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Displayed below are some selected recent viaLibri matches for books published in 1918

        Amorum Libri Tres

      Marees Gesellschaft, R. Piper & Co. Verlag, 1918. First Limited Edition Thus. Full Pigskin (Full Leather), with custom slipcase. Near Fine. No. 162 of 200, with one of 150 on hand-made paper of Wiggins, Teape & Co. 240 copies in all were made, including unnumbered copies (212 were numbered in one of two ways). 4to. (27 by 20 cm.) 282, [5] pp. The outstanding aspects of this edition and copy in which Ovid's verse is rendered in both Latin and German translation are magnificent decorative pigskin binding, the flowing type, and the elegant page decoration, which includes a huge variety of cameo images. These images are never repeated exactly, it should also be noted. Resulting is a book of extraordinary beauty, both exterior and interior-wise. Aesthetically the book production is true to the classical in its lines and sensibility while being securely of its own time when a sinuous Art Nouveau or Jugendstil was ripening into a modernist economy, or Art Deco. There are sensuous Rococo details, such as the gilt lines etched into the spine, while one can not but be impressed with the lack of clutter on each and every page! While the type is not a plain Roman or the like, the gentle curvature of the cursive invites and soothes the eye, and every word should be crisply clear to the modern reader. Light soiling and darkening on the spine. Clean and tight within. The slipcase has some wear.

      [Bookseller: White Fox Rare Books and Antiques]
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        Original signed photographic portrait;

      [Eton: , 1918-21]. presented together with signed photographic portraits of Orwell's Eton set, including: Cyril Connolly, Godfrey Meynell, Denys King-Farlow, Denis Dannreuther, James Gibson, Ralph M. Cazalet, Roger Mynors, Bobbie Longden, Maurice Whittome, and an unidentified "Peter" and "Ronnie". Large sheet of thick sugar paper, recto with 12 mounted monochrome photographic portraits, each signed and (but for one) dated between 1918 and 1921, verso with 22 photographic prints, a collage of Godfrey Meynell childhood and family photographs. Paper mount a little creased and frayed, two closed tears to right edge, one or two photos trimmed effecting the signatures (not the Orwell). Excellent. An exceptionally rare signed photograph of George Orwell (signed "Eric A. Blair, '21"), presented as one of 12 signed photographs of his Eton College friends, collectively making up one side of a two-sided photo-collage assembled by (?the family of) Godfrey Maynall MC VC (1904-35), one of the twelve. The boys are: James Arthur Walker Gibson (later Lincoln's Inn barrister), Denis Sigmund Dannreuther (Captain of School, later Baliol Scholar, Fellow of All Souls, and barrister engaged in drafting Parliamentary legislation), Ralph Mirrielees Cazalet (later Kings College, then to Egypt for Shell Oil), Robert Paton Longden (later Oxford classicist and Master of Wellington), Roger Aubrey Baskerville Mynors (later Oxford Professor of Latin), Godfrey Meynell (more of him below), Maurice Gordon Whittome (later Corpus Cambridge, barrister, and Sir), Hugh St. Denys King-Farlowe (editor of The Chronicle, the wit of the year, and the prettiest of the bunch), Cyril Connolly himself (author of Enemies of Promise, 1938, the canonical chronicle of the post-War generation at Eton), Eric Arthur Blair (a.k.a. "George Orwell"), and an unidentified "Ronnie" and "Peter". All these (with the exception of Connolly, Meynell and the unidentified two) are Eton scholars from the "Election" of 1916. Connolly and Meynell were scholars from the 1917 Election, the year below, though evidently friends with their seniors. The signatures are dated between 1918 and 1921 (which was the final year of the 1916 Election). Gibson, Dannreuther, Cazalet, Longden, and Mynors are remembered by Cyril Connoly as "the Caucus", the "moral leaders" of the year, "scholar-athletes" with grand reputations who were notable for attempting to renovate the illiberal mores of Eton College in the wake of World War I. The existence of this collection of more-or-less uniform signed photographic portraits of these Eton contemporaries is explained by knowledge of an Eton tradition: boys would have their portrait taken (there was a local portrait photographer advertised in the Eton magazine), sign them, and gift them to their close friends. The tradition may seem somewhat perculiar now, even a little amorous (as sometimes of course it was), but it was at the time so common as to have been called a "fashion" by Connolly, who makes amusing mention of the practice in Enemies of Promise: "It was the fashion to have photographs of friends signed and put on the mantelpiece. I had sent Nigel mine. He refused to give me his. I took one, and he said I had stolen it. I collected photos after that like an old hostess collecting celebrities. I cultivated anyone who was a rarity, or who had not been taken, persuading them to get done for me, and rushing off with the scalp." This photo-collage derives from the family of Godfrey Meynell, and as such Meynell can be understood to have been friendly with (or at least admired, and at most loved) each of the boys here presented, Orwell included. Eric Blair (who adopted the pen-name George Orwell in the early 1930s), though certainly far from working-class and not even really milddle-class, was not ostensibly "one of" the usual Eton sort. His parents had little money, and he had to win scholaships to get himself through public school. His own pronounced sense of isolation and difference (and the potent observational perspective thus afforded) typifies a significant portion of Orwell's character as a writer. He notably had a horrible time at his prep-school St Cyprians (as related in his sardonically-titled "Such, Such Were the Joys", though he did first meet Cyril Connolly there), but flourished at Eton under the radical umbrage of the "Caucus", given an arena to cut his political teeth in the marginally more open post-War environment, as a writer for the school magazine and a leading voice in the College Debating Society. He presented himself as a vociferous socialist waging a one-man war from within the bastion of upper-class privilege, and his photograph here sees him deliberately distinguishing himself in a tweed jacket and tie (the others are all wearing the Eton uniform of tailcoat and white bow-tie). Though Orwell did not maintain any significant contact with his Eton friends after leaving the College, this collection of photographs nonetheless serves as a reminder of the small but select group of friends that Eric Blair did have, and a reminder too that Blair was not perhaps such a radical loner as he may have preferred others to remember. Many of Connolly's "Caucus" were, at least in Eton terms, as politically radical as Blair. For example, it was Dannreuther, as Captain of School, who opposed the ancient ethos of corporal punishment, was praised by Connolly for his "fearless intellectual justice", and who claimed in his 1922 "Retrospective" to have "substituted a more harmonious system of government for the old methods of repression and spite". There is some poignancy to be felt in considering that the central "Caucus" ethos of radically attempting to revise Eton's heritage of systematic militarism (notably opposing the Officer Training Corps, a traditionally entrenched institution of the College), did nothing to avert Godfrey Meynell (whose album this was) from following automatically in the footsteps of his army-officer father. On leaving school, Meynell went to Sandhurst, joined the army, volunteered into British India, and in 1935 died heroically in the Kyber Pass on the North-West Frontier, commanding a tiny scout troup of about 30 men, defending two Lewis guns against the advance of an overwhelmingly larger enemy force. The encounter was reportedly Thermopulaean in the proportion of casualties on either side, and according to regimental records Meynell died in hand-to-hand fighting, even attempting to defend his dead comrades from mutliation (the custom of the Mohmand tribesmen) before succumbing to his mortal wounds. He was posthumously awarded the Victoria Cross. Meynell was buried in Mardan, in modern Pakistan. As such this photo collage may well have been put together by his family as a substitute grave, a commemorative shrine to their dead son celebrating on the one side his (rather sullen-seeming) childhood, and on the other his glory days at Eton, a friend of the famous "Caucus" scholars of the upper year, and also of Blair and Connolly, who by the time of Meynall's death had both just published their first novels. An excellent piece, the signed photograph of Orwell being unique in our experience (and exceptionally appealing thus early), evoking in a highly revealing way Orwell's pre-"Orwell" origins.

      [Bookseller: Peter Harrington]
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        Salome.

      1918. Aquarellierte und Goldbronze gehöhte Lithographie, 1918, auf feinem Japan, monogrammiert. 20,2:14,5 cm. Eins von 5 - 6 Exemplaren, die unterschiedlich aquarelliert sind.. Trotz großer Widerstände seitens ihres Elternhauses, das sie schon im Alter von 16 Jahren verließ, absolvierte die Künstlerin 1915-1918 ein Studium an der Dresdener Kunstgewerbeschule, parallel ab 1916-1919 Mal- und Zeichenkurse an der Dresdner Kunstakademie. Ihr Interesse galt schon zu Beginn den avantgardistischen Kunstströmungen, Dadaismus und Expressionismus. Nach der schwierigen Ehe mit dem Maler und Opernsänger Kurt Lohse, der ein liederlich ausschweifendes Leben führte, so daß sie in permanenter Armut lebte, und mehrfacher Trennungen wurde sie zeitweise obdachlos. Ein dadurch bewirkter seelischer und körperlicher Zusammenbruch führte 1929 zu einem mehrwöchigen Aufenthalt in einer Nervenheilanstalt. Hier entstanden die berühmten "Friedrichsberger Köpfe", Porträts ihrer Mitpatientinnen, die ihr große Anerkennung in der Kunstwelt, aber kaum Verkäufe einbrachten. Anschließend schaffte sie die endgültige Trennung von ihrem Ehemann. Es entstanden nachfolgend Bilder des Hamburger Hafens, des Arbeiter- und Prostituiertenmilieus sowie Selbstbildnisse. Finanzieller Erfolg stellte sich allerdings noch immer nicht ein, so daß sie weiterhin in wirtschaftlicher Not lebte. Nach der Rückkehr in ihr Elternhaus nach Dresden und zunehmender seelischer und körperlicher Zerrüttung ließ ihr Vater sie 1932 aus Unverständnis und Hilflosigkeit in die Landes-Heil- und Pfleganstalt Arnsdorf bei Dresden einweisen. "Schizophrenie" wurde kurzerhand diagnostisiert. 1935 wurde sie in der Frauenklinik Dresden im Rahmen der nationalsozialistischen Eugenik, des "Erbgesundheitsgesetzes", zwangssterilisiert. Völlig gebrochen erlischt nahezu vollständig ihre Schaffenskraft. 1940 wurde sie im Zuge des nationalsozialistischen Programms "lebensunwertes Leben" in die Landes-Heil- und Pflegeanstalt Pirna-Sonnenstein deportiert und ermordet.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Large Document Signed on Vellum

      Washington, 1918. unbound. 1 page, 20 x 16 inches, Washington, July 12, 1918 -- a partly printed World War I military appointment, appointing William Crozier to the rank of Major General of the line, countersigned by Newton D. Baker as Secretary of War. This document has never been folded and maintains its original luster with the Presidential seal still attached. All signatures are dark and bold. William Crozier (1855 - 1942) was a highly respected American Army officer, having fought in the Indian campaigns, inventor of the Buffington-Crozier gun carriage, and a delegate to the International Peace Conference at the Hague. During World War I, he was a member of the Supreme War Council working closely with his opposite number in the British Government, Winston S. Churchill. This document would prove to be Crozier's last and most important military appointment. Near fine condition.

      [Bookseller: Argosy Book Store ]
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        A MONOGRAPH OF THE PHEASANTS 4 VOLUMES

      Published by Witherby & Co., 1918. 1st edition.. Hardback. Very Good. Illustrated by Thorburn, Archibald & Gronvold, Henrik & Lodge, G.E.. Very good condition with no wrapper. Four volumes, very large format, 16 x 12 inches. Burgundy cloth, gilt titles. 90 guarded and captioned stunning coloured plates, 88 photogravures and 20 distribution maps. Top edges gilt. All plates present. Slight foxing to prelims and small amount of damp staining to page margins of Vol I, not affecting text. Spines and covers slightly bumped and rubbed with a few slight marks to Vols I and II. Small bubble to front cover cloth of Vol III. Contents generally fine. A very nice set of this rare work. [S]

      [Bookseller: Stella & Rose's Books]
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        Sammlung von 72 Original-Fotografien aus der Zeit der französischen Kolonialherrschaft in Nigeria und Tschad.

      1918-1919.. Je ca. 15,5 x 20,5 cm, mit kleiner Archivnummer, rückseitig von Hand in französischer Sprache bezeichnet.. Seltene ethnologische Aufnahmen zumeist aus Nigeria, Niger und Tschad: Dikoua (Dikoa, Dikwa), Kousseri, Fort Lamy (heute N'djamena), Kano, Kmaiduguri, atsina, Zinder, Nassoura, Dambam. Sie zeigen die Einheimischen bei der Arbeit, Landwirtschaft, Märkte, Großtierschlachtung, Erdnusshandel, Kamel-Karavanen, Lastrinder und Schlachtvieh, Ziegelei, Färberei, zum Transport verpacktes Rindfleisch und Rinderhäute, auch Transportfahrzeuge und den Bahnhof von Kano. Außerdem das Eingangstor zur Residenz des Sultans von Bournou und den Sultan beim Treffen mit den englischen Kolonialherren, große Versammlungen, die Moschee in Kano, eingeborene Frauen mit Lippenteller u.v.a. - Dabei eine Aufnahme des Handelshafens der ehemaligen Hauptstadt Kameruns Douala (Duala) im Deutschen Protektorat aus dem Jahr 1910. - Wenige Fotos mit kleinen Löchern, wenige am Rand gering beschädigt oder fleckig. - Sehr reichhaltige, interessante Sammlung.

      [Bookseller: Antiquariat Mertens & Pomplun GbR (Versa]
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        Hunger Breeds Madness--Woodrow Wilson: America's Food Must Save the World [poster]

      (N.-pl.): United States Food Administration, [ca. 1918-1919]. Poster Poster. Very Good. Roughly 20 by 30.25 inches. Stone lithograph printed by Schmidt Litho in San Francisco. Produced late in the First World War or soon after the armistice, the poster promoted the US Food Administration (USFA), led by Herbert Hoover, which was responsible for feeding most of Europe in the immediate aftermath of the war. The image depicts a European city in the background and a family in the foreground. A woman sits slumped over her dead or dying child, an empty bowl at her feet. The boy's father stands, fist clenched, a torch in the other hand, staring at the city. President Wilson's quote, 'Hunger breeds madness' and the image suggests anarchy if Europe is allowed to starve. Grebs (1877-1964), a native of Germany, was the San Francisco art director for Foster and Kleiser Co., which produced this poster for the USFA. He also taught commercial illustration at the California School of Fine Arts (alongside Maynard Dixon), lectured at Stanford, and later headed his own commercial graphics firm. Mounted on linen. A few small tears have been repaired in the margins. With a few small areas of abrasion where the surface was apparently cleaned, mostly in the printed border.

      [Bookseller: Eureka Books, ABAA]
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        Stunden der Liebe. Freie Kupfer aus dem galanten Zeitalter, radiert von Fritz Janowski, Charlottenburg.

      Ohne weitere Angaben [d.i. Berlin, Alfred Hoennicke, um 1918].. Folge: I. 13 erotische Radierungen inkl. Titelblatt unter Passepartout. 8°-quer. Blattgröße: 22,5 x 15,5 cm. Motivgröße: 10,9 x 7,9 cm. In der Orig. Pappmappe mit montiertem Deckelschild.. Eins von nur 12 Exemplaren, Titel numeriert und jedes Blatt vom Künstler signiert. Sehr rare kleine Folge mit Darstellungen aus dem galanten Zeitalter; sie bezaubert durch die graziöse Rokokostimmung. Gedruckt in Grün/Schwarz. Der Verleger Hoennicke setzte seinen Stolz darein, Musterdrucke in ganz wenigen Stücken zu schaffen. Diese Folge ist so in keiner Bibliographie verzeichnet: Hayn-Got. IX, 301 und Backe, 31 kennen nur eine Folge in 30 Exemplaren und abweichender Illustrationsanzahl sowie Impressumsangaben. Mappe an den Kanten etwas berieben. Passepartouts vereinzelt minimal fingerfleckig. Schönes Exemplar. Selten. -------------------------- Janowski, Fritz. Stunden der Liebe. Freie Kupfer aus dem galanten Zeitalter, radiert von Fritz Janowski, Charlottenburg. Folge: I.[Hours of love. Free coppers from the gallant age , etched by Fritz Janowski , Charlottenburg . Episode : I.] No additional information [i.e., Berlin, Alfred Hoennicke , 1918]. 13 erotic etchings including title page. Sheet size : 22,5 x 15,5 cm. Design size: 10,9 x 7,9 cm. In the original cardboard with mounted cover plate. One of only 12 numbered copies, title and each plate signed by the artist. Printed in green / black, under passepartouts. The series in this form is not reported in any bibliography. Hayn - Got . IX and Backe, 301 only know this title in 30 copies and different number of illustrations and imprint information. Edges of the cardboard a bit rubbed. A few passepartouts just slightly fingerstained. Good copy of this rare and charming erotic suite. -------------------------- Traduction francaise sur demande.

      [Bookseller: Antiquariat Ars Amandi]
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        Famous Portrait of the 38-year-old newly promoted Brigadier General later boldly inscribed and signed as General

      n.p., n.d. Printed Portrait Signed ?To A.B. Nilsen / With the best wishes of / Douglas MacArthur / General, U.S.A.? Black & white, 5.5? x 7.5? image, overall 6.75? x 9.25?. ?© / Joseph / Cummings / Chase /1918 / Sinsig a/R? and title ?Mac Arthur? in plate. Surface crease at upper right corner. Fine condition.Artist Joseph Cummings Chase (1878-1965) wrote about this portrait in ?Face Value: The Autobiography of the Portrait Painter? (New York: Rolton House, 1962): ?I found General Douglas MacArthur in Sinsig, the youngest division Commander of them all. In his portrait you see the wound stripes on his sleeve that he acquired while he was leading his men in the capture of Hills 242 and 288 and at Cote-de-Chatillion as a Brigade Commander. For these exploits he was awarded the Distinguished Service Cross and, so I was told, at the same time, a threat that if he did not keep away from the front line of battle he would be sent home. The idea behind the threat, of course, was that it takes too long to make

      [Bookseller: University Archives]
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        'Hey Fellows!' Your Money Brings the Book We Need When We Want It

      (N.-pl.): American Library Association, 1918. Poster Poster. Near Fine. Roughly 20.25 by 29.75 inches. Stone lithograph in three colors. Perhaps the most famous book-related poster, produced by the ALA Committee on Public Information, Division of Pictorial Publicity for the United War Work Campaign, scheduled for the Week of November 11, 1918. The campaign united the ALA, the YWCA, the YMCA, the Jewish Welfare Board, and other civic organizations with a goal of raising $170 million to support American soldiers deployed in Europe. As the start date approached and the end of the war seemed near (as it happened, the armistice went into effect on the first day of the campaign), the emphasis shifted to the year or more that the army would remain in Europe securing the peace. The artist was a popular commercial illustrator who worked for several newspapers and provided cover art to the Saturday Evening Post and other magazines. Linen-backed. Other than a few small creases in the upper right border and a bit of evidence of surface cleaning, this is a fine example of a classic poster.

      [Bookseller: Eureka Books, ABAA]
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        World War I recruitment poster honoring ?True Sons of Freedom,? the first Allied soldiers to engage the Germans in the war: ?Colored Men The First Americans Who Planted Our Flag on the Firing Line?

      Framed Display! Original poster, ?True Sons of Freedom? (Chicago: Charles Gustine, 1918), 15? x 19.5? (visible), matted to 24.75? x 20.25?, and framed to 28.5? x 23.5?. Small portions missing at upper left corner and at edges, tears. Good condition.Titled at the lower edge center ?True Sons of Freedom.? At lower left edge ?1918 Chas. Gustine Chicago.? In the background of the image hovers a watchful and serene Abraham Lincoln with the inscription ?Liberty and Freed[om] / Shall Not Perish[?] along with a stylized ?a> Lincoln? signature. Two letters of quote, in brackets above, not visible. The quote uses words from Lincoln's Gettysburg Address. At the lower left edge: ?1918 Chas. Gustine Chicago.?This poster, used as a recruitment poster, pays tribute to the contributions that African Americans were making during the World War. It specifically references the success of the 369th Infantry Regiment, known as the Harlem Hellfighters, an all-black unit from New York and the first Allied sol

      [Bookseller: University Archives]
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        Works of Booth Tarkington, Autograph Edition, 28 Volumes

      Doubleday, Page & Co, 1918-01-01. Hardcover. Very Good. Signed. 28 volume set. Autographed by Booth Tarkington. Limited edition, no. 189 of 575. A handsome set. Ivory cloth spine over brown boards. Top edge gilt. Good bindings and covers. Suitable for a gift.

      [Bookseller: SequiturBooks]
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        Rastende Zigeuner.

      1918. Holzschnitt, 1918, auf festem bräunlichem Japan. 41,4:31,3 cm. In den Rändern links und rechts etwas nachgedunkelt, Rand unten ungleich. Nr. 1 von 25 Exx. - Erschienen in "Die Schaffenden, 1. Jahrgang, 3. Mappe, 1919". Provenienz: Aus dem Nachlaß der Künstlerin. Literatur: Hofmann-Präger 1918/7; Jahn-Berger 30; Söhn HDO 72703-10.. Frühe Freundschaft mit Hannah Höch (1889-1978). 1911-1913 erhielt Maria Uhden Privatunterricht bei dem Architekten A. Exter (1858-1933), währenddessen nahm sie auch ein Studium an der Kunstgewerbeschule Berlin auf. 1915 machte sie die Bekanntschaft von H. Walden, Herausgeber der bedeutendsten Zeitschrift des Expressionismus "Der Sturm" und Galerist, an dessen Ausstellungen der sog. "Sturm-Galerie" sie ab diesem Jahr teilnahm. 1916 hatte sie ihre erste Begegnung mit G. Schrimpf (1889-1938), einem der Protagonisten der Neuen Sachlichkeit, den sie 1917 heiratete. Umzug nach München. Im darauffolgenden Jahr starb sie an den Folgen der Geburt ihres Sohnes. 1919 Gedächtnisausstellung in der "Sturm-Galerie". Prägend war für Maria Uhden vor allem die Malerei F. Marcs (1880-1916) und M. Chagalls (1887-1985), was auch in unserem Blatt nicht zu übersehen ist. Zentrale Themen waren nächtliche Szenen von Frauen (mit Kindern), Pferden, Stieren und Schweinen, oder der vom Himmel fallende Mensch.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Directeur: Tristan Tzara. Zürich, Administration Mouvement Dada, Zeltweg 83. Zürich 1918. Folio. 16 S. Mit 19 Orig.-Holzschnitten u. 1 Abb. Orig.-Brs.

      . . Die höchst seltene Nummer 3 der "Dada-Revue". Mit Dada 3 verändert sich Gesicht und Geist der Zeitschrift von Grund auf. Das Format wird wesentlich vergrößert und vom Kunstdruck auf Zeitungspapier gewechselt. Die symmetrische Typographie der ersten beiden Nummern wird zugunsten eines experimentierbesesenen Satzes aufgegeben, in der fast jeder Text in einener anderen Type gesetzt und der Satz nach eigenen neuen Gesetzen quer - ja schräg in die Seite gestellt ist. An Stelle der leblosen Reproduktionen auf Kunstdruck treten Originalholzschnitte mit starker graphischer Wirkung. Mit 19 Orig.-Holzschnitten von Arp (8), Janco (5), Pramploni (1), Richter (3) u. Segall (2). Die Texte von Birot, Dermee, Hardekopf, Hülsenbeck, Picabia u.a. Sehr schönes, tadelloses Exemplar . - Dada in Zürich 89. - Raabe 34.

      [Bookseller: Antiquariat Schmidt & Günther Einzelunte]
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        Tables Of British Decimal Coinage Metric And British Weights And Measures

      Eyre & Spottiswoode, 1918. Hardback (No Dust Wrapper.). Poor. A copy for reading rather than admiring, generally shabby but text complete and acceptable. Heavily bruised at the head, tail and corners of the boards which are heavily marked and soiled with the gilt titling now faded to black. Leans. First blank removed. Previous owners' inscription to the front pastedown. Short closed tear to the English title page. Text complete, clean and tight but a little age-tanned otherwise.. | Red boards with Gilt titling to the Spine & Upper Board. 8¾" x 5½". 211pp. | First Edition (First Printing).[ Dual language: Italian/English. Published in association with the British-Italian Commercial Association. Illustrated with diagrams. Contents: Area And Circumference Of Circles • The Force Of Gravity At Different Places • Resistance Of Trains On L...] Further details, photographs, etc. are available, just use the «Ask Bookseller» button and I'll be pleased to help. The book is in stock and ships, POST INCLUDED in the UK, from the rural idyll of Peasedown St. John, near Bath in England from a long-established bookseller - your purchase guaranteed by my reputation and the UK Distance Selling Act. Don't forget that your purchase means my Jack Russells get their supper!

      [Bookseller: BookLovers of Bath]
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        Rzhanoe slovo: Revoliutsionnaia khrestomatiia futuristov [The rye word: The Futurists' revolutionary reader]

      [Petrograd]: IMO, 1918. Quarto (27 x 20 cm). Original pictorial wrappers by Vladimir Mayakovsky; [4], 5-58 pp. Wrappers rather worn and unprofessionally restored, with tears and losses; light discoloration to upper right corner of title page, else very good internally; bookstore annotation to inside rear wrapper: would benefit from additional restoration. An important Futurist anthology, which gathers previously published poems on the theme of revolution key Futurist writers such as Nikolai Aseev, David Burliuk, Vasilii Kamenskii, Velimir Khlebnikov, and Vladimir Mayakovsky. With a preface by Anatoly Lunacharsky, the People's Commissar of Education, who was known to have been critical of Mayakovsky at times, and a prose text by Boris Kushner. Getty 692. MoMA 190.

      [Bookseller: Rossica Berlin Rare Books]
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        Il convegno dei sogni (con 14 xilografie originali di Ferruccio Pizzanelli).

      - Empoli, Ditta Editrice R. Noccioli, 1918, in-8 piccolo, br. edit. con 2 xilografie originali sulle copertine, pp. 157, [11]. Con 12 belle xilografie originali di Pizzanelli a piena pagina. Invio autografo del Checchi sull'occhietto. Se non fosse che la parte superiore dell'occhietto è stata asportata per cancellare il dedicatario dell'invio (la mancanza è stata ben restaurata con carta bianca), l'esemplare potrebbe essere descritto allo stato di nuovo, ancora con le pagine da tagliare. Prima edizione, rarissima, non censita in ICCU. Nicola Micieli "Incisione Pisana del 900, eventi e protagonisti". Pisa, 1998: "[.] dobbiamo proprio a Pizzanelli uno dei pochi documenti reperibili d'incisione pisana dei primi decenni. E' una serie di xilografie di filo che illustrano un libro di poesie con uno spirito tra esotico e sognante di gusto più gauguiniano che liberty, ma mantenendo una certa scioltezza anche immediata d'intaglio, che rende le piccole tavole assai fresche e spontanee". [Attributes: First Edition; Soft Cover]

      [Bookseller: Libreria Oreste Gozzini snc]
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        Helen Keller inscribes a First Edition of her free verse poem, ?The Song of the Stone Wall,? to the doctor who was treating Teacher, Anne Sullivan, for tuberculosis

      Book Signed ?To Dr. Lawrason Brown / With deep and affect- / tionate gratitude / for his great / kindness to my / dear Teacher / Helen Keller / New Year / 1918? in pencil on front free-endpaper. ?The Song of the Stone Wall? by Helen Keller, 80p, 6? x 8.75?. New York: The Century Co., 1910. First Edition. Paper separation at hinge between half-title and opposite page. Illustrated with photographs of Keller by the stone wall. Gilt and black stamped and decorated brown boards with gilt top edge, titled in gilt on spine. Very Good.Dr. Lawrason Brown (1871-1937) was a pioneer in the modern treatment of tuberculosis. Anne Sullivan (1866-1936) was ?Teacher.? She was eight-years-old in 1874 when her mother died of tuberculosis. Two years later, when he was seven, her younger brother James also died of tuberculosis. In 1916, Anne?s health began to weaken. She was diagnosed with tuberculosis and she became a patient of Dr. Lawrason Brown.

      [Bookseller: University Archives]
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        CORNHUSKERS

      New York: Holt, 1918.. Printed boards. First edition, first state, of Sandburg's third book. Minor rubbing at edges, minuscule nick at crown of spine, otherwise a near fine copy in the printed dust jacket, which has a small matching nick at spine crown, and tanning to spine panel. Uncommon in dust jacket.

      [Bookseller: William Reese Company - Literature ABAA-]
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        THE FIRST NEWS

      1918. [1 of 25 copies] London: Privately printed by Clement Shorter, August 1918. Original grey wrappers. First Edition, being #8 of only 25 copies "for private distribution among my friends". This piece appeared that same month (August 1918) in the periodical Reveille. In it Conrad recalls what it was like, exactly four years earlier, when "the first news" of the outbreak of war reached his home town of Cracow, Poland. This was the second of the six very-limited issues that Clement Shorter produced for Conrad (the first had been ONE DAY MORE). The limitation page of this copy bears Shorter's initials and the number "VIII"; we have had two other copies, over the years, that were signed by Shorter but did not have an inked-in copy number.~This is an unopened copy, in fine condition (slightly irregular along some leaves' fore-edge, but that is a natural feature of this hand-made paper). With the discreet bookplate of amazing Conrad collector Stanley J. Seeger. Cagle A23. Housed in a morocco-backed slipcase with inner chemise.

      [Bookseller: Sumner & Stillman]
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        Die schwarze Spinne. Mit 30 Zeichnungen von René Beeh.

      Delphin-Verlag,, München, 1918 - München, Delphin-Verlag, (1918). 4°. 110 S. Mit 13 Illustrationen im Text, 16 (2 farb.) ganzseitiigen Illustrationen und 1 mehrfarbige Titelvignette. Schwarzer OLdr. mit goldgepr. Rückentitel Kopfgoldschnitt und marmor. Vorsätzen. Eines von 20 numerierten Exemplaren auf starkem Bütten, von Beeh handschriftlich signiert (GA 1200 Ex.). - Mit einer signierten Originalzeichnung von René Beeh, montiert als Frontispiz. Sprache: Deutsch Schwarzer OLdr. mit goldgepr. Rückentitel Kopfgoldschnitt und marmor. Vorsätzen.

      [Bookseller: Biblion Antiquariat]
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        Scottish Nobility].

      -29 1918 - 4 mezzotints printed in colours, signed in lower left in pencil. Comprising: The McNab (65 x 38.5 cm); Alastair McDonnell of Glengarry (66 x 40 cm); Dr. Nathanial Spens (66 x 91), Sir John Sinclair (66 x 40.5 cm).

      [Bookseller: Shapero Rare Books]
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        Formulae for the Solution of Geometrical Transportation Ciphers: Publication No. 19

      Riverbank Laboratories, Geneva, Illinoise 1918 - Staplebound wraps. Signed by William F. Friedman. Limited numbered edition. "Two hundred copies of this publication were printed of which this is No. 57." Staplebound letter size with cardstock wrapper, 24 pp. In excellent condition for its age. Some browning to covers and paper edges. This copy belonged to William S. Hart Jr. (1922-2004), the son of silent film stars William S. Hart, Sr. and Winifred Westover Hart. During World War II, he served as a cryptographer for the Office of Strategic Services (OSS). On the title page, the copyright is listed to George Fabyan. Beneath that is a stamp stating "Bequest of Mrs. Nelle Fabyan" and a date. [Attributes: Soft Cover]

      [Bookseller: Hart's Fine Books]
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        KATO.

      Genève, William Kundig, 1918. in-folio (480 X 375 mm.), en couverture imprimée.cartonnéIl est l'un des 150 exemplaires numérotés La couverture de lin n'est pas l'époque, pas d'origine. Edition originale

      [Bookseller: Erik Tonen Books]
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        Die Eroberung Mexikos von Ferdinand Cortes. Mit 112 Federlithographien v. Max Slevogt. Berlin, Cassirer 1918. Klein-Folio. 221 S. Mehrfarbig illustr. Orig.-Seidenband nach Entwurf v. Slevogt.

      . . Eines von 250 numerierten Exemplaren auf starkem Bütten mit 112 Orig.-Lithographien v. Max Slevogt. Der hochempfindliche Seideneinband, der meist verschliessen und in den Farben ausgebleicht ist, liegt hier in einem guten Exemplar vor. - Schauer, Bd. II,84.

      [Bookseller: Antiquariat Schmidt & Günther Einzelunte]
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        A History Of Italian Furniture From The Fourteenth Century To The Early Nineteenth Centuries

      Doubleday, Page & Company 1918-1919, New York - 354, 415 pages. 39 x 28.5 cm. Limited edition, one of 500. A total of 865 text figures, photographic plates, a good number are full-paged. List of Subscribers Vol. II. Tipped-in Errata slip Vol. I. CHAMBERLAIN 1716. "A standard well-illustrated work. A list of plates at the beginning of each volume." Interior contents, plates and text clean and fresh. slight rubbing to backstrip extremities. Orig. green cloth lettered in gilt. Teg. Very good. 2 vols [Attributes: First Edition; Hard Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
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        L'Etape Liberatrice - Au Soleil et Sur Les Monts: Scenes De La Vie Des Soldats Allies Internes En Suisse

      L'Edition Francaise Illustree, Paris 1918 - Marbled boards with leather corners and spine. Some rubbing to marbled board edges and spine ends o/w a very good clean copy. Lettering in gilt on spine with red cross motif. Text in French throughout apart from one small section at rear in English. Illustrated in sepia throughout. [Attributes: First Edition; Hard Cover]

      [Bookseller: Post Mortem Books]
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        THE TALE OF JOHNNY TOWN - MOUSE. In glassine wrapper.

      London, Warne & Co., (1918).FIRST EDITION, FIRST ISSUE (1918), IN RARE WRAP - AROUND PRINTED GLASSINE BAND. 12mo, 142 x 107 mm, 5 5 / 8 x 4¼ inches, grey boards, colour plate onlaid, lettered white on upper cover and spine, 85 pages, frontispiece and 26 coloured plates printed 1 side only. Tiny split at top of both hinges, maximum 5 mm, (¼ inch), 10 mm closed tear on upper hinge with 2 mm (1 / 10") chip to paper on spine, 25 mm, (1") split at tail of lower hinge, corners very slightly worn. Neat ink inscription on verso front endpaper dated Xmas 1918, a few very minor marks to margins, contents very nice. A very good copy in the ORIGINAL PRINTED GLASSINE ADVERTISING RUNNER, 420 x 85 mm (16½ x 3 1 / 3 inches) unfolded size, strip missing at top of rear inner flap with loss of 'Ideal Little Books' and part of 'Shelf' (should read: ?The Ideal Case For Ideal Little Books / Peter Rabbit?s Book Shelf?), part of 1 line address of Warne missing also at lower edge of front flap, two 10 mm pieces missing on spine which is unprinted, few tiny chips and short closed tear to top edge, narrow strip missing at lower edge of upper panel, just affecting last line of text but still easily readable. Quinby (page 90) describes a ?Glazed paper advertising runner? which is the same size as ours and whose text is identical to ours except for the front panel which reads ?New Volume For 1918? / The Tale of Johnny Townmouse?, whereas ours announces: 'The Latest Volume / The Tale of Johnny Townmouse'. The runner is very scarce, (no copy with the ?advertising runner? in the Frohnsdorff collection). The front flap lists 3 Potter titles and 2 Painting Books, the rear flap lists the Bookshelf and Peter Rabbit's Slippers. 30,000 copies of the first printing of this title were published and the first copies off the press lack the ?N? on London on the title page, in this copy the ?N? is present but the inscription ?Xmas 1918? indicates a first printing as the second printing did not appear until June 1919. (see Linder page 430). MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
 28.   Check availability:     maremagnum.com     Link/Print  


        Der Untergang des Abendlandes - Umrisse einer Morphologie der Weltgeschichte. Ester Band: Gestalt und Wirklichkeit.

      Wien und Leipzig, Wilhelm Braumüller, 1918 (1. Ausgabe).. Gr.-8°, Leinen. 639 S. (Privater?) Leineneinband. Papier leicht vergilbt, ansonsten gutes u. seltenes Exemplar.

      [Bookseller: Antiquariat an der Universität München]
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        NEBOJSA

      - Rédacteur en chef : Josef CAPEK. Comité de rédaction : Karel Capek, Viktor Dyk, Jan Herben, J.S. Machar. 60 fascicules reliés en un volume, bradel demi toile à coins. Format 260X200mm. Première année (1918) : Nos. 1 à 8. (Année complète). Deuxième année (1919) : Nos. 1 à 52. (Manque les numéros 4 et 38) Troisième année (1920) : Nos. 1 et 2. Nombreuse illustrations de Josef CAPEK, Vladislav HOFMAN, Bedrich FEUERSTEIN, Vaclav SPALA, Jan KONUPEK, et al. Des textes de Vladislav VANCURA, Jindrich HONZL, Otokar FISCHER. Reliure usée, sinon bon état. [Attributes: Hard Cover]

      [Bookseller: Le Grand Verre]
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        Zeitschrift für Musikwissenschaft, herausgegeben von der Deutschen Musikgesellschaft. 1.-17. Jahrgang, Oktober 1918 bis Dezember 1935, in 17 Bänden.

      Leipzig, Breitkopf & Härtel, 1918-, 1935.. 4°, circa 27 x 21 cm. Mit vielen Noten, Tafeln, Portraits etc. Halb-Leinen d. Zt.. Geschlossene Folge der Jahrgänge 1 bis 17, vollständig und gut erhalten, aus dem Besitz des Musikwissenschaftlers Otto Ursprung. Jeder Band mit seinem Exlibris, vereinzelt Anmerkungen in Bleistift von ihm, sonst sauber. - Die ersten Jahrgänge papierbedingt etwas gebräunt, sonst gut erhalten. - SEHR SCHWER, kein Versand ausserhalb der EU!.

      [Bookseller: Antiquariat Thomas Rezek]
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        The Magic Pudding: Being the Adventures of Bunyip Bluegum and His Friends Bill Barnacle & Sam Sawnoff

      Sydney: Angus & Robertson, 1918 Rare first edition of the most famous Australian children's books. Beige pictorial hardcover boards with brown lettering to front board, brown cloth spine with gilt lettering, some rubbing & staining to boards, rubbing on edges with board exposed at places, rubbing & small chipps on head/tail of spine. Solid inside with slightly loose spine but holding well, pale green patterned endpapers, coloured frontis and many black & white full page illustrations. Pages are clean with tears on the fore-dge of the following pages: 2 cm on half-title page, 7cm on page 21, 3 cm on page 77 and 6 cm on page 105.. Hardcover. * Good/No Jacket. Illus. by Norman Lindsay. Medium Quarto 285mm (11"tall).

      [Bookseller: BookSplendour]
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        Etudes de lépidoptérologie comparée, fasc. XV

      - Oberthür, Rennes, 1918 ;; in-8, relié portrait de Boisduval en frontispice, xvi, 730 pp., 57 planches N&B, 26 planches finement coloriées (CDXXXVII à CDLXII), nombreuses figures in-texte, demi-chagrin rouge, dos à 4 nerfs sautés, couvertures et dos conservés ; contient : révision des Castniinae ; le volume est bien complet et fait partie d'un ensemble de 23 volumes édités entre 1904 et 1925, la série complète est rarissime ! Très bon état, rares rousseurs sur les feuillets de garde ! Bridges b12933, Nissen ZBI 2998, [Attributes: Hard Cover]

      [Bookseller: M.J.B. S.A.S., Librairie TOP DUCK]
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        TOSCA, LA (1918)

      Italy 1918 - Vintage original 39 x 105" (100 x 270 cm.) poster, Italy. Olga Benetti, Frecesca Bertini, Vittoir Bianchi, Luigi Cigoli, Alfredo De Antoni, dir: Alfredo De Antoni; Caesar Film. Italian version of the famous story based on the Victorian Sardou play, a print of which is still in existence. A stunning art nouveau style portrait of star Francesca Bertini as Floria Tosca. This prolific star of the Italian cinema, one of film's first true divas, was also a writer and director. She made the first of her 140 films in 1907 and her last in 1976 (most were made before 1935), Bertolucci's 1900. Bertini was the ultimate diva of 1910s era Italian film, the most celebrated and most adulated of Italian movie actresses of her generation. She married count Paul Cartier, and lived a life of luxury till her passing at the age of 103. Poster is by Tito Corbella (1885-1966), a famous painter noted for portraits, nudes, and also for his now highly collected Art Deco postcard designs, As was often the case with early silent posters, there is no title, because the poster would then be exported to numerous different countries. Poster is on linen. This rare poster has been professionally conserved and now displays like new, on linen. VERY GOOD.

      [Bookseller: Walter Reuben, Inc.]
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        O^YO^ ZUAN Gekkan Dai-ichi-go

      1918. Paperback. Very Good. [DESIGN] ODA Kazuma, artist and designer. O^YO^ ZUAN Gekkan Dai-ichi-go. Tokyo, Papiyon Zuansha, Taisho^ 7 [1918]. Folio-sized wrappers, 34.5 x 24.2 cm. This "Practical Design" monthly features the work of Oda Kazuma (1882-1956) in this, its first issue. This issue features articles on the use of electric lights at night for advertising with a note at the end on some recent advertising posters that have appeared. Obviously a periodical by professionals for professionals in the design and advertising world. Not a world one usually thinks of Oda Kazuma belonging to, but here he turns his talents at lithographic printmaking to more practical ends, with sevarl examples of advertising designs and commercial art. Very good condition throughout. Very unusual.

      [Bookseller: Boston Book Company ]
 35.   Check availability:     ABAA     Link/Print  


        Autograph letter signed mentioning his Kunstformen der Natur

      Jena, 1918. Jena, 1918. <p>Haeckel, Ernst (1834-1919). Autograph letter signed, in German, to Mrs. Wilhelmine Storch-Kuhlmann. Jena, April 8, 1918. 2pp. 223 x 142 mm.</p><p>Letter from the German biologist and comparative anatomist Haeckel, promoter of Darwin&#39;s work in Germany, and coiner of numerous biological terms including phylum, phylogeny, and ecology. Haeckel proposed the kingdom Protista (another of his original coinages) to cover simple one-celled or multi-celled organisms that cannot be classed as fungi, animals or plants. He originated the controversial recapitulation theory proposing a link between an organism&#39;s individual development and evolution, summed up in the phrase "ontogeny recapitulates phylogeny." He was a prolific author and an accomplished artist; one of his most famous illustrated works, Kunstformen der Natur (1904), is mentioned in this letter.</p><p>The letter can be translated as follows:</p><p>You have given me great pleasure with your kind greetings of spring from your garden which you sent me yesterday with your dear little daughter. Vividly they took me back to the times of 30-40 years ago when your ingenious teacher Otto Devrient charmed us with his adaptation of Faust and in which you yourself as an exceptional artist gave special glamour to his original and much admired Luther Festival.</p><p>Allow me, as a modest expression of my heartfelt thanks, to send you enclosed my monistic essay "Gott-Natur" (1914) which might interest you in regard to the special reference to Goethe (especially pages 56-61) and the "Synoptischen Tabellen" (pages 64-67).</p> Since your dear daughter showed interest in my "Kunstformen der Natur" during her Sunday visit, I am enclosing a fascicle of it (with ten plates) for her. With repeated best thanks and cordial regards, yours truly, Ernst Haeckel.</p><p>The German actor and playwright Otto Devrient (1838-94) was particularly famous for his staging of Goethe&#39;s Faust. Haeckel&#39;s Kunstformen der Natur, consisting of 100 colored lithograph prints of various organisms, was originally issued in set of 10 plates between 1899 and 1904; it was issued in book form in the latter year. Gott-Natur, published in 1914, is a study of monistic religion.</p>

      [Bookseller: Jeremy Norman's Historyofscience.com]
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        Tüntetes [Proteste].

      Budapest,, MA Kiadasa, 1918 - 8°. Mit 1 Linolschnitt von Sandor Bortnyik. 30 S., 1 Bl., Orig.-Broschur von Sandor Bortnyik. Erste Ausgabe. First Edition. Rar. - Sandor Bortnyik (1893-1976) war Maler, Grafiker und Plakatkünstler. 1928 gründet Bortnyik nach Vorbild des Weimarer Bauhauses die Schule für Werbegrafik "Mühely" (Werkstatt), die er bis 1938 leitet und an der auch Victor Vasarely studiert. Durch seiene Verbindung zu Lajos Kassak findet er 1917 zur Gruppe "MA" (Heute) und wird einer ihrer wichtigsten Vertreter. Nach dem Sturz der Räterepublik 1919 emigriert Bortnyik, zusammen mit Lajos Kassak, Bela Uitz, Aurel Bernath, u.a. nach Wien und veröffentlicht dort die Mappe "Bildarchitektur", eine Serie von 6 konstruktivistischen Schablonendrucken. Einband gebräunt und mit kleinen Randrissen an der Kante des Vorderdeckels. Handschiftl. Namensvermerk auf dem Titel. Innen tadelloser Zustand. Ungarisch Band:

      [Bookseller: erlesenes - Antiquariat & Buchhandlung]
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        English Fairy Tales

      , 1918 1918. Edition De LuxeOne of 500 Signed Copies [RACKHAM, Arthur, illustrator]. STEEL, Flora Annie. English Fairy Tales. Retold by Flora Annie Steel. Illustrated by Arthur Rackham. London: Macmillan & Co., 1918.Edition de Luxe. Limited to 500 numbered copies, (this copy being no. 295), signed by the artist. Large quarto (11 3/16 x 8 7/8 inches; 284 x 22 mm.). [2, limitation leaf], ix, [1, blank], 341, [3, blank] pp. Sixteen color plates mounted on textured white paper, with captioned tissue guards, and forty-one drawings in black and white.Original vellum over boards pictorially stamped and lettered in gilt on front cover and spine. Top edge gilt, others uncut. Pictorial endpapers in green and white. Some soiling to spine, otherwise a fine copy. "Rackham's books for the English market in the early post-war years included Flora Annie Steel's English Fairy Tales Retold (1918), with its 57 illustrations&#133;" (Hamilton, p. 128)Amongst many others, the fairy tales include:St. George of Merrie EnglandThe Story of the Three BearsJack the Giant-KillerThe Golden BallJack and the BeanstalkThe Three Little PigsMr. FoxThe Old Woman and her PigLittle Red Riding-HoodThe Babes in the WoodThe Ass, the Table, and the StickThe Rose TreeLatimore and Haskell, p. 48. Riall, p. 132.

      [Bookseller: David Brass Rare Books, Inc. ]
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        A Guide-Book to Southern Palestine, Judea, Philistia and the Dead Sea including Jerusalem, Bethlehem, Jericho, Hebron, Gaza, Ascalon, Jaffa, Ludd, Ramleh and their neighbourhood, with Historical Introduction and six Maps.

      Palestine News Palestine 1918 - First edition. 8vo (20 x 15 cms), xvi, xvii-xxxvi, 199pp, coloured folding plan of Jaffa and black and white plan of Jersulem in rear pocket, 4 coloured folding plans, some pages loose, adverts, pencil marks on title pages and covers, slight dampstaining inside to several pages, spotting throughout, original printed wrappers, worn and rubbed. " Based upon the well-known enemy publication Baedeker's Palestine & Syria and augmented by numerous additions."This volume was issued to the British Army in Palestine and was meant solely for the army. Very scarce. [Attributes: First Edition; Soft Cover]

      [Bookseller: Shapero Rare Books]
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        Mädchenporträt. Tuschfeder und Pastellkreide (Terra di Siena). 1918.

      . Unten rechts monogrammiert u. datiert: "R.M. V,18". 35 : 27,7 blattgross auf Transparentpapier.. Schöne Bildniszeichnung einer jungen Frau mit realistisch fein ausgearbeiteter Kopfpartie.

      [Bookseller: Gerhard Zähringer Antiquariat und Galeri]
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        Wunderbare Reisen zu Wasser und zu Lande. Feldzüge und lustige Abenteuer des Freiherrn von Münchhausen, wie er dieselben bei der Flasche im Zirkel seiner Freunde selbst zu erzählen pflegt. Mit den Holzschnitten von Gustave Dore.

      Leipzig, Insel [1918].. 4°. 185 S., 1 Bl. Mit zahlreichen, teils ganzs. Textill. nach Holzschnitten von Gustave Dore. Handgebundener, brauner Kalbslederband auf 4 Bünden mit reicher Rückenvergoldung, Lederrückenschildchen, goldgepr. Kassettenbordüren auf beiden Einbanddecken, goldgeprägter Deckelvignette, Kopfgoldschnitt und marmorierten Vorsätzen (Ecken leicht bestossen, Rücken etwas berieben, Deckel mit ganz kleinen Kratzspuren)., fester Einband. Eines von 100 Ex. (Nr.76) der Vorzugsausgabe (Ges.aufl. der VA 600 Ex.). - Druck der Reichsdruckerei Berlin unter Verwendung der wiederaufgefundenen Originalstöcke der ersten französischen Ausgabe. - Sarkowski 259VA. Wackermann 1.107. - Aussen- und Fusssteg unbeschnitten, schönes, sauberes Exemplar. Bankverbindung in Deutschland vorhanden.

      [Bookseller: Buch + Kunst + hommagerie Sabine Koitka]
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        Das Trottelbuch.

      Die Aktion, Berlin. [Gerstenberg, Leipzig]. 1918. [1912].. 122 S. 8°, Orig.-Leinenbd. mit farb. Deckelillustr. von Franz Henseler.. Titelauflage der ersten Ausgabe der ersten Buchpublikation Jungs. - Sehr selten. - 'Eine Restauflage der Erstausgabe wurde von Pfemfert übernommen, in diese Exemplare wurde ein neues Titelblatt eingehängt.' (Raabe). - In diesem Jahr erschien anlässlich des 50. Todestages Jungs in der Edition Nautilus eine Neuausgabe des Erstlings und so heißt es in der Verlagsankündigung: 'In einem Cafehaus sitzen ein paar junge Männer, trinken und lesen sich ihre Texte vor. Heftig, abgehackt und assoziativ hält die Künstlerboheme mit ihren Saufgelagen und ihrer Wut auf alles Gutbürgerliche Einzug in die Literatur. Der Zerfall der bürgerlichen Identitäten, der Geschlechterrollen, die Befreiung der Sexualität ? der Einbruch der Moderne in die psychologische Verfasstheit findet sich in der Figur des ,Trottel' wieder, der willensschwach, dämonisch und barbarisch auftritt und zutiefst einsam bleibt. (Edition Nautilus Frühjahr 2013, S. 10f.) - Sehr schönes Exemplar. - Raabe/Hannich-B. 145.1. - Fähnders 1. - Nicht bei Melzwig. Für unsere Schweizer Kunden: Konto in der Schweiz vorhanden

      [Bookseller: Rotes Antiquariat]
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        Album of 24 Vintage Photographs by Mrs. Josephine L. Spates and E.

      SIERRA CLUB 1918 - "Album of 24 Vintage Photographs by Mrs. Josephine L. Spates and E. E. Cook of the Sierra Club Trip from Los Angeles to the Ranch of S. B. Wright in San Bernardino Mountains. November 29, 1918 to December 1, 1918." The party included 19 adults. Bound in original leather album, with rawhide tie. Each photograph with hand written comment on the location, with a few of the people identified. In addition to photographs of the ranch site, there are also mountains views, ie. Big Pines hotel site, Mt. Baldy, Pine Mountain. 4" x 5 3/4". Very good. [Attributes: Soft Cover]

      [Bookseller: Houle Rare Books/Autographs/ABAA/PADA]
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        Ranglisten des kaiserlichen und königlichen Heeres 1918. Abgeschlossen mit Personalverordnungsblatt Nr 40/18 teilweise bis Personalverordnungsblatt Nr 77 berichtigt.,

      Wien, k.k. Hof- und Staatsdruckerei, 1918 - VIII, 2286 Seiten Einband berieben und bestossen, Kanten geöffnet und Rücken rep., Titelblatt mit geklebten Einrissen, ansonst guter und sauberer Zustand. ---------------------------------------------------------------------------------------- beinhaltend alle Offiziere, Fähnriche und Reserveoffiziere des k. u. k. Heer mit Ernennungsdatum, Rangnummer, Einteilung und verliehenen Auszeichnungen, Orden, Allerhöchster Oberbefehl, Militär Maria Theresien Orden, Generale, Obersten, Generalstab, Artilleriestab, Geniestab, Rangliste der Oberstleutnants Majore, Hauptleute Rittmeister, Oberleutnants und Fähnriche der Infanterie, der Jäger und Sappeurtruppe, dann das Eisenbahn und Telegraphenregiments, Die Infanterieregimeter, Tiroler Kaiserjägerregimenter, Feldjägerbataillone, Bosnisch-hercegovinische Truppe, Kavallerie Dragonerregimenter, Husarenregimenter, Ulanenregimeter, Artillerie: Feldartillerieregimenter, Schwere Feldartillerieregimenter, Gebirgsartillerieregimenter, Festungsartillerieregimenter, Festungsartilleriebataillone, Sappeurbataillone, Brückenbataillone, Sappeurzeugsdepot, Eisenbahnregiment, Telegraphenregiment, Luftfahrttruppen Flieger, Autotruppe, Traintruppe Sanitätstruppe, Gendarmeriekorps für Bosnien und die Hercogivina, Militär-Polizeiwachkorps, Monturverwaltung, Militär Polizeiwachkorps für die Zivilgerichte in Wien, Ingeneuroffizierskorps, Fortifikationsoffiziere ( Fähnriche ) in der Reserve, Gestüte für die Pferdezuchtanstalten, Militärgeistlichkeit: Römisch- katholisch, Griechisch- orientalisch, Evangelisch, Israelitisch, Islamistisch, Militärärztliches Offizierskorps, Offizierskorps für die Justiz, Auditor, Truppenrechnungsführer, Militärbeamte, Militärfechtmeister, Landwirtschaftliche Beamte Forstwirtschaftliche Beamte der Heeresverwaltung, Fohlenhof, Monturdepot, Arsenal, Forsten, Truppenübungsplätze, Beamte usw. Alphabetisches Namensverzeichnis, Offizierststellen von jedem Regiment, bzw. Baon Bataillon, Offiziersrangliste, Reiterei, Artillerie, Infanterie Pioniere Gerichte Seelsorge Train, Eisenbahner, Tank Panzer, Fliegertruppe, Festung, usw. Ulanen, Husaren, Dragoner, Honved, Jäger, Feldjägerbaon, Baon, Kompanie, Standschützen, Kriegsrangliste Rangliste Kriesgranglisten Offizierskorps sämmtlicher Regimenter nach Nr. Kaiserjäger Sprache: de Gewicht in Gramm: 2500 Gr.-8°, Leinen- Hardcover/Pappeinband,

      [Bookseller: Antiquariat Deinbacher]
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        Ranglisten des kaiserlichen und königlichen Heeres 1918. Abgeschlossen mit Personalverordnungsblatt Nr 40/18 teilweise bis Personalverordnungsblatt Nr 77 berichtigt.

      Wien, k.k. Hof- und Staatsdruckerei, 1918.. 1.Auflage, VIII, 2286 Seiten Gr.-8°, Leinen- Hardcover/Pappeinband,. Einband berieben und bestossen, Kanten geöffnet und Rücken rep., Titelblatt mit geklebten Einrissen, ansonst guter und sauberer Zustand. ---------------------------------------------------------------------------------------- beinhaltend alle Offiziere, Fähnriche und Reserveoffiziere des k. u. k. Heer mit Ernennungsdatum, Rangnummer, Einteilung und verliehenen Auszeichnungen, Orden, Allerhöchster Oberbefehl, Militär Maria Theresien Orden, Generale, Obersten, Generalstab, Artilleriestab, Geniestab, Rangliste der Oberstleutnants Majore, Hauptleute Rittmeister, Oberleutnants und Fähnriche der Infanterie, der Jäger und Sappeurtruppe, dann das Eisenbahn und Telegraphenregiments, Die Infanterieregimeter, Tiroler Kaiserjägerregimenter, Feldjägerbataillone, Bosnisch-hercegovinische Truppe, Kavallerie Dragonerregimenter, Husarenregimenter, Ulanenregimeter, Artillerie: Feldartillerieregimenter, Schwere Feldartillerieregimenter, Gebirgsartillerieregimenter, Festungsartillerieregimenter, Festungsartilleriebataillone, Sappeurbataillone, Brückenbataillone, Sappeurzeugsdepot, Eisenbahnregiment, Telegraphenregiment, Luftfahrttruppen Flieger, Autotruppe, Traintruppe Sanitätstruppe, Gendarmeriekorps für Bosnien und die Hercogivina, Militär-Polizeiwachkorps, Monturverwaltung, Militär Polizeiwachkorps für die Zivilgerichte in Wien, Ingeneuroffizierskorps, Fortifikationsoffiziere ( Fähnriche ) in der Reserve, Gestüte für die Pferdezuchtanstalten, Militärgeistlichkeit: Römisch- katholisch, Griechisch- orientalisch, Evangelisch, Israelitisch, Islamistisch, Militärärztliches Offizierskorps, Offizierskorps für die Justiz, Auditor, Truppenrechnungsführer, Militärbeamte, Militärfechtmeister, Landwirtschaftliche Beamte Forstwirtschaftliche Beamte der Heeresverwaltung, Fohlenhof, Monturdepot, Arsenal, Forsten, Truppenübungsplätze, Beamte usw. Alphabetisches Namensverzeichnis, Offizierststellen von jedem Regiment, bzw. Baon Bataillon, Offiziersrangliste, Reiterei, Artillerie, Infanterie Pioniere Gerichte Seelsorge Train, Eisenbahner, Tank Panzer, Fliegertruppe, Festung, usw. Ulanen, Husaren, Dragoner, Honved, Jäger, Feldjägerbaon, Baon, Kompanie, Standschützen, Kriegsrangliste Rangliste Kriesgranglisten Offizierskorps sämmtlicher Regimenter nach Nr. Kaiserjäger

      [Bookseller: Antiquariat Deinbacher]
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        Das Werk des Untersuchungsausschusses der verfassungsgebenden Deutschen Nationalversammlung und des Deutschen Reichstages 1919-1928. Verhandlungen / Gutachten / Urkunden. 13 Bände

      . 1. Reihe: Die Vorgeschichte des Weltkrieges. Band 1/2: Deutschland auf den Haager Friedenskonferenzen; 3. Reihe: Völkerrecht im Weltkrieg. Band 3/2: Verletzungen des Kriegsgefangenenrechts; 4. Reihe: Die Ursachen des Deutschen Zusammenbruchs im Jahre 1918. Band 1: Entschließungen des 4. Untersuchungsausschusses und Verhandlungsbericht; 1. Abteilung: Der militärische und außenpolitische Zusammenbruch. Band 3; 2. Abteilung: Der Innere Zusammenbruch. Band 4: Die allgemeinen Ursachen und Hergänge des inneren Zusammenbruchs. Teil 1; Band 5: Die allgemeinen Ursachen und Hergänge des inneren Zusammenbruchs. Teil 2; Band 6: Zur "Dolchstoß"-Frage; Band 7/1, 7/2 und 8: Der Deutsche Reichstag im Weltkrieg; Band 10/1: Zu den Marinevorgängen 1917 und 1918; Band 10/2: Tagebuch des Matrosen Richard Stumpf; Amtliche Urkunden zur Vorgeschichte des Waffenstillstandes 1918. Auf Grund der Akten der Reichskanzlei, des Auswärtigen Amtes und des Reichsarchivs herausgegeben. Halbledereinband. Berlin: Deutsche Verlagsgesellschaft für Politik und Geschichte 1926-1929. Zusammen ca. 5240 Seiten..

      [Bookseller: Preußisches Bücherkabinett]
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        Amorum libri tres. (Lateinisch und in der deutschen Übersetzung von R. Schott). München 1918. 4to. 284 S. ganz in Kupfer gestochen. Weißer Orig.-Schweinslederbd. mit reichster Vergoldung auf Rücken u. Deckel, Steh- u. Innenkantenvergoldung, Kopfgoldschnitt. (Signiert Spamersche Buchbinderei, Leipzig).

      . . Eines von 12 Exemplaren der Vorzugsausgabe auf Japan-Bütten. 6. Druck d. Marees-Gesellschaft. Zahlreiche Vignetten u. Zierleisten wurden von Andre Lambert radiert. Tadelloses Exemplar dieser luxuriösen Publikation. - Rodenberg 363-64. - Schauer Bd. II,88.

      [Bookseller: Antiquariat Schmidt & Günther Einzelunte]
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