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Displayed below are some selected recent viaLibri matches for books published in 1913

        Hofgeschichten. Erste Abteilung : Preussische Hofgeschichten Bd. 2 - 4

      Georg Müller, München 1913 - Neu herausgegeben v. Heinrich Conrad. 316; 396; 519 S. Orig.-Ganzleder mit goldgeprägtem Deckel und reichlich goldverziertem Rücken sowie schwarzem Lederschildchen mit Titelei. Goldkopfschnitt. Auf holländischem Van Gelder-Bütten abgezogen. Bd. 2 mit 23 Bildbeigaben, Bd. 3 mit 36 Bildbeigaben und Bd. 4 mit 57 Bildbeigaben.

      [Bookseller: Versandantiquariat Wolter]
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        Mother Goose. The Old Nursery Rhymes.

      London, William Heinemann, n.d. [c.1913]. - First Rackham Edition. Large 8vo. Publisher's grey cloth with sampler style decoration to upper board, pictorial endpapers; top edge tinted. With 13 colour plates, captioned tissues, and numerous black and white illustrations. Binding rubbed, boards bowed; signs of careful handling. Very good indeed. [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Rare Books, ABA ILAB]
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        Unpath'd Waters.

      London: John Lane, The Bodley Head, 1913 - Octavo. Original green cloth, titles to spine and upper board in black, top edge dyed green. With the dust jacket. Housed in a purple half morocco slipcase and chemise. An excellent copy in the lightly rubbed jacket with a few small chips and nicks and toned spine panel. First edition, first impression of the author's third collection of short stories. Rare in the dust jacket. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Canada and Its Provinces Volume I New France Part I

      Toronto, Canada, 1913. The Authors' Edition of 'Canada and its Provinces' is limited to 875 Impressions on All-Rag Watermarked Paper Volume One printed at the Edinburgh University Press. This Impression is Number 161. This is a a Twenty-two Volume Set and Index, and all must be ordered together and will not be broken up, please refer to Bookseller Inventory #005676 to #005700. A history of the Canadian people and their institutions by One Hundred Associates. All books in Fine condition. Dust Jacket on four volumes have closed tears. (Ref.#ACC-C150).. Limited Edition. Hard Cover. Fine/Fine. 8-1/2" x 11-1/2" Tall. Canadian History.

      [Bookseller: Shelf Lives]
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        Poésies

      Paris: Editions de la Nouvelle Revue Francaise,, 1913. Édition Complète Contenant Plusieurs Poèmes Inédits et un Portrait. Fifth Edition. Octavo (185 × 125 mm). Contemporary red half morocco, spine gilt in compartments, marbled endpapers, top edge gilt. Portrait frontispiece. Binding lightly rubbed, endpapers tanned from turn-ins, contents toned. A very good copy. Fifth edition. Inscribed by Aldous Huxley "Ottoline Morrell from A.L.H. Christmas 1916".

      [Bookseller: Peter Harrington]
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        Book of Old New York ... The rare Old Prints are from the Private Collections of Mr. Robert Goelet, Mr. Percy R. Pyne 2d, Mr. J. Pierpont Morgan

      New York: Privately printed for the subscribers, 1913. 4to. (12 3/8 x 9 1/2 inches). 103 plates (5 in colour). Uncut. Publisher's dark blue morocco, upper cover stamped with the seal of New York in gilt and colors and titled in gilt, spine with raised bands in six compartments, lettered in the second and fourth, the others with a repeat decoration in gilt. The deluxe limited edition in full morocco: in pristine condition.

      [Bookseller: Donald Heald Rare Books]
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        Elsässische Volkslieder.

      Strassburg Elsässische Druckerei & Verlagsanstalt vorm G Fischbach 1913 - 27,5x38 cm. Schöner Halbleinenband mit goldenem Titeldruck und Deckelsignet. Etwas berieben und gebräunt, sauber in Schutzfolie eingebunden. Vorderes Gelenk leicht überdehnt, dadurch Vorsatzseite unten wenig ausgelöst. Innen gebräunt, sehr sauber! Ex Libris auf der Vorsatzseite vorne. Seidenpapiereinlagen manchmal lose. Wunderschön illustriertes Volksliederbuch aus dem Elsass. Jede Seite ist kartoniert. Die Vorderseiten zeigen den Liedtext mit Noten sowie die thematisch passende, farbige Illustration von Tanconville. Die Rückseiten sind mit diversen Werbungen in schwarz/weiß versehen. Insgesamt 47 Blatt. Lieder: - Muess i jetz, muess i jetz - Maikäfer, fliej' uf! - Maidele, ruck , ruck. - D'r Fereli - Hinter'm Müenster! - Der Luzi kummt! - Es kommt e Scheereschliffer ins Land - 'S reijt, s' schneit, es geht e kiehler Wind. - Dort drunte, dort drowe. - O dü liewer Augüstin! - z' Basel isch e Schlessla - Z'Nacht wenn der Mond schynt! - Maidele, putz Di! - Hop, Mariannele - Frau Grienere! - O Strassburg, o Strassburg, du wunderschöni Stadt! - D' Meiselocker! - Hexelied - Komm, Bibele, komm! - Als wir aus Wolxheim hinaus gehen. - Zur Verehrung vom elsaessische Meister Théophile Schuler - Reje, Reje, Tropfe! - In Lauterbach haw' i min Strümpfel verlore! - Storik, Storik, stibber die Bein! - Ich hab e mol e Kaetzele g'hett! - Aie, bubaie, die Baebble sin guet. - D'r Kohlebürebue. - Reie Reie Rose. - Enne denne Dindefass! - Herzigs Marianel! - D'r Kinni Dagobär. - ABC - Latoria, Latoria! - Schlöf, Kindele Schlöf. - So gehn wir jetzt Thor hinaus, adje! - D'r Nachtwaechter von Owernä! - Nur immer langsam voran! - Frau, kaufe mer Bese - D' Gard' national isch uffgeloest - Kätrinele, Kätrinele. - Es reiten drei Schneider - Du liegst mir im Herzen. - D'r Murrwaddel! - Trutz nit so! - D'r Krütenauer Kaminfejer - D'r Herr Malbrough! - D' r Kieferdanz - 'S Elsass isch unser Ländel. Henry Ganier Tanvonville (1845-1936). 1.100 gr. Schöner Halbleinenband mit goldenem Titeldruck und Deckelsignet. Etwas berieben und gebräunt, sauber in Schutzfolie eingebunden. Vorderes Gelenk leicht überdehnt, dadurch Vorsatzseite unten wenig ausgelöst.

      [Bookseller: Antiquariat Peter Hassold]
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        Anderer Leute Kinder.

      Berlin, Cassirer (1913). - Gr.-Fol., farb. illustr. Titel und 31 Farbtafeln. 12 Bll., tadelloses Exemplar, Ries 672, 5. Seebaß II, 1127. Erste deutsche Ausgabe der 32 Kinderbildnisse (inkl. Titel), die Karl Otto Bonnier 1913 anläßlich des 60. Geburtstags des Künstlers im Band "Andras barn" veröffentlichte (vgl. Kat. München "Ein schwedisches Märchen", 200). Fliegender vorderer Vorsatz mit Besitzetikett und Katalogtexten, [Attributes: First Edition]

      [Bookseller: Antiquariat Werner Steinbeiß]
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        Morris Canal Abandonment Problems, A Plea for the Abandonment of the Morris Canal and a Plea for the Preservation and Dedication of Lake Hopatcong the Beautiful as a Public Park and Health Resort for All the People

      Borough of Hopatcong, Landing Post Office, New Jersey, 1913. Near Very Good condition. SEE PHOTOS. Brief gift note to "The Womens' Improvement Society." Small piece (1 square inch) missing from lower right corner of front cover (not affecting any text). Bound in the original thin, wood veneer sides and cloth spine. Includes a 30 inch long fold-out diagram of the canal. Also bound-in is a four-color, fold-out map of northern New Jersey (17 inches wide) showing the Morris Canal, the watershed area from which the canal draws its supply, including Lake Hopatcong. The rear cover is imprinted: "This cover is real wood veneer from Japan.". First Edition. Stiff flexible wood veneer. Near Very Good condition. 63pp.

      [Bookseller: About Books]
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        Acrobate au chien] *

      Sans date. - Pointe sèche originale (procédé Barraud) 21 x 16, feuille 45 x 29, signé à la mine de plomb en bas à droite. Sous cadre 51 x 40, baguette fine de simple bois naturel, sans chichis comme l'aurait sans doute apprécié l'artiste. Cette épreuve inconnue au catalogue raisonné de l'oeuvre gravé, dans la ligne des thèmes des débuts, pourrait dater de 1913, année de réalisation de "Pantalonnade", une composition qui en est fort proche (format, facture et papier similaire). Bien plus tard, en 1930 une lithographie en reprend le sujet, référencée sur le titre qu'on a osé attribuer nous-mêmes à la présente estampe.Tirage peut-être unique.Scoop.

      [Bookseller: Librairie Oh 7e Ciel]
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        THE VALLEY OF THE MOON

      1913. With Frontispiece in Colors by George Harper. New York: The Macmillan Company, 1913. 6 pp undated ads. Original orange cloth pictorially decorated in black, purple and ochre. First Edition of~the reverse image of JOHN BARLEYCORN, a confession of his [Jack's] suppressed romantic nature... It has an innocence and wonder that cannot be found in his other writing. His two lovers, Billy and Saxon Roberts, are frail and human. Jack himself appears three times in the book as their guide on their pilgrimage to the Valley of the Moon, an old Indian name for the Sonoma Valley... Billy is Jack without education. He has only his fists and his decency and his knowledge of horses to take him back to the farm... Saxon is Charmian without polish... [She] is older than her husband, and she treats him like a great man-boy. She also loses her child... Billy then turns into an alcoholic brute, liable to sullenness or mad rages; but with the beginning of their pilgrimage through the California countryside to the Valley of the Moon, he is restored to the gentle lover she has always known. The moral is clear. The mess of the cities corrupts and destroys lovers and workers. Only back on the road or the land can they find space and harmony...~Jack himself was slowly retracing his path from his long sickness to an acceptance of the commonplace. [Sinclair]~Included as a stopover on the "pilgrimage" is a sarcastic view of George Sterling and the rest of "The Crowd" in the bohemian artists' colony at Carmel.~THE VALLEY OF THE MOON was Jack's first book back with Macmillan; he had had to beg them to take him back, after he had left them for Century. The cover design, signed "G.H." like several of the earlier ones, is one of the most attractive in the London oeuvre. For some reason, although a considerable number of copies was produced, this is quite a scarce title -- and the soil-prone bright orange cloth makes fine copies particularly difficult to find. This is a near-fine copy, however (spine lettering slightly dull, but scarcely any soil or wear). Sisson & Martens p. 74; Blanck 11947. Housed in a morocco-backed clamshell case.

      [Bookseller: Sumner & Stillman]
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        CHANCE

      1913. [the uncommon 1913 issue] A Tale in Two Parts. Garden City NY: Doubleday, Page & Company, 1913. Original dark blue cloth. First American Edition, first printing, pre-publication state (with the title page dated 1913). In October 1913 Doubleday Page issued about 150 copies dated 1913, before Methuen advised them that the book could not be published until 1914 (due to the binder's strike in England -- Methuen had allowed only about 51 English copies dated 1913 to reach the public). These 150 American copies have been characterized as a "copyright issue," but Cagle asserts that that is erroneous, and that they more likely were advance review copies. In any event, the rest of the first printing, not yet bound, was equipped with new preliminary pages dated 1914 and was not issued until March 1914.~This is a very good-plus copy, the only significant flaw being that the rear free endpaper has been glued down; otherwise the volume is close to fine, with minimal cover soil and rubbing. Although the 51 Methuen copies now sell for about $4,000.00 when they surface on the market, in our opinion these American copies are at least as uncommon. The front endpaper bears the penciled signature of Conrad bibliographer Walter E. Smith. Cagle A17b(1). Housed in a handsome custom clamshell case with gilt-decorated morocco spine.

      [Bookseller: Sumner & Stillman ]
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        British Antarctic Expedition: Meteorology 3 Volumes _ The Complete Set Signed by Wm.H. Hobbs „ gifted from Col. H.G. Lyons, Editor

      NF. London & Calcutta, Printed by Thacker, Spink & Co. 1913-1923, First Edition. Three quarto volumes _ large 4to _ 31cm. (12 î x 10î) _ the complete Meteorology set in Near Fine Condition. PublisherÍs dark burgundy clay end leaves, tight un-cracked hinges, no prior ownership or institutional markings, vol. I has damp stain to cloth in the lower portion of the front cover, otherwise an excellent and complete set. Very Scarce. „Renard 186, Taurus 91, Rosove 293-1.A1, 293-2.A1, 293-3.A1 & Volume I: Discussion. 1919. [x], 326pp., publishers quarter red-violet buckram, burgundy cloth sides, spine lettered in gilt, brown-violet endspapers, frontis color map with overlay map tissue guard, 5 folding plates, 93 figures in illustration, 163 tables in text, errata bound in adjacent to p.1.& Volume II: Weather Maps and Pressure Curves. 1919. Quarter red-violet buckram, cloth sides, spine lettered in gilt, [ii], 138 weather maps, 23 folding plates of pressure curves.& Volume III: Tables. 1923. [xi], (1), 835pp., 88 tables. Red-violet cloth, spine blind-stamped and lettered in gilt.& The complete collection of meteorological scientific research documentation from ScottÍs Terra Nova Expedition of 1910-1913. This significant publication has become critical in todayÍs search for signs of global warming. A Rare complete set in Near Fine condition. Typically found in individual volumes and with institutional or library markings. & & Provenance and Association:& All three volumes bear the bookplate of William Herbert Hobbs, renowned polar author and geologist. Volume 3 signed by Wm.H. Hobbs with an inscription in his hand stating this was a gift from Col. Lyons. Col. H.G. Lyons was the Honorary Editor of this set and was in charge of preparation of these volumes and their distribution.

      [Bookseller: Chet Ross Rare Books]
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        Scott's Last Expedition

      London,: Smith Elder & Co.,, 1913.. Two volumes, large octavo, extensively illustrated including a frontispiece in each volume, six photogravures and 18 coloured plates, many full-page black & white plates, maps, diagrams, and a panorama; some maps with folds reinforced, a fine copy, in contemporary quarter morocco. An excellent association copy signed by two of the surviving expeditioners. This is the first edition of the famous official expedition account, arranged from Scott's journals which were retrieved when his tent was discovered in 1912.This set is signed by Lieutenant-Surgeon G. Murray Levick in both volumes, and by Lieutenant Edward R.G.R. Evans, second-in-command on the Terra Nova, in the first: Murray Levick joined Scott's final expedition as surgeon and was second in command of the Northern Party, carrying out extensive studies on birds and marine life.Scott's achievement in reaching the South Pole on January 18, 1912, is inextricably linked with the sense of heartbreak at having been beaten to the Pole by Amundsen by just thirty-four days, and the disastrous return journey in which Scott, Evans, Oates, Bowers, and Wilson all perished.Scott wrote in a letter composed to his wife, "but for my own sake I do not regret this journey, which has shown that Englishmen can endure hardships, help one another, and meet death with as great a fortitude as ever in the past. We took risks, we knew we took them; things have come out against us, and therefore we have no cause for complaint, but bow to the will of providence, determined still to do our best to the last... Had we lived, I should have had a tale to tell of the hardihood, endurance, and courage of my companions which would have stirred the heart of every Englishman. These rough notes and our dead bodies must tell the tale...".Each volume is inscribed on the front free end-paper: "Presented to / The Grundy Library/ Malvern College/ by G.C. Levick (No. 8)/ Nov. 1913".Spence, 1056.

      [Bookseller: Hordern House Rare Books]
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        A SNAPSHOT; PARIS, 1911

      Stieglitz, Alfred. Hand-pulled photogravure, 5 3/8 x 6 5/8 inches. Archivally matted with window over mat. Fine. The image is a fine photogravure from CAMERA WORK 41, 1913.

      [Bookseller: Andrew Cahan: Bookseller, Ltd]
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        Grand Prix d'Amerique, Goux le gagnant sur Peugeot à Indianapolis (Indianapolis 500), 1911

      Paris: Mabileau & Co., 1913. Hand-coloured pochoir print. Very good condition apart from a 1 1/2" tear in the top margin. 15 3/4 x 32 1/4 inches. 17 5/8 x 35 3/8 inches. The Lion-Peugeot of Jules Goux at Indianapolis in 1911. This was the last year of this complex car. The new Peugeot Company began racing in 1912, and won the Indy with Goux at the wheel in 1913. The Gamy-Montaut prints document various historical events in the early history of motorized transportation, including Power Boat Racing, Motorcycle and Motor Car Racing, Motor Car Touring, Zeppelins and Airplanes. Having observed the rapidly growing interest in cars and racing during the early years of motor cars, Ernest Montaut ( 1879-1909) produced his first motoring prints in the mid-1890s, and by 1897, his drawings were pictorial records of the many races in France. Montaut's work was extremely well received in the Paris of his day and was shown in the fashionable shops of the Rue de l'Opera and Rue de la Paix, as well as in the better galleries. Marguerite M. Montaut, Ernest's wife, continued his work after his death producing not only racing prints but also developing a fine series of aviation prints commemorating such events as the first flights on the early European mail routes. While Marguerite Montaut's works were occasionally signed "M. Montaut", she usually used "Gamy", an anagram for Magy. The Gamy-Montaut prints were all produced by the pochoir process in which the outlines for each image were drawn onto lithographic stones and printed. Using these uncoloured prints as a template, elaborate stencils were cut for each colour. Water-colour was then brushed onto the image through the stencil. The colouring process was quite complex, with each print taking several days to produce. It was also quite labour intensive, and the studio of Gamy-Montaut therefore employed a group of trained artists, including Nevil and Campion, to assist in the colouring.

      [Bookseller: Donald Heald Rare Books]
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        2 eigenh. Briefe mit U. ("Wilczek").

      Wien, 1907 und 1913. - Zusammen 4 SS. 8vo. Wohl an den Cellisten Josef Sulzer, den Sohn des berühmten Synagogenkantors Salomon Sulzer: "Lieber Meister - es bleibt bei morgen Freitag 11. 24 Nordwestbahn - Fürst Pick und Fürstin Fürstenberg kommen auch mit. Falls Sie die große Güte haben wollen, Ihr Instrument mitzunehmen - werden wir Ihnen Dank zollen[.] Meine Tochter Elisabeth spielt zwar die Orgel doch nicht so gut wie der Orgelkundige, der Sie begleiten könnte. Den Sie eher mit sich nach +Stein (Kreuzenstein) nehmen [.]" (8. V. 1907). - "Der Abend gestern war reitzend [!] - und Sie haben [.] wunderbar Ihr herrliches Instrument erthönen laßen [.] Neben meiner Tochter Elisabeth saß eine hochverständige schöne Dame, während einer Pause machte sie Ihnen einen Besuch im Künstler Zimmer - könnten Sie mir die bescheidene Anfrage beantworten, wer sie ist? Ihr uralter Wilczek" (30. III. 1913). - Tls. leicht angestaubt.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        CUBISM. Translated

      T.Fisher Unwin.London.,1913. FIRST ENGLISH EDITION.Large 8vo.(8.4 x 6.7 inches).Illustrated with 25 mono plates reproducing works by Picasso,Derain(Miss-spelt Derian),Leger,Duchamp,Gris and others.Single leaf advertisement at the end,for the Galerie Clovis Sagot,Paris,advertising "Oeuvres de Fauves at Cubistes".Publishers cloth with gilt lettering to the front board and spine.The gilt very bright and sharp.One small chip(0.2 x 0.4 inch) to the top of the cloth spine otherwise a much better than usually found copy in the rare original dustwrapper,lettered to the panels and spine in black.Loss to the top 1 inch of the spine and a couple of small holes.Split along the length of the top hinge and held together in a removable brodart book protector but overall this is a good example of this rarely seen wrapper.Both book and wrapper miss-spell Metzinger's name "Metzanger".The first theoretical work on,and also the first book to use the term,Cubism.:.

      [Bookseller: Paul Foster Books]
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        A Study of Maya Art, Its Subject Matter and Historical Development

      Cambridge: Peabody Museum of American Archaeology and Ethnology. 1913. Based on Spinden's 1909 doctoral thesis at Harvard and here Published as Volume VI of the Peabody Museum's Memoirs, this is the seminal study of Maya art and archaeology. Spinden was the first to study the range of Maya art, delineate its subject matter, and identify themes and motifs within the art and architecture of Maya society, including religious and philosophical ideas and calendrical notations. Probably the most important single volume ever published on the Maya. This copy is rebound in green buckram, and extra-annotated and illustrated in at least two hands. A (bookseller's?) note on the front free endpaper suggests the possibility that the annotations were those of the author, and indeed many of them seem to be of the type that an author would do if he were preparing a revised edition of his book. Some of the annotations correct errors in the earlier text, while others add new drawings, commentary or analysis, presumably based on information not available at the time of original publication. No revised edition of A Study of Maya Art was ever produced, however, so there is no corrected or updated text against which to compare this. Spinden, after gaining his PhD at Harvard, became the Assistant Curator of Anthropology at the American Museum of Natural History in New York, and from there went on to become the Curator of Mexican Archaeology and Ethnology at Harvard's Peabody Museum, perhaps the most prestigious post in the country for a Mayanist. Spinden also developed a widely accepted correlation between the Maya calendar and the Western calendar, which was called into question by J. Eric S. Thompson, the British Mayanist. The controversy got heated, and Spinden spent much of the rest of his time devoted to the Maya defending his correlation. It may be this controversy that pre-empted a new edition of his classic study. Thompson's correlation, or one or two days off from it -- Spinden's and Thompson's were 260 years apart -- is widely accepted today, although the issue is not without controversy even now. In any case, this is an extra-annotated copy of the first important work of Maya scholarship and, by all appearances, a unique copy. A bit of wear to the edges of the cloth, overall near fine. .

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        ACROSS UNKNOWN SOUTH AMERICA

      Hodder and Stoughton. London. 1913. FIRST EDITION. 2 Large 8vo volumes. (10.2 x 8 inches). Illustrated with 2 maps, 8 colour plates and 260 illustrations from mono photographs by the Author. Some minor foxing to the blank reverse of the portrait frontis in volume one otherwise a bright and clean copy throughout. In the publishers dark blue cloth bindings with gilt lettering to the spines. Front panels with circular device in gilt, green, blue and silver with four illustrations alongside, all in gilt and within a shield border. In the rare original dustwrappers with dark blue lettering to spine and front panels with cut out holes on the front panels to show the circular emblem. Some very minor chipping to the edges of the wrapper for volume one, volume two's wrapper with a large thumb sized area of loss to the front panel and a little more chipping to the extremities. Overall a lovely tidy set of books kept in wonderful condition by the still very good original publishers dustwrappers.

      [Bookseller: Paul Foster Books]
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        Backblock Ballads and Other Verses By "Den

      E. W. Cole, Melbourne, No date. First Edition. Leather. Good/no dust Jacket. 200 pages with double front and rear end pages. includes a glossary. Rebound in dark brown leather, gilt tooling to the margins front and back, and to the edges of the boards, gilt tooling and titling to the spine with 5 raised bands. rubbing of the edges of the boards, and the heel of the spine. The rear board has a moisture mark to the right hand side fron the centre to the hinge rising to 2/3rd of the height of the board, with a couple of pressure indentations. Both marbled endpages have short cracks at the hinges, BUT the hinges are sound. Marbling of the text block edges. Pasted to the front paste down is the book plate of M. J. McNally, featuring a dorsal view of a naked woman looking at an opened book that is just slightly smaller than herself. The bookplate has "H.T.P." printed at the lower rhs of the image; The half title page in inscribed in ink pen "To my friend M.J. McNally, with the author's compliments, C. J. Dennis" the National library of Australia gives the publication date of being 1913 Size: Cr 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Signed; Inventory No: 0231501. .

      [Bookseller: Syber's Books]
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        "Potash and Perlmutter": Original drawing of the characters in this play, ink on board, signed lower right

      n.p ca. 1913 n.p, ca. 1913. 14 x 10-1/4 inches. . Fine condition. Bryant and Heneage, pp. 110-11 . In 1910 Montague Glass published Potash and Perlmutter, a collection of stories written in vernacular and dealing with two partners in the cloak-and-suit business. They were immensely popular, and led to a number of sequels and dramatizations, among them the one celebrated here in Raven Hill's lively and expressive drawing Leonard Raven Hill (1867-1942) was born in Bath and studied at the Lambeth School of Art, and in Paris with Bouguereau(1885-87). On his return he became a prolific contributor to various British publications. "Altogether", note Bryant and Heneage, "he was one of the most celebrated black and white artists of the period". In 1896 he joined Punch, an association which lasted 40 years, and ended only when his eyesight began to fail in 1935. "In his prime he was a fine strong draughtsman, good at portraying character and making the most of a wide range of jokes." This drawing shows Potash, and Perlmutter, surrounded by other characters in the play; it probably appeared in Punch around 1913 A SPLENDID THEATRICAL DRAWING BY A NOTABLE ARTIST

      [Bookseller: James Cummins Bookseller ]
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        1913 Collection of 30 Original Cabinet-Size Photographs from The Aurora Studios, Boston Massachusetts

      Boston, Massachusetts: The Aurora Studios, 1913. Collection of 30 silver-print original photographs of female nudes, seemingly of the same model in various poses and states of undress, many with props - bow & arrows, hand-mirrors, flowers, filmy garments…; each with the Aurora Studio imprint & negative number with the date of 1912 or (mostly) 1913 in the plate; each also with their stamp on back, stating "For Artists Use Permission is given to copy this photo in any medium except photography for use in illustration, designs, mural decorations, etc. The Aurora Studios Boston, Mass." the images are not mounted and are printed on good quality heavy photographic paper stock; average size 5" x 8" with some having a more slender format, according to the pose in the image; found loose within a small portfolio with plain polished paper-covered boards, cloth spine, original black cloth ribbon ties; some wear and fading to the portfolio, previous owner pencil name on endpaper; all images clear, strong with good light and contrast, very professional and in very good condition; a very good group of this genre, especially interesting as being of one model and within a specific and short time period; documenting the history of photography in erotic art, here presented as 'artistic' studio aids. . First Edition. Not Bound. Very Good.

      [Bookseller: Certain Books, ABAA]
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        A B C D

      1913. 1. ABC. (CUBIST) A B C D by Andre Blandin. Bruxelles: Imprimerie Scientifique Charles Bulens, no date, circa 1913. 4to (8 1/2 x 10"), cloth backed pictorial boards, slight bit of rubbing on one page else Fine. Printed on one side of the paper, each leaf features a stunning color picture of a Dutch doll and other inhabitants of a cubist world. The text consists of a one word title in 3 languages: French, English and German printed in red at the bottom of the page. Little is known about Blandin who was a Belgian artist. His association with Guillaume Apollinaire led to organizing the first exhibition of cubist and fauvist art in Belgium. This is one of the most striking alphabets in any language and quite rare.

      [Bookseller: Aleph-Bet Books, Inc.]
 24.   Check availability:     Biblio     Link/Print  


        The Poetical Works of Robert Burns

      London: Humphrey Milford, Oxford University Press,, 1913. With Notes, Glossary, Index of First Lines and Chronological List. Edited by J. Logie Robertson. Octavo (177 × 124 mm). Contemporary brown half calf, spine gilt in compartments, brown cloth sides, marbled endpapers, top edge gilt. Spine cracked and chipped and repaired with the pieces re-laid down, boards rubbed with a little wear at the corners. A good copy. Presentation copy inscribed by literary editor John Middleton Murry on behalf of himself and his soon-to-be wife Katherine Mansfield on the front free endpaper, "To Ottoline Morrell, from J. M. [and] K. M., 1917".

      [Bookseller: Peter Harrington]
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        CHANCE. A Tale in two parts

      Methuen & Co. Ltd. London.,1913. Spurrious First edition. Actually the fourth impression with a cancel title page, stating " First Published 1913" on verso, on the title page stub. 8vo. (7.8 x 5.4 inches). 8 page publishers advert dated Autumn 1913 at the rear. Light foxing throughout the pages otherwise a very good copy in a contemporary fine leather binding, by Broadbere of Southampton (and with their small binders label on the front pastedown), of full black morocco. Spine with raised bands, each with multiple wavy lines. Compartments double ruled, lettered, and elaborately decorated, all in gilt. Boards with decorative gilt tooled panel within a decorative border, again, all in gilt. Marbled endpapers. Gilt inner dentelles. A beautifully bound copy of this edition, the less common 1913 Cancel title page issue. Copies with the true 1913 integral title are rare, it is thought that only about fifty survived, and most early copies were issued with cancel title pages dated 1914 - when the book was finally published.:

      [Bookseller: Paul Foster Books]
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        BALAOO. Translated by Alexander Teixeira de Mattos

      Hurst and Blackett,Limited.London.,1913. FIRST ENGLISH EDITION.8vo.viii.376.24 pp publishers adverts for Autumn 1913,including blurb for this book with the title The Mysterious Mr.Noel.This was changed to Balaoo before publication but after the adverts were typeset.Very good bright,tight copy with previous owners name written neatly in ink to front blank endpaper.Some light foxing to a few pages but still generally a nice fresh copy.Publishers red cloth with blind ruled border and gilt lettering to front board.Spine lettered and ruled in gilt.A particularly nice copy of this rare title by the Author of The Phantom of the Opera.Originally published in French in 1912,Balaoo is the story of a Monkey who is brought up by a Scientist as a human,Mr.Noel.He is educated and can read and write and wears the latest Paris fashions.Balaoo is suspected of commiting many crimes,culminating in the kidnapping of Mlle.Madeline-the daughter of the scientist who brought him up.Filmed three times.First as Balaoo,in 1913 (a 24 minute silent film).Twice filmed by Hollywood,first in 1927 as silent movie The Wizard,which was remade in 1942 as Dr.Renault's secret.A superior copy.:

      [Bookseller: Paul Foster Books]
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        The Thousandth Woman

      Bobbs-Merrill, Indianapolis 1913 - First American edition. Endpapers a little foxed and the edges of the boards just a touch rubbed, a fine copy in very near fine dustwrapper with slight wear at the crown. A mystery by the creator of the detective hero Raffles. Rare in jacket. See this book in 3D on our site. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 28.   Check availability:     AbeBooks     Link/Print  


        [Harrington Emerson's home course of study in personal efficiency.]

      [ New York ]: No Place ; N. P., 1913. Binder. Very Good. 4to., pp. [ff 26] + 638 (hand stamped numerals); ox blood half calf and black pebbled cloth gilt; boards lightly scuffed and soiled; marbled endpapers; clean text sheets; pp. 285-288 detached but present; a good copy overall. Edition unknown. Typescript of a personal study guide in 24 parts, ostensibly devoted to increasing personal efficiency by creating goals, the use of meticulous planning, careful observation, standardizing operations, and time management. The author develops a number of "principles of efficiency, " illustrating each in detail. But Emerson goes much farther than simply offering a plan for self-improvement. He dives into all manner of psychology and behavior and recommends many types of physical and mental exercises, relationships, and ideals. The final goal of the program seems hardly less than the entire make over and management of the human personality. One of the more remarkable men of the post-Civil War era in America, Harrington Emerson (1853-1931) was born into a wealthy New Jersey family and educated on the Continent. He began his adult life as an instructor of modern languages at the University of Nebraska, but was dismissed in part due to profound differences in educational philosophy with the school's administrators. He later embarked on a career as a frontier banker and land speculator, and worked as well for major rail concerns in Nebraska, Kansas, & Colorado. He invested in land as the plains became a popular destination for immigrants, but drought and crop failures bankrupted him. He next found employment as a representative of an English investment syndicate, and in this position studied more than one hundred American mining and manufacturing companies as investment possibilities. In this job he first became acquainted with the way that large industrial concerns are organized and operated, which laid the basis for his career as an efficiency expert. He combined this knowledge with further studies and work in mechanical engineering, and became involved and financially indebted in a scheme to lay a trans-Pacific telegraph cable which nearly bankrupted him a second time. After that failure, Emerson worked for a time as an industrial consultant, before resolving to take up efficiency engineering as his primary career. In this he followed the pioneering work of Frederick W. Taylor, whose methods of labor organization had come to the attention of Henry Ford, among others. Emerson on the other hand was hired to reorganize the machine and locomotive repair shops for the Atchison, Topeka, and Santa Fe Railroad. There, over the course of three years, he developed standardized work procedures and implemented a bonus pay system. His reputation as an expert in labor efficiency won him a large clientele. Between 1907 and 1910, he performed consulting work for over 200 companies, from industrial concerns to retailers, hospitals, municipal governments and colleges. He later performed much of his work overseas for foreign governments, including China, Japan, Mexico, Poland and especially the Soviet Union, where Emerson was particularly optimistic for the future of "scientific management." Throughout his later life, Emerson saw himself as a promoter and educator for greater efficiency, for firms and individuals alike. In 1924, he re-wrote and marketed an earlier version of a correspondence course in personal efficiency. Under the direction of the Emerson Institute, his home study course garnered more than 40,000 subscribers in 1925 alone. Scarce in trade. WorldCat locates less than 15 copies.

      [Bookseller: Kuenzig Books, ABAA/ILAB]
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        THE FIRE WITHIN

      New York: G. P. Putnam's Sons. 1913. First Edition; First Printing. Hardcover. Very Good in boards. Hinge very slightly exposed but intact. Some edge wear. The true First American Edition, 1913. Brown cloth lettered in gold on front and spine, decorated in blind on front; 268pp plus ads in the rear. ; 8vo 8" - 9" tall .

      [Bookseller: Rare Book Cellar]
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        Le Génie latin.

      1st edition. Paris: Librairie Alphonse Lemerre 1913. 340 + (1) pp. Limited to 300 copies. Totally uncut copy bound with orig. wrappers and top edge gilt in nice contemporary halfleather. (Seux s' de Thierry-Simiep).. Copy no. 215 on papier de Hollande, signed by the editor

      [Bookseller: Peter Grosell's Antikvariat]
 31.   Check availability:     Antikvariat     Link/Print  


        Vanity Fair

      Hodder & Stoughton; London., 1913. Good+. Publishers cream mock-vellum, with gilt lettering and an oval portrait of Becky Sharp in a decorative gilt cartouche. Very minor marking to covers. Silk tie detached and missing half its length, but easily replaced. Illustrated endpapers, foxed as is fly-leaf. All other pages bright and clean. Illustrations very bright. Top edge gilt. Uncut pages. Two of the contents pages are unopened. 483pp.. LIMITED EDITION of 350 signed and numbered by the artist, of which this is no. 168.. Hard. 4to. 11 3/4".. Good+. Illus. by 20 tipped in colour plates by Lewis Baumer..

      [Bookseller: Ryan OHorne Books]
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        Early Typed Letter Signed, 4to on "The Criterion" stationery, 4to London, July 8, 1938

      He writes to Ossia Trilling of the Incorporated Stage Society responding to their selection of him to become a member. "On mature reflection...I must decline the proposed honour. I have already as many public associations as I can adequately cope with and I gave a strong objection to being a merely nominal member...." He signs, "T. S. Eliot." [Joshua] Ossia Trilling (1913-94), Eliot's corespondent, was a theater critic and occasional theater director and actor. Connected with the Incorporated Stage Society, Trilling directed the British premiers of Auguste Strindberg's plays, "The Road to Damascus, " and "Queen Christina."

      [Bookseller: David Schulson Autographs]
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        The Boston Common [Weekly newspaper, bound in 2 volumes]

      Boston: Co-operative Publishing Company 1913 - Green-brown buckram cloth over boards, gilt stamped titles on spines. Covers are scuffed with uneven fading and some spotty stains; some rubbing at spine ends and fore corners, light fraying; both volumes tightly bound; interiors are clean with slight general age darkening; all leaves are supple, not brittle; cover leaf of final issue has short closed tear at mid-cover. Issues run from Vol 1, No 1 (April 30, 1910) through Vol 3, No 37 (January 11, 1913), presumably a complete run. Liberal-reformist weekly newspaper ran 1910-1913. Initial editor was Edward H. Clement, thereafter, Livy S. Richard. 100 shareholders held 1 share each. Exec. Comm: Ralph Albertson, William E. Butler, Alexander M. Wilson, Robert Treat Paine Jr, Charles M. Cabot. Many unsigned articles on local, state and national affairs - political and social; some signed articles including writers: Mayor John F. 'Honey Fitz' Fitzgerald (JFK's grandfather and mentor), Gov. Curtis Guild, Sen. Jonathan Bourne Jr, Helen Campbell, Frank Chouteau Brown, Livingston Wright, Everett B. Mero, many others. Articles on politicians, sports, recreation, architecture, national politics, railroads, trusts, reform movements, theater, socialism, ranked voting, planning, development, education and schools, Henry Cabot Lodge, Roosevelt, law and the courts, sanitation, health laws, much more. Fairly heavily illustrated in earlier issues, less so later. Large 4to; paged by issue, approx 1100 total pp. Cf, OCLC #10741554. [Attributes: Hard Cover]

      [Bookseller: Lee Madden, Book Dealer]
 34.   Check availability:     AbeBooks     Link/Print  


        MERRY PUPPY BOOK

      1913. 1. ALDIN,CECIL. MERRY PUPPY BOOK. London: Henry Frowde & Hodder & Stoughton, no date, circa 1913. 4to (8 1/2 x 9"), cloth backed pictorial boards, slightest bit of edge rubbing, Fine and bright. 1st edition. A fabulous books of dogs stories including the Mongrel Puppy, The Farmyard Puppy and the White Puppy. Featuring 36 full page color illustrations plus numerous black and whites throughout the text. This is a great copy of a rare Aldin title.

      [Bookseller: Aleph-Bet Books, Inc.]
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        Zoo Babies

      New York and London: Hodder and Stoughton,, [1913]. Pictured by Cecil Aldin with short interviews by G. E. Farrow. Quarto, pp. [iii] + 24 text. Original green cloth-backed boards, paper to sides and design to front cover, pictorial endpapers. With 24 colour illustrations by Cecil Aldin. Spine professionally repaired and front and back inner hinges strengthened with green cloth, tips rubbed. Ownership inscription in ink to half title. A very good copy. A charming book, evocatively illustrated.

      [Bookseller: Peter Harrington]
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        Sons and Lovers

      London: Duckworth & Co, 1913.. First Edition. Blue hardback cloth cover. G : in good condition without dust jacket. Some rubbing and bumping to boards. Spine marked. Inner hinge cracking but binding intact. Light spotting to the page edge block and a little within. Dated 30.11.16 & 8841 to fep. 190mm x 140mm (7" x 6"). vii, 423pp. + 20pp advts. Roberts A4 variant 1.

      [Bookseller: Barter Books Ltd]
 37.   Check availability:     UKBookworld     Link/Print  


        Princess Badoura

      London: Hodder and Stoughton,, [1913]. A Tale from the Arabian Nights. Retold by Laurence Housman. Illustrated by Edmund Dulac. Quarto. Original white cloth, titles and elaborate pictorial design to upper board blocked in gilt and green, green endpapers and top-stain. Tipped-in colour frontispiece and 9 plates with printed tissue-guards. Cloth very slightly rubbed, some faint spotting, spotting to edges of text block, endpapers, and occasionally to margins of contents. First Dulac edition, first impression.

      [Bookseller: Peter Harrington]
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        Autograph letter signed ("JThToorop").

      Domburg, 10. VII. 1913. - Large 8vo. 1 p. Two addenda (s. b.). Concerning arrangements for his portrait of the Flemish priest and author Hugo Verriest. The board of the Amsterdam catholic artist's society "De Violier", represented by secretary Wentinck, commissioned Toorop to make the portrait. Toorop wants to visit his correspondent on Saturday, July 19, and hopes to begin drawing two days later."[.] Zaterdag 26 Juli hoop ik weer met het geteckendt portret in Domburg terug tekomen [.]". - Together with 2 contemporrary poems signed by one Joann Kat, one of them with dedication to Jan Toorop (n. p. o. d., altogether [2+1=] 3 pp. on 3 ff., large 8vo).

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        The Poison Belt Being an account of another adventure of Prof. George E. Challenger, Lord John Roxton, Prof. Summerlee, and Mr. E.D. Malone, the discoverers of "The Lost World"

      London: Hodder and Stoughton 1913, 1913. Strange tale. INSCRIBED ASSOCIATION COPY, SIGNED BY DOYLE. Octavo, pp.199, with numerous full-page illustrations by Harry Rowntree. Publisher's mid-blue pictorial cloth, titled in gilt to the spine, tooled in black to upper. Some light wear, faint mark to rear panel backstrip a touch toned. Very good indeed. The second Professor Challenger fantasy, of which fewer copies than "The Lost World" - published the year before - were printed. A first-rate sequel to 'The Lost World' which continues the adventures of one of the most memorable characters in speculative fiction. Brilliant, witty, insufferable, and blessed with a booming voice and a huge black beard, Professor George Challenger is an eccentric and able champion of the human race. This is the second impression, 30th August 1913, incribed to the title page "With Homage to Belgium / Arthur Conan Doyle". The recipient is Rene de Chochor, director of the author's estate whose main responsibility was to negotiate all the many contracts for cinema and ensure that copyrights were respected. A fine association. Bleiler; Checklist of Fantastic Literature [252]. Green and Gibson; A Bibliography of Arthur Conan Doyle. Provenance: Ex-Christies 4074, lot 271.

      [Bookseller: Adrian Harrington Rare Books]
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        Venturesome Voyages of Capt. Voss

      Yokohama: Japan Herald Press. Good with no dust jacket. 1913. First Edition. Hardcover. This is an account of Voss's intrepid journey around the world in the canoe Tilikum. The Tilikum was a canoe with sails built according to a Canadian Indian design. The hull was carved from a single log of cedar. xiv, [2], 394, [1] pages + frontispiece + 14 plates + folding colour map. Red cloth boards with gilt lettering on spine and front board. Page dimensions: 224 x 148mm.Condition: Good. Cloth rubbed and torn horizontally at ends of spine. A 1/2" and a 3/8" split to cloth at head of joints. A 3" tear along one fold of the map, repaired on reverse side with brown paper tape. Narrow split to gutter between the folding map and the adjacent text leaf. This copy of the book belonged to George Chance, who was a friend of Voss. Chance was an optician in Dunedin, but is best known today for his photographic work. He went on an expedition to Ecuador as photographer. The ephemera and notations in the book are as follows - Front pastedown endpaper: A sealed empty envelope with "CANOE TILIKUM" printed on the flap, appears to be contemporary to the voyage of the Tilikum. Also on the front pastedown endpaper is a short "Fifty Years Ago" newspaper clipping from 1953 about the Tilikum being on display in the Octagon [Dunedin, New Zealand] in 1903. [i.e. this is a 1953 reprinting in the newspaper of a short article which was originally printed in the newspaper in 1903]. Front free endpaper: An original photograph tipped in showing Voss and George Chance and two others. The photograph measures 81 x 70mm. Beneath the photograph is written in pencil: "G.C. - McKenzie - Plumbly - Captain Voss / Quayquil - Ecuador - 1906". Also in pencil on the front free endpaper this inscription:"Geo. Chance Yokohama 4/10/20 This is a first edition I purchased in Japan".On the reverse side of the frontispiece is this pencil inscription:"Note Capt Voss + his visit to N.Z. + Dunedin on page 191 - Voss often told me of his visit to N.Z." Tipped in to half-title page: Postcard from Voss to Chance. Front of postcard has in ink: "Feb 23 1906 Dear Friend Hoping you [?] safely and meet all your friends & relations in good spirit. John leaving for B.C. Tomorrow. J. C. Voss".Reverse side of postcard has in pencil "From Capn Voss of the "Tilicum" after my return from So America". The postcard has a postmarked US stamp, and was sent to George Chance at his address in Letytonshire, Essex via London, England". Also included loosely is a heavily foxed label with heavy adhesive marks on the reverse side (removed from an article of luggage?). Dimensions: 101 x 70mm. The label is cloth with paper or some form of coating on it, and reads: "The Talbot Clifton Expedition, Guayaquil, Ecuador". Chance was the photographer on this expedition. We do not know if Voss was also connected with the Talbot Clifton Expedition.There is no other marginalia or writing in the book other than that mentioned above.; 8vo .

      [Bookseller: Renaissance Books]
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        SCOTT'S LAST EXPEDITION, Being the Journals of Captain R.F. Scott and the Reports of the Journeys and the Scientific Work Undertaken by Dr. E.A. Wilson and the Surviving Members of the Expedition, Arranged by Leonard Huxley, with a Preface by Sir Clement R. Markham

      London: Macmillan and Co., 1913. 2 volumes. Empire Library Edition for circulation only in India and the British Dominions over the Seas. First such and the same year as the true first edition. Illustrated with 8 photographic plates in black and white and two large folding maps. 8vo, publisher’s original stiff paper wrappers, upper covers and spines lettered in black, lower covers and inside pastedowns with publisher’s ads for the Empire Library Series. xviii,497; viii, [2], 431. Scarce in wrappers and in such condition, the wrappers entirely intact with just a bit of wear and toning. Internally very clean and tight. A SCARCE PRINTING AND A CORNERSTONE WORK IN ANTARCTIC LITERATURE. Macmillan published a large series of copy-written books solely for distribution in British holdings outside of England. Though well produced they were typically smaller and simpler editions then their English counterparts but unabridged, the text remaining complete. Many of the titles are scarcer then the issues produced for England and America. They were typically produced in both wrappers and cloth. Copies in wrappers are very uncommon, in such condition SCARCE. The journals of Scott, which comprise the first volume, are a moving record of one of the great tragedies of exploration. The last entry was made while Scott was dying in the midst of a storm, as he was returning from the South Pole. The second volume contains the accounts of Wilson and Atkinson and several of the scientific reports generated during the expedition. Includes a preface by Clements Markham. Scott never returned from this expedition, dying on the ice with several of his party. He did manage, however, to preserve his notes where others would find them, protected from the Antarctic winds by his own corpse, and in so doing left the world this record.

      [Bookseller: Buddenbrooks, Inc.]
 42.   Check availability:     Biblio     Link/Print  


        Studies concerning glycosuria and diabetes.

      Havard University Press, Cambridge, Mass 1913 - original cloth binding, gr.-8°, 1179 pages, Bibliothekstempel / bibliotheekstempel / cachet de bibliothèque / librarystamp an 2800 Buch [Attributes: Hard Cover]

      [Bookseller: Antiquariat Bernd]
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        In Powder & Crinoline

      Hodder & Stoughton, London, 1913. First Edition. Hardcover. Good Condition. Illustrator: Kay Nielsen. Undated but 1913, cloth backed decorative boards. Wear at corners and spine ends, slight discoloration at edges, front inner joint cracked, small ding to page edge Scattered light foxing but mostly clean and bright internally. 24 color plates and tissue guards, plates fine and bright — light age toning to page edges. Remarkably for his first book, Nielsen here is at the peak of his powers. One of his finest works, at home alongside East of the Sun and West of the Moon. Size: Quarto (4to). Illustrator: Kay Nielsen. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Myths, Legends & Folklore; Antiquarian & Rare. Inventory No: 043836. .

      [Bookseller: Pazzo Books]
 44.   Check availability:     IOBABooks     Link/Print  


        Kunstgeschichte der Seidenweberei

      Berlin: Wasmuth. Very Good; 10 x 13.5 (36 cm) 2 Volume Hardback in Very Good condition. . Edges worn. Minor chipping to head and foot of spine.. 1913. Hardcover. Illustrated by 613 ill. in text and on plates, which include 10 chromolithographs; Standard reference work on historical silk textiles. German text. Examples are mainly from European museums. Two volumes. Volume 1: xlii, 128 pp., [43] plates; Volume 2: 147 pp., [88] plates; 11 .

      [Bookseller: RugBooks.com]
 45.   Check availability:     Biblio     Link/Print  

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