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Displayed below are some selected recent viaLibri matches for books published in 1912

        The Stage in the Twentieth Century: Third Volume

      New York: Broadway Publishing Co.. Near Fine in Very Good dj. 1912. First Edition. Hardcover. NOISBN . [beautiful copy of the book itself, with firm binding, strong gilt lettering on front cover and spine, just minimal wear to the extremities; the jacket, rarely seen on this book, has some chipping, mostly at or near the corners, some moderate soiling and fading, and a few old internal tape-marks from long-ago repairs of several short closed tears]. (B&W photographic plates) A "profusely illustrated" survey of the theatrical world of the day, discussing "tendencies, developments and possibilities of the theatre" -- with "theatre" in this case defined quite broadly, to include not just the legitimate stage but also vaudeville, opera, movies and even recorded sound. As the author explained in an introductory note, "science and invention have made rapid strides in their encroachment on the realm of Thespis, and the part now being played by the phonograph, the player piano, and the various phases of development of the irresistible moving picture in contributing to the entertainment of the public, is too important to be ignored in a work of this character." There are mentions of the impact of filmed entertainment sprinkled throughout the text, and all of Chapter VII is given over to a discussion of the exploits and successes of many of the leading figures of the early film industry, which was just then poised to begin the expansion from one- and two-reelers to feature films. (Just two years later, in fact, Grau would come out with "The Theatre of Science," a similarly hefty tome devoted exclusively to the movies.) Most of the photographs in this volume are portraits of prominent individuals, mostly off-stage figures such as producers, managers, playwrights, etc., although a number of performers are also pictured. Anticipating a currently-popular feature of the annual Academy Awards telecast, there's even an "In Memoriam" section containing "tributes to celebrities who have passed on." .

      [Bookseller: ReadInk]
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        Autograph Letter Signed 'John S. Sargent' to the painter F.O. 'Frank' SALISBURY (John Singer, 1856-1925, American Artist)

      1912 - (1874-1962), with transcription, saying he is "leaving tomorrow morning for 4 months absence abroad so that I can do nothing until next Winter about your candidature to the Academy - I will attend to it then unless you wish to be put down sooner by some one who is still here - The photo of Boldini's portrait of Whistler", (1897, now in the Brooklyn Museum), "hangs in . my studio 12, the Avenue, Fulham Road - you could get in by arranging with E. Powell, the old caretaker, who lives at 10 Onslow Dwellings, Pond Place, Fulham. Show him this", Sargent "had a letter the other day from the Town Clerk of the Chelsea Town Hall, enquiring on behalf of a Committee how your panel and the others were progressing", 2 sides card 3½" x 4½", 31 Tite Street, Chelsea, 'Friday 26' no date but July two neat filing holes on side 1, one touching one letter, easily supplied, surface of side 2 defective at right hand edge with loss of a letter or two at the end of several lines, nearly all easily supplied, remaining text and signature unaffected (Transcription) Friday 26 - 31 Tite Street. Chelsea. S.W. Dear Mr Salisbury I am leaving tomorrow morning for 4 months absence abroad so that I can do nothing until next Winter about your candidature to the Academy - I will attend to it then unless you wish to be put down sooner by some one who is still here - [Side 2] The photo of Boldini's portra[it] of Whistler hangs in the small [.] at my studio 12, the Avenue, Fulham Road - you could get [in] by arranging with E. Powell, the old caretaker, who lives at 10 Onslow Dwellings, Pond Place, Fulham[.] Show him this - I had a letter th[e] other day from the Town Clerk of t[he] Chelsea Town Hall, enquiring on beha[lf] of a Committee how your panel and the others were progressing. Yrs sincerely John S. Sargent For several years now Sargent had spent August and the autumn in Switzerland (accompanied by his sisters Emily and Violet, with the latter's children), Italy (especially Venice) and Spain, sketching and painting landscapes and all sorts of details, rather than portraiture. Since 1895 he had leased two studios in the Fulham Road for his larger pieces and murals, in particular those for the Boston Public Library. Frank Salisbury was also an accomplished portraitist, painting 5 U.S. Presidents and 5 Prime Ministers, but is best remembered for his paintings of great historical occasions, such as the Burial of the Unknown Warrior and the Coronation of 1937. Though he received many honours, he was never made a member of the Royal Academy. He had been one of the successful artists competing to paint The Great Artists of Chelsea, open to residents, for the Large Hall of Chelsea Town Hall. See The Times, 9th December 1911, for the competition, "the scheme of decoration . to be . under the supervision of Mr. Sargent, Mr. Steer, and Mr. Rickards". Giovanni Boldini, 1842-1931, Italian but settled in Paris, had painted Sargent, his style being not dissimilar but more flowing. His 'homage' portrait of Whistler, now at Brooklyn, shows the artist in a striking but informal pose.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Das Mineralreich.

      Esslingen und München, J.F. Schreiber, 1912. - Unveränderter Neudruck. 4°. 2 Bl., 440 S., 6 S. Anzeigen. Mit 275Textillustr., 73 farb. Tafeln, 14 Lichtdrucktafeln und 4 Kunstdrucktafeln. OLn. mit Deckelbild. (Rücken etwas fleckig und leicht verblasst. Name auf Titelblatt. Die Anzeigenseiten oben mit einem schmalen Wasserrand. 1 bedrucktes Schutzblatt mit geklebten Einrissen). - Sonst sauber. [Attributes: Hard Cover]

      [Bookseller: Biblion Antiquariat]
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        Histoire des ménageries de l'antiquité à nos jours

      1912. Paris, Doin & Laurens, 1912. 3 volumes petit in/4 reliure demi-basane rouge, dos à nerfs et titre dorés, couvertures conservées, 60 planches hors-texte, 319 p., 392 p. & 559 p. Tome I : Antiquité, Moyen âge, Renaissance. Tome II : Temps moderne, XVII é et XVIIIé siècle. Tome III : Époque contemporaine, XIXé et XXé siècles. relié Bon état

      [Bookseller: Livres Anciens Lucas Philippe]
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        JUDAICA RUSSIAN AVANT-GARDE RACHEL KOGAN OIL PAINTING OHTA LENINGRAD SIGNED 1950

      JUDAICA RUSSIAN AVANT-GARDE RACHEL KOGAN, RUSSIAN-ISRAELI PAINTER OIL ON CANVAS PAINTING "OHTA LENINGRAD" SIGNED IN RUSSIAN ON FRONT SIDE AND ON REVERSE SIDE WITH NAME OF PAINTING DIMENSIONS: 61 x 51 cm. (24 x 20") 5 DENTS TO CANVAS TO RIGHT SIDE OF PAINTING FROM TOP TO BOTTOM - SEE PHOTOS Rachel Kogan was born in 1912 in Evpatoriya (Ukraine) to Jewish parents. She spent her childhood in Odessa, and studied at the Trade-Union Art School. In 1930 she entered the Odessa Art Institute and studied there for one year In 1931 the Kogan family moved to Leningrad and Rachel was transferred to the All -Russian Academy of Arts (the former St. Petersburg Imperial Arts Academy) to study painting. Her professors included Kordovsky, Shuchaev and Radlov. She received professional advice and support from Osmarkin and Petrov-Vodkin. In 1937 Rachel graduated from the Academy. In 1938 she was accepted to the Leningrad Department of the Artist's Union of the USSR and took part in all- Russian and Leningrad exhibitions. 1941-1944: During the war and the siege on Leningrad, Kogan was evacuated with her children to Siberia. She worked as an artist and decorated sets of children's plays as well as painted and created many compositions. In 1944 Kogan returned back to Leningrad and signed many contracts with the Artist Union as well as the Art Fund of the USSR. Her works survived the siege and the Nazi bombings, as they were stored in the basements of the Academy. 1949-1972: Kogan taught painting and was a Professor of Drawing at the Leningrad Institute of Monumental and Decorative Art which was named after Muchina. For much of her life she devoted herself to painting. Her works are in many USSR company collections and institutions all over Russia, such as the Sergei Kirov steel factory. In 1973 Kogan immigrated to Israel. Her works have been exhibited at: 1. The National, Republic and Leningrad exhibitions of the USSR Union of Artists (1938, 73, 75, 76 &78). 2. The Tel-Aviv Museum of Art (Russian Avant-Garde Revaluation 11.1988) 3. The Jerusalem Museum of ART (Propaganda and Vision- Soviet and Israeli Art 1930-1955 in 1997) 4. The Stadtische Kunsthalle Dusseldorf which introduced the international exhibition of European Art in the 30's (The "European conflict in the memory of the early Avant-Garde"10-12 1987). 5. The Bochum Museum (Avant-Garde Art in 1988) 6. Her works are part of many private collections all over the globe, including the Supreme Court of Israel (portraits of the formers presidents of the Supreme Court). 7. Israeli Museums (The Tel-Aviv Museum of Art, the Jerusalem Museum of Art) Rachel Kogan, a daughter of a Russian Revolution, was born in 1912 . She lived in a very sensational period politically and artistically. This period of time represented a transformation from Avant- Garde to Socialist Realism. The 1920's were known as a period of hunger, the 30's a period of fear and Stalinist Terror, the 40's a period of war and the 50's a period of somber. Rachel Kogan had the privilege to sense and record all of these important changes of Russian history and portray in her work. Fortunately, her works survived the siege and the Nazi bombings on Leningrad, as they were stored in the basements of the Academy. Rachel Kogan was not only a daughter of the Revolution, but also a victim of that Revolution. At the age of six she witnessed the pogroms of the Revolution in her native Ukraine. The emotional battering that Kogan was exposed to was so severe that through adolescence and early adult life she was unable to leave her room. Although she overcame her fears, these memories remained embedded in her mind. Kogan graduated from the Leningrad Academy of Art before World War II, when the academy was still considered one of the finest in Europe. Rachel Kogan, a Russian Jewish artist, is a kind of legend in the Russian art world. She began her work at the end of the Russian Avant-Gardes epoch and continued on to Socialist Realism. Rachel's focus switched to Modern Realism when she moved to Israel. She was a phenomenon as a Jewish female artist; one of the only in this period. In Russia, Stalin's terror against Russian Jews was on the rise. Jewish women that recorded socialist achievements in factories were extremely unusual. Kogan didn't even need the government's encouragement to go to the Sergei Kirov steel factories. She loved the atmosphere and was glad to set up her easel beside the workmen. She was a student of masters such as Kardovsky and Shukhayev. Once Rachel had been convinced of the universal necessity for serious academics, she began receiving advice and support from Osmerkin and Petrov-Vodkin. Guided in her artistic and pedagogical activities by Realistic tradition, Kogan's portraits, landscapes and numerous drawings bear the marks of professionalism and high graphic culture. The best of them present a solid argument in favor of the vast potential of the Realistic Method. Her landscapes and views of Leningrad, Siberia and Pereslavl, are full of lyricism and clear emotions. Every portrait has a sharp characteristic and her still-life engage with the beauty of their colors and shapes. It is evident that the rules and ideas of Soviet art contributed to establishing the artist's views, yet her art cannot be conveniently and rigidly framed within official realism. Rachel Kogan possessed a stable and whole personality that rejects any hint of dualism in opinions, actions, and art. This wholeness seems to have been built in her youth. The start of her creative life coincided with the end of the Russian Avant-Garde epoch. Her drawings bear witness to the fact that she was able to grapple with a wide spectrum of Russian international art - from Cubism to Suprematism. This ability did not wane over the years. It actually became a part of her creative method. Kogan's art reflects the naked truth of life. We may agree or disagree with the artist's opinions, but her firm position deserves our respect. Kogan's work is amazingly different from most Israeli artists, but seems to oppose only the modern art of Israel. Essentially, her works are a necessary component of the universal structure of the fine arts culture. They develop in a multitude of ways - not archaic but modern, yet based on solid classical traditions and professional studies. ЛенингÑ€ад Охта Leningrad Ohta ОХТА Так издавна называется обширная территория на берегах реки Большой Охты. Район Охты делится на две части: Большая Охта -- на правом берегу, Малая Охта -- на левом. Охта -- едва ли не самое старинное название в нашем городе. Первое упоминание о реке Охте встречается в Новгородской летописи под 1300 годом. Установить происхождение названия Охта нелегко. Многие историки задумывались над этим. Некоторые переводят это ижорско-финское слово как «закат», «запад»; другие считают, что река Охта значила по-фински «медвежья речка» (финны действительно часто прибегали в географических обозначениях к названиям животных, например Лосиный остров. Заячий остров. Кошачий остров и другие). Эти высказывания не имеют веских доказательств, они могут быть приняты лишь как гипотезы. С названием Охта связан ряд наименований: Большеохтинский и Среднеохтинский проспекты на Большой Охте, Малоохтинский проспект на Малой Охте. Большеохтинский и Малоохтинский проспекты так были наименованы в 1826 году, а Среднеохтинский проспект получил свое название в 1887 году

      [Bookseller: judaica-market]
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        RUSSLAND Handbuch Für Reisende

      Verlag Von Karl Baedeker, Leipzig 1912 - Front map professionally repaired. A very attractive copy; Mit 40 Karten, 67 Plänen und 11 Grundrissen ; 16mo 6" - 7" tall; 570 pages [Attributes: Hard Cover]

      [Bookseller: Complete Traveller Antiquarian Bookstore]
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        Bill The Minder.

      London: Constable & Co. Ltd,, 1912. Quarto (287 x 228 mm). Original vellum, titles and illustrations to spine and front cover gilt, top edge gilt, others untrimmed, renewed yellow silk ties. Illustrated title page, 16 colour plates with captioned tissue-guards, numerous monochrome illustrations in the text, all by W. Heath Robinson. Foxing to prelims and endmatter; an excellent copy. Signed limited edition, number 253 of 380 copies signed by the author and illustrator, who in this work "notably in the line drawings, surpassed himself" (ODNB). An uncommon copy of this richly illustrated work, with only ten copies traced at auction.

      [Bookseller: Peter Harrington]
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        Napoléon a Sainte-Hélène

      Goupil & Cie, Pars 1912 - 2 volumes in original illustrated wraps, slight wear along hinges and at tails of spines, else fine in the remains of a slipcase. Illustrated, slight offsetting to a few plates, but generally lovely and unmarked internally. First edition limited to 300, this #34. Size: 4to - over 9¾" - 12" tall. Quantity Available: 1. Shipped Weight: 2 lbs 0 oz. Category: History; Biography & Autobiography; Inventory No: 033122. [Attributes: First Edition; Soft Cover]

      [Bookseller: Pazzo Books (ABAA-ILAB)]
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        Playing Cards Captain Amundsen Discoverer of the South Pole

      London: Worshipful Company of Makers of Playing Cards, 1912. Undetermined. very good. Original dark green gilt stamped box (7 X 9.5 X 2.5 cm.) 52 player cards with gilt edges. Minor wear but overall in great condition. The box has somewhat more wear to the edges. Cards have a red border. very good I have been trying to find a set of these cards for over 10 years and finally acquired a set 4 years ago in the blue. The Worshipful Company of Makers of Playing Cards has been producing presentation packs and commemorative packs of cards since 1882. Each year they choose a different theme of which the Antarctic has been chosen twice. (see our other listing) the present example is extremely decorative and shows Amundsen and his crew at the South Pole. Each one of the cards shows the same scene with a normal image of the regular suit of cards on the obverse. The deck was issued in two colours both Blue and Red. The ace of spades shows the image of the Master of the Society, W.B.M. Bird as well. Complete decks along with the original box are very scarce even among card collectors. 1912

      [Bookseller: Aquila Books]
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        Avenei Gozis [Avney Gazit = Hewen Stones]

      [No publisher listed], 95 Logan Street, Pittsburg, Pennsylvania. U.S.A. 1912 - Wrappers detached and damaged at edges. Book block is in very good condition and of much better quality paper than the wrappers. [3], 100, [1] pages. [Attributes: Soft Cover]

      [Bookseller: Meir Turner]
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        BULGARIA ANTIQUE POSTER MANIFEST FERDINAND I WAR DECLARATION AGAINST TURKEY 1912

      BULGARIA ANTIQUE ORIGINAL POSTER, MANIFEST OF TSAR FERDINAND I WAR DECLARATION AGAINST TURKEY 1912 ON COATED PAPER SIZE: 113 x 81 cm. (44.4 x 31.8")   CONDITION SEE PHOTOS: AGE AND USE WEAR TEARS TO EDGES, SMALL HOLES,BENDS    Ferdinand I (26 February 1861 - 10 September 1948),[1] born Ferdinand Maximilian Karl Leopold Maria of Saxe-Coburg and Gotha, was the ruler of Bulgaria from 1887 to 1918, first as knyaz (prince regnant, 1887-1908) and later as tsar (1908-1918). He was also an author, botanist, entomologist and philatelist.   Like many other rulers before him, Ferdinand desired the creation of a "new Byzantium".[8] In 1912, Ferdinand joined the other Balkan states in an assault on the Ottoman Empire to free occupied territories. He saw this war as a new crusade declaring it, "a just, great and sacred struggle of the Cross against the Crescent."[9] Bulgaria contributed the most and also lost the greatest number of soldiers. The great powers insisted on the creation of an independent Albania.[3] Soon after, Bulgaria invaded its recent allies Serbia and Greece, before being attacked itself by Romania and the Ottoman Empire. Although Bulgaria was defeated, the 1913 Treaty of Bucharest granted the Kingdom some territorial gains. A tiny area of land giving access to the Aegean Sea was secured.[3

      [Bookseller: judaica-market]
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        Childhood

      New York: Thomas Y. Crowell, 1912. First edition. Hardcover. Verses by Burges Johnson and includes 21 tipped in photogravures. An about near fine copy in boards with a gravure mounted to the front panel that has some minor rubbing as well as some bumping to the bottom corners. A very nice copy of an uncommon book.

      [Bookseller: Jeff Hirsch Books, ABAA ]
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        La pensée de l'humanité

      1912. L'édition moderne, Paris 1912, 14x23cm, relié. - L'édition moderne, Paris 1912, 14x23cm, relié. - Prima edizione della traduzione Francese, Ely Halpérine-Kaminski. Binding metà marocco marrone con angoli, torna con cinque nervi e contenenti tracce di attrito, Golden Data coda marmorizzato piatti di carta, guardie e contreplats di carta fatta a mano, copre conservato, dorato, firmato il tempo di legame Pierson. autografo prezioso firmato Ely Halpérine-Kaminski: "In un primo momento il presidente Raymond Poincaré nel fedele e rispettosa devozione ..." copia piacevole e raro. [FRENCH VERSION FOLLOWS] Edition originale de la traduction française établie par Ely Halpérine-Kaminski. Reliure en demi maroquin marron à coins, dos à cinq nerfs et comportant quelques traces de frottements, date dorée en queue, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures conservées, tête dorée, reliure de l'époque signée de Pierson. Précieux envoi autographe signé d'Ely Halpérine-Kaminski : " Au cher Président Raymond Poincaré en fidèle et très respectueux dévouement..." Agréable et rare exemplaire.  

      [Bookseller: Librairie Feu Follet]
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        She Stoops to Conquer

      Hodder & Stoughton 1912 - This is copy #224 of the undated (1912) Hodder & Stoughton publication, limited to 350 copies, of Oliver Goldsmith's play, She Stoops to Conquer, signed by the illustrator Hugh Thomson on the copy page. The full vellum cover (12.5" x 10.25"), with extensive gold lettering and design, has smudges and light stains, but it is in good overall condition, with no prominent stains, and with the lettering clearly legible (see photo). The attachment to the inside is secure. There is slight curl from the spine to the outside edges. The inside (197 numbered pages) is very good. There is glue bleed-through to the first and last pages, and recurrent light stains, mostly handling smudges. to the borders. Most pages have no stains. The art and text are clean and unfaded. The twenty-five pasted in color illustrations are in fine condition — securely connected and with no fade, stains or tears. The binding is solid throughout, with no loose or missing pages. The gilt edge tops are faded but otherwise in good condition. There are no notable tears or creases. There are no stamps or other attachments. The only writing is the copy number and Thomson signature. The above photos are accurate reflections of the book conditions. International shipping would be by priority insured mail, with a shipping charge of $80.00. US shipping would also be by priority insured mail, with a shipping charge of $35.00. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: timelytales.com]
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        Das Neue Bild. NKVM. Veröffentlichungen der Neuen Künstlervereinigung München e. V., Text von Otto Fischer.

      München, Delphin-Verlag, MDCCCCXII 1912 - 29,8 x 24,5 cm 47 Seiten Text mit Textabbildungen, 36 schwarz-weiss Tafeln (mit Seidenhemdchen) mit Reproduktionen nach Arbeiten von Bechtejeff, Barrera-Bossi, Erbslöh, Girieud, Jawlensky, Kanoldt, Kogan, Mogilewsky und Werefkin. Grüner Original-Ganzlederband von Carl Sonntag jun. in Leipzig gebunden, signiert; Kopfgoldschnitt. Innen (auch die hauchdünnen und bedruckten Seidenhemdchen) in einem sehr guten Zustand, lediglich das dunkelgrüne Leder des Einbandes ist stark verblasst. Bolliger 1, 127. - Dok.-Bibl. I, 99; II, 190. - Perkins 136 a. - Spalek 233 und 638. - Jeweils die Normalausgabe in Halbpergament. Vorliegendes Exemplar mit der handschriftlich eingetragenen Nummer 3 von 12 nummerierten Exemplaren der Vorzugsausgabe. - Ausführliche Literatur: Wille, Hans: Das Neue Bild von Otto Fischer in: Der Blaue Reiter und Das Neue Bild. Von der >Neuen Künstlervereinigung MünchenBlauen Reiter<, herausgegeben von Annegret Hoberg und Helmut Friedel, Ausstellung in der Städtischen Galerie im Lenbachhaus München vom 2. Juli - 3. Oktober 1999, Seite 321ff. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Stader Kunst-Buch-Kabinett]
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        Parsifal, or the Legend of the Holy Grail retold from Antient Sources with acknowledgement to the "Parsifal" of of Richard Wagner, by T. W. Rolleston. Presented by Willy Pogány

      London: G. G. Harrap & Co, 1912. First edition. Hardcover. Very good. 4to. Finely illustrated throughout in color and with 16 tipped-in color plates by Willy Pogány. Gray cloth decorated in gilt on the spine, and gilt and color on the upper board. Decorated endpapers. Light wear to the boards, especially the edges and spine tips, two plates with corner creases, else this is a very good copy of one of the four works known as Pogány's masterpieces.

      [Bookseller: Thorn Books]
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        Parsifal, or the Legend of the Holy Grail retold from Antient Sources with acknowledgement to the "Parsifal" of of Richard Wagner, by T. W. Rolleston. Presented by Willy Pogány

      London: G. G. Harrap & Co. 1912. 4to. Finely illustrated throughout in color and with 16 tipped-in color plates by Willy Pogány. Gray cloth decorated in gilt on the spine, and gilt and color on the upper board. Decorated endpapers. Light wear to the boards, especially the edges and spine tips, two plates with corner creases, else this is a very good copy of one of the four works known as Pogány's masterpieces. Very good.

      [Bookseller: Thorn Books, ABAA]
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        Parsifal, or the Legend of the Holy Grail retold from Antient Sources with acknowledgement to the "Parsifal" of of Richard Wagner, by T. W. Rolleston. Presented by Willy Pogány

      London: G. G. Harrap & Co, 1912. First edition. Hardcover. Very good. 4to. Finely illustrated throughout in color and with 16 tipped-in color plates by Willy Pogány. Gray cloth decorated in gilt on the spine, and gilt and color on the upper board. Decorated endpapers. Light wear to the boards, especially the edges and spine tips, two plates with corner creases, else this is a very good copy of one of the four works known as Pogány's masterpieces.

      [Bookseller: Thorn Books]
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        The House of Pride and Other Tales of Hawaii

      New York: The Macmillan Company, 1912. First Edition. Collection of six stories set in the Hawaiian islands. BAL 11936. First Printing. Octavo; publisher's green 'S' cloth, with titling and decorations stamped in white, black and dark blue on spine and front panel; 232pp, [6] ads; illustrated frontispiece in black and white. Top edge slightly dusty, extremities lightly rubbed, as is the periphery of the front panel decorations; white portions of spine decorations present, though the blue portions are rubbed off completely; Very Good+.

      [Bookseller: Lorne Bair Rare Books ]
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        Collected Verse of Rudyard Kipling

      London: Hodder & Stoughton, 1912. Signed limited first edition, edition de luxe, printed on Japanese vellum, one of hundred numbered copies, this is number 35. Quarto, bound in full calf, gilt titles and tooling to the spine, front and rear panels. In very good condition with light rubbing and wear. Rudyard Kipling was the celebrated author of classic poems such as "Mandalay," "Gunga Din," "Recessional" and "The White Man's Burden," Kipling won the Nobel Prize for Literature in 1907. "The family and the Empire were the poles about which his genius turned" (DNB).

      [Bookseller: Raptis Rare Books]
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        The Albee Alumni: A History of the Eleven Years of the Edward F. Albee Stock Co

      Providence, Rhode Island: Edward F. Albee. Good. 1912. Soft Cover. 4to - 26.5 x 17 cm; 197 pp. After the Introduction by the noted dramatic authority, Briscoe, there is a brief introduction by the author (The Girl Behind the Pen) followed by a yearly report of each season and lots of photos of cast members. The book concludes with the "Casts of the Plays Given by the Albee Stock Company, Seasons 1901-1911". There was a new play each week, from April thru August, at Keith's Theatre, Providence, Rhode Island, so this list is quite extensive. A former owner of this book has written the plays that were presented from 1912 to 1920, in pencil, on back blank pages, the back cover and a laid-in sheet of paper. Albee and B. F. Keith were partners, owning and managing several theatres on the East coast. They strove to promote "polite" vaudeville, forbidding crude remarks and risque costumes, even tried to prohibit rudeness from the audience. In 1906 they established the United Booking Office, in the 1920's they merged with a western chain of theatres to become the KAO (Keith-Albee-Orpheum) circuit, and 1928 found them selling a large amount of their stock to Joseph P. Kennedy's Radio Corporation of America (RCA), establishing the RKO (Radio-Keith-Orpheum). This book concerns the summer stock program Albee started in 1901, rather than closing the theatre for the summer as in past years. Plays were performed each week from broad farce to heavy tragedy and there was a slogan among the actors to the effect "An Albee engagement is the 'open sesame' to Broadway". (This according to Briscoe's introduction). The brown card stock cover with darker brown design and lettering is detached from the text, quite chipped on the yapped edges and missing a part of the spine section; the main body of the front cover is intact with some soiling, the back cover piece has a water stain and the penciled listing of plays. The body of the text is in good shape with some minor damage to a few page edges and two back pages which have been water stained; there are a few bits of marginalia in pencil besides the aforementioned play listing and some very minor soiling. Binding is flat stapled. .

      [Bookseller: Pilgrim Reader Books - IOBA]
 21.   Check availability:     Biblio     Link/Print  


        The Prince and Betty

      J. Watt, New York 1912 - A very bright and crisp copy. Previous owner signature on the front free endpaper. The corners are perfect and the book is very tight and solid. Published 14 February 1912 which makes this the true first edition. Original black cloth with two oval color illustrated portraits of a man and a woman. [Attributes: First Edition; Hard Cover]

      [Bookseller: First Place Books]
 22.   Check availability:     AbeBooks     Link/Print  


        A Man of Honour: A Tragedy in Five Acts

      Chicago: The Dramatic Publishing Company. (1912 - with the rubberstamped 1903 copyright notice on the titlepage that has erroneously led others to conclude that 1903 is the publication date). First. First American edition (500 copies printed from the sheets of the English edition with a new preface and title page). 16mo. Printed wrappers. Front cover with rubberstamped cancel price of "75 cents" over the printed "50 cents" price. The front cover has a sticker removed from the front wrap and the corner of the half-title is a little clipped, else a fine and fresh, very bright copy. A beautiful copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 23.   Check availability:     IOBABooks     Link/Print  


        Price List of Mounted Specimens for Museums [caption title]

      London: Rowland Ward, 1912. Price list. Four different examples of this publication from Rowland Ward [two with the title above, one from 1904 with the caption title "Stuffed Animals: Museum Specimens (All Mounted in Standing Positions)," and one from 1912 with the caption title "Price List of Mounted Specimens for Museums"]. 4to. The lists vary from three to ten pages [rectos only], two include a full page illustration of a stuffed elephant (one torn), three include a Rowland Ward decorated cover sheet. Animals from Africa predominate, but there are also specimens from India, Asia, Europe, North and South America, and Australia; prices seem to top out at $500 for an African elephant (typically an entry would include common name of the animal, its genus and species, its sex, country of origin, and price). Apparently none of these lists are located on OCLC. Folded for mailing, one with a receipt stamp, two with ink docketing. Very good lot of scarce Rowland Ward ephemera. Brad-bound in an upper corner. (#7966).

      [Bookseller: Bartlebys Books]
 24.   Check availability:     Biblio     Link/Print  


        De Re Metallica; Translated from the First Latin Edition of 1556 with Biographical Introduction, Annotations and Appendices upon the Development of Mining Methods, Metallurgical Processes, Geology, Mineralogy & Mining Law from the Earliest Times to the 16th Century

      London: The Mining Magazine, 1912. Undetermined. very good. 1st thus. xxxi, 640pp. Folio. Bound in original full vellum; black lettering and decorations stamped to spine with raised bands. All edges untrimmed. Some soiling to front board, especially near the spine. Minor foxing throughout. Overall, a tight, presentable copy. very good The first English translation of this thorough study on early mining and metallurgical processes. Profusely illustrated throughout the text, based on the woodcuts from the original edition. Preface and biographical notes from the translators, Herbert Clark Hoover, and his wife, Lou Henry Hoover. A fascimilie of the original title page is also included. A rare, attractive book. 1912

      [Bookseller: Aquila Books]
 25.   Check availability:     Biblio     Link/Print  


        Grand Tour Photograph Albums of Europe

      1912. Very Good. Hardcover. Five albums containing over 200 original silver gelatin photographs. Brown cloth albums in good condition with some rubbing and spine tears, and containing numbered spine labels. Hinges weak. Each album contains 12 leaves with photos mounted two to a page within windows. The photographs are in very good to fine condition and of generally very good quality. Many are labeled with locations. The set is from an American family doing the Grand Tour of Europe, visiting Holland, Germany, Italy, France, England, Switzerland, and Austria. From the automobiles and prewar scenery the date is around 1912. The side trips seem to have been by carriage, and many shots in the first album are of steamship travel to Liverpool. The photos convey a very romantic vacation view of what once was, from scenic shots of the Matterhorn's alpine glaciers to all the beautiful cities that were later bombed. People shots include women hiking in long skirts in the mountains, children petting animals at a zoo, and ship passengers. ; B&W Photographs; 8vo - over 7¾ - 9¾" tall .

      [Bookseller: Back of Beyond Books, ABAA ]
 26.   Check availability:     ABAA     Link/Print  


        Orlando und Angelica Ein Puppenspiel in Zehn Akten [adapted from Orlando Furioso]

      Berlin: Paul Cassirer, 1912. First edition. Illustrated with 70 lithographs in all, including 10 full-page color, by Erich Klossowski. [8], 133, [2] pp. 1 vols. Large 4to (15 x 12 inches). In a publisher's binding of full soft violet calf, upper cover lettered in gilt within decorative frames and borders, spine gilt-lettered, rear cover stamped with central gilt medallion, and color lithographed endpapers by Klossowski. Spines a bit faded and edges rubbed, text a bit soiled here and there, a few stains on covers front and rear, but overall a very attractive copy otherwise of this striking and wonderfully illustrated book, in what seems clearly to be a deluxe state. First edition. Illustrated with 70 lithographs in all, including 10 full-page color, by Erich Klossowski. [8], 133, [2] pp. 1 vols. Large 4to (15 x 12 inches).

      [Bookseller: James Cummins Bookseller]
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        Wehman Bros.' Bartenders' Guide, How To Mix Drinks

      Wehman Bros. New York (1912) - Presumed First Edition. Original illustrated wrappers, 91 numbered pages of cocktail recipes bound with 32 pages of toasts. Uncommon cocktail book designed like a dime novel and likely intended for the same audience. Good, horizontal crack at mid spine (does not seem to effect pages, just spine paper), some creases and short closed tears at edges. [Attributes: First Edition; Soft Cover]

      [Bookseller: Babylon Revisited Rare Books]
 28.   Check availability:     AbeBooks     Link/Print  


        Orlando und Angelica. Ein Puppenspiel in Zehn Akten [adapted from Orlando Furioso]

      Paul Cassirer, Berlin 1912 - First edition. Illustrated with 70 lithographs in all, including 10 full-page color, by Erich Klossowski. [8], 133, [2] pp. 1 vols. Large 4to (15 x 12 inches). In a publisher's binding of full soft violet calf, upper cover lettered in gilt within decorative frames and borders, spine gilt-lettered, rear cover stamped with central gilt medallion, and color lithographed endpapers by Klossowski. Spines a bit faded and edges rubbed, text a bit soiled here and there, a few stains on covers front and rear, but overall a very attractive copy otherwise of this striking and wonderfully illustrated book, in what seems clearly to be a deluxe state Illustrated with 70 lithographs in all, including 10 full-page color, by Erich Klossowski. [8], 133, [2] pp. 1 vols. Large 4to (15 x 12 inches) [Attributes: First Edition]

      [Bookseller: James Cummins Bookseller, ABAA]
 29.   Check availability:     AbeBooks     Link/Print  


        V. OLYMPIADEN. Olympiska spelen i Stockholm 1912 i bild och ord. [V or 5th Olympiad] [The 1912 Olympic Games at Stockholm in pictures and word].

      Goteborg, Sweden: Ahlen & Akerlund, 1912. 526 pages of text. Original hardcover suede binding with moderate to heavy wear to spine extremities, and light shelfwear elsewhere. Illustrated with hundreds of black & white photographs. Text printed in black and red. A few tiny spots of staining to top edge of closed pages. 2500 numbered and registered copies published, of which this in number 1328, registered to a Mr. F. A. Larson of Chicago. Larson was the owner and publisher of the Swedish weekly "Svenska Amerikanaren." Text is written in Swedish, English, German and French. Text is remarkably clean. Athletics, Athletes, Competition, Competitive Events.. First Edition. Hardcover. Very good condition. Oblong octavo (8vo).

      [Bookseller: Kurt Gippert Bookseller (ABAA)]
 30.   Check availability:     Biblio     Link/Print  


        

      Kyoto. Yamada Naosaburo. 明治45. [1912]. Complete 15 volume set. Profuse woodblock illustrations by Hokusai throughout on folded leaves. Japanese 4 hole stab binding, string ties on one volume loosening but still sound, lower and occasional upper edges of covers little damp stained, though staining is only really visible on the pastedowns and has not affected the leaves of the volumes themselves. The attractive black, grey and pale pink images of a huge range of aspects of life are clean. Original case faded and worn, insect damage to paper lining on the inside of the case, a little damage to the title label on the upper flap. A good set of a classic work. The thirteen volumes which make up this classic work are a collection of sketches covering a wide variety of subjects including everyday life in Edo Japan, supernatural beings, landscapes and a range of natural history subjects. The sketches are not connected with each other but are a selection of thousands of images by Hokusai. In recent years art historians have come to believe that the sketches in the final volume are not Hokusai's own work but rather a collection of works of other artists but there is no doubt that the first twelve volumes are the work of Hokusai."It is probably true to say that Hokusai's reputation in the West was made by this endlessly inventive series of picture-books, thirteen volumes of which were published during his lifetime." (Jack Hillier and Lawrence Smith - Japanese Prints 300 Years of Albums and Books).A good complete set of this classic work. (When referring to this item please quote stockid 155584).

      [Bookseller: Asia Bookroom]
 31.   Check availability:     Direct From Seller     Link/Print  


        PHOTOGRAPH ***Signed***

      Los Angeles, California - Charming 8" X 10" photographic image of Walt Disney's animated film "Snow Whit and the Seven Dwarfs" personally inscribed by Ollie Johnston.The photo is inscribed" To Mike, Candy, Laura and Sarah with best wishes - Ollie Johnston" in black ink. Animator Ollie Johnston infused an unusual level of warmth and heartfelt emotion into his Disney characters. As lifelong friend and fellow animator Frank Thomas recalled, "Ollie was the only one of the Studio animators who was sensitive to character relationships and how they affected story," explained Frank -- "Back then cartoon characters seldom touched unless they hit each other. But one day Ollie said, 'You know, the act of two people holding hands communicates in a powerful way.' And he was right. His warmth made a difference in so many of our characters." Indeed, Ollie animated such memorable friendships as that of Baloo and Mowgli in "The Jungle Book" and the sycophantic relationship shared by Sir Hiss and Prince John in "Robin Hood." And he valued his own relationship with the characters he animated, including Thumper in "Bambi," Mr. Smee in "Peter Pan" and the trio of fanciful fairies in "Sleeping Beauty." Ollie says, "They were all good friends, whom I remember fondly." Born in Palo Alto, California, on October 31, 1912, Ollie attended grammar school on the campus of Stanford University, where his father served as professor of romance languages. After graduating from Palo Alto High School, he returned to Stanford and spent his last year of study at Chouinard Art Institute in Los Angeles. On January 21, 1935, Ollie joined The Walt Disney Studios as an apprentice animator, working on such early Disney shorts as "Mickey's Garden" and "The Tortoise and the Hare," which won an Academy Award for Best Cartoon. He went on to work as animator and directing animator on more than 24 feature films including, "Snow White and the Seven Dwarfs," "Fantasia," "Song of the South," "Cinderella," "Alice in Wonderland," "Lady and the Tramp," and "Sleeping Beauty," among others. An avid train enthusiast, in his spare time, Ollie created a backyard railroad at his home and was instrumental in helping stir Walt Disney's own personal interest in trains. After 43 years with the Studio, Ollie retired in 1978. He went on to co-author four books with Frank Thomas beginning with the definitive "Disney Animation: The Illusion of Life," followed by "Too Funny For Words," "Walt Disney's Bambi: The Story and the Film," and "The Disney Villain." [Attributes: Signed Copy]

      [Bookseller: Legends In History]
 32.   Check availability:     AbeBooks     Link/Print  


        The Rubaiyat of Omar Khayyam Translated into English by Edward Fitzgerald with Illustrations Photographed from Life Studies by Adelaide Hanscom & Blanche Cumming

      1912. Collectible. First Edition, thus. Near Fine to Fine. No inscriptions or book plates. With Illustrations from Life Studies by Adelaide Hanscom and Blanche Cumming. Omar Khayyam was a Persian mathematician, astronomer, philosophy, and, most notably, poet, who lived from 1048-1131. This beautiful book was translated into English verse by Edward Fitzgerald, who is considered the principal authority on Khayyam's poetry. Enhanced with twenty-eight exquisite double-mounted photos of watercolours of 'Persian life-studies', protected by glassine guards. Photos tipped-in to grey matt card which are likewise tipped-in to the parchment. Embossed Art Nouveau design & lettering to the front board depicts a grapevine..."A Book of Verses underneath the Bough, a jug of Wine, a Loaf of Bread and Thou...." Headpieces adorn each page of the Fitzgerald text. Hanscom, one of the leading US women photographers of the era, used as her models Joaquin Miller, George Sterling & George James. Costumes by Orlof Orlow, who also consulted on Persian symbolism. Embossed tan leather binding has gilt at head; marbled endpapers; hinges absolutely sound; internally clean & beautifully preserved; magnificent illustrations; deckled pages, one page with nick from when pages were originally cut. Leather shows only minimal wear, a touch rubbed at spine and corners. A lovely book. Truly one for the collector. More photos available on request.

      [Bookseller: The Stray Dog Booksellers]
 33.   Check availability:     Biblio     Link/Print  


        The Stage in the Twentieth Century: Third Volume

      New York: Broadway Publishing Co.. Near Fine in Very Good dj. 1912. First Edition. Hardcover. NOISBN . [beautiful copy of the book itself, with firm binding, strong gilt lettering on front cover and spine, just minimal wear to the extremities; the jacket, rarely seen on this book, has some chipping, mostly at or near the corners, some moderate soiling and fading, and a few old internal tape-marks from long-ago repairs of several short closed tears]. (B&W photographic plates) A "profusely illustrated" survey of the theatrical world of the day, discussing "tendencies, developments and possibilities of the theatre" -- with "theatre" in this case defined quite broadly, to include not just the legitimate stage but also vaudeville, opera, movies and even recorded sound. As the author explained in an introductory note, "science and invention have made rapid strides in their encroachment on the realm of Thespis, and the part now being played by the phonograph, the player piano, and the various phases of development of the irresistible moving picture in contributing to the entertainment of the public, is too important to be ignored in a work of this character." There are mentions of the impact of filmed entertainment sprinkled throughout the text, and all of Chapter VII is given over to a discussion of the exploits and successes of many of the leading figures of the early film industry, which was just then poised to begin the expansion from one- and two-reelers to feature films. (Just two years later, in fact, Grau would come out with "The Theatre of Science," a similarly hefty tome devoted exclusively to the movies.) Most of the photographs in this volume are portraits of prominent individuals, mostly off-stage figures such as producers, managers, playwrights, etc., although a number of performers are also pictured. Anticipating a currently-popular feature of the annual Academy Awards telecast, there's even an "In Memoriam" section containing "tributes to celebrities who have passed on." .

      [Bookseller: ReadInk]
 34.   Check availability:     IOBABooks     Link/Print  


        Tragedy of Romeo and Juliet. With illustrations by W. Hatherell.

      London: Hodder & Stoughton, [1912] - Quarto (280 x 225 mm). Original vellum, titles to spine and front cover gilt, illustration to front cover gilt, top edge gilt, others untrimmed, silk ties renewed. Bookseller's ticket to foot of front free endpaper. Boards slightly bowed, tiny mark to front panel; an excellent copy. Illustrated title page in green and black. Colour frontispiece and 21 further colour plates tipped in to gilt frames, black and white illustrations to text. First Hatherell edition, signed limited issue. Number 247 of 250 copies signed by the artist. [Attributes: Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
 35.   Check availability:     ZVAB     Link/Print  


        Billy Popgun

      Boston: Houghton, Mifflin & Co, 1912. Limited numbered edition, 328 of 350. With colour frontispiece and 8 mounted colour plates with tissue guards, pictorial endpapers. 61, [1] pp. 1 vols. 4to. Original gilt lettered & decorated vellum-backed brown boards.; moderate edge wear and some soiling to spine. Limited numbered edition, 328 of 350. With colour frontispiece and 8 mounted colour plates with tissue guards, pictorial endpapers. 61, [1] pp. 1 vols. 4to.

      [Bookseller: James Cummins Bookseller]
 36.   Check availability:     Biblio     Link/Print  


        Franz von Bayros: Die Malerin (Originalzeichnung)

      1912 - Tusche (Feder und Pinsel) über Bleistift auf Karton 47 x 39 cm (Blatt); 30 x 29 cm (Darstellung) Rechts unten signiert und bezeichnet: &#132;Choisy le Conin / &#132;OH! DU-U-U!!&#147; / - Die Malerin - Veröffentlicht: Bilder aus dem Boudoir der Madame CC. Mappenwerk mit 30 Zeichnungen von Choisy le Conin (d.i. Franz von Bayros). München 1912 (Privatdruck). Biografie Franz von Bayros (1866 Zagreb - 1924 Wien) Nach dem Studium an den Kunstakademien in Wien und München lässt sich Franz von Bayros 1890 in Wien nieder. Gesellschaftliche Verbindungen verschaffen dem einer alten österreichischen Adelsfamilie entstammenden Künstler zahlreiche Porträtaufträge, doch findet seine Karriere auf diesem Gebiet ein jähes Ende, nachdem er sich 1896 in schwerem Zerwürfnis von der Stieftochter des Komponisten Johann Strauß scheiden lässt. Um dem Bannstrahl der übermächtigen Schwiegerfamilie zu entkommen, zieht Bayros nach München, wo er sich als Entwerfer eleganter Exlibris-Zeichnungen sowie Illustrator erotischer Bücher und Mappenwerke einen Namen macht. Ein 1911 gegen ihn angestrengter Sittlichkeitsprozess zwingt ihn seine bayerische Wahlheimat zu verlassen und nach Wien zurückzukehren, wo er nicht mehr an seine Erfolge der Münchner Jahre anknüpfen kann. Im Mittelpunkt von Bayros&#145; Schaffen steht das Bild der aufreizend schönen Frau, das vom unschuldigen Backfisch bis zum männermordenden Vamp reicht. Obwohl die Vorliebe des Künstlers für das Pikante und Frivole allgegenwärtig ist, geraten seine ornamental verspielten Zeichnungen und Aquarelle nie zur einseitigen Projektionsfläche erotischer Männerphantasien. Vielmehr erscheint die mal in überbordenden Kostümen des Rokokozeitalters, mal im modischen Kleidungsstil der Belle Epoque dargestellte Frau dank eines ausgeprägten Sinns für Eleganz und Ästhetik sowie Satire und Ironie in der Rolle der überlegenen Verführerin. Diese Wirkung wird durch das zarte Linienspiel, die virtuose Laviertechnik und das stupende Kompositionsvermögen des Künstlers zusätzlich unterstrichen. Bayros' Zeichnungen verkörpern damit par excellence das mondän-dekadente Frauenbild des Fin-de-siècle. [Attributes: Signed Copy]

      [Bookseller: Kunkel Fine Art]
 37.   Check availability:     ZVAB     Link/Print  


        Das Zweite Internationale Schachturnier in Karlsbad 1911

      Potsdam: A Stein's Verlagsbuchhandlung, 1912 2 volumes in 1: 192 pages with frontispiece, plates, diagrams and tables; 192 pages with frontispiece, diagrams and index. Royal octavo (9 1/2" x 6 1/2") bound in half blue cloth with gilt lettering to spine. (Bibliotheca Van der Linde-Niemeijeriana:5302) First edition.Carlsbad 1911 has emerged as one of the truly memorable tournaments of chess history. It was a strong, single round-robin duel to the death which required 25 rounds and five weeks to complete. A total of 325 games was played. An indication of Carlsbad's popularity as an international chess mecca is that the organizing committee headed by Victor Tietz received more than 40 applications to play. A number of well known masters, however, were absent from the fray - among them Lasker, Tarrasch, Marcoczy, Capablanca, Bernstein and Janowski. By the end of the seventh round Schlechter led Teichmann by two full points - followed closely by Rubinstein, Suchting, Marshall, Jaffe and Burn, all bunched together with 4 1/2. The throng of onlookers were hardly prepared for the surprises of the eighth and ninth rounds. The streaking Schlechter suddenly stumbled - losing a minor-piece ending to the newcomer Rotlevi. A second successive loss followed at the hands Duras. Schlechter regained his winning stride the following round with a spectacular sacrificial victory over Leonhardt. At the end of 13 rounds he still led the closely pursuing Teichmann by half a point, 10 to 9 1/2. Schlechter's draw against Vidmar in the next round, coupled with Teichmann's win over Tartakower, deadlocked the pair at 10 1/2 each. The issued was decided in the 18th round when the two front-runners clashed. Teichmann devised a handsome sacrificial victory to augment a lead he was never to relinquish. (Goldman:Schlechter! Caissa Editions)Condition:Extremities rubbed, corners bumped and rubbed through, back head hing cracked, shelf wear, else a good to very good copy of a scarce tournament book.

      [Bookseller: The Book Collector]
 38.   Check availability:     Biblio     Link/Print  


        Handbuch der Architektur (sechzehn Bände zusammen wie aufgelistet)

      alle Bände sind gut bis sehr gut erhalten, bei zwei Bänden fehlt ein Blatt der Titelei die neun übrigen Bände sind mit sehr gut zu bezeichnen die Bände wie folgtErster Teil. Allgemeine Hochbaukunde, 5. Band. Die Bauausführung, zweite Auflage, 1912, Leipzig, Gebhardt *** Zweiter Theil. Die Baustile, 1. Band. Die Baukunst der Griechen, zweite Auflage, 1892, Darmstadt, Bergsträsser *** Zweiter Theil. Die Baustile, 3. Band, erste Hälfte. Die Ausgänge der classischen Baukunst, erste Auflage, 1886, Darmstadt, Bergsträsser *** Zweiter Teil. Die Baustile, 4. Band. Die Romanische und die Gotische Baukunst, 4. Heft. Einzelheiten des Kirchenbaus, 2. neubearbeitete Auflage, 1927, Leipzig, Gebhardt *** Zweiter Teil. Die Baustile, 5. Band. Die Baukunst der Renaissance in Italien, zweite Auflage, 1914, Leipzig, Gebhardt *** Dritter Theil. Die Hochbau-Constructionen, 2. Band. Raumbegrenzende Constructionen, 2. Heft. Einfriedungen, erste Auflage, 1891, Darmstadt, Bergsträsser *** Dritter Theil. Die Hochbau-Constructionen, 6. Band. Sicherungen gegen Einbruch, -, zweite Auflage, 1891, Darmstadt, Bergsträsser *** Vierter Teil. Entwerfen, Anlage und Einrichtung der Gebäude, 1. Halbband. Architektonische Komposition, vierte Auflage, 1926, Leipzig, Gebhardt *** Vierter Teil. Entwerfen, Anlage und Einrichtung der Gebäude, 2. Halbband. Gebäude für die Zwecke des Wohnens, des Handels und Verkehrs, 1. Heft. Wohnhäuser, zweite Auflage, 1927, Leipzig, Gebhardt *** Vierter Teil. Entwerfen, Anlage und Einrichtung der Gebäude, 2. Halbband. Gebäude für die Zwecke des Wohnens, des Handels und Verkehrs, 2. Heft. Geschäfts- und Kaufhäuser, Warenhäuser, zweite Auflage, 1923, Leipzig, Gebhardt *** Vierter Teil. Entwerfen, Anlage und Einrichtung der Gebäude, 4. Halb-Band. Gebäude für Erholungs- und Vereinszwecke, erste Auflage, 1885, Darmstadt, Diehl Bergsträsser *** Vierter Teil. Entwerfen, Anlage und Einrichtung der Gebäude, 4. Halb-Band. Gebäude für Erholungs- und Vereinszwecke, 2. Heft. Baulichkeiten für die Cur- und Badeorte, zweite Auflage, 1894, Darmstadt, Bergsträsser *** Vierter Teil. Entwerfen, Anlage und Einrichtung der Gebäude, 5. Halbband. Gebäude für Heil- und sonstige Wohlfahrts-Anstalten, 3. Heft. Bade- und Schwimmanstalten, zweite Auflage, 1921, Leipzig, Gebhardt *** Vierter Teil. Entwerfen, Anlage und Einrichtung der Gebäude, 7. Halb-Band. Gebäude für Verwaltung, erste Auflage, 1887, Darmstadt, Bergsträsser *** Vierter Teil. Entwerfen, Anlage und Einrichtung der Gebäude, 9. Halbband. Der Städtebau, dritte Auflage, 1924, Leipzig, Gebhardt *** Vierter Teil. Entwerfen, Anlage und Einrichtung der Gebäude, 10. Halbband, zweite Auflage, 1910, Leipzig, Kröner bitte fragen Sie an, wenn Sie einen einzelnen Band möchten

      [Bookseller: Antiquariat Bernhard]
 39.   Check availability:     booklooker.de     Link/Print  


        Black Beauty

      London: Jarrolds Publishers Limited,, [1912]. The autobiography of a horse. Illustrated by eighteen plates in colour, specially drawn for this edition by Cecil Aldin. Octavo. Finely bound by the Chelsea Bindery in dark green morocco, titles and decoration to spine gilt, raised bands, single rule to boards, pictorial onlay of Black Beauty to front, twin rule to turn-ins gilt, floral endpapers, gilt edges. With colour illustrations. A fine copy. First Aldin edition.

      [Bookseller: Peter Harrington]
 40.   Check availability:     Biblio     Link/Print  


        Black Beauty. The autobiography of a horse. Illustrated by eighteen plates in colour, specially drawn for this edition by Cecil Aldin.

      London: Jarrolds Publishers Limited, [1912] - Octavo. Finely bound by the Chelsea Bindery in dark green morocco, titles and decoration to spine gilt, raised bands, single rule to boards, pictorial onlay of Black Beauty to front, twin rule to turn-ins gilt, floral endpapers, gilt edges. A fine copy. With colour illustrations. First Aldin edition. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Midnight at Mears House: A Detective Story

      Dodd, Mead and Co, New York 1912 - The 1912 1st edition, IN THE UNCOMMON PICTORIAL DUSTJACKET. Solid and VG+ in a bright, VG dustjacket, with light wear at the spine and rear panel edges. 12mo, 337 pgs. A crisp example of the dramatic 1912 dustjacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: APPLEDORE BOOKS, ABAA]
 42.   Check availability:     AbeBooks     Link/Print  

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