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Displayed below are some selected recent viaLibri matches for books published in 1920

        The Novels of Jane Austen

      ondon- Robert Riviere & Son 1920 - A beautifully bound set of the works of Jane Austen. An unusual set, bound and published by Robert Riviere and Son. With a frontispiece to each volume. Robert Riviere was an EnglishBookbinder known for his attractive decorative bindings and high quality. Jane Austen was an English novelist, known as one of the key figures in the English canon. She is known primarily for her novels which were set amongst the landed gentry at the end of the 18th century. Her novels are frequently adapted to film and television, and she is still widely read and beloved today. This is a charming set for any collector. Condition: In half calf bindings by Riviere and Son. Externally, very smart with some light shelfwear. Gilt detailing to the spines and marbled endpapers. Slight chip to the spine of Pride and Prejudice. Internally, firmly bound. Pages bright and generally clean aside from the occasional spots. Overall: NEAR FINE. [Attributes: Hard Cover]

      [Bookseller: Rooke Books PBFA]
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        ALBUM DE 20 PHOTOGRAPHIES ].

      c. 1920. - in-8 carré. 20 photographies de format 85 x 58 mm. environ, collées deux par deux sur 10 ff. cartonnés. Percaline noire du temps. Joli album portatif de 20 petites photographies de l'esplanade des Mosquées à Jérusalem (mur des lamentations, mosquée Al-Aqsa, etc.), prises par un amateur. Excellente conservation des images. Inscriptions manuscrites en arabe sur un feuillet de garde. [Attributes: Hard Cover]

      [Bookseller: Librería Comellas]
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        Croquis de mode par Raoul Dufy. Soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°1) [suivi de] Robes pour l'été 1920. Panorama de Raoul Dufy et soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°4)

      - Lucien Vogel éditeur, Paris 1920, 18x24cm, relié. - Serie di otto stampe originali a colori, disegnato su carta vergata. Le schede sono introdotte da una presentazione delle prime pagine di schizzi, seguita da una descrizione dettagliata della parte posteriore dove ha presentato vari accessori (ventilatori, bastoni, gioielli, lingerie). Schizzi III, IV e VIII sono firmati David, sia la tavole di sinistra in basso a destra e. stampe originali realizzati per l'illustrazione di The Gazette alla moda, una delle più belle e più influenti riviste di moda secolo XX, che celebra il talento di creatori e artisti francesi fiorente art deco. rivista di moda Famosa fondata nel 1912 da Lucien Vogel, The Gazette moda è apparso fino al 1925, con un'interruzione durante la guerra del 1915-1920, a causa della mobilitazione del suo Direttore. Lei è di 69 consegne a partire da soli 2000 copie ed è illustrato tra cui 573 tavole a colori e 148 schizzi raffiguranti modelli di stilisti. All'atto della pubblicazione, queste pubblicazioni di lusso "sono per bibliofili e gli esteti del mondo" (Françoise Tétart-Vittu "buona Ufficiale della tono" nel dizionario della moda, 2016). Stampato su carta vergata bene, usano un carattere creato appositamente per la rivista di Georges Peignot, il personaggio Cochin, presa nel 1946 da Christian Dior. Le stampe sono realizzate con la tecnica di stencil metallo, colori ottimizzati e alcuni delineati in oro o palladio. L'avventura è iniziata nel 1912, quando Lucien Vogel, uomo di mondo e della moda - ha già partecipato a magazine Femina - decise di fondare con la moglie Cosette de Brunhoff (sorella di John, il padre di Babar) Gazette buono tono con cui il sottotitolo è poi "l'arte, mode e frivolezze." Georges Charensol cita l'editor: "Nel 1910, ha osservato, non vi era alcuna rivista di moda veramente artistica e rappresentante dello spirito del suo tempo. Così ho pensato di fare una rivista patinata con gli artisti dei più moderni [...] ero certo del successo, perché per tutto il paese della moda in grado di competere con la Francia. "(" Un grande editore d'arte. Lucien Vogel "in letteraria News, N. 133, maggio 1925). Il successo della rivista è immediato, non solo in Francia, ma anche gli Stati Uniti e Sud America. In origine, Vogel mette quindi insieme un gruppo di sette artisti: André-Edouard Marty e Pierre Brissaud, seguito da Georges Lepape e Dammicourt; e, infine, i suoi amici della Scuola di Belle Arti come sono George Barbier, Bernard Boutet de Monvel o Charles Martin. Altri talenti vengono rapidamente raggiungere il equipaggiato Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Alexander Halouze Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. Questi artisti, per lo più sconosciuti quando Lucien Vogel appello a loro, finirà per diventare figure iconiche e artistico ricercato. Questi sono gli stessi illustratori che fanno disegni annunci delle Gazette. Le schede evidenziano gli abiti e le sublimi sette artisti del tempo: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet e Doucet. I progettisti prevedono per ogni numero di modelli esclusivi. Tuttavia, alcune delle illustrazioni contenute alcun modello reale, ma solo l'idea che l'illustratore è fatto in la moda del giorno. Gazette alla moda è una pietra miliare nella storia della moda. Combinando l'esigenza estetica e l'unità di plastica, si riunisce per la prima volta i grandi talenti del mondo delle arti, della letteratura e della moda e imposto da questa alchimia, una nuova immagine della donna, esile, indipendente e audace, spinto anche dalla nuova generazione di designer Coco Chanel, Jean Patou, Rochas Marcel ... Recupero nel 1920 da Condé Nast Montrose, Gazette moda modellato per la nuova composizione e le scelte estetiche del "piccolo giornale che muore" che Nast aveva comprato qualche anno fa: la rivista Vogue. - [FRENCH VERSION FOLLOWS] Ensemble de huit estampes originales en couleur, tirées sur papier vergé et signées en bas à droite des planches. Ce cahier est suivi d'une planche illustrée de onze modèles de robes. Formé aux Beaux-arts de Paris, Raoul Dufy commence à se faire connaitre quand Maurice Denis lui achète une de ses toiles, exposée au Salon des indépendants de 1903. En 1910, Dufy travaille aux côtés de Guillaume Apollinaire et illustre de plusieurs bois gravés son Bestiaire. Impressionné par ce travail, le couturier Paul Poiret lui propose de travailler avec lui ; Dufy se lance alors dans le dessin de mode et monte une entreprise de décoration et d'impression de tissus avec Poiret. C'est par ce biais qu'il entre peu de temps après à la Gazette du Bon ton, où d'un trait toujours extrêmement élégant, il réalise de rares mais très appréciées vignettes. Sa prédilection pour les couleurs vives - issue de de son attirance pour le fauvisme - conforte son succès auprès du public au point de se voir attribuer une commande d'Etat en 1936 dans le cadre de l'Exposition internationale des arts et des techniques dans la vie moderne prévue en 1937. C'est à cette occasion qu'il réalise son

      [Bookseller: Librairie Le Feu Follet]
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        Croquis de mode : Croquis de mode d'été par Mario Simon (Croquis, La Gazette du Bon ton, 1920 n°3). - Les modes en l'an de grâce Mil neuf cent vingt un (Croquis, La Gazette du Bon ton, 1921 n°3) - Pour la Riviera. Robes garnies de fleurs naturelles, dans la mesure où l'on en a et où l'on ne préfère pas d'employer, moins coûteuses, les fleurs artificielles (Croquis, La Gazette du Bon ton, 1921 n°10). - Costumes tailleur de fantaisie ornés de colifichets (Croquis, La Gazette du Bon ton, 1922 n°4). -

      - Lucien Vogel éditeur, Paris 1920-1922, 18x24cm, relié. - Set di quattro litografie originali a colori, disegnato su carta vergata. Testo che descrive le tavole finali. stampe originali realizzati per l'illustrazione di The Gazette alla moda, una delle più belle e più influenti riviste di moda secolo XX, che celebra il talento di creatori e artisti francesi fiorente art deco. rivista di moda Famosa fondata nel 1912 da Lucien Vogel, The Gazette moda è apparso fino al 1925, con un'interruzione durante la guerra del 1915-1920, a causa della mobilitazione del suo Direttore. Lei è di 69 consegne a partire da soli 2000 copie ed è illustrato tra cui 573 tavole a colori e 148 schizzi raffiguranti modelli di stilisti. All'atto della pubblicazione, queste pubblicazioni di lusso "sono per bibliofili e gli esteti del mondo" (Françoise Tétart-Vittu "buona Ufficiale della tono" nel dizionario della moda, 2016). Stampato su carta vergata bene, usano un carattere creato appositamente per la rivista di Georges Peignot, il personaggio Cochin, presa nel 1946 da Christian Dior. Le stampe sono realizzate con la tecnica di stencil metallo, colori ottimizzati e alcuni delineati in oro o palladio. L'avventura è iniziata nel 1912, quando Lucien Vogel, uomo di mondo e della moda - ha già partecipato a magazine Femina - decise di fondare con la moglie Cosette de Brunhoff (sorella di John, il padre di Babar) Gazette buono tono con cui il sottotitolo è poi "l'arte, mode e frivolezze." Georges Charensol cita l'editor: "Nel 1910, ha osservato, non vi era alcuna rivista di moda veramente artistica e rappresentante dello spirito del suo tempo. Così ho pensato di fare una rivista patinata con gli artisti dei più moderni [...] ero certo del successo, perché per tutto il paese della moda in grado di competere con la Francia. "(" Un grande editore d'arte. Lucien Vogel "in letteraria News, N. 133, maggio 1925). Il successo della rivista è immediato, non solo in Francia, ma anche gli Stati Uniti e Sud America. In origine, Vogel mette quindi insieme un gruppo di sette artisti: André-Edouard Marty e Pierre Brissaud, seguito da Georges Lepape e Dammicourt; e, infine, i suoi amici della Scuola di Belle Arti come sono George Barbier, Bernard Boutet de Monvel o Charles Martin. Altri talenti vengono rapidamente raggiungere il equipaggiato Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Alexander Halouze Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. Questi artisti, per lo più sconosciuti quando Lucien Vogel appello a loro, finirà per diventare figure iconiche e artistico ricercato. Questi sono gli stessi illustratori che fanno disegni annunci delle Gazette. Le schede evidenziano gli abiti e le sublimi sette artisti del tempo: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet e Doucet. I progettisti prevedono per ogni numero di modelli esclusivi. Tuttavia, alcune delle illustrazioni contenute alcun modello reale, ma solo l'idea che l'illustratore è fatto in la moda del giorno. Gazette alla moda è una pietra miliare nella storia della moda. Combinando l'esigenza estetica e l'unità di plastica, si riunisce per la prima volta i grandi talenti del mondo delle arti, della letteratura e della moda e imposto da questa alchimia, una nuova immagine della donna, esile, indipendente e audace, spinto anche dalla nuova generazione di designer Coco Chanel, Jean Patou, Rochas Marcel ... Recupero nel 1920 da Condé Nast Montrose, Gazette moda modellato per la nuova composizione e le scelte estetiche del "piccolo giornale che muore" che Nast aveva comprato qualche anno fa: la rivista Vogue. - [FRENCH VERSION FOLLOWS] Réunion de carnets extraits de la Gazette du Bon Ton ainsi constituée : - Croquis de mode d'été par Mario Simon (Croquis, La Gazette du Bon ton, 1920 n°3) pour Beer, Worth, Lanvin, Paul Poiret et Doeullet. Ensemble de quatre lithographies originales en couleur, tirées sur papier vergé. - Les modes en l'an de grâce Mil neuf cent vingt un (Croquis, La Gazette du Bon ton, 1921 n°3). Les modes en l'an de grâce Mil neuf cent vingt un (Croquis, La Gazette du Bon ton, 1921 n°3). - Pour la Riviera. Robes garnies de fleurs naturelles, dans la mesure où l'on en a et où l'on ne préfère pas d'employer, moins coûteuses, les fleurs artificielles (Croquis, La Gazette du Bon ton, 1921 n°10). Ensemble de huit estampes originales en couleur, tirées sur papier vergé. Le croquis XIX est signé en bas à droite de la planche. - Costumes tailleur de fantaisie ornés de colifichets (Croquis, La Gazette du Bon ton, 1922 n°4). Ensemble de huit estampes originales en couleur, tirées sur papier vergé. Le croquis XXXI est signé en bas à droite de la planche. Gravures originales réalisées pour l'illustration de La Gazette du bon ton, l'une des plus belles et des plus influentes revues de mode du XXème siècle, célébrant le talent des créateurs et des artistes français en plein essor de l'art déco.   Célèbre revue de mode fondée en 1912 par Lucien Vogel, La Gazette du bon ton a paru jusqu'en 1925 avec une interruption durant la Guerre de 1915 à 1920, pour cause de mobilisation de son rédacteur en chef. Elle se constitue de 69 livraisons tirées à seulement 2000 exemplaires et est illustrée notamment de 573 planches en couleurs et de 148 croquis représentant des modèles de grands couturiers. Dès leur parution, ces luxueuses publications « s'adressent aux bibliophiles et aux mondains esthètes » (Françoise Tétart-Vittu « La Gazette du bon ton » in Dictionnaire de la mode, 2016). Imprimées sur beau papier vergé, elles utilisent une police typographique spécialement créée pour la revue par Georges Peignot, le caractère Cochin, repris en 1946 par Christian Dior. Les estampes sont réalisées grâce à la technique du pochoir métallique, rehaussées en couleurs et pour certaines soulignées à l'or ou au palladium. L'aventure commence en 1912 lorsque Lucien Vogel, homme du monde et de la mode - il a déjà participé à la revue Femina - décide de fonder avec sa femme Cosette de Brunhoff (s

      [Bookseller: Librairie Le Feu Follet]
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        Maquettes de costumes dessinées par Fauconnet pour le Conte d'hiver de Shakespeare, représenté au Théâtre du Vieux-Colombier (Croquis, La Gazette du Bon ton, 1920 n°2)

      - Lucien Vogel éditeur, Paris 1920, 18x24cm, relié. - Set di quattro litografie originali a colori, disegnato su carta vergata, firmato in basso a destra ea sinistra da stiro. Testo sul retro che spiega le tavole. contenuti originali prodotti per la illustrazione della gazzetta alla moda, una delle più belle e più influenti riviste di moda secolo XX, che celebra il talento di creatori e artisti francesi fiorente art deco. rivista di moda Famosa fondata nel 1912 da Lucien Vogel, The Gazette moda è apparso fino al 1925, con un'interruzione durante la guerra del 1915-1920, a causa della mobilitazione del suo Direttore. Lei è di 69 consegne a partire da soli 2000 copie ed è illustrato tra cui 573 tavole a colori e 148 schizzi raffiguranti modelli di stilisti. All'atto della pubblicazione, queste pubblicazioni di lusso "sono per bibliofili e gli esteti del mondo" (Françoise Tétart-Vittu "buona Ufficiale della tono" nel dizionario della moda, 2016). Stampato su carta vergata bene, usano un carattere creato appositamente per la rivista di Georges Peignot, il personaggio Cochin, presa nel 1946 da Christian Dior. Le stampe sono realizzate con la tecnica di stencil metallo, colori ottimizzati e alcuni delineati in oro o palladio. L'avventura è iniziata nel 1912, quando Lucien Vogel, uomo di mondo e della moda - ha già partecipato a magazine Femina - decise di fondare con la moglie Cosette de Brunhoff (sorella di John, il padre di Babar) Gazette buono tono con cui il sottotitolo è poi "l'arte, mode e frivolezze." Georges Charensol cita l'editor: "Nel 1910, ha osservato, non vi era alcuna rivista di moda veramente artistica e rappresentante dello spirito del suo tempo. Così ho pensato di fare una rivista patinata con gli artisti dei più moderni [...] ero certo del successo, perché per tutto il paese della moda in grado di competere con la Francia. "(" Un grande editore d'arte. Lucien Vogel "in letteraria News, N. 133, maggio 1925). Il successo della rivista è immediato, non solo in Francia, ma anche gli Stati Uniti e Sud America. In origine, Vogel mette quindi insieme un gruppo di sette artisti: André-Edouard Marty e Pierre Brissaud, seguito da Georges Lepape e Dammicourt; e, infine, i suoi amici della Scuola di Belle Arti come sono George Barbier, Bernard Boutet de Monvel o Charles Martin. Altri talenti vengono rapidamente raggiungere il equipaggiato Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Alexander Halouze Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. Questi artisti, per lo più sconosciuti quando Lucien Vogel appello a loro, finirà per diventare figure iconiche e artistico ricercato. Questi sono gli stessi illustratori che fanno disegni annunci delle Gazette. Le schede evidenziano gli abiti e le sublimi sette artisti del tempo: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet e Doucet. I progettisti prevedono per ogni numero di modelli esclusivi. Tuttavia, alcune delle illustrazioni contenute alcun modello reale, ma solo l'idea che l'illustratore è fatto in la moda del giorno. Gazette alla moda è una pietra miliare nella storia della moda. Combinando l'esigenza estetica e l'unità di plastica, si riunisce per la prima volta i grandi talenti del mondo delle arti, della letteratura e della moda e imposto da questa alchimia, una nuova immagine della donna, esile, indipendente e audace, spinto anche dalla nuova generazione di designer Coco Chanel, Jean Patou, Rochas Marcel ... Recupero nel 1920 da Condé Nast Montrose, Gazette moda modellato per la nuova composizione e le scelte estetiche del "piccolo giornale che muore" che Nast aveva comprato qualche anno fa: la rivista Vogue. - [FRENCH VERSION FOLLOWS] Ensemble de huit estampes originales en couleur, tirées sur papier vergé et signées en bas à droite et à gauche des planches. Les planches sont introduites par un texte signé Jean Cocteau et représentent des costumes pour la pièce de Shakespeare (deux Bergères, Paulina ou encore Le Temps). Reliure à la bradel en plein papier à motif décoratif, dos lisse, tête dorée. Gravures originales réalisées pour l'illustration de La Gazette du bon ton, l'une des plus belles et des plus influentes revues de mode du XXème siècle, célébrant le talent des créateurs et des artistes français en plein essor de l'art déco.   Célèbre revue de mode fondée en 1912 par Lucien Vogel, La Gazette du bon ton a paru jusqu'en 1925 avec une interruption durant la Guerre de 1915 à 1920, pour cause de mobilisation de son rédacteur en chef. Elle se constitue de 69 livraisons tirées à seulement 2000 exemplaires et est illustrée notamment de 573 planches en couleurs et de 148 croquis représentant des modèles de grands couturiers. Dès leur parution, ces luxueuses publications « s'adressent aux bibliophiles et aux mondains esthètes » (Françoise Tétart-Vittu « La Gazette du bon ton » in Dictionnaire de la mode, 2016). Imprimées sur beau papier vergé, elles utilisent une police typographique spécialement créée pour la revue par Georges Peignot, le caractère Cochin, repris en 1946 par Christian Dior. Les estampes sont réalisées grâce à la technique du pochoir métallique, rehaussées en couleurs et pour certaines soulignées à l'or ou au palladium. L'aventure commence en 1912 lorsque Lucien Vogel, homme du monde et de la mode - il a déjà participé à la revue Femina - décide de fonder avec sa femme Cosette de Brunhoff (s

      [Bookseller: Librairie Le Feu Follet]
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        Les maîtres du cubisme. Fernand Léger

      first edition printed 100 copies numbered on rod-nominal, ours to Léonce Rosenberg.illustrated book of 20 reproductions of works of cubist Fernand Leger.stamp printed a bibliophile as an bookplate on the title page.Traces of waterstains on the back of the shirt.Nice and rare copy Editions de L'effort moderne Paris 1920 25,5x32,5cm en feuilles sous chemise à lacets

      [Bookseller: Librairie Le Feu Follet]
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        LABOUREUR]. Beauté, mon beau souci. Roman. illustré de trente-sept gravures par J. E. Laboureur.

      Paris, Nouvelle Revue Française, 1920. - in-8, 145pp.-1f.- frontispice, vignettes, bandeaux et culs-de-lampe. Relié box vert d'eau, plats ornés d'un réseau de filets à froid parallèles, formant un treillis, losanges de box vieux rose et incrustations de gouttes d'or dans les intersections, dos de même, large bordure intérieure reprenant le thème des plats ; tête or, non rogné, gardes de tabis beige, double garde de papier cuve, couverture et dos de papier glacé vert conservés ; étui bordé. (Ad. Lavaux relieur). Édition originale & premier tirage des 39 eaux-fortes de Laboureur (le titre annonce 37 par erreur). L'une des plus belles productions du célèbre aquafortiste. Tirage à 412 exemplaires sur les presses de Coulouma, tous sur vélin Lafuma fort. - Très bel exemplaire. Ex-libris Yvy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Devaux]
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        What to Drink

      D. Appleton and Co. New York 1920 - First Edition. Original red cloth. firmly bound volume, few nicks to cloth, light stain to lower fore-edge corner of binding and page edges. 0.0 [Attributes: First Edition; Hard Cover]

      [Bookseller: Babylon Revisited Rare Books]
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        Relativity: The special and general theory. A popular exposition

      London: Methuen, 1920. xii, [3], 138pp, plus 8-page publisher's catalogue. Frontispiece portrait. 190 x 126 mm. Original red cloth, spine a bit faded, endpapers a little foxed. Very good. FIrst English edition (an American edition was published later the same year), and the first appearance of any of Einstein's works in English.

      [Bookseller: Jeremy Norman's Historyofscience.com]
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        Ruth St. Denis: Pioneer & Prophet. Being a History of her Cycle of Oriental Dances.

      1920 - 2 volumes, text and plates. Tipped in coloured frontispiece to each volume, numerous tipped in black and white plates, decorations by W.F.Rauschnabel. First edition, limited to 350 numbered copies, signed by Ruth St. Denis and Ted Shawn, this copy number 36. Large 4to., quarter green cloth over marbled boards, printed labels to each spine, uncut. San Francisco, John Henry Nash for John Howell. Printed in red and black. Spines faded, extremities bumped and lightly rubbed. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
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        Trip to Rainbow Arch, A

      W. D. Sayle. Very Good with no dust jacket. 1920. First Edition; First Printing. Flexible cloth. Very good first edition in brown cloth covers. Inscribed by author: 'Dear Dr. Wood I hope this little narration will interest you W. D. Sayle Nov. 18 1920'. The cover is lightly worn around the edges. Binding is tight; this is one of the cleanest copies of this scarce Colorado Plateau title we've seen. More often than not, the flexible boards are curled and very chipped. The text and pictures are in very good shape. Follows the author's journey from Adamana, NM, throughout the southwest to Rainbow Arch (now Bridge). A fun journal of the exploration of a remote area of the American southwest, where few whites had been before. A highpoint for collectors of Colorado Plateau material which rarely appears on the market. Rydal Press printed 70 copies in facsimile in 1999. No record of how many copies of the original were printed. ; Large 8vo 9" - 10" tall; 62 pp; Signed by Author .

      [Bookseller: Back of Beyond Books, ABAA]
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        This Side of Paradise

      New York: Charles Scribner's Sons, 1920. First Edition. First Printing with Scribner's seal on title page verso. Octavo (19.5cm.); publisher's dark green buckram, gilt=lettered spine; [8],305pp. Some general shelf wear, corners very slightly frayed, front hinge cracked but still holding, attractive contemporary bookplate designed by A.A. Blum and belonging to Philadelphia county District Attorney Charles Edwin Fox to front pastedown, else a Very Good and sound copy. Fitzgerald's first novel.

      [Bookseller: Lorne Bair Rare Books]
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        Shakespeare Identified in Edward de Vere the Seventeenth Earl of Oxford

      London: Cecil Palmer, 1920. First Edition. Hardcover. Very good. FIRST EDITION of Looney's legendary work originating the Oxfordian theory of Shakespeare authorship. Very good but a bit loose with prior owner's name in ink on ffep, a few bent pages, and some rubbing to the boards. Extremely Scarce on the market.

      [Bookseller: Nelson Rare Books, IOBA]
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        Beethoven-Ausstellung der Stadt Wien, I. Bz. Rathaus, Historisches Museum 16. Dezember - 15. Jänner].

      Wien, Secession - graph. Kunstanstalt 1920 - Orig. Plakat, gerahmt, mit Passepartout. Beeindruckende Orignallithographie in drei Farben: Text im Randbereich beschnitten, im Bildausschnitt ca. 59,5 x 49,5 cm (Abbildung). - Leichte Gbrsp. - Abgebildet und beschrieben in der Biographie von Arpad Weixlgärtner: Karl Sterrer. Ein Wiener Maler der Gegenwart. Wien, Vlg. d. Gesellschaft f. vervielfätigender Kunst, S. 118f.

      [Bookseller: Antiquariat Weinek]
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        L'Ornementation Occidentale. 37 Gravures sur bois. Japon.

      Kyodo Taisho 9 (1920), Kyoto (Japon) - 39 feuillets. Sublime ouvrage composé de 37 planches gravées sur bois dont 5 en couleurs, représentant des modèles d'ornementation inspirés par l'Occident. Deux tampons au dos de chaque planche. Livres Tranches de l'étui légèrement passées, arêtes discrètement renforcées, deux planches insolées, sinon bel et rarissime exemplaire. Feuillets dans leur étui ancien à rabats, en pleine toile bleue, fermoirs en ivoire.

      [Bookseller: Librairie l'Art et la Manière]
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        REVUE MEDICALE FRANCAISE, 1920-1936, 8 VOLUMES (COMPLET), REVUE DES SCIENCES MEDICALES ET BIOLOGIQUES, FRANCE - AMERIQUE LATINE - PROCHE-ORIENT

      1920. Revue Médicale Française. 1920-1936. In-8.Carré. Relié demi-cuir. Etat d'usage. Couv. convenable. Dos frotté. Intérieur acceptable. 8 volumes. Titres, années et filets dorés sur les dos. Couvertures des ouvrages brochés conservées. Nombreuses publicités en noir et blanc. Quelques épidermures sur les dos. Du n° 1, 1re année, juillet 1920, au n° 9, 17e année, déc. 1936. Sommaire du n° 9, 17e année, déc. 1936: N° consacré à l'Urologie, sous la dir. du Pr Marion et de P. Le Gac. M. Marion, technique de la reposition du rein communément appelée néphropexie. MM. Fey et Dossot, les indications de la résection endo-urétrale. P.R. Flandrin, Diverticules et cavernes prostatiques. J. Pérard, Les séquelles vésicales et la tuberculose rénale. P. Truchot, Pyélographie et urographie intra-veineuse. M. Bouchard-Potocki, Le traitement chirurgical des grandes hydronéphroses. P. Barbellion, Diagnostic de la blennorragie. P. Le Gac, La latence des affections rénales. H. Blanc (Bordeaux), L'Urologie en 1935-36. Nécrologie: Victor Pauchet.

      [Bookseller: Le-Livre.Com]
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        Das Naschkastchen [Twelve illustrations]

      Arcadien, Berlin 1920 - Twelve original copper plate engravings signed in pencil by Christophe, mounted into stiff paper frames. Housed in original paper and cloth box with printed label and silk ribbon tie. Single sheet laid in listing plates, with the statement that the plates were made for friends in a limitation, and not available to the trade. Number 18 of 24. [Attributes: Hard Cover]

      [Bookseller: Heartwood Rare Books]
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        John Wisden's Cricketers' Almanack for 1920 - 1920 Original Hardback Wisden,

      1920. Hi, This lot is a 1920 Original Hardback Wisden This Wisden, a hard one to find, is in very good condition for the year. The boards are very nice , bright gilt and no real marks to mention. Internally the pastedowns are the usual darker yellow and the hinges are very good, clean pages inside and a great photoplate page 195 has a mark.

      [Bookseller: Wisdenshop.com]
 18.   Check availability:     Biblio     Link/Print  


        FAIRY TALES

      - (APPLETON,HONOR)illus. FAIRY TALES by Hans Christian Andersen. NY: Thomas Nelson, no date, circa 1920. Large 4to (9 1/2 x 11 3/4"), blue pictorial cloth. AS NEW IN PUBLISHER'S PICTORIAL BOX (box VG with flaps repaired). First edition. A very beautiful edition of 14 fairy tales (Snow Queen, Ole Luk-Oie, What the Moon Saw, Red Shoes, Little Match Girl etc), illustrated by British artist Honor Appleton (of Josephine fame) with pictorial endpapers, 12 magnificent color plates plus numerous detailed pen and ink drawings all throughout the text. This is an outstanding copy, rarely found with the box. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Mitschiffs recht so ! , Nachrichten für das aktive und ehemals aktive Seeoffizierkorps. Mitteilungen der \'\' Seeno \'\' werden in diesem Blatte veröffentlicht. Verlag Mittler u.Sohn Berlin, Zweiter Jahrgang , Heft 1 April 1920 bis Heft 12 , 2 Jahrgang März 1921

      Mittler und Sohn , Berlin, 1920/1921. Ges. 324 Seiten Orig. Pappband Papier altersgebräunt, sonst sauber, wenige kleine Bleistiftanstriche, Pappband am Rücken oben ( Kap.) etwas beschädigt. Ca. 4-5 cm ) R20A Versand D: 5,00 EUR

      [Bookseller: Versandhandel R. Wassmann]
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        Typed letter signed. Chicago, 12. IV. 1920.

      1920. 8vo. 6 pp. on 2 double leaves. To Mrs. Roland G. Hopkins from the Women's City Club of Boston: "[...] I was very happy to have the opportunity of speaking to that interesting gathering of friends in your home [...] Although I spoke somewhat about the International Congress of Working Women, I am going to repeat a few of the outstanding facts - which you may or may not care to read. Nineteen countries were represented, and the members of the Congress spoke in six or seven languages. They were women of broad vision and great insight into the industrial problems now confronting the world, and they had come together to consider the next steps in reconstruction in an effort to stabilize industry [...]". - On stationery with printed letterhead and two pinhead-sized holes.

      [Bookseller: Antiquariat Inlibris]
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        Der Speerwerfer: Bronze auf Marmorsockel.

      Schöne Bronze, einen nur mit Lendenschurz und Helm bekleideten fast nackten Krieger mit Speer zeigend. Höhe 27 cm / Gesamthöhe mit Sockel 35,5 cm. In der Plinthe mit *Schmidt-Felling* signiert, undatiert, um 1920. Gewicht 3900 Gramm. Schmidt-Felling: *1895 - 1930 Der Sockel gering bestoßen - sonst guter Zustand. ( Pic erhältlich // webimage available )

      [Bookseller: Antiquariat Friederichsen]
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        Geschichte der Kriegskunst im Rahmen der politischen Geschichte. [Mischaufl.]. Tl. 1-7, 7 Bde. [Komplett]

      Tl. 1: Das Altertum (3. Aufl. 1920) Tl. 2: Die Germanen (3. Aufl. 1921) Tl. 3: Das Mittelalter (2. Aufl. 1923) Tl. 4: Neuzeit (1920) Tl. 5: Neuzeit (Forts. Fortges. von Emil Daniels 1928) Tl. 6: Neuzeit (Forts. Fortges. von Emil Daniels 1932) Tl. 7: Neuzeit (Schluss. Fortges. von Emil Daniels und Otto Haintz 1936). Bd. 7 etwas abweichend gebunden. Altersbedingt leicht berieben, kaum bestossen. Insgesamt sehr schönes und dekoratives Exemplar. Selten vollständig in den frühen Auflagen angeboten

      [Bookseller: Incunabula]
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        PINOCCHIO

      - COLLODI,CARLO. (KIRK) PINOCCHIO. Philadelphia: Lippincott (1920). 4to (7 1/4 x 9 1/2"), blue & tan cloth, 234p., Fine IN ORIGINAL PICTORIAL BOX (box rubbed and sl. soiled). First edition of the DELUXE EDITION featuring 14 beautiful tipped in color plates by MARIA KIRK plus illustrations on text pages and pictorial endpapers. An enchanting version of this favorite tale, scarce in the box. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Le poison -

      René Kieffer 1920 -, Paris - 1 volume. In-4. 56 pp. Reliure plein maroquin gris. Dos lisse orné. Plats ornés d'un décor à froid formé d'un médaillon au centre duquel se trouve une cruche entourée de feuillage et d'écoinçons ornés de compositions florales de même style. Tête dorée. Couverture et dos conservés. Reliure signée René KIEFFER. Édition illustrée de 30 compositions en couleurs par Lucien SIMON. Dos très légèrement éclairci. Élégante reliure de René Kieffer. TIRAGE LIMITE à 490 exemplaires numérotés sur vélin à la forme. [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
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        Works

      New York: Doubleday, Page & Company, 1920. Hardcover. Orig. beige cloth and blue boards with spine paper labels. Very good. Vols. 1-18. 22 x 15 cm. The Sun-Dial edition, an out of series set from the edition of 735 copies. Signed in ink by Conrad in first volume. Nelson Doubleday's copy with his bookplates, entire set is unopened. Modest extremity rubbing.

      [Bookseller: Royoung bookseller, Inc.]
 26.   Check availability:     Biblio     Link/Print  


        Andersens Märchen

      Andersens Märchen. Bilder von Norbertine Breßlern-Roth (1920) 130pp., Erstausgabe, illustr. OHlwd., "Gerlachs Jugendbücherei Band 34" Verlag von Gerlach & Wiedling, Wien und Leipzig. Druck von Friedrich Jasper in Wien. Der wohl seltenste Band der Reihe in nahezu neuwertiger Erhaltung reich illustriert von Norbertine Breßlern-Roth, teilweise in Farbe.

      [Bookseller: tigerle]
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        Schule-Emmi-Zweibrück-Prochaska Wien - Helli - Fritz - 15 Jahre.

      Wien, [Selbstverlag], o. J. [um ] 1920 - Farbige OLithographie. ca. 46,3 x 85,5 und 46,3 x 86,5 cm. Zweiteiliger Fries.

      [Bookseller: Antiquariat Weinek]
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        BLOBBS AT THE FAIR

      PARKER, B.. DOGS. BLOBBS AT THE FAIR by Vernon Stokes and B. Parker. London: Chambers, no date, circa 1920. Folio (10 x 12"), pictorial boards, slight bit of edge rubbing else Fine in dust wrapper (dw frayed, small piece off backstrip, larger piece off rear corner). The misadventures of a wonderful bulldog named Blobbs at the fair are told in verse. Illustrated by Stokes and B. Parker with 11 fabulous full page chromolithographs and with more than 12 full page black & whites. This is a fantastic picture book, rarely found in such bright condition with dust wrapper.

      [Bookseller: Aleph-Bet Books, Inc.]
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        Ölgemälde: Heuducken am Hang mit Blick auf Fluß im Tal.

      Bildmaß: 60 x 78 cm ( Höhe x Breite ), rechts unten mit *J.Dederichs* signiert, undatiert ( ca. um 1920 ). Das Bild ist in Öl auf Platte gemalt, alt gerahmt ( Rahmenmaß 78 x 97 cm ). Gezeigt wird die Heuernte mit 2 Mägden und 1 Knecht am Hang mit Blick von der Höhe auf eine weite Flußlandschaft im Tal. Das Bild leicht fleckig, der Rahmen gering bestoßen. ( Bitte beachten: Hier aufgrund der Größe kein Versand - hier nur Selbstabholung in meinem Ladengeschäft ) ( Pic erhältlich // webimage available )( Please notice: No shipment possible )

      [Bookseller: Antiquariat Friederichsen]
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        Women in Love

      privately printed for subscribers, London 1920 - First edition, first English issue (Roberts A15b), one of a limited edition of 50 numbered copies made up from the American sheets and signed by the author. The US edition, which was issued in dark blue cloth boards, was published in November 1920 in an edition of 1250 copies, of which 50 were sold to Martin Secker as sheets (and published retaining the same title and copyright pages). Dark brown cloth boards with light soiling and bumping to corners but a handsome copy with the spine gilt still bright. Bookplate of Oliver Brett to front pastedown endpaper and (his?) pencil notes speculatively identifying characters in the text to the rear endpaper. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter Grogan]
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        Frülingsgesang [Song of Spring] for two Violins, Piano and Harmonium ad lib. [WoO]. [Score and parts]. Autograph working musical manuscript signed, dated April 3, 1920 at conclusion....

      Folio. Unbound. Notated in ink on printed 12-stave music paper, ca. 300 x 250 mm. Autograph titling and inscription to recto of outer bifolium. Score: Title + 16 pp. Violin I: Title + 4 pp. Violinn II: Title + 5 pp. Harmonium: Title + 7 pp. With some corrections, additions, and cancellations within score. Overpaste amendations to lower half of one leaf within score, comprising a 3-measure passage for all instruments. Some corrections to harmonium part including notational overpaste replacing final page. With performance markings, fingerings, etc., in lead and blue pencil to parts. Inscribed to Frau Hollmann, wife of the distinguished physician Dr. Otto Hollman (1866-1940) of Berlin, by Bruch in 1920 on the occasion of her birthday: "Dem lieben Frühlingskinde, Frau Sanitätsrat Dr. Hollmann, zum Geburtstag 1920 Freundschaftlichst Max Bruch" ("To the child of Spring, the wife of [the distinguished physician] Dr. Hollmann, on her birthday 1920 Most amicably, Max Bruch" ). Slightly trimmed at upper and lower margins just affecting manuscript dynamics to several pages but with no loss of notation; lower edges of several leaves with burn marks; occasional minor dampstaining; occasional tears. In quite good condition overall. One of Bruch's last compositions, Frülingsgesang was written for the American journalist Arthur Abell, Berlin correspondent of The Musical Courier and a champion of Bruch's violin works in America. It is based on part of Bruch's oratorio "Gustav Adolf," op. 73 (1897-98). Fifield: Max Bruch His Life and Works, pp. 321 and 339. Not in the Grove or MGG works list. "The E major violin duet was written in the early months of 1920, but was published posthumously in 1922 by Carl Fischer of New York under the spurious title of Song of Spring (the title was probably Abell's). The work was based on a passage in Gustav Adolf which was a particular favourite of the composer... The Song of Spring is... in ternary form, but the middle section of the later work is new material not to be found in Gustav Adolf. The piece is inconsequential, with a simplicity of harmony, somewhat crude modulation using the diminished sevenh to and from the middle section, and an accompaniment based on the left hand of the piano part of the vocal score of Gustav Adolf for the outer sections. An unimaginative middle section is dominated by parallel thirds mirrored in both hands. There are also attempts at orchestral tremolandi more suited to the piano score of the original vocal version. Interest in Song of Spring is centred entirely on its melodic invention. Bruch himself admitted to a lack of inspiration 'in my old age' in finding new material, when he wrote to Simrock's asking permission to quote from Gustav Adolf..." Fifield p. 321. "J.A. Fuller Maitland was an admirer of Bruch, and sought to compare him with Brahms to ascertain their relative positions in music. His conclusion (which he described in his Masters of German Music) was to place him midway between Brahms and other German contemporary composers. The best of Bruch's works were in Maitland's opinion: ... distinguished by great and easily intelligible beauty, and by the rare quality of distinction... Both the music and the man belong to the Lower Rhine country... The broadly flowing melodies of his invention suggest the course of such a river as that of his native country... He is one of those who uphold most worthily the dignity of the art, and if he has not attained to the position of one whose every publication is received by musicians with a reverence due to a new revelation, he has won the hearts of many thousands of hearers by his beautiful creations in certain branches of music - viz., choral works of large design with orchestral accompaniment, and works for violin or violoncello." op. cit. p. 327. One of the last German Romantic composers, "Max Bruch's precocious gifts remained largely unfulfilled for two reasons. He was an exact contemporary of Brahms and was forced to exist in the shadow of his greater colleague even beyond the latter's death over 20 years before his own, and the stubborn resistance he maintained to musical developments largely instigated by Wagner stifled any of his own originality. Nevertheless his name will endure, if only thanks to one superb violin concerto." Christopher Fifield in Grove Music Online. Autograph manuscripts of complete works by Bruch are rare to the market....

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS]
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        Irish Fairy Tales.

      Macmillan, London. 1920 - First edition. Royal octavo. pp x, 318. Sixteen colour plates with captioned tissue guards and 21 black and white illustrations by Arthur Rackham. One page of adverts at rear. Period Arts and Crafts binding of full morocco decorated with Irish motifs in blind, lettered in gilt on the spine, marbled endpapers.Bookplate on verso of front free endpaper. Very good. Unusual binding. [Attributes: First Edition; Hard Cover]

      [Bookseller: Peter Ellis, Bookseller, ABA, ILAB]
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        Zorns graverade verk.

      Beskrivande katalog. Första - andra delen i ett band. Stockholm: Bukowskis Konsthandel, 1920-1921. N:r 33 av upplagans 325 exemplar. xxiii,452,(9) s. + planscher. Samtida gediget halvskinnband (

      [Bookseller: Antiquaria]
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        Der junge Goedeschal. Ein Pubertätsroman.

      Berlin Rowohlt 1920 - 340 (1) S. Orig.- Pappband. Erste Ausgabe der ersten Veröffentlichung, hier mit dem Eindruck "Dritte Auflage" d.i. vermutlich die dritte und letzte Bindequote.- WG. 1.- Fallada schrieb seinen ersten Roman unter dem Eindruck der Begegnung mit Egmont und Anne Marie Seyerlen. Zu Anne Marie hatte er auch ein erotisches Verhältnis und er widmete ihr diesen Roman. Das Buch hatte keinen Erfolg und es wurden kaum Tausend Exemplare verkauft. Er selbst hat später Reste zurückgekauft und einstampfen lassen. In seinem Text "Wie ich Schriftsteller wurde" schrieb Fallada: "Aber ich erkenne diese beiden ersten Kinder nicht an, ich habe sie später aufgekauft, einstampfen lassen, ich will nichts mehr von ihnen wissen, ich denke mit einem Grausen an sie zurück."- Einband gering fleckig, Rücken leicht gebräunt und am Gelenk m. minimaler Läsur. [Attributes: First Edition]

      [Bookseller: Antiquariat Eckert & Kaun GbR]
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        Dessin original d'Arthur Perrier montrant un condamné sous la guillotine "la dernière volonté du condamné"

      1920 - Carton fort 280 x 280 mm. Encre noire. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: PRISCA]
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        Max Mayrshofer. 20 Lithographien(\"). Mappenwerk.

      Edit.: Bruckmann Verlag, München, 1920. Lithografien auf weissem (17 Bl.) und leicht bräunlichem Bütten (3 Bl.). 53,2x41 cm (Mappe), die Bl. meist 40x25 (hoch- /bzw. quer) bis 36x44 cm (quer). In fester Klappmappe. Mit Bleistift signiert, bez. u. numeriert. Inet / Wikipedia // TB // VO // 1875 -München- 1950. Er war ein Münchner Maler und Grafiker. Studium an der Münchner Akademie bei Seitz und Marr und an der Privatschule von Anton Ažbe. Mitarbeiter der „Jugend“, des „Simplicissimus“ und des „Hyperion“. 1925 wurde er zum Professor ernannt. Ausstellungen im Glaspalast und in der Secession. -Die festen Mappendeckel angestaubt, stlw. schwach fleckig, der aufkaschierte Papierbezug des vorderen Klappdeckels unten rechts stark berieben und kleberfleckig. Der Leinenrücken angestaubt und tlws. fingerfleckig. Innenseiten der Mappe sauber, nur die seitlichen Klappen an den Außenkanten lichtgebräunt. Die Grafiken unter originalen, papierbedingt etwas gebräunten aber sauberen Passepartouts, jeweils mit den oberen Ecken originalmontiert. Das Büttenpapier der Grafiken meist weiß, nur 3 Blätter auf abweichendem, cremefarbenen Bütten. Diese drei Blätter mit vereinzelten schwachen Flecken, (evtl. herstellungsbedingt), und ein Blatt mit einer leichten Randbräunung. Ansonsten insgesamt jedoch alle Blätter sehr sauber! -Anmerkung: Die eingelegten Grafiken mit unterschiedlicher Auflage (13 Bl. mit Aufl. 19/50; 7 Bl. mit Aufl. 19/100. Vermutlich ist der Inhalt der vom Bruckmann editierten Mappen individuell zusammengestellt. -Selten als komplettes Mappenwerk! Versand D: 6,50 EUR Deutsche Künstler, Grafiker, Illustrator, Mappenwerke, Lithografien, Münchner Künstler, Künstler der Münchener Sezession

      [Bookseller: Kunstantiquariat Rolf Brehmer]
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        Wallpapers and Decorations. The Latest Designs and Choicest Colouring, Are to Be Found at John Gilkes & Sons (Limited) The Prudential Buildings 146 North St., Brighton.

      No date. Ca. 1920. - Color lithographic poster, 46 3/4 x 31 1/4 inches. Little paper loss to upper edge, tears (up to 1 1/2 inch) and chips to edges, soft creases from rolling, clean and bright. Elegant poster design by Conrad Leigh, who also produced wallpaper designs for manufacturers John Gilkes and Sons. The poster was lithographed by J. J. Keliher & Co. Ltd. Litho. of London.

      [Bookseller: old imprints ABAA/ILAB]
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        Chansons madécasses.

      - P., N.R.F., 1920, in-12, br., couv. ill. en coul. et rempl., 38 pp.-[2] ff. (CN64) Traduites en français par Évariste Parny. Édition illustrée par LABOUREUR de 30 vignettes gravées sur bois en couleurs. Tirage unique à 412 ex. sur papier de jute naturel. Ravissante illustration "nègre" et 1920 très stylisée, l'un des meilleurs Laboureur en couleurs. Tampon ex-libris peuè lisible au premier feuillet "Pierre Sicard".Quelques piqûres, comme toujours sur ce papier. Bel exemplaire.

      [Bookseller: Librairie Jean-Etienne Huret]
 39.   Check availability:     IberLibro     Link/Print  


        An den Schneegruben (Riesengebirge)" originales Ölgemälde auf Leinwand ca.61x81cm; rechts unten signiert; um 1920; verso auf dem Rahmen handschriftlich bezeichnet und betitelt sowie mit einem Ausstellungsaufkleber der Münchner Galerie Wimmer sowie der

      - Düsseldorfer Galerie und Rahmenhandlung Conzen [Maße im originalen Rahmen der Zeit 77x97cm.] "At the Schneegruben (Riesengebirge)" original oilpainting on canvas approx.61x81cm; bottom right signed: around 1920; verso on the frame named and titeled in pencil and with an exhibitionlabel of Munich Gallery Wimmer and with a label of Dusseldorf Gallery and frame-shop Conzen [Dimensions of the original wooden frame 77x97cm.] [Attributes: Signed Copy]

      [Bookseller: Antiquariat Niederbayern]
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        Correspondence Archive of Bertram D. Hulen, Author, and noted International correspondent of the New York Times

      1920s-1950. Archive of Bertram D. Hulen, Author, and noted international correspondent of the New York Times. Bertram Hulen, Washington Bureau correspondent at the New York Times, was known as the dean of State Department reporters. He had more than twenty-five years? experience covering the State Department and White House and was the author of a highly regarded book, ?Inside The State Department.? Hulen was killed along with a dozen other American correspondents on July 12, 1949 in a plane crash near Bombay, India. The party was returning from an inspection of Indonesia at the invitation of the Netherlands government. This archive consists of letters and mementos dating from the 1920s up to the immediate aftermath of his death. Most of the journalistic items are letters from colleagues and friends, many congratulatory, commenting on the publication of his book. There are some interesting letters from correspondents, telling about their assignments. Person letters to his wife tell of his work, the life of a foreign correspondent, and some of the more interesting of his assignments, especially on the campaign trail with presidential candidates. There are many letters and telegrams of condolence written to his wife and to the New York Times, after his death. Also included are credentials of one type or another, issued for special assignments, invitations, and a file of correspondence and records related to Hulen?s family genealogy. Specifically, the contents include a telegram of condolence, to Mrs. Hulen, from Queen Juliana of the Netherlands, a 26? photo of President Coolidge and the White House Press Corp, taken in 1929, a film roll, sent by the Netherlands government, of the time the group of correspondents spent in Indonesia, a portrait of Hulen, a letter of condolence from poet Strickland Gillilan, a cocktail recipe sent to Hulen from the USSR Embassy in the aftermath of a reception there, a letter from Cordell Hull, another from Joseph Grew, both Secretaries of State, a detailed 1932 letter from Nelson T. Johnson of the China Legation of the United States, about conditions in China, specifically about the Japanese belligerence. There are telegrams of shock in the days immediately following Hulen?s death, many from noted New York Times reporters of the day, and dozens of letters from politicians, diplomats, journalists. One invitation is to the birthday celebration given for King Alexander I, from the Minister of the Kingdom of Serbs, Croats and Slovenes. A number of letters are from his colleagues at the New York Times, including Arthur Sulzberger. And much more, including an invitation to a meeting of ?The Hitler Gang.?

      [Bookseller: Eclectibles]
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        Martinszug. [Original-Bronzeplastik / original bronze].

      Karl Kluth, geboren 1920 in Düsseldorf, gestorben 2012 ebenda. Original-Bronze. Maße: ca. 47 x 42 cm, Gewicht ca. 25 kg. Sehr gutes, tadelloses Exemplar. Original bronze. Measure: ca. 47 x 42 cm, weight ca. 25 kg. Mint condition.

      [Bookseller: Antiquariat Lenzen GbR]
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        Diskuswerfer. Bronze, grün patiniert.

      Höhe der Figur 33 cm, mit der Plinthe ca. 36 cm. Auf gestuftem, rosefarbenen und schwarzem 10 cm hohem Marmorsockel montiert, Gesamthöhe der Figur somit ca. 46 cm. Länge des Sockels 20 cm, Breite des Sockels ca. 12 cm, Höhe des Marmor-Sockels 10,5 cm. Die Figur auf der Plinthe mit *v. Miron* bezeichnet - nach der griechischen Original Siegerstatue Myrons die im 5. Jahrhundert v. Chr. entstanden ist, wovon sich aber nur römische Kopien erhalten haben. Die Figur ist undatiert ( ca. um 1920 ). Die Bronze mit schöner grüner Patina ( Gewicht ca. 12500 Gramm ) ( Bitte beachten: Beim Versand ins Ausland können aufgrund des Gewichts deutliche höhere Kosten anfallen ). ( Pic erhältlich // webimage available )

      [Bookseller: Antiquariat Friederichsen]
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        Nachkommenschaften, mit 16 origina-Radierungen von Karl M. Schultheiß. 23. Avalun-Druck in einer einmaligen Auflage von 450 nummerierten Ex.

      Hellerau bei Dresden, Avalun Verlag, 1920 - 240 Seiten. Den Druck in der Jean-Paul-Fraktur, besorgte Jakob Hegner in Hellerau, den Druck der Radierungen unter Aufsicht des Künslers die Münchener Graphische Gesellschaft Pick & Co. Jedes Ex, wurde in der Werkstatt Richard Österreich jun. in Dresden handarbeiterlich gebunden. Die Drucke Nummer Nr. 1-250, in denen jedes Vollbild vom Künstler handschriftlich signiert ist, in Ganzleder. Unser Ex. trägt die Nr. 17. Ganzledereinband von E. A. Enders (goldeingeprägte Signatur auf Inneneinband) mit Goldkopfschnitt u. Lesebändchen. Zustand: Einband kaum bestoßen, innen sehr sauber, insgesamt ein sehr gutes u. schönes Ex. Sprache: Deutsch Gewicht in Gramm: 550

      [Bookseller: Antiquariat an der Uni Muenchen]
 44.   Check availability:     ZVAB     Link/Print  


        The Life and Works of Charlotte Bronte and Her Sisters.

      THE HAWORTH EDITION. 7 vols., 7-5/8" x 5-3/8", illustrated. Bound in 1/2 red calf, ribbed gilt decorated spines, top edges gilt, bound by Riviere & Son.

      [Bookseller: D & D Galleries]
 45.   Check availability:     PBFA     Link/Print  


        Cinquante eaux-fortes pour illustrer les Mémoires de Jacques Casanova de Seingalt Vénitien.

      Cotinaud s.d. (1920), Paris - estampes Beau portefeuille contenant 50 eaux-fortes originales de Sylvain Sauvage. Exemplaire tiré sur papier de Hollande, signé au colophon par l'artiste. On joint une lettre autographe signée de l'artiste sur son beau papier à en-tête. 1 volume in-folio. [Attributes: First Edition; Signed Copy]

      [Bookseller: Librairie Seigneur]
 46.   Check availability:     AbeBooks     Link/Print  


        CORRIERE DEI PICCOLI 1920 01-52

      CORRIERE DELLA SERA 1920 - CORRIERE DEI PICCOLI supplemento illustrato del Corriere della Sera Anno XII - 1920 nn. 1-52 spillato 28,5 x 40 cm b/n e col. Stato di Conservazione: BUONO/OTTIMO! 28,5x40, S., b/n e col.

      [Bookseller: Supergulp di Rem Srl]
 47.   Check availability:     AbeBooks     Link/Print  

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