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Displayed below are some selected recent viaLibri matches for books published in 1914

        Pan und Nymphe 1914

      - Technik: Farbstift in violett auf Papier, auf Karton montiert. Beschriftung: Rechts unten signiert und datiert mit "C. Aug. Geiger | 1914". Provenienz: Ehrengabe für Jakob Bradl (1864 München - 1919 Oberammergau?) von der Künstlergesellschaft Allotria München im Jahre 1914 anlässlich des Wegzuges Bradls nach Oberammergau. Grösse: 22,7 x 17,4 cm (Darstellung). Beschreibung: In Rückenansicht dargestellt ist eine unbekleidete Nymphe zu sehen, die sich seitlich auf eine Baumwurzel stützt. In inniger Umarmung umschlingt sie ein Satyr, der im Schatten des Baumes sitzt und seine Hände auf Hinterkopf und Taille der Nymphe legt. Es handelt sich um einen Gesamtpreis inkl. Versandkosten innerhalb der BRD. Umsatzsteuer wird wegen Differenzbesteuerung nach §25a UstG weder erhoben noch ausgewiesen. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: H. W. Fichter Kunsthandel e.K.]
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        Antarctic Adventure. Scott's Northern Party

      London: T. Fisher Unwin. G : in Good condition without dust jacket. Cover rubbed and bumped. Rebacked using original spine. Spine faded. Eps renewed. Scattered browning. 1914. First Edition. Blue/silver hardback pictorial cloth cover. 230mm x 140mm (9" x 6"). 382pp. B/w photographs and 3 fold out maps. .

      [Bookseller: Barter Books Ltd]
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        UN METAFISICO POLEMISTA PRIMA DI SOCRATE. MELISSO DI SAMO MEMORIA LETTA ALLA R. ACCADEMIA DI SCIENZE MORALI E POLITICHE DELLA SOCIETA' REALE DI NAPOLI DAL SOCIO AURELIO COVOTTI

      FEDERICO SANGIOVANNI & FIGLIO, 1914. ITALIANO 0,06 Estratto dal vol. XLIII degli Atti della R.Accademia di Scienze Morali e Politiche di Napoli, pagine leggermente ingiallite e con sporadica fioritura, copertina morbida, ingiallita ai bordi, con fioritura e con piccola traccia di umidità, piccolo appunto a matita USATO

      [Bookseller: Biblioteca di Babele]
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        Das Plakat. November 1915

      Tidning, tidskrift. Fint exemplar i denna unika serie av bruksgrafik. Många illustrationer och bilagor. Temat i detta nummer är krig och bruksgrafik. Konstnärerna: Walter Crane, A. Höfer, Adolph v. Menzel, Max Klinger, Otto Greiner, Angelo Jank, Hubert Wilm, John Hassall, Frank Brangwyn, Burkhard Mangold, Peter Behrens, Julius Gipkens, Lehmann-Steglitz, Lina von Schauroth, Ludwig Hohlwein, Emil Preetorius, Walter Georgi m.fl. Walter Triers lustiga karta från krigets Europa 1914 finns med. Fältpostvykort och andra bilagor. Utgivare Verlag Max Schildberger, Berlin 1915. Mycket bra skick. Unik!

      [Bookseller: larsakervall]
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        La Défense de la Position fortifiée d'Anvers en 1914 (20 août - 10 octobre)

      1914. BERGER-LEVRAULT. 1921. In-8.Carré. Broché. Etat d'usage. Couv. défraîchie. Dos satisfaisant. Quelques rousseurs. Ouvrage unique de 296 pages. Hommage de l'auteur. Accompagné de 2 pages d'une lettre originale manuscrite de l'auteur, datée du 22 février 1922, adressée au Colonel Bujac à la Villa Brémondier d'Arcachon (joint une enveloppe timbrée et oblitérée). Accompagné d'un article de journal "La Vérité sur l'évacuation d'Anvers en 1914". Etiquette de code sur la coiffe en-tête et tampons de bibliothèque sur la page de faux-titre. Gouverneur de la Position fortifiée jusqu'au 8 septembre 1914 : Lt-Général Dufour. Commandant de la Position fortifiée depuis le 8 septembre 1914 jusqu'au 10 octobre 1914 : Lt-Général Deguise. INTROUVABLE

      [Bookseller: Le-Livre.Com]
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        Les Caves du Vatican.

      1914 - Paris Nouvelle Revue Française, 1914, 2 volumes in-8 brochés de 282 pp et 293 pp. 1 portrait de l'auteur en frontispice. Edition originale, tirage limité et numéroté à 500 exemplaires sur papier à chandelle des papeteries d'Arches (n°174). Brunissures sur la page de garde et de faux titre sur le tome 1 et sur les 18 premières pages sur le tome 2. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Lang]
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        Glasarchitektur.

      Berlin, Der Sturm 1914 - 21,5 x 14 cm. 125 S., 1 nn. Bl. OBrosch. (überstehende Ränder fachkundig hinterlegt; kl. Läsuren an den Kapitalen restauriert). Mit diesen phantasievollen Aufsätzen über Glasarchitektur eroberte sich Scheerbart einen bleibenden Platz in der Architekturgeschichte. Der Architekt Bruno Taut nahm Scheerbarts Modell eines Glashauses zum Vorbild seiner berühmten Installation auf der Werkbundausstellung in Köln 1914.- Wie üblich, papierbedingt leicht gebräunt. [Attributes: First Edition; Soft Cover]

      [Bookseller: Unterwegs Antiquariat M.-L. Surek-Becker]
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        Das schmerzliche Meer. Frühe und neue Gedichte.

      Erste Ausgabe. - Eins von 100 nummerierten und vom Verfasser signierten Exemplaren davon erschienen 10 Exemplare auf Japanpapier mit einem Holzschnitt von Conrad Felixmüller in Ganzleder. - Rheiner kam 1914 als einer der Jüngsten in die exzentrische Gesellschaft des Cafés des Westens, wo er schnell Anschluss fand. Besonders engen Kontakt pflegte er dort mit Johannes R. Becher, der sich zu dieser Zeit durch Narkotika und vorgetäuschte Sucht dem Wehrdienst entzog. Diese Idee, wohl von Hardekopf kommend, sollte für Rheiner erfolglos bleiben und den Beginn seiner Abhängigkeit bedeuten. Gleichzeitig fasste er hier den Entschluss, sich als Dichter zu verdingen und so erschienen bereits im Folgejahr erste Arbeiten u.a. in Pfemferts ?Aktion?. Vom Dienst an der Front suspendiert und nach Berlin zurückgekehrt, verfiel Rheiner endgültig dem Lebensstil der Bohème und seiner Sucht. Die Vormittage verschlief er, die Nachmittage saß er die meiste Zeit im Romanischen Café, wo er bis in die Abendstunden blieb, um dann, heimgekehrt, des Nachts zu schreiben. Seine Texte fanden in den bedeutenden spätexpressionistischen Blättern Veröffentlichung. Überdies beteiligte sich Rheiner an der Gründung der ?Expressionistischen Arbeitsgemeinschaft Dresden?, worauf die Einrichtung des ?Dresdner Verlages von 1917? folgte, in dem, bis auf eine Ausnahme, alle seine selbstständigen Publikationen erschienen. Die letzten Jahre verbrachte er vereinsamt und vergessen an verschiedenen Orten, meist ohne feste Bleibe, bis er an einer Überdosis Morphium verstarb. (Vgl. Thomas Rietzschel. In: Walter Rheiner. Kokain. Lyrik, Prosa, Briefe. Leipzig 1985, S. 285-303.) - Einbandkanten stark berieben, Bll. teils stockfleckig. - Raabe/Hannich-B. 245. 3. - Jentsch 40.

      [Bookseller: Rotes Antiquariat]
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        Notes on Novelists

      London: J.M. Dent & Sons Ltd., 1914. First Edition, First Printing. Essays on novelists and dramatists, including Stevenson, Zola, Flaubert, Balzac, Sand, and D'Annunzio, along with some musings on the writing life. 8vo (8 3/8 x 6 1/4 inches / 212 x 158 mm), 360 pages, in publisher's original green cloth and with the rare dust jacket. Blind stamp to front panel, spine titles lettered in gilt. Two small white spots to the rear board, light wear to the spine ends and board corners, offsetting to end papers. Spine titles unusually bright. Slight foxing to fore edge. The dust jacket has some mild toning, especially to the spine, along with a few small nicks and chips, mostly on the spine ends. Closed tear to front panel. Our copy is the true first edition, preceding the U.S. edition, and contains the rare dust jacket. No other copies with jackets in commerce as of March 6, 2017.

      [Bookseller: Le Bookiniste]
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        GLI ARTISTI DI FEDERICO SCHILLER DISCORSO SCRITTO PER L'INAUGURAZIONE DELL'ANNO ACCADEMICO 1914-15 DELLA R. UNIVERSITA' DI NAPOLI DA PROF. AURELIO COVOTTI

      ACHILLE CIMMARUTA, 1914. ITALIANO 0,05 Pagine leggermente brunite causa tempo e con lievissima fioritura, coperta morbida ingiallita ai bordi, con fioritura, con lievi segni di usura e con traccia di umidità al bordo inferiore USATO

      [Bookseller: Biblioteca di Babele]
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        Du cote de chez Swann.

      Paris: Bernard Grasset, Editeur,, 1914. À la recherche du temps perdu. Octavo (186 × 115 mm). Bound by Semet & Plumelle in near-contemporary blue half morocco, marbled sides, top edge gilt, fore edge uncut, marbled endpapers, original wrappers bound in at front and rear. Small book label to front free endpaper. Spine slightly faded, small repair to front wrapper; an excellent copy, handsomely bound. First edition, first printing, first state. Presentation copy, inscribed by the author, "à Madame Rostand, hommage d'admiration respecteuse, Marcel Proust". The recipient was Rosemonde Gérard, French poet and playwright, and the mother of Proust's friend Maurice Rostand; she was married to Edmond Rostand, best known for his play Cyrano de Bergerac. The presentation inscription is inserted on different paper stock to the rest of the book, as usual for this title. The necessary issue points are all present: wrappers dated MCMXIII, title page dated 1914, and p. 528 with the imprint dated "le huit novembre mil neuf treize". The publication of Proust's masterpiece was much affected by the Great War, which led to a staggered publication of Du Cote De Chez Swann.

      [Bookseller: Peter Harrington]
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        Evening Landscape (Aftenlandskab)

      , 1914 OFFERING: Example no. 36/60 of "Evening Landscape, now among his rarest prints. Like his other mezzotints, after the small print run, the plate was destroyed. A color mezzotint engraving on chine appliqué, it is printed from one plate with hand applied color inks using à la poupée technique, and signed and numbered in pencil by the artist. The artwork is a masterful integration of color and composition, haunting and mysterious in effect, imbued with the light of evening. SIZE: 321 x 443 mm. CONDITION: Fine, fresh and clean, loose as issued, sleeved in a passe-partout, a temporary archival mat folder with plastic guard. BACKGROUND: With à la poupée, color inks are applied by hand to one prepared plate using covered brushes and cloth daubs. The laborious technique requires great skill. It was developed in 1776 by Robert Laurie, an engraver in England and allows the artist to use a much greater palette of colors and tonalities. À la poupée technique was largely forgotten after registered, multi-plate color printing became popular. Only during the decade before WWI was the technique rediscovered and applied to the mezzotint print medium, principally by Peter Ilsted. The site for "Evening Landscape" is not credited. It is believed to have been created from sketches done on the island of Falster where he was born and grew up and later had a summer cottage. Peter Ilsted [1861-1933] made his first mezzotint print in 1909 and became enamored with the technique. In all, he made 74 mezzotint engravings. CHINE APPLIQUÉ: The print is impressed onto a thin sheet of China paper and backed by a sheet of thicker, stronger paper. China paper takes an intaglio impression easily and can produce a richer impression than most other papers. REFERENCE: Olufsen / Svensson 32 (opus 32 in the Ilsted catalog raisonné). Barker Elizabeth, The Printed Image in the West: Mezzotint. Donson, Sunshine and Silent Rooms. Wax, Carol, The Mezzotint: History and Technique.

      [Bookseller: Steven Waldman]
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        Indien - Ceylon - Vorderindien - Birma - Die Malayische Halbinsel - Siam - Java. Handbuch für Reisende. Mit 22 Karten, 33 Plänen und 8 Grundrissen.

      Leipzig, Karl Baedeker, 1914. 8° , Leinen LXXIV, 358 Seiten. Leinen mit orig. Schutzumschlag(!) u. dreiseitigen Marmorschnitten sowie Lesebändchen. Verlagsanzeigen bis 1939. Vollständig mit allen Karten inkl. einer Übersichtkarte in der Hinterdeckel-Tasche, Schutzumschlag an Ecken verstärkt, Buchinnen neuwertig, insgesamt sehr gutes u. seltenes Exemplar. Versand D: 5,00 EUR Baedeker Reiseführer

      [Bookseller: Antiquariat an der Uni München]
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        "Billy" Sunday: The Man and His Message

      Philadelphia: John C. Winston, (1914). Philadelphia: John C. Winston. (1914). First. First edition. Boards a little unevenly faded, still a very good copy in a good plus example of the dustwrapper, with small chips, tears, and stains, and some uniform overall soiling. Biography of the baseball player turned evangelist. A cheaply produced and relatively common volume, but rare in jacket. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Kain. Zeitschrift für Menschlichkeit. Jahrgang I, No. 1, April 1911 bis No. 12, März 1912 sowie beigebunden: Abel. Zeitschrift für Sklaverei, Fasching 1912; Jahrgang II, No. 1, April 1912 bis No. 12, März 1913; Jahrgang III, No.1, April 1913 - No. 12, März 1914; Jahrgang IV, No. 1, Mitte April 1914.

      München, Kain, 1911 - 1914. - 192 + 23 + 1, 192, 192, 16 S. Priv. Pp. im Stile der Zeit. EA. WG II 9. Beiliegend: Die Einzelhefte des II. Jahrgangs Nr. 9, 10 und 12 sowie der "Kain-Kalender für das Jahr 1912" und der "Kain-Kalender für das Jahr 1913". Der dritte Jahrgang hat die Broschureinbände miteingebunden. Der erste Jahrgang hat einige Ausschnitte der Einbände und den Abel-Einband miteingebunden. Nachgewiesen ist die Zeitschrift bis 1919 (laut ZDB), dann stellte sie das Erscheinen ein. - Leichte Lichtschatten, Exlibris u. Prägestempel a. V., leichte Gbrsp. Kalender eingebundener OBrosch. - Mühsam, (1878 - 1934), lebte seit 1901 als freier Schriftsteller in Berlin und München. Er stand u.a. in Verbindung zum Friedrichshagener Dichterkreis um die Brüder Hart und schloß sich in München der literarischen Bohème an. Von Gustav Landauer und den Ideen Michail A. Bakunins sowie Pjotr A. Kropotkins beeinflußt, arbeitete er für kritische Zeitschriften (u.a. "Simplicissmus", "Gesellschaft" und "Aktion") und schrieb satirische Chansons für Münchner Kabaretts. 1911-14 und 1918/19 gab er die Monatsschrift "Kain. Zeitschrift für Menschenrecht" heraus, in der er nur eigene Beiträge veröffentlichte. Im Ersten Weltkrieg entwickelte er sich zum überzeugten Pazifisten und verbüßte wegen Kriegsdienstverweigerung sechs Monate Festungshaft. Neben Landauer und Ernst Toller gehörte er 1918/19 zu den führenden Köpfen der Bayerischen Räterepublik und wurde nach deren Sturz zu 15 Jahren Haft verurteilt. 1924 vorzeitig entlassen, konzentrierte er sich als Herausgeber der anarchistischen Zeitschrift "Fanal" (1926-31) vor allem auf die Weimarer Klassenjustiz und die faschistische Gefahr. Noch am Tag des Reichstagsbrandes (27.2.1933) wurde M. verhaftet und 16 Monate später ermordet. Obgleich die Gedichte, Dramen (u.a. Staatsräson, 1928) und Essays keine eindeutige politische Zuordnung Mühsams erlauben, belegen sie doch sein bündnispolitisches Ziel einer parteiübergreifenden Einigung aller Kräfte im Kampf gegen den Kapitalismus. Zum Chronisten seiner Epoche wurde er durch seine postum veröffentlichte Autobiographie "Namen und Menschen. Unpolitische Erinnerungen" (1949). (DBE) - So komplett sehr selten! [Attributes: Soft Cover]

      [Bookseller: Antiquariat Weinek]
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        Visionen der Dämmerung. Mit Einleitung von Hannes Ruch, 16 Bildern von Paul Haase und einem Epilog von Hanns Heinz Ewers (= Galerie der Phantasten, Band 3).

      Georg Müller, München und Leipzig 1914 - XV, 380 S., 4 Blatt. Orig.-Halblederband mit reicher Rückengoldprägung, rotem, goldgeprägtem Leder-Rückenschildchen, Lederecken und kleisterpapierbezogenen Deckeln sowie Kopfgoldschnitt. Nr. 12 von 100 in der Presse numerierten Exemplaren der Luxusausgabe auf van Gelder Bütten. Panizzas letzte Buchveröffentlichung sammelt u. a. die frühen phantastischen Erzählungen und wurde sein erfolgreichstes Werk. Der Rücken unten gering berieben und die Lederecken leicht bestossen, insgesamt handelt es sich jedoch um ein ordentliches, noch gut erhaltenes Exemplar der seltenen Vorzugsausgabe. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Rolf Bulang]
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        Das schmerzliche Meer. Frühe und neue Gedichte.

      Erste Ausgabe. - Eins von 100 nummerierten und vom Verfasser signierten Exemplaren davon erschienen 10 Exemplare auf Japanpapier mit einem Holzschnitt von Conrad Felixmüller in Ganzleder. - Rheiner kam 1914 als einer der Jüngsten in die exzentrische Gesellschaft des Cafés des Westens, wo er schnell Anschluss fand. Besonders engen Kontakt pflegte er dort mit Johannes R. Becher, der sich zu dieser Zeit durch Narkotika und vorgetäuschte Sucht dem Wehrdienst entzog. Diese Idee, wohl von Hardekopf kommend, sollte für Rheiner erfolglos bleiben und den Beginn seiner Abhängigkeit bedeuten. Gleichzeitig fasste er hier den Entschluss, sich als Dichter zu verdingen und so erschienen bereits im Folgejahr erste Arbeiten u.a. in Pfemferts ?Aktion?. Vom Dienst an der Front suspendiert und nach Berlin zurückgekehrt, verfiel Rheiner endgültig dem Lebensstil der Bohème und seiner Sucht. Die Vormittage verschlief er, die Nachmittage saß er die meiste Zeit im Romanischen Café, wo er bis in die Abendstunden blieb, um dann, heimgekehrt, des Nachts zu schreiben. Seine Texte fanden in den bedeutenden spätexpressionistischen Blättern Veröffentlichung. Überdies beteiligte sich Rheiner an der Gründung der ?Expressionistischen Arbeitsgemeinschaft Dresden?, worauf die Einrichtung des ?Dresdner Verlages von 1917? folgte, in dem, bis auf eine Ausnahme, alle seine selbstständigen Publikationen erschienen. Die letzten Jahre verbrachte er vereinsamt und vergessen an verschiedenen Orten, meist ohne feste Bleibe, bis er an einer Überdosis Morphium verstarb. (Vgl. Thomas Rietzschel. In: Walter Rheiner. Kokain. Lyrik, Prosa, Briefe. Leipzig 1985, S. 285-303.) - Einbandkanten stark berieben, Bll. teils stockfleckig. - Raabe/Hannich-B. 245. 3. - Jentsch 40.

      [Bookseller: Rotes Antiquariat]
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        The Adventures of Peter Cottontail / The Bedtime Story-Books

      Little, Brown and Company, Boston 1914 - States "Published February, 1914"; no later dates. Charming child's period bookplate to front pastedown, below which the purchaser has written "From Mother / May 9 - 1914." Glossy B&W frontispiece and five internals all in place and firmly attached. Frontispiece is still protected by its original tissue guard. 120 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: Cat's Curiosities]
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        Il Movimento delle Merci Nei riguardi del Servizio Doganale

      Stabilimento Tipografico Lao - Palermo, PALERMO 1914 - ITALIANO Volume del primo ventennio del '900 in stato discreto, coperta in carta, dorso brunito e consumato con cima e piede lacerati, bordo e punte usurati, firme d'appartenenza su piatti, pieghe e strappetto su quello anteriore leggermente scolorito, tagli, irregolari e con barbe, bruniti, pagine ben conservate, tranne pagina di dedica con due strappi, legatura allentata. II edizione, riveduta ed ampliata.

      [Bookseller: Biblioteca di Babele]
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        8 offprints including: Studies in Edema V. The Effect of Calcium Chloride, Adrenalin and Myocarditic Lesions upon the Blood Pressure in Animals Injected Intravenously with Sodium Choride Solution.

      Various, 1909-1914 - 8 offprints including: Studies in Edema V. The Effectof Calcium Chloride, Adrenalin and Myocarditic Lesions upon the Blood Pressure in Animals Injected Intravenously with Sodium Choride Solution. Experimental Medicine, Vol. XL, No. 5, 1909; Studies in Edema IV. The Influence of Calcium Chloride, Adrenalin, Myocarditis and Nephrectomy upon the Dilution of Blood during Intravenous Injection of Sodium Chloride Solution. Experimental Medicine, Vol. XI. No. 5, 1909; Experimental Myocarditis. The Archives of Internal Medicine, February 1909 (Stamp of Edmund B. Wilson front cover); Further Investigations in Experimental Myocarditis reprinted from Archives of Internal Medicine, 1910, Oct., Vol. 6, pp. 427-438; Studies in Endema I: Comparative Investigation into the Action of Calcium Chloride and Sodium Chloride on the Production of Urine,Intertinal Fluid and Ascites with Daniel M. Hoyt, reprinted from Journal of Experimental Medicine, Vol. XI. No. 2, 1909; On Tissue Fibrinolysins, reprinted from The Journal ofBiological Chemistry, Vol. XXI, No. 2, June, 1915 prior owners stamp front cover ?Carl Oppenheimer?; The Effect of the Intravenous Injection of Substances Affected TumorGrowth on the Cyclic Changes in the Ovaries and on Placentomata, reprinted from The Journal of Experimental Medicine, Vol. XX, No. 2, 1914; The Experimental Production of Necrosis of the Liver in the Guinea Pig, reprinted from The Journal of Experimental Medicine, Vol. XX, No. 2, 1914.First separate editions. Offprints. In original wrappers when issued with same. Very good, one offprint torn. *Quality, Value, Experience. Media Shipped in New Boxes. [Attributes: Soft Cover]

      [Bookseller: Robinson Street Books, IOBA]
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        Po gornoi Bukharie. putevye ocherki [In the mountains of Bukhara. Travel Stories].

      St Petersburg: M. Stasulevich,, 1914. Octavo (240 × 162 mm). Contemporary tan morocco-backed brown linen boards, title gilt direct to spine, grey patterned endpapers. 2 plates, numerous illustrations to the text. A little rubbed at the extremities, light browning, a couple of underlinings in the text, private library stamp to verso of the rear free endpaper. First edition. In 1906 Alexksay Vasilievich Nechayev (1864–1915), a paleontologist and geologist from Kazan, made a trip into the Bukhara for the purposes of a scientific survey. However, the present work is his account of the everyday life and traditions of the local people in this isolated locale. The expedition extended into the mountainous areas of Bukhara that had previously not been visited by Russians. Nechaev recounts local legends, the folk tales of the gold-miners, and regional customs and living conditions, at the same time offering descriptions of the stunning landscapes along the way. Nachayev is best known for his pioneering work on the stratigraphy and paleontology of Paleogene sediments of the Volga Region and Upper-Permian rocks of the eastern and north-eastern European part of Russia. Uncommon, OCLC lists just three locations.

      [Bookseller: Peter Harrington]
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        Porträt eines bärtigen Mannes um 1914

      - Technik: Kohlezeichnung auf Papier, auf Karton montiert. Beschriftung: Links im Rahmen vom Künstler signiert "Leo S". Provenienz: Ehrengabe für Jakob Bradl (1864 München - 1919 Oberammergau?) von der Künstlergesellschaft Allotria München im Jahre 1914 anlässlich des Wegzuges Bradls nach Oberammergau. Grösse: 29,1 x 25,3 cm (Darstellung). Beschreibung: In einem skizzenhaften Rahmen mit ovalem Bildausschnitt ist das Büstenporträt eines älteren Herrn im Halbprofil gezeigt. Der neutrale Blick wird durch die buschigen Augenbrauen und die markant hervortretenden Wangenknochen in die Wirkung versunkener Melancholie abgelenkt. Es handelt sich um einen Gesamtpreis inkl. Versandkosten innerhalb der BRD. Umsatzsteuer wird wegen Differenzbesteuerung nach §25a UstG weder erhoben noch ausgewiesen. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: H. W. Fichter Kunsthandel e.K.]
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        The Art of Spiritual Harmony [The Spiritual in Art]

      London: Constable and Company Limited, 1914. First Edition in English. Cloth Spine/Marbled Boards. Very Good/No Dustwrapper, as Issued. 8 3/4" Tall. 9 Plates. Xxvii, 112. First English Edition, Preceding The American Issue. Finely Printed By The Chiswick Press. Blue Cloth Over Patterned Boards, Morocco Spine Label With Title And Author, As Issued, With Gilt Lettering Complete And Bright. Fragile Boards Worn At Edges, Marbled Paper Which Covers The Boards Is Worn Through On Each Board Right Along Edge For Several Inches, But Spine Cloth Shows Only Slight Rubbing At Top And Bottom And Book Is Near Fine Internally. No Stains Or Other Marks Internally Or Externally. A Scarce Book In Collectible Condition.

      [Bookseller: Arroyo Seco Books]
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        Russian Symbolism Book

      Russian Symbolism. Book Maximilian Voloshin "Liki Tvorchestva" 1st  ed. St.Petersburg, 1914., 377 [4], 22 x 17 cm, rebound, hard cover of the time Some wear and rubbing to cover Rubbing and small holes to title page Yellow paper Weight: 600 gr I send it EMS Волошин, М. Лики творчества. Книга первая. Издание "Аполлона" СПб., 1914. 377, [4] с. 22 х 17 см. Книга заканчивается символическим стихотворением М. Волошина "Народу русскому". Позволим себе привести здесь его полностью: Народу русскому: Я скорбный Ангел Мщенья! Я в раны черные - в распаханную новь Кидаю семена. Прошли века терпенья. И голос мой - набат. Хоругвь моя - как кровь. На буйных очагах народного витийства, Как призраки, взращу багряные цветы. Я в сердце девушки вложу восторг убийства И в душу детскую - кровавые мечты. И дух возлюбит смерть, возлюбит крови алость. Я грезы счастия слезами затоплю. Из сердца женщины святую выну жалость И тусклой яростью ей очи ослеплю. О, камни мостовых, которых лишь однажды Коснулась кровь! я ведаю ваш счет. Я камни закляну заклятьем вечной жажды, И кровь за кровь без меры потечет. Скажи восставшему: Я злую едкость стали Придам в твоих руках картонному мечу! На стогнах городов, где женщин истязали, Я «знаки Рыб» на стенах начерчу. Я синим пламенем пройду в душе народа, Я красным пламенем пройду по городам. Устами каждого воскликну я «Свобода!», Но разный смысл для каждого придам. Я напишу: «Завет мой - Справедливость!» И враг прочтет: «Пощады больше нет»... Убийству я придам манящую красивость, И в душу мстителя вольется страстный бред. Меч справедливости - карающий и мстящий - Отдам во власть толпе... И он в руках слепца Сверкнет стремительный, как молния разящий, - Им сын заколет мать, им дочь убьет отца. Я каждому скажу: «Тебе ключи надежды. Один ты видишь свет. Для прочих он потух». И будет он рыдать, и в горе рвать одежды, И звать других... Но каждый будет глух. Не сеятель сберег колючий колос сева. Принявший меч погибнет от меча. Кто раз испил хмельной отравы гнева, Тот станет палачом иль жертвой палача. Максимилиа́н Алекса́ндрович Воло́шин (фамилия при рождении -- Кирие́нко-Воло́шин; 16 [28] мая 1877, Киев, Российская империя -- 11 августа 1932, Коктебель, Крымская АССР, СССР) -- русский поэт, переводчик, художник-пейзажист, художественный и литературный критик Maximilian Alexandrovich Kirienko-Voloshin (Russian: Максимилиа́н Алекса́ндÑ€ович Кирие́нко-Воло́шин), commonly known as Max Voloshin (May 28, 1877 - November 8, 1932), was a Ukrainian-born Russian poet. He was one of the significant representatives of the Symbolist movement in Russian culture and literature. He became famous as a poet and a critic of literature and the arts, being published in many contemporary magazines of the early 20th century, including Vesy, Zolotoye runo ('The Golden Fleece'), and Apollon. He was known for his brilliant translations of a number of French poetic and prose works into Russian.

      [Bookseller: judaica-market]
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        Le peuple de la mer

      1914. G. Oudin, Paris 1914, 12x19cm, broché. - G. Oudin, Paris 1914, 12x19cm, broché. - Prima edizione, una delle 10 numerate e giustificato sul Giappone dalla casa editrice, edizione deluxe. autografo firmato di Marc anziano M. de Kerros. copia rara e bella di questo libro che ha ricevuto il Premio Goncourt. [FRENCH VERSION FOLLOWS] Edition originale, un des 10 exemplaires numérotés et justifiés sur Japon par l'éditeur, tirage de tête. Envoi autographe signé de Marc Elder à monsieur de Kerros. Deux légères déchirures sans gravité en tête et en pied du dos. Rare et bel exemplaire de cet ouvrage qui reçut le Prix Goncourt 1913 contre "Du côté de chez Swann" et "Le grand Meaulnes".

      [Bookseller: Librairie Feu Follet]
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        Ehrenurkunde der Weltausstellung für Buchgewerbe und Graphik, Leipzig 1914.

      - Radierung 1914. 56,5:45,5 cm. Schöner Abdruck mit Plattenton auf chamoisfarbenem Kupferdruckpapier. Die breiten Ränder mit kleinen Randeinrissen und etwas knitterfaltig. Literatur: Beyer 421, III. Der Maler, Bildhauer und Radierer Max Klinger wird am 18.2.1857 in Leipzig geboren. Er studiert in bei Karl Gussow in Karlsruhe und an der Berliner Akademie. 1879 ist er im Atelier von Emile Wauters in Brüssel tätig. Ab 1888 reist Max Klinger wiederholt nach Italien. 1892 ist er Mitbegründer der Berliner Künstlergruppe "XI". Ab 1893 lebt er in Leipzig. 1894 wird er Mitglied der Berliner Akademie, ab 1897 ist er als Professor an der Leipziger Akademie der Grafischen Künste tätig. Ab 1903 hat er auch einen Wohnsitz in Großjena. Beim neu gegründeten Deutschen Künstlerbund ist Max Klinger Vizepräsident neben Max Liebermann, Fritz von Uhde und Harry Graf Kessler. 1906 wird er Vorsitzender des neuen Villa-Romana-Vereins für das Atelierhaus in Florenz. Ein Grundcharakteristikum der Kunst von Max Klinger ist der Symbolismus mit antik-mythologischen und christlichen Bezügen und Inhalten. Zu seinen malerischen Hauptwerken zählen "Kreuzigung" (1890), "Christus im Olymp" (1897), "Die griechische Geisteswelt" (1909 für Leipzig als Aulagemälde der Universität, zerstört). In seinem bildhauerischen Werk orientiert sich Klinger an der neu entdeckten griechischen Polychromie und er verwendet farbige Steine, so bei "Die neue Salome" (1893) und "Kassandra" (1886-1895). Als sein Hauptwerk gilt hier die monumentale Statue des sitzenden "Beethoven" (1886-1902, Leipzig, Neues Gewandhaus). Den bedeutsamsten Teil des künstlerischen Werks von Max Klinger stellt sein grafisches Werk dar. Es zählt zu den besten Leistungen der deutschen Grafik der Neuzeit, sowohl was das Technische, Künstlerische und Narrative angeht. Max Klinger setzt die Technik der Radierung und der Aquatinta in jeder Hinsicht meisterhaft ein und entwickelt sie weiter. Es entsteht ein umfangreiches Werk von Radierfolgen. Max Klinger stirbt am 4.7.1920 in Großjena bei Naumburg.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Autograph Letter Signed

      ("Joseph Conrad") in black fountain pen ink on printed Capel House, Orlestone, Nr. Ashford, April 16, 1914. 8" x 5", 2 pages (1 leaf recto and verso). Very good, fresh and dark example. To his American publisher Frank Doubleday** Conrad thanks Mr. Doubleday for sending copies of his novel "Chance,"* along with some positive press reviews. In part: "I was also very pleased to read the intelligently appreciative notices (two by ladies). . .I am glad to hear you are coming over soon, and I hope when you do arrive. . ." *"Chance" was published by Doubleday, Page & Company, 1914. **Frank Doubleday (1862-1934), American publisher. Conrad moved to Doubleday & Company in 1912.

      [Bookseller: Houle Rare Books & Autographs]
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        SOUTH. THE STORY OF SHACKLETON'S LAST EXPEDITION 1914-1917.

      London, William Heinemann, 1919, 1914. SECOND PRINTING 1919, the first edition was printed in November 1919 and this new impression in December 1919. 8vo, 255 x 155 mm, 10 x 6 inches, colour frontispiece photographed by F. Hurley, 87 black and white photographic illustrations, many photographed by Hurley, 1 double page, 1 folding map at rear, 6 sketch maps in the text, pages: [xxi], half-title, title page, Preface, Contents and list of illustrations, 1-376, including index, original publisher's navy blue cloth, silver lettering to spine, silver picture of ship and silver lettering to upper cover, small central publisher's blind stamped device to lower board. Head and tail of spine slightly bumped, very slight rubbing to extremities, pale age-browning and foxing to endpapers, occasional pale foxing mostly to margins, pale foxing to fore-edges, short closed tear to inner blank margin of folding map, neatly repaired, nowhere near image, old ink name to top of first free endpaper, otherwise a bright tight clean copy. The first issue of this book which appeared one month earlier, was printed on cheap paper prone to severe browning and had a poorly crafted binding likely to split at the joints. These defects were corrected in the second and subsequent printings. See Mackenzie, The Taurus Collection, page 138. Shackleton's most famous expedition was planned to be an attempt to cross Antarctica from the Weddell Sea south of the Atlantic, to the Ross Sea south of the Pacific, by way of the Pole. It set out from London on 1 August 1914, and reached the Weddell Sea on January 10, 1915, where the pack ice closed in on the Endurance. The ship was broken by the ice on 27 October 1915. The 28 crew members managed to flee to Elephant Island, bringing three small boats with them. All of them survived after Shackleton and five other men managed to reach the southern coast of South Georgia in one of the small boats, from where Shackleton organized a rescue operation to bring home the remaining men. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
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        Other People's Money and How the Bankers Use It

      New York: Frederick A Stokes, 1914 - The first edition of this extraordinarily important expose of the finance world. While other investigative journalists such as Ida Tarbell, Lincoln Steffens, and Lincoln Steffens had revealed the excesses of monopoly capitalism, it fell to Brandeis to demonstrate the collusion of the banks. The book draws extensively on his legal battles against J. P. Morgan, Charles Mellen, and other stalwarts of "the Money Trust." Under Brandeis's guidance, Woodrow Wilson pushed through legislation regulating the finance industry. But thanks to mergers and stock manipulations, many of the issues Brandeis identified 100 years ago are still relevant today. Ownership signature of Nathaniel Stone Simpkins, Jr., a 1909 graduate of Harvard who died in WWI; a biographical sketch of Simpkins in ST. MARKS AGAINST THE WAR notes his "deep moral force" and his "moral bravery far beyond that of most men" (pp. 217-220). Front cover is bright, rear has some light spotting; spine somewhat dulled. Light foxing to pages. An appealing copy with an interesting provenance. [Attributes: First Edition]

      [Bookseller: Carpe Librum]
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        Du cote de chez Swann. À la recherche du temps perdu.

      Paris: Bernard Grasset, Editeur, 1914 - Octavo (186 × 115 mm). Bound by Semet & Plumelle in near-contemporary blue half morocco, marbled sides, top edge gilt, fore edge uncut, marbled endpapers, original wrappers bound in at front and rear. Small book label to front free endpaper. Spine slightly faded, small repair to front wrapper; an excellent copy, handsomely bound. First edition, first printing, first state. Presentation copy, inscribed by the author, "à Madame Rostand, hommage d'admiration respecteuse, Marcel Proust". The recipient was Rosemonde Gérard, French poet and playwright, and the mother of Proust's friend Maurice Rostand; she was married to Edmond Rostand, best known for his play Cyrano de Bergerac. The presentation inscription is inserted on different paper stock to the rest of the book, as usual for this title. The necessary issue points are all present: wrappers dated MCMXIII, title page dated 1914, and p. 528 with the imprint dated "le huit novembre mil neuf treize". The publication of Proust's masterpiece was much affected by the Great War, which led to a staggered publication of Du Cote De Chez Swann. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        12 Jessie Willcox Smith Mother Goose Melodies advertising booklets for Colgate and Good Housekeeping.

      Good Housekeeping, () 1914 - CONDITION: Very Good Plus, no names, no spine splits, no bumped corners, spine crease rubbed on some, tiny rubs on corners of most, Mufffet has 3/8" margin pull tear on cover, gilt titles rubbed on Hush-a-Bye, darkening a bit but flat and clean. Good Housekeeping, (1914), 12 booklets each with two poems, cover with picture from first poem in full colour with gold titles and borders, baby holding Cashmere Bouquet talcum and ad for Colgate on back, highlighted in gold; inside covers are Colgate toothpaste ads; oblong 5.25x3.5"; 8 pp. each. Softcover. Beautiful little booklets on high quality paper with pictures from the large Willcox Mother Goose book, which appeared the same year as a promo ad, according to Nudelman. These twelve titles, not the later four booklets, originally appeared in a plain card box with a little boxed tube of Colgate's Ribbon Dental cream: we'll include a photo but, unfortunately, not the box. They will be sent in a commercial black cloth box for safekeeping. ABE Heritage Seller since 1996; conservative AB condition grading. We ship all our books in cardboard protection. International shipping. /JWS, illustrator. [Attributes: Soft Cover]

      [Bookseller: Truman Price & Suzanne Price]
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        Wiener Strassenbilder im Zeitalter des Rokoko. Die Wiener Ansichten von Schütz, Ziegler, Janscha 1779-1798. Beschreibendes Verzeichnis. Mit einem Prolog von Rudolf Hans Bartsch.

      Wien, Gilhofer & Ranschburg 1914. Folio, XLVI, 101 SS., 4 Bll., mit 57 (6 farbigen) Heliogravüren u. 250 Textillustrationen, brauner Halbfranzband auf falschen Bünden, Rückengoldprägung. Rücken stellenw. Min. berieben, sonst sehr gut. Innen tadellos. Mayer 767. - Exemplar Nr. 142 (von 240) auf imitiertem holländischen Bütten (Gesamtauflage: 320). Einzige Ausgabe des Standardwerks über Wiener Ansichten von Schütz, Ziegler und Janscha. - Weiterhin unabdingbare Grundlage für Sammler und Händler dieser Blätter. - DIESES OBJEKT UNTERLIEGT DER DIFFERENZBESTEUERUNG. Versand D: 15,00 EUR Wien, Graphik, Kulturgeschichte, Geschichte, Vienna, Viennensia, Veduten

      [Bookseller: Antiquariat Löcker]
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        A Theory of Interest.

      New York: The Macmillan Company, 1914 - Octavo (190 × 123 mm). Publisher's red cloth, spine ruled and lettered gilt. In excellent condition. Presentation inscription, "To Herr Professor von Schulze-Gavernitz with the cordial regards of his friend Clarence Gilbert Hoag" dated February 9, 1924 to front free endpaper. First edition, in which Hoag presents his theory of interest, attempting to solve the dispute between wage earners and capitalists using a language accessible to all. "The keystone of economic theory is the conception of value. Without a correct theory of value it was impossible to work out a correct theory of interest, and without a correct theory of interest it was impossible to work out correct theories of price and of distribution" (preface.) [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Porto Pí in der Bucht von Palma de Mallorca.

      Prag, H. Mercy Sohn, 1914. XXXI + 1 n.n. + 709 S. + 1 Leerbl. + 2 Karten. OLwd. EA. Mit allen Tafeln und den beiden Karten. - Leicht stockfleckig, Ebd. u. V. leicht fleckig, leichte Gbrsp. Versand D: 7,00 EUR Reise

      [Bookseller: Antiquariat Weinek]
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        Porto Pi in der Bucht von Palma de Mallorca.

      Prag, Heinr. Mercy Sohn, 1914. Gr.-8°. Mit 8 Tafeln u. 2 (1 farb.) gefalt. Plänen. XXXI (1), 709 S., 1 weißes Bl., OLwd. m. farb. Kopfschnitt. Erstausgabe. - Einband etw. fleckig u. bestoßen. Schwach gebräunt u. tlw. (bes. Schnitt u. die ersten Bll.) etw. stockfleckig. - Holzmann/B. V, 8071. Versand D: 12,00 EUR Ludwig Salvator, Erzherzog von Österreich, Porto Pi in der Bucht von Palma de Mallorca, Balearen; Spanien

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Lands Forlorn A Stroy of an Expedition to Hearne's Coppermine River

      New York: Putnam's Sons, 1914. Undetermined. very good. 1st Edition. xv, 285pp. Octavo. Bound in original gilt decorated blue boards. Coloured frontisipiece. 181 black and white illustrations from photos. Two folding maps at the end. Top edge gilt. Foredge has some mild foxing otherwise the book is very clean. Dust jacket has minor wear at the top of the spine otherwise is in very nice condition. very good Arctic Bibl. 4074. Story of a three man expedition to the Coppermine via Great Bear Lake, a winter at Great Bear, then down the Coppermine to its mouth the following summer. A barren lands classic and a wonderful read. This copy inscribed to Miss D Mevell in memory of her brother Cosmo from the author. Cosmo Melvill(e) was a British Big Game Hunter who made a trip tot he Barrens. Several pages have annotations in the authors hand. A prime and very collectable copy of the book. 1914

      [Bookseller: Aquila Books]
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        East of the Sun and West of the Moon

      London: Hodder & Stoughton, 1914. Scarce First Trade Edition of ìEast of the Sun and West of the Moonî[NIELSEN, Kay, illustrator]. [ASBJ÷RNSEN, Peter Christen, and Jˆrgen Ingebreksten Moe]. East of the Sun and West of the Moon. Old Tales from the North. Illustrated by Kay Nielsen. [London]: Hodder & Stoughton, [n.d., 1914].First trade edition. Large quarto (11 x 8 5/8 inches; 279 x 221 mm). [2], 206, [1, printerís imprint], [1, blank] pp. Twenty-five mounted color plates, with descriptive tissue guards. Numerous black and white text illustrations.Original dark blue cloth decoratively stamped and lettered in gilt on front cover and spine. Pictorial endpapers in gold and black. Minimal wear to extremities and spine edges. Some very light dust soiling to top and bottom edge. Small circular bookplate to verso of front free endpaper. Some minor wrinkling to the cloth on the spine. A very good copy of this scarce first trade edition.ìAs is noted in the preface to East of the Sun and West of the Moon, these folktales from the works of Asbjˆrnsen and Moe are by no means for the nursery. The Danish artist Nielsen, being thoroughly at home with the narrative tradition that they represent, was well equipped to present their strangeness and cruelty, as well as their humor and heroism. Though his drawings are highly decorative, they are nonetheless true illustrations. The contrast between Nielsenís bizarre style, filled with echoes of nineties illustrators...and his primitive subject matter greatly enhances the piquancy of the bookî (Ray).Ray, The Illustrator and the Book in England, 333.HBS 67841.$3,250

      [Bookseller: Heritage Book Shop, LLC ]
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        East of the Sun and West of the Moon Old Tales from the North. Illustrated by Kay Nielsen.

      London Hodder & Stoughton 1914 - Scarce First Trade Edition of "East of the Sun and West of the Moon" [NIELSEN, Kay, illustrator]. [ASBJÖRNSEN, Peter Christen, and Jörgen Ingebreksten Moe]. East of the Sun and West of the Moon. Old Tales from the North. Illustrated by Kay Nielsen. [London]: Hodder & Stoughton, [n.d., 1914]. First trade edition. Large quarto (11 x 8 5/8 inches; 279 x 221 mm). [2], 206, [1, printer’s imprint], [1, blank] pp. Twenty-five mounted color plates, with descriptive tissue guards. Numerous black and white text illustrations. Original dark blue cloth decoratively stamped and lettered in gilt on front cover and spine. Pictorial endpapers in gold and black. Minimal wear to extremities and spine edges. Some very light dust soiling to top and bottom edge. Small circular bookplate to verso of front free endpaper. Some minor wrinkling to the cloth on the spine. A very good copy of this scarce first trade edition. "As is noted in the preface to East of the Sun and West of the Moon, these folktales from the works of Asbjörnsen and Moe are by no means for the nursery. The Danish artist Nielsen, being thoroughly at home with the narrative tradition that they represent, was well equipped to present their strangeness and cruelty, as well as their humor and heroism. Though his drawings are highly decorative, they are nonetheless true illustrations. The contrast between Nielsen’s bizarre style, filled with echoes of nineties illustrators.and his primitive subject matter greatly enhances the piquancy of the book" (Ray). Ray, The Illustrator and the Book in England, 333. HBS 67841. $3,250 [Attributes: First Edition; Hard Cover]

      [Bookseller: Heritage Book Shop, ABAA]
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        Kaloma - Canvas Art Print

      - Canvas art print of the legendary and mysterious "Kaloma," which features a risqué image of a beautiful woman posing in a sheer gauze peignoir. This print is in color. Print has moderate soil to bottom half and is slightly worn where wooden frame meets canvas. There are three small cracks near image of woman but do not affect content. Wooden frame is in good condition but has light soiling and is somewhat rough on the back. In 1914 this image was on the cover of "Kaloma, Valse Hesitante" composed by Gire Goulineaux, hence the image name "Kaloma." It was also published as an art print by both Pastime Novelty Company and ABC Novelty Company out of New York in 1914 and became very popular. Its popularity resurfaced in the 1960's and again in the 1970's when Glenn Boyer's book "I Married Wyatt Earp" featured the image on the dust cover. Many believe that the woman in the photograph was actress and dancer, Josephine Sarah Marcus Earp, the wife of famed gunslinger Wyatt Earp, but this identification is still controversial. The original photograph was said to have been taken in the 1880's but again this is debated. Although the origin and subject is controversial, the popularity of this bold image is unquestionable. ; Large 8vo 9" - 10" tall

      [Bookseller: Back of Beyond Books, ABAA]
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        [Photo Album]: "A Glimpse of Wianno and Green Lodge"

      Cape Cod, Massachusetts. 1914. Oblong small octavo. Measuring 5.5" x 7". Textured brown cloth over paper boards. Contains 47 sepia toned gelatin silver photographs measuring between 2.5" x 4" to 3" x 4.5", some with captions. Loose pages and edgewear thus a very good album with near fine photographs.A photo album compiled by Sara E. Wentworth and her sister Amy while vacationing on Cape Cod in 1914. The women stayed at the Wianno Club and Green Lodge during the summer and photographed the goings on with a partially captioned list in the back of the album detailing 24 of the photos. Many of the photos show the beaches, picnic areas, and natural beauty of the area. The women are seen posed outside with flowers, a dog, and a cat. There are also photos of boats docked and in the water and men working on the docks. They photographed "the bluff at Green Lodge," ponds, and the "Crosby boat houses." They also photographed old houses of the area and the historic parts of Cape Cod as well as the "Cape Cod Cedars" and local animal life. An interesting collection of well-composed photographs detailing two sisters vacationing on Cape Cod. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Stanford's Map of Part of the Turkish Empire with the Balkan Peninsula and Lower Egypt

      London: Edward Stanford, 1st May, 1914. Map dimensions 74 z 107 cm, overall 81 x 114 cm. Large folding map centred on Turkey and the Levant extending from the Balkans across to the Caspian Sea and Persia (Iran) and Ukraine and the Caucasus down to the north African coast, the north of the Arabian peninsula and the Persian Gulf, full colour demarcating the national boundaries, dissected into 36 sections and mounted on linen, folds into original purple cloth slipcase with a publisher's yellow printed label to the upper cover and their matching advertisements to the folded end sections. Very good.

      [Bookseller: Bow Windows Bookshop]
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        MISCELLANEOUS MOODS IN VERSE. One Hundred and One Poems with Illustrations. Deluxe edition limited to 100 copies. Contains an original drawing by Elihu Vedder.

      Boston: Porter E. Sargent, 1914. Original parchment-covered binding is moderately browned and shelfworn, with a scuffs and several spots of discoloration. Original paper spine label is cracked but intact. Protected in custom-fitted archival mylar. Contains numerous tipped-in and in-text illustrations. Number 53 of 100 copies printed for subscribers. This copy contains an original color drawing by Elihu Vedder on the front endpaper, which is signed by the artist as a part of the drawing. The drawing itself is a dedication to Edward E. Ayer and contains a caricature of a man with a long white mustache and glasses; the glasses are incorporated into the word "book." Pages edges are uncut. The text is clean and unmarked. First edition.. Signed. First Edition. Hardcover. Very good condition. Quarto (4to).

      [Bookseller: Kurt Gippert Bookseller (ABAA)]
 42.   Check availability:     Biblio     Link/Print  

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