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Displayed below are some selected recent viaLibri matches for books published in 1920

        The international Jew.

      Dearborn, MI: Dearborn Publishing Co. 12mo (19.2 cm, 7.6"). 4 vols. I: 235, [1] pp. II: 255, [1] pp. III: 256 pp. IV: 246 pp.. 1920?-22 First collected edition of the now-infamous gathering of anti-Semitic articles from the Dearborn Independent, representing the most notable of the Henry Ford-sponsored diatribes against the "Jewish Menace." The four volumes are subtitled "The World's Foremost Problem," "Jewish Activities in the United States," "Jewish Influences in American Life," and "Aspects of Jewish Power in the United States"; among the accusations levelled herein are that the Jews corrupted professional baseball, replaced respectable music with degrading jazz, and destroyed the quality of whisky, in addition to the standard smears regarding finance and politics. => The original paper wrappers are bound in in each volume. Contemporary pebbled red cloth; light wear to extremities, bindings moderately sunned with spines lightened evenly, covers variously. Vol. II with front wrapper creased and a small spot of adhesion to title-page, vol. III wrapper with adhesions to inner margin of title-page; vol. IV wrapper with lower outer corner chipped; pages with occasional smudges, generally clean. => An entirely innocuous- and anonymous-looking quartet, the spines being without labels.

      [Bookseller: SessaBks, A Division of the Philadelphia]
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        Chinesische Lyrik. Übertragungen aus dem Englischen von Rudolf Kindermann. Buchdruck nach handgedr(uckten) und kolorierten Schnitten von Herbert von Garvens-Garvensburg. Geschrieben von Hans Krenz. Entstanden in der Gefangenschaft auf Fort Barraux Juni 1919. Handkolorierter Faksimiledruck. Erster Druck der Galerie von Garvens. Handschriftlich nummeriertes und von von Garvens signiertes Exemplar mit der No. 8 von insgesamt 100 Exemplaren, wovon die ersten 25 in alter chinesischer Seide gebunden sind.

      Hannover, Galerie von Garvens 1920 - 13 nicht paginierte Doppelblätter Mit 11 Illustrationen. 19,6 x 15,1 cm. Seidenband mit Kordelbindung B e i g e l e g t: Ein nicht zum Buch gehörender, handklolorierter und signierter Original-Linolschnitt, bezeichnet mit: "Handdruck v. Garvens, Fort Barraux, August 1919." (Siehe Abb.). Der floral gemusterte Seidenbezug da und dort etwas aufgehellt und am Rücken mit ein paar kleinen Fehlstellen. Dennoch auch außen guter Gesamteindruck. Innen in jeder Hinsicht im Bestzustand erhalten. Laut Katrin Vester; Galerie von Garvens, Magisterarbeit, Hamburg 1988, kostete die hier vorliegende Vorzugsausgabe in chinesischer Seide bei Erscheinen ca. 200 Mark, im Gegensatz zur nur 125 Mark teuren Rohseiden-Ausgabe.

      [Bookseller: Antiquariat Klaus Altschäfl]
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      Emile Paul Frères, Place Beauvau 1920 - In-8 de 16 pages, numéro 170 sur 500. Papier du Mittineague-mill imprimé par Louis Kaldor. Traces de poussière et mouillures. (Normal: les cimetières marins ne sont pas étanches,n'est-ce pas, Georges, toi qui t'es fait enterrer dans la terre). [Attributes: First Edition; Soft Cover]

      [Bookseller: pollet-villard the sniper]
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        Dessin original encre de Chine ?Gruyère?. Monogrammé AG.

      vers 1920, - 24.5x16.5 cm, pt. tache en bas de l?image, 1 feuille, passepartout (30x22.5 cm), Travaille typique de Augustin Genoud, très ?Art-Déco?.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

      [Bookseller: Harteveld Rare Books Ltd.]
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        Unique Eunuque.

      Paris: Au Sans Pareil (Collection DADA),, 1920. Avec un portrait de l'auteur par lui-même et une préface par Tristan Tzara. Octavo. Original pale brown wrappers, stitched as issued, lettered in black on spine and front cover. Dadaist self portrait by Picabia. General toning to wrappers, bump to fore-edge affecting margin of leaves (causing some short closed-tears). An excellent copy of this fragile publication. First and limited edition, number 716 of 1,000 numbered copies; scarce in commerce and represented by only four locations in British and Irish institutional libraries (Copac cites BL, Leeds, Tate Britain, V&A), although well represented in libraries worldwide. This poem is one of Picabia's final utterances from the tottering edifice of Dada, before his final denunciation in 1921.

      [Bookseller: Peter Harrington]
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      [Maine and various places in Europe, 1920. Oblong octavo albums. Original black morocco, spine gilt, titles as transcribed below. Albums with some shelf wear; European album slightly cocked, lower portion of front joint splitting. The photographs are clean and in excellent condition. An outstanding collection of photographic images of scenes in Maine, coastal France, and the Channel Islands. The photographs were taken by an MIT Professor who apparently vacationed in Maine on a regular basis, and who also visited England and France in the year before the outbreak of World War I. The albums of Maine images ably show the natural beauty of far western Maine, while the album of scenes in France and England captures life in small villages and towns in Normandy, Brittany, and the Channel Islands before the peace of the region was shattered by the Great War. Two of the albums feature silver gelatin prints that have been printed directly onto the album sheets, with accompanying handwritten captions. The third album consists of photographic prints affixed to sheets of the album. Though without ownership signatures, we attribute these albums to Ralph Restieaux Lawrence, a Professor of Electrical Engineering at MIT. These albums came with other photographic albums made by Lawrence on trips to the American West and Canada, featuring photographs done in a similar style, captioned and bound as these albums. Ralph Restieaux Lawrence (b. 1873) was born in Cambridge, Massachusetts, and graduated from MIT in 1895. He taught electrical engineering at MIT from 1896 to 1941, and apparently enjoyed photography and traveling, as the present albums would indicate. The three albums are: [ALBUM ENTITLED Heald Pond Maine 1907]. Original oblong octavo album. [39] original photographic prints, most measuring approximately 3 3/4 x 4 3/4 inches, each print affixed to a sheet in the album, the sheets measuring 8 x 10 inches. This album contains a series of lovely photographs of the area around Heald Pond, in west- central Maine, not far from the Canadian border. Heald Pond is known for its natural beauty - ably captured in these photographs - and for its hiking trails. The photographs in this album are uncaptioned, but show a number of images of the large pond and surrounding area, as well as cabins and campsites. [ALBUM ENTITLED Photographs Europe 1913]. Original oblong octavo album. [162] original silver gelatin prints, measuring approximately 3 1/4 x 5 1/4 inches, each printed directly onto a sheet in the album, the sheets measuring 6 3/4 x 9 1/4 inches. Each image is identified by a manuscript caption on the facing sheet. The pictures show scenes in France and England, mostly in the regions of Brittany and Normandy, the Channel Islands of Jersey, Guernsey, and Sark, and the towns of Warwick and Stratford-upon-Avon. Many of the photographs show life in villages or larger towns, such as Caen in Normandy. There are a number of photographs of scenes in and around the Brittany village of Concarneau, including market scenes, fetes, and scenes along the port, but other villages, such as Pont-Aven and Vitre are included as well. Many of the photographs in the British islands show castles, ruins, towns, and coastal scenes. In all, a magnificent series of photographs of this region on the verge of World War I. [ALBUM ENTITLED Photographs Attean Maine 1920]. Original oblong octavo album. [47] original silver gelatin prints, measuring on average 3 x 5, (one of them a panoramic photo measuring 3 x 13 1/2inches on a folded sheet) each printed directly onto a sheet in the album, the sheets measuring 7 x 9 1/2 inches. Each image is identified by a manuscript caption on the facing sheet. Attean Lake is a resort area located in west-central Maine, and this album of attractive silver gelatin prints shows scenes from a vacation taken there by Lawrence in 1920. The panoramic photograph is a lovely view of Attean Lake from a high perspective on nearby Mount Sally. There are several other pictures from Mount Sally, as well as images of camps, vistas from lake level, nearby woods, other ponds, etc.

      [Bookseller: William Reese Company - Americana]
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        Main Street

      Harcourt, Brace and Howe 1920 - A very good first edition, first issue (no battered type on pages 54 and 387), signed by Lewis on the front free endpaper, in an early, supplied dust jacket. Housed in a custom-made collector's slipcase. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bookbid]
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        Ms. Brief mit eigenh. U.

      O. O., 7. Dezember 1920. - ½ S. Gr.-4to. An einen namentlich nicht genannten Adressaten: „Je tiens à vous remercier personnellement de ce que vous avez fait pour la Représentation d’Adieux de Noblet. En présence du résultat magnifique – 95.000 francs de recette – il serait injuste d’oublier ceux qui en ont assuré l’efficace et gracieuse publicité [.]". – Gering fleckig und papierbedingt etwas gebräunt.

      [Bookseller: Kotte Autographs GmbH]
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        ROSTOCK und Umgebung. Großes Reliefpanorama von Rostock und Umgebung mit der Ostsee, die Orte als Vogelschauansichten.

      - Aquarell mit Deckfarben über Bleistift, sign. "J. Ruep Mchn.", um 1920, 62 x 119 cm. Blick von Süden auf Rostock, Unter-Warnow, Breitling, Warnemünde und die Ostsee. Das Panorama reicht von Brunshaupten im Westen über Heiligendamm und Doberan bis Ribnitz und Damgarten im Osten. Mit schöner Darstellung der Küstenlandschaft, der zahlreichen Wälder und Orte. Besonders gelungen der weite Blick über die Ostsee. - Auf Leinwand aufgezogen, sehr farbintensiv und dekorativ. [Attributes: Hard Cover]

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Novelle von der Macht des Blutes., Übertragen von Karl Federn.

      Berlin, Euphorion Verlag, 1920,. - 90 S., 8°, handgebundener OHLeder mit reicher Rückenverzierung (Einband mit minimalen Bereibungen, Falz angeplatzt), Lederecken, Kopf-Goldschnitt, Lesebändchen, Büttenpapier. Vorliegend: Exemplar Nummer 1 (persönliches Namensexemplar für Hermann Struck, überreicht vom Künstler und Verlag) der Vorzugsausgabe mit 7 signierten Original-Radierungen von Klaus Richter. Gesamtauflage 400, davon waren 100 Exemplare für die Vorzugsausgabe. Druck von Poeschel & Trepte in Leipzig, Kupferdruck von H. Winkelmann in Berlin. Die Zeichnung des Titel-Holzschnittes stammt von H. Henning. Vorsätze etwas leimschattig, hinteres Gelenk minimal eingerissen. Rare book with 7 handsigned originally graphics. Number 1 of 100 copies, complete edition is about 400 copies. Good copy. Sprache: Deutsch Gewicht in Gramm: 1000 [Attributes: First Edition; Signed Copy]

      [Bookseller: Uta-Janine Störmer]
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      [Angkor: Cambodia, 1920. Large folio album, leather spine, the front cover a tooled copper sheet representing the Bayon Temple. Front hinge cracking slightly. Ninety-three matte silver gelatin photographs, on sheets of slightly variable size but generally 30 x 24 cm.; images uniformly 23.5 x 16.5 cm. All photographs in excellent condition, tipped onto larger sheets, interleaved with protective tissue. A very handsome and impressive album of Angkor Wat, the Bayon Temple, and the larger environs of Angkor Thom, taken by an unidentified but professional photographer, almost certainly in the 1920s. The photographs depict architecture; sculptures both freestanding and as friezes; waterworks; and other features of the larger landscape of Angkor. Angkor, the largest archeology site in the world and once the largest city in the world, is justly celebrated as one of the most important monuments of human civilization. While building on the site began in the 9th century A.D., its most famous monuments, the Angkor Wat temple complex, the Bayon temple-mountain, and the environs of Angkor Thom, were mainly constructed in the 12th and 13th centuries. These remain some of the most impressive structures wrought by human hands, masterpieces of architecture and stone carving. While the temple of Angkor Wat has always been cared for by Buddhist monks, much of the rest of the vast site had been overtaken by the jungle when the first European photographer, John Thomson, visited in 1866. After Cambodia became a French protectorate in 1887, the site became the focus of intensive scrutiny, and in 1907 a massive program of reconstruction and reclamation from the encroaching jungle began. To some degree the progress of this work allows photographs to be dated, and on this basis, and after showing the album to distinguished archeologist Michael Coe (best known for his work in MesoAmerican archeology, but also the author of a book on Angkor), we date the photographs in the present album to the 1920s. This dating is also reflected in the style of the binding and album. The album contains ninety-three excellent matte silver gelatin photographs. While the photographer is unknown, the quality of the images and their composition and printing shows them to be the work of a professional. The first series of images focus on the Angkor Wat temple complex, showing both internal and external images as well as many smaller sculptures (many of these have since been moved from the site). The next series focuses on the great Bayon temple, and in particular the celebrated friezes which adorn it. From there the images move to other parts of Angkor Thom and the areas in the environs of the central temples. A handsome and significant album of photographs on the world's greatest archeological site, at a point when many parts of it were little disturbed.

      [Bookseller: William Reese Company - Americana]
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        Eigenhändiger Brief m. U.

      München, 31. VII. 1920. - Folio. 2 pp. Mit dem dazugehörigen, eigenhändig adressierten Kuvert. An die Schauspielerin Else Heims (1878-1958), die Frau Max Reinhardts, die er für die Rolle der ‘Beatrice’ in seiner neuen Komödie ‘Der Amerikaner’ gewinnen möchte. „[ ] Ich bedaure sehr, daß ich Ihnen das Manuskript nicht länger lassen konnte. Ich bin überzeugt, daß Sie bei nochmaliger Lektüre alles aufgespürt hätten, was zwischen den Zeilen liegt und das Stück und vor allem die Beatrice lieb gewonnen hätten. Wie Beatrice zwischen den braunen Steinen schreitet, weiß vor dem sehr blauen Himmel, sacht, sanft und doch munter und voll Mut, wie sie sich langsam aus ihrer Weltferne dem sehr erdhaften Amerikaner zuwendet, seine Kraft, einen Willen annimmt, und wie durch sie der Geist, die Kultiviertheit des Ortes in ihn überströmt, ihn mildert, glättet: alles das, was im Buch nur anklingt, wird ja auf der Bühne viel stärker belichtet, und gerade, weil es nicht hart und überdeutlich ausgesprochen wird, sondern sacht und in halben Tönen, muß es Ihnen, glaube ich, ganz besonders liegen. Ich würde mich jedenfalls furchtbar freuen, wenn Sie die Rolle spielen würden, und ich werde, sowie Falckenberg" – der als Talententdecker bekannte Direktor der ‚Münchner Kammerspiele’, Otto Falckenberg(1873-1947) – „zurück ist, ausführlich mit ihm darüber reden. Bis dahin steht ja dann auch der Spielplan der Kammerspiele fest; vielleicht lässt es sich einrichten, daß Falckenberg Dame Kobold oder Lysistrata spielt.Wenn Sie wieder in München sind, müssen wir zusammen mit Falckenberg das alles ausführlich besprechen [ ]". - Else Heims wurden, bedingt durch das eheliche Zerwürfnis und den daraus resultierenden jahrelangen Scheidungskrieg, von Max Reinhardt und auch an anderen Häusern nach 1920 kaum noch Engagements angeboten.

      [Bookseller: Kotte Autographs GmbH]
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        Jésus-Christ Rastaquouère.

      Paris: Collection Dada,, [1920-1]. Dessins par Ribemont-Dessaignes. Octavo. Original pale blue-grey wrappers, paper label on front cover. 3 illustrations by Georges Ribemont-Dessaignes. Spine toned, small loss of paper at foot, front cover faded, back cover patchily faded and lightly creased, internally paper toned; nevertheless a good copy of a fragile publication. First and limited edition, number 690 of 1,000 copies, scarce. An important publication in the Dadaist canon, published when Picabia was pulling away from Dadaism toward Surrealism. Ezra Pound claimed that "the renewal of literature during the early twentieth century can be understood by studying two publications: 'Blast' [the Vorticist magazine] and Picabia's Jésus-Christ Rastaquouère... (Pound defines 'rastaquouère' as a 'foreigner whose means of support are unknown; other dictionaries give such definitions as 'shabby adventurer' or 'doubtful member of the nobility'; one possible translation of Picabia's title would be 'Jesus Christ the No-Account Count')... Throughout Jésus-Christ Rastaquouère Picabia exalts materiality and attacks the subjective, the merely conceptual. His least favourite organ is the brain, and he finds various ways of demeaning or squashing it" (Hélène Aji ed., Ezra Pound and Referentiality, 2003, pp. 167-68).

      [Bookseller: Peter Harrington]
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        Letzte Lockerung - Manifest Dada - EA 1920

      Paul Steegemann, Hannover 1920 - 1.-3. Tausend. 45 S. Einband etwas angeschmutzt, Vorderdeckel mit kleinem Besitzerstempel (von einem ehem. Archiv, das um 1954 aufgelöst war), Hinterdeckel mit einem kleinen Riss (ca. 0,3 mm). Schnitt angebräunt, leicht angeschmutzt, Seiten kaum lichtrandig, sauber, guter Zustand. Walter Serner (1889 in Karlsbad, Böhmen; wahrscheinlich 1942 im Wald von Bikernieki bei Riga; eigentlich Walter Eduard Seligmann) war ein Schriftsteller und Dadaist. Die Letzte Lockerung gilt als einer der wichtigsten Dada-Texte. Size: 8° [Attributes: Soft Cover]

      [Bookseller: Verlag IL Kunst, Literatur & Antiquariat]
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        Hansel & Grethel & Other Tales

      London: Constable & Co. Ltd, 1920. First edition thus. Near Fine/Very Good. An attractive copy in the fragile dust jacket. Book very Nearly Fine, with a previous owner's bookplate on the front paste-down (completely covered by the jacket flap), otherwise a clean, tight copy. In a Very Good dust jacket which somone has used the lower panel of to make notes about their other Rackham's books. A 2.5 inch crack at the base of the spine and the lower panel, a smaller tear at the base of the spine and the front panel and minor wear at the crown. A reissue of the first half of Rackham's lovely 1909 edition of Grimm's Fairy Tales including: Hansel and Grethel; The Twelve Dancing Princesses; The Fisherman and His Wife; The Frog Prince; Rapunzel; Red Riding Hood; Tom Thumb; and Rumpelstiltskin. Arthur Rackham was one of the great illustrators of the early 20th century, a period which is referred to as the "golden age" in British book design. His works were produced in both limited and mass market editions as there was a large market for ornately illustrated books before the First World War. Rackham used a unique style, thought to mix European and East Asian influences, that involved both pen and India Ink as well as watercolor. His work was displayed all over Europe - and received awards at International Exhibitions in Milan and Barcelona and Rackham would influence heavily many illustrators, especially those of children's books, who came after him. "Rackham's illustrations to Grimm, Hans Andersen or Poe show him at his most imaginative and observant of human nature, while his gnomes, fairies and gnarled anthropomorphic trees in Peter Pan in Kensington Gardens or A Midsummer Night's Dream represent his more fantastic side.... He was - and remains - a soloist in front of an orchestra, a player with the responsibility to interpret and add a personal lustre to great works with variations of infinite subtlety and grace." ["Arthur Rackham: A Life with Illustration," by James Hamilton, Pavilion Books, Ltd., London, 1990]. Near Fine in Very Good. dust jacket.

      [Bookseller: Whitmore Rare Books]
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        Collection of 4 books INSCRIBED TO AUGUSTUS JOHN, each with an inscribed Christmas card laid in

      London: A.C. Fifield (3) and Elkin Mathews (1), 1920. All First editions. 4 vols. 12mo & 8vo. All are very good to fine copies, in original boards. All First editions. 4 vols. 12mo & 8vo. Inscribed to Augustus John. Nice group of association copies of four early titles by the Welsh poet, each inscribed to the Irish portraitist, Augustus John, and each with a signed Christmas card laid in. The National Portrait Gallery has an Augustus John portrait of Davies, done in 1918. 1) FAREWELL TO POESY, 1910. 2) SONGS OF JOY AND OTHERS, 1911. 3) FOLIAGE, 1913. 4) THE SONG OF LIFE, 1920. And with TLS laid in from Davies to a "Mr. Grubb", Jan. 16, 1934. From the library of Augustus John

      [Bookseller: James Cummins Bookseller]
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        JAHRBUCH DER JUNGEN KUNST. Volume 1, 1920

      1920. Very Good. BIERMANN, Georg, hrsg. JAHRBUCH DER JUNGEN KUNST. [Volume 1.] Leipzig: Klinkhardt & Biermann, 1920. The Jahrbuch was a yearly survey of contemporary developments in European visual arts that was published from 1920 to 1924. This is the first issue. It is comprised of many articles illustrated with many quality black and white reproductions, and eight original prints. The original prints include four lithographs, one each by Max Pechstein (Fischerhafen), Erich Waske (Sonnenaufgang), Max Burchartz (Frau vor dem Fenster), and Josef Eberz (Versohnung). three woodcuts, one each by E. Adam Weber (Am Brunnen), Lyonel Feininger (Buttelstedt), Franz Nitzsche-Niitzsche (Lied), and a linoleum cut by Wilhelm Morgner (Bartiger Mann). Also included is a facsimile of a letter from Wilhelm Morgner. XI, 348 pp. Quarto (10 3/4 x 8 un.), cloth-backed patterned paper boards, with printed title on spine. Contemporary gift inscription on verso of Pechstein's print, which serves as frontispiece to the volume, to the Russian-born American sculptor "Miss Bashka Paeff, from her friend Dr. Sundelof." Binding shows general wear and light soiling, and has an abraded patch on lower board. Minor creasing to fore-edges of the first and last few leaves. Internally clean and very good overall.

      [Bookseller: Boston Book Company ]
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        Red Sea - Gulf of Suez. Gimsah and Kabreit Anchorages and Approaches surveyed by Commander E. C. Hardy, R. N.

      London, published at the Admiralty, 1920. - 685 x 510 mm. Scale 1:29,100. Nautical chart of the Gulf of Suez. Engraved chart, including tidal information, compass roses, soundings, seabed notations, currents, sandbanks, shoals, inland elevations. This edition first published in 1909, revised in 1920. Signs of contemporary use, with several pencil markings. Folded.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Flappers and Philosophers

      Charles Scribner's Sons, New York 1920 - First Edition, First Printing. A beautiful copy of this TRUE FIRST EDITION with BRIGHT gold lettering on the spine. The binding is tight with NO cocking or leaning and the boards are crisp with slight wear to the edges. The pages are exceptionally clean with NO writing, marks or bookplates in the book. Overall, a wonderful copy in collector's condition. Includes a facsimile dustjacket from the original. We buy F. Scott Fitzgerald First Editions. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        The Tales and Poems of Edgar Allan Poe with Biographical Essay by John H. Ingram

      GEORGIE BARRIE & SONS, PHILADELPHIA 1920 - Light to medium soiling to exterior.Foxing to pages. Volumes V, II, and IV have cracked bindings, with the IV volume having multiple cracked bindings. Black and white illustrations. Large Paper Library Edition: Two Hundred and Fifty Copies are Printed on Imperial Japan Paper No.124. Bumping to corners, as well as the top and bottom edge of spine. Paper Label on full buckram yellow cloth. POSTAGE EXTRA MAY BE REQUIRED. Postage weigt:15lb Original weight: 11 lb 12oz. DATE PUBLISHED: 1920 EDITION: 287 [Attributes: Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        La montée aux enfers. Poésies

      - Paris, Le livre du bibliophile, l'édition 1920. In-4 relié demi maroquin cerise à coins, dos à nerfs, titre doré, tête dorée, étui. Couverture conservée. 166 pages illustrées par Edouard CHIMOT et comprenant 12 eaux-fortes originales gravées par l'artiste et 23 dessins au crayon tirés en typographie. Tirage limité numéroté. Celui-ci N° 381 sur papier vergé d'arches. Bel exemplaire. [Attributes: Hard Cover]

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        Rosa Mystica. Orientalsk kvinde set i profil.

      1920 1920 - Akvarel. Ca. 1920. 30,5x29,5 cm. Monteret på karton. * Franz Sedivy, der var søn af kunstneren og litografen af samme navn, afholdt i 1919 en seperatudstilling med tegninger og akvareller især med orientalske motiver. Hans far, der var indvandret fra Böhmen blev, efter endt uddannelse som litograf, en af den mest anvendte tegnere til magasiner samtidig med at han producerede en væld af plakater og kostumer, scener og anskuelstavler til Alfred Jacobsens dukketeater og andet pædagoiske virke. [Attributes: Soft Cover]

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        THE STORY OF DOCTOR DOLITTLE Being the History of His Peculiar Life At Home and Astonishing Adventures in Foreign Parts

      Frederick A. Stokes, New York 1920 - Very Good in boards. Illustrated by author. Color frontis with tissue guard and numbered plates (collated). Darkening to back of frontispiece and the back of half title page, small owner name to half title page, most illustrations have brown spotting. Frontispiece with tissue-guard, 10 full page illustrations, 12 illustrations in text, all by the author. First edition, first printing of the first title in the Doctor Dolittle series. ; 8vo 8" - 9" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Rare Book Cellar]
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        Reisindrukken: Provence, Venetiaansch leven, in en om Caïro. Met twaalf oorspronkelijke etsen van den schrijver.

      Amsterdam, Elsevier, 1920; - 4to. 4 blanks + (VIII)+111 pp. + 4 blanks. With 12 orig. etchings, all monogrammed in pencil and signed "Ph. Zilcken" in the plate. Each plate with tissue-guard with printed title of the etching. Hardcover. Or. dark green buckram with gilt front & spine. VG/--. (Spine ends sl. bumped; some browning to free endpapers, occas. light foxing to few tissue-guards & text pages. Plates are remarkebly crisp & clean). * #58 of 155 printed copies. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Charbo's Antiquariaat]
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        Autograph Letter Signed [-- regarding Spiritualism]

      1920. [Doyle on spiritualism] Two pages (both sides of one leaf of stationery of The Grand Hotel, Melbourne). Addressed to "My dear Seymour," and dated Nov. 2, 1920. The text of the letter reads as follows:~No, your Russian idea though noble and unselfish is, I am sure, extravagant. You have your clear duty with your regiment, your family and your surroundings. Do not reach out for more, but if more is ordained it will come to you with no doubt and no effort. If you take this spiritual matter seriously & quickly not only cultivate it but spread it around you, you will do great work. God has His own purposes in Russia and will pick up the right tool for His work, without the tool needing to worry over it.~I send you a "Harbinger of Light" with some account of our doings. Up to now I have been [?] upheld & feel as fit as when I started. Adelaide was glorious. Melbourne is heavy and material but we make an impression. I have one last meeting -- which will be a bumper -- and then to Sydney where we culminate, for New Zealand is of smaller importance. I am glad I came -- but I never had much say in the matter -- a tool also, but a very willing one.~I expect you will soon be in India again. Good luck to you wherever you go. Buy spiritual books freely for there is no such investment. Anything by or about Mrs Emma Hardinge Britton is worth getting -- "Autobiography" "19th Century Miracles" "American Spiritualism". She was a female St. Paul, with a man's virile brain, clear, fearless & herself a great medium. In A.J. Davis, Hardinge Britton, Stainton Moses, and Vale Owen you have the spiritual sequence.~All remembrances to your wife when you write | A Conan Doyle.~Although Conan Doyle expressed an interest in spiritualism as early as 1886, he became totally committed to it (and in spreading its word) after the deaths of family members in the Great War -- most notably his son Kingsley (who died just 25 months before this letter, ultimately from wounds suffered at the Somme in 1916), and his brother Brig. General Innes Doyle who died four months after Kingsley. In 1920-1921 he toured Australia and New Zealand giving lectures on the subject; in September 1921 was published his book THE WANDERINGS OF A SPIRITUALIST, about this tour -- in fact featuring a frontispiece portrait of himself "On the Warpath in [Melbourne] Australia."~"My dear Seymour" is almost certainly James B. Seymour, a conjurer who was a founder of "The Magic Circle," a group dedicated to the combination of prestidigitation and spiritualism -- and who, like Doyle, was a member of the Society for Psychical Research.~The letter is entirely devoted to spiritualism -- in fact Doyle seems to be telling Seymour how to get started. "The Harbinger of Light," begun in 1870, was and is the Australian monthly spiritualism newsletter; Britton, Davis, Moses and Vale were all well-known writers about spiritualism. "Your Russian idea" in the first sentence must have been a suggestion by Seymour, most likely regarding what Doyle referred to in WANDERINGS as "the Russian horror" -- the mass execution of Jews, then much in the news. It is known that Doyle and Seymour, though acquaintances, were not exactly friends; it is further known that by February 1922 (just 15 months later), Seymour broke with Doyle over the issue of spirit photography (Doyle believed in it, Seymour and many others did not). (Our thanks to Alexis Barquin of the ACD Encyclopedia for much of this information on Seymour.)~The letter is in very good condition, with one small smudge in the ink and with a few short tears (and one small gap) at the folds; there is faint evidence that some sort of tape resided there.

      [Bookseller: Sumner & Stillman]
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        Les Gaités de Béranger.

      A Éleuthéropolis, A l'Enseigne de Cupidon, o.J. [d.i. Paris, Briffaut, ca. 1920]. - 8°. 2 Bll., 102 S. und |12 Tafeln mit Orig.-Radierungen|, eine davon als Frontispiz. HLeder d. Zt. mit RTitelschild. Kopfgoldschnitt. 'Les Gaietés de Béranger' wurde von |Martin van Maele| illustrierte. Die 12 Radierungen van Maeles sind eindeutig erotisch und illustrieren in expliziter, aber auch hintergründig ironischer Art die äusserst lockeren Verse von Béranger. Bibliographisch ist das Werk kaum nachzuweisen. Es findet sich erst bei Dutel 339. Nicht bei Pia. Und nicht bei Newsletter 3, van Maele Bibliographie S. 108ff. Einband berieben, Kanten stärker beschabt. Papierbedingt schwach gedunkelt. Vereinzelt leicht fingerfleckiges, sonst gutes Exemplar dieses raren Werks.

      [Bookseller: Antiquariat Ars Amandi]
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        Naval Operations History of the Great War Based on Official Documents In 7 out of 9 Volumes

      Longmans, Green and Co, 1920. 1st Edition. Hardcover. Good Condition/No Dust Jacket. Book Published between 1920 and 1931. All First editions, all in Dark blue cloth original bindings. Details and condition notes on each volume as follows: Vol I To the Battle of the Falklands December 1914 Text - Binding a little loose. Complete with all internal maps present. Vol 1 Maps. All 18 maps complete in solid map case. Vol II To the Dardanelles (text and maps). Tightly bound. Slightly foxed. Bookplate to front free end paper. 5 maps total in front and rear pockets as called for. All internal maps (most fold out) are present. Vol III (Text) Home Waters Spring 1915 to Jutland. Tightly bound, signature to front free end paper. All internal maps (some foldouts) are present. Volume III (Maps). Solid case. Maps 29 and 40 are missing. All others present. Vol IV (Text) Post Jutland to mid 1917. Spine strip lost. All internal maps and charts present. Vol V (Text) To the end of the War. Spine strip split at hinges, front taped. Separate map volumes for volumes IV and V are missing, An extremely heavy set. extra postage will be charged . Size: 8vo - over 7¾ - 9¾" tall. 7 volumes of the 9-volume set. Item Type: Book. Text body is clean, and free from previous owner annotation, underlining and highlighting. Ex Imperial War Museum stock, with discreet stamps, but no other Library labels, stamps etc.. Shipped Weight: Over 3 kilos. Category: Military & Warfare; ; . Please contact H4o Books if you require images or further information. Inventory No: 023141. .

      [Bookseller: H4o Books]
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      ETCHING OF NUDE JAPANESE WOMEN BATHING [Tokyo ? n.d. c 1920. - A copper etched print, 37.5 x28.5 cm.,14.75 x 11.25 inches, framed, glazed, very good, minor fainttoning, over all very clean, bright.LIMITED EDITON 20 OF 180 Color scans available for this book on request. Description content 2015Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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      London: Odhams Limited, n.d.. [1920]. original red cloth, front panel stamped in black and blind, spine panel stamped in black.. Some foxing to endpapers and half title leaf, else a near fine copy. with bright, unfaded binding. A nice copy of a very scarce book.. (#149949). First edition. "Complex supernatural romance, in which psychic girl's love for 'a complete bounder' leads to projection of his image as an idealized dream- lover, a sort of Doppelganger cum vampiric incubus. Structured as a mystery, true nature of haunting only gradually revealed. Subtle, thought- provoking, intriguing use of dreams; oddly gentle conception of Doppelganger's nature seems to anticipate Jungian animus/anima theory. A superior weird thriller of the period, equal to better known classics such as Kerruish's THE UNDYING MONSTER (1922)." - Robert Knowlton. Locke, A Spectrum of Fantasy, p. 235. Reginald 15634. Not in Bleiler (1948; 1978).

      [Bookseller: L. W. Currey, Inc.]
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        Reiher", o.J. (ca. 1920).

      - Farb. Linolschnitt, Handdruck, 30,5 x 18 cm (Abbildung – dazu schmaler weißer Rand), signiert. (Norbertine Bresslern-Roth, Graz 1891 – 1978) [Attributes: Signed Copy]

      [Bookseller: Galerie Magnet GmbH]
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        Nibelungen. Dem deutschen Volke wiedererzählt von Franz Keim.

      Gerlach, Wien u. Leipzig, 1920 - Kl.-8°. 67 S. OLwd. EA. Mit acht doppelseitigen, teils goldgehöhten Lithographien., Gerlach's Jugendbücherei, Bd. 22. Czeschka, (1878 - 1960), Hier eines der Hauptwerke der Buchkunst des Wiener Jugendstils: ". übereinstimmend ist die Wertung als eines der wichtigsten und überzeugendsten Beispiele für die moderne Buchkunst der Jahrhundertwende, in dem das Konzept einer künstlerischen Gesamtgestaltung eines Buches in vollendeter Weise verwirklicht ist ." (Heller, S. 188). 0 g. [Attributes: Hard Cover]

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      - 1920 Paris, Bernheim jeune 1920. B Sehr guter Zustand, französisch, kostenloser Versand in Europa Sprache: Französisch wunderbarer roter Halbleder Einband [Attributes: Hard Cover]

      [Bookseller: Heinicke, Hans-Jürgen]
 32.   Check availability:     IberLibro     Link/Print  

        The international Jew

      Dearborn, MI: Dearborn Publishing Co. 12mo (19.2 cm, 7.6"). 4 vols. I: 235, [1] pp. II: 255, [1] pp. III: 256 pp. IV: 246 pp.. 1920–22 First collected edition of the now-infamous gathering of anti-Semitic articles from the Dearborn Independent, representing the most notable of the Henry Ford-sponsored diatribes against the "Jewish Menace." The four volumes are subtitled "The World's Foremost Problem," "Jewish Activities in the United States," "Jewish Influences in American Life," and "Aspects of Jewish Power in the United States"; among the accusations levelled herein are that the Jews corrupted professional baseball, replaced respectable music with degrading jazz, and destroyed the quality of whisky, in addition to the standard smears regarding finance and politics. => The original paper wrappers are bound in in each volume. Contemporary pebbled red cloth; light wear to extremities, bindings moderately sunned with spines lightened evenly, covers variously. Vol. II with front wrapper creased and a small spot of adhesion to title-page, vol. III wrapper with adhesions to inner margin of title-page; vol. IV wrapper with lower outer corner chipped; pages with occasional smudges, generally clean. => An entirely innocuous- and anonymous-looking quartet, the spines being without labels.

      [Bookseller: SessaBks, A Division of the Philadelphia]
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        Fine original portrait drawing by Benedikt Dolbin (1883-1971), titled by the artist "Franz Lehar (drawn from life)" and signed by Dolbin just below the portrait

      [Vienna]. [ca. 1920]. The composer is depicted in profile, wearing collar and tie. Executed in pen and ink and black chalk on a light yellow background wash. 343 x 250 mm. . "[Lehar] was the leading operetta composer of the 20th century, being primarily responsible for giving the genre renewed vitality. His most successful operetta, Die lustige Witwe, has established a lasting place in the opera as well as the operetta repertory and, along with Offenbach and Johann Strauss II, Lehár has remained one of the most popular composers of light music." Andrew Lamb in Grove online Dolbin (pseud. Fred Pollack, 1883-1971) was born in Vienna and studied there. Trained as an engineer, he subsequently studied musical composition with Arnold Schoenberg and became a member of the Viennese group "Die Bewegung." He commenced drawing portraits of leading artistic personalities from ca. 1917 onwards for Viennese newspapers and journals. Because of his Jewish origins, Dolbin's work was banned in Austria in 1935, at which time he emigrated to the United States.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Lorenzaccio. Tragödie in fünf Aufzügen.

      München, Hoheneichen-Verlag, 1920. - "Halbleinen, 148 Seiten, 8°. (Mit Widmung "S.l. Ludwig Ringler herzlichst - Dietrich Eckart, M. 20. Febr. 1923" auf Vorsatzblatt; zwei gut erhaltene Schwarzweißphotographien von der Beerdigung des Verfassers am 30.12.1923 in Berchtesgaden im vorderen Innendeckel sauber eingeklebt, dazu handschriftliche Notierung: "Dieters Beerdigung am Lefanitag 1923 in B'gaden") Dietrich Eckart (* 23. März 1868 in Neumarkt in der Oberpfalz; † 26. Dezember 1923 in Berchtesgaden) war ein Publizist, Verleger, früher Anhänger des Nationalsozialismus und Ideengeber Adolf Hitlers. Eckart, der katholische Sohn eines evangelischen Notars, wuchs seit 1878 ohne Mutter auf und besuchte, vom Vater vernachlässigt, sieben verschiedene Gymnasien. 1891 brach er sein Medizinstudium in Erlangen ab. Weil er sich als Corpsstudent schlecht in die Satzungen fügen wollte, gab es „Händel und Hader". Er nahm eine Tätigkeit als Journalist, Literatur- und Theaterkritiker auf. Durch den Tod des Vaters 1895 kam er als Erbe zu einem ansehnlichen Vermögen. Seine nächsten Stationen waren Leipzig, Berlin und schließlich Regensburg. 1899 war er fast mittellos und ging nach Berlin, wo er – obwohl von dem Schauspielhaus-Generalintendanten Georg von Hülsen-Haessler unterstützt – als Dichter und Dramatiker, dann auch als Werbetexter, scheiterte. Von 1907 bis 1913 lebte er bei seinem Bruder Wilhelm in der Villen-Kolonie Neu-Döberitz bei Berlin (wo es 1936–1945 auch einen „Dietrich-Eckart-Gedenkhain" gab) und heiratete im Alter von 45 Jahren die vermögende Witwe Rosa Marx, geborene Wiedeburg, aus Blankenburg, von der er 1921 geschieden wurde. Bis zum Frühsommer 1915 wohnte Eckart mit seiner Familie in Bad Blankenburg; danach zog er nach München-Schwabing, wo er in Kontakt mit völkischen Kreisen wie dem Fichte-Bund kam, sich der reinflußreichen und okkultistischen Thule-Gesellschaft anschloß und als Verfasser okkulter, alternativreligiöser, rechtsradikaler und antisemitischer Traktate hervortrat. Er gründete 1915 den Hoheneichen-Verlag. Der Verlag wurde 1929 – nach seinem Tod – vom Parteiverlag, dem Eher-Verlag, übernommen, behielt aber zu Tarnungszwecken seinen Namen. Am 27. Mai 1919 beantragte Eckart seine Aufnahme in den Deutschen Schutz- und Trutzbund, der im Oktober des Jahres in den Deutschvölkischen Schutz- und Trutzbund aufging. Er prägte 1919 als Mitbegründer der NSDAP den nationalsozialistischen Kampfbegriff „Drittes Reich", womit vor allem eine Verbindung von chiliastischer Esoterik und politischem Ziel gemeint war: „Im deutschen Wesen ist Christ zu Gast – drum ist es dem Antichristen verhaßt." Im August 1921 wurde Eckart Chefredakteur des Völkischen Beobachters, nachdem er das Geld für dessen Übernahme im Dezember 1920 beschafft und Hitler gegen innerparteiliche Kritiker in Schutz genommen hatte. Gegen Eckarts Haftbefehl wegen Beleidigung des Reichspräsidenten Friedrich Ebert schrieb Hitler sofort an den bayerischen Ministerpräsidenten Ritter von Knilling die Forderung, „den Haftbefehl zu inhibieren, da andernfalls die Kampforganisation Widerstand gegen die Verhaftung leisten würde." Eine Woche nach dem Hitlerputsch in München verhaftet, wurde er nach schweren Herzanfällen am 20. Dezember 1923 aus dem Gefängnis entlassen und erlag am 26. Dezember in Berchtesgaden im Alter von 55 Jahren einem weiteren Herzschlag. Der 21 Jahre ältere Eckart, der Hitler vermutlich im Herbst 1919 kennengelernt hatte, war zeitweise dessen Mentor, Ideengeber und mit ihm befreundet. Er „widmete sich in einer Art Lehrer-Schüler-Verhältnis [ ] der Propagierung Hitlers als des kommenden Retters [ ], wofür er diesem wohl als erster charismatische Fähigkeiten zuschrieb" und ihn im Dezember 1921 erstmals als „Führer" bezeichnete. Eckart ist Dichter des Sturmliedes der SA, Erfinder des NS-Schlachtrufes „Deutschland erwache!" und genoß zeitweilig als „Parteidichter" der NSDAP Popularität unter deren Anhängern. Adolf Hitler widmete u. a. Eckart sein 1925 erschienenes Buch Mein Kampf, in dem Hitler ihn a

      [Bookseller: Antiquariat suum cuique]
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        Irish Fairy Tales.

      London: Macmillan and Co. Ltd.,, 1920. Quarto. Original quarter vellum, gilt lettered spine and front cover, tan boards, top edges gilt, others untrimmed. Colour frontispiece, decorative title page, 15 tipped-in colour plates mounted on cream paper (with captioned tissue guards), 21 black and white illustrations in the text. First edition, limited issue, one of 520 copies signed by Arthur Rackham.

      [Bookseller: Peter Harrington]
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        Typed letter signed in full to Fay [Mrs. John S. Keith].

      1 page of a bifolium. Octavo. Dated New York, December 15, [19]20. Typed and signed in blue ink. On stationery with the name and address of the Vanderbilt Hotel embossed at head. In English. With original typewritten envelope, ca. 88 x 137 mm. Postmarked New York, December 16, 1920. With the name and address of the recipient, Mrs. John S. Keith, typed in blue ink to recto. Caruso thanks Mrs. Keith for her telegram and assures her he is fine. "As you know by this time, it was nothing to be alarmed [about] and I sang on Monday a very good performance of LA FORZA at the [Metropolitan] Opera House." Very slightly worn; creased at central fold. Envelope slightly worn and with small tears and chips at right edge. . The present letter mentions one of Caruso's last performances at the Metropolitan Opera: on December 14, he sang Don Carlo in Verdi's La Forza del Destino. On December 11 he had a throat hemorrhage while singing Nemorino in Donizetti's L'Elisir d'Amore. After a final appearance in Halévy's La Juive, on December 24, he was forced to cancel the remainder of his season. Caruso then returned to Naples, where he died the following year, on August 2, 1921. Mrs. John S. Keith was a friend of Caruso's American wife, Dorothy Park Benjamin, and was matron of honor at Benjamin's marriage to Caruso on August 20, 1918.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        En avant dada. Eine Geschichte des Dadaismus.

      Hannover Steegemann 1920 - EA WG 7. gr.8°. 44 S., 2 Bll. Sammlung "Die Silbergäule". Typogr. illustr. OU (Zust. insgesamt nicht gut. Durch Wasserschaden Umschlag u. erste beide SS oben stark mitgenommen. Umschlag m. etw. Textverlust. Inhalt insges. ohne Textverlust. SS gewellt u. tlw. angebräunt). "Die Silbergäule" 50.-51. Band. Äußerst seltenes Expl. Mit hs. Widmung des Autors auf Vorsatz "Für lb. Ernst Johann gewidmet von Richard Huelsenbeck Darmstadt, im Oktober 1970" Buch [Attributes: Hard Cover]

      [Bookseller: Aegis Buch- und Kunstantiquariat]
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        Collection of vintage prints of the Middle East.

      Oman, Iraq, and other places, 1919/early 1920s. - 99 b/w prints. Various sizes, 65 x 105 to 145 x 205 mm. Mounted on black cardboard; captioned throughout in white. Dark blue calf album (extremeties rubbed and bumped), cord-bound, with marbled endpapers. Small oblong folio (335 x 247 mm). Curious album of original photographs taken throughout the Middle East. The set includes views of camels and boats in Mascat, river scenes and oases in Iraq (Ashar Creek; Euphrates), portraits of an Arab lady and sheikh (possibly a sometime Iraqi associate of Jack Philby, and member of his troop of Arabian franctireurs), a religious procession in Basra (Muharrah), street scenes and mosques in Baghdad, the ruins of Ctesiphon, Jebel al-Tarik, etc. Further images include Suez, Karachi, the Pacific islands of the South Seas, etc. - Well-preserved; from a Swedish collection. The first photograph is dated 19 Oct. 1919.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Jahrbuch der jungen Kunst 1920

      Verlag von Klinkhardt & Biermann, Leipzig 1920 - aus dem Geleit: "Zum erstenmal tritt unser Jahrbuch der jungen Kunst vor die Öffentlichkeit, zusammengestellt in der Hauptsache aus den reinen Kunstbeiträgen, die der "Cicerone" bisher veröffentlicht hat, . und ergänzt durch Originalgraphik, die sich im Einzelnen wieder eng dem Inhalt des Bandes einfügt. .", Halbledereinband mit Lederecken, goldgeprägter Rückentitel, Format 21 x 27,5 cm gebrauchte Erhaltung, bestoßen, durchgehend fleckig, Bindung gelockert, vorderes Innengelenk gebrochen de 348 S. 1400 g

      [Bookseller: Versandhandel für Sammler]
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        EICHSFELD. Reliefpanorama des Eichsfelds mit den Städten als Vogelschauansichten.

      - Aquarell mit Deckfarben über Bleistift, sign. "J.Ruep", um 1920, 70 x 109 cm. Zeigt in Nord-Süd-Ausrichtung das Gebiet zwischen Bad Lauterberg, Vollenborn, Mühlhausen, Eschwege und Göttingen. Im Vordergrund der Rotenberg, dahinter Ohmgebirge und Duen, in der Ferne der Thüringer Wald. Mit Einzeichnung der Verkehrswege. - Auf Leinwand aufgezogen, sehr gut erhalten. [Attributes: Hard Cover]

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Relativity: The Special and General Theory

      New York: Henry Holt and Company, 1920. First Edition. Hardcover. Very Good. First edition, first printing. Cloth lightly spotted and rubbed at spine ends. Title stamping faded and barely legible. Foxing to pages at prelims and terminals. First American edition.

      [Bookseller: Burnside Rare Books]
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        Main Street: The Story of Carol Kennicott

      New York: Harcourt Brace and Howe. 1920. First edition. Hardcover. Very Good. 1920, First Edition, first issue with perfect type at folio on page 54 and 'may' on page 387. Hardcover. Very Good in a later issue dust jacket and custom blue morocco slipcase. Early fraying to the cloth at the spine ends and corners; 2 pinhole sized dents to the rear board; clean contents; sound binding. The jacket is likely from 1921 as it has 'Harcourt Brace and Co.' on the spine; it has the same image as the first (silhouette in front of the 'Rosebud Movie' billboard) and all of the advertised titles were published on or before 1921, when Harcourt Brace and Howe switched over to Harcourt Brace and Co. There is a blurb for 'Main Street' on the rear panel that notes 'Over 125,000 sold'. The price is $2.00. The jacket is still quite fresh, at least Very Good+: the spine panel is sunned just a touch, there is also very shallow chipping at the crown of the spine and the upper corners; finally, a single 1/2-inch closed snag to the top edge of the rear panel. DJ with reviews for the book on the front flap; $2.00 price present. A truly sparkling jacket. Clamshell slipcase in full blue morocco with gilt titles; Fine condition. We do not know how this later jacket came to be matched up with a first issue of the book. Digital images available upon request.

      [Bookseller: Caliban Books ABAA-ILAB]
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        Zwei eigenhänd. Briefe mit Unterschrift (der zweite mit Zusatz "und die Leute vom Barkenhof"), 1 3/4 Seiten, kl-4, W[orpswede], 26. 11. und 30. 12. [19]20.

      - An Karl Jaenichen. ". Ihr Brief hat mich erfreut, es sind wenige, die das was ich sagte so tief erfasste wie Sie. Wir kämpfen hier einen schweren Kampf in wirtschaftlicher Not und Bedrängnis von allen Seiten, von Seiten der 'Parteien' besonders. Wir werden nun um Ostern aus einer Bonner Versuchsschule (Scharrelmann) Kinder aufnehmen für den Sommer und müssen dann sehen was sich daraus entwickelt. Wir wissen genau was wir wollen, aber haben noch unendliche Arbeit an uns selber zu tun um uns für die Aufgabe zu festigen. Den Vortrag sende ich Ihnen im Januar gedruckt ." (26. 11.) ". Das war für uns eine grosse Freude - die Noten, Ihre tiefen rhytmischen Worte, dann das schöne Gebäck. Wir haben jetzt endlich eine Lehrerin für die Kleinen gefunden und so beginnt langsam der Aufbau. Ich habe jetzt eine wunderbare Aufgabe, male und schnitze .". (30. 12.) Vogeler, der den Barkenhof in Worpswede gekauft hatte, gehörte zu den Gründern und führenden Persönlichkeiten der Künstlerkolonie. Er hatte die Niederlage im 1. Weltkrieg als moralischen Zusammenbruch empfunden, der eine neue Ethik und ethische Politik erforderte, und entwickelte auf d. Grundlage von Marxismus, Christentum und völkischen Ideen eigene Vorstellungen von Erziehung und Lebensform, die er in seiner Barkenhof-Kommune mit ihrer agrarisch-handwerklichen Bedarfswirtschaft zu verwirklichen suchte. 1920 veröffentlichte Vogeler "Drei Monatsbriefe der Kommune Barkenhof", im folgenden Jahr das dreibänd. Werk "Kosmisches Werden und menschliche Erfülllung". Heinrich Scharrelmann (1871-1940) war Schriftsteller und Schulreformer.

      [Bookseller: Wiener Antiquariat Ingo Nebehay GmbH]
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      HWN o. J. [um 1920] - Ziffernblatt aus Messing mit Versalziffern; im Uhrwerkkasten Firmenlogo "HWN"; Uhrwerk: mechanisches Seilzugwerk, 4/4 Std. Schlag, Schlagabsteller; Glastür mit Facettenschliff, Gewichte und Pendel aus Messing; getreppter, profilierter Fußsockel; dunkles Holz (Eiche?) Maße (H x B x T): 200 x 55 x 27 cm Zustand: siehe Bild; leichte Alters-/Gebrauchsspuren; voll funktionsfähig; insgesamt alters-/gebrauchsgemäss sehr gut erhalten. BITTE BEACHTEN ! Aufgrund der hohen Empfindlichkeit des Uhrwerkes bieten wir als Versandart in erster Linie Selbstabholung an. Es besteht auch die Möglichkeit, die Standuhr (gegen einen Aufpreis) von uns persönlich bzw. mit Spedition ausliefern zu lassen. Es fallen dabei längere Wartezeiten an, da wir aus Kostengründen Liefertouren entsprechend längerfristig organisieren müssen. Bei Fragen können Sie uns jederzeit per E-Mail oder telefonisch kontaktieren. Nach einem Transport ist es auf jeden Fall nötig, die Standuhr aufgrund der Empfindlichkeit des Uhrwerkes von einem Uhrmacher erneut überprüfen bzw. neu justieren zu lassen. Standuhr, Regulator, Historismus, Jugendstil, Gründerzeit 2500 gr. Weitere Details u. Fotos auf Anfrage.

      [Bookseller: absklaas]
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        HARZ. Reliefpanorama des Harzes mit den Städten als Vogelschauansichten.

      - Aquarell mit Deckfarben über Bleistift, sign. "Atelier J. Ruep", um 1920, 83 x 101 cm. Blick über Bleicheröder Berge und Goldene Aue auf Nordhausen (mit schöner Gesamtansicht) und den Harz. Das Panorama reicht von Seesen und Osterode im Westen bis Sangerhausen und Ballenstedt im Osten. Detailliert dargestellt sind die Städte am Nordrand: Goslar, Bad Harzburg, Wernigerode, Blankenburg und Quedlinburg bis Halberstadt. Sehr gekonnt herausgearbeitet die Höhen, Täler und Flüsse des Harzes. Links unten kleine Nebenkarte mit dem Kyffhäuser, rechts oben größere Nebenkarte des Gebietes um Helmstedt. - Auf Leinwand aufgezogen, gut erhalten. - Dabei: Das gedruckte Panorama. [Attributes: Hard Cover]

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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