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Displayed below are some selected recent viaLibri matches for books published in 1920

        Diskuswerfer. Bronze, grün patiniert.

       Höhe der Figur 33 cm, mit der Plinthe ca. 36 cm. Auf gestuftem, rosefarbenen und schwarzem 10 cm hohem Marmorsockel montiert, Gesamthöhe der Figur somit ca. 46 cm. Länge des Sockels 20 cm, Breite des Sockels ca. 12 cm, Höhe des Marmor-Sockels 10,5 cm. Die Figur auf der Plinthe mit *v. Miron* bezeichnet - nach der griechischen Original Siegerstatue Myrons die im 5. Jahrhundert v. Chr. entstanden ist, wovon sich aber nur römische Kopien erhalten haben. Die Figur ist undatiert ( ca. um 1920 ). Die Bronze mit schöner grüner Patina ( Gewicht ca. 12500 Gramm ) ( Bitte beachten: Beim Versand ins Ausland können aufgrund des Gewichts deutliche höhere Kosten anfallen ). ( Pic erhältlich // webimage available ) Versand D: 5,00 EUR Bronze, Diskus, Diskuswerfer, Olympia, Myron, Miron, Google

      [Bookseller: Antiquariat Friederichsen]
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        OBERAMMERGAU., Gesamtansicht mit Blick auf Kofel ("Ettaler Mandl") und Labergebirge.

      Aquarell und Gouache von Vinzenz Marschall, um 1920, 18 x 27,5 cm. Vinzenz Marschall und sein älterer Bruder Josef schufen die originalen Vorlagen für die Farbpostkarten des Verlages Karl Alber. - Voll ausgeführtes Aquarell in kräftigen Farben und auf festem Aquarellkarton. Dabei: Die originale Künstlerpostkarte. Aquarell/Zeichnung, BAYERN, Oberbayern

      [Bookseller: Buch- und Kunstantiquariat]
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        OBERAMMERGAU., "Oberammergau mit dem Passionstheater. Im Hintergrund Kofel 1341m und Not 1869m". Gesamtansicht in frühlingshafter Stimmung.

      Aquarell und Gouache von Vinzenz Marschall, um 1920, 18 x 27,5 cm. Vinzenz Marschall und sein älterer Bruder Josef schufen die originalen Vorlagen für die Farbpostkarten des Verlages Karl Alber. - Voll ausgeführtes Aquarell in kräftigen Farben und auf festem Aquarellkarton. Dabei: Die originale Künstlerpostkarte. Aquarell/Zeichnung, BAYERN, Oberbayern

      [Bookseller: Buch- und Kunstantiquariat]
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        OBERAMMERGAU., Blick von der Ammer auf das Festspielhaus und die Kirche links, rechts der Ort mit dem Kofel ("Ettaler Mandl").

      Aquarell und Gouache von Vinzenz Marschall, um 1920, 18 x 27,5 cm. Vinzenz Marschall und sein älterer Bruder Josef schufen die originalen Vorlagen für die Farbpostkarten des Verlages Karl Alber. - Voll ausgeführtes Aquarell in kräftigen Farben und auf festem Aquarellkarton. Aquarell/Zeichnung, BAYERN, Oberbayern

      [Bookseller: Buch- und Kunstantiquariat]
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        OBERAMMERGAU., Gesamtansicht gegen Osten, im Vordergrund Badeweiher, links das Festspielhaus, davor dreistöckiges, neugotisches Gebäude mit Turm.

      Aquarell und Gouache von Vinzenz Marschall, um 1920, 18 x 27,5 cm. Vinzenz Marschall und sein älterer Bruder Josef schufen die originalen Vorlagen für die Farbpostkarten des Verlages Karl Alber. - Voll ausgeführtes Aquarell in kräftigen Farben und auf festem Aquarellkarton. Aquarell/Zeichnung, BAYERN, Oberbayern

      [Bookseller: Buch- und Kunstantiquariat]
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      Doubleday, Page & Company, New York 1920 - Hardcover. Blue cloth with gilt lettering and design. Very slight lean to spine, head and tail creased. Boards creased and warped. Corners bumped. Previous owner's inscription on ffep. Fore-edge foxed. Dust jacket creased and stained with chips and tears. [Attributes: Hard Cover]

      [Bookseller: Booked Up, Inc.]
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        Works]. Sense and Sensibility. Pride and Prejudice. Emma. Mansfield Park. Northanger Abbey. Persuasion. Lady Susan and the Watsons

      Cambridge: W. Heffer and Sons 1920 - Adelphi edition, seven volumes, 8vo. Recent green half calf, t.e.g., marbled sides, cloth sides, a fine set.

      [Bookseller: Bow Windows Bookshop (ABA, ILAB)]
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      FELIX MEINER, LEIPZIG 1920 - TEDESCO A cura di Alfred Gudeman, brossura editoriale morbida, ingiallita, usurata, con piatto anteriore staccato ed incollato, dorso ingiallito, con strappi e residui di colla, pagine con fioritura ed alcune uniformemente brunite, tracce di umidità ed alcuni segni a matita ai bordi, traccia d'inchiostro all'agolo inferiore di pag.41-43

      [Bookseller: Biblioteca di Babele]
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        Bar la Florida Cocktails

      ca. 1920's -

      [Bookseller: The Cary Collection]
 9.   Check availability:     IberLibro     Link/Print  

        L'anesthésie locale et régionale en oto-rhino-laryngologie

      Paris, Gaston Doin, 1920, in-8, de 199 et (1) pages, demi-chagrin rouge à coins de l'époque, dos à nerfs, Unique édition, illustrée de nombreuses reproductions photographiques dans le texte et contenant une préface de E.J. Moure. Correct exemplaire de cette monographie peu courante.

      [Bookseller: Librairie Alain Brieux]
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        The Sporting Novels: Mr Sponge's Sporting Tour; Handley Cross; Hawbuck Grange; Plain or Ringlets; Ask Mama; Mr. Romford's Hounds

      Bradbury Agnew & Co., London. 1920 - Set of six sporting novels, printed for subscribers. Three quarters red morroco. Marbled end papers. Lovely hand-coloured plates and many b/w illustrations by John Leech. A few tissue guards damaged/torn. Hawbuck Grange has a scuff mark/loss of leather on reverse measuring 2 x 3cms. . This volume also contains a section on Surtees and another on the illustrator John Leech. Otherwise only minor marks on banding and cloth sections of boards with some slight wear on bottom edges of boards. No date but circa 1920. Please contact Millersford Books to confirm shipping costs. [Attributes: Hard Cover]

      [Bookseller: Millersford Books]
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        Remarkable page of photos from the Prince's trip to Barbodos, signed and dated above the largest image (1894-1972, King of Great Britain, Later the Duke of Windsor)

      1920 - which shows the Prince in a group, he is seated in the front with the Governor Sir Charles O'Brien and his wife, behind is Lord Mountbatten, Admiral Sir L. Halsey and the other equerries and secretaries, all annotated underneath, 8" x 6", on the same side are two small photos - the Prince and the Governor leaving Holburn Fontabelle in a carriage and the Governor reading the Welcome address in the House of Assembly, each 3" x 2¼", on the other side are four annotated images, collectively titled "Waiting for the Prince to land", each 5½" x 3½", Barbados, March slightly soiled

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        The Kingdom of the Pearl

      New York: [Printed in London and Tonbridge by the Whitefriars Press for] Brentano's, 1920. Stain on lower rear cover, some soiling to binding; a few minor scattered foxmarks. Folio. Color frontispiece and nine plates, each tipped to mounts within printed frames, captioned tissue guards preserved. Original vellum-backed boards, gilt-lettered and -decorated on front cover and spine, decorated endpapers, top edges gilt, others untrimmed with deckle-edges preserved. LIMITED EDITION, one of 100 copies for sale in the United States signed by Dulac (out of a total edition of 775 copies).

      [Bookseller: Riverrun Books & Manuscripts]
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      First edition, one of 45 numbered copies on Corée, tirage de tête.A very good copy. Editions de la Sirène Paris 1920 13x17cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Zwei Tänzerinnen. Zwölf Aktzeichnungen.

      München, Goltzverlag. 1920 - Folio. Mit 11 (von 12) Tafeln im Stein signiert und datiert. Lithogr. Orig.-Umschlag. Nr. 39 von 100 Exemplaren der Ausgabe C, die Mappe vom Künstler signiert "H.G." (Gesamtauflage 130). [Attributes: Signed Copy; Hard Cover]

      [Bookseller: EOS Buchantiquariat Benz]
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        On the structure and relations of Notharctus, an American Eocene primate.

      1920 - New York: American Museum of Natural History. 1920. 4to. Sometime bound in quarter maroon leather, grey cloth boards, gilt lettering to spine; pp. 49 - 243, 54 plates including 8 removable stereoscopic slides; partially uncut, very good. Reprint from Memoirs of the American Museum of Natural History, New Series, Volume III, Part II. Notharctus was a genus of lemur-like primate that lived in North America and Europe roughly forty million years ago. W.K. King (1876 - 1970) was a leading palaeontologist and expert on mammalian dentition whose work on human evolution led him to study several different species of early primate. This memoir is considered a landmark work because it is one of the most detailed studies of a fossil primate ever made and because of its contribution to our understanding of the ancestors of man. [Attributes: Hard Cover]

      [Bookseller: Henry Sotheran Ltd]
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        The Jazz Of Patriotism (An Anti-War Play)

      Long Beach: Geo. W. Moyle Pub. Co., 1920. 1st Edition. Hardcover. Very Good/No Jacket. 1st Printing Vi, 119 Pp. Orange Cloth, Stamped In Black. No Date Of Publication Indicated But Author's Preface Dated December 1920. Anti-War Drama With Excellent Short Introduction By Southern California's (Ok, My)O Favorite Upper Class Secular Humanist. Light Wear And Dust To Covers, Lettering Undamaged, Hinges Tight. Odd Diagonal Marks On Free Endpapers In Blue Pencil, "Tpp" Bracketed By Backwards Letters Sigma, With Tiny Circle Enclosing An N Placed Between Bottom Of Letters T And The First P On Both Pages.

      [Bookseller: Arroyo Seco Books]
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      [Various locations, 1920. Thirty-six watercolors, various sizes. Original stiff green wrappers, tied with cord. Wrappers and mounts chipped, most mounts detached at gutter. One watercolor with lower right corner torn away, images otherwise fine. A lovely collection of thirty-six small, well executed watercolors depicting Western and Pacific landscapes. Several images are identifiable as coastal California, Mount Rainier, Maroon Lake in Colorado, and Monument Valley. The album is dedicated almost entirely to mountain scenes. The works were painted by Raymond Spencer, and most of the watercolors are signed "R.S." or "R. Spencer." From their look and feel, probably executed in the 1920s.

      [Bookseller: William Reese Company - Americana ]
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        Handbill]: The 'He' Vampire. With No Apologies to Kipling

      no publisher, [No place - Los Angeles? 1920 - Small handbill. Approximately 4.25" x 7". Fine. A 29-line poem about women deferring to their pampered husbands, apparently in response to Kipling's poem "The Vampire," a soliloquy about the tender and bruised hearts of men who place their hopes in unfeeling women. The poem mimics some of the tropes and rhyme schemes of the Kipling poem. The final stanzas celebrate the reversal of that state of affairs:"But praise be sung in every tongueFor equal rights thruout the land!At last the men are on the run,Every single mother's son,And we the victory have won!(And they can't understand.)"Presumably the poem was prepared upon some triumph for women's rights, most likely the achievement of the vote, whether at the state or federal level is unclear. While there is no place of publication, our strong suspicion is that it was published in California. *OCLC* locates no copies. It does locate a single copy of a piece of sheet music by an author with this name published in Los Angeles in 1916.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        PETER PAN & WENDY. Illustrated in Colour and Black and White by Mabel Lucie Atwell. FIRST EDITION Thus IN THE RARE OTRIGINAL PICTORIAL DUST JACKET.

      London ;- Hodder & Stoughton. N.D 1920 - Most Attractive Royal 8vo. Hardback. Original Bright Blue cloth, lettered gilt and complete with the Rare Original D/J. Complete with12 Fine Colour mounted Plates and many text illustrations. Inscription to front endpaper. Some related news cuttings tipped-in. A little foxing otherwise a Near Fine example ! [Attributes: Hard Cover]

      [Bookseller: HALEWOOD AND SONS ABA ILAB Est. 1867.]
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        The Theory of Relativity.

      London: Methuen & Co. Ltd,, 1920. The Special & the General Theory, a Popular Exposition. Authorised Translation by Robert W. Lawson, with Five Diagrams and a Portrait of the Author. Octavo. Original red cloth, title blocked in blind to front cover and to spine in gilt. 8 pages of inserted advertisements. Portrait frontispiece of author by Hermann Struck, 5 diagrams in text. An excellent copy, in unusually bright cloth. First edition in English, translated from the third German edition (1918) by Robert W. Lawson. This is the first appearance of any of Einstein's works in English. The translator was a lecturer in physics at the University of Sheffield, and an honorary Assistent (assistant lecturer) at the Vienna Radium Institute from 1913. He was held as a prisoner of war while working in Vienna, during which time he polished his German. Lawson did more than translate this work: the additional chapter (Appendix III) written by Einstein for this edition, "The Experimental Confirmation of the General Theory of Relativity", was added at Lawson's urging, who thought the book would be more accessible if its author could provide a proof of the general theory. Relativity: The Special & the General Theory is an account intended to be accessible to the general public, which Einstein tested by reading drafts to his step-daughter Margot, "pausing frequently to ask whether she indeed got it" (Isaacson, p. 232). Einstein took the opportunity to publish the present English language edition when interest in general relativity grew after the theory was confirmed experimentally by Arthur Eddington's eclipse observations of 1919.

      [Bookseller: Peter Harrington]
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        Zwölf Radierungen zu den Fabeln Aesop.

      Zurich and Leipzig: Rotapfel Verlag, 1920. Portfolio, 20 x 15 inches, containing letterpress title with colophon, and twelve plates each signed and dated by the artist. Original gray cloth portfolio decorated in gilt, slightly worn at extremities. This very rare edition was limited to 10 copies. The plates are beautiful engravings illustrating some of the best-known fables of Aesop. Riedel was a Swiss artist whose best work is this. Benezit 7, p.235.

      [Bookseller: John Windle Antiquarian Bookseller]
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        Fifty years of make-believe. by Frederick Warde

      New York city, The International press syndicate (M.M. Marcy) 1920.. PAPERBACK. B002WUTEAI Meets or exceeds the good condition guidelines. Nice copy. Has a hinge crack. Signed by the author. Five star seller - Buy with confidence! . Good.

      [Bookseller: HawkingBooks]
 23.   Check availability:     Biblio     Link/Print  

        Hugo Scheiber Budapest, Industrielandschaft, Kohle auf Papier, signiert

      1920 - Hugo Scheiber, Budapest 1873 - 1950 Budapest, "Industrielandschaft, 1920", Kohle auf Papier, Mittig unten signiert: "Scheiber H.", Größe: 25 x 35cm, Handgemachter über Eck gefertigter Rahmen, Extra dickes, säurefreies Passepartout Museumsglas, Literatur und Abbildung: Katalog Altstadt Galerie Wiesbaden, 1995, Ungarn, Avantgarde und Tradition, Seite 42. Versand in Deutschland kostenlos, Europa € 25,-, Welt € 50,-

      [Bookseller: Michael Draheim]
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        Ludwig Meidner, Kinderportrait, signiert

      1920 - Ludwig Meidner, Bernstadt 1884 - 1966 Darmstadt, "Kinderportrait, um 1920", Kohle- und Bleistiftzeichnung auf Papier, Rechts unten monogrammiert, Kleiner Knick am unteren rechten Rand, Blattgröße: 35 x 24 cm, Handgefertigter Rahmen, extra dickes Säurefreies Passepartout, Museumsglas, Versand in Deutschland kostenlos, Europa Euro 50,-, Welt Euro 80,-

      [Bookseller: Michael Draheim]
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        Catalogue of the Lepidoptera Phalaenae in the British Museum [lacking the first two volumes].

      London: British Museum (Natural History), 1901-1920. - Octavo,volumes 3-13 plus two supplementary volumes, with the separately issued chromolithographic plates (in printed wrappers) for each volume. Publisher's cloth, a few stamps otherwise a fine set. [Attributes: Soft Cover]

      [Bookseller: Andrew Isles Natural History Books]
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        [Photo album]: Al Martin Agency Photo Album of Aerial Acts and Circus Acts during 1956-1958 at the Bradford Hotel in Boston, Massachusetts

      Boston, Massachusetts. 1920-1960. Quarto measuring 11.5" x 10". 59pp. Contemporary black binder with a red and yellow "Al Martin Agency" flyer slide into the front cover pocket, with ephemera from the 1920s to the late 1950s. Small tears and chips thus near fine and near fine photographs with some small tears at the corners. A scrapbook filled with different pictures and written articles about aerial performers doing their acts at the Bradford Hotel in Boston, Massachusetts for the Al Martin Agency, during the mid to late 1950s as well as earlier pictures from the 1920s and 1930s of aerial performers and animal acts. Contains 32 gelatin silver sepia toned or black and white photographs measuring between 10" x 8" to 9.5" x 7.5", as well as flyers, printed articles, and typed press releases. The photographs depict different aerial performance groups posed together as well as their performances mid-air. Smiles and looks of excitement can be seen on the faces of the performers even in the photographs of them jumping, swinging, and twirling through the air. Most of the flyers are from the 1950s while the photographs are from the 1920s through to the 1930s which include the larger group photos of the aerial performers. One photograph catches a female performer almost horizontal with the board she's jumped from and another depicts two performers high up in the sky swinging on high-poles. Aside from the traditional acrobatic photos there are a couple of other acts: a man in cannon, Gee Gee Engesser on a sled with her arctic wolves, "The Alaskans," pulling her along, and the Brick Brothers with their monkey, Mr. Murphy. Several of the photographs are Inscribed to Alfred Martin from various people like Jack and Chuck Brick, Marilyn Steele, Gee Gee Engesser, the entire Val Jean Lake Orchestra, and other groups of performers. Several pictures feature animals acts like pigs climbing stairs and sliding down a slide and seals doing tricks for fresh fish. There is also a couple flyers for the Brick Brothers and their "Trampolene(sic) Monkey," Mr. Murphy. Some of the flyers are printed by Al Martin and feature the logo, location of the hotel, a picture of the act, and a small description of the performers. One description reads, "A gorgeous night spectacle as well as daytime thriller, climaxed with fireworks". While the performers pictures are in black and white, the flyer's illustrations are done in single bright colors such as oranges, purples, and blues. The last few pages of the scrapbook are press releases written by Alfred Martin about the different aerial performers. Each is about a page long with a short description of where the performers are from and the type of act they do. The performers written about include The Rooneys, Sensational Ortons, Aerial Charltons, and The Stardusters.An interesting look back at the amazing aerial performers and other circus acts that would come to act at the Bradford Hotel in Boston, Massachusetts during the 1920s through to the late 1950s. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Sleeping Beauty.

      London: William Heinemann, 1920. Signed limited deluxe edition. Quarto, original half vellum over cream boards, pictorial endpapers, top edge gilt. One of 625 numbered copies signed by the illustrator Arthur Rackham. Printed on English hand-made paper with an additional color plate. Illustrations: 25 full page silhouettes, comprising 9 in color (frontispiece and 4 double plates)--and 16 in black (including 4 double illustrations); one mounted colored plate; silhouette head- and tail-pieces and other silhouettes throughout the text, in black. In very good condition. "Rackham's fanciful imagination gave his illustrations instant recognition, and his dedication to illustration kept him in the public eye for 30 years" (Hodnett, 233). Like his Cinderella (1919), The Sleeping Beauty relied "almost wholly for [its] effect on silhouette... Rackham [was] a master of the medium, being able to evoke character and humor by profile and gesture alone, and allowing the two-dimensional effect of his pen work to lead the reader through the book and keep the story going" (Hamilton, 118).

      [Bookseller: Raptis Rare Books]
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        Tuarts of the South West.

      Drypoint etching 1920. 385 x 27cm, framed. A fine Western Australian etching. Spartalis: 49. Provenance: Joseph Brown Sale, Christie’s Melbourne, 2005

      [Bookseller: Douglas Stewart Fine Books]
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        HAMLET: PRINCE OF DENMARK (Portfolio of 34 Etchings)

      [Berlin: Paul Graupe, 1920]. Folio. Portfolio of 34 etchings used for Frank's magnificent illustrated edition of Hamlet (J. Schroder, 1920). Engravings housed in cloth-backed portfolio with marbled paper over boars and stamped title label on the upper cover; light wear to the portfolio; first and last etching a trifle toned from the portfolio else a clean suite. While the book is fairly uncommon, to find a suite of etchings is all the more unusual. There was a smaller edition of 12 Roman numeral copies from a larger limitation that were issued with an additional suite of etchings. It seems likely that this is a waylaid suite. 1 etching pencil-signed by Frank.

      [Bookseller: Michael Pyron, Bookseller]
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        [Photo Album]: A Collection of Photographs and Real Photograph Post Cards of Various Places in Great Britain during the 1920s

      London / Wales / Glendalough / Belfast / Scotland: , [Circa 1920s]. London / Wales / Glendalough / Belfast / Scotland. [Circa 1920s]. Oblong folio measuring 14" x 9.5". Brown suede over stiff paper boards. Contains 21 gelatin silver sepia toned photographs measuring between 5" x 3" and 5" x 3.5" without captions, and 146 real photograph postcards. A loss of the spine with modest chipping and some tears on the pages, thus good. A collection of photographs and postcards depicting scenes from various places in and around Great Britain including: Gloucestershire, London, Wales, Glendalough, Belfast, and more. Most of the postcards are real photograph post cards featuring vast landscapes and people. One of the post cards shows a large ornate building, "New City Hall, Belfast". Another shows crowds of people walking around on a busy street in London. Many of the postcards are from Valentine & Sons, a printing company that grew to be Scotland's leading manufacturer of picture postcards. Most of their postcards were real photograph cards numbered on the front in hand, which sometimes made the figures illegible. Some of the postcards have also been handpainted. The sepia photographs feature some people at a church, boats, and locations in a forest. An extensive collection of real photograph post cards and pictures circa 1920s. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        14 Aquarelle, teilweise über Feder, meist eigenh. bezeichnet.

      - 56 bis 125 mm (Höhe) und 82 bis 135 mm (Breite). Auf Bütten-Blättern. Die vollständigen Vorlagen für die Illustrationen zu seinem 1920 bei S. Fischer erschienenen Buch "Wanderung. Aufzeichnungen von Hermann Hesse. Mit farbigen Bildern vom Verfasser". - Das erste Aquarell mit dem eigenhändigem Arbeitstitel "Wanderung / Ein Bilderbuch von Hermann Hesse / mit farbigen Zeichnungen vom Verfasser", den Hesse später mit anderer Tinte in den endgültigen Buchtitel ändert. - Die weiteren Aquarelle: Bauernhaus, "Pass", "ein Dorf", "Die Brücke", "Pfarrhaus", "Gehöft", "Bäume", "Regenwetter", "Kapelle", "Mittagsrast", "See, Baum, Berg", "Bewölkter Himmel" und "Rotes Haus". - Beiliegend ein Widmungsexemplar der 1949 bei Suhrkamp erschienenen Ausgabe des Buches, 4to, Orig.-Leinen mit (leicht eingerissenem) Schutzumschlag; dem Titel gegenüber Hesses eigenhändige Widmung "In grosser Dankbarkeit von Ihrem HHesse". - Die Reproduktionen im Buch geben die zarten Farben der Originale höchst unzulänglich wieder. - Leicht, teilweise auch etwas stärker fleckig; mit Markierungen für die Reproduktion. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 32.   Check availability:     ZVAB     Link/Print  

        The Memoirs of Jacques Casanova De Seingalt Written by Himself now for the First Time Completely Translated into English (6 Volume Set)

      NP: Privately Printed. 1920. F First Edition Thus. H Hard Cover. Very Good. Attractively bound in 3/4 navy blue morocco over matching cloth, spines with raised bands and gilt tooling, top edges gilt (slight wear). 6 volume set, complete as issued. One of 500 copies printed on Louvain paper.

      [Bookseller: Arundel Books of Seattle]
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        Comment jouer au golf. Conseils sur la manière de jouer au golf, suivis des règles du jeu et de la liste des membres des principaux clubs français de golf

      Paris, Delagrave, s.d. (vers 1920), in-8, 204-2 pp, percaline rouge de l'éditeur, Un classique sur le sujet. Traduit de l'anglais, nombreuses reproductions photographiques. Tampon annulé de la faculté catholique de Paris.

      [Bookseller: Librairie Alain Brieux]
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        Electrotype and Printing Blocks Featuring the Erotic Artwork of Clara Tice in the 1920s-1930s

      Greenwich Village, New York. [Circa 1920-1930]. A collection of 52 steel and zinc line blocks, halftone blocks, and 50 copper electrotype blocks illustrated by Clara Tice from the 1920s through the 1930s. The blocks measure between 3" x 2.5" and 7" x 5" and are about fine with some oxidation. Nine blocks include Tice's signature and there is one greeting card block with Tice's name engraved into the design. Several of the steel/zinc plates are from Tice's illustrations that appear in "Woman & Puppet: A Spanish Romance", "The Twilight of the Nymphs", "One Hundred Merrie and Delightsome Stories [Les Cent Nouvelles Nouvelles]", and "Aphrodite". Most were printed privately by the Pierre Louys Society in 1924-1927. The steel/zinc plates are both halftone and line blocks with different details in each, set for a single picture. Many of the pictures have two or three blocks to create the layers of the illustration.The copper electrotype blocks are most likely duplicate blocks and feature a full story of illustrations. Though the illustrations are not found in any book to date, they seem to emulate Clara Tice's illustration style with more detail. Tice lived until 1973, however much of her popular artwork is from the 1920's and 1930s. These blocks could be Tice's work in the later years of her life. The plates are cohesive and follow an erotic story line. Several plates feature interracial lesbians having sex with a French Rococo/Regency Era theme, as well as some with men and women having sex. The illustrations are incredibly erotic, even showing one female masturbating. The copper plates are nailed into the wood blocks and while not dated are most likely pre-1940s as most plates started to be glued down to the blocks in the 1940s. Clara Tice was born in 1888 and was one of the women first to bob her hair, wear short dresses, and roll up her stockings in the 1910-1920s. She was labeled the "Queen of Greenwich Village" and was a prominent Dada artist. She studied with Robert Henri and was featured in the first exhibition of Independent Artists under him. She was close with the Arensberg Circle which included well-known artists and free thinkers from the time such as Walter and Louise Arensberg, Marcel Duchamp, Man Ray, Charles Demuth, and Beatrice Wood. Tice was known for her erotic illustrations which lead to Anthony Comstock, leader of the New York City's Society for the Suppression of Vice, chastising and trying to take her pictures down at a popular bohemian restaurant named Polly's. Comstock deemed Tice's illustrations to be immoral. This negative experience increased Tice's popularity and her artwork was featured in magazines like Vanity Fair, The Quill, Rogue, Cartoons Magazine, and The New York Times. Much of Tice's book illustrations and artwork were then privately printed by the Pierre Louys Society to avoid censorship. However, despite the provocative nature of her drawings, her most well-known book is the "ABC's of Dogs". An extensive collection of electrotype and printing blocks featuring Clara Tice's pioneering erotic artwork. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Photo Album]: English Countryside

      England 1920 - Oblong quarto. Measuring 10" x 13". String-tied black pebbled leather over paper boards. Contains 62 black and white or sepia toned gelatin silver photographs measuring between 4" x 6" and 8" x 10", without captions. Near fine photo album with near fine photographs. A collection of amateur photography taken of the English countryside with the people in what appears to be clothing from the 1920s and visible billboard that places them in the East Sussex area of the country. The photographer used soft focus and matte paper reminiscent of the style of early 20th Century photographers such as Edward Steichen and Dorthea Lange. The photos concentrate on the landscape of the British country, with photos of old homes covered in ivy, romantic walkways, and stone bridges. The coast and small waterways are seen here as well as photos of creeks making their way through rock faces, and waves crashing on a rocky beach. A few of the images have human subjects, some posed, such as one of a girl in a bathing costume and swim cap on a rock, while others are candids of people working on a dock or walking down a road. The stonework of old churches is captured here as well as farm animals roaming in fields.A pleasing and artistic collection of images showing the natural beauty of the British country and the skills of an amateur photographer. [Attributes: Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Headlights to Success VOLUME 1 ONLY or The Story of a Bulgarian Boy

      PETER F. YANKOFF 1920 - signed presentation copy on front end page with two other Yankoff names in ink, Princeton Antiques Bookshop sticker to inside front cover, covers rubbed around edges and on top/bottom of spine DATE PUBLISHED: 1920 EDITION: 4TH BIG EDITIO 374 [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        Dada Almanach. Im Auftrag Des Zentralamts Der Deutschen Dada-Bewegung.


      [Bookseller: Henry Sotheran Ltd.]
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        The Age of Innocence - First Issue sumptuously rebound in full red leather

      D. Appleton, 1920. Hardcover. Fine. A first edition, first printing published by D. Appleton and Company in 1920. First US Edition. A fine book without inscriptions sumptuously rebound in full red leather with six raised bands and gilt top edge. The true first issue of the Pulitzer Prize winner for 1921 with (1) on the final page of text. A simply superb item and an iconic novel.

      [Bookseller: John Atkinson Books]
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        Deutsches Reichs-Adressbuch für Industrie, Gewerbe und Handel. Unter Benutzung amtlicher Quellen . Band I: Adressen-Verzeichnis Erster Teil Anhalt bis Württemberg (ausser Preussen). Band II: Adressenverzeichnis Zweiter Teil Preussen ( Brandenburg bis Provinz Sachsen ). Band III: Dritter Teil Preussen ( Schlesien bis Westpreussen).

      Rudolf Mosse, Druck und Verlag des Deutschen Reichs-Adressbuchs Berlin , 20. Ausgabe 1920 - 4°. Originalpappbände. Band 1 ohne hinteren Buchdeckel, daher Rücken hälftig gelöst. 4 Blätter Titelei, Doppelblatt farbige Karte Deutschland, 2622 Seiten. Letztes Blatt mit oberen Eckabriss ca. 8 x 10 cm mit Textverlust. Das letzte Blatt endet für Württemberg mit dem Ort Wildbad (Also 4 Seiten FEHLEND!). Im Innenbereich sauber und wohlerhalten. // Band 2 Vorderes Aussengelenk hälftig gerissen, das hintere schwach, das Bezugspapier stärker be- und abgerieben. Enthält die fortlaufend nummerierten Seiten 2629 bis 5436. Das erste und letzte Blatt mit leichten Knitterspuren. Im letzten Teil Sachsen hat der Vorbesitzer nach Möbelfabriken gefahndet und einige Rotanstreichungen und -kreuze hinterlassen. Sonst sehr angenehm sauber und wohlerhalten // Band 3 Rücken lose beiliegend, erste Lage lose. Enthält die fortlaufend nummerierten Seiten 5437 bis 6430. Dann mit neuer Zählung das Branchenverzeichnis 2464 Seiten, Schutzmarkenregister und Wortzeichenregister 80 Seiten, Illustrierter Industrie- und Handelsanzeiger 88 Seiten, Hotel-, Bäder- und Reiseführer 6 S., Ausland Branchenregister und Inserate ausländischer Firmen 6, 56 Seiten, Volkswirtschaftlicher Teil 72 Seiten. Warenregister 158 Seiten. Ortsregister zum Adressenverzeichnis 136 Seiten. Die Bindung Seiten 5454 und 5466 gebrochen. Auch hier sauber und wohlerhalten im Innenbereich. Band 1 beginnend mit dem Freistaat Anhalt, Republik Baden, Freistaat Bayern, Freistaat Braunschweig über Freie Hansestadt Bremen, Elsass-Lothringen, Hamburg, Freistaat Hessen, Lippe-Detmold, Schaumburg-Lippe, Lübeck, Mecklenburg-Schwerin, Mecklenburg-Strelitz, Oldenburg, Sachsen bis zu Volksstaat Reuss, Thüringische Staaten, Waldeck-Pyrmont, Freistaat Württemberg. Enthält das Adressenverzeichnis mit Millionen Adressen der Industriellen, Kaufleute, Gewerbetreibende, Gastwirte, Ärzte, Rechtsanwälte, Städtische Behörden usw. aus etwas 60000 Orten des Deutschen Reiches. Landkarten - Branchen-Verzeichnis (nebst sechs Sprachen-Registern) - Schutzmarken- und Wortzeichen-Register - Industrie- und Handels-Anzeiger - Hotel-, Bäder- und Reiseführer - Volkswirtschaftlicher Teil - Waren-Register - Orts-Register. Erste Friedensausgabe mit den namhaften Veränderungen welche der Weltkrieg und seine Folgen mit sich brachten // Band 2 beginnend mit Preussen Gross-Berlin ( bis S. 3220 ), Brandenburg, Provinz Hannover, Hessen-Nassau, Hohenzollern, Pommern, Posen, Ostpreussen, Rheinpreussen und Sachsen // Band 3 beginnend mit Preussen Schlesien, Provinz Schleswig-Holstein, Westfalen, Westpreussen und Freistaat Danzig. Der volkswirtschaftliche Teil gegliedert in Verfassung und Verwaltung des Deutschen Reiches, Wirtschaftlicher Teil. M10450 [Attributes: Hard Cover]

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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      London: William Heinemann,, 1920. The Story of Shackleton's Last Expedition 1914–1917. Illustrated. Octavo. Original dark blue cloth, spines and front cover lettered in silver, front cover with large silver block of Endurance stuck in ice, publisher's device in blind to rear board, top edge blue. Colour frontispiece and 87 half-tone plates, folding map at the rear. Minor wear to extremities, occasional light foxing, small tear to head of map stub; a very good copy. First edition, third impression of Shackleton's account of the Imperial Trans-Antarctic Expedition (issued three months after the first impression). "The failure of Shackleton's Imperial Trans-Antarctic Expedition to even reach the Antarctic continent, much less to cross it via the South Pole, has become the great polar success story of the twentieth century" (Books on Ice). Shackleton embarked in 1914 on the Endurance to make the first traverse of the Antarctic continent; a journey of some 1800 miles from sea to sea. But 1915 turned into an unusually icy year in Antarctica; after drifting trapped in the ice for nine months, the Endurance was crushed in the ice on October 27. "Shackleton now showed his supreme qualities of leadership. With five companions he made a voyage of 800 miles in a 22-foot boat through some of the stormiest seas in the world, crossed the unknown lofty interior of South Georgia, and reached a Norwegian whaling station on the north coast. After three attempts. Shackleton succeeded (30 August 1916) in rescuing the rest of the Endurance party and bringing them to South America" (DNB). Amazingly, all members of the Endurance party survived the ordeal, attributing their survival to Shackleton's exceptional leadership qualities. In recent years, this factor has led to the re-interpretation of the book in terms of a leadership and man-management manual, and several influential attempts have been made to distil from the narrative the underlying principles of Shackleton's command in order that they might be applied more widely. As Apsley Cherry-Garrard remarked in Worst Journey in the World; "For a joint scientific and geographical piece of organization, give me Scott; for a Winter Journey, Wilson; for a dash to the Pole and nothing else, Amundsen; and if I am in the devil of a hole and want to get out of it, give me Shackleton every time". With the ownership inscription of George E. Cox to the front free endpaper, with an additional note to the half-title, "Lecture 14th February 1920". Cox, a Royal Naval Volunteer Reserve, was awarded the Distinguished Conduct Star as a result of his bravery aboard a motor torpedo-boat in the South West Pacific in 1942. He and three other officers were interviewed as the basis of W. L. White's 1942 work They Were Expendable, which became the basis of the 1945 film of the same name directed by John Ford and starring Robert Montgomery and John Wayne.

      [Bookseller: Peter Harrington]
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        View of Mount Fuji from Hakone

      1920 - Original woodblock print, Japan, 1920. Hiroaki Takahashi (1871-1945) View of Mount Fuji from Hakone Original woodblock print, Japan, 1920. 240 x 360mm. £1350

      [Bookseller: Henry Sotheran Ltd]
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      Alfred A. Knopf, New York 1920 - The first edition, published by Alfred A. Knopf in 1920. A near fine example of an uncommon book with a prior owner's signature. While published in a conventional paper dust jacket this particular copy has apparently been married to a glassine wrapper. However, book and jacket would appear to have been together for quite some time. The glassine wrapper is near fine with a few short edge nicks. A nice copy of an important collection. [Attributes: First Edition; Hard Cover]

      [Bookseller: The Reluctant Bookseller]
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        Description de l'horloge astronomique de la Cathédrale de Strasbourg

      Strasbourg, J. & A. Ungerer, 1920, , in-8 de portrait, (2), 29, (1) pages et 3 planches imprimées recto-verso, exemplaire broché, Portrait de Schwilgé et 8 figures hors-textes montrant des horloges astronomiques plus anciennes que celles de Schwilgé, l'actuelle horloge de la Cathédrale et d'autres inventées de Schwilgé (un comput ecclésiastique, une machine à tailler les rouges d'engrenage, une horloge de clocher et un rouage de mouvement petit calibre). Cinquième édition précédée d'une préface de A. Lebeuf, directeur de l'Observatoire de Besançon. Bon exemplaire.

      [Bookseller: Librairie Alain Brieux]
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        VII OLYMPIADEN. Redogörelse för Olympiska spelen i Antwerpen 1920

      Bok. 3 Häfte Nordiskt Idrottslif/Olympiska Kommitten officiellt 1920 illustrerad. Häfte 2 (sidorna 73-136). VII Olympiaden gavs ut i 3 häften: Häfte 1 sidorna 1-72, häfte 2 sidorna 73-136 och häfte 3 sidorna 137-216. Lite skadat häfte 1 och 3 Komplett med pärm. 216 sidor

      [Bookseller: Sportboken Malmö Handelsbolag]
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        Irrende Frauen II, 1920. [Errant Women II.]

      1920 - Original woodcut. Excellent print. Signed at lower right in pencil. Image size: 280 × 230 mm. Paper size: 460 × 350 mm. Signed, original woodcut of Lasar Segall. Lasar Segall (1891-1957) was a Lithuanian born, Brazilian Jewish painter. He studied in Vilna and Berlin where he joined the "Freie Sezession" group, the precursor movement of the German Expressionism. In the mid 1910s he exhibited in Brazil, he was among the earliest artists who presented modern art in the country. Segall was a founding member of "Dresdner Sezession Gruppe" in 1919 with Otto Dix and Conrad Felixmüller, but remained associated with the German Expressionsts. In 1923 he moved and settled down in Brazil. In passe-partout. In fine condition. Original woodcut. Excellent print. Signed at lower right in pencil.

      [Bookseller: Földvári Books]
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      No Date (ca. 1920? ) . Original watercolor by Steinhart painted on the half title of from their joint publication, "Rot und Glühend is das Auge des Juden" (Berlin, 1920) which was a collection of poems by Nadel illustrated by Steinhart. The original watercolor, which is very similar to the woodcut on the cover of their book, is paired with an original autograph version of the title poem (

      [Bookseller: Dan Wyman Books LLC]
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