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Displayed below are some selected recent viaLibri matches for books published in 1920
Hl. Franziskus. o. O. [Wien], -, o. J. [nach ] 1920 - OHolzschnitt. ca. 69 x 30 cm. Mit eighd. Titelei und Signatur. - Die Abbildung zeigt eine Verzerrung, die durch die 'freie Hängung' entstandt. [Bookseller: Antiquariat Weinek] 
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Autographed Letter Signed Crowborough, Sussex, 1920. unbound. 1 page, 7 x 5.25 inches, Crowborough, Sussex, January 18 [1920], signed "A. Conan Doyle" to stage actor Ernest Percy, in full: "I thought your performance was marvelous. You made me appreciate Shaw's genius as never before. I fear I can't help at present with this syndicate. Too many expenses." Natural folds and traces of a pencil notation but still in very good condition. Scottish writer and physician best known for his creation of Sherlock Holmes. [Bookseller: Argosy Book Store]
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Youth and the Bright Medusa New York: Knopf. 1920. First Edition; First Printing. Hardcover. Spine a bit dulled. The front free endpaper has the owner's name at the top and the his address with date at the bottom; both are done in dark ink. The jacket has a large chip 1" deep and nearly 3" across, at lhe top edge. It has a tall, narrowing chip at the foot of the dulled spine, removing most of the publisher's name. The rear flap is only 1¼" wide instead of 3" wide like the front flap. It may be a trial jacket or it may be that someone has trimmed it oddly, but as called for by Crane, it is blank. Fair to good-. ; 8vo 8" - 9" tall; 303 pp . [Bookseller: Beasley Books]
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Petits airs 50 pp Ronald Davis, Paris, 1920, in-8, 50 pp, broché, couverture imprimée, Édition originale de ce recueil de poèmes dédié à l'amour. Un des trois cents ex. sur papier pur chiffon agrémenté d'un envoi signé en page de titre." A Mr Jean Richepin que J'admire en toute sincérité. F.Carco". Très bon état. Rare. [Bookseller: Librairie Alain Brieux]
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Portrait du comte Étienne de Beaumont CIRC. , CIRCA 1920, , , , Un tirage gélatino-argentique noir & blanc [18,2 x 23 cm], monté sur un grand carton [31 x 46,3 cm] et deux cartons un noir et un blanc formant un encadrement, épreuve signée au crayon par l'artiste : Le baron Adolf de Meyer (1868-1946). Beau portrait du comte Etienne de Beaumont (1883-1956), figure phare des Années Folles parisiennes qui remit au goût du jour les bals costumés à Paris, il est ici représenté de profil, en costume de mandarin. Épreuve en bon état, le grand carton est légèrement sali et présente de fines rousseurs, sans atteinte. Cliché reproduit dans l'ouvrage Fêtes mémorables, bals, costumes 1922-1972 présenté par Jean-Louis de Faucigny-Lucinge, p. 14. [Bookseller: Librairie Alain Brieux]
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Der Orchideengarten. Phantastische Blätter Karl Hans Strobl (Hg.): Der Orchideemngarten. Phantastische Blätter 2. Jahrgang 1920, 4to., Halbleinenband der Zeit mit Lederschild am Buchrücken, München, Dreiländerverlag. 24 Hefte, kompletter Jahrgang,davon 2 Hefte beiliegend (No. 14 und 15). Alle farbigen Original-Umschläge vorhanden in guter Erhaltung. Gesuchte Zeitschrift, die sich ausschließlich der phantastischen Literatur widmete! [Bookseller: tigerle]
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Croquis de mode : Croquis de mode d'été par Mario Simon (Croquis, La Gazette du Bon ton, 1920 n°3). - Les modes en l'an de grâce Mil neuf cent vingt un (Croquis, La Gazette du Bon ton, 1921 n°3) - Pour la Riviera. Robes garnies de fleurs naturelles, dans la mesure où l'on en a et où l'on ne préfère pas d'employer, moins coûteuses, les fleurs artificielles (Croquis, La Gazette du Bon ton, 1921 n°10). - Costumes tailleur de fantaisie ornés de colifichets (Croquis, La Gazette du Bon ton, 1922 n°4). - Set of four original lithographs in color, drawn on laid paper. Text describing the end boards.Original prints made ​​for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "are for bibliophiles and worldly aesthetes" (Françoise Tétart-Vittu "good Gazette of tone" in the fashion dictionary, 2016). Printed on fine laid paper, they use a typeface created specifically for the magazine by Georges Peignot, the Cochin character, taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil, enhanced color and some outlined in gold or palladium.The adventure began in 1912 when Lucien Vogel, man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff (John's sister, the father of Babar) Gazette good tone in which the subtitle is then "Art, fashions and frivolities." Georges Charensol quotes the editor: "In 1910, he observed, there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists [...] I was certain of success because for any fashion country can compete with France. "(" A great art editor. Lucien Vogel "in literary News, No. 133, May 1925). The success of the magazine is immediate, not only in France but also the US and South America.Originally, Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier, Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Halouze Alexander Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. These artists, mostly unknown when Lucien Vogel appealed to them, will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette.The boards highlight the dresses and sublime seven artists of the time: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless, some of Illustrations contained no real model, but only the idea that the illustrator is done in the fashion of the day.Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit, it brings together for the first time the great talents of the world of arts, literature and fashion and imposed by this alchemy, a new image of women, slender, independent and bold, also driven by the new generation of designers Coco Chanel, Jean Patou, Rochas Marcel ...Recovery in 1920 by Condé Montrose Nast, Gazette fashionable modeled for the new composition and the aesthetic choices of the "little dying newspaper" that Nast had bought a few years ago: the Vogue magazine. Lucien Vogel éditeur Paris 1920-1922 18x24cm relié [Bookseller: Librairie Le Feu Follet]
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Croquis de mode par Raoul Dufy. Soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°1) [suivi de] Robes pour l'été 1920. Panorama de Raoul Dufy et soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°4) Set of eight original prints in color, drawn on laid paper. The boards are introduced by a presentation of the front pages of sketches, followed by a detailed description of the back where presented various accessories (fans, canes, jewelry, lingerie pieces). Sketches III, IV and VIII are signed David, both the lower right and left boards.Original prints made ​​for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "are for bibliophiles and worldly aesthetes" (Françoise Tétart-Vittu "good Gazette of tone" in the fashion dictionary, 2016). Printed on fine laid paper, they use a typeface created specifically for the magazine by Georges Peignot, the Cochin character, taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil, enhanced color and some outlined in gold or palladium.The adventure began in 1912 when Lucien Vogel, man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff (John's sister, the father of Babar) Gazette good tone in which the subtitle is then "Art, fashions and frivolities." Georges Charensol quotes the editor: "In 1910, he observed, there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists [...] I was certain of success because for any fashion country can compete with France. "(" A great art editor. Lucien Vogel "in literary News, No. 133, May 1925). The success of the magazine is immediate, not only in France but also the US and South America.Originally, Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier, Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Halouze Alexander Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. These artists, mostly unknown when Lucien Vogel appealed to them, will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette.The boards highlight the dresses and sublime seven artists of the time: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless, some of Illustrations contained no real model, but only the idea that the illustrator is done in the fashion of the day.Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit, it brings together for the first time the great talents of the world of arts, literature and fashion and imposed by this alchemy, a new image of women, slender, independent and bold, also driven by the new generation of designers Coco Chanel, Jean Patou, Rochas Marcel ...Recovery in 1920 by Condé Montrose Nast, Gazette fashionable modeled for the new composition and the aesthetic choices of the "little dying newspaper" that Nast had bought a few years ago: the Vogue magazine. Lucien Vogel éditeur Paris 1920 18x24cm relié [Bookseller: Librairie Le Feu Follet]
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Sous les yeux d'Occident - Nrf, Paris 1920, 16,5x21,5cm, relié. - Prima edizione della traduzione francese, una delle 118 copie numerate sul filo puro Lafuma stabilite Navarra e ha nuovamente a Quarto carta protocollo, la nostra copia stampata appositamente per Andre Suares, edizione deluxe. Binding metà marocco blu navy con gli angoli, di nuovo con cinque nervi, piatti di carta data coda in marmo dorato, guardie e contreplats di carta fatta a mano, coperte e schienali conservati, testa dorata, ex libris incollato su un contreplat, legatoria firmato Alix. Nizza copia piacevolmente stabilito. - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française, un des 118 exemplaires numérotés sur vergé pur fil Lafuma-Navarre et réimposés dans le format in-quarto tellière, notre exemplaire imprimé spécialement pour André Suarès, tirage de tête. Reliure en demi maroquin bleu marine à coins, dos à cinq nerfs, date dorée en queue, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures et dos conservés, tête dorée, ex-libris encollé sur un contreplat, reliure signée d'Alix. Bel exemplaire agréablement établi. [Bookseller: Librairie Le Feu Follet]
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Main Street Harcourt Brace, 1920 First edition, second state, in fine condition, signed on the front free endpaper. With imperfect folio on page 54, and the "y" in "may" on page 387 (last line)is slightly battered. Comes in a custom-made collector's slipcase.. Signed by Author(s). 1st Edition. Hardcover. Fine/No Jacket. [Bookseller: Bookbid Rare Books]
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Spring in New Hampshire and Other Poems London: Grant Richards Ltd 1920 - 8vo., brown wrappers with green paper label printed in black; minor crease, soiled covers, slight edge-wear. First edition. A superior copy of a fragile work, with McKay's contemporary signature, "Yours Sincerely Claude McKay," beneath the portrait frontispiece. [Attributes: First Edition; Signed Copy; Soft Cover] [Bookseller: North Star Rare Books & Manuscripts]
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La chair et le sang 280 pp.. Paris. Emile-Paul, 1920, in-18, 280 pp., broché, Édition originale. Un des 100 exemplaires numérotées sur papier de Hollande. Exemplaire non rogné, à grande marges, et enrichi d'un ENVOI autographe de l'auteur à l'éditeur Édouard Champion. Couverture défraîchie avec légère déchirure au dos, réparation à l'adhésif blanc à l'intérieur de la couverture. Témoins légèrement empoussiérés. [Bookseller: Librairie Alain Brieux]
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A Biography of David Wark Griffith and a Brief History of The Motion Picture in America (First Edition) New York: Exhibitor's Trade Review, 1920. First Edition. First Edition. Magazine-style format featuring biographical essays by Hastings, profusely illustrated with reproduced images from Griffith's films and newspaper articles about the director. One of the best and earliest overviews of the legendary director. 9.5 x 12 inches (24 x 30.25 cm), printed saddle-stitched wrappers. Good lacking the dust jacket, folded horizontally, several cello tape repairs, tears, foxing, and loose centerfold. Scarce. [Bookseller: Royal Books, Inc.]
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Curiosa de médecine littéraire, anecdoctique, artistique in-8 carré de 272 pages Paris, Le François, 1920, , in-8 carré de 272 pages, toile grise (couvertures d'origine conservées), Première édition de cette compilation de textes curieux et rares de médecine ou ayant trait à l'art médical. L'ouvrage fut rédigé à "coups de ciseaux et de lancette" et est orné de 74 figures dans le texte ou à pleine page. [Bookseller: Librairie Alain Brieux]
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The Works. New York: Merrill and Baker,, [c.1920]. 26 volumes, octavo (194 x 127 mm). Contemporary half tan calf, brown morocco labels, elaborate decoration to spines gilt, raised bands, marbled boards and endpapers, top edges gilt, others untrimmed. With black and white illustrations throughout. Bookplate to front pastedowns, spines slightly faded, some minor wear to couple of headcaps, two joints expertly repaired overall an excellent set. Illustrated cabinet edition. A handsomely bound set of Ruskin's works. [Bookseller: Peter Harrington]
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Un gentilhomme First edition, one of 40 numbered copies on China, deluxe edition.Inevitable foxing mainly affecting the margins of some leaves. Flammarion Paris 1920 13x19cm relié [Bookseller: Librairie Le Feu Follet]
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The Theory of Relativity London: Methuen & Co. Ltd.,, 1920. The Special & the General Theory, a Popular Exposition. Authorised Translation by Robert W. Lawson, with Five Diagrams and a Portrait of the Author. Octavo. Original red cloth, title blocked in blind to front cover and to spine gilt. 8 pages of inserted advertisements. Frontispiece portrait of author by Hermann Struck, 5 diagrams in text. Ownership inscription. Sunned and rolled spine, foxing to edges and endpapers, scuffing to bottom edge, tear to leaf pp. 67-68 from careless opening; still a very good copy. First edition in English, translated from the third German edition (1918) by Robert W. Lawson. This is the first appearance of any of Einstein's works in English. It contains an additional chapter (Appendix III) written by Einstein for this edition, "The Experimental Confirmation of the General Theory of Relativity". Relativity: The Special & the General Theory is an account intended to be accessible to the general public, which Einstein tested by reading drafts to his step-daughter Margot, "pausing frequently to ask whether she indeed got it" (Isaacson, p. 232). Einstein took the opportunity to publish the present English language edition when interest in general relativity grew after the theory was confirmed experimentally by Arthur Eddington's eclipse observations of 1919. [Bookseller: Peter Harrington]
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Ghost Stories London: 1920 - Third impression of the Pearson Cheap edition, originally published in 1916 and written by Prichard and his mother. The book comprises several experiences of Flaxman Low, credited as being the first psychic detective. The stories had been previously published in periodicals and collected in 1899's The Experiences of Flaxman Low, of which this current volume contains selections only. The book is Near Fine in publisher's red cloth, with no fading or marking. There is some bumping and minor wear to the extremities. The jacket is lovely, bright and crisp, with areas of modest wear and damage as befits an inexpensively produced 100-year-old book. There is no significant loss to the jacket at all. It is a lovely copy of a delicate book. Note that, despite Pearson's assertion on the spine, these stories are pure fiction, and delightful at that. [Attributes: Hard Cover] [Bookseller: Sellers & Newel Books - ABAC & ILAB]
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SUNNY YEAR BOOK FOR SUNNY CHILDREN - VOLLAND. A SUNNY YEAR BOOK FOR SUNNY CHILDREN. Chicago: Volland circa 1920. Narrow 4to (11" x 5 1/2"), pictorial wraps bound with silk cord at top, covers have a few small mends else fine. Volland issued this gift book with excerpts from the best books in the Sunny Book series, including some notoriously scarce titles. There is an introduction by Elizabeth Gordon followed by many pages of text and color illustrations by JOHNNY GRUELLE, MAGINEL WRIGHT ENRIGHT, KATHARINE STURGES, TONY SARG, JOHN RAE and others. Excerpts are from The Funny Little Book, Sunny Bunny, Gigglequicks, Little Babs, Lovely Garden, Sunny Rhymes for Happy Children, Tales of Little Cats, Peeps the Really Truly Sunchine Fairy, Wise Gray Cat, Myself and I, Come Play With Me and more. Printed on one side of the paper only. [Attributes: Soft Cover] [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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Models for the Sunday School, and how to make them, part 1 Church of England Sunday School Institute, 1920. Hardcover. Used; Acceptable. Hardcover; English language; No jacket; 4to - over 9.75" - 12" tall; a fair reading copy; binding a little brittle. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail. [Bookseller: Sunrise Books Ltd]
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PHOTOGRAPHIES - Guerre 1914-1918. Collection de clichés en stéréoscopie sur plaques de verre 1920 Collection de 176 clichés en stéréoscopie sur plaques de verre relatifs à la première guerre mondiale (Vers 1920) - Sous coffret en bois (31 x 20 x 13cm env.). Émouvant ensemble constitué d'un stéréoscope et de 176 clichés sur plaques de verre montrant des photographies en RELIEF prises sur les champs de bataille lors de la première guerre mondiale. Ces clichés nous font découvrir avec un réalisme bouleversant toute l'horreur de cette période et parfois la détresse de ces soldats. On peut aussi y voir le Maréchal Pétain ainsi que le Général Joseph Joffre. Excellent état général, le coffret est prévu pour recevoir environ 200 plaques de verre. ENSEMBLE HISTORIQUE UNIQUE!!!!! PIECE DE COLLECTION DIGNE D'UN MUSEE!!! Photos disponibles sur demande. 6kg. [Bookseller: Louis Caron]
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MY BOOKHOUSE - MINIATURE HOUSE WITH BOOK - MILLER,OLIVE BEAUPRE. MY BOOKHOUSE - MINIATURE HOUSE WITH BOOKS. Offered here is a rare miniature version of the wooden Book House that was offered to owners of the regular size 9 volume Book House set published in the 1920's. The Book House for children was the brainchild of Olive Beaupre Miller who began her venture in 1920 by selling subscriptions to a six volume set, sold door to door by the Bookhouse Ladies one volume at a time. By the end of 1921, the 6th volume was completed and the set was offered in a cardboard house. The 3 other volumes of My Travelship were added in 1926 and a red and grey wooden book house was offered as an incentive to complete the set. "The utilization of women in all phases of its business activity was one of the unique aspects of the Book House For Children. Not only was there an all woman sales force but the majority of the employees were women (Talor: Olive Beaupre Miller p.30). The minature house offered here is not mentioned in the bibliography. It is an all metal version of the wooden house, measuring 3 1/4" wide x 5" high and 2 1/2" deep. The under side has the Bookhouse publication information stamped in black. Two miniature books are included measuring 2 1/8 x 2 1/2": "The Little Brown Duck Shingebiss", a Chippewa Indian tale plus "Johnny and the Three Goats" (both also contain parts of the Knights of the Silver Shield) all from Volumes 1 and 4 of the Book House. They are bound in flexible leatherette. The last page notes that this is the second Tiny Book. Both the books and the house are in excellent condition. This is a rare piece of American publishing for children. [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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Pendant la Guerre. 12 dessins par Hermann-Paul. - P., Librairie de L'Estampe, [ vers 1920], In-4 oblong, 31x44 cm. Tirée à 250 exemplaires numérotés, celui-ci sur arches numéroté au crayon sur chaque planche et dans le timbre à sec de l'éditeur. Bien complet de la treizième planche "scène de viol" refusée lors de la publication. Livres [Bookseller: pages volantes]
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The Novels of Jane Austen ondon- Robert Riviere & Son, 1920 Book. Near Fine. Hardcover. A beautifully bound set of the works of Jane Austen. An unusual set, bound and published by Robert Riviere and Son. With a frontispiece to each volume. Robert Riviere was an EnglishBookbinder known for his attractive decorative bindings and high quality. Jane Austen was an English novelist, known as one of the key figures in the English canon. She is known primarily for her novels which were set amongst the landed gentry at the end of the 18th century. Her novels are frequently adapted to film and television, and she is still widely read and beloved today. This is a charming set for any collector. Condition: In half calf bindings by Riviere and Son. Externally, very smart with some light shelfwear. Gilt detailing to the spines and marbled endpapers. Slight chip to the spine of Pride and Prejudice. Internally, firmly bound. Pages bright and generally clean aside from the occasional spots. Overall: NEAR FINE.. [Bookseller: Rooke Books]
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ALBUM DE 20 PHOTOGRAPHIES ]. c. 1920. - in-8 carré. 20 photographies de format 85 x 58 mm. environ, collées deux par deux sur 10 ff. cartonnés. Percaline noire du temps. Joli album portatif de 20 petites photographies de l'esplanade des Mosquées à Jérusalem (mur des lamentations, mosquée Al-Aqsa, etc.), prises par un amateur. Excellente conservation des images. Inscriptions manuscrites en arabe sur un feuillet de garde. [Attributes: Hard Cover] [Bookseller: Librería Comellas]
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Croquis de mode par Raoul Dufy. Soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°1) [suivi de] Robes pour l'été 1920. Panorama de Raoul Dufy et soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°4) - Lucien Vogel éditeur, Paris 1920, 18x24cm, relié. - Serie di otto stampe originali a colori, disegnato su carta vergata. Le schede sono introdotte da una presentazione delle prime pagine di schizzi, seguita da una descrizione dettagliata della parte posteriore dove ha presentato vari accessori (ventilatori, bastoni, gioielli, lingerie). Schizzi III, IV e VIII sono firmati David, sia la tavole di sinistra in basso a destra e. stampe originali realizzati per l'illustrazione di The Gazette alla moda, una delle più belle e più influenti riviste di moda secolo XX, che celebra il talento di creatori e artisti francesi fiorente art deco. rivista di moda Famosa fondata nel 1912 da Lucien Vogel, The Gazette moda è apparso fino al 1925, con un'interruzione durante la guerra del 1915-1920, a causa della mobilitazione del suo Direttore. Lei è di 69 consegne a partire da soli 2000 copie ed è illustrato tra cui 573 tavole a colori e 148 schizzi raffiguranti modelli di stilisti. All'atto della pubblicazione, queste pubblicazioni di lusso "sono per bibliofili e gli esteti del mondo" (Françoise Tétart-Vittu "buona Ufficiale della tono" nel dizionario della moda, 2016). Stampato su carta vergata bene, usano un carattere creato appositamente per la rivista di Georges Peignot, il personaggio Cochin, presa nel 1946 da Christian Dior. Le stampe sono realizzate con la tecnica di stencil metallo, colori ottimizzati e alcuni delineati in oro o palladio. L'avventura è iniziata nel 1912, quando Lucien Vogel, uomo di mondo e della moda - ha già partecipato a magazine Femina - decise di fondare con la moglie Cosette de Brunhoff (sorella di John, il padre di Babar) Gazette buono tono con cui il sottotitolo è poi "l'arte, mode e frivolezze." Georges Charensol cita l'editor: "Nel 1910, ha osservato, non vi era alcuna rivista di moda veramente artistica e rappresentante dello spirito del suo tempo. Così ho pensato di fare una rivista patinata con gli artisti dei più moderni [...] ero certo del successo, perché per tutto il paese della moda in grado di competere con la Francia. "(" Un grande editore d'arte. Lucien Vogel "in letteraria News, N. 133, maggio 1925). Il successo della rivista è immediato, non solo in Francia, ma anche gli Stati Uniti e Sud America. In origine, Vogel mette quindi insieme un gruppo di sette artisti: André-Edouard Marty e Pierre Brissaud, seguito da Georges Lepape e Dammicourt; e, infine, i suoi amici della Scuola di Belle Arti come sono George Barbier, Bernard Boutet de Monvel o Charles Martin. Altri talenti vengono rapidamente raggiungere il equipaggiato Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Alexander Halouze Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. Questi artisti, per lo più sconosciuti quando Lucien Vogel appello a loro, finirà per diventare figure iconiche e artistico ricercato. Questi sono gli stessi illustratori che fanno disegni annunci delle Gazette. Le schede evidenziano gli abiti e le sublimi sette artisti del tempo: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet e Doucet. I progettisti prevedono per ogni numero di modelli esclusivi. Tuttavia, alcune delle illustrazioni contenute alcun modello reale, ma solo l'idea che l'illustratore è fatto in la moda del giorno. Gazette alla moda è una pietra miliare nella storia della moda. Combinando l'esigenza estetica e l'unità di plastica, si riunisce per la prima volta i grandi talenti del mondo delle arti, della letteratura e della moda e imposto da questa alchimia, una nuova immagine della donna, esile, indipendente e audace, spinto anche dalla nuova generazione di designer Coco Chanel, Jean Patou, Rochas Marcel ... Recupero nel 1920 da Condé Nast Montrose, Gazette moda modellato per la nuova composizione e le scelte estetiche del "piccolo giornale che muore" che Nast aveva comprato qualche anno fa: la rivista Vogue. - [FRENCH VERSION FOLLOWS] Ensemble de huit estampes originales en couleur, tirées sur papier vergé et signées en bas à droite des planches. Ce cahier est suivi d'une planche illustrée de onze modèles de robes. Formé aux Beaux-arts de Paris, Raoul Dufy commence à se faire connaitre quand Maurice Denis lui achète une de ses toiles, exposée au Salon des indépendants de 1903. En 1910, Dufy travaille aux côtés de Guillaume Apollinaire et illustre de plusieurs bois gravés son Bestiaire. Impressionné par ce travail, le couturier Paul Poiret lui propose de travailler avec lui ; Dufy se lance alors dans le dessin de mode et monte une entreprise de décoration et d'impression de tissus avec Poiret. C'est par ce biais qu'il entre peu de temps après à la Gazette du Bon ton, où d'un trait toujours extrêmement élégant, il réalise de rares mais très appréciées vignettes. Sa prédilection pour les couleurs vives - issue de de son attirance pour le fauvisme - conforte son succès auprès du public au point de se voir attribuer une commande d'Etat en 1936 dans le cadre de l'Exposition internationale des arts et des techniques dans la vie moderne prévue en 1937. C'est à cette occasion qu'il réalise son [Bookseller: Librairie Le Feu Follet]
26. Check availability: maremagnum.com
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Croquis de mode : Croquis de mode d'été par Mario Simon (Croquis, La Gazette du Bon ton, 1920 n°3). - Les modes en l'an de grâce Mil neuf cent vingt un (Croquis, La Gazette du Bon ton, 1921 n°3) - Pour la Riviera. Robes garnies de fleurs naturelles, dans la mesure où l'on en a et où l'on ne préfère pas d'employer, moins coûteuses, les fleurs artificielles (Croquis, La Gazette du Bon ton, 1921 n°10). - Costumes tailleur de fantaisie ornés de colifichets (Croquis, La Gazette du Bon ton, 1922 n°4). - - Lucien Vogel éditeur, Paris 1920-1922, 18x24cm, relié. - Set di quattro litografie originali a colori, disegnato su carta vergata. Testo che descrive le tavole finali. stampe originali realizzati per l'illustrazione di The Gazette alla moda, una delle più belle e più influenti riviste di moda secolo XX, che celebra il talento di creatori e artisti francesi fiorente art deco. rivista di moda Famosa fondata nel 1912 da Lucien Vogel, The Gazette moda è apparso fino al 1925, con un'interruzione durante la guerra del 1915-1920, a causa della mobilitazione del suo Direttore. Lei è di 69 consegne a partire da soli 2000 copie ed è illustrato tra cui 573 tavole a colori e 148 schizzi raffiguranti modelli di stilisti. All'atto della pubblicazione, queste pubblicazioni di lusso "sono per bibliofili e gli esteti del mondo" (Françoise Tétart-Vittu "buona Ufficiale della tono" nel dizionario della moda, 2016). Stampato su carta vergata bene, usano un carattere creato appositamente per la rivista di Georges Peignot, il personaggio Cochin, presa nel 1946 da Christian Dior. Le stampe sono realizzate con la tecnica di stencil metallo, colori ottimizzati e alcuni delineati in oro o palladio. L'avventura è iniziata nel 1912, quando Lucien Vogel, uomo di mondo e della moda - ha già partecipato a magazine Femina - decise di fondare con la moglie Cosette de Brunhoff (sorella di John, il padre di Babar) Gazette buono tono con cui il sottotitolo è poi "l'arte, mode e frivolezze." Georges Charensol cita l'editor: "Nel 1910, ha osservato, non vi era alcuna rivista di moda veramente artistica e rappresentante dello spirito del suo tempo. Così ho pensato di fare una rivista patinata con gli artisti dei più moderni [...] ero certo del successo, perché per tutto il paese della moda in grado di competere con la Francia. "(" Un grande editore d'arte. Lucien Vogel "in letteraria News, N. 133, maggio 1925). Il successo della rivista è immediato, non solo in Francia, ma anche gli Stati Uniti e Sud America. In origine, Vogel mette quindi insieme un gruppo di sette artisti: André-Edouard Marty e Pierre Brissaud, seguito da Georges Lepape e Dammicourt; e, infine, i suoi amici della Scuola di Belle Arti come sono George Barbier, Bernard Boutet de Monvel o Charles Martin. Altri talenti vengono rapidamente raggiungere il equipaggiato Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Alexander Halouze Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. Questi artisti, per lo più sconosciuti quando Lucien Vogel appello a loro, finirà per diventare figure iconiche e artistico ricercato. Questi sono gli stessi illustratori che fanno disegni annunci delle Gazette. Le schede evidenziano gli abiti e le sublimi sette artisti del tempo: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet e Doucet. I progettisti prevedono per ogni numero di modelli esclusivi. Tuttavia, alcune delle illustrazioni contenute alcun modello reale, ma solo l'idea che l'illustratore è fatto in la moda del giorno. Gazette alla moda è una pietra miliare nella storia della moda. Combinando l'esigenza estetica e l'unità di plastica, si riunisce per la prima volta i grandi talenti del mondo delle arti, della letteratura e della moda e imposto da questa alchimia, una nuova immagine della donna, esile, indipendente e audace, spinto anche dalla nuova generazione di designer Coco Chanel, Jean Patou, Rochas Marcel ... Recupero nel 1920 da Condé Nast Montrose, Gazette moda modellato per la nuova composizione e le scelte estetiche del "piccolo giornale che muore" che Nast aveva comprato qualche anno fa: la rivista Vogue. - [FRENCH VERSION FOLLOWS] Réunion de carnets extraits de la Gazette du Bon Ton ainsi constituée : - Croquis de mode d'été par Mario Simon (Croquis, La Gazette du Bon ton, 1920 n°3) pour Beer, Worth, Lanvin, Paul Poiret et Doeullet. Ensemble de quatre lithographies originales en couleur, tirées sur papier vergé. - Les modes en l'an de grâce Mil neuf cent vingt un (Croquis, La Gazette du Bon ton, 1921 n°3). Les modes en l'an de grâce Mil neuf cent vingt un (Croquis, La Gazette du Bon ton, 1921 n°3). - Pour la Riviera. Robes garnies de fleurs naturelles, dans la mesure où l'on en a et où l'on ne préfère pas d'employer, moins coûteuses, les fleurs artificielles (Croquis, La Gazette du Bon ton, 1921 n°10). Ensemble de huit estampes originales en couleur, tirées sur papier vergé. Le croquis XIX est signé en bas à droite de la planche. - Costumes tailleur de fantaisie ornés de colifichets (Croquis, La Gazette du Bon ton, 1922 n°4). Ensemble de huit estampes originales en couleur, tirées sur papier vergé. Le croquis XXXI est signé en bas à droite de la planche. Gravures originales réalisées pour l'illustration de La Gazette du bon ton, l'une des plus belles et des plus influentes revues de mode du XXème siècle, célébrant le talent des créateurs et des artistes français en plein essor de l'art déco. Célèbre revue de mode fondée en 1912 par Lucien Vogel, La Gazette du bon ton a paru jusqu'en 1925 avec une interruption durant la Guerre de 1915 à 1920, pour cause de mobilisation de son rédacteur en chef. Elle se constitue de 69 livraisons tirées à seulement 2000 exemplaires et est illustrée notamment de 573 planches en couleurs et de 148 croquis représentant des modèles de grands couturiers. Dès leur parution, ces luxueuses publications « s'adressent aux bibliophiles et aux mondains esthètes » (Françoise Tétart-Vittu « La Gazette du bon ton » in Dictionnaire de la mode, 2016). Imprimées sur beau papier vergé, elles utilisent une police typographique spécialement créée pour la revue par Georges Peignot, le caractère Cochin, repris en 1946 par Christian Dior. Les estampes sont réalisées grâce à la technique du pochoir métallique, rehaussées en couleurs et pour certaines soulignées à l'or ou au palladium. L'aventure commence en 1912 lorsque Lucien Vogel, homme du monde et de la mode - il a déjà participé à la revue Femina - décide de fonder avec sa femme Cosette de Brunhoff (s [Bookseller: Librairie Le Feu Follet]
27. Check availability: maremagnum.com
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Maquettes de costumes dessinées par Fauconnet pour le Conte d'hiver de Shakespeare, représenté au Théâtre du Vieux-Colombier (Croquis, La Gazette du Bon ton, 1920 n°2) - Lucien Vogel éditeur, Paris 1920, 18x24cm, relié. - Set di quattro litografie originali a colori, disegnato su carta vergata, firmato in basso a destra ea sinistra da stiro. Testo sul retro che spiega le tavole. contenuti originali prodotti per la illustrazione della gazzetta alla moda, una delle più belle e più influenti riviste di moda secolo XX, che celebra il talento di creatori e artisti francesi fiorente art deco. rivista di moda Famosa fondata nel 1912 da Lucien Vogel, The Gazette moda è apparso fino al 1925, con un'interruzione durante la guerra del 1915-1920, a causa della mobilitazione del suo Direttore. Lei è di 69 consegne a partire da soli 2000 copie ed è illustrato tra cui 573 tavole a colori e 148 schizzi raffiguranti modelli di stilisti. All'atto della pubblicazione, queste pubblicazioni di lusso "sono per bibliofili e gli esteti del mondo" (Françoise Tétart-Vittu "buona Ufficiale della tono" nel dizionario della moda, 2016). Stampato su carta vergata bene, usano un carattere creato appositamente per la rivista di Georges Peignot, il personaggio Cochin, presa nel 1946 da Christian Dior. Le stampe sono realizzate con la tecnica di stencil metallo, colori ottimizzati e alcuni delineati in oro o palladio. L'avventura è iniziata nel 1912, quando Lucien Vogel, uomo di mondo e della moda - ha già partecipato a magazine Femina - decise di fondare con la moglie Cosette de Brunhoff (sorella di John, il padre di Babar) Gazette buono tono con cui il sottotitolo è poi "l'arte, mode e frivolezze." Georges Charensol cita l'editor: "Nel 1910, ha osservato, non vi era alcuna rivista di moda veramente artistica e rappresentante dello spirito del suo tempo. Così ho pensato di fare una rivista patinata con gli artisti dei più moderni [...] ero certo del successo, perché per tutto il paese della moda in grado di competere con la Francia. "(" Un grande editore d'arte. Lucien Vogel "in letteraria News, N. 133, maggio 1925). Il successo della rivista è immediato, non solo in Francia, ma anche gli Stati Uniti e Sud America. In origine, Vogel mette quindi insieme un gruppo di sette artisti: André-Edouard Marty e Pierre Brissaud, seguito da Georges Lepape e Dammicourt; e, infine, i suoi amici della Scuola di Belle Arti come sono George Barbier, Bernard Boutet de Monvel o Charles Martin. Altri talenti vengono rapidamente raggiungere il equipaggiato Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Alexander Halouze Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. Questi artisti, per lo più sconosciuti quando Lucien Vogel appello a loro, finirà per diventare figure iconiche e artistico ricercato. Questi sono gli stessi illustratori che fanno disegni annunci delle Gazette. Le schede evidenziano gli abiti e le sublimi sette artisti del tempo: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet e Doucet. I progettisti prevedono per ogni numero di modelli esclusivi. Tuttavia, alcune delle illustrazioni contenute alcun modello reale, ma solo l'idea che l'illustratore è fatto in la moda del giorno. Gazette alla moda è una pietra miliare nella storia della moda. Combinando l'esigenza estetica e l'unità di plastica, si riunisce per la prima volta i grandi talenti del mondo delle arti, della letteratura e della moda e imposto da questa alchimia, una nuova immagine della donna, esile, indipendente e audace, spinto anche dalla nuova generazione di designer Coco Chanel, Jean Patou, Rochas Marcel ... Recupero nel 1920 da Condé Nast Montrose, Gazette moda modellato per la nuova composizione e le scelte estetiche del "piccolo giornale che muore" che Nast aveva comprato qualche anno fa: la rivista Vogue. - [FRENCH VERSION FOLLOWS] Ensemble de huit estampes originales en couleur, tirées sur papier vergé et signées en bas à droite et à gauche des planches. Les planches sont introduites par un texte signé Jean Cocteau et représentent des costumes pour la pièce de Shakespeare (deux Bergères, Paulina ou encore Le Temps). Reliure à la bradel en plein papier à motif décoratif, dos lisse, tête dorée. Gravures originales réalisées pour l'illustration de La Gazette du bon ton, l'une des plus belles et des plus influentes revues de mode du XXème siècle, célébrant le talent des créateurs et des artistes français en plein essor de l'art déco. Célèbre revue de mode fondée en 1912 par Lucien Vogel, La Gazette du bon ton a paru jusqu'en 1925 avec une interruption durant la Guerre de 1915 à 1920, pour cause de mobilisation de son rédacteur en chef. Elle se constitue de 69 livraisons tirées à seulement 2000 exemplaires et est illustrée notamment de 573 planches en couleurs et de 148 croquis représentant des modèles de grands couturiers. Dès leur parution, ces luxueuses publications « s'adressent aux bibliophiles et aux mondains esthètes » (Françoise Tétart-Vittu « La Gazette du bon ton » in Dictionnaire de la mode, 2016). Imprimées sur beau papier vergé, elles utilisent une police typographique spécialement créée pour la revue par Georges Peignot, le caractère Cochin, repris en 1946 par Christian Dior. Les estampes sont réalisées grâce à la technique du pochoir métallique, rehaussées en couleurs et pour certaines soulignées à l'or ou au palladium. L'aventure commence en 1912 lorsque Lucien Vogel, homme du monde et de la mode - il a déjà participé à la revue Femina - décide de fonder avec sa femme Cosette de Brunhoff (s [Bookseller: Librairie Le Feu Follet]
28. Check availability: maremagnum.com
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Les maîtres du cubisme. Fernand Léger first edition printed 100 copies numbered on rod-nominal, ours to Léonce Rosenberg.illustrated book of 20 reproductions of works of cubist Fernand Leger.stamp printed a bibliophile as an bookplate on the title page.Traces of waterstains on the back of the shirt.Nice and rare copy Editions de L'effort moderne Paris 1920 25,5x32,5cm en feuilles sous chemise à lacets [Bookseller: Librairie Le Feu Follet]
29. Check availability: Direct From Bookseller
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LABOUREUR]. Beauté, mon beau souci. Roman. illustré de trente-sept gravures par J. E. Laboureur. Paris, Nouvelle Revue Française, 1920. - in-8, 145pp.-1f.- frontispice, vignettes, bandeaux et culs-de-lampe. Relié box vert d'eau, plats ornés d'un réseau de filets à froid parallèles, formant un treillis, losanges de box vieux rose et incrustations de gouttes d'or dans les intersections, dos de même, large bordure intérieure reprenant le thème des plats ; tête or, non rogné, gardes de tabis beige, double garde de papier cuve, couverture et dos de papier glacé vert conservés ; étui bordé. (Ad. Lavaux relieur). Édition originale & premier tirage des 39 eaux-fortes de Laboureur (le titre annonce 37 par erreur). L'une des plus belles productions du célèbre aquafortiste. Tirage à 412 exemplaires sur les presses de Coulouma, tous sur vélin Lafuma fort. - Très bel exemplaire. Ex-libris Yvy. [Attributes: First Edition; Hard Cover] [Bookseller: Librairie Devaux]
30. Check availability: AbeBooks
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What to Drink D. Appleton and Co. New York 1920 - First Edition. Original red cloth. firmly bound volume, few nicks to cloth, light stain to lower fore-edge corner of binding and page edges. 0.0 [Attributes: First Edition; Hard Cover] [Bookseller: Babylon Revisited Rare Books]
31. Check availability: AbeBooks
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Relativity: The special and general theory. A popular exposition London: Methuen, 1920. xii, [3], 138pp, plus 8-page publisher's catalogue. Frontispiece portrait. 190 x 126 mm. Original red cloth, spine a bit faded, endpapers a little foxed. Very good. FIrst English edition (an American edition was published later the same year), and the first appearance of any of Einstein's works in English. [Bookseller: Jeremy Norman's Historyofscience.com]
32. Check availability: Biblio
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Ruth St. Denis: Pioneer & Prophet. Being a History of her Cycle of Oriental Dances. 1920 - 2 volumes, text and plates. Tipped in coloured frontispiece to each volume, numerous tipped in black and white plates, decorations by W.F.Rauschnabel. First edition, limited to 350 numbered copies, signed by Ruth St. Denis and Ted Shawn, this copy number 36. Large 4to., quarter green cloth over marbled boards, printed labels to each spine, uncut. San Francisco, John Henry Nash for John Howell. Printed in red and black. Spines faded, extremities bumped and lightly rubbed. [Attributes: First Edition; Signed Copy; Hard Cover] [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
33. Check availability: AbeBooks
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Trip to Rainbow Arch, A W. D. Sayle. Very Good with no dust jacket. 1920. First Edition; First Printing. Flexible cloth. Very good first edition in brown cloth covers. Inscribed by author: 'Dear Dr. Wood I hope this little narration will interest you W. D. Sayle Nov. 18 1920'. The cover is lightly worn around the edges. Binding is tight; this is one of the cleanest copies of this scarce Colorado Plateau title we've seen. More often than not, the flexible boards are curled and very chipped. The text and pictures are in very good shape. Follows the author's journey from Adamana, NM, throughout the southwest to Rainbow Arch (now Bridge). A fun journal of the exploration of a remote area of the American southwest, where few whites had been before. A highpoint for collectors of Colorado Plateau material which rarely appears on the market. Rydal Press printed 70 copies in facsimile in 1999. No record of how many copies of the original were printed. ; Large 8vo 9" - 10" tall; 62 pp; Signed by Author . [Bookseller: Back of Beyond Books, ABAA]
34. Check availability: Biblio
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This Side of Paradise New York: Charles Scribner's Sons, 1920. First Edition. First Printing with Scribner's seal on title page verso. Octavo (19.5cm.); publisher's dark green buckram, gilt=lettered spine; [8],305pp. Some general shelf wear, corners very slightly frayed, front hinge cracked but still holding, attractive contemporary bookplate designed by A.A. Blum and belonging to Philadelphia county District Attorney Charles Edwin Fox to front pastedown, else a Very Good and sound copy. Fitzgerald's first novel. [Bookseller: Lorne Bair Rare Books]
35. Check availability: Biblio
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Shakespeare Identified in Edward de Vere the Seventeenth Earl of Oxford London: Cecil Palmer, 1920. First Edition. Hardcover. Very good. FIRST EDITION of Looney's legendary work originating the Oxfordian theory of Shakespeare authorship. Very good but a bit loose with prior owner's name in ink on ffep, a few bent pages, and some rubbing to the boards. Extremely Scarce on the market. [Bookseller: Nelson Rare Books, IOBA]
36. Check availability: IOBABooks
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Beethoven-Ausstellung der Stadt Wien, I. Bz. Rathaus, Historisches Museum 16. Dezember - 15. Jänner]. Wien, Secession - graph. Kunstanstalt 1920 - Orig. Plakat, gerahmt, mit Passepartout. Beeindruckende Orignallithographie in drei Farben: Text im Randbereich beschnitten, im Bildausschnitt ca. 59,5 x 49,5 cm (Abbildung). - Leichte Gbrsp. - Abgebildet und beschrieben in der Biographie von Arpad Weixlgärtner: Karl Sterrer. Ein Wiener Maler der Gegenwart. Wien, Vlg. d. Gesellschaft f. vervielfätigender Kunst, S. 118f. [Bookseller: Antiquariat Weinek]
37. Check availability: ZVAB
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L'Ornementation Occidentale. 37 Gravures sur bois. Japon. Kyodo Taisho 9 (1920), Kyoto (Japon) - 39 feuillets. Sublime ouvrage composé de 37 planches gravées sur bois dont 5 en couleurs, représentant des modèles d'ornementation inspirés par l'Occident. Deux tampons au dos de chaque planche. Livres Tranches de l'étui légèrement passées, arêtes discrètement renforcées, deux planches insolées, sinon bel et rarissime exemplaire. Feuillets dans leur étui ancien à rabats, en pleine toile bleue, fermoirs en ivoire. [Bookseller: Librairie l'Art et la Manière]
38. Check availability: AbeBooks
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REVUE MEDICALE FRANCAISE, 1920-1936, 8 VOLUMES (COMPLET), REVUE DES SCIENCES MEDICALES ET BIOLOGIQUES, FRANCE - AMERIQUE LATINE - PROCHE-ORIENT 1920. Revue Médicale Française. 1920-1936. In-8.Carré. Relié demi-cuir. Etat d'usage. Couv. convenable. Dos frotté. Intérieur acceptable. 8 volumes. Titres, années et filets dorés sur les dos. Couvertures des ouvrages brochés conservées. Nombreuses publicités en noir et blanc. Quelques épidermures sur les dos. Du n° 1, 1re année, juillet 1920, au n° 9, 17e année, déc. 1936. Sommaire du n° 9, 17e année, déc. 1936: N° consacré à l'Urologie, sous la dir. du Pr Marion et de P. Le Gac. M. Marion, technique de la reposition du rein communément appelée néphropexie. MM. Fey et Dossot, les indications de la résection endo-urétrale. P.R. Flandrin, Diverticules et cavernes prostatiques. J. Pérard, Les séquelles vésicales et la tuberculose rénale. P. Truchot, Pyélographie et urographie intra-veineuse. M. Bouchard-Potocki, Le traitement chirurgical des grandes hydronéphroses. P. Barbellion, Diagnostic de la blennorragie. P. Le Gac, La latence des affections rénales. H. Blanc (Bordeaux), L'Urologie en 1935-36. Nécrologie: Victor Pauchet. [Bookseller: Le-Livre.Com]
39. Check availability: maremagnum.com
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Das Naschkastchen [Twelve illustrations] Arcadien, Berlin 1920 - Twelve original copper plate engravings signed in pencil by Christophe, mounted into stiff paper frames. Housed in original paper and cloth box with printed label and silk ribbon tie. Single sheet laid in listing plates, with the statement that the plates were made for friends in a limitation, and not available to the trade. Number 18 of 24. [Attributes: Hard Cover] [Bookseller: Heartwood Rare Books]
40. Check availability: AbeBooks
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John Wisden's Cricketers' Almanack for 1920 - 1920 Original Hardback Wisden, 1920. Hi, This lot is a 1920 Original Hardback Wisden This Wisden, a hard one to find, is in very good condition for the year. The boards are very nice , bright gilt and no real marks to mention. Internally the pastedowns are the usual darker yellow and the hinges are very good, clean pages inside and a great photoplate page 195 has a mark. [Bookseller: Wisdenshop.com]
41. Check availability: Biblio
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FAIRY TALES - (APPLETON,HONOR)illus. FAIRY TALES by Hans Christian Andersen. NY: Thomas Nelson, no date, circa 1920. Large 4to (9 1/2 x 11 3/4"), blue pictorial cloth. AS NEW IN PUBLISHER'S PICTORIAL BOX (box VG with flaps repaired). First edition. A very beautiful edition of 14 fairy tales (Snow Queen, Ole Luk-Oie, What the Moon Saw, Red Shoes, Little Match Girl etc), illustrated by British artist Honor Appleton (of Josephine fame) with pictorial endpapers, 12 magnificent color plates plus numerous detailed pen and ink drawings all throughout the text. This is an outstanding copy, rarely found with the box. [Attributes: First Edition; Hard Cover] [Bookseller: Aleph-Bet Books, Inc. - ABAA]
42. Check availability: AbeBooks
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Mitschiffs recht so ! , Nachrichten für das aktive und ehemals aktive Seeoffizierkorps. Mitteilungen der \'\' Seeno \'\' werden in diesem Blatte veröffentlicht. Verlag Mittler u.Sohn Berlin, Zweiter Jahrgang , Heft 1 April 1920 bis Heft 12 , 2 Jahrgang März 1921 Mittler und Sohn , Berlin, 1920/1921. Ges. 324 Seiten Orig. Pappband Papier altersgebräunt, sonst sauber, wenige kleine Bleistiftanstriche, Pappband am Rücken oben ( Kap.) etwas beschädigt. Ca. 4-5 cm ) R20A Versand D: 5,00 EUR [Bookseller: Versandhandel R. Wassmann]
43. Check availability: buchfreund.de
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