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Displayed below are some selected recent viaLibri matches for books published in 1917

        Piccolo Mondo

      Officina D'Arti Grafiche G. Chiappini, 1917. ITALIANO 0,18 Legatura coeva in mezza tela con filetti e titolo in oro al dorso, copertina rigida cartonata con lievi segni di uso, dedica con firma di appartenenza al frontespizio, ritratto dell'Autore in antiporta, risguardie con segni di umidità e tracce di fioritura, pagine lievemente brunite ben conservate con tracce sparse di fioritura USATO

      [Bookseller: Biblioteca di Babele]
 1.   Check availability:     maremagnum.com     Link/Print  


        [Broadside]: War Rally Under Auspices of Connecticut State Council of Defense... Town Hall, Cornwall... Speaker: Howard F. Landon of Salisbury

      Hartford: Calhoun. 1917. Broadside illustrated with battle silhouette on paper. Approximately 19" x 25". Printed in black and red. Old creases and tears, about very good. Uncommon. OCLC locates two copies over two records. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 2.   Check availability:     IOBABooks     Link/Print  


        The Ideal Giant. The Code of a Herdsman. Cantelman's Spring Mate.

      The sole UK printing published and privately printed for the London Office of the Little Review (1917), London in 1917. The BOOK is in Very Good+ condition. Octavo. Original cream cloth-backed white paper-covered card folder. 44pp stapled and then bound into folder with a single cord. The folder is illustrated with a Vorticist design by Lewis. The folder has age related markings, stains and is slightly darkened. The edges are lightly rubbed. The staples are rusted. The contents are complete and are lightly spotted. The frontispiece is a repeat of the folder cover design. The original cord is present and the binding is tight. One of only 200 copies (though Pound & Grover speculate that perhaps only fifty copies of the folder were made). One of the author's scarcest books, 'The Ideal Giant' was Lewis's first book, preceded only by a portfolio of drawings for Timon of Athens. It was published in November, while Lewis was on compassionate leave from the Western Front where he was a commissioned officer in the Royal Artillery. During his leave, he was re-assigned to a post as an Official War Artist. A very scarce title to find in collectible condition.

      [Bookseller: Ashtonrarebooks]
 3.   Check availability:     PBFA     Link/Print  


        The Romance of King Arthur and His Knights of the Round Table. Abridged from Malory's Mort D'Arthur by Alfred W. Pollard. Illustrated by Arthur Rackham.

      London: Macmillan and Co., 1917.. FIRST RACKHAM ILLUSTRATED EDITION. Square octavo, pp.xxiv, 509 [1]. with 16 colour plates and numerous black and white illustrations by Rackham. In recent navy half morocco with gilt titles to spine, raised bands and blue cloth boards. Original blue cloth cover and spine pasted in at rear. Light spotting to prelims; very good indeed.

      [Bookseller: Adrian Harrington Rare Books]
 4.   Check availability:     IOBABooks     Link/Print  


        The Homesteader

      Sioux City: Western Book Supply Co, 1917. 1st Edition. Hardcover. Fine. frontis, ills, 533p. Cloth. 19cm. Corner bumped. Minor rubbing only. No Jacket (probably never had one). A lovely copy of Micheaux's third novel.

      [Bookseller: McBlain Books]
 5.   Check availability:     Biblio     Link/Print  


        HANDWRITTEN DIARY KEPT BY THIS WOMAN OF ASHLAND, OHIO, 1917-1919

      1917. Original manuscript. Original Boards. Good. Contains 120pp full of entries, closely written in a neat hand. Entries date from 25 March 1917 to 30 June 1919 on lined paper, bound in light boards with "Compositions" on the cover, along with the diarist's name and street address in Ashland. Text block is loose from binding. 8.25" x 6.75" This diary gives an up close-and-personal picture of a typical Midwestern woman's daily life during the years just before, during, and after America's entry into World War I. The war, however, with a few exceptions (see below), takes a back seat to Mrs. Leidigh's activities involving her home, her church, and her community. Each day's entry starts with a brief weather report, then a rundown of her own day's doings and those of her husband, "C.D.", her "Ma", who apparently lives with the couple, her son Alvin, and assorted relatives who live nearby, including "Mother Leidigh", the writer's brother George and his wife Olive, along with "Grandma Hild" and assorted members of the Shriver family. She also assiduously records local deaths, funerals, illnesses, births and weddings. All in all, she presents a very complete picture of small town American life in the Midwest 100 years ago. ~~ Mrs. Leidigh's main activities center on the domestic: baking bread (and cakes and pies), cooking dinners, cleaning, canning, doing laundry, laying carpets, washing curtains, ironing, wallpapering rooms, grinding "1 gal. of hamburg", sewing clothes, knitting, crocheting, etc. In February, 1918, she notes that the "Singer sewing man brought machine and [was] showing how to run it?bought machine. Trade our old one in $68.00." She and "Ma" also are very busy almost every day with "calls", either paying them or receiving them, and she lists all the local people with whom they interact. There are sometimes 5 or 6 calls in the course of a day, although in November, 1917, "Mrs. Shafer and I made 16 calls in south-east part of town. Ma made 10 calls?." Callers often stay for dinner at Mrs. Leidigh's home. She also seems to take in washing and do ironing for various townspeople. It is unclear whether this is charity work or paid labor, since once, when she herself is ill, she notes that "Mary did Mrs. Ralston's washing for me." ~~ Her other preoccupation is her local church. She and her family go to church twice on Sundays (morning and evening), go to prayer meetings on Wednesdays, and on the other days are usually involved in various church board meetings, Bible study classes, "C.W.B.M." meetings, church executive committee meetings, Missionary Aid meetings, C.E. "socials", Aid Circle meetings, Sunday school activities, Missionary Band practices, etc, in addition to Mrs. L's regular bouts of cooking and baking for various church affairs (picnics, suppers, etc.) In a rare example of her use of underlining for emphasis, she records that "Alvin was baptized afternoon" (April, 1919). The family also attends Chautauqua meetings in August 1918. In April of 1919, they attend each day of an 8-day prayer meeting extravaganza, which includes the "Blind Trio singing". During the course of this event, they host "two of the Blind Boys here for dinner and supper." ~~ Her husband, C.D. (sometimes accompanied by Alvin), attends frequent church choir practice sessions, and seems to be an in-demand musician for other musical groups besides the choir, including the missionary band, drum corps, local Lodge orchestra, etc. He also attends GAR activities (encampments, "entertainments," suppers, etc.) and Lodge meetings. His business is unspecified, but in February, 1919, Mrs. L notes that CD "quit working at Ashland Products Co". Three days later, he "began work at Myres shop" [a job he will quit two months later]. The next day, his "job at Gilberts' began." The Leidighs do manage to own an automobile. ~~ Mrs. L. sometimes reports local news, including: the burning of 14 buildings in nearby Savannah, possibly from a lightning strike (April, 1918); visitors coming to town overnight because "they're attending the trial of Shorty Grant Liston"; a rain of "hailstones large as walnuts"; the fact that "the house is being fumigated for infantile paralysis in Romolo family" (Jan. 1918); and the death of Mr. Gardner, who dies in Feb. 1918 after he "fell and broke his arm, had to amputate it, took lockjaw, only sick a week." In July 1918, she notes that it was "the hottest day for a long time. Lots of deaths in city." This last entry probably relates to the massive influenza epidemic of the time, since church is closed "on account of Epidemic" in October, and school is cancelled in December for the same reason. She meticulously names the locals who had the flu, those who have the flu, and those who have already died from it. ~~ World War I is mentioned infrequently in Mrs. Leidigh's diary, but she does sometimes meet with other women to "sew for Belgian women", and she and husband CD hear lectures on France by a YMCA worker at the church, and by George Wood Anderson at the Opera House. She notes that "Van Robertson came home on furlough and was at church" (August, 1918), and that at about the same time, "no cars used all day. Wanted to conserve gasoline." In May, 1918, she writes that "Soldier boys left for Camp Taylor, KY," and that she and CD and Alvin went to the depot to see them off. In September, "Alvin drove to see Co. E start away." On November11, she writes: "War closed. Kaiser surrendered. Big jolification [sic] forenoon and evening." In January, 1919, CD spends two days "canvassing for Armenia and Syria relief fund.".

      [Bookseller: R & A Petrilla, ABAA, IOBA]
 6.   Check availability:     IOBABooks     Link/Print  


        Die Jakobsleiter. Oratorium. Universal-Edition Nr. 6061.

      (Wien u. Leipzig, Universal-Edition 1917). - Erste Ausgabe; Titelblatt von Arnold Schönberg sowie Wilhelm Klitsch eh. signiert. S. schuf das (unvollendet gebliebene) Oratorium für Soli, Chöre und Orchester in den Jahren 1916 bis 1917 nach einer eigenen Dichtung. - Die Signaturen entstanden wahrscheinlich nach einer Lesung des Jakobsleiter-Textes durch Wilhelm Klitsch am 21. Mai 1921, einer der letzten Veranstaltungen des `Vereins für musikalische Privataufführungen` (den Schönberg im November 1918 gegründet hatte, der seine Konzerttätigkeit aber aufgrund finanzieller Schwierigkeiten 1921 wieder einstellen musste). Alban Berg schrieb nach der Aufführung: "`Jakobsleiter` war herrlich. Klitsch hat wirklich unerhörtes geleistet und Fähigkeiten gezeigt, deren ich ihn nie für fähig hielt. .Besuch war sehr schlecht, und Schönberg sehr deprimiert darüber." Quer-Gr.-8°. 32 S. (einschl. Titel). Reataurierter, stummer HLnbd. D. Zt. m. Deckelbezug aus grauem Kleisterpapier. Rücken und Vorsätze erneuert, Deckelkanten z. Tl. stärker berieben, papierbed. durchgeh. stärker gebräunt, ges. Buchblock eselsohrig, letztes Bl. Mit unterlegtem Einriss. [Attributes: First Edition; Signed Copy]

      [Bookseller: Antiquariat Löcker]
 7.   Check availability:     ZVAB     Link/Print  


        Max Beckmann, "Theater", Kaltnadelradierung, signiert

      Verlag der Marées Gesellschaft R. Pieper & Co, München 1917 - Max Beckmann, Leipzig 1884 - 1950 New York, "Theater, 1917", Kaltnadelradierung, Rechts unten signiert: "Beckmann", Plattengröße: 12,8 x 18 cm, Blattgröße: 18,3 x 24 cm, Blatt 8 der Mappe "Gesichter", herausgegeben vom Verlag der Marées Gesellschaft R. Pieper & Co, München, 1919 (mit dem Trockenstempel). Gedruckt bei Franz Hanfstängel, München. Werkverzeichnis Hofmaier 89. Handgefertigter Rahmen, Säurefreies Passepartout, Museumsglas Provenienz: Privatsammlung USA. Versand in Deutschland kostenlos, Europa € 30,-, Welt € 50,-

      [Bookseller: Michael Draheim]
 8.   Check availability:     ZVAB     Link/Print  


        NOGI UNA VIVA INCARNAZIONE DEL BUSHIDO

      CASA EDITRICE ITALO CINO GIAPPONESE, NAPOLI 1917 - BIBLIOTECA DELL'ESTREMO ORIENTE ITALIANO N. 5 della collana, traduzione dal testo inglese di B.Balbi, timbro appartenenza al frontespizio, pagine ingiallite ai bordi e con fioritura, brossura editoriale con legatura a spago, con fioritura, con timbro appartenenza e piccolo strappo al bordo, illustrati entrambi i piatti

      [Bookseller: Biblioteca di Babele]
 9.   Check availability:     AbeBooks     Link/Print  


        The Dardanelles. An Epic told in Pictures [cover title].

      

      [Bookseller: Henry Sotheran Ltd.]
 10.   Check availability:     Direct From Seller     Link/Print  


        Piccadilly Jim

      New York: Dodd, Mead, 1917. First Printing. Hardcover. Fine-. True First Edition, preceding the British edition by more than a year. First Printing (no additional printings noted). Thick 8vo: [12],363,[1]pp, with colored frontispiece and seven colored plates by May Wilson Preston. Publisher's burnt orange cloth, spine and upper cover lettered in black, wanting the dust jacket. About Fine with pristine plates and these minor flaws: edges lightly rubbed, several black dots to lower cover, dust-soiled top edge, but overall sharp, tight, and square. Jasen 21. McIlvaine A20a. A sequel of sorts to The Little Nugget, and the only Wodehouse novel published by Dodd, Mead. Guy Bolton dramatized Piccadilly Jim for the stage in 1918, and it was first filmed in 1919. In 1936, MGM produced a remake, with Robert Montgomery in the title role, and in 2004 Julian Fellowes directed a third film, starring Sam Rockwell as Jimmy Crocker. Note: With few exceptions (always identified), we only stock books in exceptional condition, carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
 11.   Check availability:     Biblio     Link/Print  


        John Keats.

      London: Macmillan and Co., Limited,, 1917. His life and poetry, his friends, critics, and after-fame. Octavo (214 x 138 mm). Mid-20th-century blue morocco Cosway-style binding by Bayntun-Riviere, with a miniature portrait of Keats after Joseph Severn, (under glass and set into the front cover) surrounded by red morocco inlay frame, gilt titles to spine, floral decoration in gilt with red morocco inlay to covers and spine, wide turn-ins, marbled endpapers, gilt edges, 2 blue silk page markers. Colour frontispiece mounted on buff card with tissue-guard and 12 plates. Very light offsetting to endpapers, slight fraying to page markers; an excellent, bright copy. First edition, first impression, in an appealing Cosway-style binding. These elaborate bindings, named after the famous Regency miniaturist Richard Cosway, were a style executed by Rivière & Son for Henry Sotheran booksellers, with miniatures mounted under glass on the cover. The miniatures were originally done by Miss Currie (real name Caroline Billin Curry) who worked for J. Harrison Stonehouse at Sotheran's from about 1910 until her death in 1940. Sidney Colvin (1845–1927), was an art and literary scholar who "was on friendly terms with most of the great literary figures of his day" (ODNB). He published editions of the letters of Keats in 1891 and of his poems in 1915, before devoting "the early years of his retirement to the completion of his major biography" (ODNB). From the library at Beeleigh Abbey of William. A. Foyle (1885–1963), with his leather book label on the front pastedown.

      [Bookseller: Peter Harrington]
 12.   Check availability:     Biblio     Link/Print  


        John Keats. His life and poetry, his friends, critics, and after-fame.

      London: Macmillan and Co., Limited, 1917 - Octavo (214 x 138 mm). Mid-20th-century blue morocco Cosway-style binding by Bayntun-Riviere, with a miniature portrait of Keats after Joseph Severn, (under glass and set into the front cover) surrounded by red morocco inlay frame, gilt titles to spine, floral decoration in gilt with red morocco inlay to covers and spine, wide turn-ins, marbled endpapers, gilt edges, 2 blue silk page markers. Very light offsetting to endpapers, slight fraying to page markers; an excellent, bright copy. Colour frontispiece mounted on buff card with tissue-guard and 12 plates. First edition, first impression, in an appealing Cosway-style binding. These elaborate bindings, named after the famous Regency miniaturist Richard Cosway, were a style executed by Rivière & Son for Henry Sotheran booksellers, with miniatures mounted under glass on the cover. The miniatures were originally done by Miss Currie (real name Caroline Billin Curry) who worked for J. Harrison Stonehouse at Sotheran's from about 1910 until her death in 1940. Sidney Colvin (1845–1927), was an art and literary scholar who "was on friendly terms with most of the great literary figures of his day" (ODNB). He published editions of the letters of Keats in 1891 and of his poems in 1915, before devoting "the early years of his retirement to the completion of his major biography" (ODNB). From the library at Beeleigh Abbey of William. A. Foyle (1885–1963), with his leather book label on the front pastedown. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 13.   Check availability:     ZVAB     Link/Print  


        Die gesammelten Gedichte. Leipzig. Verlag der weißen Bücher 1917. 23,5 x 16,1 cm. 225 Seiten und 1 Seite Verlagshinweis. Originalpappband mit einer farbigen Deckelillustration der Autorin.

      Verlag der weißen Bücher, 1917. Erstausgabe. Exemplar mit einer eigenhändigen, dreizeiligen Widmung Else Lasker-Schülers: „Meiner lieben guten Leila der japanischen Prinzessin von Jussuf". Jussuf ist eines der vornehmlich männlichen Masken (Tino von Bagdad, Malik, Prinz von Theben) unter denen die Dichterin sich gerne verbarg. Kleines Exlibris von Lucy Spiegl auf der Innenseite des Vorderdeckels. Sehr schönes Exemplar. Referenz: Raabe/Hannich-Bode 182.11 -- Wilpert/Gühring 12

      [Bookseller: Antiquariat Günter Linke]
 14.   Check availability:     Direct From Seller     Link/Print  


        L.A.S. retour du Front de Guerre

      Honfleur, 25 juin [19]17 - 8vo. 2 p. Encre bleue turquoise. Parti le 7 juin 1917 pour le Front, il passera par Suippes, Hurlus et Perthes où il se retrouvera à coté des premières lignes. Il visite même les tranchées. A son retour, très impressionné par sa vision de la guerre, Vallotton tente de donner forme à ses souvenirs et exécute quatorze toiles pour l'exposition dite des " Peintres aux armées " qui se tient en octobre de la même année et où l'État lui achètera un " Paysage de guerre ". Cette lettre est certainement adressée à un militaire qui lui a permis de circuler sur le front. Remarquons qu'elle date du jour exact de son départ du front pour Honfleur, le 25 juin. Il n'oublie pas de penser à l'exposition prévue et veut s'y mettre au plus vite. " Voici le brassard qui me fut confié et que je vous remets avec remerciements. Mon départ bousculé demain matin, m'empêche de vous voir et je m'en excuse. Tout s'est admirablement passé et tous les officiers à qui j'ai eu affaire se sont surpassés en gentillesses. " Il donne son adresse à Honfleur, et veut qu'on lui envoie toute communication. " Il est temps que je parte travailler si je veux pouvoir exposer quelque chose qui ait forme. "

      [Bookseller: Kotte Autographs GmbH]
 15.   Check availability:     ZVAB     Link/Print  


        Free Poland. A semi-Monthly. The Truth About Poland and Her People.

      

      [Bookseller: Henry Sotheran Ltd.]
 16.   Check availability:     Direct From Seller     Link/Print  


        Photo Album]: American Expeditionary Force WWI

      France 1917 - Oblong quarto. Measuring 10" x 12.5". Black leather photo album. A collection of 244 sepia toned or black and white photographs measuring between 2.5" x 3.5" and 3.5" x 6", some with captions. A good only photo album with detached pages, with very good or better photographs affixed to stiff black paper. An album containing photos of a marina taken around 1915 as well as photos taken by a seaman in World War I. The early photographs show a group of men working on a large ship, both docked and at sea, including images of passing ships, men at the ship's wheel, and one of an unnamed lighthouse. After a break in the album, the second half shows service with either the Marines or Navy during World War I as part of the 1st American Expeditionary Force to France on the *U.S.S. Seattle* in 1917. They were docked at Port St. Nazaire in France, seen here, and were the first American troops in France. According to historian, Fred Baldwin, "The USA had joined the war, fighting alongside the Allies, and chose Saint-Nazaire as one of their most important entry harbors to France and Western European battlefields. Between 1917 and 1919, almost 198,000 troops and a daily average of 4,000 tons of material transited through Saint-Nazaire." These pictures show the first U.S. troops marching through St. Nazaire, local women working for the war effort, and a photograph captioned "U.S. aeroplane." Depicted are French troops (here dubbed "Frenchies") as well as French children. A few pages show German prisoners with captions like, "glad to talk to we Americans," "well fed and happy," and "glad to be in France," which suggests the lives of P.O.W.s in France was preferable to life in the trenches. There are uncaptioned photos of European towns and local people as well as sailors posed in uniform in front of stately homes and in town squares. One photo shows a group of U.S. Marines engaged in Fourth of July activities on board ship in 1917. The last few pages show the men leaving port with at-sea photographs of the crew, a large group of uniformed soldiers presumably waiting to be offloaded for a mission, and passing ships including an unnamed medical vessel. An extensive collection of an American seaman's duty during World War I. [Attributes: Soft Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 17.   Check availability:     AbeBooks     Link/Print  


        The Western Front. Drawings. With an introduction by General Sir Douglas Haig.

      London: Published by authority of the War Office from the Offices of "Country Life," Ltd., November 1916 - October 1917 - 10 volumes, small quarto. Original illustrated wrappers. With the illustrated dust jackets. Housed in a black flat-back cloth box. A superb set, all sound, clean and fresh with only a few small nicks and marks around the edges of the books, the dust jackets having themselves received only fairly minor dust soiling, some fore-edges a little marked, and some nicks and tears around the edges - the only exception being part 8, which is somewhat spotted, and the a few bumped ends with commensurate chipping to jacket. Nonetheless a remarkable survival, excellent condition overall. 20 plates (some in colour) to each volume, with an additional vignette in the text in each. First edition, complete as published in the original monthly parts, and all with the rare dust jackets, of Muirhead Bone's Western Front series, which contains the first iterations of his over 200 war images, selections from which were then reproduced in separate "deluxe" portfolios like the War Drawings. These parts issues were afterwards bound up into two volumes, so to have a set complete in parts as issued, let alone in such excellent condition (not to mention the rare jackets), is very uncommon indeed. In 1916 William Rothenstein, a friend of Bone and a fellow member of the Society of Twelve, proposed that an artist should be sent to the front to record the War, Bone was chosen for the task. He arrived in August, 1916 at the height of the Somme Offensive and toured the Southern battle-fields working rapidly in various media - pencil, pen, charcoal and chalk - sending back over 150 finished drawings by October. "He recorded mostly life behind the lines illustrating the settings for war rather than battle scenes – the work of the medical services, encampments, soldiers of duty, soldiers marching, landscapes and ruined towns. The detail and accuracy of Bone's drawings provided an authentic, eyewitness record of the immense logistic efforts of the Somme, one that proved immensely popular and resulted in more artists being commissioned." (IWM Somme web-site). [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 18.   Check availability:     ZVAB     Link/Print  


        \"Die Barrikaden\" - \"Zur Ägyptischen Finsternis\". Original Tuschezeichnung unter beigem Schrägschnittpassepartout.

      Wohl Berlin 1917 Blattgröße: 201 x 245 mm. Loses Blatt, Bildgröße: ca. 157 x 187 mm (Im weißen Rand minimale Verfärbungen von einer früheren Montage, sonst gut.) \"Klaus Carl Friedrich Richter (geb. 25. Januar 1887 in Berlin; gest. 3. Januar 1948 ebenda) war ein deutscher Maler und Schriftsteller. Richter war Sohn eines Arztes und studierte in Mailand und München Philosophie und Sprachen, bevor er sich der Malerei zuwandte. In Paris studierte er anatomisches Zeichnen bei seinem Onkel Robert Richter und wurde dann Schüler von Lovis Corinth in Berlin, wo er auch die Bekanntschaft von Magnus Zeller machte, mit dem er ab 1911 ein gemeinsames Atelier unterhielt. Ebenfalls ab 1911 stellte Richter bei der Berliner Sezession aus. Gleichzeitig arbeitete er auch als Schriftsteller, war ein Jahr lang Schauspieler bei Max Reinhardt und schuf Bühnenbilder für den frühen Stummfilm. Ab 1919 lehrte er an der Kunstgewerbeschule in Berlin-Charlottenburg, 1922 wurde er dann Professor an der Kunstakademie Königsberg, wo er auch an der Universität Vorlesungen hielt. Ab 1927 war er Professor an der Berliner Hochschule für Bildende Künste.Er war ab 1929 Mitglied und von 1937 bis zu seiner Absetzung durch Joseph Goebbels 1940 sowie 1946/47 Vorsitzender des Vereins Berliner Künstler. 1940 erhielt er den Auftrag, ein Porträt von Hermann Göring anzufertigen, das allerdings nie abgeliefert wurde. Bei den Sitzungen in der >Wolfsschanze< entstand auch ohne Auftrag sein künstlerisch bemerkenswertes Porträtgemälde von Adolf Hitler (1941), das in zwei nahezu identischen Versionen erhalten ist. Das Werk stellt den Diktator jenseits der offiziellen Propaganda apathisch und zusammengesunken mit leerem Blick dar. (...) Zu seinen Schülern zählte unter anderen Rudi Lesser.\" (vgl. Wikipedia).Original-Tuschezeichnung von Klaus Richter auf dünnem Papier, signiert und datiert 1917 im unteren Bildrand rechts, links unten im Bild bezeichnet: \"Zur Ägyptischen Finsternis\" und unter dem Bild im weißen Rand benannt: \"5. Die Barrikaden\". Rechts unten im weißen Rand ein weiterer kleiner Vermerk Richters mit rotem Stift. - Original drawing, black indian ink on paper, signed. - Unikat. - RFM - Weitere Bilder auf Anfrage oder auf unserer Homepage. Versandkostenfreie Lieferung [Originalgraphik Expressionismus Illustration Unikat Revolution Tuschezeichnung]

      [Bookseller: Versandantiquariat Bürck]
 19.   Check availability:     buchfreund.de     Link/Print  


        AUSTIN, TEXAS, "THE CITY OF THE VIOLET CROWN." HER THRIVING INDUSTRIES - BEAUTIFUL HOMES - COMMERCIAL AND PUBLIC BUILDINGS - EDUCATIONAL AND STATE INSTITUTIONS - SCENIC VIEWS - ADDITIONS AND PLACES OF INTEREST AND A STATISTICAL REVIEW OF BUSINESS RESOURCES. THE IDEAL HOME CITY

      [Austin: Press of E. L. Steck with Photos by Jordan Company], 1917., 1917. First edition. First edition. 4to. 15 x 30.3 cm (5 3/4" x 11 7/8") string-tied printed wrappers, n. p. (96 pp.), introductory, illustrated from numerous photographs, portraits, about Austin, Texas. Touting itself as "A Modern 20th Century City" the publishers advise "This booklet is not alone intended as a 'souvenir,' but to show by actual illustrations what Austin really is. The views herein were made especially for this work and the ambition of the publishers has been to faithfully present, through the media of the camera, engraver and printer's art, Austin, the 'City of the Violet Crown,' as it is to-day." Many views are provided of prominent business locations such as E. M. Scarbrough & Sons Department Store, Calcasieu Lumber Company, Elgin Butler Brick & Tile Company, and many others. Also views of homes of prominent citizens; banks, public schools, municipal buildings, Travis County Court House, local businesses, churches, St. Edward College, Texas Confederate Woman's Home, Texas Deaf, Dumb and Blind Institute For Colored Youths, etc. A view of Lake Austin, the "Highlands" addition, Hyde Park addition, Aldridge Place, Barton Springs Bathing Pool, and much more. Information is also provided on Austin including population, area in square miles, miles of paved and improved streets, number of fire hydrants, numbers of telephones in use, etc. as well as the points around Austin which every tourist should see. Covers are moderately soiled with chips to the fore-edges and wear to the spine ends and spine panel, missing from the front cover is a small (6.3 x 9 cm) picture of Lake Austin, else interior is clean and tight and in quite usable condition. Overall a very good copy of a scarce item of a prominent Texas city.

      [Bookseller: BUCKINGHAM BOOKS]
 20.   Check availability:     Biblio     Link/Print  


        A collection of pencil sketches by the artist Victor Cobb, 1917-1945

      Forty-four pencil sketches on paper, the majority being rural or architectural studies, on loose sheets of various sizes, including 12 on 8 sheets 220 x 280 mm, several initialled and dated 1917; 11 on 6 sheets 180 x 250 mm, several initialled and with dates ranging from 1929 to 1935; 17 on 14 sheets 150 x 220 mm (1 embellished with watercolour), several initialled and with dates ranging from 1937 to 1942; the locations identified in Cobb's pencilled captions include Warragul, Hurstbridge, Alexandra, Castlemaine, Melbourne's Domain and the suburb of Burnley; together with a small sketchbook, 100 x 150 mm, containing 4 sketches of a Victorian house exterior, dated January 1945, and a manuscript note on the artist Turner; all the sketches in this archive are in uniformly good condition. The Melbourne artist Victor Cobb attended The National Gallery Art Scool in the 1890s, where he befriended like-minded artists such as Lionel Lindsay, John Shirlow and Ernest Moffitt, experimenting with his own style of etching. Although he is best remembered for the etchings he created of his native city, he was also supremely gifted at drawing. For an extended period in the 1920s he was employed as illustrator for the Australian Museum of Zoology (later to become the Institute of Anatomy, Canberra), where his drawings of anatomical and zoological specimens are still housed.

      [Bookseller: Douglas Stewart Fine Books]
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        Present day impressions of the Far East and prominent and progressive Chinese at home and abroad. The history, people, commerce, industries and resources of China, Hongkong, Indo-China, Malaya and Netherlands India.

      London, the Globe Encyclopedia Project, (printed by the Unwin Brothers, Woking & London), 1917. - Folio (31 x 26 x 10 cm). 1211, (1) pp. With chromolithographed title-page and frontispiece portrait of George the 5th (photogravure), numerous photographic reproductions in text. Publisher's gold-blocked leather, gilt edges. Encyclopaedic work on China, Hong Kong, Indochina, Malaya and the Dutch East Indies, giving a comprehensive view of the state of these countries in the early twentieth century. Extensively illustrated, including numerous reproductions of photographs. A separate publication by the company that published the Globe Encyclopedia. - Portrait slightly foxed, spine discoloured, otherwise in very good condition. [Attributes: Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Mexican Revolution--Collection of 204 Real Photo Postcards Documenting the Mexican Revolution

      Real Photo Post Cards. Collection of 204 Real Photo Post Cards (RPPC) documenting the Mexican Revolution, U. S. Involvement in the war and various and assorted factions, executions and general unpleasantries of war. Must be seen to be appreciated. Included in the collection are various photos of United States Infantry, Artillery, and Sailors in action and on the march. A United States show of force is seen in cards showing troops on review in El Paso, TX and Douglas, AZ. , and a group shot of the 2nd Mass. Infantry and a 1917 W. H. Horne shot of General Pershing standing on a flag draped review stand. A wonderful birdseye view dated Aug. 8th, 1916 of the 23rd New York Infantry stationed in Pharr, TX has great detail. Also included are a small collection of Kavanaugh War Postals showing U. S. Soldiers in action. A famous view from the ‘bandit war” is included of Texas Ranger Captain Monroe Fox with Norias foreman and former Ranger Tom Tate, plus a third unidentified rider, dragging the bodies of four dead raiders to Norias. Two rare colorized views, published by J. L. Madoro of Colon, of Panama V. Lorenzo, before his execution, are included. Pancho Villa is shown in a classic pose astride his horse on a postcard with a Mexican postmark from 1913. A view of the smoldering ruins from Villa's raid and burning of Columbus, N. M. Shows a lone U. S. Soldier on guard. 6 grotesque views document Villa's assassination in 1923 including several of his corpse lying at the Hotel Hidalgo in Parral Mexico are present, plus three views of his body still in the 1919 black Dodge in which he was riding when the assassination occurred. We also have a card of General Pascual Orozco's funeral, probably at the Concordia Cemetery in El Paso, TX. Other views include armored trains, Mexican foot and horse soldiers and action shots at the front-line. Many morbid views of dead soldiers are included plus views of U. S. Soldiers prepping bodies for burning. Prisoners or Mexican traitors, depending on where they were captured were often executed and this collection contains at least four execution views. One such execution card has a hand-written statement on the back stating, “Mexican troopers executing Mexican political and military prisoners charged with imaginary and trivial offenses. A common everyday occurance whenever Mexican troops occupy a town. ”The majority of cards are unused and are in good to very good condition and are all in rigid sleeves. Some cards show soiling and edgewear. All in all, a collection like this would take years to put together. A detailed list of views has not been compiled but more views are available upon request. .

      [Bookseller: Back of Beyond Books, ABAA]
 23.   Check availability:     Biblio     Link/Print  


        Salome Drame En Un Acte; Precede De Notes Sur L'Auteur Par Ernest La Jeunesse

      Paris: Georges Cres, 1917. First edition. leather_bound. Orig. three quarter ruby morocco and marbled boards with matching endpapers. Teg. Fine. Jou, Louis. 144 (4) pages. 20.5 x 15.5 cm. Limited edition, copy 510 of 1050 on Rivers paper. Color lithograph frontispiece (with tissue guard) and full page wood engraving by Louis Jou, whose original etchings and wood engravings appeared in books authored by Andre Gide, Balery, Victor Hugo, Gourmont, Wilde, Cervantes and many more. Orig. wrappers (front cover) printed in red and black laid-in. Raised bands, gilt spine lettering, color florets in one spine panel.

      [Bookseller: Royoung bookseller, Inc.]
 24.   Check availability:     Biblio     Link/Print  


        Deutsches Kaiserhaus.

      Vorhanden sind 99 Postkarten mit Abbildungen des Kaisers und seiner Familie, einschließlich der Kinder und Enkel. Modernes Einsteck-Album mit Spiralbindung, doppelseitige, ausklappbare Klarsichtfolie. Postkartensammlung. Überwiegend Original Fotos, sowie einige farbige Lithos bis 1917 in durchwegs gutem ungebrauchten Zustand. - Auf Wunsch Digitalfoto zur Ansicht.

      [Bookseller: Plesse Antiquariat Minzloff]
 25.   Check availability:     booklooker.de     Link/Print  


        [La Rondine. Commedia lirica in tre atti di Giuseppe Adami. Opera completa per canto e pianoforte... Riduzione di Carlo Carignani.] [Piano-vocal score]

      [Milano]: [Casa Musicale Sonzogno] [PN M 2022 S], 1917. First Edition proof. Rare. See Schickling, 83.E.1. Hopkinson 8A. La Rondine, to a text by Giuseppe Adami after a libretto by A.M. Willner and Heinz Reichert, was first performed in Monte Carlo at the Théâtre de l'Opéra on March 27, 1917. "In its musical organization La rondine follows a characteristic Puccinian motivic pattern in which there is more room than usual for extended melodies, that are in turn often broken down into recurring motifs. Second Empire Paris is evoked by frequent waltz rhythms of the slower French rather than the Viennese variety; but there are also occasional hints of more modern dances such as the tango, one-step and even (in the lovers' duet in Act 2 'Perche mai cercate') the slow foxtrot. The large orchestral forces are delicately handled, and a number of harmonic audacities worthy of La fanciulla del West (unrelated parallel chords, moments of bitonality, unresolved dissonances) merely add piquancy to a score of unusual elegance. The main musical weight is thrown into Act 2, where two of the waltz themes are combined vertically, and whose concertato remains the lyrical pinnacle of the opera." Julian Budden in Grove Music Online.. Folio. Dark green cloth flexible blue boards with publisher's title label "Casa Musicale Sonzogno... La Rondine Musica di G. Puccini" printed to upper. 285, [i] (blank), xix (transposition of the Act 2 ensemble, "Bevo al tuo fresco sorriso," from E flat to D flat major) pp. Engraved. A proof copy of the first edition, with occasional brief manuscript annotations and corrections to tempo, dynamics, and occasionally musical notation, in lead, blue, and red pencil throughout. "Canto e Piano" handstamped to title label. Slightly worn, browned, and foxed, heavier to some leaves; slightly shaken; some signatures partially detached; occasional light creasing to lower corners.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Provença: Poems Selected From Personae, Exultations, and Canzoniere

      Boston: Small, Maynard and Company, 1917. Second Edition. Hardcover. Near Fine Condition/Good. Second binding ca. 1917 with green stamped boards. Faint wear to book edges, pages uncut. Jacket split along front flap with loss at the head of the spine but intact and attractive otherwise. Size: Octavo (8vo). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Inventory No: 043198.

      [Bookseller: Pazzo Books]
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        Exhibition of black and white, and water colour drawings by Ida Rentoul Outhwaite

      Opened by Lady Cullen at the fine art gallery Anthony Hordern & Sons, Limited, Brickfield Hill, Sydney April 16, 1917. Octavo, self-wrappers (pale foxing), two page appreciation by Mary Mansfield, catalogue of 60 works including numerous originals from 'Elves and Fairies', vignette illustration, note about the publication of Elves & Fairies. Loosely enclosed, an illustrated newspaper cutting from 1917 reviewing the book and exhibition. All contemporary Ida Rentoul Outhwaite catalogues are rare, the catalogue from the exhibition of Elves & Fairies especially so.

      [Bookseller: Douglas Stewart Fine Books]
 28.   Check availability:     Direct From Seller     Link/Print  


        The Treatment of Diabetes Mellitus. With Observations Upon The Disease Based Upon Thirteen Hundred Cases [second edition, enlarged and thoroughly revised]

      Lea & Febiger, Philadelphia and New York 1917 - 559 pages. Upper edge of boards nibbled. Binding is sound; no inscriptions. Frontispiece in colour. This edition antedates Banting & Best. A third edition was issued 1924, and a fourth in 1928. Size: 8vo. [Attributes: Hard Cover]

      [Bookseller: The Odd Book]
 29.   Check availability:     AbeBooks     Link/Print  


        Die Barrikaden" - "Zur Ägyptischen Finsternis". Original Tuschezeichnung unter beigem Schrägschnittpassepartout.

      Wohl Berlin 1917 - Bildgröße: ca. 157 x 187 mm Blattgröße: 201 x 245 mm. Loses Blatt. (Im weißen Rand minimale Verfärbungen von einer früheren Montage, sonst gut.). "Klaus Carl Friedrich Richter (geb. 25. Januar 1887 in Berlin; gest. 3. Januar 1948 ebenda) war ein deutscher Maler und Schriftsteller. Richter war Sohn eines Arztes und studierte in Mailand und München Philosophie und Sprachen, bevor er sich der Malerei zuwandte. In Paris studierte er anatomisches Zeichnen bei seinem Onkel Robert Richter und wurde dann Schüler von Lovis Corinth in Berlin, wo er auch die Bekanntschaft von Magnus Zeller machte, mit dem er ab 1911 ein gemeinsames Atelier unterhielt. Ebenfalls ab 1911 stellte Richter bei der Berliner Sezession aus. Gleichzeitig arbeitete er auch als Schriftsteller, war ein Jahr lang Schauspieler bei Max Reinhardt und schuf Bühnenbilder für den frühen Stummfilm. Ab 1919 lehrte er an der Kunstgewerbeschule in Berlin-Charlottenburg, 1922 wurde er dann Professor an der Kunstakademie Königsberg, wo er auch an der Universität Vorlesungen hielt. Ab 1927 war er Professor an der Berliner Hochschule für Bildende Künste. Er war ab 1929 Mitglied und von 1937 bis zu seiner Absetzung durch Joseph Goebbels 1940 sowie 1946/47 Vorsitzender des Vereins Berliner Künstler. 1940 erhielt er den Auftrag, ein Porträt von Hermann Göring anzufertigen, das allerdings nie abgeliefert wurde. Bei den Sitzungen in der >Wolfsschanze< entstand auch ohne Auftrag sein künstlerisch bemerkenswertes Porträtgemälde von Adolf Hitler (1941), das in zwei nahezu identischen Versionen erhalten ist. Das Werk stellt den Diktator jenseits der offiziellen Propaganda apathisch und zusammengesunken mit leerem Blick dar. (.) Zu seinen Schülern zählte unter anderen Rudi Lesser." (vgl. Wikipedia). Original-Tuschezeichnung von Klaus Richter auf dünnem Papier, signiert und datiert 1917 im unteren Bildrand rechts, links unten im Bild bezeichnet: "Zur Ägyptischen Finsternis" und unter dem Bild im weißen Rand benannt: "5. Die Barrikaden". Rechts unten im weißen Rand ein weiterer kleiner Vermerk Richters mit rotem Stift. - Original drawing, black indian ink on paper, signed. - Unikat. - RFM - Weitere Bilder auf Anfrage oder auf unserer Homepage. 2000 Gramm. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Versandantiquariat Bürck (VDA / ILAB)]
 30.   Check availability:     ZVAB     Link/Print  


        [Poster]: Save the Products of the Land: Eat More Fish - They Feed Themselves

      [Washington, D.C.: United States Food Administration. 1917]. Poster. 29" x 20". Pink lettering on green background. Very good with a chip on the bottom edge affecting the text and tiny tears along the edges. A Charles Livingston Bull illustration of fish in a lake saying "Save the Products of the Land: Eat More Fish - They Feed Themselves." The poster is not only a famous World War I design but also an early vegetarian image. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 31.   Check availability:     IOBABooks     Link/Print  


        Efficiency: A Play in One Act

      New York: George H. Doran. 1917. First. First edition, wrappered issue (issued simultaneously in both wrappers and boards). With an Appreciation by Theodore Roosevelt. Printed flexible card covers. A little soiled, else near fine. Signed on the front wrap by one of the co-author's "From R.H. Davis. 1918." Anti-war play that features a grievously wounded soldier who is rebuilt as a cyborg and returned to the battlefield. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 32.   Check availability:     Biblio     Link/Print  


        A Portrait Of The Artist As A Young Man (First Edition, Second Printing 1917)

      New York: B. W. Huebsch, 1917. 1st Edition. Blue Cloth. Near Fine. 7 5/8" Tall. 2nd Printing 299 Pp. Blue Cloth. Stated Second Printing. Original Blue Cloth With New Endpapers [Original Covers Re-Cased And Tightened]; Not Ex-Library, No Previous Owners' Marks. Spine Ewas Very Worn, Now Clean And Refurbished, Spine Lettering Very Faint With All Gilt Perished; Cover Blind Stamped Letternig Strong; Minute Loss At Upper Front Tip. Contents With Slight Aging, Otherwise Near Fine. [Note: Actual Covers Of This Book Are Dark Blue Altho Photo Shows Them As A Lighter Blue).

      [Bookseller: Arroyo Seco Books]
 33.   Check availability:     Biblio     Link/Print  


        John Wisden's Cricketers' Almanack for 1917 : 1917 Original Hardback Wisden, Very Good Condition

      1917. Hi, This lot is an 1917 Original Hardback Wisden. In Superb condition The World War One Hardbacks are very rare, especially in this condition. The boarda are very clean with excellent, extremely bright gilt to the front and the spine, one tiny bit of rubbing can be seen to the bottom left of the front board by the spine) to the top, the rear board is near perfect and the spine gilt is very bright and original. The hinges are very strong and the yellow pastedowns in top condition and very bright yellow. Name to pastedown top and internally a nice clean book. This book is as good as mine on my shelf, if not better, my copy has a slightly darker spine cloth but it is signed by Pardon (if you prefer that one , please email me as I cant decide which one to own). A rare Wisden in superb condition (++) and a very nice price.

      [Bookseller: Wisdenshop.com]
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        SIMVOLY TARO (STARINNAYA KOLODA KART). FILOSOFIYA OKKULTISMA V RISUNKAH I CHISLAH

      Petro Grad: Literaturnaya knizhnaya lavka, 1917. Cloth bound in fine condition; Contents very good .. Original Russian edition of The Symbolism of Tarot: Philosophy of Occultism in Pictures and Numbers; Originally paperbound, newly rebound in black cloth with copy of the original cover set into the cloth cover; 149 pages. Text in Russian.

      [Bookseller: By The Way Books]
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        KINEMODRAMA: (NE DLYA KINEMATOGRAFA); OKKULTNAYA POVEST IZ TSIKLA IDEI "VECHNOGO VOZVRASHENIYA"

      Iz. A.N. Brianchaninova (Novoe Zveno), Petro Grad 1917 - Original Russian edition: [Cinema Drama (Not For Cinematography): An Occult Novel From the Cycle of Ideas "The Eternal Return", published in English as Strange Life of Ivan Osokin; Originally paperbound, nicely rebound in blue cloth with author's name blind stamped on spine, with original paper cover laid in; Unique custom bookplate of former owner pasted to inside from cover; 157 pages. Cloth bound in very good condition. [Attributes: Soft Cover]

      [Bookseller: By The Way Books]
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        Dizionario esegetico, tecnico e storico per le Arti Grafiche, con speciale riguardo alla tipografia

      R. Scuola Tipografica e di arti affini. 3 voll. in-8° (210x138mm), pp. XVI, 2162, (1) [numerazione continua]. 998 illustrazioni fotografiche e in nero intercalate n.t. e 20 tavv. f.t. complessive. Legatura posteriore in m. pelle rossa con titolo e filetti in oro ai dorsi e piatti marmorizzati. Un ritratto di Giuseppe Paravia è apposto in principio del primo volume. Perfetto stato conservativo. Brossure originali conservate. Dedica autografa dell'Arneudo all'occhietto del primo vol.; "All' Egr. Avv. E. Montiglio, personificazione di ogni affermazione di gentilezza e di benevolenza, con stima e affetto intensissimi, rafforzati da tante comuni vedute G. I. Arneudo 9 / 11 1917". Edizione originale ed unica dell'importante e ricercatissimo dizionario di arti grafiche e tipografia dell'Arneudo (Torino, 1866-Novara, 1927), tuttora indispensabile strumento di consultazione in materia. Bibliografia in fine del terzo volume. L'opera costituì il testo di riferimento della rinomata "scuola tipografica" torinese dei primi decenni del Novecento, che ebbe tra i suoi punti di forza la Casa Vigliardi Paravia, le industrie Nebiolo e gli istituti professionali dei Salesiani. "[L'Arneudo] bibliografo appassionato, spese tutta la sua attività nel campo della tipografia e della editoria: presidente della Società fra artisti tipografi, segretario della Unione tipografica italiana, fondò, insieme con Dalmazzo Gianolio la R. Scuola tipografica torinese. Insieme con lo stesso Gianolio, al quale era legato particolarmente per i comuni interessi bibliografici, fece parte di una apposita commissione ordinatrice, nominata dal sindaco di Firenze, conte Teofilo Rossi, per la istituzione in Torino di un Museo nazionale del libro, che fu solennemente inaugurato il 20 settembre 1913, in occasione delle feste centenarie in onore di G. B. Bodoni.. Nel campo bibliografico l'opera più importante dell'A. è il Dizionario esegetico, tecnico e storico delle Arti grafiche .. redatto dall'A. con lo scopo di diffondere la conoscenza della terminologia tecnica relativa alle arti grafiche, contiene anche termini storici riguardanti la storia dell'arte della stampa e termini bibliografici attinenti al libro, ai suoi vari elementi costitutivi, ornamentali, tecnici e legislativi, nonché, in fine, una utile bibliografia." (Paola Tentori in D.B.I., IV, 1962). Italiano

      [Bookseller: Libreria Antiquaria Galleria Gilibert]
 37.   Check availability:     maremagnum.com     Link/Print  


        L'ECOLE, REVUE D'ENSEIGNEMENT, DE 1917 A 1943

      L'Ecole. 1917-1943. In-8 Carré. Broché. Etat d'usage. Couv. légèrement passée. Dos fané. Intérieur bon état. 5 volumes reliés, contenant les années 1917-18 (2 vol.), 1926-27 (2vol.) et 1929-30. Env. 350 numéros d'env. 20 pages chacun. Un numéro de 1913. Etiquettes annotées et annotations sur les dos des volumes reliés. Quelques tampons et annotations. Quelques numéros abîmés (couverture). A nos lecteurs. Pensées chrétiennes. Langue française. Histoire. Mathématiques. Sciences physiques et naturelles. Dessin. Education physique. Epreuves d'examens au CEP... Années scolaires allant de spet. à juillet. 1913, n° 42. 1917-18, 2 vol., avec Tables. 1926-27, 2 vol., dont la 'Partie supérieure'. 1927. 1928. 1929. 1933. 1935. 1936. 1937. 1938. 1939. 1940. 1941. 1942. 1943 (jusqu'en avril). Introuvable.

      [Bookseller: Le-Livre.Com]
 38.   Check availability:     maremagnum.com     Link/Print  


        Fleisch. Gesammelte Lyrik. (= Die Aktions-Lyrik, Bd. 3. )

      Berlin-Wilmersdorf: Verlag die Aktion . 1917 - Gr.-8° (20,8 x 13,5 cm). Originalpappband mit Deckelillustration, Rücken gebräunt. Innen kaum gebräunt. Aussengelenk oben ca. 5cm eingerissen. Mit 3 Illustrationen von Max Oppenheimer (dav. 1 auf dem Umschlag). 87 Seiten, 1 nn. S., 4 Bll. Gutes Exemplar. Lohner/Zenner 1.29. Raabe, Liter. Expr., 24.5. - Erste Ausgabe. FLUR [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
 39.   Check availability:     ZVAB     Link/Print  


        Prima Esposizione Personale d'Architettura nella Repubblica Argentina. Architetto Mario Palanti. Introduzione Prof. Giulio Carotti.

      1917 - Milano, Arti Grafiche Rizzoli & Pizzo, 1917. In folio (cm. 34); bellissima legatura di lusso in piena pergamena con impressioni a secco ed oro; sguardie in finta pergamena; pp. 16 + 137 Tavole di Palazzi, progetti, particolari ecc. + 8 pp. Bellissima copia in legatura di lusso. Axs [Attributes: Hard Cover]

      [Bookseller: LIBRERIA PAOLO BONGIORNO]
 40.   Check availability:     AbeBooks     Link/Print  

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