intellect" or the like. In "R.U.R" a scientist discovers the secret of creating humanlike machines that are more precise and reliable than human beings, and a factory is set up, making these artificial people - robots - from synthetic organic matter. The robots are not made of metal, but of living flesh and blood and resemble the modern ideas of robots and clones more than mechanical "items". They are still, assembled, however, and not born or grown. Capek's robots may be mistaken for humans and can think for themselves. In the beginning, the robots seem happy to work for humans, but a robot rebellion leads to machines dominating the human race and threatening it with extinction.The play was translated from Czech into English by Paul Selver and adapted for the English stage by Nigel Playfair in 1923. The American première was at the Garrick Theatre in New York City in October 1922, where it ran for 184 performances, a production in which Spencer Tracy and Pat O'Brien played robots in their Broadway debuts. It also played in Chicago and Los Angeles during 1923.

      [Bookseller: Lynge & Søn A/S]
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        L'Ossatura Murale. Studio statico-costruttivo ed estetico-proporzionale degli organismi architettonici, con speciale riferimento alle sturtture elastiche nelle loro varie e moderne applicazioni practiche. Parte I - La stabilita : proporzionamento e disposizione delle strutture resistenti in conseguenza alle azioni che sollecitano il sistema: proporzionamento dell'ambiente. Parte II. Parte II - L'estetica : caratteri estetico-proporzionali delle forme di struttura in relazione anche all'ufficio statico disimpegnato dal sistema resistente. Parte III. La costruzione: la pratica dell'esecuzione con i varii materiali e mezzo d'opera delle strutture resistenti

      C. Crudo & c., Torino. 1920 - 1ª ed. Tomo I: Cuaderno de xiii + 122pp., portada de Tavole y 61 láminas sueltas. Tomo II: Cuaderno de viii + 49pp. 1h., portada de Tavole y 44 láminas. Tomo III: cuaderno de viii + 96pp., portada de Tavole y 92 láminas Cada tomo en una carpeta editorial estampada. Monumental tratado de arquitectura desde lo clásico hasta la segunda década del s. XX. Algún roce en las cubiertas, pero muy buenos ejemplares de esta obra rara y apreciada. Envíos para España: el pago contra reembolso conlleva un recargo de 4 Euros.

      [Bookseller: Carmichael Alonso libros]
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        Max Grauert: Innen-Einrichtungen. Ernst Zink: Innen-Räume.

      Berlin, um 1920-30. 2 Fotoalben. Ca. 27 und 28 kartonierte Blätter. Quer 4° (ca.33 x 25 cm). Original-Halbpergamin mit goldgeprägtem Titel. Ein Blatt lose, sonst beide Alben in gutem Zustand! 2 Fotoalben mit den Inneneinrichtungen und der Verlagsinnenarchitektur von Max Grauert und Ernst Zink, Herausgeber des Berliner Kunstverlages Grauert & Zink (ca. 1900-2011, sehr bedeutend in den 20er bis 30er Jahren). Album Max Grauert mit 27, Album Ernst Zink mit 28 Original-Fotos, überwiegend in ca. 17 x 23 cm, einige wenige kleinere Formate, diverse Bilder sind Wiederholungen. Die Fotos zeigen sowohl Bilder aus dem Geschäftsbereich mit den Verlagsräumen als auch aus dem privaten Bereich mit Inneneinrichtung (z. B. auch die Dachterrasse) und persönlichen Aufnahmen (Familienbilder). Anbei 1 Original-Foto, 12 x 17 cm, Blumengesteck der Firma für die Trauerfeier von Ernst Zink, 16.7.1925, rückseitig handschriftlicher Vermerk. Außerdem Verlagspostkarten, eine achtseitige Verlagswerbung für farbige Kunstblätter von Högfeldt (1937) sowie diverse Rechnungsformulare des Verlages. - Siehe Foto. Versand D: 5,90 EUR

      [Bookseller: BerlinAntiquariat]
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        William Shakespeare: Hamlet. Prince of Denmark.

      [Berlin], [Paul Graupe], [] 1920 - 32 x 24 cm. Mit radiertem Titelblatt und 31 Original-Radierungen., HPerg.-Mappe mit losen Blättern., Einige Blätter etwas stockfleckig. Papier etwas gebräunt Alle Radierungen vom Künstler signiert. Radierfolge ohne den Text. Eine Buchausgabe erschien im selben Jahr mit den in den Text eingedruckten Radierungen bei J. Schröder in München.- Sepp Frank (1889-1970) deutscher Maler, Glasmaler und Grafiker. studierte an der Münchner Akademie der Bildenden Künste, eine Ausbildung, die er im Gegensatz zu seinem Altersgenossen Christian Schad, der ebenfalls in Miesbach geboren war, beendete. Frank unternahm frühzeitig zahlreiche Studienreisen um sich weiterzubilden. Er wandte sich bald der Graphik zu und ist noch heute für seine zahlreichen Exlibris bekannt. Neben der Porträtmalerei war ein weiteres Betätigungsfeld die Glasmalerei und er schuf beispielsweise Werke für den Münchner Dom, die Marienkirche in Limburg an der Lahn, die St.Otto-Kirche in Bamberg (1927) und die Kirche St. Gabriel in München, aber auch 1952 eine Maria mit Kind für die kath. Kirche St. Agatha in Dülmen-Rorup und 1937 das Fenster "Segnungen der Kohlechemie" für das Verwaltungsgebäude der Degussa GmbH in Herne-Wanne-Eickel. Diese Werke sind teilweise im Zweiten Weltkrieg zerstört worden. Schon 1942 wurde er durch eine Sonderausstellung des Maximilianmuseums in Augsburg geehrt. Schlagworte: Illustr. Bücher - Originalgrafik [Attributes: Signed Copy]

      [Bookseller: antiquariat peter petrej]
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        L'Enfant

      Paris, Mornay 1920 - 20x3x15.5 cm Edition of 1000 copies. Copy on Japon Imperial, one of 60 copies. Perfect conditions and uncut. Edition tirée à 1000 exemplaires. Il s'agit de l'un des 60 exemplaires imprimé sur papier Japon Impérial. Dans de parfaites conditions et non-coupé.

      [Bookseller: Amoc Art]
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        Karl Ritter: Die Einflüsterung (Originalzeichnung)

      1920 - Aquarell, Tusche und Deckweiß auf Papier 37,5 x 27,5 cm Rechts unten signiert Veröffentlicht: „Der Orchideengarten“ Jahrgang 1920, Band 2, Heft 11, Titelseite (Variante) [Attributes: Signed Copy]

      [Bookseller: Kunkel Fine Art]
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        [WATERCOLOR AND MANUSCRIPT POEM] ROT UND GLÜHEND IST DAS AUGE DES JUDEN

      No Date (ca. 1920? ) . Original watercolor by Steinhart painted on the half title of from their joint publication, "Rot und Glühend is das Auge des Juden" (Berlin, 1920) which was a collection of poems by Nadel illustrated by Steinhart. The original watercolor, which is very similar to the woodcut on the cover of their book, is paired with an original autograph version of the title poem (

      [Bookseller: Dan Wyman Books LLC]
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        Recueil de 17 articles Politiques et Economiques rédigés par le professeur Georges H. Bousquet (1920-1927) [ Contient : ] I : Questions Politiques et Economiques : 1e : L'Industrie du gant en France ; 2e : La situation à Dantzick ; 3e : La situation de la Pologne ; 4e : La situation en Autriche ; 5e : A propos du Traité de Commerce austro-turc ; 6e : Les Finances Autrichiennes et la Société des Nations ; 7e : Zur Währungspolitik der Ost. Nationalbank ; 8e : La Situation économique de l'Autriche ; 9e : Note sur le Séparatisme Rhénan ; 10e et 11e : Ruhrbesetzung u. Welturitschaft ; II : Théorie économique : 12e : Les nouvelles tendances de l'école autrichienne ; 13e : Critique de l'Economie Pure ; 14e : Observations sur l'intérêt du Capital ; 15e : Les origines de l'Economie Politique ; 16e : Un grand économiste italien Fr. Ferrara ; 17e : L'oeuvre économique d'Angelo Messedaglia

      1 vol. in-8 reliure demi-percaline, I : Questions Politiques et Economiques : 1e : L'Industrie du gant en France (The Export Recorder, 1920) ; 2e : La situation à Dantzick (Le populaire de Paris, 1923) ; 3e : La situation de la Pologne (La Fraternité, 1923) ; 4e : La situation en Autriche (La Fraternité, 1924) ; 5e : A propos du Traité de Commerce austro-turc (L'Asie française Mai 1924) ; 6e : Les Finances Autrichiennes et la Société des Nations (Revue d'Eco Politique 1924) ; 7e : Zur Währungspolitik der Ost. Nationalbank (Mitt. der Bankenverbander 1926) ; 8e : La Situation économique de l'Autriche (Revue Economique Internationale 1927) ; 9e : Note sur le Séparatisme Rhénan (Livres propos, 1923) ; 10e et 11e : Ruhrbesetzung u. Welturitschaft (Texte français et allemand) ; II : Théorie économique : 12e : Les nouvelles tendances de l'école autrichienne (revue d'Economie Politique, 1924) ; 13e : Critique de l'Economie Pure (Revue d'Economie Politique) ; 14e : Observations sur l'intérêt du Capital (Revue d'Ec. Politique, 1927) ; 15e : Les origines de l'Economie Politique (De Economist, 1924) ; 16e : Un grand économiste italien Fr. Ferrara (Revue d'Histoire Economique, 1926) ; 17e : L'oeuvre économique d'Angelo Messedaglia (Revue d'Histoire Economique, 1927) Beau recueil des premiers articles d'économie et de politique réunis par leur auteur, le professeur G.H. Bousquet. Etat satisfaisant (accrocs aux mors en tête, bon état par ailleurs). Ouvrage provenant de la propre bibliothèque de l'auteur, le professeur Georges-H. Bousquet (Docteur en droit en 1923 avec une thèse sur "L'évolution sociale en Hollande 1914-1922"), économiste de l'école de Pareto et Schumpeter, mais également islamisant de l'école de Goldziher et Snouck-Hugronje, professeur aux facultés d'Alger puis de Bordeaux. Peu après sa thèse, il participa à la mission de la SDN pour la restauration financière de l'Autriche. On trouvera ici d'introuvables articles, témoignage de sa toute première production intellectuelle. Français

      [Bookseller: Librairie Du Cardinal]
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        South: The Story of Shackleton's Last Expedition 1914-1917

      Macmillan, New York 1920 - 1920, First American Edition. Hardcover, 8vo., original green cloth, gilt title. 388 pp. With 88 illustrations and diagrams, including the color frontis and fold-out map. Very Good, no dust jacket. Corners bumped; light shelfwear to the spine ends. Sound binding. Nickel-sized stain to the frontis. Previous owner's small, neat gift inscription on the fly leaf, contents otherwise clean and unmarked. Large map with a single 2-inch closed snag near the gutter. An above average copy of this Antarctic expedition classic. [Attributes: First Edition; Hard Cover]

      [Bookseller: Caliban Books Pittsburgh PA, ABAA]
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        Norman Davey collection. 4 manuscript notebooks of poems and a few stories, written in pencil (approximately [410] pp. of written text) and two books, one signed

      1920 - A unique literary archive of Norman Davey (1888-1949), an English engineer, poet, and novelist. In 1914 he published 2 diverse books, The Gas Turbine and Poems with a Prefixed Essay. Four of his poems appeared in Cambridge Poets 1914-1920. An Anthology (1920). He wrote 18 books, the famous book being his bestselling novel entitled The Pilgrim of a Smile (1921). Early in his career, Davey was featured by Grant Overton, the literary editor and critic, in When Winter Comes to Main Street (1922). All items housed in a matching box. Circa 1917-20. Many drafts of poems are untitled, and some are crossed out. Approximately [410] pp. of written text. Also includes two books written by Davies: his very scarce first book, Poems by Norman Davey with a Prefixed Essay (London: L.C.C. Central School of Arts and Crafts, 1914). Printed in black and red, greenish blue paper boards, quarter-bound in dark greenish blue cloth. His last work entitled The Ghost of a Rose (London: Chapman & Hall, 1939). Blue cloth in chipped jacket, price clipped on front flap, signed presentation copy. (1) "Tristia, Book II - (Ad Lalage) Continued" consisting of drafts of the following poems: "The Fire"; "The Rain"; "The Ship"; "The Sea"; "A Word in Farewell"; "O BIB O "; "TIB. LIB.I.1. LIT. TRANS."; "Order of Sonnets" (also titled "Sonnets Out of Sequence") with "San Apollinaire in Classe", "Bologna", "Tchehov", "Artzi Bashef", "The Charioteer", "Agnani", "Edward Gibbon", "Toulouse", "Giotto's Tower", "The New Renaissance", "An Afterword"; "By the Canal in Flanders" (in blue ink); "A Broadside Addressed". The notebook has what appears to be a table of contents: "Ad Ovidun Apologia. Ad Lectores. A Forewa[o]rd. Book I Ad Mæcenas. Book II Ad Lalage with an Interpretation from Tibulus. Book III Ad Camerium. Bibliophilos (?) Sonnes (?)". Marbled paper boards, quarter-bound in black cloth. Ruled paper. [82] pp. Light brown endpapers. Signed by Davey."Tristia" appeared under the title, Desiderium, MCMXV-MCMXVIII (Cambridge: W. Heffer & Sons Ltd., 1920). (2) Designated as Vol. 2 on the front free endpaper. Contains poems numbered 1-42, "The Isolation of a Corps" (story), "The Silver Ship", "Tristia", "Ad Lectorem", "Prologue", "Ad Lectores", "A Christmas Tale" (story), "Italy", "Record of an itinerary undertaken by Caprice from Montepuliciana to Perugia?.", "A Translation of Luigi's Song", 6 pp. of calculations and scientific drawings, 1 p. in blue ink of Greek words and their English translation. There are two tables of contents in the notebook: "Forwa[o]rd. Prologue. Chapter I Penhaligan and the Big Push. II The City of Dreadful Night. III The Tailor. IV Colonel Cullen's Career. V Conceptions of a Conference. VI The Survival of a Supper Party. VII A Carnival in Cannon's Square. IX Preadventures with the Press" This appears to be a preliminary table of contents of The Pilgrim of a Smile (London: Chapman & Hall, 1921) since Penhaligon is featured in the novel. The second table of contents is said to be a "Proposed Scheme": "Tristia. (Quotations). Ad Ovidum Aplogia. Ad Lectorem. A Foreword. Ad Lalagem. Ad Corinnam. Ad Pholoen. Ad Liginium." Black flexible cloth. Ruled paper. [183] pp. Light green endpapers. Davey's name appears on the second table of contents. Several leaves are excised from the notebook with partial separation from the text block. Includes a printed map of "France par departments". (3) "The Last Testimony of Peter Clare to the Goodness of God", Cantos I to IV. Dedication reads: "To you Madonna, who have made the dumb speak." Black pebbled flexible cloth. Ruled paper. [53] pp. One page has the following at the top: "Written at Steenkirke on the night of November 5th-1917. Dear God, to-night I?." Several leaves are excised from the notebook. (4) "The Testimony of Peter Clare", Cantos IV-VIII. In Canto VI several stanzas are numbered in blue pencil (29-39). Includes 1 p. of calculations. Black pebbled flexible cloth. Ruled paper. [92] pp. Some separation fro

      [Bookseller: Lord Durham Rare Books (IOBA)]
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        Cinque fotografie originali. C.ca 1920

      , , . Molto Buono (Very Good). Cinque fotografie originali montate su pass-partout che reca in basso a destra la firma ad inchiostro di Gian Caro Dall'Armi (Torino, Via Po 20). C.ca 1920. Fotografie cm 12,4x16,4, pass-partout 21,5x29. Gli scatti ritraggono, tra gli altri, Cesarina e Riccardo Gualino (che nelle foto è vestito da donna), insieme a Bella Markman Hutter, Jessie Boswell, Vitia Gourevitch durante le feste in maschera al castello di Cereseto: le prime ingenue prove delle future esperienze teatrali. Molti degli ambienti ricchi di oggetti preziosi, mobili d'epoca, tappeti e broccati furono fotografati da Dall'Armi nel 1918 (Ceserina conserverà l'intero album dei provini e molte riproduzioni). . Molto Buono (Very Good). Pass-partout con fioriture diffuse (Heavy yellowing and age spotting). .

      [Bookseller: Studio Bibliografico MArini]
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        Julius Diez.

      München, Verlag D. und R. Bischoff, 1920. Einmalige Auflage von 100 numerierten Exemplaren. 101 Seiten sowie Namen- und Sachregister I-III und 40 erstklassig erhaltene Bilder auf Tafeln Gr.-8°, gebundene Ausgabe, grüner Original Ganz-Ledereinband mit goldfarbener Prägung, Kopfgoldschnitt der Einband berieben und teilweise aufgehellt, Innendeckel und Vorsätze in aufwendig gestaltetem Schmuckpapier, Seiten sauber und nicht nachgedunkelt, Bindung absolut fest, insgesamt ein wirklich guter Zustand. Die Tafeln mit Handkupfer- und Lichtdrucken teils auf Bütten, teils auf Künstlerkarton gedruckt. Diese 1920 erschienene Luxusausgabe wurde in einer einmaligen Auflage von 100 Exemplaren (Nr. 1-100) gedruckt. Sämtliche Exemplare wurden vom Künstler eigenhändig signiert. Dies ist Nr. 13. Ein wunderbares bibliophiles Exemplar, insbesondere für alle Kunstliebhaber. Ein Schmuckstück für jede Sammlung. Extrem selten! Julius Diez (* 18. September 1870 in Nürnberg - + 15. Mai 1957 in München) war ein deutscher Maler, Grafiker, Zeichner und Radierer. Er war ein vielseitiger Künstler und arbeitete mit leuchtenden und auf dekorative Wirkung ausgerichteten Farben. Zu seinem Werk zählen auch Kunstgewerbe, Medaillen, Plaketten und Exlibris. Versand D: 5,00 EUR signiert, signed, Julius Dietz, signierte Luxusausgabe

      [Bookseller: Bührnheims Literatursalon GmbH]
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        An archive of material relating to Yale's Scroll and Key Society

      Archive of original artwork, objects, printed books, and ephemera collected by Louis Laun (1920-2010), Yale class of 1942 and member of Scroll and Key. At Yale, Laun was editor of the Yale Record. He later established the Louis F. Laun Award, presented to a graduating Economics major with an outstanding course record in all courses taken in Yale College during the first seven terms. Upon graduation, Laun joined the Marine Corps and served with the Fifth Division on Iwo Jima, where he was decorated with the Bronze Star for bravery. Mr. Laun worked in the textile industry for 25 years. He was Assistant to the President of Bates Manufacturing Company in Lewiston, Maine and later President of Celanese Fibers Marketing Company. In 1973, he moved to Washington, D.C. to be appointed Deputy Administrator of the Small Business Administration, where he served for 4 years. From 1977-1986, he was President of the American Paper Institute in New York City. He returned to Washington as Assistant Secretary of Commerce in charge of International Economic Policy until 1989. He was a member of the Helsinki Commission on Security and Cooperation in Europe from 1988-89. Comprising: Original Artwork Guidi. Original cover art for the 15 May 1941 issue, watercolor on paper, signed "Guidi" upper left, 13 x 10 inches. With: a copy of the issue. Kraft, Art. Pen-and-ink sketch on illustration board, signed "Art Kraft," apparently a banner design for the Yale Record, showing a Satyr playing the pan pipes leaning against a broken column on the right, and an owl at left. Lightly pencilled title "The Harping Crowd"(?). 6 x 17 inches Kraft, Art. Pen-and-ink sketch on illustration board, signed "Art Kraft," apparently for the Yale Record. Lightly pencilled "Sports" showing a classical scene of an artist in toga chiseling a sculputure of an artist who stands naked safe a well-placed leaf, a Yale banner draped over a column beside him. 8 1/2 x 12 inches. Kraft, Art. Pen-and-ink sketch on illustration board, signed "Art Kraft," apparently for the Yale Record. Lightly pencilled "Movies" showing a director in his chair, smoking and watching three actors dressed in togas. 12 x 12 inches. "E. H. B." Three pen-and-ink drawings: a man walking; an owl and three men. 4 x 4 inches and smaller. Unknown artist Pen-and-ink sketch on paper, unsigned, a bar graph using soldiers from England, the USA, Germany, Italy, Japan and France as the bars, their positions against an x-axis meant to show millions of men in the service. Objects Scroll and Key Wall Plaque. 18 x 15 inches. Brass letters and insignia of the Scroll and Key on oak. Yale Gavel. Class on 1942. 10 inches length. Brass plate, names of students in manuscript. Yale paddle. Class of 1942. 16 inches length. Burned design on wood, presented to Louis Laun from Jake Madden. Yale Class Day. Cotton satchel printed "Class Day Yale 1942" containing a pack of Handsome Dan tobacco. With: white pipe. Photographs Scroll and Key. Photo album (9 x 7 inches) containing 15 black-and-white portrait photographs of members of the class of 1942, and a final photo of the Scroll and Key building. With: three later snapshots. Class of 1942. Black-and-white photograph, 6 1/2 x 9 inches, mounted. Scroll and Key. Large black-and-white photograph of the building, 10 x 13 1/2 inches. Scroll and Key. Large black-and-white photograph of the 15 members of the class of 1942, 10 x 13 1/2 inches. Printed Books Day, George Parmly. Rhymes of the Times. 1956. Elliot, Charles S. Songs of Yale: A New Collection of College Songs. 1870. Ewald, L. Philip, editor. The Yale '42 Story 50 Years Out. Two copies. Gurney, Stephen S. and Jonas Zdanys, editors. True Fellowship in All Its Glory. 1992. Haas, George. Against All Odds. Signed. Havemeyer, Loomis. "Go to Your Room": A Story of Undergraduate Societies and Fraternities at Yale. Havemeyer, Loomis. The Aurelian Honor Society of Yale University and Its Times 1910-1955 Leyburn, James G. Pierson College: The First Decade 1933-1943. Mack, Maynard. A History of Scroll and Key. 1978. Ltd. Ed., slipcased. Nettleton, George Henry. Memorial Sketches of the Sixteen Members of the Scroll and Key Society Who Gave Their Lives in World War II. 1948. Robbins, Alexandra. Secrets of the Tomb. 2002. C.S.P 1842-2002. C.C.J. History of the Class of 1942 Yale University. Two copies. Phi Beta Kappa Men of Yale 1780-1959. Vol. IV. Pierson College in Memoriam 1941-1946. The 1939 Yale Banner. The 1940 Yale Banner. The 1941 Yale Banner. The Yale Record 1941-1942. Yale 1942 Class Directory. 2001. Yale Class of '42 in World War II. Two copies. Yale Twenty-Fifth Yearbook Class of 1942. Ephemera Calendar for 1942 Class Day. Pamphlet for the 7 June 1942 Class Day. With laid in material for Louis Laun.Class schedule Large folding schedule of "College Exercises for the Senior Junior, and Sophomore Classes, Yale College, 1941-42." Edition of September 1941. 19 x 24 inches. Signed by Louis Laun. Eli Book for 1940-41 Graduation Exercises. Pamphlet for the 8 June 1942 graduation. Phi Beta Kappa. Handbook for New Members. 1940. Yale Record . Three issues. Yale. Six prints of various buildings at Yale. 12 x 8 1/2 inches.

      [Bookseller: Riverrun Books & Manuscripts]
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        HIMALAYAN TRAVELS.

      Calcutta: Chuckervertty, Chatterjee & Co., Ltd., 1920. [iv], 298 pages of text, followed by 5 pages of errata lettered A-E. Original cloth binding has two scuffs on the spine, remnants of a removed library label, but is otherwise slightly shelfworn. Illustrated with 32 black & white plates, and two folding maps titled "Sobla Slip & Dam" and "Map of Pilgrim Routh from Hardwar to Gangotari Kedarnath Badarinath Ramnagar Kathgodam." Includes an introductory note by V. A. Stowell. Ex-libris of the Vedanta Society of Chicago, with stamps, etc. on the endpapers, title page, dedication page, and contents page. A few pages are loosened, and the textblock cracked but remaining intact. A rare guide book. First edition.. First Edition. Hardcover. Very good- condition. 12mo - over 6¾" - 7¾" tall.

      [Bookseller: Kurt Gippert Bookseller (ABAA)]
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        Debs and the poets. With an introduction by Upton Sinclair

      Pasadena, Cal: Published by Upton Sinclair, 1920. 99p. [+ ads], hardcover with gilt titles, minor discoloration to front panel, in a tattered dustjacket that has been reinforced internally with brown paper tape. Now in a mylar protector. This is number 30 of a special edition of 500 copies with a bookplate signed by Debs while he was in the Atlanta Pententiary in November, 1920. The bookplate is pasted inside the rear cover. Poetry by Miriam Allen de Ford, Max Eastman, Eugene Field, Sara Bard Field, Charlotte Perkins Gilman, Laurence Housman, Jessie Wallace Hughan, Helen Keller, James Oppenheim, John Cowper Powys, H.G. Wells, Charles Erskine Scott Wood and others.

      [Bookseller: Bolerium Books Inc., ABAA/ILAB]
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        Otto Hutt Füllhalter Entwurf 04 »Princess Cut«. Goldfeder Strichstärke F.

      - Pforzheim am Rande des Schwarzwaldes ist Deutschlands Zentrum der Schmuck- und Edelmetallwaren. Hier gründete 1920 ein Mann ein Unternehmen für Taschengebrauchsartikel und edle Schreibgeräte aus Silber: Otto Hutt. Der Gestaltungsauffassung des Bauhauses stand er nahe, sein Anspruch an eine schnörkellose Form, die vornehmlich der Funktion dient, spiegelte sich schon damals in seinen Entwürfen wider. So innovativ wie beständig – ein wesentlicher Bestandteil wahrhaft guten Designs –werden die qualitätvollen Schreibgeräte auch heute noch in der Tradition von Otto Hut und ausschließlich in Deutschland hergestellt. So entstehen hochwertige Gebrauchsgegenstände, die das Gütezeichen »Made in Germany« mit vollem Recht tragen. Alle Komponenten der Otto Hutt Schreibgeräte sind perfekt in ihrer Funktionalität, langlebig im Gebrauch und nachhaltig in den verwendeten Materialien. Ferner besitzen die Füllhalter eine Otto Hutt-Feder mit eingraviertem Markenlogo - ein besonderes Qualitätsmerkmal, sie ist das Herzstück jedes Füllfederhalters und ausschlaggebend für die Freude am schönen Schreiben. Die Individualität dieser Schreibgeräte ist primär begründet in ihrer hohen Material- und Fertigungsqualität, hinzu kommt eine durchgehende Nummerierung: jeweils in der Kappe ist ein 6-stelliger Nummerncode eingraviert.»Entwurf 04« mit der goldenen Schreibfeder ist kompromisslos seinem Zweck untergeordnet, ohne schmückendes Beiwerk. Die Dimensionen sind kompakt und abgestimmt auf eine optimale Handhabung. Ein ganz besonderes Merkmal und Beispiel für die hohe Präzision der mechanischen Fertigung dieser Schreibsysteme ist der Federclip, herausgearbeitet aus massivem Messing, veredelt mit einer Platinschicht und perfekt in seiner Funktion. Alle Füllfederhalter des »Entwurf 04« werden mit wertvollen 18 Karat Goldfedern, deren Schreibflächen mehrfach von Hand geschliffen und poliert sind, ausgestattet. Der Schaft ist in einem weltweit nur noch sehr selten angewandten – weil langwierigen und aufwändigen – Prozess dezent »guillochiert«, also mit einem Gravur-Strich von insgesamt 5,8 Metern (!) versehen – das ist Hohe Kunst der Silberbearbeitung, benannt nach ihrem Erfinder im 17. Jahrhundert, Monsieur Guillot. Das Gewicht des Silbers der Schäfte und Kappen lässt die Materialqualität in der Hand fühlbar werden –klassische Formgebung und traditionelle Handwerkskunst in Vollendung! 1 Füllhalter 13,2 cm, Goldfeder Strichstärke F (fein), Corpus komplett aus Sterlingsilber, 5,8 m Guillochierung, für Patrone/Konverter, 1 Patrone innenliegend, mechanische Clipeinheit mit Federfunktion, mit Garantiekarte in Schatulle.

      [Bookseller: Frölich und Kaufmann]
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        [WATERCOLOR AND MANUSCRIPT POEM] ROT UND GLÜHEND IST DAS AUGE DES JUDEN

      N.D.. Painting. No Date (ca. 1920? ) . Original watercolor by Steinhart painted on the half title of from their joint publication, "Rot und Glühend is das Auge des Juden" (Berlin, 1920) which was a collection of poems by Nadel illustrated by Steinhart. The original watercolor, which is very similar to the woodcut on the cover of their book, is paired with an original autograph version of the title poem (“Rot und Glühend ist das Auge des Juden”) signed by Nadel, The watercolor is 8x9"; the poem is about 7x9." Total size to mat is 11x22. Steinhardt (1887-1968) was “born in Zerkow, Germany (now Zerków, Poland) . He attended the School of Art in Berlin in 1906, then studied painting with Lovis Corinth and engraving with Hermann Struck in 1907. From 1908 to 1910 he lived in Paris, where he associated with Henri Matisse and Théophile Steinlen, and in 1911 he was in Italy…. In 1922 married Minni Gumpert. They immigrated to Palestine in 1933, after he was harassed by the German police, dominated by the Nazis who recently came to power. Jacob Steinhardt…participated in the Berlin Secession and founded the Pathetiker Group. He was a member of the Bezalel school group. In 1934, Steinhardt opened an art school in Jerusalem. In 1948, he became Chairman of the Graphics Department at the Bezalel Academy of Art and Design. He served as director of the school in 1954-1957. The Jewish Museum Berlin houses the largest Steinhardt collection in the world” (Wikipedia, 2017) . Steinhardt's highly original art is rooted in the values and symbols of Judaism. Much of his work echoes a religious vision: he has managed to depict in a plastic manner such prophits as Isaiah, Jeremiah, Jonah, and also Moses. He has also done with impressive simplicity scenes of Jewish life, its sorrows and joys. His style has varied from radical expressionism in his youth almost to conservatism in his later years. In all periods of his creative work, Steinhardt has been a master of portraiture. His shows include: Berlin and Paris, before 1933; Six one-man shows in Israeli museums, 1934-64; American museums, 1952-1963; San Paulo Biennale, 1955; Stedelijk Museum, Amsterdam, 1957; Venice Biennale, 1958; His awards include: Prize of the International Institution for Liturgical Art, 1958; Gold Medal of Naples at International Exhibition "Arte Sacra", Trieste Contemporary Israel Art, Paris, National Museum of Modern Art, 1960. Arno Nadel (1878-1943) was a Jewish musicologist, composer, playwright, poet, and painter. Born in Vilna to an Orthodox Jewish family. In 1890, Nadel moved from Lithuania to Germany. At the age of 12, Nadel studied in Königsberg, Germany, under the cantor Eduard Birnbaum, then moving to Berlin at age 17 to enroll in the Hochschule für die Wissenschaft des Judentums. There he studied with composer Ludwig Mendelssohn and Max Lowengard. ”In 1916, he became choir director of the Jewish community of Berlin which included the supervision of music at all Berlin synagogues. Nadel was also a very prolific playwright and poet…. In November 1938, he was sent to the Sachsenhausen concentration camp. Although Nadel was lucky enough to get papers to leave for England, he was too frail to make the trip. In March 1943, he and his wife were deported to the Auschwitz extermination camp. He died there the same year” (Wikipedia, 2017) . Nicely matted and framed, Very Good Condition. (PAINT-2-5) .

      [Bookseller: Dan Wyman Books]
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        Albert Einstein Signed Etching.

      1920. Engraved bust portrait of Albert Einstein by Emil Orlik. Inscribed by Albert Einstein in German, "To Alice sending it to her as a remembrance Albert." Additionally signed by the artist, Emil Orlik on the lower right. The etching measures 10.5 inches by 14 inches. The entire piece measures Emil Orlik was a painter, etcher and lithographer who first studied art at the private art school of Heinrich Knirr, where one of his fellow pupils was Paul Klee. From 1891, he studied at the Munich Academy under Wilhelm Lindenschmit. Later he learned engraving from Johann Leonhard Raab and proceeded to experiment with various printmaking processes. In 1905 Emil Orlik moved to Berlin and took a post at the "School for Graphic and Book Art" of the Museum of Decorative Arts (Kunstgewerbemuseum), now part of the Berlin State Museums. He taught at the Berlin College of Arts and Crafts, where one of his students was George Grosz.

      [Bookseller: Raptis Rare Books]
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        Blick auf den Silser See mit Piz Margna. Original Fotografie Silbergelatine-Abzug (ca. 1920). Bildformat: 16,8 x 22,7 cm. Auf leichtem Foto-Karton mit Tiefprägung für das Aufbringen der Fotografien montiert Format desselben: 32 x 48 cm. Unterhalb der Karton-Prägung von Albert Steiner in Bleistift bezeichnet sowie signiert. - Karton mit einem winzigen Stockfleck. - Siehe die ABBILDUNG.

      ***** STEINER, Albert: View at Silser Lake with Piz Margna, Switzerland. Original photography silver gelatin print (approx. 1920). Size: 16,8 x 22,7 cm. Mount on thin board size of board: 32,0 x 48,0 cm- 30 x 40 cm. Named and signed by Albert Steiner. - Board minor foxed. - Please note IMAGE. 7

      [Bookseller: FOTOKUNST-Antiquariat Fahl Inhaber: Joac]
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        Kuttel Daddeldu oder das schlüpfrige Leid. [Erste Auflage.].

      Berlin-Wilmersdorf, A. R. Meyer, [1920]. . Auf dem Titelblatt vom Autor SIGNIERT. - Erste Ausgabe des Werkes, in dem der berühmte Seemann Kuttel Daddeldu erstmals auftaucht. Druck von Paul Knorr. Titelzeichnung von Margarete Wels. - Mit dem Exlibris der sozialdemokrat. Schriftstellerin u. Journalistin Katharine Kleikamp (1897-1988), die wie ihr Ehemann Karl (1894-1952) Mitglied des Berliner Abgeordnetenhauses war. - Einband teils stärker gebräunt, die Deckel mit schwacher geglätteter Bugspur, sonst sehr sauber.

      [Bookseller: Antiquariat Reinhold Pabel]
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        Spring In New Hampshire, And Other Poems

      London: Grant Richards / The Morland Press, 1920. 1st Edition. Soft cover. Near Fine. Photographic Portrait Plate. 1st Printing 40 Pp., With Photographic Portrait Of Mckay As Frontispiece. Brown Wrappers With Very Pale Green Cover Label Printed In Black. Near Fine, Covers Immaculate And Uncreased, With 1/8" Tear At Top Of Spine Edge, Slight Bumping To Covers Where They Overhang The Page Block (1/8" Overhand All Around), Former Owner's Name [Rhodes Scholar Circa 1962] At Top Of Half-Title Page, A Few Very Small Faint Foxing Spots.

      [Bookseller: Arroyo Seco Books]
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        2 études préparatoires ( 28x44 cm) , l'une sur papier fort et l'autre sur calque à l'encre et au crayon , monogrammées BMB pour l'illustration de l'article les "Attributs masculins" par Roger Boutet de Monvel paru dans la Gazette du Bon Ton n°10 de 1920.

      - Livres

      [Bookseller: pages volantes]
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        'Golfeuse sous la pluie'

      Watercolour and ink on paper, 275 x 195 mm, signed and dated 1920 at lower left; matted; in fine condition. The French artist A.-E. Marty was a pioneer of the Art Déco style. Although principally a fashion illustrator whose work was published in such periodicals as Vogue, Harper's Bazaar and Vanity Fair, he also illustrated books and designed advertisements and posters, most notably for the Ballets Russes. In 1925 he was appointed to the jury of the Exposition Internationale des Arts Décoratifs et Industriels Modernes, from which the Art Déco movement took its name. This watercolour of a tall, elegant lady playing a golf shot in the rain while her caddy protects her with a large green umbrella is a superb example of Marty's work. It was exhibited in the Marty retrospective staged in 1976 at the Galerie du Luxembourg, Paris, and featured in the exhibition catalogue (A.-E. Marty 1882-1974, no. 10).

      [Bookseller: Douglas Stewart Fine Books]
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        The Waggoner and other Poems.

      London: Sidgwick & Jackson, Ltd, 1920 - Octavo. Original purple cloth, printed paper label to spine, edges uncut. With the dust jacket. Spine very lightly faded, faint offsetting to endpapers, an excellent, bright copy in the jacket with browned spine, short closed tear to front panel. First edition, first impression, first issue. From an edition of 500, of which 250 copies were bound in purple cloth for immediate issue, 100 sets of sheets sent to New York for Knopf's American edition, and the remaining 150 bound up in green cloth later in 1920. Blunden's first trade publication, The Waggoner was issued with the encouragement and assistance of Siegfried Sassoon to whom Blunden had sent some of his work in his capacity as literary editor of the Daily Herald. With the spare label tipped in at the rear. Uncommon in the jacket in either issue, with four copies traced at auction. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Dresden in der Kriegszeit 24 Charikatur-Entwürfe von Arnold Brede

      24 originale zeitkritische Aquarelle auf gehefteten Seiten in einer Mappe mit aufgemalten Deckeltitel. Mappe ist leicht berieben. Karikaturen zum Thema Erster Weltkrieg, in guter Qualität und gutem Erhaltungszustand um 1920. Bilder sind tadelos und farbfrisch. Weitere Bilder auf Anfrage erhältlich. Alle Bilder haben einen handschriftlichen Untertitel. Format: Mappe: 37 x 27 cm Bildgröße: ca 25/30 x 21/23 cm

      [Bookseller: Gert43]
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        Les étoffes de la Chine, tissus et broderies,

      P., Librairie des Arts décoratifs s.d. (vers 1920), - grand in-folio, 8 ff.n.c-4 pp. et 52 planches dont 16 partiellement réhaussées en couleurs, sous chemise illustrée demi-percaline à lacets. Velours brodé et ciselé, soie brodée et tissée (panneaux, bandeaux, robes et vêtement). Bonne condition. [Attributes: Hard Cover]

      [Bookseller: LIBRAIRIE L'OPIOMANE]
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        Plastic surgery of the face based on selected cases of war injuries of the face including burns with original illustrations

      London: Henry Frowde, Hodder and Stoughton, 1920. FIRST EDITION. With hundreds of text photographs and illustrations. Original cloth with spine showing slight wear, still an excellent copy with the ownership inscription of Dr. Sidney Asher on first free endpaper and the blind stamp of Dr. Kelvin Shiffman. First edition. This work reflects the progress made in plastic surgery of specifically war injuries to the fact by the author at the Queen's Hospital at Sidcup. Many novel procedures are detailed. In a very sensitive introduction, W. Arbuthnot Lane states: "It is not sufficiently recognised how readily the skill developed in this branch of war surgery is directly applicable to the relief of disfigurements met with in civil life. Ugly scars resulting from burns and accidents, deformities of the nose and lips, hare lip and cleft palate, abnormal protrusion or ill development of the mandible, moles, port-wine stains, all abound, and are not only the constant source of the greatest distress and anguish, but materially lower the market value of the individual." Gillies (1882-1960), a well-known plastic surgeon, introduced a tubed pedical flap in 1917.

      [Bookseller: B & L Rootenberg Rare Books & Manuscript]
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        Broadside: THE WOMAN'S BIBLE: Editor Elizabeth Cady Stanton, Carrie Chapman Catt, President of the National Suffrage Association, one of the Revising Committee, 16 inches x 9.5 inches, ca 1920

      - The 19th Amendment to the US Constitution granted all female citizens the right to vote in federal elections. This broadside was part of the campaign against ratification of the 19th Amendment. The broadside asks in large letters: Are you willing for women who hold these views to become political powers in our country?" "These Views" refers to the two volume book, published 1895-6, by Stanton criticizing the Bible's presentation of women as subservient to men. The broadside includes quotes from "The Woman's Bible" noting the page numbers. Within the suffrage movement, many women opposed the publication of "The Woman's Bible" out of concern that the book would antagonize not only current supporters but limit expansion of the suffrage movement. Overall condition is very good.

      [Bookseller: Schulson Autographs, Ltd.]
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        La guirlande des mois. Cinquième année, 1921.

      Paris : Meynial, 1920. Duodecimo, illustrated silk, paper dustjacket (small restoration to spine), illustrated card slipcase (small section replaced to spine), all edges gilt, patterned endpapers, pp. 137, colour title page, 6 pochoir plates by Barbier. The final year of issue of the annual almanac, exquisitely illustrated by the master of art deco design Georges Barbier.

      [Bookseller: Douglas Stewart Fine Books]
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        Wild Friends at Home (original cover art)

      Gouache on paper, measures 430 x 310mm, being the original painting illustrating the cover of E. Chivers Davies' 'Wild Friends at Home' (London : 1920). In this volume a little boy enters the imaginary worlds of the wild animals whose pictures decorate the walls of his nursery. The fifteen short tales include his adventure with Mrs Kangaroo - featured as the cover illustration, of which this is the original design.Leonard Robert Brightwell, an etcher and illustrator of animal subjects, was made a Fellow of the Zoological Society in 1906. Accompanied by a copy of the book, with the painting reproduced on the front cover.

      [Bookseller: Douglas Stewart Fine Books]
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        Original gouache for the cover of Vogue Paris, 1935

      Original gouache on card, 340 x 260 mm, signed in the image lower left, a little marked at edges. A stunning modernist painting by noted French designer Ray Bret-Koch for the front cover of Vogue Paris. Bret-Koch is recognised as a commercial illustrator and designer as well as architect active in Paris in the mid twentieth century. Having studied architecture under Robert Mallet-Stevens and art under Andre Groualt and Roger Tolmer, Bret-Koch designed a number of advertisements for major fashion and literary magazines as well as graphic posters. He was a close personal friend of Jean Cocteau. Founded in 1920, Vogue Paris is widely considered one of the most stylish fashion magazines in the world. Designed as a cover for the magazine during 1935, this striking modernist work incorporates elements of casual couture and recreational pursuits which, against a brilliant yellow background, capture the sense of pre-war Paris in the summertime. Provenance : the estate of the artist, Paris.

      [Bookseller: Douglas Stewart Fine Books]
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        Geology of the Mid Continent Oilfields Kansas, Oklahoma and North Texas

      THE MACMILLAN COMPANY, NEW YORK 1920 - 24 Maps som fold out. Green cloth with gilt spine title. Bumped and rubbed at spine ends and corners. DATE PUBLISHED: 1920 EDITION: 313 [Attributes: Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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