viaLibri ~ Rare Books from 1920

Irving, Constance & Noel
        Irving, Constance] A Child's Book of Hours
      Humphrey Milford, Oxford University Press n.d. (ca. 1920), London - Large folio. Original color pictorial paper covered boards, cloth spine. IN ORIGINAL PRINTED LIGHT BROWN WRAPPER WITH PICTORIAL COVER AND LETTERING IN BLACK AND RED. One of the more cunning and unusual children's books of the early 1900's, this mammoth book was expertly produced with strong linen hinges, and all the pages printed onto very thick cardboard leaves. With such mechanical limitiations to overcome, the publishers succeeded in producing a monumentally pleasing work with brightly colored illustrations in the form of full-page color images, half-page colored line drawings and head and tailpieces, initials and embellishments throughout by Constance Irving. The book is seldom seen in its original wrapper. This copy is extremely fine with the wrapper in very good plus condition, onlys slight fraying and wrinkling. [Attributes: First Edition]

      [Bookseller: Edward Nudelman Rare Books]

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Robert Garbe.
        Die Dampflokomotiven der Gegenwart. Hand- und Lehrbuch für den Lokomotivbau und -betrieb, für Eisenbahnfachleute und Studierende des Maschinenbaues.
      Bln.: Springer, 1920.. 2 Bde., XVIII, 859, (7), IV, (54) S., Mit 722 Textabbildungen und lithograph. Tafeln mit den Bauzeichnungen neuer, erprobter Heissdampflokomotiven des In- und Auslandes. Or. Pbd., 4°. Unter Durcharbeitung umfangreicher amtlicher Versuchsergbnisse und des Schrifttums des In- und Auslandes sowie mit besonderer Berücksichtigung der Erfahrungen mit Schmidtschen Heissdampf-Lokomotiven der Preussischen Staatseisenbahnverwaltung . 2., vollständig neubearbeitete und vermehrte Aufl.. Einbände und etwas fleckig, Bibliothekskleber auf Rücken, Stempel auf Titel, teilweise mit Anstreichungen, Papier gebräunt, Tafeln 10, 12, 14, 24, 26, 36, 41 fehlen, Tafeln teilweise mit Kleber repariert..

      [Bookseller: ABC Antiquariat Marco Pinkus]

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SCHOENBERG, Arnold 1874-1951
        Gurre-Lieder von Jens Peter Jacobsen Deutsch von Robert Franz Arnold fur Soli, Chor und Orchester. [Full score]
      Wien: Universal [PN] 6300. 1920. 1f. (recto title, verso instrumentation), 3-189, [i] (blank) pp. Large folio. Original dark brown cloth-backed publisher's boards with gilt titling to upper, gilt lettering to paper label on spine. & & Signed by Schoenberg and with "No. 92" in his autograph to foot of title.& & Binding very slightly worn and shaken. Minor staining to lower margin of several leaves. . First Edition in this form. Hilmar: Arnold SchÃ¶enberg Gedenkausstellung 1974, no. 229. & & First performed on February 23, 1913 in Vienna at the Musikverein, conducted by Franz Schreker. & & "The cycle of poems Gurresange (Songs of Gurre), written in 1868 by Jens Peter Jacobsen (1847-85) , was based on the old Danish legend of Waldemar, King of Denmark, and his illicit love for the beautiful maiden Tove at the castle of Gurre"& & "The dominant thematic traits stem from Wagner's world of sound, but the frequent wide intervals in the vocal parts already give a hint of Schoenberg's later manner. Harmonically, there are further refinements of the phenomena of expanded or 'floating' tonality, first produced by Wagner in Tristan The way in which Schoenberg unfolds the themes of the Gurrelieder, the nature of his thematic work, and the formal layout of the whole work show him already far beyond Wagner's technique of development, and ahead of his own contemporaries"& & "The Gurrelieder, together with the symphonic poem PellÃ©as et MÃ©lisande which likewise calls for gigantic forces, represent Schoenberg's farewell to the over-ripe late-Romantic world of sound inaugurated by Liszt and Wagner and carried to its extreme by Mahler, Richard Strauss, and many of their contemporaries" & & "The work was an extraordinary success with the public, the first triumph for Schoenberg in any of the major music halls of his native city." Reich: Schoenberg, pp. 66-69.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]

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LA FONTAINE, JEAN DE.
        Fables de la Fontaine.
      Tours Maison Alfred Mame et Fils (c. 1920) - Quarto. 127pp., +(16)ff. One of sixteen copies, with a signed original gouache for one of the sixteen color plates by Neziere, opposite p.63. Highly colored and caricature-like in style, the painting illustrates "L'Ane et le Petit Chien (The Little Dog and the Donkey)." Additionally, each text page is illustrated in black and white. Raymond de la Neziere's work was featured in many of the popular magazines of his era, and it is often viewed as a precursor to French comics. He began working as a book illustrator in 1892. Neziere's illustrations are recognized for their humorous and expressive style, and his characters are often anthropomorphic animals. Unbound, as issued, with panels of pictorial wrapper covers. Protected in a cloth-backed marbled portfolio. Light foxing to a few sheets, else fine. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Bromer Booksellers, Inc., ABAA]

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Daudet, Alphonse
        Lettres De Mon Moulin
      A. Ferroud et F. Ferroud, Paris 1920 - 302 pages in text. 20 x 13 cm. Limited edition, copy 11 of 30 on Japon ou velin d'Arches with an original water color drawing by Robaudi, watercolor illustrations in the text and additional illustrations in two states: black and white and watercolor, decorative letters by Fred Money. Alcide Theophile Robaudi, a protégé of Jean Leon Gerome, and a leading illustrator -- works of Dumas, George Sands, Balzac and Verlaine -- for the largest publishing houses in France. This work is a collection of short stories originally published 1869, early in Daudet's career. Bound by Rene Aussourd, inner dentelles, raised bands, marbled endpapers, contents very bright and fresh. Orig. green morocco, backstrip evenly sunned to brown. Aeg. Fine in fine marbled slipcase [Attributes: Hard Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]

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Viereck, George Sylvester: Editor
        The Fatherland - Fair Play for Germany and Austria-Hungary, August 4th, 1915 - Cover Photo of Dr. C.J. Hexamer - President of the German American Alliance - An Organization of Over 2,000,000 Americans - The War of 1920 (continued)
      New York: The International Monthly. Stapled. 20 pages. Features: The Next Step of President Wilson; Friends of Peace, Organize! Organize!; The Trust of the Red Death - Article III - Premonitions of the Future - George Sylvester Viereck discusses how capital is diverted from peaceful employment to the establishment of a trust that will ean the fomenting and making of wars for profit; News from Austria-Hungary, by Dr. Ervin Acel-Starhemberg; German Week at the San Francisco Exposition; Famous English Preacher Pleads for Arms Embargo - Rev. Dr. Aked and Prof. Rauschenbusch Protest Against National Dishonor; The War of 1920 (continued); Russia as a Publisher Duplicates her Failure in Military Affairs; The London Morning Post Fears the Fatherland; Mr. Ochs's (of the New York Times) Fate?; Chip in for the Dernburg Fund; Henry James has done something; Full-page fascimile of letter to George Sylvester Viereck from Mrs. Carl L. Schurz asking him to be Editor of the English edition of "Weltkrieg" called World-War; A hint for the "American Machinist" - a publication which promotes the sale of poison shrapnel; Poultney Bigelow Again - an amusing clown; If The Fatherland were published in Germany - an interesting quotation from the Cedar Rapids Republican; Prof. Burgess's Book "The War of 1914" Boycotted by some of the leading book stores in New York; Facsimile of Mr. Viereck's reply to Mrs. Schurz - in the affirmative; The German Aims of Peace; - and more. Unmarked. Average wear. Openings/creases to upper corner of back cover at backstrip. This issue noteworthy in that for the first time we find a full-page back cover ad for Budweiser -with a George Washington theme. Until this issue, most advertisers in this publication had been of the smaller, local (New York City) variety. . Good. 1915. First Edition.

      [Bookseller: RareNonFiction.com]

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Moore, A B
        The Mounted Riflemen in Sinai and Palestine. The story of New Zealand's crusade
      Whitcombe and Tombs 1920 - Near fine internally, pgs 175, many illustrations. Original stiffened paper dust jacket very good, has minor marks as shown in photo . Briscoe Moore served as an officer in the Auckland Mounted Rifles and used his experience to record the war effort of the New Zealand Mounted Rifles following the Gallipoli campaign. This record therefore fills a vital area in conjunction with the official records of the three Mounted Rifles regiments of the NZEF. The text covers New Zealand effort in the entire campaign of the Egyptian Expeditionary Force from 1916 to the end of the war. In the words of the author the "primary objective has been a description of things as experienced by the men concerned". This book does great justice to that ideal. Important and extremely rare part of the war record of the New Zealand Expeditionary Force. Particularly rare in such excellent condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: New Zealand Military Books]

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The Sportsmen
        British Sports and Sportsmen Racing
      London -Sports and Sportsmen Limited, 1920 Book. Very Good. Hardcover. A handsome and highly detailed volume; The policy pursued has been to furnish pictures of leading events in connection with racing from classical times to the present date. Limited edition being number five-hundred and eighty-seven of one-thousand copies produced. Collated complete with twenty-five photogravures reproduced from photographs by W. A. Rouch. As well as many photographic plates, being of interesting paintings and engravings which have never previously been published. Condition: In original red crushed morocco binding with gilt lettering to the spine and front board. Externally, sound, although with some light rubbing and very minor wear to extremities. Internally, firmly bound, bright and clean, with only the odd handling mark. Overall: VERY GOOD INDEED..

      [Bookseller: Rooke Books]

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Schwabach, Erik-Ernst , René Schickele (Hg.)
        Die weissen Blätter (18 Mappen und Bde.). 1913: Hefte 1-3; 1914: 5-11/12; 1915: 1-12; 1916: 1-12; 1917: 1-7; 1918: 1-6; 1919: 1-12; 1920: 1-12 (insgesamt 72 Hefte).
      Leipzig, Zürich, Bern Berlin, Verlag der Weißen Bücher, Rascher, Cassirer, 1913-1920 - 8°, je ca. 80 S., HPerg.-Mappe m. losen Heften (1931-14); danach gebunden HPerg., Hefte etwas angeschmutzt, Diese anfangs von und ab 1915 von René Schickele redigierte Monatsschrift ist ein wichtiges Organ des Expressionismus. Die Zeitschrift, insgesamt sieben Jahrgänge (1913-1920), wird 1913-1915 vom Leipziger Verlag der Weißen Bücher, 1916-1917 bei Rascher in Zürich, 1918 im Verlag der Weißen Blätter in Bern und 1919-1920 bei Paul Cassirer in Berlin herausgegeben. Zu den Mitarbeitern der Weißen Blätter gehören u.a. Paul Adler, Henri Barbusse, Gottfried Benn, Eduard Bernstein, Franz Blei, Max Brod, Martin Buber, Theodor Däubler, Kasimir Edschmid, Albert Ehrenstein, Carl Einstein, Friedrich Wilhelm Foerster, Leonhard Frank, S. Friedlaender, George Grosz, Ferdinand Hardekopf, Wilhelm Hausenstein, Hermann Hesse, Kurt Hiller, Annette Kolb, Paul Kornfeld, Else Lasker-Schüler, Rudolf Leonhard, Mechtild Lichnowsky, Heinrich Mann, Gustav Meyrink, Robert Musil, Otto Pick, Max Scheler, René Schickele, E.E. Schwabach, Ernst Stadler, Carl Steinherij, André Suarès, Theodor Tagger, Robert Walser, Ernst Weiß, Felix Weltsch, Franz Werfel, Alfred Wolfenstein und Paul Zech. 20000 gr. [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]

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Cori, Carl Ferdinand, Mediziner (1896-1984).
        Sammlung von 4 (3 eigenh. und 1 ms.) Briefen mit U.
      Wien und Prag, 4.VI.-1.VIII. 1920 bzw. o. D. - Zusammen 10½ SS. (Qu.-)8vo bzw. 4to. Berührende Briefe des österreichischen Nobelpreisträgers für Medizin an seinen Vater, den Zoologen und Mediziner Carl Isidor Cori (1865-1954): "Es tut mir leid, daß Du soviel Unangenehmes und Trauriges erlebst, umsomehr als noch Deine Sorge um mich hinzukommt. Ich habe nun doch Mama einiges mitgeteilt und es ist mir nicht leicht gefallen, aber es mußte einmal geschehen. Ich weiß sehr genau, daß meine Situation immer furchtbarer wird und daß Ihr den Glauben ganz an mich verlieren werdet. Auf dem Weg den ich einmal beschritten habe, kann ich nicht mehr zurück und ich muß die Konsequenzen tragen. Es ist das alles sehr traurig. Ich bin vor eine Alternative gestellt und ich muß Euch glauben, wenn Ihr sagt, daß es nichts anderes, keine Verständigung zwischen uns gibt [.] so muß ich Dir die traurige Mitteilung machen, daß ich mich mit Mama in keiner Weise gefühlsmäßig verbunden fühle, wenn ich noch so tief in mich hineinhorche. Daran sind die vielen Jahre schuld, in denen sie mir nie ein wirklich tiefes Interesse oder Verständnis entgegengebracht hat [.]" (Br. v. 21.VI. 1920). Auch die zwei anderen im Laufe des Sommers verfaßten Briefe thematisieren das schwierige Verhältnis innerhalb der Familie, die u. a. der geplanten Hochzeit des Sohnes mit der Medizinerin Gerty Theresa Radnitz (1896-1957) ablehnend gegenüberstand: "Zeugen sind meine Freunde Edi und Willi. Sonst habe ich niemanden verständigt, da ja eine Heirat, die gegen den Willen der Eltern geschieht, nichts sehr Erfreuliches ist. Ich bin leider nicht in der Verfassung einen langen Brief zu schreiben, kaum fähig meine Angelegenheiten zu führen [.]" (Br. v. 1.VIII. 1920). - 27 Jahre später sollte das Ehepaar gemeinsam den Nobelpreis für die Entdeckung des Verlaufs des katalytischen Glykogen-Stoffwechsels erhalten. - Der schon nach seiner Übersiedlung in die USA maschinschriftlich verfaßte Brief dürfte nach Ende des Zweiten Weltkriegs entstanden sein. [Attributes: Soft Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]

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Martorell, Johanot & Marti Johan de Galba
        Libre del valeros e strenu cavaller Tirant lo Blanch. Novel.la del XVè segle. Edició anotada i comentada per en Joan Givanel i Mas. Orles policromes per n' Eudald Canibell i Masbernat. Inicials, vinyetes i ex-libris d'en Germà Viader i Llor
      Octavi Viader, Sant Feliu de Guixols 1920 - Gran folio, 2 vols. (Vol. 1: marca del impresor grabada al agua, facsímil de la edición de 1490, primer fol. color, 177 fols. a dos tintas, 36 p., colofón a dos tintas. Vol 2: facsímil, primer fol. color, 203 fol. a dos tintas, 10 p., colofón a dos tintas). Ejemplar nº 104 de una edición de 460 ejemplares. Papel hilo, barbas. Pleno pergamino romana, titulo coloreado en letra gótica, en lomo y planos. Magnífico ejemplar de esta soberbia edición de la gran novela catalana de Martorell, terminada a su muerte por Mossen Martí Johan de Galba, lujosamente editada por la célebre imprenta Viader en un recio papel de hilo, impresa con grandes márgenes, con la primera página del texto de cada volumen enmarcada en una espléndida orla policromada con escudo, obra de Canibell, y delicadas iniciales y viñetas, dibujadas por G. Viader. Cada tomo incluye un facsímil de la primera página de la edición de Valencia, 1490, en negro. Notabilísimo ejemplar. Literatura catalana. Novela catalana. Bibliofilia. Catalan literature. Catalan novel. Bibliophilism.

      [Bookseller: Libreria Anticuaria Studio]

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BLUNDEN, Edmund
        The Waggoner and other Poems
      London: Sidgwick & Jackson, Ltd.,, 1920. Octavo. Green cloth with paper spine label. With the dust jacket. Pencilled ownership inscription, partially erased, of the [Henry] Hamilton Fyfe at C[rewe] H[ouse], 1920. Slight crumpling head and tail of the spine, jacket a little rubbed and with corresponding chipping at spine ends and corners of the turn-ins, a very good copy. First edition, second issue. Of an edition of 500, 250 copies were bound in purple cloth for immediate issue, 100 sets of sheets were sent to NY for Knopf's American edition, and the remaining 150 bound up in green cloth later in 1920. Extremely uncommon in jacket in either issue. Blunden's first trade publication, The Waggoner was issued with the encouragement and assistance of Siegfried Sassoon to whom Blunden had sent some of his work in his capacity as literary editor of the Daily Herald. The previous owner of this copy, Hamilton Fyfe, was a roving correspondent and an innovative editor, who reported from both fronts during the First World War. He was "sent to France in August 1914. Despite the difficulties imposed upon all journalists by the military censorship, within three weeks Fyfe secured a memorable success with his account of the retreat from Mons  In 1915 Fyfe was transferred from the western to the eastern front. He travelled from Petrograd through Galicia to Bucharest. Back in Russia in 1916, he reported Rasputin's murder  " (ODNB). In July 1918 he replaced H.G. Wells at Crewe House, Northcliffe's propaganda HQ.

      [Bookseller: Peter Harrington]

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LIECK, Albert
        The Flying Horse
      London: George G. Harrap & Co. Ltd., 1920. Illustrated by Ruth Cobb. Small octavo. Pale blue quarter morocco over patterned handmade-paper covered boards, front side lettered in gilt, navy top-stain, oatmeal coloured endpapers. Original hand-painted frontispiece tipped-in, 7 engraved plates by Cobb. Spine slightly faded, one or two spots to text block, otherwise an excellent copy. First edition, presentation copy. Inscribed by the author on the dedication page; "This book is dedicated to Sophie Lieck, the child who helped to make it, and is presented to her by the author". At page 82, the last page of chapter seven, Lieck has carefully inscribed the first stanza, Canto IV of Byron's 'Childe Harold': "I stood in Venice, on the Bridge of Sighs; A palace and a prison on each hand; I saw from out the wave of her structure's rise As from the stroke of the enchanter's wand: A thousand years their cloudy wings expand Around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble pines, Where Venice sate in state, throned on her hundred isles.

      [Bookseller: Peter Harrington]

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        SEPP FRANK * - MAPPE : EX LIBRIS II., ZEHN (10) ORIG.-RADIERUNGEN (2Farb.) JE HANDSIGNIERT. (signiert mit Bleistift, unten rechts) : Dietz, E.L.D., Feuchtwanger, Hausner. Löffler, Maienthau, Platz, Taub, Thannhauser, Vogelsanger.
      München-Pasing, Roland-Verlag Dr. Albert Mundt, um 1920/1925. - Bild.-Gr.: untersch. von ca 10 x 8,5 cm bis ca 20 x 14 cm (Gelb/Schwarz) sign. im Druck u. mit je Eigenname unter Transpar.-Floral.-Chinapapier, u. auf Bütten-Leichtkarton.-Papier (ca 40 x 30 cm). Blätter minimal randgebräunt, sauber ! * Maler, Graphiker, Exlibriskünstler, Illustrator, Glaskünstler, geb. 1889 in Miesbach, gest. 1970 in München (Grab: Nordfriedhof), studierte Architektur, schuffe Mappenwerke, Portraits, Landschaften, Grußkarten u.a. Sprache: de Gewicht in Gramm: 505 Kl.-Fol. (40 x 30 cm), Or.-Helles-Papier-Mappe mit Titelung u. handgeschr.-Numerierung (XIV.). Gutes Exemplar. [Attributes: Signed Copy]

      [Bookseller: Antiquariat am Ungererbad]

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Design.
        An album of designs for textiles and/or paper.
      - c1913-1920's? Large folio cloth [620x430mm]; 24 card leaves with 39 mounted original colour block prints (3 double page). Expected signs of use but nothing drastic; one print removed. Presumably the designer's album of designs, these are proof prints from the blocks, each show the shape where the repeat pattern fits. The first pages are annotated with details of the client ('Achete a George. 9 Rue St Fiacre Paris' - in earlier decades this was the home of a calico manufacturer, which makes sense, and now houses a public relations firm and Ella Bache, which is neither here nor there) and the engraver (Gillet, sometimes in concert with someone else); the details dwindle as the album proceeds until we reach the large and dramatic geometric design in black and white which was "vendu a Mrs Bosset". Dating these designs to 1913 would seem foolish but for the first few leaves being dated 1913 in the top corner; two or three are dull, traditional floral patterns but the rest, while by no means radical avant garde, would sit more happily in the next decade or two - some are really quite stylish. The theme is floral, or at least botanical although one is based on a Chinese cloud pattern; several are oriental in style or inspiration and one is a very stylish piece of Japanese abstraction. I suspect this to be the work of a Japanese designer in Paris, partly because it most recently came from Tokyo and partly because of the modern simplicity of several designs. [Attributes: Hard Cover]

      [Bookseller: Richard Neylon]

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Sim, Malcolm (1881-1956), Geroge Hume and Alain Campbell White
        D J Densmore and the Densmore Memorial Tourney, 1918
      Chess Amateur, Stroud 1920 - 239 pages with 2 plates, diagrams and index. Small octavo (7 1/2 x 5 1/4") issued in red cloth with gilt lettering to spine and cover. From the library of Edgar Halladay. A C White's Christmas series(Betts: 33-22) 1st edition. Contains a biographical sketch of Densmore, by Sim, a 62 page study of his problems by Hume (including 80 examples), 54 further examples of his work (chiefly 3 movers, 4 movers and self mates), an 85 problems by various composers entered in the memorial Tourney. Solutions appear on pages 223-235. Includes an index of composers. From the library of Edgar Holladay with his notes through out and new problem tipped on to page 124 with his solution. Holladay was a well known composer especially in the field of helpmates, International Master in composing and an International Judge. Condition: Previous owner's name on front paste down in pencil (not Holladay's). Recased with original spine laid on, soiled, edge wear. About a very good copy issued without jacket. [Attributes: First Edition; Soft Cover]

      [Bookseller: The Book Collector, Inc.]

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BLACKMORE. R. D.; Brock. Charles E. & Brittain. Charles E. Illustrate
        LORNA DOONE. A Romance of Exmoor. The Dulverton Edition.
      Sampson Low, Marston & Company, Ltd. London.,1920 - Fourth edition of this, the Illustrated Dulverton Edition, the 29th edition overall. Large 8vo. (9 x 6.7 inches).16 colour plates, each with a printed tissue paper guard, by Charles Brock (4 scenes from the story), and Charles Brittain (12 views of Exmoor and environs). A Fine copy in a fine leather binding by Bain of London. Half dark blue morocco, spine with raised bands, ruled in gilt. Compartments tooled and lettered in gilt. Blue cloth on boards. Marbled endpapers. Top edge gilt. Loosely inserted is a hand written letter from J. G. Bain, on company headed notepaper dated Christmas 1925, presenting this book to a customer. An interesting and beautiful edition with the plates showing not just characters from the tale but also views of the towns, villages and views around Exmoor that act as a backdrop for the novel.: [Attributes: Hard Cover]

      [Bookseller: Paul Foster. - ABA & PBFA Member.]

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KYD (pseudonym of Joseph Clayton Clarke) artist | [DICKENS, Charles] |
        Representatives of the Law.
      London: N.p., 1920. - Forty-Eight Original Kyd Watercolors"The Law is an Ass"But the Artwork is SublimeKYD, (pseudonym of Joseph Clayton Clarke) artist. [DICKENS, Charles]. Representatives of the Law. (Ranging from the Bench to the Brokers man), extracted from the Works of Dickens, and portrayed by "Kyd" in a series of 48 Character Studies drawn in colours. London: ca. 1920.Calligraphic title page in an orange border and with a judges head at the top, calligraphic list of plates in a green border, and forty-eight original watercolors by Kyd.All loose sheets, each measuring 10 9/16 x 7 7/8 inches and with the paintings within fine line borders comprising a panel measuring 7 x 4 1/2 inches. Each is a painting of a legal character from one of Dickens many works. The name of the character is in pen at the top left hand corner of the image space and the title of the book in which the character is found is located at the lower right hand corner.Each painting is signed by Kyd and depicts forty-eight judges, lawyers, solicitors, clerks, police, and prison turnkeys found in Dickens's novels, including Mr. Jaggers (Great Expectations); Mr. Perker (Pickwick Papers); Mr. Blathers (Oliver Twist); Uriah Heep (David Copperfield); Mr. Jinks (Pickwick Papers); Mr. Mallard (Pickwick Papers); Serjeant Buzfuz (Pickwick Papers); Mr. Chuckster (Old Curiosity Shop); Mr. Guppy (Bleak House); Mr. Tulkinghorn (Bleak House); and many others, not the least of whom is Sampson Brass ((Old Curiosity Shop), "an attorney of no very good repute with a cringing manner, whose blandest smiles were so extremely forbidding that to have had his company under the least repulsive circumstances one would have wished him to scowl" - a character we strenuously assert to have no connection whatsoever in fiction or in life to our Brass family.Chemised in burgundy moire silk and housed in a full red morocco pull-off case with gilt spine lettering. A singular collection and fine.Dickens was intimately knowledgeable about the legal world. He began his professional life as a law clerk and had ambition to pursue the law as a career. As a result, "Charles Dickens was preeminently the novelist of the law, and his lawyers have a hold upon the public imagination far surpassing that of any other author" (Fyfe, Charles Dickens and the Law, p.7)."Dickens used a repeated and consistent pattern in presenting lawyers in his works Generally, the lawyers have been treated simply as parts of other investigations, or as objects of Dickens' contempt. [In] Robert D. Neely's The Lawyers of Dickens and Their Clerks, [Neely] express[es] the opinion that Dickens had a disdain for lawyers. 'One of the most marked prejudices was his dislike of lawyers, and all that pertained to the machinery of government.' This hatred is explained and justified in various ways. Philip Collins in Dickens and Crime states that the author was following a literary tradition in treating the lawyers vituperatively. In Charles Dickens: His Tragedy and Triumph Edgar Johnson sees Dickens' treatment of lawyers as one more aspect of his hatred of business. And Humphrey House in The Dickens World views the lawyer similarly to Johnson; House states that the lawyer has only a business, professional approach to people and to life. Thus, the lawyers are dismissed " (Baughman, Charles Dickens and His Lawyers. ALSA Forum Volume 6, Number Number 2 [1982]). "The one great principle of the English law is, to make business for itself. There is no other principle distinctly, certainly, and consistently maintained through all its narrow turnings." (Bleak House)"'If the law supposes that,' said Mr. Bumble, squeezing his hat emphatically in both hands, 'the law is an ass - an idiot. If that's the eye of the law, the law is a bachelor; and the worst I wish the law is, that his eye may be opened by experience'" (Oliver Twist)."What lawsuits grow out of the graves of rich men, every day; sowing perjury, hatred, and lies among near kindred, where there should be

      [Bookseller: David Brass Rare Books, Inc.]

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CHERAU Gaston & GUITRY Sacha
        Champi-Tortu.
      Flammarion 1920 - - Flammarion, Paris 1920, 20x20cm, 2 volumes reliés. - Nouvelle édition, un des 50 exemplaires numérotés sur pur fil réservés à l'auteur et à ses amis, seuls grands papiers après 10 Hollande. Reliures à la bradel en demi percaline cerise à coins, dos lisses ornés d'un motif floral doré, doubles filets et dates dorés en queues, pièce de titre de basane noisette, dos et deuxième plats du second volume marginalement tachés, plats de papier marbré, couvertures et dos conservés, reliures de l'époque signées de Alfred Farez. Précieux envoi autographe signé de l'auteur à Sacha Guitry sur le premier volume. En outre, notre exemplaire est enrichi d'une lettre autographe datée et signée de l'auteur au même où il évoque Champi-Tortu et aussi la notoriété à laquelle est parvenu Sacha Guitry. Rares rousseurs sans gravité, agréable exemplaire à toutes marges. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]

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LA LOUPE (Vincent de), FIOCCHI (Andrea Domenico) [sous le pseudo de FENESTELLA]
        1- LA LOUPE (Vincent de). Premier et second livre des Dignitez, magistrats & offices du Royaume de France. Ausquels est de nouveau adjousté le tiers livre de ceste matière, outre la reveue & augmentation d'iceux. Paris, Guillaume le Noir, 1560. 3 parties, 68 f., titres compris. 2- [FIOCCHI (Andrea Domenico)]. L. Fenestella, De Magistratibus sacerdotiisque Romanorum. Pomponius Laetus itidem de Magistratibus & Sacerdotiis, & praeterea de diversis legibus Romanorum. Lutetiae, ex off. R. Stephani [Paris, Robert Estienne], 1549. 112, (6) p., colophon au verso du dern. f., qqs auréoles en coin.
      - Ensemble relié en un volume in-8, plein veau moucheté, dos à 5 nerfs orné d'un riche décor doré de caissons garnis du monogramme "DG" répété au centre, pièce de titre de maroquin bordeaux, roulette sur les coupes, tranches mouchetées rouges (un mors fendu, rel. du XVIIe s.). 1- Première édition française de cet essai traduit du latin, largement remanié et augmenté par l'auteur lui-même. Juriste, historien et magistrat du pays chartrain, Vincent de La Loupe étudie les attributions et fonctions des différents offices dans le royaume, recherche l'origine de leur pouvoir et cite les principaux travaux de ses contemporains en la matière : Paul Émile, Gaguin, Budé père et fils, etc. G. Weill ('Théories du pouvoir royal en France', p. 20-21) classe cet ouvrage comme exemplaire des théories du pouvoir absolu qui fleurissaient à l'époque. Cf. également R. Doucet, 'Institutions de la France au XVIe s.', p. 198 sq. et 898. (Brunet, III, 779 Guigard, 'Bibliothèque héraldique de la France', n°1920). 2- Publié sous le nom de l'historien romain Fenestrella, l'oeuvre est du canon et secrétaire papal Andrea Domenico Fiocchi. (Adams, F.602. Renouard, p. 75, n°21). Contient également : DURET (Jean). L'harmonie et conférence des magistrats romains avec les officiers françois (.). [Lyon, Benoist Rigaud, 1574]. [8]-177 f. et (6) f. de tables (manque les 8 f. préliminaires et les 2 derniers f. de table). Provenance : Denis Godefroy (1615-1681), conseiller et historiographe du roi, garde des archives de la Chambre des comptes de Lille, avec son monogramme doré au dos. Bon exemplaire, bien relié. [Attributes: Hard Cover]

      [Bookseller: Librairie HATCHUEL]

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        Le Livre des Mille Nuits et une Nuit. Traduction littérale et complète du Dr. J. C. Mardrus.
      Eugène Fasquelle, (1920 - 1921)., Paris, - 8 volumi in-4° (330x252mm), 2800 pp. complessive, raffinata legatura in mezza pelle blu con titolo e tomaison in oro su doppio tassello rosso, fregi, giletti, mezzelune, decori floreali impressi in oro, in argento ed in rosso. Numerosissime illustrazioni a colori f.t. impresse da G. de Malherbe e incise da Mulot, Krièger et C.ie, per lo più riproducenti miniature persiane e indiane ("fac-similé des miniatures, encadrements et enluminures qui ornent les manuscrits originaux persans et hindous"); ogni pagina presenta il testo inquadrato entro ricchissime bordure ad arabesco. Le bordure si presentano variate ad ogni pagina sia nel colore che nei motivi ornamentali e sono impresse da Motteroz e Martinet. Immacolato esemplare allo stato di nuovo. Elegantissima edizione figurata per bibliofili dell'"Alf laila wa-laila", le "Mille e una Notte", il grande classico della letteratura araba assurto a fama universale già nel Settecento, quando venne per la prima volta tradotto dall'abate Galland. La traduzione di Joseph Charles Mardrus, letterale, è condotta direttamente sull'originale arabo e spicca per la sua grande eleganza formale. Carteret, Le Trésor du Bibliophile, IV, p. 281: "Belle édition recherchée et très cotée. Tirage limité sur vélin". [Attributes: Hard Cover]

      [Bookseller: Gilibert Libreria Antiquaria (ILAB-LILA)]

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Herausgegeben Von Carl Georg Heise, Hans Mardersteig
        Genius - Bilder Und Aufsätze Zu Alter Und Neuer Kunst, 2 Bde,
      Kurt Wolff Verlag, München 1920 - 2 Bände, KOMPLETT! KOLLATIONIERT! Geprägte Leinen-Einbände mit Rückentitelei, beide mit minimaler Schieflage wegen schlechter Lagerung, insgesamt solide und gut erhalten. Alle Original-Graphiken vorhanden! Band 1, ERSTER BAND: VIII, 332 Seiten. Autoren / Künstler u.a.: Schmidt-Rottluff, Georg Heise, Gustav F. Hartlaub, Henry van de Velde, Wilhelm Hausenstein, Alfred Mombert, Matisse, Hans Purrmann, Franz Werfel, Gorki, Nele van de Velde, Georg Heim, Kurt Hiller, Ernst Bloch, Anatole France, Rabindranath Tagore. Original-Grafiken: 1. Erich Heckel (Mädchenkopf/Original-Holzschnitt), 2. Georg Ehrlich (Tröstung/Original-Lithographie), 3. Frans Masereel (Business-Man/Original-Holzschnitt), 4. Max Kaus (Kopf/Original-Holzschnitt), 5. André Rouveyre (Kopf/Original-Holzschnitt). Band 2, ZWEITER BAND: VIII, 356 Seiten. Autoren / Künstler u.a.: Erich Heckel, Karl With, Max J. Friedländer, Walter Cohen, Ludwig Gies, Georg Kolbe, Romain Rolland, Alfred Wolfenstein, Franz Marc, Alfred Döblin, Richard Wilhelm, René Schickele, Karl Vossler, Hermann Hesse. Original-Grafiken: 1. Edwin Scharff (Die Brüder/Original-Lithographie),2. Alexander Arschipenko (Figürliche Komposition/Original-Lithographie), 3. Carl Hofer (Das Nest/Original-Lithographie), 4. Karl Schmidt-Rottluff (Lesender Mann/Original-Holzschnitt), 5. Alexander Kanoldt (Klausen/Original-Lithographie). 10 Original-Lithographien, intakt und sauber. Ein Jahrgang der legendären Publikation mit zahlreichen, auch farbigen, montierten Bildern, großzügig gedruckt. Insgesamt in sehr gutem Erhaltungszustand.--------A complete year of the legendary publication "Genius" including 10 original woodcuts by Erich Heckel , Georg Ehrlich, Frans Masereel, Max Kaus, André Rouveyre, Edwin Scharff, Alexander Arschipenko, Carl Hofer, Karl Schmidt-Rottluff, Alexander Kanoldt. All clean! Both volumes in a very good condition. 26 x 35 Cm. 6 Kg. Gewicht in Gramm: 6000 [Attributes: Hard Cover]

      [Bookseller: Antiquariat Clement]

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Zehder, Hugo.
        Kandinsky. Unter autorisierter Benutzung der russischen Selbstbiographie. Mit einem Farbendruck, acht Netzätzungen und vier Strichätzungen.
      Dresden Rudolf Kaemmerer Verlag, 1920,. 25,8 x 19,5 cm, 53 (2) Seiten. Eine montierte Farbtafel [Träumerische Improvisation, damals in der Sammlung Bienert/Dresden], Original-Halbleinenband mit Batik-Bezugs-Papier (Ecken und Kanten etwas berieben), gutes Exemplar der Vorzugsausgabe. >Künstler der Gegenwart, herausgegeben von Paul Ferdinand Schmidt, Erster Band<.. Dok.-Bibl. I, 132. - Freitag 4725. - Perkins 159, I. - Raabe/Hannich-Bode 543.1. - Spalek 2785; jeweils die Normalausgabe. - Die erste Monographie über Kandinsky. - Hugo Zehder (1882-1961) war Autor, Herausgeber und Verleger expressionistischer Zeitschriften, Galerist und Kritiker. - Impressum: "Von diesem Werk wurden 10 Exemplare als Museumsausgabe auf Holländisch-Bütten gedruckt und in Hand-Batikseide gebunden. Von 1-10 numeriert und vom Herausgeber signiert. 40 Exemplare wurde als Ausgabe A auf Deutsches Papier gedruckt. In Halbleinen gebunden und von 11-50 numeriert. Für die Reproduktionen erteilte "Der Sturm", Berlin, die Genehmigung [...] Dieser Band der Ausgabe A trägt die Nummer 19.

      [Bookseller: Stader Kunst-Buch-Kabinett]

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Eliot, T.S.
        Poems (1920 - a signed copy) - The Sacred Wood - Dante - Thoughts After Lambeth - Selected Essays - The Use of Poetry & the Use of Criticism - After Strange Gods: A Primer of Modern Heresy - The Rock - Murder in the Cathedral - Essays Ancient and Modern - The Family Reunion - Old Possum's Book of Practical Cats - The Idea of a Christian Society - Points of View - Burnt Norton - East Coker - The Dry Salvages - Little Gidding - Four Quartets - What is a Classic - Milton - Notes towards the Definition of Culture - The Cocktail Party - Poetry and Drama - The Three Voices of Poetry - The Confidential Clerk - On Poetry and Poets - The Elder Statesman - Poems Written in Early Youth - The Complete Poems and Plays - The Waste Land: A Facsimile
      New York/London: Alfred A. Knopf/ Faber & Faber, 1920 - 1985 - 1. Poems. New York: Alfred A. Knopf, 1920. First Edition, First Printing. A near fine copy. Signed by the poet on the title page. 2. The Sacred Wood. London: Methuen & Co. Ltd., 1920. First Edition, Second Printing (1928). Apart from the foxing, this is a near fine copy in a near fine dustwrapper. 3. Dante. London: Faber and Faber, 1929. First Edition, Second Printing (1930). Apart from some offsetting and foxing, a near fine copy in a near fine dustwrapper. 4. Thoughts After Lambeth. London: Faber and Faber, 1931. First Edition, First Printing. Some offsetting and foxing to endpapers, else a fine copy. 5. Selected Essays. London: Faber and Faber, 1932. First Edition, Fourth Printing (1944). Boards and spine faded, else near fine. 6. The Use of Poetry & the Use of Criticism. London: Faber and Faber, 1933. First Edition, First Printing. A near fine copy, the endpapers and edges of which are foxed, in a very good dustwrapper, missing small pieces at the top and bottom of the spine, which is faded, and has several chips and closed tears, particularly around the edges. 7. After Strange Gods - A Primer of Modern Heresy. London: Faber and Faber, 1934. First Edition, First Printing. A near fine copy, the endpapers and edges of which are foxed, in a very good dustwrapper, missing a small piece at the bottom of the spine, which is faded, and has several chips and closed tears. Never reprinted and therefore rare in the Eliot canon. 8. The Rock. London: Faber and Faber, 1934. First Edition, Third Printing. Apart from the heavy foxing, a near fine copy in a near fine dustwrapper. 9. Murder in the Cathedral. New York: Harcourt, Brace and Company, 1935. First Edition, Second Printing (1936). A near fine copy in a very good dustwrapper, which is sunned along the spine. 10. Essays Ancient and Modern. London: Faber and Faber, 1936. First Edition, Third Printing (1955). A near fine copy in a very good dustwrapper. 11. The Family Reunion. London: Faber and Faber, 1939. First Edition, First Printing. A near fine copy. 12. The Family Reunion. London: Faber and Faber, 1939. First Edition, Third Printing (1947). A very good copy. 13. Old Possums Book of Practical Cats. London: Faber and Faber, 1939. First Edition, Tenth Printing (1948). A near fine copy in a very good dustwrapper. 14. The Idea of a Christian Society. London: Faber and Faber, 1939. First Edition, Second Printing (1939). A very good copy - actually fine, but for the foxing - in a near fine dustwrapper. 15. Points of View. London: Faber and Faber, 1941. First Edition, Third Printing (1945). A near fine copy in a very good dustwrapper. 16. Burnt Norton - East Coker - The Dry Salvages - Little Gidding. London: Faber and Faber, 1936-42. Burnt Norton: Second Edition (1941), Fourth Printing (1943); East Coker: First Edition, Sixth Printing (1942); The Dry Salvages: First Edition, Third Printing (1943); Little Gidding: First Edition, First Printing (1942). Original wrappers foxed, faded and marked, a very good set. 17. Four Quartets. London: Faber and Faber, 1944. First Edition, Second Printing (1944). A very good copy, which is heavily annotated in pencil throughout. 18. Four Quartets. London: Faber and Faber, 1944. First Edition, Fifth Printing (1947). A near fine copy in a good only dustwrapper. 19. What is a Classic? London: Faber and Faber, 1945. First Edition, Second Printing (1945). A near fine copy in a very good dustwrapper. 20. Milton. London: Oxford University Press, 1947. First Edition, Fourth Printing (1948). A very good copy in creased and marked original wrappers. 21. Notes towards the Definition of Culture. London: Faber and Faber, 1948. First Edition, First Printing. A very good copy in a near fine dustwrapper. And 10 more books. CHF 9'000. Please note that due to size and weight we will have to charge additional postage. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Yves G. Rittener - YGRbookS]

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India. Burma. Ceylon. Murray's Handbook
        A Handbook for Travellers in India, Burma and Ceylon, including all British India, The Portuguese and French Possessions, and the Protected Native States. Tenth Edition. SPLENDID AND UNIQUE COPY IN SIGNED HATCHARDS BINDING
      John Murray 1920 - Sm. 8vo., Tenth Edition, on India Paper, with 38 folding coloured maps, 11 full-page maps and plans (a number coloured), numerous illustrations, plans and tables (several full-page) in the text, and a very large folding coloured map mounted on cloth in pocket at rear, some mild offsetting to blank preliminaries, endpapers very lightly age-soiled; handsomely bound in full crushed red morocco BY HATCHARDS, upper board lettered in gilt, back with five shaped raised bands, second compartment lettered in gilt, all edges gilt, wide gilt doublures elaborately tooled in gilt with a floral border enclosing multiple frames, laid paper endpapers, red, yellow and green silk head- and tail-bands, red buckram pocket, a splendid and ornate copy ideal as a gift or for presentation. THE BINDING IS SIGNED ON FRONT PASTE-DOWN. IT WAS COMMISSIONED BY GUY WESTMACOTT WHOSE NAME IS LETTERED IN GILT ON FRONT BOARD (this could well be Guy Randolph Westmacott of the Grenadier Guards). A SPLENDID AND UNIQUE COPY OF THE ONE OF THE BEST EDITIONS OF THE FINEST TRAVELLER'S GUIDE TO INDIA AND SURROUNDING REGION. Very scarce in any condition. [Attributes: Hard Cover]

      [Bookseller: Island Books [formerly of Devon]]

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        IL CONVEGNO - 1920-1940 rivista di letteratura ed arte - TUTTO IL PUBBLICATO, Milano, Il convegno editoriale, 1920
      - cm. 17,1 x 24,5, brossura, alcuni dorsi stanchi, interni tutti in ottime condizioni, pagine variabili. Tutta la collezione è a fasc. sciolti, in buone condizioni. Alla fine di ogni annata c'è un indice assai utile degli scritti, autori ed argomenti . L'ultimo numero 11-12 del febbraio 1940 è L'INDICE SISTEMATICO DEGLI ARTICOLI, SPETTACOLI, CONCERTI E MANIFESTAZIONI, con riassunto di tutti gli autori, suddivisi per le materie trattate (quasi unico nel suo genere) Il direttore ENZO FERRIERI, (giornalista, regista e critico teatrale, ed attivo promotore di iniziative culturali, direttore di compagnie teatrali, lavorò anche presso la Radio, per molti versi un vero e proprio pioniere specialmente nel ramo spettacolo) sintetizza la linea della rivista sul num. 1-2 del 1924 e poi sull'ultimo numero del 1940 c'è il suo sofferto commiato. Tra i numeri speciali più significativi ed interessanti (sono tutti presenti in questa collezione) vanno evidenziati : Fasc. 1, 4, 5 (1920) James Joyce "Esuli" versione di Linati. Fasc. 7 (1921) Novella "Loulou" di Thomas Mann. Fasc. 7-8 (1923) interamente dedicato a MANZONI. Fasc. 4-5 (1924) Carlo Carr? La XIV Esp. Biennale di Venezia Fasc. 6-7 (1924) James Joyce "Araby" Fasc. 1 (1926) G. De Benedetti "Cinema Liberty" Fasc. 5-6 (1926) Dedicato a Jens Peter Jacobsen Fasc. 7 (1927) Thomas Mann " Disordine e dolore precoce" Fasc. 10 (1927) "Omaggio a Rainer Maria Rilke" Fasc. 4-5 (1928) "Commemorazione di Proust" di Giacomo Debenedetti Fasc. 8 (1928) parzialmente dedicato a Franz Kafka Fasc. 11-12 (1928) "Venti ore con Manzoni" inedito di N. Tommaseo Fasc. 1-2 (1929) "Omaggio a Svevo "scritti di G. Debenedetti e Linati. Fasc. 3 (1929) Thomas Mann "Discorso intorno a Lessing" Fasc. 6 e 7-8 (1931) "La radio come forza creativa" e "Inchiesta sulla radio" Queste iniziative furono vere e proprie azioni pionieristiche sulla radio. Fasc. 1-2 (1933) Carteggio inedito tra C. Dossi e G. P. Lucini (1902-1907) La rivista si occupò di letteratura ed arti , dando ampio spazio allo "spettacolo" con radio, teatro, cinema, e con il circolo "Il Convegno" fondato nel 1922 e chiuso nel 1935 , collegato alla rivista e che aveva la sede a Palazzo Gallarati Scotti di Milano, con sale per concerti, conferenze e spettacoli teatrali, divenne un autorevole punto di riferimento ed il centro della cultura lombarda dell'epoca. Vanno riconosciuti a Ferrieri ed alla sua rivista i meriti di avere portato all'attenzione generale alcuni grandi autori stranieri (James Joyce, T. Mann, Kafka, Rainer Maria Rilke ed altri) traducendo vari loro testi. Così come avere fatto eco ai maggiori e grandi autori italiani - anche di diverse provenienze culturali e geografiche - pubblicando importanti e numerosi loro scritti : Anceschi, Angelini, Angioletti, Bacchelli, Baldini, A. Benedetti, Bontempelli, A.G. Bragaglia, Brancati V., Buzzati Dino, Cajumi, Carlo Carr? , Comisso, Benedetto Croce, Giacomo Debenedetti, Silvio D'Amico, G. De Chirico, G. Ferrata, G. Gabetti, Piero Gadda, Corrado Govoni, Antonio Grande, CARLO LINATI (molti i suoi contributi) F.T. Marinetti, EUGENIO MONTALE (la sua scoperta di SVEVO ebbe qui una certa eco) Marino Moretti, A.S. Novaro, A. Palazzeschi, Pancrazi, Papini, Panzini, Enrico Pea, Piovene, Pirandello, Gio Ponti, Prampolini, G. Prezzolini, G. Raimondi, C. Rebora, Umberto Saba, Camillo Sbarbaro, Renato Serra, Ardengo Soffici, Stuparich, SVEVO, Bonaventura Tecchi, Federico Tozzi, G, Ungaretti, P. Valeri, Cesare Zavattini e tanti altri. ANNO I - 1920 - fasc. 1, 2, 3. 4, 5, 6, 7, 8- 9, 10, 11-12. pp. 823. ANNO II - 1921 - fasc. 1-2. 3, 4-5, 6, 7, 8-9, 10,11-12.pp.570 ANNO III- 1922 - fasc. 1-2, 3-4, 5, 6, 7, 8, 9, 10, 11-12. pp. 714. ANNO IV - 1923 - fasc. 1-2, 3, 4-6, 7-8, 9, 10, 11-12 pp. 603. ANNO V - 1924 - fasc. 1-2, 3, 4, 5, 6-7, 8, 9, 10-12. pp. 623. ANNO VI - 1925 - fasc. 1, 2, 3, 4, 5, 6-7, 8. 9, 10-12 pp. 662. ANNO VII - 1926 - fasc. 1, 2, 3, 4, 5-6, 7, 8, 9, 10, 11-12. pp. 911. ANNO VIII - 1927 - fasc. 1-2, 3, 4, 5

      [Bookseller: Ferraguti service s.a.s. - Rivisteria]

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