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Displayed below are some selected recent viaLibri matches for books published in 1914

        La Connestable. Conte imagé, gravé et enluminé par Albert Robida.

      Charles Meunier,, Paris, 1914 - Paris, Charles Meunier, 1914. 31,5x25,8 cm. 3 f., 41 p., 1 p., 1 f., 21 f. Demi velin, couvert. orig. conservée (sans dos), tranche dorée. Petite édition in-4° carré. - No. 99/100 exemplaires numérotés, contenant une suite à part sur Chine de toutes les gravures imprimées dans le texte. - In schönem Halbpergament-Einband mit marm. Ueberzugspapier, marmorierten Vorsätzen u. eingeb. O-Broschur. Demi velin, couvert. orig. conservée (sans dos), tranche dorée. [Attributes: Hard Cover]

      [Bookseller: Biblion Antiquariat]
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        Journal Kept by David Douglas During His Travels in North America 1823-1827 Together with a Particular Description of Thirty-Three Species of American Oaks and Eighteen Species of Pinus with Appendices Containing a List of the Plants Introduced by Douglas and an Account of His Death in 1834

      William Wesley & Son, London - 1914, 1st Edition. () Very good. (6),364 pp. Tall octavo. Original green / grey cloth with gilt decoration on front board. Frontispiece portrait. Two old institutional rubber stamps on the front endpaper and on the back of the frontispiece otherwise a nice clean crisp copy with only slight wear. Published under the direction of the Royal Horticultural Society who own the original manuscript. Howes D435, TPL 1422, Strathern 150. Howes states the book was printed in an edition of only 500 copies and is very scarce in the market. Douglas is very famous for naming Mount Brown and Mount Hooker of which he gave greatly exaggerated elevations. The elevations of 16,000 and 15700 hundred feet persisted for over 100 years on maps. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aquila Books(Cameron Treleaven) ABAC]
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        North of Boston

      New York: Henry Holt, 1914: First American Edition, First Printing, with date of 1914 on the title page, and statement of First Edition. One of only 150 copies published by Henry Holt in 1914, following a British edition from David Nutt consisting of 350 copies. Bound with sheets bought by Holt of the first issue from Nutt. In About Very Good condition. Clean pages, sound binding. Pages lightly age toned. Previous owner name to front free end paper. Spine label shows chipping. Sunning to spine label and boards. Boards show light soiling, rubbing and wear at corners and rubbing to edges. A nice copy, solid.

      [Bookseller: Burnside Rare Books]
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        Die Reklame. Ihre Kunst und Wissenschaft.

      Berlin. Hermann Paetel Verlag, 1914. - 4.Aufl., 2, mit zahlreichenn Illustrationen, Kunstblättern und lithographischen Mustertafeln, 4°. 26,5 x 20,0 cm. XI,360/XIII (2 Bl.) 304 ( Seiten, Vorwort von Victor Mataja(1) ; Josef Kohler (2), In gutem Zustand. beide Bände nicht einheitlich gebunden, der 1.Band in 4.Auflage, der 2.Bd. in 1.Auflage , Einbandrücken leicht gebräunt, Bd. 2 am Rücken etwas aufgehellt, innen tadellos, mit zahlreichen Druckbeilagen. Band 2 (in erster Auflage) mit XIII (2 Bl.) 304 (4 Bl.) Seiten, Leinen- Einband gestaltet von F.H. Ehmcke, bei Band 1 Einband von Jacoby Boy (Halbleinen),. [Attributes: Hard Cover]

      [Bookseller: Leipziger Antiquariat e.K.]
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        Textile Kunst und Industrie (VII. Jahrgang 1914 in 12 Heften),, illustrierte Monatshefte für die künstlerischen Interessen der gesamten Textilindustrie,

      Chemnitz : Verlagsanstalt Hugo Wilisch 1914 - mit je ca. 44 Seiten SCHÖNE EXEMPLARE DIESER SEHR SELTENEN ZEITSCHRIFT unter Mitwirkung von Fachmännern hrg von Oskar Haebler; die Hefte der prächtig ausgestatteten Textilzeitschrift enthalten überwiegend farblithographierte Mustertafeln von Textilien oder Tapeten. Sehr viele Tafeln mit Wiedergaben von Stoffproben, Mustern. etc. Aus dem programmatischen Vorwort der ersten Ausgabe Januar 1908: ".Sie soll zeigen (die Zeitschrift) wieviel Vortreffliches an neuzeitlichen Erzeugnissen der Textilindustrie entsteht, das den Stempel des Künstlerischen in hohem Maße in sich trägt.Unsere Monatsschrift soll demnach ein Organ darstellen, welches die künstlerische Entwicklung der gesamten Textilindustrie, als die Teppich-Möbelstoff- und Leinenindustrie, ebenso wie auch die Kunststickerei, die Gardinen-, Spitzen-und Posamentenindustrie, die Tapeten-und Linkrustafabrikation und verwandte Gebiete berücksichtigt." Sprache: de Gewicht in Gramm: 0 [Attributes: Soft Cover]

      [Bookseller: Antiquariat Im Baldreit]
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        The Art Of Spiritual Harmony By Wassily Kandinsky: Translated With An Introduction By M.T.H. Sadler Illustrated

      London Constable And Company Limited 1914 - First edition. Very good in marbled-paper boards and leather spine label stamped in gilt (light rubbing and edgewear). Additionally the title page is discreetly embossed "Presentation Copy". Nicely printed by the Chiswick Press. "Wassily Kandinsky's contributions as a theorist were arguably more influential on modern art than any of his paintings. In Concerning the Spiritual in Art, first published in 1914, Kandinsky both promotes and defends a form of art in which painters express themselves in abstract terms independent of the material world around them, much as musicians do. Divided into two parts, About General Aesthetic (including an examination of geometrical forms) and About Painting (a discussion of the psychology of color and the language and form of color), Concerning the Spiritual in Art offers an insight into the mind of one of the most renowned of all abstract painters and a preview of the art that he was to produce in the years to come." [Attributes: First Edition; Hard Cover]

      [Bookseller: Brick Walk Bookshop]
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        Dubliners.

      London: Grant Richards Ltd., 1914 - Octavo. Finely bound by The Chelsea Bindery in burgundy morocco, titles and decoration to spine, raised bands, single rule to boards, inner dentelles, marbled endpapers, gilt edges. A fine copy. First edition, first impression, one of 746 copies issued in London on 15 June 1914, with the balance of the 1,250 printed shipped to Huebsch in New York, where it was published sometime between 15 December 1916 and 1 January 1917. Although never published, the collection had been printed before, by George Roberts at Maunsel, the Dublin publishers who by July 1910 had destroyed an edition of 1,000 because of "objectionable passages", inciting Joyce's pasquinade "Gas from a Burner". The collection contains Joyce's masterpiece in the short form, "The Dead". Slocum & Cahoon A8. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Journal Des Dames et Des Modes (Supplements, 1912-14)

      Bureaux du Journal des dames, Paris 1914 - First edition. 70 separate issues (Supplements), without the plates: Preface (with the wraps for two bound volumes laid-in); Supplement Nos. 1 (1 June 1912) - No. 38 (10 June 1913); Supplement Nos. 48 (20 September 1913) - No. 79 (1 August 1914). A fine collection of separate issues in the original wrappers, untrimmed and unopened, lacking the pochoir plates. The "Journal Des Dames et des Modes" was published from June 1912 to August 1914. Issued the 1st, the 10th and the 20th of each month, each number included supplements containing short articles, commentaries, and/or poetry. Notable contributors include Jean Cocteau, Henri Duvernois, Marcel Boulenger, and others. *Rene Colas. Bibliographie generale du costume et de la mode, v. 1 (590)*. [Attributes: First Edition; Soft Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Princess Mary's Gift Book

      1914. Unusual in Fine Condition - Rare With Original Printed Dust JacketIn the Original Printed Box[RACKHAM, Arthur. DULAC, Edmund. DETMOLD, E.J. FLINT, William Russell, et al, illustrators]. Princess Mary's Gift Book. All profits for sale are given to The Queen's "Work For Women" Fund which is acting in conjunction with The National Relief Fund. London: Hodder & Stoughton, n.d. [1914]. First edition. Quarto (9 5/8 x 7 1/4 inches; 245 x 185 mm). vi, 140 pp. Fourteen color plates tipped-in to captioned tan stock with brown line frame, many black and white text drawings. Publisher's pale yellow cloth, front cover decoratively stamped and lettered in black with border blocked in blind. Spine decoratively lettered in black. In the original tan dust jacket printed in black, and the original white cardboard box, also printed in black. A very fine copy in a like dust jacket and box.A common book quite scarce in fine condition, but this is only the second copy that we have ever seen with the original printed dust jacket and the first copy that we have ever seen in the original box.The fourteen tipped-in color plates include:"So nobody can quite explain Exactly where the rainbows end" (Arthur Rackham)"True Spartan Hearts" (Edmund Dulac)"The Ant Lion" (E.J. Detmold)"A Holiday in Bed" (W. Russell Flint)There are also many black & white drawings by C.E. Brock; E.J. Detmold; Arthur Rackham; Byam Shaw; H. M. Brock; Lewis Baumer and Edmund J. Sullivan,"This was the first of a group of wartime books sponsored by prominent people and sold to raise money for worthy causes. The most popular, it sold 604,884 copies during the two years, 1914-1916, that is was in print. The Times in an article November 21, 1914 sought to promote the cause, 'The Queen's Fund,' by directing the public to the display of the original drawings at the Leicester Galleries" (Hughey).Latimore and Haskell, p. 93. Riall, p. 120. Hughey 34.

      [Bookseller: David Brass Rare Books, Inc.]
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        Shakespeare's Comedy of A Midsummer-Night's Dream

      London: Constable & Co., 1914. - "The Most Complete and Beautiful Specimen Before Us of an Illustrated Book as a Single Work of Art"(The Times Literary Supplement)[ROBINSON, W. Heath, illustrator]. SHAKESPEARE, [William]. Shakespeare’s Comedy of A Midsummer-Night’s Dream. With Illustrations by W. Heath Robinson. London: Constable & Co., 1914. Edition DeLuxe. 1/250 copies signed by W. Heath Robinson (this copy being #65). Quarto (11 3/8 x 9 inches; 289 x 230 mm.). xii, 288, [2] pp. Twelve mounted color plates, each with a titled tissue-guard, forty-six full-page and seventeen smaller black and white drawings. Publishers primary binding of full white vellum over boards. Front cover and spine pictorially stamped in gilt, top edge gilt, others uncut. Vellum very slightly dust soiled, light offsetting onto paste-downs, otherwise a spectacular copy of this very rare book. Housed in a blue cloth slipcase.Not all of the 250 copies were bound in the primary white vellum:"A signed limited edition of 250 copies printed on handmade paper of which only 100 were issued in 1914 bound in vellum gilt with a white silk marker the balance of the signed, limited edition issued (in 1919) in quarter green cloth, green boards, paper label on spine." (Beare, 1983)."An unspecified number were bound in white vellum covered boards and the remainder with green paper-covered boards and green cloth-covered spine, with a printed label." (Lewis, 1973)."The streams of fairies and goblins floating across the woodland scenes in Heath Robinson's illustrations to A Midsummer Night's Dream are very much like Dicky Doyle's little figures on the cover of Punch, yet these illustrations are among the most personal and most successful that Heath Robinson ever drew." (Lewis)."There are several very pretty coloured plates, including one of a tree-lined river bank, with Heath Robinson's inevitable foxgloves in the foreground, a Greek temple across the river and the reclining figures of Hermia and Helena 'Emptying our bosoms of their counsel sweet', but the black-and-white drawings are the illustrations that add such distinction to this edition of A Midsummer Night's Dream, of which he was so justly proud." (Lewis)."At the height of his powers as an illustrator. this book was to be his finest achievement. In it he consolidated all that he had learnt during the past eighteen years. Heath Robinson considered [the] book to be his greatest achievement, and when it was published in October 1914 a reviewer [in the Times Literary Supplement, Dec. 10, 1914] described it as: 'The most complete and beautiful specimen before us of an illustrated book as a single work of art'" (W. Heath Robinson The Inventive Comic Genius of Our Age, p. 19).Geoffrey Beare, The Illustrations of W. Heath Robinson, p. 127John Lewis, Heath Robinson, p. 216Langston Day, The Life and Art of W. Heath Robinson, p. 269

      [Bookseller: David Brass Rare Books, Inc.]
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        Dracula's Guest and Other Weird Stories

      Routledge, 1914. First Edition. Hardcover. Fair/No Dustjacket. 1914. First Edition. 200 pages. No dust jacket. Red cloth boards with gilt title on the spine. Front hinge is lightly cracked exposing the binding netting but text block still firm. Cream pages with light foxing. Moderate tanning and light foxing to text block edge and endpapers. Lightly tanned, blemished and soiled boards with light surface wear. Moderate edge rubbing, scuffing and wear with light corner bumping. Light split to the back edge of the spine with one small area of fraying to the base of the spine. A sturdy copy of a first edition classic.

      [Bookseller: The World of Rare Books]
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        Shakespeare's Comedy of A Midsummer-Night's Dream

      1914. The Most Complete and Beautiful Specimen Before Us of an Illustrated Book as a Single Work of Art"(The Times Literary Supplement)[ROBINSON, W. Heath, illustrator]. SHAKESPEARE, [William]. Shakespeare’s Comedy of A Midsummer-Night’s Dream. With Illustrations by W. Heath Robinson. London: Constable & Co., 1914. Edition DeLuxe. 1/250 copies signed by W. Heath Robinson (this copy being #65). Quarto (11 3/8 x 9 inches; 289 x 230 mm.). xii, 288, [2] pp. Twelve mounted color plates, each with a titled tissue-guard, forty-six full-page and seventeen smaller black and white drawings. Publishers primary binding of full white vellum over boards. Front cover and spine pictorially stamped in gilt, top edge gilt, others uncut. Vellum very slightly dust soiled, light offsetting onto paste-downs, otherwise a spectacular copy of this very rare book. Housed in a blue cloth slipcase.Not all of the 250 copies were bound in the primary white vellum:"A signed limited edition of 250 copies printed on handmade paper of which only 100 were issued in 1914 bound in vellum gilt with a white silk marker… the balance of the signed, limited edition issued (in 1919) in quarter green cloth, green boards, paper label on spine." (Beare, 1983)."An unspecified number were bound in white vellum covered boards and the remainder with green paper-covered boards and green cloth-covered spine, with a printed label." (Lewis, 1973)."The streams of fairies and goblins floating across the woodland scenes in Heath Robinson's illustrations to A Midsummer Night's Dream are very much like Dicky Doyle's little figures on the cover of Punch, yet these illustrations are among the most personal and most successful that Heath Robinson ever drew." (Lewis)."There are several very pretty coloured plates, including one of a tree-lined river bank, with Heath Robinson's inevitable foxgloves in the foreground, a Greek temple across the river and the reclining figures of Hermia and Helena 'Emptying our bosoms of their counsel sweet', but the black-and-white drawings are the illustrations that add such distinction to this edition of A Midsummer Night's Dream, of which he was so justly proud." (Lewis)."At the height of his powers as an illustrator... this book was to be his finest achievement. In it he consolidated all that he had learnt during the past eighteen years... Heath Robinson considered [the] book to be his greatest achievement, and when it was published in October 1914 a reviewer [in the Times Literary Supplement, Dec. 10, 1914] described it as: 'The most complete and beautiful specimen before us of an illustrated book as a single work of art'" (W. Heath Robinson The Inventive Comic Genius of Our Age, p. 19).Geoffrey Beare, The Illustrations of W. Heath Robinson, p. 127John Lewis, Heath Robinson, p. 216Langston Day, The Life and Art of W. Heath Robinson, p. 269

      [Bookseller: David Brass Rare Books, Inc.]
 12.   Check availability:     Biblio     Link/Print  


        Sindbad the Sailor & Other Stories from the Arabian Nights

      1914. Preserves To A Marvel the Persian Feeling" Out-Of-Series Edition De LuxeUnrecorded Publisher's Variant Binding With The Original Dust JacketDULAC, Edmund, illustrator. Sindbad the Sailor & Other Stories from the Arabian Nights. London: Hodder & Stoughton, n.d. [1914]. 'Out-of-Series' Edition DeLuxe. Quarto (11 1/8 x 9 inches; 283 x 231 mm.). vi, 7-221, [2], [1, blank] pp. Twenty-three color plates mounted on cream stock with decorative border, captioned tissue guards. All text leaves with title-page border design printed in tan and black.An unrecorded publisher's variant binding of blue-gray papered boards with white parchment spine and corner tips. Spine with original dark blue morocco label lettered in gilt. Top edge gilt, others uncut. Neat early ink inscription on front free endpaper. A very fine copy in the exceptionally scarce white paper dust jacket, lettered in black on the spine. Housed in a blue cloth slip-case.This Edition DeLuxe is one of the few copies that were bound up by Hodder & Stoughton from the leftover sheets of the signed limited edition. Ann Conolly Hughey had never seen this variant and we have never seen the dust jacket before."In some of the pictures for this book Dulac continues with the Chinese style developed for Princess Badoura the year before. In others, he reduces the scale and adds a richness of detail to create an effect similar to that seen in Perian and Indian miniature art. The pictures are generally serious but Dulac's ever-present humor creeps in... And always there is the Oriental inspiration" (Hughey)."Mr. Dulac has provided pictures which preserve to a marvel the Persian feeling" (Times Literary Supplement, Dec.. 10, 1914)."It may have been his friendship with the celebrated connoisseurs, Ricketts and Shannon, that led Dulac to a renewed and closer acquaintance with those Oriental and Greek primitives, which he had already learned to love in his youth...Persian miniatures especially have fascinated him... the fantasies which Scheherazade wove... need a jeweled commentator, and Dulac alone possesses the necessary gifts" (Art critic, Martin Birnbaum, Introduction, Catalog of Dulac exhibition, Scott & Fowles Gallery, NY, December 1916).Hughey 35.

      [Bookseller: David Brass Rare Books, Inc.]
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        THREE YEARS WITH QUANTRELL; A TRUE STORY TOLD BY HIS SCOUT JOHN MCCORKLE

      Armstrong: Armstrong Herald Print, nd. [ca 1914]., 1914. First edition. 8vo. Variant black, unprinted, cloth binding, 157 pp., frontis. [portrait of Colonel John McCorkle], introduction, illustrated, plates, portraits. Six Guns 160 says, "An account of Quantrill and his activities, repeating disproved legends about the notorious guerrilla. The author also tells about some of the escapes of Cole Younger and Frank James while they were guerrillas." Moderate wear to spine ends with small chips at spine ends, and moderate chipping to all fore-edges, else very good, tight copy housed in cloth slipcase with leather label on spine with gold stamping. HOWES M 63. GRAFF 2581. SIX GUNS 160.

      [Bookseller: BUCKINGHAM BOOKS]
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        Tarzan of the Apes

      A.C. McClurg & Co, 1914. Hardcover. Very Good. Chicago: A.C. McClurg & Co, 1914: First edition, first printing, first state; One of only 5,000 copies originally printed. First State with no acorn above the publisher's name at the base of the spine; Publisher's information at the bottom of the copyright page is set in Old English font. In Very Good condition. Lean to spine, hinges tender; rear hinge appears repaired; binding lightly worn. Pages lightly age toned, evidence of erased pencil from from free end paper. Ding to edge of last group of pages near the center. Red cloth shows some wear with rubbing and abrasions to the finish. The gilt lettering is dulled and rubbed. Rare in first state.

      [Bookseller: Burnside Rare Books]
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        The Art Of Spiritual Harmony By Wassily Kandinsky: Translated With An Introduction By M.T.H. Sadler Illustrated

      London: Constable And Company Limited, 1914. Marbled-paper boards and leather spine label stamped in gilt. Near fine, small hint of wear to spine, very clean copy. "Wassily Kandinsky's contributions as a theorist were arguably more influential on modern art than any of his paintings. In Concerning the Spiritual in Art, first published in 1914, Kandinsky both promotes and defends a form of art in which painters express themselves in abstract terms independent of the material world around them, much as musicians do. Divided into two parts, About General Aesthetic (including an examination of geometrical forms) and About Painting (a discussion of the psychology of color and the language and form of color), Concerning the Spiritual in Art offers an insight into the mind of one of the most renowned of all abstract painters and a preview of the art that he was to produce in the years to come."

      [Bookseller: david morrison books]
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        Oeuvres libres. Les Amies. - Femmes. - Hombres

      A. Eleuthéropolis [but Paris?], 19- {i.e., ca. 1914] - Containing the famous "Sonnet du Trou du Cul" (Verlaine and Rimbaud). Although this edition does not appear in Pia's "Les Livres de l'Enfer du XVIeme siecle a nos jours" it is related to Pia 967, and the first section bears the following false imprint: "Les Amies : sonnets / par le licencié Pablo de Herlagnez. Ségovie, 1868." The limitation statement notes that "cette édition a été tirée à deux cent cinquante exemplaires pour les souscripteurs et non mise dans le commerce." A contemporary originial drawing of a couple at the moment of embrace unfolds in the oversize margin at page 81 (7 x 6-1/2 inches). An uncommon edition, provocatively extra-illustrated One of 250 copies, this being no. 155. 8vo. Original erotic watercolor drawing (folding) at p. 81. 134, [4] pp. Printed paper wrappers, untrimmed. Tail of spine panelchipped, covers dusty, internally near fine. Not in Pia or Private Case [Attributes: Soft Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Foreshadowing his greater responsibilities 27 years later, 32-year-old Assistant Secretary of the Navy, Franklin D. Roosevelt, tells the Navy Secretary what should immediately be done upon learning that U.S. Forces had just bombarded and seized the Mexican port of Veracruz

      [Bremerton, Washington] Draft Autograph Letter Signed ?Roosevelt?, as Assistant Secretary of the Navy, 2p, 8? x 10?, separate sheets. [Bremerton, Washington, April 21, 1914.] To Secretary of the Navy Josephus Daniels, ?Sec nav. Washington D.C.?. Fine condition.Franklin D. Roosevelt, 32-year-old Assistant Secretary of the Navy, has just learned that the United States was on the verge of war with Mexico. At the U.S. Naval Station Bremerton, Washington state, on the Pacific coast, FDR sends a telegram to the Secretary of the Navy suggesting what should be done.In full, \" Have Am in touch with all preparations on Pacific coast. Everything is in first class shape condition and only need is additional officers and men. Ships not Vessels in reserve should be placed in full commission and twenty five hundred additional men should be recruited for this purpose as a reserve force. In addition to this

      [Bookseller: University Archives]
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        ENGLISH CATALOGUE OF BOOKS

      The Publishers' Circular, London, England 1914 - small 4to. variously bound. variously paginated. 11 Volumes. Besterman 1988-93. An eleven volume set 1801-1900. 1st volume, 1801-36; 2nd 1835-62; 3rd 1863-71; 4th 1872-80; 5th 1881-89; 6th 1890-97; 7th 1898-1900. The remaining 4 volumes are subject indices: 1837-56, 1856-75, 1874-80, and 1881-9. Books published in the United Kingdom. Most volumes library bound; however 1st three index volumes original leather with gilt-stamped spines. Ex-library with markings. Leather bound volumes rubbed and scuffed. [Attributes: Hard Cover]

      [Bookseller: Oak Knoll Books, ABAA, ILAB]
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        CALIFORNIA MEXICAN-SPANISH COOK BOOK. Selected Mexican and Spanish Recipes

      [Los Angeles]:. [1914].. 8vo. 8" x 5-3/8". 1st edition (Axeford, p. 50; Bitting, p. 208; Glozer 116). Not in Wheaton & Kelly. 111, [17] pp. Numerous blanks throughout, as bound.. Color printed beige cloth binding.. Modest binding wear. A VG+ - Nr Fine copy.. Though little known today, at the turn of the 20th C, Bertha Haffner- Ginger not only learned how to cook Mexican favorites but also packed lecture halls nationwide and published a cookbook sharing her knowledge, whetting the country's appetite for a cuisine that wouldn't travel outside of the borderlands in earnest until the 1950s.She got her start at the Los Angeles Times who hired her in 1912 to head the inaugural Times School of Domestic Science. She lectured weekly on subjects ranging from French techniques to baking, dairy to poultry, in an auditorium in the Times' then-new office building. Among her most popular topics: Mexican cooking. "An announcement that my lesson for the day would be Spanish dishes invariably brought record-breaking crowds in any city in the United States," she asserts in the volume's introduction.Her "discovery" of Mexican food could be described as serendipitous. The newspaper's offices in downtown Los Angeles were not far from Sonoratown, the city's historical Mexican core, nowadays the area around Olvera Street. One day in April 1913, Haffner-Ginger decided to stroll through the neighborhood and take in her new city. She walked into El’as & Guzman, a tortilla factory on 618 San Fernando partly owned by Arturo El’as Calles, a former Mexican consul (and half-brother of future Mexican President Plutarco El’as Calles). Haffner-Ginger's visit set into motion the birth of the Mexican cookbook and cooking class industry in the United States.At El’as & Guzman, Haffner-Ginger watched a dozen women making fresh tortillas, enchiladas and tamales, and the sight so delighted her that she asked the owners if one of their workers could demonstrate tortilla making for her American public.A large crowd gathered the following day at Haffner-Ginger's class to see "this simple method of primitive cooking that held sway here before the Gringoes [sic] came," The Times enthused.An idea had been planted. In 1914, Haffner-Ginger published this cookbook here offered. A century later, "California Mexican-Spanish Cook Book" stands as a valuable artifact of Mexican cooking in California. It includes a glossary of food terms and the first-ever documented recipe and photo for tacos in the United States. [excerpted from Avellano, LA Times, 21 April 2012]. OCLC records just 4 institutional holdings of this influential cookery book. Scarce in the trade. . Illustrated from photographs.

      [Bookseller: Tavistock Books, ABAA]
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        Les Cathedrales De France ; Avec Cent Planches Inedites Hors Texte

      Librairie Armand Colin, Paris 1914 - Quarter leather at spine with cloth covered boards. Five raised bands, gilt titles and decorations, marbled endpages. Introduction by Charles Morice. With one hundred unpublished inset plates with full page tissue guards. Book is Very Good Plus, leather at spine a bit scuffed, remnants of old bookplate front endpage, light foxing to endpages which does not extend to interior pages. A handsome copy indeed. 4to - over 9¾" - 12" tall [Attributes: First Edition]

      [Bookseller: Dale Steffey Books]
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        Tekanne, groß / Der Kuß 1914

      1914. Scherenschnitt auf Japanbütten montiert, ca. 21,8x 9,8 cm. R. u. Darstellung sign. u. dat.: "Engert 1914". Im unteren linken Bereich des Untersatzes mit Wasserrand. Das Motiv wurde von Engert "Teekanne, groß" bezeichnet, nach freundlichem Hinweis von Josef Hamm. Variante der Darstellung in: Wyrwoll 1982, S. 96..

      [Bookseller: Galerie Joseph Fach GmbH]
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        Atlas of The Borough of Manhattan: Pocket and Desk Edition

      - New York: G.W. Bromley & Co., (1914). 8vo. A Dinner Souvenir from February 7th, 1914. Compliments of Title Guarantee & Trust Co. New York. Covers are discolored, leather is separating, and the spine is cracked--despite these faults, still a lovely copy. Rare. [Attributes: Hard Cover]

      [Bookseller: Darren Winston, Bookseller, SNEAB]
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        T. TURNBULL'S TRAVELS FROM THE UNITED STATES ACROSS THE PLAINS TO CALIFORNIA

      Privately printed, 1914., 1914. [Separate No. 158]. [From the Proceedings of the State Historical Society of Wisconsin for 1913, pages 151-225]. Edited with introduction and notes by Frederic L. Paxson, and with typographic arrangement by Reuben G. Thwaites. This copy is signed by Paxson, the Pulitzer Prize winning American historian. 22 3/4 cm. in brown printed wrappers. 75 pp., 7 route maps. Thomas Turnbull’s journey west of the Missouri was by the Mormon Trail rather than by the Oregon Trail, which was usually followed in 1852 by gold-seekers, and his journal is one of the few records of travel by that route. Dan Elbert Clark says in The American Historical Review, Volume XX, 1915, "Turnbull’s journey was made in 1852 and his route lay from Chicago across Illinois and Iowa to Council Bluffs, thence up the Platte River to Fort Laramie, along the Sweetwater River through the South Pass, and down the Humboldt River to the gold diggings in California. The journal records the incidents, the hardships, and the scenery of the trip in considerable detail, and reflects the spirit of the emigration to the gold fields which even in 1852 was so strong that at times the line of teams stretched out over the plains as far as the eye could see. Furthermore, the journal records the experiences - the disappointments, the hopes, the sickness, and the varying fortune - of one who reached California after the best claims had been taken, when the country was ‘all dug up' and prices were abnormally high.'” Kurutz 640 says, “Turnbull left Chicago, Illinois, on April 16, 1852, traveled by way of the California Trail, and reached 'Squaw Hollow,' near Hangtown, on August 18. His next entry reads: ‘went to seek my fortune but found every Creek & Kanyon, covered with men & Hundreds going round looking for work. I thought the country somewhat different to what they represented it to be.’ Turnbull, in the remaining portion of his diary, described his mining experiences, illness, trip to Benicia and Sacramento, and return to prospecting at Newcastle, Secret Diggings, and Spanish Ravine. Appended to this vivid diary is a letter from Secret Diggings dated March 29, 1853, in which Turnbull detailed his mining experiences and complained that the mines had been worked out. Turnbull’s original journal is in the library of the State Historical Society of Wisconsin. Frederick L. Paxson edited and introduced the manuscript for this publication.” Eberstadt 105:302a says, “An exact transcript (never before put into type) of the extraordinarily interesting diary kept by Turnbull during his trip across the plains from Chicago to Hangtown, in 1852, and during his troubles and experiences at the mines after his arrival at the diggings. His route was unusual. After leaving Kanesville, he took the Mormon Trail on the north side of the Platte. From a point opposite Fort Laramie to the Red Buttes, near which the Oregon Trail cut across from the Platte to the Sweetwater, Turnbull’s description of his route and the country traversed in almost unique." Wrappers lightly worn at edges and with light wear to spine ends, else a very good copy.

      [Bookseller: BUCKINGHAM BOOKS]
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        ESCURSIONE NAZIONALE IN TRIPOLITANIA ORGANIZZATA DAL TOURING CLUB ITALIANO 28 Aprile - 11 Maggio 1914

      Raro album dell'epoca in cartone editoriale contenente 21 fotografie originali montate su 13 cartoncini (oltre ad uno bianco) corredate da discalia cartacea. Cm 28x21, misure foto 17x23 (5) e 9,5x14,5 (16). Fotografie di Vincenzo Aragozzini. Ben conservato: copertina con usura (in particolare agli angoli) e lievi gore; scritta a penna sulla prima e sull'ultima foto.

      [Bookseller: Libreria Moretti]
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        Virginia under the Stuarts

      Princeton University Press. Hardcover. This is a first edition that has been signed with a dedication from the author on the endpaper to a friend thanking them for their help making the book. Burgundy cloth binding that has fade over the spine with heavy rubbing at the hinges, corners and heads. There is some colour bleed and light damp marking to the rear board - nothing inside. Clean and secure text block, the untrimmed edges are a little rough and there is a light tone, rear hinge is lightly cracked. . Good. 1914. First Edition.

      [Bookseller: Infinitebooks]
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        Voyages d'Ibn Batoutah. Texte arabe, accompagne d'une traduction par C. Defremery et le Dr. B. R. Sanguinetti.

      Paris, Imprimerie Nationale, 1914-1926.. 8vo. 4 vols. and 1 index vol. Original printed wrappers with dust jackets.. Significant eyewitness account of the Arabian Peninsula during the Middle Ages. Over a period of thirty years, the Muslim Moroccan explorer Abu-'Abd Allah Muhammad ibn Batutah (1304-77?) visited most of the known Islamic world, including North Africa, the Horn of Africa, West Africa, Southern Europe and Eastern Europe in the West, to the Middle East, South Asia, Central Asia, Southeast Asia and China in the East - a distance surpassing that covered by his near-contemporary Marco Polo. Ibn Battuta is considered one of the greatest travellers of all time. He journeyed more than 75,000 miles, a figure unsurpassed by any individual explorer until the coming of the Steam Age some 450 years later. After returning home from his travels in 1354, Ibn Battuta dictated an account of his journeys to Ibn Juzayy, a scholar whom he had previously met in Granada. This account is the only source for Ibn Battuta's adventures. For centuries his book was obscure, even within the Muslim world, but in the early 19th century extracts were published in German and English based on manuscripts discovered in the Middle East, containing abridged versions of Ibn Juzayy's Arabic text. During the French occupation of Algeria in the 1830s, five manuscripts were discovered in Constantine, including two that contained more complete versions of the text. "These manuscripts were brought back to the Bibliotheque Nationale in Paris and studied by the French scholars Charles Defremery and Beniamino Sanguinetti. Beginning in 1853, they published a series of four volumes containing the Arabic text, extensive notes and a translation into French. Defremery and Sanguinetti's printed text has now been translated into many other languages while Ibn Battuta has grown in reputation and is now a well-known figure" (Wikipedia). - Untrimmed, partly uncut copy. Some browning due to paper. Spine chipped. Rare. - Cf. Macro 1249. GAL II, p. 333. Henze II, 682 (all for the 1853-59 first edition). Carter, Robert A. Sea of Pearls, p. 63.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Le Démon de midi

      Plon 1914 Deux volumes in - 8 (204 x 145 mm), broché, non rogné. Edition originale. Tirage limité à 150 exemplaires numérotés; un des 100 sur Hollande (N°87). Envoi autographe signé de l'auteur. (quelques défauts, déchirures au dos du tome 1). / / Two octavo volumes (204 x 145 mm), softbound, uncut. First edition. Limited printing of 150 numbered copies; one of the 100 on Holland paper (Nr 87). Signed autograph dedication by the author. (some defects, tearings on spine of vol. 1).

      [Bookseller: Librairie Henri Picard & Fils]
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        Nach Holland und dem Holländischen Meeresstrande über Salzbergen und Cleve. Farbiges Plakat.

      1914. 1914 - 58 x 41,8 cm, auf Karton aufgezogen. Farbenfrohes Strand-Plakat des holländischen Grafikers Jan Willem Sluiter (1873-1949). - Leicht fleckig, an den Ecken etwas knittrig, mit einige kleinen Druckstellen. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Mertens & Pomplun GbR]
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        Billy Whiskers in Panama

      SAALFIELD PUBLISHING COMPANY, CHICAGO 1914 - Pictorial dust jacket with mylar cover. 1/4" tear to bottom of dust jacket spine. Chipping along foredge. 2 small tears to bottom corner of front and back of dust jacket. Some creasing to back of dust jacket. Dust jacket in good condition for a children's book. Dust jacket unclipped. on back of dust jacket flap states Frances and the Irrepressibles at Buena Vista Farm $1.50; The Wonderful Electric Elephant $1.50; On a Lark to the Planets $1.50; A Christmas with Santa Claus $1.00; Santa Claus Twin Brother $1.00. Light bumping to edges. All edges browning. Color frontispiece. Black and white and color illustrations. DATE PUBLISHED: 1914 EDITION: FIRST ED 167 [Attributes: First Edition; Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        Im Kreise. Original-Holzschnitt.

      1914 - Um 1914. Bildgrösse: 20.5x12 cm. Unten voll signiert. In Goldrahmen 55x39 cm. Sehr seltener, wahrscheinlich einziger Druck aus Kempters expressionistischer Phase. [Attributes: Signed Copy]

      [Bookseller: Biblion Antiquariat]
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        Stories from the Arabian Nights

      1914. first edition. The Edition De Luxe of Dulac's Most Important WorkWith A Four-Page Autograph Letter from Laurence Housman Regarding the PublicationDULAC, Edmund, illustrator. Stories from The Arabian Nights. Retold by Laurence Housman. London: Hodder and Stoughton, [1907]. Edition de Luxe, limited to three hundred and fifty copies (this being number 126) signed by Edmund Dulac. Quarto (10 3/4 x 8 7/8 in; 272 x 225 mm). [2], xvi, 133, [1, blank] pp. Fifty color plates tipped-in to gray-green art stock with captioned tissue guards, all but frontispiece bound after text. Publishers full white vellum, front cover and spine decoratively tooled and lettered in gilt and blue. Top edge gilt, others uncut, (later) silk ties. Some light foxing to the captioned tissue guards. Armorial bookplate on front pastedown. A fine copy.Loosely inserted is a fine four-page autograph letter from Laurence Housman dated "June 11th. 1907" [to Hodder and Stoughton] which deals with the pre-publication of the book. "Dear Sirs / The Arabian Nights. / [underline] / In answer to your / enquiring as to length, I / had not understood that / it was necessary to / reduce the stories to quite / the same length as / 'Peter Pan', and on the / scale I have been / working on I had reckoned / that I might touch 30,000 / words in all: but if that / is too much I can tend / to further reduction as / I promised. / The original version of / the five stories amounts / to just over 52,000 words / and I have been scheming / roughly to reduce them / to nearly a half without / losing local colour. Of / course I could make the / condensation much greater / but I think with damage / to the stories. / I make out 'Peter Pan' / to be about 22,000 words; / and what I have already / sent you is I think / close on 6,000. If I am / wrong will you please / correct me. / There is one way in / which I could certainly / meet your wish to have / the exact number of / words fixed, and that is / by treating the least known / and the least good of the / selected stories more briefly / than the others, - the one I / mean is "Prince Codadad / and his brothers." If you / agree to that, and would / like to fix on any number / of words between 25,000 / and 30,000, I would keep / as near to it as possible. / I am, dear Sirs / Yours faithfully / Laurence Housman""Stories from the Arabian Nights is Dulac's most important book…The first printing in England of The Arabian Nights in October was so sought after that a second printing had to be run in November to provide books to sell at the Leicester Galleries' November-December showing of Dulac's work…This exhibit started Dulac's lengthy relationship with the Leicester Galleries and also with Hodder and Stoughton who henceforth published each year a book with his pictures, thereby solidifying his reputation as an illustrator" (Hughey)."It may have been his friendship with the celebrated connoisseurs, Ricketts and Shannon, that led Dulac to a renewed and closer acquaintance with those Oriental and Greek primitives, which he had already learned to love in his youth...Persian miniatures especially have fascinated him...the fantasies which Scheherazade wove...need a jeweled commentator, and Dulac alone possesses the necessary gifts" (Art critic, Martin Birnbaum, Introduction, Catalog of Dulac exhibition, Scott & Fowles Gallery, NY, December 1916).Hughey 16.

      [Bookseller: David Brass Rare Books, Inc.]
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        Sports & Divertissements. Musique d'Erik Satie. Dessins de Charles Martin.

      Paris, Lucien Vogel (1914). - Folio (40 x 45cm). 3 Bll. (Titel, Farbtafel, Inhaltsverzeichnis), 20 nn.Bll. (Noten, Text) und 20 pochoir-kol. Tafeln nach Zeichnungen von Charles Martin. Lose in ill. Orig.-Halbleinenmappe mit Deckelbezug, in moderner Leinenkassette, eigens fŸr dieses Werk gefertigt (VDeckel etwas fleckig und mit Kratzspur, SchliessbŠnder fehlen). Eines von 215 Ex. (Nr. 32) (Ges.aufl. 900 Ex.) der seltenen Vorzugsausgabe mit 20 Farbtafeln. Dazu 1 vollstŠndiges Exemplar der Normalausgabe (675 Ex.) mit 1 von Jules SaudŽ pochoirkol. Tafel von Martin sowie sŠmtlichen faks. Titel- und NotenblŠttern, in Orig.-Umschlag. - Nach der Absage Strawinskys an den Verlag hatte Satie es Ÿbernommen, zu 20 BlŠttern des KŸnstlers Charles Martin (1884-1934), Mitarbeiter der Zeitschriften "Sourire" und "Vie parisienne", jeweils Text und Musik hinzuzufŸgen. Vorliegende Mappe enthŠlt alle 20 farbenprŠchtigen Art-DŽco-Tafeln von Martin in Pochoir-Technik (Jules SaudŽ), 20 BlŠtter mit Titel und Vignette (ebenfalls von Martin) und verso jeweils das Faksimile der kalligraphischen Noten und Texte Saties (schwarze Noten auf roten Linien). Interessantes und seltenes Beispiel zum Art DŽco auf dem Gebiet der Musik. - Edition originale de la musique d'Erik Satie et premier tirage des 20 compositions hors-texte, coloriŽes au pochoir de Charles Martin. Cet ouvrage est une heureuse rŽussite combinant l'humour du misicien avec l'esprit lŽger de l'Žpoque. - L'ouvrage se compose d'un feuillet de titre, avec au verso une prŽface et un "choral inapŽtissant", Žcrit: "le 15 mai 1914 (le matin ˆ jeun)", et de 20 pices de musique qui ont pour titre: "Balanoire", "La Chasse", "ComŽdie Italienne", "Le Golf", "Les Courses", "Water-Chute", "Tennis", "Le Tango", "Flirt" etc.Toute la partie texte reproduit en fac-simile le manuscrit du compositeur. Dans sa prŽface, Erik Satie prŽsente son album comme Žtant: ."contituŽ de deux ŽlŽments artistiques: dessins, musique. La partei dessin est figurŽe par des traits - des traits d'esprit; la partie musicale est reprŽsentŽe par des points - des points noirs.pour les recroquevillŽs" et les "abtis", j'ai ecrit un choral grave et convenable. Ce choral est une sorte de prŽambule amer, une manire d'introduction austre et frivole. J'y ai mis tout ce que je connais sur l?Ennui. Je dŽdie ce choral ˆ ceux qui ne m'aiment pas.". - Gelegentlich kleinere Stockfleckchen, Titelbl. mit kleinem Randeinriss und Knickspur, RŠnder teils minimal gebrŠunt, insgesamt jedoch schšnes, sauberes Exemplar. - Photographien der ganzen Serie senden wir gerne auf Anfrage zu. - Dabei: 1 vollstŠndiges Exemplar der Normalausgabe (675 Ex.) mit 1 pochoirkol. Tafel von Martin sowie sŠmtlichen faks. Titel- und NotenblŠttern, in Orig.-Umschlag. Lang fr

      [Bookseller: Buch + Kunst + hommagerie Sabine Koitka]
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        Into the Dead Heart, The Cruise of the Avocet, and two other works

      Adelaide: W.K. Thomas, 1914-, 1917. Duodecimo, four books bound together in contemporary quarter roan with gilt lettering; with a total of 83 photo plates (some folding), excellent condition with original printed wrappers bound in. An outstanding collection of Australian ornithology and central desert travel narratives by pioneering conservationist and Aboriginal advocate Samuel Albert White (1870-1954). White is remembered as an intrepid traveller of the central Australia and for his collaboration with Gregory Matthews on the definitive ornithology reference The Birds of Australia. Born in Adelaide, White served in South Africa and upon his return participated in several major overland expeditions, including a journey to Alice Springs by camel in 1913 and the Musgrave and Everard ranges in 1914. White later accompanied expeditions to Cooper Creek, the Nullarbor, and the Finke River; he later played a prominent role in the creation of South Australian national parks. As reflected in these books, White sought the companionship of the central desert Aborigines and advocated their welfare in the public arena. In particular, Into the Dead Heart contains significant ethnological description of the desert tribes, including anecdotal descriptions of the author's interactions with individual Aboriginal people. Another work within this bound collection titled On the Flooded Murray River contains a sub-chapter titled "Native Art and Rock Shelters. An old camping ground visited". Here White records an excursion to a Victorian rock art site, complete with a large folding plate comprising images of the cave, its art, and the author's companions Messers. Zeitz and Bellchambers. These four books are originally from the collection of surgeon and South Australian resident Dr. Edward Angas Johnson, and have been inscribed to him by Captain White. The front endpaper bears the bookplate of Adelaide city council alderman Charles R. F. Glover, an assiduous collector of Australiana and ethnological artefacts. Details of the four titles are as follows: Into the Dead Heart. An Ornithological Trip through Central Australia. 1914, 154 pp., 26 full-page photo plates. The Cruise of the Avocet. In Search of Skuas and other Things. [1916], 68pp, 15 full-page photo plates, all ornithological in nature. Ooldea, on the East-West Railway, On the Flooded Murray River. [1917], 88pp., 29 full-page photo plates (three folding). In the Far North-East. A Scientific Expedition. [1917], 144pp., 13 full-page photo plates.

      [Bookseller: Hordern House Rare Books]
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        "E" - The complete and somewhat mad history of the family of Montague Vincent, Esq., Gent.

      New York, Duffield & Company, 1914.. 8°. 387 pages. Original red cloth with gilt lettering on spine and front board. Ownership-notification on front and rear pastedown. Overall excellent condition with only minor signs of external wear / mild foxing to edges and pastedowns only (very good+/near Fine). Absolutely Rare publication..

      [Bookseller: The Time Traveller's Bookshop Ltd.]
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        Camera Viewer owned and used by explorer Ernest H. Shackleton ostensibly during his 1907 - 1909 Nimrod Expedition to Antarctica

      Ernest H. Shackleton?s camera viewer, 5? x 5? x ½? when closed using metal clip. Wooden-based folding down black leatherette, shows evidence of use. Opens to 7? in height with a 4? x 2? opening on top to look through and a 5? x 5? base opening for the photograph., Mounted silver plaque, 3.75? x 1.75?, engraved in Shackleton?s handwriting: ?To H.B.C. Bussey / in remembrance of his / help to me in 1914 / Ernest H. Shackleton.? Very Good condition.The British Antarctic Expedition of 1907-1909, the ?Nimrod? Expedition, was the first of Shackleton?s expeditions to the Antarctic. There were a range of geographical and scientific objectives, but the expedition?s main objective was to be the first to reach the South Pole. This was not obtained but Shackleton?s southern trek came within 100 miles of the South Pole, the longest southern polar journey at the time and a record convergence on either Pole. Ernest H. Shackleton was knighted by King Edward VII upon his return to England. Ostensibly,

      [Bookseller: University Archives]
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        Entwürfe für die Kgl. Hofburg seiner Majestät König Peter von Serbien. Belgrad. Weimar, August Bosse, 1912-1914. Two volumes, oblong imperial folio (c. 73 x 100 cm) with c. 50 spectacuar watercolour interiors and c. 65 pencil drawings, partly coloured, 6 plans and many mounted original photos; the volume with the watercolour interiors bound in grey pigskin, front cover with inlaid Serbian Royal coat-of-arms and lettered in gilt, covers surrounded by a braided border of silver, red and blue leather strips, silk paste-downs; the other volume in contemporary half-calf over gold-patterned boards; this a little rubbed; the two large albums housed in a custom-made wooden box with sliding lid and iron handles; outside of the bottom of the box a little water-damaged, internally good and clean.

      . At the back of the volume was [and is] a leaf of recommendation [promising 'genuine German work' - 'echte deutsche Arbeit']. The designs were photographed and accompanied by text explaining the main concepts of and ideas behind the designs. Then there was an album of the same size bound in Japanese gilt paper which contained the details in pencil at a scale of 1:10. The photo album with explanatory text was sent to Belgrade for the parliament (skupchina) to be assessed. Our plans were accepted and we got the commission. Three estimates were made; one over 600,000 Mark for the Skupchina, another one over 800,000 Mark and one over one million Mark. It was up to the king's choice; he would pay the excess from his private money. The detailed work on the designs went on up to 1914. Wood samples were provided, textiles and carpets designed, which had to be executed to the highest standards of the Parisian Savonnerie manufacturers. Then came the war which destroyed all hopes, work and designs. Only that it cost us 15,000 Mark! We started to demand our money; however, but to no avail. They kept the photo album and we heard that a French company carried out the commission. The war of '39 destroyed - I think - the Royal Castle. Fate! The human works are easily destroyed. Even when the work did not come to fruition, it is a document of a bygone era'. The Castle was bombed by the Germans in 1940 and the Allies in 1944 resulting in a building so heavily damaged that it's appearance today is quite different. This is certainly the largest, most detailed and comprehensive documentation of an interior design project on the grand scale we have ever come across. King Peter I of Serbia commissioned August Bosse, the owner of a Weimar company for interior design, to supply designs and estimates for the about 80 rooms in the Belgrade New Konak, the shell of which was completed about 1912. The building was damaged during both World Wars and was completely altered and the site serves now as Belgrade's town hall.The two enormous volumes come together with files containing hundreds of pages of duplicated typescript and manuscript pages of estimates and accosting, detailing the stucco, painting, carpentry, etc. work, as well as a stack of 36 half-plate glass negatives, tanned leather samples for upholstery or wall hangings and six blueprints of the plans of the building, lettered in Serbian and with German annotations in crayon. Included is as well a hand-written account of the project by the colleague and wife of the designer August Bosse, Else Bosse (1877-1965), written in 1947, from which we translated the most relevant passages. NOTES King Peter I of Serbia commisioned an aide to visited several noble families in Germany. Because of the construction of a new castle in Belgrade he was interested in interior design. During his travels in Silesia and Turingia he saw interiors which impressed him and came across the name of the Weimar company Bosse. We are lucky to have an account of the history of the project through a memoir by Bosse's wife included with the designs: 'We were encouraged by an agent to participate in working on the design plans. Hugo went there and visited the half-finished building and discussed the project with the court architect. The rooms were to to be furnished in French styles and in the highest quality. It was a big task; about 80 rooms. Hugo loved the challenge; however, he mistrusted the matter a bit, because Belgrade had left with him a discomforting impression. He thought that such a lavish building would not be in harmony with the bad roads with deep potholes and modest houses On top of that the war [of the Ottoman Empire] with Serbia broke out in 1912, which made Hugo wait and see. He wanted to see the outcome of the war and if King Peter would still be able to have his plans carried out. In spring of 1913 the architect came to the court of Weimar, in order to see the progress of the plans. The king had already asked for a prospectus. We had to console him and promised, to resume work on the plan immediately. The war had ended favourably for Serbia. With full steam we went ahead with the work. At that time we had three daughtsmen in the studio, and in addition we involved architects from outside who participated in the execution of the designs. We established a system, according to which the drawings where all of the same size, in watercolour or pencil, so that the different walls and views were depicted in a similar way. Many a night hour was devoted to this work, as it was most quiet then. Hugo got himself a Parlograph [a recording device] The other day the young girl would listen to the recordings with headphones and type [what Hugo had dictated] Although we had married during the art nouveau period, we had always had an affinity to classical styles. Hugo introduced me to this world and we accquired many beautiful works on these styles which we studied together. It was beautiful to be creative together Both of us determined the styles for the different rooms; I prepared and executed the details. We had to harmonize the woodwork with the textiles and carpets etc. We were pleased with the success, as much as the king was impressed. [After having submitted the designs to the king in Belgrade], the king had a look at the concepts and talked in German with Hugo. He decided on materials for the various rooms and expressed his ideas and wishes. A big book with watercolours was made, in a dignifying pigskin binding with royal coat-of-arms and lettering.; At the back of the volume was [and is] a leaf of recommendation [promising 'genuine German work' - 'echte deutsche Arbeit']. The designs were photographed and accompanied by text explaining the main concepts of and ideas behind the designs. Then there was an album of the same size bound in Japanese gilt paper which contained the details in pencil at a scale of 1:10. The photo album with explanatory text was sent to Belgrade for the parliament (skupchina) to be assessed. Our plans were accepted and we got the commission. Three estimates were made; one over 600,000 Mark for the Skupchina, another one over 800,000 Mark and one over one million Mark. It was up to the king's choice; he would pay the excess from his private money. The detailed work on the designs went on up to 1914. Wood samples were provided, textiles and carpets designed, which had to be executed to the highest standards of the Parisian Savonnerie manufacturers. Then came the war which destroyed all hopes, work and designs. Only that it cost us 15,000 Mark! We started to demand our money; however, but to no avail. They kept the photo album and we heard that a French company carried out the commission. The war of '39 destroyed - I think - the Royal Castle. Fate! The human works are easily destroyed. Even when the work did not come to fruition, it is a document of a bygone era'. The Castle was bombed by the Germans in 1940 and the Allies in 1944 resulting in a building so heavily damaged that it's appearance today is quite different..

      [Bookseller: Antiquariat Manfred Nosbüsch]
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        POEMS . WITH A PREFIXED ESSAY

      London: L.C.C. Central School of Arts and Crafts, 1914. - [9],[10-23,[1];[5],6-53,[1]pp. Small quarto. Three quarter teal blue morocco and marbled boards, raised bands, gilt decorations, t.e.g. Printed binder's ticket on lower pastedown. Extremities very slightly rubbed, otherwise very near fine. First edition of the first book by the future novelist and writer on topics related to engineering. Bleiler cites three of Davey's novels from the '20s and '30s, and what would appear to be his first commercially published book (a collection of verse as well), entitled DESIDERIUM, MCMXV-MCMXVIII (1920), is cited by both REILLY (WWI) and Young, THE MALE HOMOSEXUAL IN LITERATURE. It is possible that some of the poems herein, which includes some specific poems declaratory of non- gender specific love, were reprinted in the 1920 collection. The preliminary essay, which concerns classical Greek standards of criticism, is printed in black & red and has an independent register; d-f4 of the POEMS are printed on a different paper stock than what precedes them, befitting a trade school printing exercise. The large binder's ticket on the rear pastedown reads: 'BOUND AT THE SCHOOL | by the boys of the Day | Technical School of Book | Production : Bookbinding | teacher: P. McLeish. 1916.' Another note, in pencil on the front free endsheet, states: 'Bound and Decorated by Harrott.' A rare book - OCLC locates three copies only: UC Davis, UCLA, and Monash Univ. Library (Australia). OCLC: 14220940.

      [Bookseller: William Reese Company - Literature, ABAA]
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        Blackfoot texts from the southern Peigans Blackfoot reservation, Teton County, Montana. (AND: Uhlenbeck, C.C. Philological Notes to J.P.B. de Josselin de Jong's Blackfoot Texts (1915, same publisher) BOUND TOGETHER)

      Müller Amsterdam 1914. Cloth 153, 43 S. Sehr guter Zustand/ very good, Bound in grey cloth with black backtitle.. *** Wenn Sie an einem Tag mehr als einen Titel bei uns bestellen, liefern wir innerhalb Deutschlands versandkostenfrei ***

      [Bookseller: Wissenschaftliches Antiquariat Thomas Ha]
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        Neuer und gründlicher Unterricht, von der heutigen Fortification und Artillerie... Nebenst einem Bericht von Zubereitung einiger Ernst-Feuerwerckes-Kugeln.Nuremberg, Johann Hoffmanns seel. Wittib, Engelbert Strecken, Abraham von Werth, 1700. 8vo. With engraved double-page frontispiece with a.o. a fortification and an explosion, title in red & black, 10 numbered engraved full-page plates & a folding table in the first part and 6 full-page engraved plates (I-VI) in the second part. Blue paper covered boards.

      Jähns 1395 & 1230 (first ed.); Jordan, Bibliographie zur Geschichte des Festungbaues von den Anfangen bis 1914, 1519 (lists 6 copies); Marini 187; Guarnieri 57. Second edition of an interesting, illustrated work on fortification and military architecture, artillery and fireworks by Johann Sebastian Gruber. It is divided into two parts. The second part starts with the half title ‚Das andere Buch von der Artillerie nebest einem Unterricht/ von Zubereitung einiger Ernst Feuer werckss Kugeln' and deals mainly with artillery and fireworks.Frontispiece with foxing and paper loss in margin not affecting plate, library stamp on title, some minor foxing and browning; hinges weak. Good copy of an interesting work on fortification and military architecture, artillery and fireworks.

      [Bookseller: ASHER Rare Books (Since 1830)]
 40.   Check availability:     NVvA     Link/Print  


        Cubist Poems

      London: Elkin Mathews,, 1914. Duodecimo. Original orange boards speckled gold, rebacked with black leather, titles and tree design to front board in black, top edge trimmed, others untrimmed. Partially unopened. Edges of boards slightly rubbed, minor wear to corners, endpapers very lightly foxed. An excellent copy. First edition; limited to 100 copies, this copy unnumbered. This is the first published literary work by Max Weber (1881-1961), the Jewish-American artist generally credited with introducing European avant-garde movements, including primitivism and cubism, to the American art scene. It collects 38 poems written while he lectured in art history at the Clarence H. White School for Photography. The collection is introduced by the photographer Alvin Langdon Coburn (1882-1966), to whom the book is also dedicated.

      [Bookseller: Peter Harrington]
 41.   Check availability:     Biblio     Link/Print  

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