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Displayed below are some selected recent viaLibri matches for books published in 1920

        THE STUDENT'S GIRL

      n.p.: Privately Printed, 1920. Three-quarters leather and cloth, gilt title, t.e.g., decorated end-papers, head- and tail-bands. Some mild rubbing to extremities and occasional spotting inside. An unusual item in very good condition.. Unpaged. Carbon copy and typescript, with some minor corrections in what is presumably the typist's hand. This work is something of a mystery; set in the latter days of the Restoration, it concerns the amorous adventures of Fredrick Hombert, a young man from Besancon who came to Paris to study law, and of his love affair with the grisette Berneretta. The setting and tone place it in the tradition of the picaresque romance of Parisian life, of which Charles-Paul de Kock was a popular writer. The American Antiquarian Society holds a copy of a risque work by de Kock of this title, published in English in New York in 1844. Whether this copy is derived from that is unknown; what can be told from the quality of the binding and the labor that went into this production, is that it was some sort of labor of love by or for a person of no small means. The date is uncertain; the paper's watermark shows it to be Old Tabard Bond paper, which was made by the R. C. Kastner Company of New York c. 1918; approximately the last quarter of the book is typescript, on lightweight / onion-skin paper.

      [Bookseller: Alta-Glamour Inc.]
 1.   Check availability:     Biblio     Link/Print  


        Une Vie Nouvelle Édition Illustrée de 38 Compositions de Maurice Leloir. Gravées a l'Eau-Forte par Léon Boisson

      Paris: L. Carteret, 1920. Limited Edition. Full Morocco. Cloth slipcase. . Near Fine. No. 31 of 80 "exemplaires de grand choix sur Japon et Vélin du Marais, and total limitation of 300 copies. 4to. 27 by 18 cm. 310 pp. Each of the illustrations is rendered thrice -- once in text, and twice, in two states, as full page plates. Slight starting and rubbing by upper front joint, about 3 cm long. Immaculate within. Gilt ornamented binding is very handsome, with all edges gilt and silk doublures.

      [Bookseller: White Fox Rare Books and Antiques]
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        Montiertes brauntoniges Fotoporträt (Silbergelatineabzug) von Rudolf Balogh (Budapest).

      Budapest 1920 - 23 x 18 cm, mit eigh. Widmung und Unterschrift auf dem Untersatzkarton. - "Herrn Hans Bartsch zur freundl. Erinnerung . Franz Molnár". - Rückseitig Jugendstil-Vignette des Ateliers und Anmerkungen für eine Druckwiedergabe. Das Foto mit minimalen Silberausblühungen am Rand, der Untersatzkarton mit kleinen Mängeln. Das 1916 entstandene Porträt zeigt den bedeutenden ungarischen Dramatiker als Kriegsberichterstatter der österreichisch-ungarischen Armee mit Monokel und Armbinde. Seine Berichte aus Galizien wurden regelmäßig auch in der "London Morning Post" und der "New York Times" veröffentlicht und erschienen 1916 gesammelt in Buchform. Widmungsträger ist der österreichische Offizier und Schriftsteller Rudolf Hans Bartsch (1873-1952).

      [Bookseller: Wiener Antiquariat Ingo Nebehay GmbH]
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        Hearts of Three

      Macmillan. The MacMillan Company, New York, 1920. Hardcover. Book Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. First Edition, First Printing with the words "Set up and electrotyped. Published September, 1920." printed on the copyright page. A beautiful copy. Story is as follows: Hero is a young descendant of the pirate Henry Morgan, who left him a rich heritage, wants to find the treasure of his ancestor. On the way, he meets his distant cousin, also Henry Morgan. Together, they will find dangerous adventures, unknown lands, and love. The original and scarce dustjacket is price clipped. This First Issue dustjacket is remarkably well preserved with only a couple of small closed tears. The book is in very good shape with very little wear to speak of. There is no previous owners ink. previous owners bookplate to the inside board. Overall, a superb copy and scarce with the well preserved rare dust wrapper. . Near Fine. Hardcover. 1st Edition. 1920.

      [Bookseller: The Plantagenet King]
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        Wide Tiere.

      München, Hyperion Verlag, 1920 - 33 Bl Raabe, Kubin, Nr. 125. / EA W/G 7. nummeriertes Ex Nr. 483 von 720 (vord. Einbanddeckel fleckig, Ecken berieben, innen gut) -Nis- Ich versende mit der Deutschen Post (Büchersendung) und der DHL (Pakete). Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 14 Tage. Sprache: Deutsch Gewicht in Gramm: 1300 [Attributes: Hard Cover]

      [Bookseller: St. Jürgen Antiquariat]
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        Two sets of twelve coloured pictorial postcards after wood block prints]. Tokyo, Shimbi Shoin, early 20th century.

      1920 1920 - Two envelopes comprising twelve chromoxylographed postcards printed after famous paintings by Hiroshige, Utamaro, Toyokuni, Kiyonaga, Shunchõ etc. Size: 14.2 x 9 cm. Housed in the original printed envelopes.

      [Bookseller: Charlotte Du Rietz Rare Books (ILAB)]
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        Ölgemälde: Heuducken am Hang mit Blick auf Fluß im Tal.

       Bildmaß: 60 x 78 cm ( Höhe x Breite ), rechts unten mit *J.Dederichs* signiert, undatiert ( ca. um 1920 ). Das Bild ist in Öl auf Platte gemalt, alt gerahmt ( Rahmenmaß 78 x 97 cm ). Gezeigt wird die Heuernte mit 2 Mägden und 1 Knecht am Hang mit Blick von der Höhe auf eine weite Flußlandschaft im Tal. Das Bild leicht fleckig, der Rahmen gering bestoßen. ( Bitte beachten: Hier aufgrund der Größe kein Versand - hier nur Selbstabholung in meinem Ladengeschäft ) ( Pic erhältlich // webimage available )( Please notice: No shipment possible ) Versand D: 5,00 EUR Heu, Heuernte, Feldarbeit, Fluß, Gemälde, Ölgemälde, Dederichs, Heuducken, Heuernte, Ernte, Google

      [Bookseller: Antiquariat Friederichsen]
 7.   Check availability:     buchfreund.de     Link/Print  


        Album of photographs relating to service with the Wana Column, September 1920 to February 1921.

      Waziristan: , 1920-1. Landscape folio photograph album (365 x 270 mm). Original green cloth, front board gilt-lettered "Wana Column", cloth hinges, manufacturer's ticket of W. Johnson and Sons to the rear pastedown. 21 matt silver gelatin prints, all approx. 240 x 295 mm, one measuring 150 x 207 mm, and 84 original photographs, approx. 60 x 110 mm, mounted on stiff card leaves rectos and versos. 3 further group officer portraits and a print of the Taj Mahal laid in, variably faded and marked. Cloth rather mottled, one of the group portraits (Wana Column Staff) rather faded along edges, probably from the imposition of a frame, otherwise only trivial marginal mottling and fading to the professional photo graphs, the snaphots slightly faded in the main, but the images remaining very much distinct and crisp. Very good condition overall, the Holmes prints retaining their rich tonal contrasts. Superb photograph album documenting the British reoccupation of Wana and the end of the 1919-20 Waziristan campaign in over 80 intimate original snapshots, supplemented by a run of atmospheric professional photographs from Holmes's souvenir series, "With the Wana Column", and several group officer portraits, all meticulously captioned and forming an exceptionally rich portrayal of British operations in the region which from the First World War to Independence "dominated events on the North West Frontier, politically and military" (National Army Museum, online). "British photographer Randolph Bezzant Holmes (1888-1973) learned the art of photography from his father William Dacia Holmes who opened the Holmes Studio in Peshawar in 1889. Randolph Holmes took over the business from his father and operated the studio as Randolph Bezzant Holmes Co. until 1947" (Duke University, online). He seems to have served as a semi-official photographer for the British Army in India, photographing the Third Anglo-Afghan War in 1919 and accompanying a number of further expeditions, as here in Waziristan. His impressive photographs depict the progression of the Wana Column from Jandola, through the Shahur Tangi gorge to Haidiar Kach and Sarwekai camps, thence to Dargai Oba, Rogha Kot, and finally Wana, with photographs of the fort, environs, Wazir hostages, and three group officer portraits; the captions include informative details regarding the landscape, conditions, British engagements with the Wazirs, and indicate the neighbouring stations in each direction en route. The original snapshots are a fascinating illustration of the various, often competing aspects of British strategy after the Forward Policy. Numerous photographs taken at Sarwekai and environs record negotiations between Wazir tribesmen and British officers, including the "Pol. Officer", at the time James A. O. Fitzpatrick, a man viewed with suspicion by Lord Rawlinson, who considered him to have "the mind of a Mahsud", that is, excessively sympathetic to tribal interests (Marsh, Ramparts of Empire: British Imperialism and India's Afghan Frontier, 1918-1948, online). The photographer seems to have paid a great than usual degree of attention to the local population, with additional photographs of Mahsud levies, a Wazir jirga and of Wazirs paying fines in cattle. Tribal diplomacy and coercion were in the end something of a sideshow to the use of force. Further photographs depict Sarwekai aerodrome and the RAF biplanes which bombed the Mahsud villages into temporary submission, leaving them unable to assist the Wana Wazirs, the picquets constructed along the road to Wana, views and operations "on the Mahsud side near Ladha", together with ten photographs captioned "Punitive measures: Destruction of a Village" and depicting the various means of destruction, including explosives and manual dismantlement. The final four photographs, depicting the aftermath of a Mahsud ambush on a convoy, evoke the intractability of a region where "even in peacetime [British] forces were required to act as if on operations" (Tripodi, Edge of Empire: The British Political Officer and Tribal Administration of the North-West Frontier, 1877-1947, p.193). After the Waziristan campaign, it was decided to locate the main garrison of Waziristan at Razmak, manned by a brigade twice the size of a usual brigade and with six battalions of supporting arms. In 1936 renewed unrest among the Wazir tribes again boiled over into active resistance, which the British took three years to suppress, never capturing the leader, Fakir Ipi.

      [Bookseller: Peter Harrington]
 8.   Check availability:     Biblio     Link/Print  


        Histories of Two Hundred and Fifty-One Divisions of the German Army Which Participated in the War (1914-1918) (Original 1920 edition)

      Government Printing Office, Washington, D.C. 1920 - Softcover. Disbound. Original brown tattered and torn dust wrapper is in a Mylar sleeve around the book. Binding is tight but there is no backstrip on the book. Pages are clean, unmarked, unyellowed. The book contains the record of the organization and service of the 251 divisions of the German Army during the years 1914-1918. Compiled from records of Intelligence Section of the General Staff, American Expeditionary Forces, at General Headquarters; Chaumont, France 1919. A scarce document in its original form. 8vo. 748 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: Warwick Books, member IOBA]
 9.   Check availability:     AbeBooks     Link/Print  


        SHIMOMURA, GYOKKO (TAMAHIRO): Nishiki Fukuro Cho (Brocade Bag Designs). Kyoto, Unsodo, Taisho 10 (1920).

      1920 1920 - A design book for small pouches made for tea caddies. Size: 19.2 x 27.8 cm. Comprises twenty coloured wood cut plates, a Japanese introduction and a colophon at end. Folded in the Oriental fashion. Original silk covers, worn and with traces of removed label, inner back hinge strengthened. Small staining to inner margin and some browning to the paper. Some tears at folds.A charming work with thirty-five different beautiful brocade tea caddie bags, in various sizes ad shapes, wood-cut printed in lovely colours and with good impressions. Shimomura, a protege of Kamisaka Sekka and master designer in his own right. The printing was made by Honda Ichijiro. Scarce. [Attributes: Hard Cover]

      [Bookseller: Charlotte Du Rietz Rare Books (ILAB)]
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        Une Vie

      Paris: L. Carteret, 1920. Limited Edition. Full Morocco. Cloth slipcase. . Near Fine. No. 31 of 80 "exemplaires de grand choix sur Japon et Vélin du Marais, and total limitation of 300 copies. 4to. 27 by 18 cm. 310 pp. Each of the illustrations is rendered thrice -- once in text, and twice, in two states, as full page plates. Slight starting and rubbing by upper front joint, about 3 cm long. Immaculate within. Gilt ornamented binding is very handsome, with all edges gilt and silk doublures.

      [Bookseller: White Fox Rare Books and Antiques ]
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        Une Vie Nouvelle Édition Illustrée de 38 Compositions de Maurice Leloir. Gravées a l’Eau-Forte par Léon Boisson

      L. Carteret, Paris 1920 - No. 31 of 80 "exemplaires de grand choix sur Japon et Vélin du Marais, and total limitation of 300 copies. 4to. 27 by 18 cm. 310 pp. Each of the illustrations is rendered thrice -- once in text, and twice, in two states, as full page plates. Slight starting and rubbing by upper front joint, about 3 cm long. Immaculate within. Gilt ornamented binding is very handsome, with all edges gilt and silk doublures. [Attributes: Hard Cover]

      [Bookseller: White Fox Rare Books, ABAA/ILAB]
 12.   Check availability:     ZVAB     Link/Print  


        Plakat - Hütet euch vor dem Versailler Völkerbund. Orig.-Lithographie.

      Zürich, Gebrüder Fretz 1920 - 127,5 x 90,5 cm, Minimale Stauchungen und einige wenige Einrisse am Rand. Einige stockflecklein - trotzdem: Zustand A. AuftraggeberIn: Comité gegen den Beitritt der Schweiz zum Versailler Völkerbund, CH- - Baumberger, Otto (1889 - 1961). Grafiker, Bühnenbildner, Maler, Zeichner und Illustrator. Vertreter des Schweizerischen Expressionismus. Erneuerer der Plakatkunst. Professor an der ETH Zürich. 1200 gr. Schlagworte: Plakate - Politik

      [Bookseller: antiquariat peter petrej]
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        Dress, 1920 [Print on Tissue]

      (n. p.), (n. d.). No binding. Near fine. Gill, Eric. Print of Gill's wood engraving, "Dress, 1920" (P186), on very thin tissue paper; the engraving was used in "Welfare Handbook No. 7" (1921). Cream leaf of tissue paper (approx. 11-3/4" x 9-1/4") with 3-5/8" x 3" engraving printed in black. Near fine condition with light creasing/ crimping to edges. ***POSTAGE: International customers, please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. ***Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind book we sell. Please contact us with any questions you may have, we are here to help.

      [Bookseller: Swan's Fine Books]
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        Dress, 1920 [Print on Tissue]

      (n. p.): , (n. d.). (n. p.), (n. d.). No binding. Near fine. Gill, Eric. Print of Gill's wood engraving, "Dress, 1920" (P186), on very thin tissue paper; the engraving was used in "Welfare Handbook No. 7" (1921). Cream leaf of tissue paper (approx. 11-3/4" x 9-1/4") with 3-5/8" x 3" engraving printed in black. Near fine condition with light creasing/ crimping to edges.***POSTAGE: International customers, please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details.***Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind book we sell. Please contact us with any questions you may have, we are here to help.

      [Bookseller: Swan's Fine Books ]
 15.   Check availability:     ABAA     Link/Print  


        Album of photographs relating to service with the Wana Column, September 1920 to February 1921.

      Waziristan: 1920-1 - Landscape folio photograph album (365 x 270 mm). Original green cloth, front board gilt-lettered "Wana Column", cloth hinges, manufacturer's ticket of W. Johnson and Sons to the rear pastedown. 3 further group officer portraits and a print of the Taj Mahal laid in, variably faded and marked. Cloth rather mottled, one of the group portraits (Wana Column Staff) rather faded along edges, probably from the imposition of a frame, otherwise only trivial marginal mottling and fading to the professional photo graphs, the snaphots slightly faded in the main, but the images remaining very much distinct and crisp. Very good condition overall, the Holmes prints retaining their rich tonal contrasts. 21 matt silver gelatin prints, all approx. 240 x 295 mm, one measuring 150 x 207 mm, and 84 original photographs, approx. 60 x 110 mm, mounted on stiff card leaves rectos and versos. Superb photograph album documenting the British reoccupation of Wana and the end of the 1919-20 Waziristan campaign in over 80 intimate original snapshots, supplemented by a run of atmospheric professional photographs from Holmes's souvenir series, "With the Wana Column", and several group officer portraits, all meticulously captioned and forming an exceptionally rich portrayal of British operations in the region which from the First World War to Independence "dominated events on the North West Frontier, politically and military" (National Army Museum, online). "British photographer Randolph Bezzant Holmes (1888-1973) learned the art of photography from his father William Dacia Holmes who opened the Holmes Studio in Peshawar in 1889. Randolph Holmes took over the business from his father and operated the studio as Randolph Bezzant Holmes Co. until 1947" (Duke University, online). He seems to have served as a semi-official photographer for the British Army in India, photographing the Third Anglo-Afghan War in 1919 and accompanying a number of further expeditions, as here in Waziristan. His impressive photographs depict the progression of the Wana Column from Jandola, through the Shahur Tangi gorge to Haidiar Kach and Sarwekai camps, thence to Dargai Oba, Rogha Kot, and finally Wana, with photographs of the fort, environs, Wazir hostages, and three group officer portraits; the captions include informative details regarding the landscape, conditions, British engagements with the Wazirs, and indicate the neighbouring stations in each direction en route. The original snapshots are a fascinating illustration of the various, often competing aspects of British strategy after the Forward Policy. Numerous photographs taken at Sarwekai and environs record negotiations between Wazir tribesmen and British officers, including the "Pol. Officer", at the time James A. O. Fitzpatrick, a man viewed with suspicion by Lord Rawlinson, who considered him to have "the mind of a Mahsud", that is, excessively sympathetic to tribal interests (Marsh, Ramparts of Empire: British Imperialism and India's Afghan Frontier, 1918-1948, online). The photographer seems to have paid a great than usual degree of attention to the local population, with additional photographs of Mahsud levies, a Wazir jirga and of Wazirs paying fines in cattle. Tribal diplomacy and coercion were in the end something of a sideshow to the use of force. Further photographs depict Sarwekai aerodrome and the RAF biplanes which bombed the Mahsud villages into temporary submission, leaving them unable to assist the Wana Wazirs, the picquets constructed along the road to Wana, views and operations "on the Mahsud side near Ladha", together with ten photographs captioned "Punitive measures: Destruction of a Village" and depicting the various means of destruction, including explosives and manual dismantlement. The final four photographs, depicting the aftermath of a Mahsud ambush on a convoy, evoke the intractability of a region where "even in peacetime [British] forces were required to act as if on operations" (Tripodi, Edge of Em

      [Bookseller: Peter Harrington. ABA member]
 16.   Check availability:     ZVAB     Link/Print  


        Dem kleinen Tierfreund. Ein Bilderbuch von Professor Ludwig Hohlwein, Verse von Maria Steinkamp.

      Duisburg, Steinkamp um 1920. - 8°-quer, 15 Bll., 14 ganzs. farb. chromolithogr. Taf., Illustr. Orig.-Halbleinen, Einband leicht berieben, schönes Exemplar, Bibliographisch nicht nachweisbares Bilderbuch des Münchener Illustrators Ludwig Hohlwein (1874-1949) mit reizenden Tierdarstellungen, deren "unerbittlich klare Richtigkeit und Einfachheit der dargestellten Form" (Liebermann) besonders beeindrucken. - Aus der Bibliothek von Ludwig Hohlwein mit dessen Exlibris auf Innendeckel, [Attributes: Hard Cover]

      [Bookseller: Antiquariat Werner Steinbeiß]
 17.   Check availability:     ZVAB     Link/Print  


        American Red Cross, Greek and Russian Refugees in Turkey in 1920-1922. [our title]

      Hardcover. Very Good. Approximately 750 photographs in four albums. All except 16 photos are uniformly-sized and fit in the four windows (8 x 5.5cm.) on both sides to the 24 leaves in each album; a few windows are empty. The other 16 photos are larger and mostly mounted at the beginning and ends of the albums. Good quality photos with decent detail. Perhaps 20% of the photos are captioned, either individually or as groups. The four oblong albums (25 x 19cm.) are intact with covers scuffed and one backstrip missing. The compiler of these albums appears to have been an American Red Cross worker or official who was in the Middle East and involved with Greek and Russian refugees. The first three albums are generally focused on those issues although there are some photos of other subjects. The fourth album is entirely uncaptioned and contains less interesting photos appearing to record a trip starting in Constantinople, briefly touching Greece, and then at Pompeii and elsewhere in Italy. Laid in one of the albums are two copies (one typed and the other a differently formatted typed carbon copy) of a 3-4 page report titled: "File 181. U.S.S. Overton No. 239. Diary; Mersina, Turkey. A Trip by Major Davis and Mr. Whittemore to Antioch, Syria." The carbon copy is initialed at the end "C. C. D." [probably Major Charles Claflin Davis who served as Director of the American Red Cross in the Far Eastern Base (Constantinople, Smyrna, Lemnos, etc.) from 1920-1923].

      [Bookseller: McBlain Books]
 18.   Check availability:     Biblio     Link/Print  


        CINDERELLA

      London: Heinemann, 1920. Limited Edition. Quarto; VG in VG case; White leather spine with gilt lettering; Gilt lettering and image to front board; Green pictorial end papers; Previous owner's bookplate on front end paper; Color frontispiece covered by tissue guard; B&W Silhouette drawings throughout; Contains full-color silhouette not found in trade edition; SIGNED by Rackham and numbered 46 of a limited edition of 850. LP Consign; Shelve case 12. Full-priced Rockville.

      [Bookseller: Second Story Books]
 19.   Check availability:     Biblio     Link/Print  


        Ashura-Cho

      Kokusui Shuppansha 1920-21, Tokyo - A complete set, in good condition, of Japanese architect Ito Chuta`s famous and scarce manga commentary on WWI. Each volume comes with its original slipcase. Slipcases with cracks to hinges, abrasion and discolouration to boards, small number sticker to each. Original hardcover bindings, also with scratches and abrasion, small marks. Minor foxing and occasional light stains to contents. Each page of the story contains a half-page (coloured) woodblock illustration, totalling 500 plates spread over 5 v. A biting commentary on WWI, as played out through Ito`s characters the Ashuras (Indian demigods). Text in Japanese. [Attributes: First Edition; Hard Cover]

      [Bookseller: Kagerou Bunko (ABAJ, ILAB)]
 20.   Check availability:     AbeBooks     Link/Print  


        William Shakespeare: Hamlet. Prince of Denmark..

      [Berlin], [Paul Graupe], [1920] 32 x 24 cm. Mit radiertem Titelblatt und 31 Original-Radierungen., HPerg.-Mappe mit losen Blättern., Einige Blätter etwas stockfleckig. Papier etwas gebräunt Alle Radierungen vom Künstler signiert. Radierfolge ohne den Text. Eine Buchausgabe erschien im selben Jahr mit den in den Text eingedruckten Radierungen bei J. Schröder in München. - Sepp Frank (1889-1970) deutscher Maler. Glasmaler und Grafiker. studierte an der Münchner Akademie der Bildenden Künste. eine Ausbildung. die er im Gegensatz zu seinem Altersgenossen Christian Schad. der ebenfalls in Miesbach geboren war. beendete. Frank unternahm frühzeitig zahlreiche Studienreisen um sich weiterzubilden. Er wandte sich bald der Graphik zu und ist noch heute für seine zahlreichen Exlibris bekannt. Neben der Porträtmalerei war ein weiteres Betätigungsfeld die Glasmalerei und er schuf beispielsweise Werke für den Münchner Dom. die Marienkirche in Limburg an der Lahn. die St.Otto-Kirche in Bamberg (1927) und die Kirche St. Gabriel in München. aber auch 1952 eine Maria mit Kind für die kath. Kirche St. Agatha in Dülmen-Rorup und 1937 das Fenster \"Segnungen der Kohlechemie\" für das Verwaltungsgebäude der Degussa GmbH in Herne-Wanne-Eickel. Diese Werke sind teilweise im Zweiten Weltkrieg zerstört worden. Schon 1942 wurde er durch eine Sonderausstellung des Maximilianmuseums in Augsburg geehrt. Versand D: 20,00 EUR Illustr. Bücher - Originalgrafik

      [Bookseller: Antiquariat Peter Petrej]
 21.   Check availability:     buchfreund.de     Link/Print  


        Histoire du portefaix avec les jeunes filles. Contes des mille et une nuits. Traduction littéraire et complète par le Docteur J.-C. Mardrus. Vignettes de J. Hamman

      1920 - 135-[6] pp., [1] pp. de Paris, René Kieffer, 1920, in-4, 135-[6] pp, [1] pp. de catalogue éditeur, maroquin olive, dos lisse orné en long d'une bande mosaïquée fauve aux bords découpés en une succession de demi-cercles cernés de filets dorés, plats ornés de même, deux bandes horizontales corail, également mosaïquées, tendues en tête et en pied des plats et passant par le dos, tête dorée, double filet en bordure des contreplats, couvertures conservées, étui [René Kieffer], Très nombreux bois gravés dans le texte, coloriés au pochoir. Tirage à 550 exemplaires numérotés : un des 50 exemplaires de tête, sur vélin d'Arches comprenant une suite complète des vignette en noir à part, une aquarelle inédite de l'illustrateur et un des originaux à l'encre de Chine. Très bel exemplaire établi par le fameux relieur Art-Déco René Kieffer (1876-1963), disciple de Marius-Michel. [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
 22.   Check availability:     ZVAB     Link/Print  


        Pierre et Luce.

      - Edition du Sablier, Genf 1920. 177 S. 1 Bl. mit 16 Holzschnitten v. Frans Masareel. Weinroter signierter (Creuzevault) Lederband der Zeit mit 5 falschen Bünden, Steh-, Innenkanten- u. Rückenvergold. u. Kopfgoldschnitt in marmor. Papp-Schuber mit Lederkanten. Orig.-Umschl. mit eingebunden. Rücken etwas verblasst. – Erste Ausgabe. Eines von 55 num. Exemplaren der Vorzugsausgabe auf van Gelder-Bütten in einem prächtigen Meistereinband. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Engel & Co GmbH]
 23.   Check availability:     ZVAB     Link/Print  


        Fabeln. Holzschnitte von Richard Seewald.

      Berlin, Fritz Gurlitt, 1920. - 14 Blatt mit 10 Holzschnitt-Initialen, 1 Holzschnitt-Vignette, 10 handkolorierten Holzschnitt-Tafeln von Richard Seewald, davon eine signiert. 39 x 28 cm, späteres Leinen mit aufmontierter kolorierter Deckelillustration, im Papierschuber. Die Neuen Bilderbücher, 3. Folge. Eines von 125 numerierten Exemplaren auf altgetöntem Bütten (weitere 50 wurden auf handgeschöpftem Bütten abgezogen). [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Michael Meyer-Pomplun]
 24.   Check availability:     AbeBooks     Link/Print  


        SONNIGES LAND: Kindergedichte. [With three handwritten signed poems by Schonlank, and a signed letter by Grosz]

      Paul Cassirer, Berlin 1920 - Large square octavo; 66 pp. Hardcover in boards; rebound. With five full-page illustrations by George Grosz. Laid in are three original handwritten poems written and SIGNED by Schonlank; these poems do not appear in the text of the book. Also laid in is a typed letter SIGNED by Grosz. Very good; boards somewhat bowed and rubbed; pages age-browned; binding tight. Previous owner's inscription to title page. Faint damp-stain to text at upper right throughout entire text. Scarce book by this Weimar poet. Text in German. Spine is thin, blue and textless. Shelve in Case # 4. Dupont. [Attributes: First Edition; Hard Cover]

      [Bookseller: Second Story Books, ABAA]
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        Tiger

      np, Germany 1920 - Wilhelm Kuhnert, who painted during the late 1800s and early 1900s, is considered one of the greatest animal painters ever. He produced a number of etchings, virtually all of which are highly sought after to this date. One of the few tiger etchings. This one a 3/4 reclining body image. #53 of 101. Signed and numbered. Ref. plate 42 page 87 in The Animal Art of Wilhelm Kuhnert. Image size 6 1/2 x 8 1/4. Plate size 6 1/2 x 8 1/4. Single mat. 15 3/8 x 21 1/4. Nice carved wooden frame. 16 7/8 x 18 1/8. Additional postage required (especially for outside the US). [Attributes: Signed Copy]

      [Bookseller: Trophy Room Books]
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        Genius. Bilder und Aufsätze zu Alter und neuer Kunst.

      München. Kurt Wolff Verlag, 1920. - 2, mit zahlreichen montierten Abbildungen, teils farbig, sowie Originalgraphiken, 4°. 34,5 x 26,2 cm. VIII,332 / VIII, 356 Seiten, In gutem Zustand. die Einbände etwas angestaubt und leicht fleckig, ebenso die Vorsätze, die Rückenkapitale berieben, die unteren Kapitale ausgefasert, fliegender Vorsatz von Band 1 mit Längsfalte und etwas knittrig, ebenso das Vortitelblatt, der Titel angebräunt, bei Band 2 die erste Seite randgebräunt, die Originalgraphiken alle in gutem, sauberen Zustand, jeweils 2 Bücher in einem Band die Abbildungen meist montiert , teils auf Trägerkartons . 10 ( 5 und 5 ) Original-Holzschnitte und Original-Lithographien : Erich Heckel / Mädchenkopf - Georg Ehrlich / Tröstung - Frans Masereel / Business-man, Max Kaus / Kopf und André Rouveyre / Kopf. Bd.II : Edwin Scharff / Die Brüder - Alexander Archipenko / Figürliche Komposition - Carl Hofer / Das Nest - Karl Schmidt-Rottluff / Lesender Mann - Alexander Kanoldt / Klausen. Literarische Beiträge ausgewählt von Kurt Pinthus. unter den literarischen Beiträgern Alfred Brust, Hermann Hesse und Franz Werfel. [Attributes: Hard Cover]

      [Bookseller: Leipziger Antiquariat e.K.]
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        Programm zum Winckelmannsfeste der archäologischen Gesellschaft zu Berlin. -

      - Konvolut von 67 Programmen. - Berlin: Reimer (ab 1920 de Gruyter): 1888-1966. Vorhanden: 48. Programm ; 50. Programm ; 53.-55. Programm; 57.-65. Programm ; 67.-75. Programm ; 77.-120. Programm ; zusammen 64 Nummern in 13 Ganzleinenbänden mit den eingebundenen OUmschlägen, sowie Nr. 48. u. Nr. 50. in OBroschur (Buchblöcke gebrochen und Umschläge lose) u. Nr. 100 in OKarton (Rücken stark beschädigt). 4º. Die vorliegenden Bände mit dem Bibliotheksstempel der Universität Edinburgh auf den Umschlägen und den Titelblättern, sowie handschriftl. Numerierungen u. Exlibris auf den Innendeckeln. Da die Bände keine Löschungsstempel aufweisen, habe ich mit der Bibliothek der Universität von Edinburgh Kontakt aufgenommen und es wurde mir versichert, dass die Bände rechtmässig aus den Beständen der Bibliothek verkauft wurden. [Attributes: Hard Cover]

      [Bookseller: Londoner Versandantiquariat]
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        Portrait of Yeshayah Steiner of Kerestir]. Steiner Saje, bodrogkereszturi rabbi

      [S.n.], [Hungary] 1920 - Original, vintage, single page print. 185 × 288 mm. Scarce printed photographic portrait of Grand Rabbi Yeshayah (Shayele) Steiner of Kerestir (Bodrogkeresztúr) (1851-1925), the founder of the Kerestirer Hasidic dynasty. With Hebrew caption below containing lengthy accolades along with a facsimile of his signature. It is believed by his followers that Reb Shayele's image protects against misfortune. Yellowed due to acidic paper. With a few stains at edges. Otherwise in fine condition. [Attributes: First Edition]

      [Bookseller: Földvári Books]
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        Weibliches Modell, Sitzend, farbig, 1917. (Female Model, Seated, colour, 1917.)

      Vienna: Verlag Ed. Strache, 1920 - Excellent condition. Presented in a handmade white gold leaf frame with UV glass. Collotype in colours on matt wove paper laid onto thin grey card as issued. Sheet size: 45.3 x 29.3 cm. Edition of 500 and 10 proofs. Numbered in pencil lower left. Printed by Max Jaffé Art Institute in Vienna and issued as one of 15 prints from the Handzeichnungen portfolio.

      [Bookseller: Peter Harrington. ABA member]
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        The Letters

      Boston: The Atlantic Monthly Press,, 1920. Edited by his son Henry James. In two volumes. Illustrated. 2 volumes, octavo. Original blue cloth, paper label to spines lettered and ruled in gilt, top edge gilt, others uncut. With the dust jackets. Photographic frontispieces with tissue guards, 13 plates and tailpiece illustrations. Small bookplate to front pastedowns and contemporary ownership inscription of Josephine B. Crane to front free endpapers. Spines of dust jackets a little faded and a few minor nicks to spine ends, one small archival repair to jacket spine of vol. II; a fine set in excellent dust jackets. First edition, first printing, of a selection of James's correspondence, published to "throw the strongest light" on the celebrated philosopher's life and writings. A contemporary reviewer for The North American Review judged that the letters were "rich in their concise and accessible condensations of James's profounder convictions" (Gilman, p. 415). This set was given to American socialite and patron of the arts, Josephine B. Crane, by a friend for Christmas, 1920. Crane is remembered primarily as a co-founder and original trustee of the Museum of Modern Art in New York. She was also a key benefactress of the elite Dalton School, which derived its name from the Crane family estate located in Sugar Hill, Dalton (the address which appears on the bookplates).

      [Bookseller: Peter Harrington]
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        A Voyage to Arcturus

      London, Methuen & Co., 1920 [first edition, first issue]. Octavo, [viii] (first leaf blank), 303, [1] (colophon), 8 (publisher's catalogue) pages. The catalogue is undated, but the first page contains Einstein's 'Relativity - The Special and the General Theory', the first edition of which appeared in August 1920. It went into at least two more editions before year's end. Details of specific editions appear as a matter of course in this catalogue, so presumably this listing is for the first edition of the Einstein. Red cloth with gilt lettering and double rules on the spine, and blind lettering and a single-rule frame on the front cover; bottom edges uncut; cloth lightly stained, marked and bubbled, with the spine slightly faded; extremities a little bumped and rubbed, with minimal wear to the head of the rear hinge; a contemporary newspaper cutting (175 x 50 mm) of a review of the 1946 Gollancz edition is mounted on the front pastedown; ownership details on the front flyleaf; 'Original publication' written in ink on the verso of the title page (and both words and the printed publication details are doubly underlined in ink); trifling signs of use (top corner crease to two leaves; tiny stain to the top edge, impacting very slightly on the top margin of three leaves; minimal light foxing to the leading and bottom edges); a very good copy. Lindsay's novel, now considered a seminal work of science fiction, was not a commercial success, as the review (from the Adelaide 'Advertiser' of 4 January 1947) points out at some length. Even the 'venturesome, unorthodox Mr. Gollancz' reckoned he was taking a punt in reprinting it. When he read it, he 'welcomed it as a work of genius, if a minor one, and now, when, as he says, the public will apparently buy anything labelled fiction, he is taking a chance on people welcoming a second chance of buying' it. Gary K. Wolfe, in his work on David Lindsay (Starmont House, 1982), states that 'Out of a press run of 1430 copies, only 596 were sold', making a strong case for an upper limit to the number of copies comprising the first issue.

      [Bookseller: Michael Treloar Antiquarian Booksellers]
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        Lautrec. 1 of 200 copies with an original etching and a color lithograph

      Paris: Bernheim-Jeune, 1920 - First edition: 100 copies on Japon and 100 copies on Arches (like this one. One original etching, "Portrait de Tristan Bernard" (Adhémar 287; Adriani 249; Wittrock 240), and one color lithograph, "L'Argent," (after the cover for a theatrical program; see Wittrock, pp. 254-55). 38 hors-texte pls. iv + 124 + [8] pp. 3/4-leather binding & marbled boards with gilt titling and period floral decoration on spine. About 27.7 x about 19.8 cm. Original decorated paper front cover bound in. From the library of the collector and philanthropist Adolph Lewisohn, with his lovely, small octagonal bookplate on dark red leather with bright gilt lettering and decoration inside the front cover; the bookplate has left a corresponding stain on the marbled front flyleaf. Light browning of paper towards the edges. Some wear at extremities, but a very nice copy. The first blank after the flyleaf bears the blindstamp of its former owner, a well-known art dealer. [Attributes: First Edition; Hard Cover]

      [Bookseller: Laurence McGilvery, ABAA/ILAB]
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        Yvette Guilbert drawn by H. de Toulouse Lautrec.

      2 (51 x 38 cm), Textheft. 6 Bl., Titelbl. u 8 blattgrossen lithographierten Abbildungen (im Offset wiedergegeben), Mappe mit Textheft u. losen Bl., Tadell. Nr. 111 von insgesamt 400 Exemplaren (Die ersten 150 Ex. kamen nicht in den Handel.). Textheft von Gotthard Jedlicka: Henry de Toulouse-Lautrec und Yvette Guilbert. Jedes Blatt trägt auf der Rückseite den Vermerk der Nummer bei Delteil (Loys Deltail, le peintre-graveur illustré. Bd. II, 1920, Paris.). Die Blätter erschienen 1894 u. 1898 in 2 Mappen in Paris- Yvette Guilbert (1865-1944) französische Sängerin (Sopran) und Schauspielerin. Yvette Guilbert arbeitete zunächst als Verkäuferin im Pariser Warenhaus Printemps und als Kunstmodell und nahm daneben Gesangs- und Schauspielunterricht.Schnell zu Erfolg gekommen, trat sie im Moulin Rouge und im Berliner Wintergarten auf. Sie beeindruckte laut zeitgenössischen Kritiken weniger durch ihre Sangeskunst als durch ihre Vortragsweise. Ihre Lieder ähnelten eher einem Sprechgesang wichtig waren dabei die pointierte Darstellung und die scharfen, oftmals zeitkritischen Texte. Weniger bekannt ist, dass sie in den 1920er und 1930er Jahren auch in einigen Filmen als Schauspielerin mitwirkte. Die bekanntesten sind Faust - eine deutsche Volkssage von Friedrich Wilhelm Murnau und Marcel LHerbiers Zola-Adaption LArgent. Außerdem verfasste sie zwei Bücher über die Belle Époque. Sie und ihr Ehemann Max Schiller waren mit Sigmund Freud in Briefkontakt Freud skizzierte dabei seine persönliche Deutung des "Phänomens Yvette Guilbert".

      [Bookseller: antiquariat peter petrej]
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        Encre de Chine Olivier Debré -

      - - Olivier DEBRÉ (1920-1999) Encre de Chine sur papier signée en bas à droite. 30,5 x 20 cm. Très bel état.

      [Bookseller: Librairie KOEGUI]
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        Reetgedecktes Bauernhaus unter Bäumen an der Elbe. Am Himmel dahinziehende Wolken. Öl auf Leinwand, links unten etwas undeutlich mit *Steinhagen * signiert, undatiert, ungerahmt.

       Bildmaß ca. 76 x 97 cm ( Höhe x Breite ), Öl auf Leinwand, links unten signiert, nicht datiert ( wohl um 1920 ), ungerahmt. Das Gemälde etwas fleckig, an den Außenrändern mit teils kleinen Randläsionen ( durch alte Rahmung – durch neue Rahmung aber gut abdeckbar, die Leinwand verso mit einem Flicken. )>>> Literatur u.a.: Neue Rump, Hamburgisches Künstlerlexikon Seite 447 - Steinhagen: Mitbegründer der Hamburger Szession- Provenienz: Alter Privatbesitz <<< ( Bitte beachten: Hier aufgrund der Größe kein Versand – hier bitte nur Selbstabholung nach Absprache - Please notice: No shipment possible ) ( Lagerort WHS-Rel ) ( Weitere Bilder auf Anfrage – further pics at request ) Versand D: 5,00 EUR Heinrich Steinhagen, Gemälde, Ölgemälde, signiert, Entartete Kunst, Hamburger Sezession

      [Bookseller: Antiquariat Friederichsen]
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        ROSA MYSTICA. Original Painting.

      Original Artwork [Unpublished]. c. 1920 - Gouache, watercolour, ink and collage on paper, laid down on board. Signed in full to the bottom right. Measuring 28.5 x 30 cms. The colours bright and unfaded. Signed and inscribed by the artist with the title to the reverse. A beautiful original painting from the Royal Danish Academy of Fine Arts Design School trained artist and heraldist Franz &#138;edivý Yun. His first exhibition was in 1919 and he worked as a theatre stage designer and restorer for various Copenhagen museums such as the National Museum, the Folklore Museum and Svanholm Castle. At the same time he cultivated his talent as a heraldist becoming a coat-of-arms painter for the Royal Order of Denmark between 1945 and 1967. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. [Attributes: Signed Copy]

      [Bookseller: LUCIUS BOOKS (ABA, ILAB, PBFA)]
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        The Theory of Relativity.

      London: Methuen & Co. Ltd,, 1920. The Special & the General Theory, a Popular Exposition. Authorised Translation by Robert W. Lawson, with Five Diagrams and a Portrait of the Author. Octavo. Original red cloth, spine lettered in black, front cover lettered in blind. 8 pages of inserted advertisements. Portrait frontispiece of author by Hermann Struck, diagrams, figures and equations in text. Ink ownership inscription to pastedown. Spine slightly faded, small mark to rear cover, a few gatherings standing proud of the text block, endpapers browned. A very good copy. First edition in English, first impression, translated from the third German edition (1918) by Robert W. Lawson. This is the first appearance of any of Einstein's works in English. The additional chapter (Appendix III) written by Einstein for this edition was added at Lawson's urging, who thought the book would be more accessible if its author could provide a proof of the general theory. Einstein intended the book to be intelligible to the general public, which he tested by reading drafts to his step-daughter Margot, "pausing frequently to ask whether she indeed got it" (Isaacson, p. 232).

      [Bookseller: Peter Harrington]
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        Adelboden. - Photographie originale en grand format.

      S.d., vers 1920, - 43.5 x 57 cm, tirage argent en noir et blanc original, coin sup. gauche taché (abimé), signée en bas à droite. En 1909, Emanuel Gyger ouvre un magasin à Adelboden avec Hermann Eggimann, puis s'installe en 1910 dans la dépendance de l'hôtel Regina (Dorfstrasse) qu'il vient d'acquérir. En 1930, il s'associe à son ancien apprenti Arnold Klopfenstein. Les prises de vue de Gyger soulignent la structure massive de la montagne, son volume et son inaccessibilité; il fixe aussi par l'image l'homme dans sa relation à la montagne. Créateur d'un style pour toute la région, il a su marquer l'esthétique populaire par ses photos des Alpes bernoises et valaisannes (DHS).Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Paul Hugger, Welten aus Fels und Eis, NZZ, 2009; [Attributes: Signed Copy]

      [Bookseller: Harteveld Rare Books Ltd.]
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        Fine ALS signed TE Lawrence

      To "Dear Callow". 2 pp. 8vo. Some light soiling, a couple of patches of abrasion indicating that the letter may have been removed from an album, some offsetting of ink, but in very acceptable condition. On letterhead of All Souls College, Oxford, Sept. 2 

      [Bookseller: Maggs Bros. Ltd.]
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        The Changing East. [In:] The Round Table, No. 40, for September 1920

      London: Macmillan, 1920. Vol. X, pp. 756-772. 1 vols. 8vo. Later red cloth. Minor exterior rubbing, internally fine. Vol. X, pp. 756-772. 1 vols. 8vo. O'Brien B0009

      [Bookseller: James Cummins Bookseller ]
 41.   Check availability:     ABAA     Link/Print  


        The All-Australia Memorial. A Historical Record of National Effort during the Great War. Australia's Roll of Honour. History, Heroes and Helpers ... Introductory Narrative by E. Ashmead-Bartlett

      Melbourne, British-Australasian Publishing Service (Head Office in Australia: 'Whitehall', Bank Place, Melbourne), [1920], revised edition/ [1917]. Quarto, 252, [160], [155]-158 (index) pages with 'over 1,000 Double-Tone Illustrations from Original Photographs, Drawings, Maps, Portraits, etc.' plus the very large double-image folding panoramic frontispiece and 20 single-page plates (including 8 each featuring 4 group portraits) tipped in on card mounts with printed borders, and 4 unnumbered pages (between pages 8 and 9) comprising a dedication poem and portraits of the King, Governor-General Sir Ronald Ferguson, and the Governor of Victoria, Sir Arthur Stanley. This copy does not contain the 9 folding plates usually, but not invariably, found in this volume (2 large folding panoramas, 6 double-page folding plates and a double-page folding map). It does contain the plain card mounts for them, but they were clearly never inserted in this copy. Gilt-decorated purple cloth, all edges gilt; cloth a little marked, flecked and sunned on the spine and (unevenly) on the front cover; light wear to the corners; head of the spine slightly snagged; thumbprint-sized piece snipped from the blank margin of the frontispiece (we have seen this in other copies too); a very good copy (internally in fine condition). Mounted within the decorative border printed on the recto of the stiff card to which the frontispiece is attached, is a four-page ACMF card with a gelatin silver portrait photograph (120 x 90 mm) of Lieutenant William Hill Dunn Stewart, 10th Battalion, pasted inside, facing a printed account of his war service (possibly supplied by the publisher). He embarked on October 1915, and saw action in France and Belgium; he was wounded at Pozieres but 'was with the unit at cessation of hostilities'. This 'edition is necessarily confined to the volunteers from New South Wales and South Australia. Originally framed with special reference to the Gallipoli Campaign [in fact, pages 17-201 are devoted to it], the later deeds of Australia's splendid army in France, Belgium, and in Palestine have been recorded in the present revised edition' brought up to November 1918 (Editor's Preface, page 10). Part II of the book, 'Australia's Fighting Families', contains service details and/or portraits of many thousands of men; the contents vary, usually on a state-by-state basis. This copy contains an even more mixed lot than usual: the first portion, 'Some of Australia's Fighting Families', is a pictorial section (portraits only) for Victoria (16 pages, comprising a title page and pages M101-115); it is followed by a pictorial section (portraits only) for SA (24 pages, numbered [A1]-A24), illustrated biographical sections for SA (Sections J, K and L [16 pages each section]), a pictorial section (portraits only) for NSW (24 pages, numbered [S1]-S24), an illustrated biographical section for NSW, incorrectly labelled SA on the title page (Section O, 24 pages, with a small zero or nought after each page number), and illustrated biographical sections for SA (Sections I and O [16 pages each section]).

      [Bookseller: Michael Treloar Antiquarian Booksellers]
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        Erde auf Erden.

      Wien, Strache, 1920 - 31 S. mit 1 ganzseit. Porträt nach einer Zeichnung von Egon Schiele. Erste Ausgabe mit dem Portrait des Autors von Egon Schiele. - Raabe 282, 6. - "Diese Gedichte, in der zweiten Hälfte 1914 entstanden, konnten im Jänner 1915 infolge Zensurverbots nur in 100 Exemplaren als Manuskript in Wien gedruckt werden. Die vorliegende Ausgabe ist nach Ausscheiden des Gedichtes `Ekel vor Europa` und Ergänzung durch `Klagegesang` unverändert" (Impressum). - Etw. gebräunt. *** /// *** Copyright: Matthaeus Truppe - Stubenberggasse 7 - A-8010 Graz - +43 316 829552 *** /// *** Sprache: Deutsch Gewicht in Gramm: 400 Gr.-8°. Illustr. OKart. nach einem Entwurf von Julius Zimpel (gebräunt, Rücken mit Einrissen). [Attributes: First Edition; Soft Cover]

      [Bookseller: Matthaeus Truppe Antiquariat]
 43.   Check availability:     ZVAB     Link/Print  

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