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Displayed below are some selected recent viaLibri matches for books published in 1920


      Firenze; Vallecchi 1920 - in 16° (18 x 13 cm. ca.); pp. 210 (alcune bianche); br. a due colori; 1^ ed. Comprende 80 trucioli apparsi su periodici tra 1914-19, e 6 inediti (eccellente stato di conservazione, seppur leggermente rifilato)

      [Bookseller: IL LIBRAIO]
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        Untitled (Seveal Birds)

      1920 - Frank Weston Benson (1862-1951) was an American Impressionist artist, and a member of the Ten American Painters. He began his Studies at the school of the Museum of Fine Arts, Boston in 1879, under Otto Grundmann, and later studied at the Académie Julian in Paris. Upon return to America, he would become an instructor at the School of the Museum of Fine Arts, Boston. In 1888 Benson gained favorable attention in his first showing with the Society of American Artist in New York, with a piece that suggested the influence of academic Realism rather than Impressionism. By the early 1890s he began using his family as subjects; Benson later recalled having realized at the time that ¿design¿ was the most important component of painting. Consequently, works of the period provided evidence of a greater interest in patterns, silhouette, and abstract design. Late in his career, Frank Benson returned his boyhood interest in ornithological illustration. Following the 1913 Amory Show, Benson quietly moved to revolutionize the field of American sporting art. His rendering of wildlife, hunting, fishing, and camping infused the field with heightened artistic sensitivity, and reinvigorated a tradition- burdened field. Historical accounts indicate that Benson¿s teenage bird studies were extremely realistic. We can infer that they were similar to works by Alexander Pope (American, 1849-1924) and Louis Agassiz Fuertes (American, 1874-1927). Those painters concentrated on painting objects with precision. Each blue jay painted by Fuertes had exactly the same color tones and patterns. This is realism in the sense that twelve jays in a cage look precisely the same. In contrast, Benson¿s artistic training brought him to realize that a viewer¿s experience of a jay¿s appearance varies with the tint of light cast by the sky, whether the jay is front lit or back lit, and the background. Furthermore, Benson realized that we did not perceive the precise feather pattern of a bird at a distance of 20 feet. Benson had learned that our eyes perceive light, not objects, and he introduced that realization into the sporting art field. Other artists such as Roland Clark, A. L. Ripley, and Richard Bishop quickly followed his lead. In 1915 he first exhibited etchings of wild fowl, to popular acclaim. After 1920 Benson turned increasingly to the depiction of landscapes featuring wild life, an outgrowth of his interest in hunting and fishing, from then on producing a steady and profitable output of etchings and watercolors in this vein. At the request of fellow artist and conservationist Jay Norwood ¿Ding¿ Darling, Benson designed the second Federal Duck Stamp on 1935. Etching, 12.8 x 17 inches

      [Bookseller: Arader Galleries of Philadelphia, PA]
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        Personal Recollections of Pioneer Life on the Mountains and Plains of the Great West

      Cheyenne: Privately Printed, 1920. 8vo., (8 2/8 x 5 4/8 inches). Portrait of Voorhees. Original yellow cloth, ruled, decorated and lettered in black (front hinge cracked). Provenance: Presentation inscription from the author to his friend John Charles Thompson on the front free endpaper. Of extraordinary interest to the early history of the American West is the appendix, which occupies nearly half the book, and tells the story of how the author's family came into possession of important manuscripts written by Lewis and Clark, several of which are reprinted here, and which include "four red morocco note-books, written up in St. Louis after the return of the expedition, and similar to those of in the collection of the American Philosophical Society; ...There is also one of Clark's pocket field-books, ... amply illustrated by about twenty sketch-maps of the trail over the mountains..." (page 56). For more information about this book, or a warm welcome to see it and other books in our library at 72nd Street, NYC, please contact Kate Hunter, M.A. Oxon, in the Rare Book Department.

      [Bookseller: Arader Galleries]
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      - Date : 1920 Dimensions : 78 5x107cm Imp : Azémard Cousins Nîmes Condition : entoilée A Affiche originale entoilée en parfait état.

      [Bookseller: Philippe Beguin Affiches et livres ancie]
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        La Arquitectura Naval Española [En Madera] Bosquejo de Sus Condiciones y Rasgos de su Evolución. Signed limited edition

      Madrid: Editada en Madrid por el Autor. G+ : in Good condition plus without dust jacket. Spine soiled. Cloth frayed. Pages 397- 400 lacking, but appear never to have been bound in. Cruising Association library with embossed gilt stamp on front cover and symbol on spine and label on paste-down. Some occasional light foxing otherwise contents VG. 1920. No. 262 de papel de hilo. half vellum, brown cloth cover. 320mm x 230mm (13" x 9"). 427pp, + illustrations. 80 plates including some in colour with overlays. ' Conferencias organizadas por el 'Instituto de Ingenieros Civiles de España' en el Ateneo de Madrid Mayo de 1914.'. .

      [Bookseller: Barter Books Ltd]
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        Spring in New Hampshire and Other Poems

      Grant Richards, London 1920 - First Edition, first printing of McKay's third publication, his first book of original poetry. Published London: Grant Richard, 1920. Original 8 vo. wrappers, 5 1/8" x 7 7/8", 40 pp., printed on laid paper, bound into tan card wrappers, with printed green publisher's label on cover. Some copies contained a frontis, this one does not. Tiny chip off one corner of label. Covers have minor creasing at the top and bottom edges, otherwise near fine. Pages bright and clean. [Attributes: First Edition; Soft Cover]

      [Bookseller: The Wild Muse]
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        NIGHT AND DAY.

      Duckworth, London 1920 - Woolf, Virginia. NIGHT AND DAY. London: Duckworth, 1920. A near fine or better example of the much more elaborate second impression: one of 1000 copies issued in the Covent Garden Library. 8vo., pp [iv], 538. Two pages of advertisements for The Voyage Out at rear. Dark blue cloth with bright gilt decoration to the spine. By the time the Hogarth Press [February, 1929] received the transfer of the balance of the sheets [about 465 copies] & molds from Duckworth only 566 copies of this second impression had been sold - Kirkpatrick A4. A very nice example [one tiny mended closed tear at the spine crown] - Quite uncommon [Attributes: First Edition; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        RELATIVITY. The special and the General Theory.A popular exposition.Translated by Robert W.Lawson. D.Sc.

      Methuen & co.Ltd.London.,1920 - FIRST ENGLISH EDITION.Portrait frontis and five line diagrams within the text.Complete with the 8pp publishers adverts at back of book.Some browning to the half title otherwise a remarkably clean,bright,fine copy in recent full red morocco.Spine with raised bands,compartments ruled,decorated and lettered in gilt.Single gilt ruled border on boards.All edges gilt.---This important translation,apart from being the first English edition,also contains new text written by Einstein specially for this edition-- Appendix III, The Experimental Confirmation of the General Theory of Relativity.: [Attributes: First Edition; Hard Cover]

      [Bookseller: Paul Foster. - ABA & PBFA Member.]
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        RELATIVITY. The Special and the General Theory. A popular exposition. Translated by Robert W. Lawson. D.Sc

      Methuen & co. Ltd. London. 1920. FIRST ENGLISH EDITION. 8vo. (7.7 x 5.2 inches). Portrait frontis and five line diagrams within the text. 8pp publishers adverts at back of book. A very good, clean and bright copy in publishers original red cloth with blind stamped lettering to front board, within a blind ruled border, and gilt lettering and ruling to spine. Spine lettering is dulled and the cloth uniformly faded but still overall a very good bright copy. Previous owners neat name written on the front free endpaper. Some light offsetting to both free endpapers from the pastedowns but overall a very good clean copy. ---- This important translation, apart from being the first English edition, also contains new text written by Einstein specially for this edition; Appendix III, The Experimental Confirmation of the General Theory of Relativity.

      [Bookseller: Paul Foster Books]
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        Nineteen (19) Black-and-White Press Photographs of Cardozo.

      1920 - Photographs of Benjamin Cardozo [Cardozo, Benjamin N. (1870-1938)]. [A Collection of Nineteen Black-and-White Press Photographs of Cardozo, 1920-1938]. Sizes ranging from 5" x 7" to 8" x 10." Light to moderate edgewear, annotations and tipped-in captions to versos, some photos have faint crop marks and creases. * Eleven of these are candid and posed images of Cardozo in his office or attending public functions, three are formal portraits in judicial attire. There is also a picture of Cardozo at the bench of the N.Y Court of Appeals. Two other pictures show Cardozo receiving honorary degrees at the University of Chicago and St. Lawrence University. The final pair of images depict Cardozo with Chief Justice Hughes. One is a candid outdoor photo in business attire, the other a more formal indoor photo in judicial attire.

      [Bookseller: The Lawbook Exchange, Ltd., ABAA ILAB]
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        Megillat Esther [MANUSCRIPT]

      Bezalel circa 1920s, Palestine - 21.5 inches (top to bottom of spindle). 14 inches (scroll case). Burled olive wood case spectacularly carved with depictions of Rachel's tomb and the old city of Jerusalem, and ringed with four multicolored inlay mosaics. The words Jerusalem, Kever Rachel (Rachel's tomb) and Ir Tziyon (the city of Zion aka Jerusalem) written in black ink. Manuscript with black ink on white parchment, ten inches in height, containing the biblical book of Esther. From the Bezalel school in Jerusalem. An unusually large and finely carved example of Bezalel arts and crafts. Complete and kosher. Fine condition. [Attributes: Hard Cover]

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        LORNA DOONE. A Romance of Exmoor. The Dulverton Edition

      Sampson Low, Marston & Company, Ltd. London.,1920. Fourth edition of this, the Illustrated Dulverton Edition, the 29th edition overall. Large 8vo. (9 x 6.7 inches).16 colour plates, each with a printed tissue paper guard, by Charles Brock (4 scenes from the story), and Charles Brittain (12 views of Exmoor and environs). A Fine copy in a fine leather binding by Bain of London. Half dark blue morocco, spine with raised bands, ruled in gilt. Compartments tooled and lettered in gilt. Blue cloth on boards. Marbled endpapers. Top edge gilt. Loosely inserted is a hand written letter from J. G. Bain, on company headed notepaper dated Christmas 1925, presenting this book to a customer. An interesting and beautiful edition with the plates showing not just characters from the tale but also views of the towns, villages and views around Exmoor that act as a backdrop for the novel.:

      [Bookseller: Paul Foster Books]
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      Bruno Cassirer n.d. [1920]., Berlin - Pascin, Jules (Illustrations). [1885 - 1930]. EIN SOMMER SKIZZENBUCH VON PASCIN. Signed. Berlin: Bruno Cassirer n.d. [1920]. First Edition. Small folio, pictorial boards with plain cloth backstrip. {6] preliminary pages, 3 of these with [German] text Illustrated with 40 single-sided plates, a total of 61 illustrations (14 in colour). With a 1" 1/2 x 7" Pascin signature in blue-black fountain pen with his New York & Paris address "230 W. 39th / 3 rue Joseph-Bara", pasted to the inside front cover. Skizzenbuch is a sketchbook of, drawings & watercolors chiefly made during Pascin's vacation at the beach in Ostend, Belgium in 1912. A very uncommon publication. World War I prevented publication until 1920. A very good or better copy, the backstrip expertly restored. A very nice example. Much better than usually found. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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      - Date : 1920 Dimensions : 76x107cm Imp : CORNILLE & SERRE PARIS Condition : entoilée A Affiche originale entoilée en parfait état.

      [Bookseller: Philippe Beguin Affiches et livres ancie]
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        Illustration mit mehreren figürlichen Szenen.

      . Lithographie in Schwarzgrün, rechts unten signiert "Slevogt", auf cremefarbenem Velin. 31:38 cm. Mit zwei kleinen Einrissen im rechten Rand. Gedruckt auf die Rückseite einer Ankündigung des Propyläenverlages, Berlin (o.J.) für die Vorzugsausgabe einer Kalbpergamentmappe, in 200 Exemplaren gedruckt, mit einer Original-Lithographie von Max Slevogt. Vermutlich handelt es sich um die Ankündigung für: Alte Märchen mit der Feder erzählt. Berlin, Propyläen-Verlag 1920. (Vgl. Max Slevogt. Das druckgraphische Werk. 1914-1933. Düsseldorf, G. Söhn 2002, Nr. 329. Provenienz: Sammlung Max Osborn (1870 - 1946), Publizist in Berlin; Galerie Michael Hasenclever, München.. Max Slevogt studierte ab 1885 an der Akademie der bildenden Künste in München. Er orientierte sich zunächst an den realistischen Malweisen von Wilhelm Leibl (1844-1900) und Wilhelm Trübner (1851-1917), die den Stil seines Frühwerks bestimmten. Durch einen Aufenthalt an der Academie Julian in Paris 1889 begann er sich dann mit dem Impressionismus auseinanderzusetzten. 1901 zog er - zusammen mit Lovis Corinth (1858-1925) - nach Berlin, wo er Mitglied der 'Berliner Secession' wurde. In dieser Zeit entwickelte er seinen eigenen, charakteristischen Malstil, der anfangs noch vom Jugendstil beeinflusst war. Neben seinen meisterhaften Porträts, Figuren- und Landschaftsbildern begann Slevogt 1906 in Berlin Bühnenbilder und Kostüme für Max Reinhardt und die Kammerspiele des Deutschen Theaters, die gerade neu gegründet worden waren, zu entwerfen. Auf einer Reise durch Ägypten 1914 entstanden 21 Gemälde und zahlreiche Aquarelle und Zeichnungen, die einen Höhepunkt in seinem künstlerischen Werk darstellen. Nach Ausbruch des Ersten Weltkriegs wurde er als 'Kriegsmaler' an die Westfront geschickt. 1917 erhielt er den Vorsitz einer Meisterklasse für Malerei an der Kunstakademie in Berlin. Große Bedeutung erlangte er auch als geistreicher und phantasievoller Illustrator sowie durch sein reichhaltiges und umfangreiches grafisches Werk. Literatur: Sabine Fehlemann, Nicole Hartje: Max Slevogt. Die Berliner Jahre. Wienand Verlag, Köln 2005. Sigrun Paas, Roland Krischke: Max Slevogt in der Pfalz. Bestandskatalog der Slevogt-Galerie. Deutscher Kunstverlag, München, Berlin 2005.Hof Neukastel / Leinsweiler bei Landau (Pfalz) 1932.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Dada Almanach. Im Auftrag des Zentralamts der Deutschen Dada-Bewegung.

      Berlin, Erich Reiss, 1920 - 8°, 159 S., 8 photogr. Abb., Privat-HLdr. , goldgeprägtem Rücken mit passendem deutschnationalem Lesebändchen in schwarz rot gold., Umschlag mit kleinem hinterlegten Einriss, papierbedingt etwas gebräunt, sonst gutes Exemplar. (Sheppard 26 - Dada in Zürich 86 - Bolliger III, 79) - Erste Ausgabe dieser Sammlung. Enthält u. a. die typogr. gestaltete ?Chronique Zurichoise 1915-19? mit detaillierten Angaben über die Gründungsveranstaltungen. - Ein wichtiges Dokument des Dadaismus. 1100 gr. [Attributes: First Edition; Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        Umbra. The Early Poems of .

      London: Elkin Mathews, 1920 - Poet and critic R.P. BLACKMUR'S COPY, signed by him at the age of 18 on the flyleaf: "August 23,1922 "Richard Palmer Blackmur" Blackmur quotes beneath: "'Now and again divers dive down for dreams' Stewart Mitchell." Blackmur was 18 when he signed this book, and was later to become one of America's most influential literary critics. Mitchell was the managing editor of THE DIAL at the time. Blackmur has written four marginal notes in pencil on pp. 57, 59, 84, & 128 First edition. 8vo. . Gray paper boards with canvas back, lettered in blue. Very good copy, some light foxing to preliminaries. Bookplate of Coman Leavenworth on the front pastedown. Gallup A20a [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Child's Book of Modern Stories, A

      1920. first edition. With Eight Color Plates by Jessie Willcox Smith[SMITH, Jessie Willcox, illustrator]. A Child's Book of Modern Stories. Compiled by Ada M. Skinner and Eleanor M. Skinner. New York: Duffield and Company, 1920. First edition. Small quarto (9 1/4 x 7 inches; 235 x 178 mm.). [xii], 341, [1 blank] pp. Eight full-page color plates. Publishers dark blue linen over boards, front cover lettered in gilt and with an additional color illustration pasted on, spine lettered in gilt. Neat ink inscription dated 1920 on front free-endpaper. A fine copy in the original color pictorial dust jacket.This collection of sixty-six 'Modern Stories' is split into four section: Home Tales, The Story Garden, Cheerful Stories and Tales and Legends Beautiful."This is a companion volume to the famous "A Child's Book of Stories," but here the stories are by modern writers. There are between sixty and seventy stories by such authors as Thornton Burgess, Abbie Farwell Brown, Louisa M. Alcott, Josephine Scribner Gates, Mary Gaylord Jean Ingelow, George MacDonald, etc." (dust jacket, front flap). "Probably contributing most to Smith's fame was her continuing relationship with the Good Housekeeping Company. Impressed with her exemplary illustrations for Mother Goose, Good Housekeeping moved quickly to commission Smith to illustrate that journal's cover on consecutive issues in the calendar year of 1918. As it turned out, a Smith color picture would appear on each and every cover of Good Housekeeping from December 1917 through April 1933. There was no issue in January 1920 due to a strike. Smith added another cover in May of 1934, for a total of 184 separate illustrations. These covers for Good Housekeeping represent one of the longest runs of published covers by a single artist in the history of pictorial illustration. Although the subject matter varied, a predominant theme was the representation of the American home and family life, which invariably included children in all sorts of activities. Along with Smith's first published cover, the magazine included a short preface introducing the illustrator… Many of the illustrations first published as covers for Good Housekeeping were later assembled together as book illustrations. This was true of A Child's Book of Modern Stories (1920), A Little Child's Book of Stories (1922), A Very Little Child's Book of Stories (1923), Boys and Girls of Bookland (1923), and A Child's Book of Country Stories (1925). (Edward D. Nudelman, Jessie Willcox Smith: American Illustrator, p. 39).Nudelman, A54

      [Bookseller: David Brass Rare Books, Inc.]
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        Les poemes dores.

      Paris, Edouard-Joseph 1920.. Handgeb. Maroquin d. Zt. (sign. "L. Bernard") mit RVerg., 4 goldgepr. Deckelfileten, Steh- und Innenkantenverg. sowie doppelten marmor. Vorsätzen und KGoldschnitt (OBrosch. eingeb.). 8vo. - 1 von 100 num. Exemplaren der Vorzugsausgabe auf Van Gelder-Bütten. - Schöner breitrandiger Druck in Gold und Schwarz auf chamoisfarbenem Papier. - VDeckel fleckig, RDeckel mit minim. Druckspuren, Rücken leicht nachgedunkelt. Ansonsten schönes, wohl erhaltenes Exemplar der seltenen Vorzugsausgabe, aus der Slg. Stig Wilton. -.

      [Bookseller: Ketterer Kunst GmbH vorm. F. Dörling Gmb]
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        Age of Innocence

      D. Appleton and Company, New York 1920 - First Edition, First Printing with (1) on p. 365. Later editions have a (2) (3) (4) (5) etc. This original, First Issue dustjacket, with no mention of the Pulitzer Prize on back panel, has been professionally restored by a master conservator. The end result is a dustjacket with no chips or tears. The book is in nice shape. The binding is tight, and the boards are crisp with some wear to the edges. The pages are clean. There is no writing, marks or bookplates in the book. A superb copy. We buy Edith Wharton First Editions. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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      London: Hodder and Stoughton Limited, n.d. [1920] - Octavo, pp. [i-iv] v [vi] vii [viii] [1] 2-303 [304: blank], original gray cloth, front and spine panels stamped in black. First edition. A rare collection of short fiction featuring occult investigator Professor Arnold Rhymer, M.D., and Inspector Brown of the C.I.D. "Crude, sensational stories of World War I vintage ." - Bleiler, The Guide to Supernatural Fiction 949. Locke, A Spectrum of Fantasy, p. 128. Wilson, Shadows in the Attic, p. 304. Bleiler (1978), p. 114. Reginald 08229. Cloth worn at spine ends and corner tips, several mild scuffs and soil marks to the cloth, a sound, good copy. (#130116) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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      Antwerpen Samenw. Vennootschap Lectura 1920 (=1921). Gebrocheerd, 79pp., 14x20.5cm., matige staat (fragiele rug volledig verwijderd, waarschijnlijk ooit afgedekt geweest met plakband, omslag vlekkig). Uiterst zeldzame "Vlaamse" variant van de eerste uitgave: uitgegeven door "de Samenw. Vennootschap 'Lectura', 16, Keizerstraat, 16, Antwerpen". Ondanks de ontbrekende rug toch een acceptabel exemplaar.

      [Bookseller: ERIK TONEN BOOKSELLER]
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        The Mounted Riflemen in Sinai and Palestine, the Story of New Zealands Crusaders

      Whitcombe & Tombs, Auckland 1920 - pp. 175. Numerous illustrations & plates, folding map. Original stiffened paper d/w. Extremely rare. [Attributes: Hard Cover]

      [Bookseller: Anah Dunsheath Rare Books ABA ANZAAB]
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        MAIN STREET, The story of Carol Kennicott

      New York: Harcourt, Brace and Howe, 1920. First edition. 8vo, publisher’s original blue cloth with orange lettering panels on the spine and upper cover lettered in blue and ruled in orange. (8), 451 pp. An unusually well preserved and handsome copy, tight and in very nice condition at the extremities. The cloth is dark and clean, the orange panels and lettering are complete and especially fresh and well preserved. FIRST EDITION OF THIS IMPORTANT AMERICAN NOVEL OF THE 20TH CENTURY. MAIN STREET is important for a number of reasons — among them is the portrayal of a strong female protagonist, and what one might now call feminist themes by a male writer. MAIN STREET was initially awarded the 1921 Pulitzer Prize for literature, but was rejected by the Board of Trustees, who overturned the jury's decision. The prize went, instead, to Edith Wharton for The Age of Innocence. In 1926 Lewis refused the Pulitzer when he was awarded it for ARROWSMITH.

      [Bookseller: Buddenbrooks, Inc.]
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        Main Street: The Story of Carol Kennicott

      New York: Harcourt Brace and Howe. 1920. First. First edition. Very light wear, a near fine copy, lacking the rare dustwrapper. Lewis's first major success, a realistic portrayal of Midwestern life, and the first of several important novels for which he became the first American to be awarded the Nobel Prize for Literature. Johnson High Spot of American Literature. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Roosevelt Bas-relief, "Aggressive Fighting for the Right is the Noblest Sport the World Affords"

      New York. 1920. Relief bronze-coated iron sculpture. 32.5 x 25 cm. Depicting Theodore Roosevelt in profile above the quote, "Aggressive Fighting For The Right Is The Noblest Sport The World Affords." Executed by James Earle Fraser for the Decorative Arts League of New York. With the original hanging clasp and printed seal of the Decorative Arts League at the back. Scattered surface soiling with some chipping to the bottom edge, very good. Fraser, best known for the Indian Head or "Buffalo" nickel which he created in 1913, is considered to be one of the most important American sculptors of his generation. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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      Paris 1920 - 8º. 2 vols,374 = 579 pp. Encuadernado en holandesa de época con nervios y dorados en el lomo. Perfécto estado de conservación. [Attributes: Hard Cover]

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        MAIN STREET: The Story of Carol Kennicott

      New York:: Harcourt, Brace and Howe,. 1920. First edition, first issue with perfect folio on page 54, and the "y" in "may" on page 387 (last line) perfect. Bookplate on front pastedown and some minor cover wear but still very good and better than most we've seen. Lacking dust jacket, but in a new FACSIMILE jacket.

      [Bookseller: Quill & Brush]
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        Adler Compagnie Zigaretten=Fabrik A.-G. Dresden. Farbiger Entwurf für ein Werbeplakat.

      Um 1920. - Tuschzeichnung in Schwarz und Rot, 59 x 36 cm, hinter Passepartout. Der Entwurf ist nicht signiert, stammt aber höchstwahrscheinlich von Paul Scheurich. Er zeigt im oberen Teil einen Mann im Profil, dem Zigarettenrauch in die Nase steigt, der untere Teil ist typographisch gestaltet. Unten links befindet sich eine kleine handschriftliche Nummer. - Der Rand ist rückseitig unterlegt. Bis auf minimale Bereibungen ist der Entwurf sehr gut erhalten.

      [Bookseller: Antiquariat Mertens & Pomplun GbR]
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        Chinesische Miniaturen aus dem Leben einer Chinesischen Dame, herausgegeben von Dr. Rudolf Payer-Thurn,

      Wien, Hermes-Druckerel circa 1920, - in-folio (34,5 x 44,5 cm), 12 plates in color under "passe-partout", quarter cloth portfolio. "Diese Auswahl stammt aus der grossen Sammlung von Chinesischen Miniaturen, die Kaiser Franz 1826 von dem Englischen General-Konsul Watts für seine Privatbibliothek erworben hat". Portfolio a bit shaken at spine. [Attributes: Hard Cover]

      [Bookseller: LIBRAIRIE L'OPIOMANE]
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        Poesies Completes. Edition decoree et compositions dessinees et gravees sur bois par Louis Jou et d'un portrait de l'auteur grave par Paul Baudier. Preface et Notes de Ad. van Bever.

      Editions Georges Cres & Cie, Paris 1920 - One of 795 numbered copies on velin de Rives from a total edition of 848. Small folio. Bound: 3/4 maroon morocco and paste-paper boards, spine paneled, title gilt, top edge gilt, original covers bound in, near fine. Woodengraved portrait of author by Paul Baudier as frontispiece, and five woodengravings hors-texte printed in black after designs by Louis Jou, with ornamental bandeaux and chapter headings printed in black; with decorated capital letters in red and black; culs-de-lampe in black, all designed and cut by Louis Jou. [Attributes: Hard Cover]

      [Bookseller: Priscilla Juvelis Inc., ABAA]
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        Le Calumet

      Editions de 1a N.R.F., Paris 1920 - l14 pages, 16,5 X 12,5 cm Edition définitive augmentée de nouveaux poèmes, tirage à 750 ex. numérotés (N° 589) tous sur vélin blanc des papeteries de Navarre, illustré de bois gravés d`André DERAIN sous couverture illustrée à triple rabat. L`originale publiée chez Henri Falque date de 1910, elle était illustrée d'un frontispice par Gransow ct accompagnée d'un feuillet d`errata. Ici Salmon commence à se détacher du symbolisme d`un Moréas qui fut sa première influence (voir ses « Souvenirs sans fin »), certaines fantaisies annonçant le modernisme d'un Apollinaire. Exemplaire strictement neuf dont seul le premier cahier a été coupé. Très recherché pour les bois de Derain, exceptionnel en cet état. [Attributes: Soft Cover]

      [Bookseller: D'un livre l'autre]
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      [Bookseller: Dick Neal Fine Books]
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        Le Calumet. Illustrations by Andre Derain.

      Nouvelle Revue FranÁaise, Paris 1920 - One of 750 copies, printed on velin blanc des papeteries Navarre. 110pp; handsomely rebound in 1/4 red morocco and marbled paper boards, spine paneled, title gilt, marbled endpapers, original wrappers bound in, very slight wear to shelf edge, else fine. Printed on the presses of Coulouma, . Argenteuil, September 15, 1920. Illustrated with title page woodcut in black and red by Andre Derain (1880-1954) plus a woodcut on the half title page and 59 in-texte. [Attributes: Soft Cover]

      [Bookseller: Priscilla Juvelis Inc., ABAA]
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        Rescuing the Czar Two authentic Diaries arranged and translated by.

      California Printing Co., San Francisco, CA 1920 - (full book description) California Printing Co., San Francisco, CA, 1920. 2nd Edition 2nd Printing, VG-, Hard Cover, No Dust Jacket. Size is 8vo, 269pgs. Very minor shelfwear top/bottom of spine, o.w. clean & tight. Actually 2nd printing of 1st Edition. 99% OF OUR BOOKS ARE SHIPPED IN CUSTOM BOXES, WE ALWAYS PACK WITH GREAT CARE! [Attributes: First Edition; Hard Cover]

      [Bookseller: edconroybooks]
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        This Side of Paradise

      Charles Scribner's Sons, New York, 1920., 39. FIRST EDITION. Octavo., pp. 305. Elegantly hand-bound in full dark green oasis morocco leather, spine gilt-lettered in six compartments with raised bands, decrative centre tool, marbled endpapers, top edge gilt, original cover (mottled) bound in. Internally fine, but for a couple of neat marginal repairs to p300-301. A clean copy in attractive recent binding. The Jazz-age author's second novel; Amory Blaine, intent on rebelling against his staid, Midwestern upbringing, longs to acquire the patina of Eastern sophistication. In his quest for sexual and intellectual enlightenment, he progresses through a series of relationships, until he is cast out into the real world. Bruccoli. Listed in Modern Library's Top 100 Novels [1998].

      [Bookseller: Adrian Harrington Rare Books]
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        Roma. Veduta del Monte Capitolino dagli Orti Farnesiani.

      1920 - Veduta del Campidoglio dal colle Palatino e precisamente dalle terrazze degli Orti Farnesiani. Il busto in primo piano è un’invenzione dell’artista. Scheda bibliografica tratta da "Benvenuto Disertori" di Paolo Bellini e Alessia Alberti, scheda n. 41 p. 55. Firma autografa dell’artista. Secondo stato, senza alcuna scritta incisa. Formato: Acquaforte e bulino di dimensioni 301x351 mm (inc.) e 316x379 mm (las.). Buono, ordinari segni d’uso e del tempo.

      [Bookseller: Studio Bibliografico Adige]
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        Renaissance in Italy

      London: John Murray, 1920-21. 7 volumes, 8-1/4" x 5-3/4", frontis portrait plate in volume one. Bound in 1/2 brown calf, ribbed gilt decorated spines, top edges gilt, others uncut, by Hatchards. Hinges fine, head and foot of spines fine.

      [Bookseller: D&D Galleries - ABAA]
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        CUISINE ET CHASSE de Bourgogne et d’ailleurs Assaisonnées d’Humour et de Commentaires

      - Société d’Editions artistiques de tourisme et de sport, Paris, 1920. Petit in/4 broché, couverture imprimée et illustrée d’une petite vignette, gravures, eaux-fortes, vignettes contrecollées , illustrations in-texte, lettrines historiées, 337 p., 1ère édition. Envoi et courrier d’accompagnement de l’auteur. Un des 550 exemplaire sur vélin d’arches numéroté. Petites taches claires sur la couverture. Ouvrage dédié aux Femmes Françaises, aux Disciples de Saint Hubert, aux Touristes, aux Bibliophiles : nombreux sont donc les heureux lecteurs de ce bel ouvrage, alliant une illustration belle et variée aux savoureuses recettes et textes élaborés avec la collaboration de : Hugues Le Roux, Cunisset Carnot, Georges Tausend, . Bien complet de son eau-forte sur la bécasse. [Attributes: Soft Cover]

      [Bookseller: Philippe Lucas Livres Anciens]
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        Schule-Emmi-Zweibrück-Prochaska Wien - Helli - Fritz - 15 Jahre.

      [Selbstverlag],, Wien, 1920 - Farbige OLithographie. Wien, [Selbstverlag], o. J. [um 1920]. ca. 46,3 x 85,5 und 46,3 x 86,5 cm. Zweiteiliger Fries.

      [Bookseller: Antiquariat Weinek]
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        Main Street

      Harcourt Brace & Howe, New York 1920 - Blue cloth with small orange panels. Lacking dust jacket. This copy inscribed by the author "To Florence + Dick Boeckel, who endured me while I wrote it-Sinclair Lewis" Florence Boeckel was a prominent suffragist and press chairman of the National Women's Party. Also a noted pacifist, activist supporter of the League of Nations and the National Council for the Prevention of War, all things Lewis believed in. Lewis wrote the introduction to her famous pacifist manifesto, Between War and Peace: A Handbook for Peace Workers (1928). Lewis and Boeckel lived and worked in New York in the teens and he probably bounced passages of Main Street off them while it was still in manuscript. Well loved copy with overall wear, especially to the extremities. Interior clean.Nice association copy. Size: Octavo [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Contact Editions, ABAC, ILAB]
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        Rapport de l'Archiviste de la province de Québec 54 Vols

      Imprimeur De Sa Majesté Le Roi, Quebec - Collection complète de Tome 1 1920-1921 (un numéro par année) à tome 54 (1975), Pagination variable (environ 450 chaque numéro). Illustrations, cartes, fac-simili. Sujets nombreux et divers, mais toujours de solides études historiques. Tirage limité. À partir de 1963, le Rapport de l'Archiviste de la Province de Québec fut remplacer par le Rapport des Archives du Québec Tome 41 et 42 et est devenue le Rapport des Archives nationales du Québec (1971-1975) pour les Tomes 43 à 54. . On y trouve : - des études, des documents et des inventaires qui nous éclairent sur l'histoire de la Nouvelle-France, du Québec et du Canada; - des transcriptions, le plus souvent annotées; - la correspondance des personnages qui ont marqué notre histoire; - les documents d'archives primordiales à la reconstitution et la compréhension de notre passé; - des guides et des inventaires de fonds et de collections d'archives, essentiels aux chercheurs et aux historiens qui s'intéressent à l'évolution du Canada français. Cette collection est en excellent condition avec reluire d'origine. Inclus est la Table des Matières pour 1920-1964. Ceci est ma collection personnelle , Frais d'envoi selon la distance à être déterminé avec Postes Canada. Environ $240.00 serait à anticiper. Veilliez me contacter pour les frais de poste et d'assurance ou tout autres détails This is the complete 54 volume collection published by the Province of Québec from 1920 to 1975. All have their original soft covers. All these books are excellent condition and are from my personal collection which took 15 years to assemble. Please contact me for further information for the cost of postage which will be around 240 $ for delivery in North America

      [Bookseller: Colline Bunker Books]
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