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Displayed below are some selected recent viaLibri matches for books published in 1920

        Portrait du comte Étienne de Beaumont

      - , CIRCA 1920, , , , Un tirage gélatino-argentique noir & blanc [18,2 x 23,9 cm], monté sur un grand carton fort [31,2 x 48,2 cm] et deux petits cartons forts un noir et un blanc formant un encadrement, épreuve signée au crayon par l'artiste : Le baron Adolf de Meyer (1868-1946). Beau portrait du comte Étienne de Beaumont (1883-1956), figure phare des Années Folles parisiennes qui remit au goût du jour les bals costumés à Paris. Portrait, de profil, en costume de réception : une main est posée sur la hanche tenant un pardessus, l'autre main tenant un chapeau haut-de-forme et une paire de gants blancs. Le comte est photographié dans son intérieur, devant une cheminée surmontée d'un miroir, dans son salon de l'hôtel Masseran situé au 11 rue Masseran, dans le 7ème arrondissement de Paris, hôtel particulier qui fut sa résidence jusqu'à sa mort et un haut lieu de festivités mondaines. Rare cliché du comte en tenue d'apparat, épreuve en bon état. [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        View of Mount Fuji from Hakone

      Hiroaki Takahashi (1871-1945) View of Mount Fuji from Hakone Original woodblock print, Japan, 1920. 240 x 360mm. £1350

      [Bookseller: Henry Southern Ltd.]
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        An original watercolour painting of a deer and forest animals.

      An original finely detailed, and painstakingly executed, watercolour of a young deer surrounded by forest animals, painted on artist's board within a circular grey painted border and signed, characteristically, with the initials "EJD" and the date of 1920, presented within a cream acid-free mount with circular window; preserved in lovely condition with only a couple of tiny, and barely noticeable, fox marks to the background and another very small (7mm) watercolour splash to the foliage.. A beautiful, lovingly-worked, and harmonious painting demonstrating the exquisite skill of this watercolour artist.

      [Bookseller: Henry Southern Ltd.]
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        The Ila-Speaking Peoples of Northern Rhodesia. Two volumes, complete

      London: Macmillan, 1920. First edition.. Hardcover. Very good/very good. 8vo. (9 x 6 inches). 2 volumes. Vol. 1: xxvii , 423, 125 illustrations, fold-out map of N. Rhodesia; Vol. 2: xiv, 433, 61 illustrations. Publisher's green cloth gilt. Printed d/w, a little chipped to edges, now in protective sleeve. Owners' names in ink. O/w contents clean and bright. Binding firm and square. A Very Good set. Uncommon in dustwrappers. Heavy books, requiring large amounts of extra postage overseas. We reduce the default shipping charge for lighter books or use it for a tracked service if books are expensive or uncommon. We pack books securely in boxes, or corrugated card or cardboard, and protect corners with bubble-wrap.

      [Bookseller: John Taylor Books P.B.F.A.]
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        Le Morte Darthur

      London: Philip Lee Warner, 1920. Full leather. Two volumes. Thick quarto. Le Morte Darthur. The History of King Arthur and of his Noble Knights of the Round Table by Sir.Thomas Malory Knight. Published London Philip Lee Warner publisher to the Medici Society Limited 1920. This edition first printed in the Riccardi Press Books, extra crown quarto 1911. After reprinted in small crown quarto 1920. Splendid 24 full-page color plates, early edition illustrations by William Russell Flint. Bound handsomely by Bayntun-Riviere, in a Kelliegram style binding (stamp-signed to turn-ins) in full red - orange crushed morocco gilt inlaid leather illustrations of Sir. Launcelot Sword and the Lady Huntress, from Flint illustrations. framed by inlaid leather shields at each corner, gilt turn-ins, spine in gilt compartments between raised banding, gilt titles, all edges gilt, marbled endpaper. Fine.

      [Bookseller: Imperial Fine Books]
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        Schneewittchen und die sieben Zwerge. Erotische Fassung. Serbische Handschrift auf Papier.

      Serbien, um 1920. - 28 x 21 cm. 20 nn Bl. Mit 27 aquarellierten Bleistiftzeichnungen. Leinwandband der Zeit. Erotische Variante des Märchens mit gereimten Text und Zeichnungen eines geübten Illustrators. In dieser Fassung des Märchens vergnügen sich die sieben Zwerge auf sieben unterschiedliche Arten mit Schneewittchen. Als eine böse Hexe sie daran hindert und sie von einem jungen Prinzen abgelöst werden, können sie Ihre Enttäuschung nur schwer verbergen. - Einband etwas berieben und bestoßen. Innengelenk gebrochen, Bindung leicht gelockert, im Randbereich teilweise leicht fingerfleckig. Snow White and the Seven Dwarfs in a very naughty version. - Serbian manuscript on paper. With 27 water-colour drawings, vignettes and several coloured initials. Serbia, ca. 1920. Contemp. cloth (some rubbing). - Inner hinge burst, textblock a bit loose, occasional slight staining to margins.

      [Bookseller: Antiquariat Manfred Nosbuesch Berlin]
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        Manuscript Diary of Opera Singer and Voice Teacher, Queena Marion Tillotson, a.k.a "Queena Mario," dated 1949

      Soft cover. Good. 12mo, 167 manuscript pages, written in pencil in a legible hand, bound in contemporary blue suede leather binding, spine tips chipped, covers and corners rubbed and slightly scuffed, inside hinges open, otherwise in good, clean and legible condition. A noted soprano of the 1920's and 1930's, and later a respected voice teacher, Queena Marion Tillotson was born on August 21, 1896 at Akron, Ohio. She was raised in New Jersey and studied with Polish soprano Marcella Sembrich prior to bowing with the San Carlo Opera Company in 1918. In the early 1920s she sang with baritone Antonio Scotti's touring Antonio Scotti Opera Company before making her debut with the Metropolitan Opera on November 30, 1922. Over her 345 performances at the venerable house her roles included Nedda in Leoncavallo's "I Pagliacci", Gilda from Giuseppe Verdi's "Rigoletto", Mimi in Puccini's "La Boheme", Sophie in Richard Strauss "Der Rosenvavalier", Micaela in Georges Bizet's "Carmen", and others. Queena was Gretel in Engelbert Humperdinck's "Hansel and Gretel" for the 1931 first-ever Saturday Metropolitan radio broadcast; on the West Coast she first appeared at San Francisco in 1923 as Mimi and in 1930 was the Child for the American premiere of Maurice Ravel's "L'Enfant et les Sortileges". After singing her final Metropolitan performance on December 26, 1938, she was a professor at New York's Juilliard School and Philadelphia's Curtis Institute while also earning praise under her real name as the author of opera-themed murder mysteries and, as 'Florence Bryant', of a newspaper column. A portion of her recorded legacy remains available. She married Wilfred Pelletier (1896-1982), a well-known conductor in 1925. Her marriage ended in divorce in 1936. Pelletier then married Queena's student, Rose Bampton (1907-2007) in 1937. Tillotson died on 28 May 1951 at New York City and was buried at Woodlawn Cemetery at Brooklyn, New York. The diary entries relate the events of a European trip taken by Tillotson in the summer of 1949. The diary mentions a number of famous people she spent time with while in Europe, one being the actor Gene Lockhart, June Lockhart's father and a number of well-known opera singers, including Giacomo Lauri Volpi (1892-1979). The diary includes a tipped in letter (1 page) from Volpi, written to Queena. While not dated, it was written to her and sent to her hotel on June 18th, 1949. Giovanni Martinelli (1885-1969) is another friend who she spends time with while in Italy. Martinelli was a celebrated Italian operatic tenor and enjoyed a long career at the Metropolitan Opera, and Tito Ruffo. The larger portion of her trip is in Italy, but the diary begins in Marseille (France) on June 11th. She spends much of her time in Italy, touring various cities, in particular Rome, Florence, and Venice. She also visited Naples, Pompeii, the Amalfi Coast, Siena and other places. One of the more interesting entries is when she visits the Vatican and has an audience with the Pope, described in great detail. While in Europe she attends many operatic and theatre performances, usually dining and having drinks with the vocalists, whom she knows. She also mentions the after effects of WWII upon the cities and towns she visits. Her trip ends September 11th with one short paragraph about her travels home.

      [Bookseller: Michael Brown Rare Books, LLC]
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        Florilège des lyriques latins - Veterum latinorum poematum lyricorum florilegium.

      ESTAMPE MODERNE ET SPORTIVE, Paris 1920 - Choix, traduction, ornements et images par André Lambert, le tout gravé à l'eau forte par lui-même. Paris, L'estampe moderne, 1920, en feuilles, sous chemise et étui cartonnés, non paginé. Edition unique de 370 exemplaires. Un des 275 exemplaires sur papier vergé teinté à la forme des papeteries d'Arches, signés de l'artiste. Florilège des classiques Catulle, Tibulle, Properce, Ovide, Horace, Petrone, Gallien, Martial, Claudien, Amaltheus, Avitus, Ausone, Florus, Pentadius, Prospertyro, Sulpicius Lupercus, Sidoine Apollinaire, Boèce, Luxorius, et des auteurs "inconnus" ou "incertains". La page de gauche présente le poème latin, celle de droite la traduction. Les encadrements d'André LAMBERT, différents autour de chaque poème, reprennent des motifs antiquisants stylisés et enjolivés. L'ouvrage comprend un frontispice en couleurs, 10 hors- texte en couleurs, 42 vignettes de formes et de tailles différentes, 4 pages gravées au trait. Couverture originale de l'Estampe moderne avec reprise de la justification et des prix partiellement conservée. Bel exemplaire, chemise et étui restaurés, infimes piqures internes. Livres

      [Bookseller: Librairie Chretien]
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        DREAMLAND

      - NOVELTY. (DOLLS) DREAMLAND. NY: Atlantic Book & Art no date, circa 1920. Oblong folio (13 1/4 x 11"), cloth backed pictorial boards, Fine condition. Featuring 14 pages of large full color CIRCUS AND FAIR SCENES, each page has slots into which the reader can insert a variety of interchangeable paper doll pieces. There are 50 pieces of children, toys and vehicles present in the original pictorial envelope. Illustrated in typical 20's style by GERTA RIES and printed in Germany. A stunning book, very scarce. [Attributes: Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        THE BROKEN FANG AND OTHER EXPERIENCES OF A SPECIALIST IN SPOOKS

      Hodder and Stoughton Limited n.d. [1920]., London - Octavo, pp. [i-iv] v [vi] vii [viii] [1] 2-303 [304: blank], original gray-green cloth, front and spine panels stamped in black. First edition. A rare collection of short fiction featuring occult investigator Professor Arnold Rhymer, M.D., and Inspector Brown of the C.I.D. "Crude, sensational stories of World War I vintage ." - Bleiler, The Guide to Supernatural Fiction 949. Locke, A Spectrum of Fantasy, p. 128. Wilson, Shadows in the Attic, p. 304. Bleiler (1978), p. 114. Reginald 08229. Cloth damp stained, small nick in cloth at upper edge of front joint, front free endpaper tanned, verso of last leaf tanned, bottom of gutter margin of last third of the text damp stained, short crack along bottom edge of inner front hinge, but a sound, good, but not very attractive copy. (#151069) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        HISTOIRE DE L'ART depuis les premiers temps chrétiens jusqu'a nos jours. Publié sous la direction de ANDRE MICHEL.

      Armand Colin, París 1920 - 16 volúmenes fol.m. (8 tomos en 2 partes cada uno) Profusamente ilustrados (ils. en texto y a plena pág, y láminas) Enc. en holandesa, nervios y dorados en lomo. - Se publicó una tercera parte del vol. 8 y un tomo de índice que no tenemos. 1920-1926

      [Bookseller: Escalinata, librería]
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        Aus dem Sonnenland Südwest. Für die Kinder und Freunde der Kinder in Südwest und solche die Südwest lieb haben.

      Ilmenau, G. Reiter, 1920. - Grüner Original-Pappeinband, 8°, 163 Seiten. Einband am unteren Kapital leicht bestoßen, vorderes Gelenk innen unten leich eingerissen, Seiten papierbedingt nachgedunkelt, insgesamt ein gutes, sauberes Exemplar. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Welwitschia Dr. Andreas Eckl]
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        And There was a Great Calm. 11 November 1918

      (London: Privately Printed for Florence Emily Hardy at the Chiswick Press, 1920.), 1920. First edition, number three of 25 numbered copies, initialed by Florence Hardy on the colophon page. Purdy, page 211. Edges of the wrappers slightly darkened and chipped; fine copy.. 4to, original blue printed wrappers, stitched as issued, 6 pages. A poem written at the request of The Times which first appeared in a special Armistice Day section of the paper on November 11, 1920.

      [Bookseller: The Brick Row Book Shop]
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        Tess of the D'Urbervilles

      London: Macmillan and Co. Ltd.:, 1920. A Pure Woman. Octavo (220 x 143 mm). Contemporary tan calf by Sangorski & Sutcliffe, spine elaborately gilt in compartments, twin green morocco labels, triple fillet border with floral cornerpieces to boards, top edge gilt, inner gilt dentelles, blue and white patterned endpapers, title page in red and black. Housed in its original card slipcase with a pattern matching that of endapers. A fine copy in a slightly rubbed and toned slipcase. Photogravure frontispiece with tissue guard. Early print of the Wessex Edition finely bound by Sangorski & Sutcliffe. The author's novel was originally published as a serial in 1891 and in book form the following year, the Wessex Edition was first published in 1912.

      [Bookseller: Peter Harrington]
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        Les Champs magnétiques

      Au Sans Pareil, Paris 1920 - EDITION ORIGINALE dédiée à la mémoire de Jacques Vaché. En double frontispice, portraits des auteurs par Francis Picabia. Tirage à 180 exemplaires numérotés. Un des 150 sur vergé d'Arches. --------->C'est Apollinaire qui présenta en juin 1917 Philippe Soupault à André Breton. En septembre de la même année, il rencontre cette fois Louis Aragon. Les trois jeunes hommes se retrouvent en parfaite communion d'esprit autour de Lautréamont et de ses CHANT DE MALDOROR, dont Soupault possédait un exemplaire qu'ils lisaient à haute voix. Durant l'été 1918, unis également par leur intérêt pour l'art contemporain, ils envisagent un livre en commun sur la peinture, projet abandonné un an plus tard au profit de la création de la revue Littérature dont la direction est confiée aux trois écrivains, et dont le premier numéro parait en mars 1919. C'est à cette période que tous s'adonnent à l'écriture automatique que Breton et Soupault utilisent en mai de l'année suivante pour écrire LES CHAMPS MAGNETIQUES. Le livre paraît en mai 1920 au Sans Pareil dont le directeur René Hilsum avait connu Breton au lycée Chaptal, et chez qui les auteurs avaient déjà publié un livre l'année précédente : ROSE DES VENTS de Soupault et MONT DE PIETE de Breton. En plus du tirage numéroté il existe des exemplaires ordinaires sur bouffant sans les portraits et portant la mention de deuxième édition. >> BEL EXEMPLAIRE [Attributes: Soft Cover]

      [Bookseller: Librairie-Galerie Emmanuel Hutin]
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        LA LÈGENDE DU ROI ARTHUR et des Chevaliers de la Table Ronde. D’Après les Textes Anciens. By Alexander Arnoux.

      L’Édition d’Art H. Piazza. Paris 1920 - 4to. [iv] + 112pp. + [i]. Dec. border to limitation leaf, dec. border and vignette to t.p., dec. border throughout, 16 cold. mounted plates, profusely ills. with dec. initial letters and ills. including 6 full page. Some very light browning, marbled e.ps., gilt rule edged half crushed morocco, dec. gilt edged raised bands and gilt lettering to lightly sunned spine, a.e.g. No.; 624 of a Limited Edition of 1500 Copies.Latimore and Haskell, p. 47. Alexandre Arnoux (1884–1973) French screenwriter, who created this epic vision of the character of Arthur and his knights of the Round Table at the court of Camelot, just prior to his screen writing career. US$558 [Attributes: Hard Cover]

      [Bookseller: Francis Edwards ABA ILAB]
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        Canadian Forum Bound Volumes I, II, II: 1920-1923 (ASSOCIATION COPY)

      The Canadian Forum, Toronto 1920 - First printing thus. Three hardcover bound volumes, including a complete run of Volumes I, II and III, Numbers 1 through 36. Pp. 384, 375-768, 1-384, from October 1920 through September 1923. Fragile paper-covered boards. Volume I has plain boards. Volumes II and II bear attractive typography and decoration in the typical style of the Forum at that time. These copies from the collection of Gilbert Jackson editor of the magazine and frequent contributor. Volumes I and II bear his company stamp on the inside of the front board. Although the covers are quite worn, the contents are very well-preserved. Images available. A very rare item. [Attributes: First Edition; Soft Cover]

      [Bookseller: Inno Dubelaar Books]
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        Éditions Flammarion]. Archives du directeur général des librairies Flammarion Paul Fascholin, dans l'entre-deux-guerres.

      1920-1939 1920 - 10 chemises-étuis in-8, demi-basane de l'époque. Historique de la librairie Flammarion rédigé par Ernest Flammarion, le fondateur, tapuscrit daté du 17 septembre 1924. Photographie du personnel des éditons Flammarion, Ernest Flammarion au centre. Portrait d'Ernest Flammarion (atelier Eugène Pirou). Faire-part de décès d'Ernest Flammarion mort le 21 janvier 1936. Allocution prononcée par Paul Fascholin pour le décès d'Albert Flammarion le 13 mars 1937 (tapuscrit). Autographes. Plus de 1.500 pages de faux-titres dédicacées. La plupart des auteurs qui marquèrent l'entre-deux-guerres sont présents, avec parfois plusieurs pages d'envoi : Francis Carco, Pierre Mac-Orlan, Willy, Pierre Drieu La Rochelle, Paul Morand, André Malraux, Maurice Fombeure, René Bazin, Jeanne Galzy, Georges Blond, Pierre Jean Jouve, Georges Suarez, Georges Bernanos, Emmanuel Bove, Edmond Pilon, Pierre Véry, Henri Béraud, Henri Troyat, André Warnod, le clown Grock (avec un auto-portrait), Léon Daudet, Joseph Delteil, René-Louis Doyon, Marcel Aymé, Pierre Benoit, André Beucler, Henry Bordeaux, Jean Cassou, Paul Chack, Colette, Paul Colin, Claude Farrère, Maurice Genevoix, André Gide, Jean Giraudoux, Julien Green, Gyp, Émile Henriot, Léo Larguier, François Mauriac, André Maurois, Myriam Harry, Panaït Istrati, Roger Peyrefitte, Paul Poiret, Jules Romains, André Salmon, Antoine de Saint-Exupéry, Philippe Soupault, Louise de Vilmorin, Edmond Fleg, Abel Gance, Marthe Richard, Rainer Maria Rilke, Henri Ghéon, Suzy Solidor, Armand Salacrou, Philippe Henriot, Marcel Jouhandeau, Jules Supervielle, Garcia Calderon, Henri Pourrat, René Benjamin, Ambroise Vollart, Jean-Louis Bory, Henry de Jouvenel, Marcel Arland, Henri Calet, Emmanuel Bove, Ramon Fernandez, André Salmon, Jean Paulhan, Roland Dorgelès, Max Jacob, Paul Nizan, Albert Cohen, Martin du Gard, Henri Bosco, Bernard Frank, Ivan Goll, Georges Ribemont-Dessaignes, etc. Lettres et billets autographes signés de Francis de Miomandre, Paul Reboux, Paul Fort, Jean Giono. [Attributes: Signed Copy]

      [Bookseller: Bonnefoi Livres Anciens]
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        MÜNCHEN. "Blick von Holzapfelkreut auf München". Gesamtansicht.

      - Farblithographie von Hans Josef Weber-Tyrol, um 1920, 52,5 x 96 cm. Vollmer Bd. 5, S. 92. - Der Künstler wurde 1874 in Schwaz geboren. Von 1900 bis 1929 lebte er in München, dann in Südtirol. Er starb 1957 in Eppan. - In kräftigen, herbstlichen Farben gestaltete Ansicht. Sie erschien im Verlag der Heilmannschen Immobilien Gesellschaft. - Mit Rändchen um die Darstellung. Sehr dekorativ und selten.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Arabian Nights 16 Volume Set: A Plain and Literal Translation of the Arabian Nights' Entertainments, Now Entituled The Book of the Thousand Nights and a Night, with the Supplementary Nights

      The Burton Ethnological Society / Burton Club, 1920. Near Fine/No Jacket. Complete in 16 volumes (10 + 6 supplements). A reissue of the scarce 1885 Kamashastra Society edition (which generally sells for $4000 - 8000), following the same cover design. Black cloth, gilt & silver titles and decorations. Top edge of ten main volumes gilt, supplements top-stained red. Burton's translation of The Arabian Nights remains the authoritative version of this extensive collection of stories, and also stands as a unique example of liberality in publishing during the Victorian era. Despite the salacious content of many of the narratives, the first printed English version remained true to Burton's precise and inclusive translation. Burton was somewhat of a trailblazer in this regard, also publishing an authoritative version of the now-famous Kama Sutra. THE ARABIAN NIGHTS: VOLUME 1: Introduction by Sir Richard F. Burton; STORY OF KING SHAHRYAR AND HIS BROTHER: Tale of the Bull and the Ass; Tale of the Trader and the Jinni: The First Shaykh's Story; The Second Shaykh's Story; The Third Shaykh's Story; THE FISHERMAN AND THE JINNI: Tale of the Wazir and the Sage Duban: Story of King Sindibad and His Falcon; Tale of the Husband and the Parrot; Tale of the Prince and the Ogress; Tale of the Ensorcelled Prince; THE PORTER AND THE THREE LADIES OF BAGHDAD: The First Kalandar's Tale; The Second Kalandar's Tale: Tale of the Envier and the Envied; The Third Kalandar's Tale; The Eldest Lady's Tale; Tale of the Portress; Conclusion of the Story of the Porter and Three Ladies; TALE OF THE THREE APPLES; TALE OF NUR AL-DIN ALI AND HIS SON BADR AL-DIN HASAN; THE HUNCHBACK'S TALE: The Nazarene Broker's Story; The Reeve's Tale; Tale of the Jewish Doctor; Tale of the Tailor; The Barber's Tale of Himself; The Barber's Tale of His First Brother; The Barber's Tale of His Second Brother; The Barber's Tale of His Third Brother; The Barber's Tale of His Fourth Brother; The Barber's Tale of His Fifth Brother; The Barber's Tale of His Sixth Brother; The End of the Tailor's Tale. VOLUME 2: NUR AL-DIN ALI AND THE DAMSEL ANIS AL-JALIS; TALE OF GHANIM BIN AYYUB, THE DISTRAUGHT, THE THRALL O' LOVE; Tale of the First Eunuch, Bukhayt; Tale of the Second Eunuch, Kafur; TALE OF KING OMAR BIN AL-NU'UMAN AND HIS SONS SHARRKAN AND ZAU AL-MAKAN: Tale of Taj Al-Muluk and the Princess Dunya: Tale of Aziz and Azizah; VOLUME 3: CONTINUATION OF THE TALE OF KING OMAR BIN AL-NU'UMAN AND HIS SONS SHARRKAN AND ZAU AL-MAKAN: Continuation of the Tale of Aziz and Azizah; Conclusion of the Tale of King Omar bin Al-Nu'uman and His Sons Sharrkan and Zau Al-Makan; Tale of the Hashish-Eater; Tale of Hammad the Badawi; THE BIRDS AND BEASTS AND THE CARPENTER; THE HERMITS; THE WATER-FOWL AND THE TORTOISE; THE WOLF AND THE FOX: The Tale of the Falcon and the Partridge; THE MOUSE AND THE ICHNEUMON; THE CAT AND THE CROW; THE FOX AND THE CROW: The Flea and the Mouse; The Saker and the Birds; The Sparrow and the Eagle; THE HEDGEHOG AND THE WOOD PIGEONS: The Merchant and the Two Sharpers; THE THIEF AND HIS MONEY: The Foolish Weaver; THE SPARROW AND THE PEACOCK; ALI BIN BAKKAR AND SHAMS AL-NAHAR; TALE OF KAMAR AL-ZAMAN; VOLUME 4: CONTINUATION OF THE TALE OF KAMAR AL-ZAMAN: Conclusion of the Tale of Kamar Al-Zaman; ALA AL-DIN ABU AL-SHAMAT; HATIM OF THE TRIBE OF TAYY; MA'AN THE SON OF ZAIDAH AND THE THREE GIRLS; MA'AN SON OF ZAIDAH AND THE BADAWI; THE CITY OF LABTAYT; THE CALIPH HISHAM AND THE ARAB YOUTH; IBRAHIM BIN AL-MAHDI AND THE BARBER-SURGEON; THE CITY OF MANY-COLUMNED IRAM AND ABDULLAH SON OF ABI KALABAH; ISAAC OF MOSUL; THE SWEEP AND THE NOBLE LADY; THE MOCK CALIPH; ALI THE PERSIAN; HARUN AL-RASHID AND THE SLAVE-GIRL AND THE IMAM ABU YUSUF; THE LOVER WHO FEIGNED HIMSELF A THIEF; JA'AFAR THE BARMECIDE AND THE BEAN-SELLER; ABU MOHAMMED HIGHT LAZYBONES; GENEROUS DEALING OF YAHYA BIN KHALID THE BARMECIDE WITH MANSUR; GENEROUS DEALING OF YAHYA SON OF KAHLID WITH A MAN WHO FORGED A LETTER IN HIS NAME; CALIPH AL-MAAMUN AND THE STRANGE SCHOLAR; ALI SHAR AND ZUMURRUD; THE LOVES OF JUBAYR BIN UMAYR AND THE LADY PUDUR; THE MAN OF AL-YAMAN AND HIS SIX SLAVE GIRLS; HARUN AL-RASHID AND THE DAMSEL AND ABU NOWAS; THE MAN WHO STOLE THE DISH OF GOLD WHEREIN THE DOG ATE; THE SHARPER OF ALEXANDRIA AND THE CHIEF OF POLICE; AL-MALIK AL-NASIR AND THE THREE CHIEFS OF POLICE: Story of the Chief of the New Cairo Police; Story of the Chief of the Bulak Police; Story of the Chief of the Old Cairo Police; THE THIEF AND THE SHROFF; THE CHIEF OF THE KUS POLICE AND THE SHARPER; IBRAHIM BIN AL-MAHDI AND THE MERCHANT'S SISTER; THE WOMAN WHOSE HANDS WERE CUT OFF FOR ALMSGIVING; THE DEVOUT ISRAELITE; ABU HASSAN AL-ZIYADI AND THE KHORASAN MAN; THE POOR MAN AND HIS FRIEND IN NEED; THE RUINED MAN WHO BECAME RICH AGAIN THROUGH A DREAM; CALIPH AL-MUTAWAKKIL AND HIS CONCUBINE MAHBUBAH; WARDAN THE BUTCHER'S ADVENTURE WITH THE LADY AND THE BEAR; THE KING'S DAUGHTER AND THE APE; VOLUME 5: THE EBONY HORSE; UNS AL-WUJUD AND THE WAZIR'S DAUGHTER ROSE-IN-HOOD; ABU NOWAS WITH THE THREE BOYS AND THE CALIPH HARUN AL-RASHID; ABDALLAH BIN MA'AMAR WITH THE MAN OF BASSORAH AND HIS SLAVE-GIRL; THE LOVERS OF THE BANU OZRAH; THE WAZIR OF AL-YAMAN AND HIS YOUNG BROTHER; THE LOVES OF THE BOY AND GIRL AT SCHOOL; AL-MUTALAMMIS AND HIS WIFE UMAYMAH; HARUN AL-RASHID AND ZUBAYDAH IN THE BATH; HARUN AL-RASHID AND THE THREE POETS; MUS'AB BIN AL-ZUBAYR AND AYISHAH HIS WIFE; ABU AL-ASWAD AND HIS SLAVE-GIRL; HARUN AL-RASHID AND THE TWO SLAVE-GIRLS; HARUN AL-RASHID AND THE THREE SLAVE-GIRLS; THE MILLER AND HIS WIFE; THE SIMPLETON AND THE SHARPER; THE KAZI ABU YUSUF WITH HARUN AL-RASHID AND QUEEN ZUBAYDAH; THE CALIPH AL-HAKIM AND THE MERCHANT; KING KISRA ANUSHIRWAN AND THE VILLAGE DAMSEL; THE WATER-CARRIER AND THE GOLDSMITH'S WIFE; KHUSRAU AND SHIRIN AND THE FISHERMAN; YAHYA BIN KHALID AND THE POOR MAN; MOHAMMED AL-AMIN AND THE SLAVE-GIRL; THE SONS OF YAHYA BIN KHALID AND SAID BIN SALIM; THE WOMAN'S TRICK AGAINST HER HUSBAND; THE DEVOUT WOMAN AND THE TWO WICKED ELDERS; JA'AFAR THE BARMECIDE AND THE OLD BADAWI; OMAR BIN AL-KHATTAB AND THE YOUNG BADAWI; AL-MAAMUN AND THE PYRAMIDS OF EGYPT; THE THIEF AND THE MERCHANT; MASRUR THE EUNUCH AND IBN AL-KARIBI; THE DEVOTEE PRINCE; THE SCHOOLMASTER WHO FELL IN LOEV BY REPORT; THE FOOLISH DOMINIE; THE ILLITERATE WHO SET UP FOR A SCHOOLMASTER; THE KING AND THE VIRTUOUS WIFE; ABD AL-RAHMAN THE MAGHRIBI'S STORY OF THE RUKH; ADI BIN ZAYD AND THE PRINCESS HIND; DI'IBIL AL-KHUZA'I WITH THE LADY AND MUSLIM BIN AL-WALID; ISAAC OF MOSUL AND THE MERCHANT; THE THREE UNFORTUNATE LOVERS; HOW ABU HASAN BRAKE WIND; THE LOVERS OF THE BANU TAYY; THE MAD LOVER; THE PRIOR WHO BECAME A MOSLEM; THE LOVERS OF ABU ISA AND KURRAT AL-AYN; AL-AMIN AND HIS UNCLE IBRAHIM BIN AL-MAHDI; AL-FATH BIN KHAKAN AND AL-MUTAWAKKIL; THE MAN'S DISPUTE WITH THE LEARNED WOMAN CONCERNING THE RELATIVE EXCELLENCE OF MALE AND FEMALE; ABU SUWAYD AND THE PRETTY OLD WOMAN; ALI BIN TAHIR AND THE GIRL MUUNIS; THE WOMAN WHO HAD A BOY AND THE OTHER WHO HAD A MAN TO LOVER; ALI THE CAIRENE AND THE HAUNTED HOUSE IN BAGHDAD; THE PILGRIM MAN AND THE OLD WOMAN; ABU AL-HUSN AND HIS SLAVE-GIRL TAWADDUD; THE ANGEL OF DEATH WITH THE PROUD KING AND THE DEVOUT MAN; THE ANGEL OF DEATH AND THE RICH KING; THE ANGEL OF DEATH AND THE KING OF THE CHILDREN OF ISRAEL; ISKANDAR ZU AL-KARNAYN AND A CERTAIN TRIBE OF POOR FOLK; THE RIGHTEOUSNESS OF KING ANUSHIRWAN; THE JEWISH KAZI AND HIS PIOUS WIFE; THE SHIPWRECKED WOMAN AND HER CHILD; THE PIOUS BLACK SLAVE; THE DEVOUT TRAY-MAKER AND HIS WIFE; AL-HAJJAJ BIN YUSUF AND THE PIOUS MAN; THE BLACKSMITH WHO COULD HANDLE FIRE WITHOUT HURT; THE DEVOTEE TO WHOM ALLAH GAVE A CLOUD FOR SERVICE AND THE DEVOUT KING; THE MOSLEM CHAMPION AND THE CHRISTIAN DAMSEL; THE CHRISTIAN KING'S DAUGHTER AND THE MOSLEM; THE PROPHET AND THE JUSTICE OF PROVIDENCE; THE FERRYMAN OF THE NILE AND THE HERMIT; THE ISLAND KING AND THE PIOUS ISRAELITE; ABU AL-HASAN AND ABU JA'AFAR THE LEPER; THE QUEEN OF THE SERPENTS: The Adventures of Bulukiya; The Story of Janshah; VOLUME 6: SINDBAD THE SEAMAN AND SINDBAD THE LANDSMAN: The First Voyage of Sindbad the Seaman; The Second Voyage of Sindbad the Seaman; The Third Voyage of Sindbad the Seaman; The Fourth Voyage of Sindbad the Seaman; The Fifth Voyage of Sindbad the Seaman; The Sixth Voyage of Sindbad the Seaman; The Seventh Voyage of Sindbad the Seaman; The Seventh Voyage of Sindbad the Seaman (according to the version of the Calcutta Edition); THE CITY OF BRASS; THE CRAFT AND MALICE OF WOMAN: The King and His Wazir's Wife; The Confectioner, His Wife, and the Parrot; The Fuller and His Son; The Rake's Trick Against the Chaste Wife; The Miser and the Loaves of Bread; The Lady and Her Two Lovers; The King's Son and the Ogress; The Drop of Honey; The Woman Who Made Her Husband Sift Dust; The Enchanted Spring; The Wazir's Son and the Hammam-Keeper's Wife; The Wife's Device to Cheat Her Husband; The Goldsmith and the Cashmere Singing-Girl; The Man Who Never Laughed During the Rest of His Days; The King's Son and the Merchant's Wife; The Page Who Feigned to Know the Speech of Birds; The Lady and Her Five Suitors; The Three Wishes, or The Man Who Longed to See the Night of Power; The Stolen Necklace; The Two Pigeons; Prince Behram and the Princess Al-Datma; The House with the Belvedere; The King's Son and the Ifrit's Mistress; The Sandal-Wood Merchant and the Sharpers; The Debauchee and the Three-Year-Old Child; The Stolen Purse; The Fox and the Folk; JUDAR AND HIS BRETHREN; THE HISTORY OF GHARIB AND HIS BROTHER AJIB; VOLUME 7: Continuation of the History of Gharib and His Brother Ajib; OTBAH AND RAYYA; HIND DAUGHTER OF AL-NU'MAN AND AL-HAJJAJ; KHUZAYMAH BIN BISHR AND IKRIMAH AL-FAYYAZ; YUNUS THE SCRIBE AND THE CALIPH WALID BIN SAHL; HARUN AL-RASHID AND THE ARAB GIRL; AL-ASMA'I AND THE THREE GIRLS OF BASSORAH; IBRAHIM OF MOSUL AND THE DEVIL; THE LOVERS OF THE BANU UZRAH; THE BADAWI AND HIS WIFE; THE LOVERS OF BASSORAH; ISHAK OF MOSUL AND HIS MISTRESS AND THE DEVIL; THE LOVERS OF AL-MEDINAH; AL-MALIK AL-NASIR AND HIS WAZIR; THE ROGUERIES OF DALILAH THE CRAFTY AND HER DAUGHTER ZAYNAB THE CONEY-CATCHER; THE ADVENTURES OF MERCURY ALI OF CAIRO; ARDASHIR AND HAYAT AL-NUFUS; JULNAR THE SEA-BORN AND HER SON KING BADR BASIM OF PERSIA; KING MOHAMMED BIN SABAIK AND THE MERCHANT HASAN: Story of Prince Sayf Al-Muluk and the Princess Badi'a Al-Jamal; VOLUME 8: Story of Prince Sayf Al-Muluk and the Princess Badi'a Al-Jamal (Continued); HASAN OF BASSORAH; KHALIFAH THE FISHERMAN OF BAGHDAD; The Same from the Breslau Edition; MASRUR AND ZAYN AL-MAWASIF; ALI NUR AL-DIN AND MIRIAM THE GIRDLE-GIRL; VOLUME 9: ALI NUR AL-DIN AND MIRIAM THE GIRDLE-GIRL (Continued); THE MAN OF UPPER EGYPT AND HIS FRANKISH WIFE; THE RUINED MAN OF BAGHDAD AND HIS SLAVE-GIRL; KING JALI'AD OF HIND AND HIS WAZIR SHIMAS: FOLLOWED BY THE HISTORY OF KING WIRD KHAN, SON OF KING JALI'AD, WITH HIS WOMEN AND WAZIRS: The Mouse and the Cat; The Fakir and His Jar of Butter; The Fishes and the Crab; The Crow and the Serpent; The Wild Ass and the Jackal; The Unjust King and the Pilgrim Prince; The Crows and the Hawk; The Serpent-Charmer and His Wife; The Spider and the Wind; The Two Kings; The Blind Man and the Cripple; The Foolish Fisherman; The Boy and the Thieves; The Man and His Wife; The Merchant and the Robbers; The Jackals and the Wolf; The Shepherd and the Rogue; The Francolin and the Tortoises; Conclusion of The History of King Wird Khan; ABU KIR THE DYER AND ABU SIR THE BARBER; ABDULLAH THE FISHERMAN AND ABDULLAH THE MERMAN; HARUN AL-RASHID AND ABU HASAN, THE MERCHANT OF OMAN; IBRAHIM AND JAMILAH; ABU AL-HASAN OF KHORASAN; KAMAR AL-ZAMAN AND THE JEWELLER'S WIFE; ABDULLAH BIN FAZIL AND HIS BROTHERS; VOLUME 10: MA'ARUF THE COBBLER AND HIS WIFE FATIMAH; CONCLUSION; TERMINAL ESSAY; INDEX OF THE TENTH VOLUME; APPENDIX I: Index to the Tales and Proper Names; Alphabetical Table of the Notes (Anthropological, &c.); Alphabetical Table of First Lines -- A. English, B. Arabic; Table of Contents of the Various Arabic Texts -- A. The Unfinished Calcutta Edition (1814-1818), B. The Breslau Text, C. The Macnaghten Text and the Bulak Edition, D. The same with Mr. Lane's and my Version; APPENDIX II: Contributions to the Bibliography of the Thousand and One Nights and Their Imitations by W.F. Kirby; THE SUPPLEMENTARY NIGHTS: VOLUME 1: THE SLEEPER AND THE WAKER: The Story of the Larrikin and the Cook; THE CALIPH OMAR BIN ABD AL-AZIZ AND THE POETS; AL-HAJJAJ AND THE THREE YOUNG MEN; HARUN AL-RASHID AND THE WOMAN OF THE BARMECIDES; THE TEN WAZIRS; OR THE HISTORY OF KING AZADBAKHT AND HIS SON: Of the Usefulness of Endeavour Against the Persistent Ill Fortune: Story of the Merchant Who Lost His Luck; Of Looking to the Ends of Affairs: Tale of the Merchant and His Sons; Of the Advantages of Patience: Story of Abu Sabir; Of the Ill Effects of Impatience: Story of Prince Bihzad; Of the Issues of Good and Evil Actions: Story of King Dadbin and His Wazirs; Of Trust in Allah: Story of King Bakhtzaman; Of Clemency: Story of King Bihkard; Of Envy and Malice: Story of Aylan Shah and Abu Tammam; Of Destiny or That Which is Written on the Forehead: Story of King Ibrahim and His Son; Of the Appointed Term, Which, If It Be Advanced, May Not Be Deferred, and If It Be Deferred, May Not Be Advanced: Story of King Sulayman and His Niece; Of the Speedy Relief of Allah: Story of the Prisoner and How Allah Gave Him Relief; JA'AFAR BIN YAHYA AN DABD AL-MALIK BIN SALIH THE ABBASIDE; AL-RASHID AND THE BARMECIDES; IBN AL-SAMMAK AND AL-RASHID; AL-MAAMUN AND ZUBAYDAH; AL-NU'UMAN AND THE ARAB OF THE BANU TAY; FIRUZ AND HIS WIFE; KING SHAH BAKHT AND HIS WAZIR AL-RAHWAN: Tale of the Man of Khorasan, His Son and His Tutor; Tale of the Singer and the Druggist; Tale of the King Who Kenned the Quintessence of Things; Tale of the Richard Who Married His Beautiful Daughter to the Poor Old Man; Tale of the Sage and His Three Sons; Tale of the Prince Who Fell in Love with the Picture; Tale of the Fuller and His Wife and the Trooper; Tale of the Merchant, the Crone, and the King; Tale of the Simpleton Husband; Tale of the Unjust King and the Tither: Story of David and Solomon; Tale of the Robber and the Woman; Tale of the Three Men and Our Lord Isa: The Disciple's Story; Tale of the Dethroned Ruler Whose Reign and Wealth Were Restored to Him; Tale of the Man Whose Caution Slew Him; Tale of the Man Who Was Lavish of His House and His Provision to One Whom He Knew Not; Tale of the Melancholist and the Sharper; Tale of the Khalbas and His Wife and the Learned Man; Tale of the Devotee Accused of Lewdness; Tale of the Hireling and the Girl; Tale of the Weaver Who Became a Leach by Order of His Wife; Tale of the Two Sharpers Who Each Cozened His Compeer; Tale of the Sharpers with the Shroff and the Ass; Tale of the Cheat and the Merchants: Story of the Falcon and the Locust; Tale of the King and His Chamberlain's Wife: Story of the Crone and the Draper's Wife; Tale of the Ugly Man and His Beautiful Wife; Tale of the King Who Lost Kingdom and Wife and Wealth and Allah Restored Them to Him; Tale of Salim the Youth of Khorasan and Salma, His Sister; Tale of the King of Hind and His Wazir; VOLUME 2: AL-MALIK AL-ZAHIR RUKN AL-DIN BIBARS AL-BUNDUKDARI AND THE SIXTEEN CAPTAINS OF POLICE: First Constable's History; Second Constable's History; Third Constable's History; Fourth Constable's History; Fifth Constable's History; Sixth Constable's History; Seventh Constable's History; Eighth Constable's History: The Thief's Tale; Ninth Constable's History; Tenth Constable's History; Eleventh Constable's History; Twelfth Constable's History; Thirteenth Constable's History; Fourteenth Constable's History: A Merry Jest of a Clever Thief; Tale of the Old Sharper; Fifteenth Constable's History; Sixteenth Constable's History; TALE OF HARUN AL-RASHID AND ABDULLAH BIN NAFI': Tale of the Damsel Tohfat Al-Kulub and the Caliph Harun Al-Rashid; WOMEN'S WILES; NUR AL-DIN ALI OF DAMASCUS AND THE DAMSEL SITT AL-MILAH; TALE OF KING INS BIN KAYS AND HIS DAUGHTER WITH THE SON OF KING AL-'ABBAS; TALE OF THE TWO KINGS AND THE WAZIR'S DAUGHTER; THE CONCUBINE AND THE CALIPH; THE CONCUBINE OF AL-MAAMUN; APPENDIX: VARIANTS AND ANALOGUES OF SOME OF THE TALES IN VOLS. I. AND II. by W.A. Clouston: The Sleeper and the Waker; The Ten Wazirs; or, The History of King Azadbakht and His Son; King Dadbin and His Wazirs; King Aylan Shah and Abu Tammam; King Sulayman Shah and His Niece; Firuz and His Wife; King Shah Bakht and His Wazir Al-Rahwan; On the Art of Enlarging Pearls; The Singer and the Druggist; The King Who Kenned the Quintessence of Things; The Prince Who Fell in Love with the Picture; The Fuller, His Wife, and the Trooper; The Simpleton Husband; The Three Men and Our Lord Isa; The Melacholist and the Sharper; The Devout Woman Accused of Lewdness; The Weaver Who Became a Leach by Order of His Wife; The King Who Lost Kingdom, Wife, and Wealth; Al-Malik Al-Zahir and the Sixteen Captains of Police; The Thief's Tale; The Ninth Constable's Story; The Fifteenth Constable's Story; The Damsel Tuhfat Al-Kulub; Women's Wiles; Nur Al-Din and the Damsel Sitt Al-Milah; King Ins Bin Kays and His Daughter; ADDITIONAL NOTES: Firuz and His Wife; The Singer and the Druggist; The Fuller, His Wife, and the Trooper; VOLUME 3: THE TALE OF ZAYN AL-ASNAM: The Turkish Version by E.J.W. Gibb; ALAEDDIN; OR, THE WONDERFUL LAMP: The English Translation of Galland; ADVENTURES OF KHUDADAD AND HIS BROTHERS: History of the Princess Daryabar; HISTORY OF THE CALIPH'S NIGHT ADVENTURE: Story of the Blind Man, Baba Abdullah; Story of Sidi Nu'uman and His Mare; Story of Khwajah Hasan Al-Habbal; HISTORY OF ALI BABA AND THE FORTY THIEVES; HISTORY OF ALI KHWAJAH AND THE MERCHANT OF BAGHDAD; ADVENTURES OF PRINCE AHMAD AND THE FAIRY PERIBANU; TALE OF THE TWO SISTERS WHO ENVIED THEIR CADETTE.; VOLUME 4: Translator's Foreword; STORY OF THE SULTAN OF AL-YAMAN AND HIS THREE SONS; STORY OF THE THREE SHARPERS: The Sultan Who Fared Forth in the Habit of a Darwaysh; History of Mohammed, Sultan of Cairo; Story of the First Lunatic; Story of the Second Lunatic; Story of the Sage and the Scholar; The Night-Adventure of Sultan Mohammed of Cairo with the Three Foolish Schoolmasters; Story of the Broke-Back Schoolmaster; Story of the Split-Mouthed Schoolmaster; Story of the Limping Schoolmaster; Story of the Three Sisters and Their Mother the Sultanah; HISTORY OF THE KAZI WHO BARE A BABE; TALE OF THE KAZI AND THE BHANG-EATER: History of the Bhang-Eater and His Wife; How Drummer Abu Kasim Became a Kazi; Story of the Kazi and His Slipper (including the Tale of the Bhang-Eater who became the Just Wazir and who decided two difficult cases); Tale of Mahmud the Persian and the Kurd Sharper; Tale of the Sultan and the Poor Man Who Brought to Him Fruit; The Fruit-Seller's Tale; Tale of the Sultan and His Three Sons and the Enchanting Bird; Adventure of the Fruit-Seller and the Concubine; Story of the King of Al-Yaman and His Three Sons and the Enchanting Bird; History of the First Larrikin; History of the Second Larrikin; History of the Third Larrikin: Story of a Sultan of Al-Hind and His Son Mohammed (told by the First Larrikin); Tale of the Fisherman and His Son (told by the Second Larrikin); Tale of the Third Larrikin Concerning Himself; HISTORY OF ABU NIYYAH AND ABU NIYYATAYN; Appendix A: Ineptiae Bodleinanae; Appendix B: The Three Untranslated Tales in Mr. E.J.W. Gibb's 'Forty Vezirs'; VOLUME 5: THE HISTORY OF THE KING'S SON OF SIND AND THE LADY FATIMAH; HISTORY OF THE LOVERS OF SYRIA; HISTORY OF AL-HAJJAJ BIN YUSUF AND THE YOUNG SAYYID; NIGHT ADVENTURE OF HARUN AL-RASHID AND THE YOUTH MANJAB: The Loves of the Lovers of Bassorah; Story of the Darwaysh and the Barber's Boy and the Greedy Sultan; Tale of the Simpleton Husband; Note Concerning the 'Tirrea Bede,' Night 655; THE LOVES OF AL-HAYFA AND YUSUF; THE THREE PRINCES OF CHINA; THE RIGHTEOUS WAZIR WRONGFULLY GAOLED; THE CAIRENE YOUTH, THE BARBER AND THE CAPTAIN; THE GOODWIFE OF CAIRO AND HER FOUR GALLANTS; THE TAILOR AND THE LADY AND THE CAPTAIN; THE SYRIAN AND THE THREE WOMEN OF CAIRO; THE LADY WITH TWO COYNTES; THE WHORISH WIFE WHO VAUNTED HER VIRTUE; COELEBS THE DROLL AND HIS WIFE AND HER FOUR LOVERS; THE GATE-KEEPER OF CAIRO AND THE CUNNING SHE-THIEF; TALE OF MOHSIN AND MUSA; MOHAMMED THE SHALABI AND HIS MISTRESS AND HIS WIFE; THE FELLAH AND HIS WICKED WIFE; THE WOMAN WHO HUMOURED HER LOVER AT HER HUSBAND'S EXPENSE; THE KAZI SCHOOLED BY HIS WIFE; THE MERCHANT'S DAUGHTER AND THE PRINCE OF AL-IRAK; STORY OF THE YOUTH WHO WOULD FUTTER HIS FATHER'S WIVES; STORY OF THE TWO LACK-TACTS OF CAIRO AND DAMASCUS; TALE OF HIMSELF TOLD BY THE KING; Appendix I: Catalogue of Wortley Montague Manuscript Contents; Appendix II by W.F. Kirby: Notes on the Stories Contained in Vol. IV. of 'Supplemental Nights'; Notes on the Stories Contained in Vol. V. of 'Supplemental Nights'; VOLUME 6: THE SAY OF HAYKAR THE SAGE; THE HISTORY OF AL-BUNDUKANI OR THE CALIPH HARUN AL-RASHID AND THE DAUGHTER OF KING KISRA; THE LINGUIST-DAME, THE DUENNA AND THE KING'S SON; Note to the Linguist Dame; THE TALE OF THE WARLOCK AND THE YOUNG COOK OF BAGHDAD; THE PLEASANT HISTORY OF THE COCK AND THE FOX; HISTORY OF WHAT BEFEL THE FOWL WITH THE FOWLER; THE TALE OF ATTAF: The Tale of Attaf by Alexander J. Cotheal; HISTORY OF PRINCE HABIB AND WHAT BEFEL HIM WITH THE LADY DURRAT AL-GHAWWAS; Appendix I: Index to the Tales and Proper Names; Appendix II: Alphabetical Table of the Notes (Anthropological, &c.); Appendix III: Notes on the Stories Contained in Vol. VI. of Supplemental Nights by W.F. Kirby; Appendix IV: Additional Notes on the Bibliography of the Thousand and One Nights by W.F. Kirby; The Biography of the Book and Its Reviewers Reviewed; Opinions of the Press.Keywords: LITERATURE MIDDLE EASTERN ARABIAN NIGHTS SCHEHERAZADE No jackets as issued. Boards only lightly rubbed, with the typical loss of gilt & silver to which this set is particularly prone, though several volumes have it intact. A better example of this set than we generally see.

      [Bookseller: Yesterday's Muse, ABAA, ILAB, IOBA]
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        Manuel de l'amateur de livres du XIXe siecle, 1801-1893. 8 Bände.

      Paris, A. Rouquette, 1894-1920. - Erstausgabe. - Dekorativ gebundenes Exemplar dieses Standardwerkes der französischen Literatur des 19. Jahrhunderts mit rund 20.000 tlw. ausführlich kommentierten Nachweisen in allen Auflagen mit Kollation, justification du tirage und Varianten. - Nr. 442 von 1000 (ges. 1050) Exemplaren „sur papier vélin". - Vereinzelt min. gebräunt bzw. stockfleckig, sonst schönes Exemplar. - Sprache: Französisch Gewicht in Gramm: 12000 4°. Zus. ca. 4000 S., HLdr.-Bde. d. Zt. a. 5 Bünden m. goldgepr. Rückentiteln u. den eingeb. OUmschlägen. [Attributes: First Edition]

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Der tote Gast

      Enck, 1920 - Erscheinungsjahr geschätzt, Deckel mit grünen Farbspuren und leicht bestoßen, Seiten altersgemäß angedunkelt Sprache: Deutsch Gewicht in Gramm: 499

      [Bookseller: Versand-Antiquariat Konrad von Agris]
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        Bilder vom Kriege in Deutsch-Ostafrika nach Aquarellen. Komplette Mappe mit allen 30 Bildern und Textheft.

      Hamburg, Charles Fuchs, 1920. - Braune, geprägte Kunstledermappe mit goldgeprägtem Deckeltitel und mit aufmontiertem Deckelbild, 25x40 cm, mit 30 Bildern nach Aquarellen, aufgeklebt auf grüne Passpartouts, Blattgröße ca. 32 x 23 cm. Komplett mit dem zugehörigen Textbüchlein, 35 Seiten. Die Mappe an berieben und bestoßen, im Deckelinnengelenk ist das Kunstleder eingerissen, die Bilder von sehr schöner Erhaltung. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Welwitschia Dr. Andreas Eckl]
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        FAVOLE. Disegni e fregi di Duilio Cambellotti. Prefazione di Ferdinando Martini.

      Novissima 1920 In - 4 gr., splendida copertina figurata in seta a colori (picc. manc. a un bordo del dorso), realizzata dalla manifattura Ferrari di Milano su disegno del Cambellotti, pp. 64, tutte decorate dall'artista con squisite xilografie a colori. Duilio Cambellotti ha magistralmente interpretato il testo satirico di Trilussa in 20 magnifiche tavv. f.t., a colori e in b.n., protette da velina con didascalia e delicati motivi ornamentali. Cfr. Benezit,III, p. 170 - Servolini, p. 147 - Pallottino "Storia dell'illustrazione italiana", pag. 201: "Duilio Cambellotti (1876 - 1960), pittore, scultore, e illustratore, fu personalità artistica completa e di rilievo.. Collaborò a una trentina di periodici ed illustrò varie opere; tra i più bei libri illustrati e decorati ricordiamo "Le favole" di Trilussa, nel 1920". Pregiata edizione d'arte di 1000 esempl. numerati., su carta a mano con filigrana. Il ns., 283, è in ottimo stato.

      [Bookseller: Libreria Antiquaria Malavasi]
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        Poems

      London: Chatto & Windus,, 1920. With an Introduction by Siegfried Sassoon. Quarto. Original red cloth, printed paper label to spine, fore and bottom edges untrimmed. Photogravure portrait frontispiece with tissue guard. Spine and board edges faded, some browning to endleaves, small ink splash to rear endpaper. An excellent copy. First edition, first impression. This slim volume, promoted and published by Sassoon after Owen's death and backed by Edith Sitwell, contains all Owen's best known poems, including "Dulce et Decorum est", "Insensibility", "Anthem for Doomed Youth", "Futility" and "Strange Meeting".

      [Bookseller: Peter Harrington]
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        XXX dessins. Nus-Isadora Duncan-Ida Rubinstein-Boxeurs.

      Editions du Temps présent (1920), Paris - Paris, Editions du Temps Présent, (1913), in-4 carré, demi-maroquin havane à coins, couverture et dos conservés. (Alfred Farel). La danse interprétée par ces vedettes que furent Isadora Duncan et Ida Rubinstein est magnifiée sous la finesse du trait de DUNOYER de SEGONZAC qui sut parfaitement en saisir le mouvement. Tirage limité à 530 ex. 1 des 15 ex. sur Chine (N°28). Légères usures. Livres

      [Bookseller: Librairie Chretien]
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        Mystische Geschichten. Mit zwölf Steinzeichnungen und acht [recte: 9] Strichätzungen von Alfred Kubin. [Eingeleitet u. hrsg. von Georg Goyert].

      München, Georg Müller, 1920. . VORZUGSAUSGABE. Nr. 32 von 200 numerierten Exemplaren auf Bütten (GA: 5000 Ex.), gedruckt im Buchgewerbehaus M. Müller & Sohn. - Horodisch A 26; Raabe 131. - Facino Cane. El Verdugo. Die rote Schenke. Ein Drama am Meeresstrande. Eine Leidenschaft in der Wüste. Sarrasine. Das unbekannte Meisterwerk. Der Kriminalrichter. Tobias Guarnerius. Lebe wohl. Die Zaubernacht in den Hochlanden. - Deckelbezüge zum Vorderrand hin berieben, Papier gebräunt, die Ränder schwach stockfl.; sonst wohlerhalten

      [Bookseller: Antiquariat Reinhold Pabel]
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        Mystische Geschichten. Mit zwölf Steinzeichnungen und acht [recte: 9] Strichätzungen von Alfred Kubin. [Eingeleitet u. hrsg. von Georg Goyert].

      München Georg Müller 1920 - XII, 315 S. Mit 21 Illustr. im Text u. auf Taf. (= Galerie der Phantasten, hrsg. von Hanns Heinz Ewers, Bd. 7). Ockerfarb. HALBMAROQUIN mit floraler Rückenvergoldung und bordeauxrotem Rückenschild und Kopfgoldschnitt. Die Deckelbezüge mit Blättern und Blüten auf gelbgrünem Kleistergrund. VORZUGSAUSGABE. Nr. 32 von 200 numerierten Exemplaren auf Bütten (GA: 5000 Ex.), gedruckt im Buchgewerbehaus M. Müller & Sohn. - Horodisch A 26; Raabe 131. - Facino Cane. El Verdugo. Die rote Schenke. Ein Drama am Meeresstrande. Eine Leidenschaft in der Wüste. Sarrasine. Das unbekannte Meisterwerk. Der Kriminalrichter. Tobias Guarnerius. Lebe wohl. Die Zaubernacht in den Hochlanden. - Deckelbezüge zum Vorderrand hin berieben, Papier gebräunt, die Ränder schwach stockfl.; sonst wohlerhalten [Attributes: Hard Cover]

      [Bookseller: Pabel, Antiquariat Reinhold]
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        Frühlings Erwachen. Eine Kindertragödie. Mit zwölf Steinzeichnungen von Willy Geiger. ( Frühlingserwachen )

      München, Georg Müller . 1920 - 4° ( 28,5 x 23,0 cm). Originalhalblederband auf fünf Bünden mit vergoldetem Rückentitel, goldgeprägten Verzierungen und breiten Lederecken. Das Leder - insbesondere die Bünde - mit Beschabungen. 154, (+6) Seiten mit 12 Lithographien. Die Vorsätze leicht gebräunt. Exemplar 62 von 330, eins von 40 Exemplaren der zweiten Vorzugsausgabe in Halbleder. Auf festem Kunstdruckpapier, die Lithographien auf weißen Velin, die Lithographien im Stein monogrammiert. Richtig gutes Exemplar. (= Welttheater. Meisterdramen mit Originalgraphik. Dritter Band). -- Lang, Expressionismus 71. – 25 Jahre Georg Mexpüller Verlag S. 209 (und nur dort mit Hinweis auf die Vorzugsvarianten). Alle Einbandvarianten entstanden nach Entwürfen von Paul Renner. Vitri6 [Attributes: Hard Cover]

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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        Gesammelte Werke.

      Georg Müller, München 1920 - 9 von 9 (komplett) Orig. Hldrbde. mit goldgepr. Rtitel., marm. Deckelpapier (Tls. berieb. u. best.), Innen sauber. 25 Jahre Georg Müller S.208. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Mahrenholz]
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        The Rescue A Romance of the Shallows

      

      [Bookseller: Maggs Bros. Ltd. ]
 31.   Check availability:     Direct From Bookseller     Link/Print  


        Nihon Fukei Hanga Prints of Japanese Scenery

      

      [Bookseller: Maggs Bros. Ltd. ]
 32.   Check availability:     Direct From Bookseller     Link/Print  


        The Age of Innocence.

      New York: D. Appleton and Company,, 1920. Octavo. Original red cloth, titles to front board and spine in black. With the dust jacket. Housed in a red solander box. Spine faded, rubbing to corners and ends of spine, in the dust jacket with chip to lower front corner, shallow chipping to corners and ends of spine, closed tear to top edges, mild soiling to panels. A very good copy. First edition, first printing, first issue dust jacket with no mention of the Columbia Prize. One of Wharton's most enduring works and of notable scarcity in dust jacket.

      [Bookseller: Peter Harrington]
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        Thuvia Maid of Mars

      McClurg, 1920 A fine first edition in a very good dust jacket that has been professionally restored and line on the inside with Japanese paper. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Fine/Very Good.

      [Bookseller: Bookbid Rare Books]
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        Emma

      Asprey, UK 1920 - New Edition Circa 1920. Undated. A stunning full leather binding of the authors classic by Asprey. This would have been produced privately for their clients and customers. First time we have come across this edition before. Full crushed calf with detailed gold tooling to boards and inners. Stunning binding and in lovely condition. Book is very good++ and very bight and clean. Contents very good. PLEASE DOUBLE CLICK ON IMAGE TO ENLARGE. Digital images available upon request.Ref 5968 Size: 12mo - over 6¾" - 7¾" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Lasting Words Ltd]
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        Die Aktion. Wochenschrift für Politik, Literatur, Kunst. Jahrgänge 7 bis 10 in 4 Bänden.

      Berlin, Verlag Die Aktion, 1917 bis 1920. - Jg. 7: 27 (25 Doppel-) Hefte mit 107 Orig.-Holzschnitten und 2 Anzeigen; Jg. 8: 26 Doppelhefte mit 139 Orig.-Holzschnitten; Jg. 9: 29 (tls. Doppel-) Hefte mit 86 Orig.-Holzschnitten; Jg. 10: 26 Hefte mit 29 Orig.-Holzschnitten. Folio, einheitliche Halbleinwand-Bände der Zeit. Vollständig und mit allen Original-Illustrationen. Söhn, 407 - 410. Dietzel/Hügel 35. - Vier komplette, Jahrgänge der wichtigen, expressionistischen Zeitschrift, die von 1911 bis 1932 erschien. Als künstlerische Beiträger sind Conrad Felixmüller (am häufigsten), Karl Schmidt-Rottluff, Egon Schiele (1x), Otto Freundlich, Josef Capek, Heinrich Hoerle, Karl Jacob Hirsch, Heinrich Strohmayr, Richard Bampi, Rüdiger Berlit, Georg Tappert, u.a. mit meist mit in den Text eingestreuten Originalholzschniiten sowie Titelgraphiken vertreten. Papierbedingt etwas gebräunt.

      [Bookseller: Antiquariat Mertens & Pomplun GbR]
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        "To Hold as 'Twere"

      Dundalk: Tempest Dundagan Press, 1920. Wraps. Good. 4to. 26 by 18.5 cm. Unpaginated, 20 leaves, with 17 being caricature plates, plus title with vignettes. Grace Plunkett, nee Gifford, was a well-known artist and caricaturist who married Joseph Plunkett, martyr of the Easter 1916 Uprising, hours before his execution. This 1920 collection includes a good number of caricatures of the Irish rebels and other notables, including de Valera, Lady Gregory, John MacCormick, Countess Markievicz, etc. The caricatures are sharp and merciless, and Plunkett was a rarity as a woman in the field of caricature at the time. Her sympathies were strongly for Sinn Fein and Irish independence, needless to say. The collection is uncommon in commerce. Heavy soiling of the cover. Moderate wear besides.

      [Bookseller: White Fox Rare Books and Antiques]
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        English Homes: Norman and Plantagenet; Mediaeval and Early Tudor; Early Tudor; Late Tudor and Early Stuart; Late Stuart; Sir John Vanburgh; Early Georgian; Late Georgian. 9 volumes complete.

      London; Country Life all 1st editions save one -1937 1920 - Nine volumes, folio (approx 385x270mm or 15 1/4" x 10 1/2"), publisher's blue buckram over lighter blue cloth boards, gilt, title repeated on upper boards, all edges gilt save for two volumes. The nine volumes are as follows: PERIOD I - vol I: Norman and Plantagenet,1066-1485, 1st edition,1921, frontispiece, some 403 text illustrations of interiors, external views and measured drawings and plans, ppxxxix, 338, advert leaf. Faint stain in gutter margin pp34/35. PERIOD II - vol I: Early Tudor, 1485-1558, 1st edition 1924: frontispiece, some 475 illustrations, lx, 396pp. Slight adhesion damage outer corners of lower margin pp66/67, 140/141, 192/193, 220/221, 336/337. PERIOD I and II - vol II: Mediaeval and Early Tudor,1066-1558, 2nd edition, 1937: frontispiece, some 556 illustrations, xlviii, 364pp, very small adhesion marks pp271 and 323 affecting photographic illustration; rear free endpaper creased. PERIOD III - vol I: Late Tudor and Early Stuart, 1558-1649, 1st edition,1922: frontispiece, some 475 illustrations, pp lvi, 378, advert leaf. PERIOD III - voI II: Late Tudor and Early Stuart, 1558-1649: 1st edition, 1927: frontispiece, some 537 illustrations, xxii, 423pp. Inscription on front fly-leaf. PERIOD IV - vol I: Late Stuart, 1649-1714, 1st edition,1920: frontispiece, some 546 illustrations, ppxl, 430, advert leaf. PERIOD IV - vol II. The Work of Sir John Vanbrugh and his School, 1699-1736, 1st edition 1928 (written with Christopher Hussey): frontispiece, some 542 illustrations, lxiv, 333pp. PERIOD V - vol I. Early Georgian, 1714-1760, 1st edition, 1921: frontispiece, some 448 illustrations, ppxliii, 357, advert leaf. Adhesion damage to lower margin pp224-225. PERIOD VI - vol I: Late Georgian, 1760-1820, 1st edition, 1926: frontispiece, some 659 illustrations, xl, 402pp. Tiny damage to photograph ppxvi/xvii, 285, 288/289, 340/341, 344/345, 390/391. SUMMARY: Save for the slight adhesion damage noted above (only small areas of a few photographs and margins affected), cloth not quite uniformly faded and lightly marked spines, a good set of this extraordinary survey of the grandest examples of the English country house. Will want extra postage. [Attributes: First Edition; Hard Cover]

      [Bookseller: Staniland (Booksellers) P.B.F.A.]
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        Albert Einstein Signed Etching.

      1920. Etch bust of Albert Einstein done by well-known artist Hermann Struck. Signed by both Struck numbered 59/100 and also signed by Einstein on the lower right side. In near fine condition with light toning to the extremities. Measures 8.5 inches by 10.5 inches. Hermann Struck was a German Jewish artist known for his etchings. In 1908, Struck published "Die Kunst des Radierens" ("The Art of Etching"), which became a seminal work on the subject. His students included Marc Chagall, Lovis Corinth, Jacob Steinhardt, Lesser Ury and Max Liebermann. Struck did commissioned portraits of Albert Einstein, Ibsen, Nietzsche, Freud, Herzl, Oscar Wilde among others.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Dessins originaux signés : opération de césarienne

      - 8 dessins [175 x 145 mm] sur France (Paris ), c. 1920, , 8 dessins [175 x 145 mm] sur 4 planches [250 x 370 mm]. Numérotés 1 à 10 (sans la planche qui contenait les dessins 3 et 4), fusain, encre noire et gouache blanche sur papier calque, Très bel ensemble provenant de la Clinique d'accouchements de la rue d'Assas (Clinique Tarnier). Les dessins, d'une remarquable exécution, décrivent les étapes d'une opération de césarienne extra-péritonéale depuis l'ouverture par incision transversale basse de la paroi abdominale jusqu'à la fermeture de l'utérus et la pose d'un drain composé de mèches. Ils sont signés "H. Frantz" : cet artiste fut un familier du monde médical et hospitalier ; dessinateur anatomique et chirurgical, il fournit plusieurs dessins pour la section anatomo-clinique du musée du Service de santé des armées, installé au Val-de-Grâce à Paris pendant la guerre 1914-1918. On le connait également au travers de ses caricatures de médecins et de chirurgiens, publiées dans la revue Chanteclair dans les années 1910-1920 : parmi les personnalités qu'il a portraituré avec malice, on rencontre les obstétriciens Paul Bar et Julien Potocki tous deux internes de Tarnier et accoucheurs de "l'école de la Maternité" des hôpitaux de Paris. La césarienne décrite ici était réalisée en cas d'infection du péritoine, pouvant notamment être causée par la macération du foetus mort, sans extériorisation de l'utérus : le geste consiste à isoler la cavité extra-péritonéale pour éviter la contamination, le péritoine étant décollé et séparé de la paroi utérine par le chirurgien, puis suturé au moyen d'aiguilles de reverdin, avant le procéder à l'incision de la partie inférieure de l'utérus (dessins n° 5 et 6). Le geste final (n° 9) est ici de réaliser une double suture de l'utérus en refermant l'incision dans un premier temps, puis en refermant l'ensemble en étirant, de chaque côté de la première couture, deux bourrelets d'utérus afin de réaliser une suture étanche. Le dessin n° 10 décrit la pose d'un drain, du type Mikulicz. Ce type de césarienne, qui oblige à revenir à l'incision transversale basse, fut étudié à Cologne par le docteur Fritz Frank en 1906 et 1907. Jusque dans les années 1920, en France, les accoucheurs sont restés sceptiques quant à la technique de la segmentaire basse sans extériorisation de l'utérus. On joint : un dessin non signé [250 x 175mm], encre et aquarelle sur papier fort : "Suture du ligament large au vagin". (Marque de trombone oxydé en marge). [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        Die Leichenschändung.

      - Ein Spiel vom wollüstigen Tod.Bln., A.R.Meyer [1920], marm.Or.-Br.m.handschr.VDeckeltitel.14 nn.S., Titelzeichn.v.E.L.Kirchner.1.Ausg.[Lyr.Flugblätter].Lang 173; Raabe 53,8; ders., Ztschr.144,71; Josch D14.Auf Bütten gedruckt, hier in der besseren Ausstattung im vom Verleger beschrifteten Handeinband.Umschlagkanten leicht berieben.

      [Bookseller: Antiquariaat Die Schmiede]
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        Die Auflösung der Städte. Die Erde oder eine gute Wohnung oder auch: Der Weg zur Alpinen Architektur. Es ist natürlich in 30 Zeichnungen nur eine Utopie .

      Folkwang-Verlag, Hagen 1920 - Hagen, Folkwang-Verlag 1920. 27,5 x 21,5 cm. 30 Tafeln mit Zeichnungen auf verschiedenfarbigem Papier, 1 Bl. (Tafelerläuterungen), 81(1) S., 1 nn. Bl. Illustr. OPpbd. (Rücken unter Verw. des Orig.-Rückens erneuert). Jaeger 0917.- Mit Beiträgen von Fuhrmann, Kropotkin, Lenin, Landauer, Scheerbart, Whitman u.a.- Exemplar mit handschriftl. Besitzeintrag des Architekten und Publilzisten Adolf Behne (1885-1948), einem der Wortführer der Avantgarde.- Papierbedingt etw. gebräunt. Sprache: deu (Rücken unter Verw. des Orig.-Rückens erneuert). [Attributes: First Edition; Hard Cover]

      [Bookseller: Unterwegs Antiquariat M.-L. Surek-Becker]
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        Beim Schneider im alten Orient" originales Aquarell auf festem Büttenpapier ca.43x57cm; um 1920

      - Auf Grund der meisterlichen Ausführung und der Größe könnte es sich um eine Vorlage für eine Buchillustration handeln. Da das Blatt leider nicht signiert ist, überlasse ich es dem geneigten Betrachter, welchem der vielen Karikaturisten er es zuschreiben möchte. Auf jeden Fall ein äußerst gelungenes Blatt. Das farbenfrische Karikatur an den Blatträndern etwas knickfaltig.

      [Bookseller: Antiquariat Niederbayern]
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        MY DAYS WITH THE FAIRIES

      London: Hodder and Stoughton, 1920. Copyright date not stated but circa 1920. Large Illustrated edition Mrs Rodolph Stawell. With many beatiful illustrations by Edmund Dulac. Decorative Red cloth over boards with gold, blue green and pink colrs on the front and the spine. Shelf wear to the edges and to the head and toe of the spine are moderate. With some light browning and foxing to the interior pages. Dust Jacket, decorative with soiling to the front, back and the spine. Dust jacket in a clear cover. Text and illustration are bright and clean, text is secure, A solid collectible book. . Limited. Hardcover. very good Plus/Good. Illus. by Edmund Dulac. 8vo - over 7¾" - 9¾" tall. Collectible.

      [Bookseller: Mclin Haven]
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        Portrait des Musikers Artur Schnabel (1882 Biala/Galizien - 1951 Morschach/Schweiz). Schwarze Kreide, teils gewischt, mit Weiß gehöht.

       1920/30er Jahre. Verso bezeichnet \"Arthur Schnabel gez. von seinem Schwiegervater\". Auf Malpappe. 28 x 23 cm. Lebensgroßes Portrait des österreichischen Pianisten und Komponisten Artur Schnabel. Er ist in Frontalsicht dargestellt, wobei sein Blick dem Betrachter ausweicht. Durch diese Haltung gewinnt das Bildnis seinen vergeistigten, etwas melancholischen Ausdruck. - Artur Schnabel zog als Kind nach Wien und wurde dort Schüler von Hans Schmidt und Teodor Leszetycki. 1900 zog er nach Berlin und heirate dort 1905 die Altistin Therese Behr-Schnabel. 1933 emigrierte er mit seiner Familie nach Großbritannien. - Sehr gut erhalten. Versand D: 5,00 EUR Musiker, Komponist, Pianist, Österreich, Wien, Berlin,

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        Canadian Victoria Cross Recipients [Pre-1920]

      8 August, 1920, 1920. Blank-page autograph book. 11.5 cm x 9 cm, black fabricoid binding with the word "Autographs" gilt-stamped to cover, marbled endpapers, all edges gilt. Written on front free endpaper: "Canadian Victoria Cross [Winners?]. Canadian National Exhibition. Toronto. 28/8/1920." The Victoria Cross is the highest honour in the Canadian honour system, for gallantry in the face of the enemy, that can be awarded to British and Commonwealth forces. It even takes precedence over the Order of Canada. The Canadian National Exhibition celebrated Canada's wartime achievement bringing together 26 winners of the Victoria Cross and their families. Organized in cooperation with the Veterans Re-Union Council, large numbers of veterans attended the gathering of VC winners. In his opening day address, Sir Auckland Geddes noted the "imperishable glory of the Canadian Corps." There are 17 recipient autographs and 11 signatures of "next of kin" recipients. Some name their regiment, home town, and rank. Autographs include: George Harry Mullin, 1892-1963, VC, MM, 1917, Princess Patricia's Canadian Light Infantry, Passchendaele, Belgium (signed on separate page by his wife); Walter Leigh Rayfield, 1881-1949, VC, 1918, 7th Battalion CEF, Arras, France; Edward Donald Bellew, 1882-1961, VC, 1918, 7th Battalion, CEF, Kerselaere, Belgium (signed twice); Alexander Bereton, 1892-1976, VC, 1918, 8th Battalion, Amiens, France; Christopher Patrick John O'Kelly, 1895-1922, VC, MC, 1917, 52nd Battalion, CEF, Passchendaele, Belgium; Robert Shankland, 1887-1968, VC, DCM, 1917, 43rd Battalion, CEF, Passchendaele, Belgium; John Francis Young, 1893-1929, VC, 1918, 87th Battalion, CEF, Dury-Arras Sector, France; Thomas W. Holmes, 1898-1950, VC, 2nd Battalion, Passchendaele, Belgium; Raphael Zengel, 1894-1977, VC, MM, 1918, 5th Battalion, CEF, Warvillers, France; Frederick Coppins, 1889-1963, VC, 1918, 8th Battalion, CEF, Hackett Woods, France; William Merrifield, 1890-1943, VC, MM, 1918, 4th Battalion, CEF, Abancourt, France; Cecil John Kinross, 1896-1957, VC, 1917, 49th Battalion, CEF, Passchendaele, Belgium; Herman James Good, 1887-1969, VC, 1918, 13th Battalion, CEF, Hangard Wood, France; Filip Konowal, 1888-1959, VC, 1917, 47th Battalion, CEF, Lens, France (a Ukrainian born Canadian was the only Ukrainian to receive the Victoria Cross); Charles Smith Rutherford, 1892-1989, VC, MC, MM, 1918, 5th Battalion Canadian Mounted Rifles, Monchy, France; Coulson Mitchell, 1889-1978, VC, MC, 1918, 4th Canadian Engineers, Canal de l'Escaut, France; George Richardson, 1831-1923, VC, 1859, 34th Regiment of Foot, British Army, Indian Mutiny; James Richardson, 1895-1916, VC, 1916, 16th Battalion, CEF, Somme, France (signed on 2-pages by next of kin, David Richardson); James Robertson, 1883-1917, VC, 1917, 27th Battalion, CEF, Passchendaele, Belgium; James Edward Tait, 1886-1918, VC, 1918, 78th Battalion, CEF, Amiens, France (signed on 2-pages by next of kin, Jessie Tait); Hugh Cairns, 1896-1918, VC, DCM, 1918, 46th Battalion, CEF, Valenciennes, France (signed on 2-pages by next of kin); Jean Brilland, 1890-1918, VC, MC, 1918, 22nd Battalion, CEF, Meharicourt, France; John George Pattison, 1875-1917, VC, 1917, 50th Battalion, CEF, Vimy Ridge, France (signed twice by next of kin); Harry Garnet Bedford Miner, 1891-1918, VC, 1918, 58th Battalion, CEF, Demuin, France; Frederick Hobson, 1873-1917, VC, 1917, 1st Battalion, CEF, Lens, France; John Bernard Croak, 1892-1918, VC, 13th Battalion, CEF, Amiens, France; Joseph Thomas Kaeble, 1892-1918, VC, MM, 22nd Battalion, CEF, Neuville-Vitasse, France; Frederick William Campbell, 1867-1915, VC, 1915, 1st Battalion, CEF, Givenchy, France. A very rare, very important and unique document.. Autographs. Very Good. 32mo - over 4" - 5" tall.

      [Bookseller: Contact Editions]
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        Main Street

      Harcourt, Brace and Howe, 1920 A very good first edition, first issue (no battered type on pages 54 and 387), inscribed by Lewis in 1921 on the front free endpaper. Repair to front hinge. In an early, supplied dust jacket. Housed in a custom-made collector's slipcase.. Inscribed by Author(s). 1st Edition. Hardcover. Very Good/Very Good.

      [Bookseller: Bookbid Rare Books]
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        Autograph calling card signed.

      [Vienna, c. 1920]. - Calling card format. 1 p. To the impresario Franz Ludwig Hoerth (1883-1934), apologizing for having missed him.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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