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Displayed below are some selected recent viaLibri matches for books published in 1911

        Storia dell'arte italiana. VII. La pittura del Quattrocento.

      Hoepli,, Milano, 1911 - Quattro volumi di cm. 23, pp. 4.204 complessive. Con 2861 illustrazioni. Legatura d'amatore in mezza pergamena con punte, dorsi a nervi con titoli in oro su doppi tasselli, tagli di testa colorati. Bross. orig. ill. da Cisari conservate. Ottima conservazione. Collana "Storia dell'arte italiana". Si tratta dell'intera sezione dedicata alla pittura del Quattrocento. Opera universalmente reputata come uno dei migliori strumenti per la conoscenza dell'arte italiana, ancor'oggi insostituibile e d'approccio attualissimo. Non comune, soprattutto in tale stato di conservazione e munita di una solida legatura che ben si adatta alla consultazione dell'opera. [Attributes: Soft Cover]

      [Bookseller: Studio Bibliografico Benacense]
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        ADVENTURE

      1911 - [inscribed to his doctor] New York: The Macmillan Company, 1911. 8 pp undated ads. Original dark blue cloth pictorially decorated in cream and blue-grey. First American Edition, published about a month after Nelson's British one. London wrote this during the worst days of his 1907-1909 cruise of the "Snark," after he had interrupted the voyage to return to San Francisco to settle financial crises (and to discourage his ex-wife from remarrying). Back on the "Snark," his body became wracked with problems -- malaria, yellow fever, "the Solomon yaws," psoriasis, and, perhaps worst for his ego, hemorrhoids so bad Charmian had to treat them with olive oil.~His elbows were becoming silvery like a leper's, and his hands were swelling to the size of boxing gloves as their skin fell away, layer after layer. It was a tribute to his courage that he managed to start a new novel, ADVENTURE, while he was waiting [at Guadalcanal] for the steamer to take him and Charmian to hospital in Sydney.~ADVENTURE is his worst novel, written at the time of his greatest physical agony and public humiliation. Underlying a romance of the Solomon Islands between an English plantation owner and an American girl was a dark story of disease and sadism, a horror of the flesh and its torments. [Sinclair]~Once in Sydney, Jack was hospitalized and was then maintained as an outpatient for five months. In addition to surgery on double rectal fistulas, his case of yaws was treated with arsenic (leaving troughs in his skin): this arsenic, combined with mercury he had probably received earlier for gonorrhea (a condition Bess had cited in her divorce petition), would soon attack his kidneys, brain and nervous system.~This is a fine copy of this attractively-bound book (a decorative trade binding signed "G.H."), very slightly rubbed at the extremities. Sisson & Martens p. 56; Blanck 11928.~The front free endpaper bears an inked presentation inscription signed by the author, "To Dr. W. S. Porter | Jack London | July 29, 1913." It was in the summer of 1913 that Dr. Porter of Oakland became Jack's personal physician,~warning Jack that he would die of kidney failure if he did not stop drinking, give up raw fish and meat, and start exercising and losing weight. Jack ignored the advice and went on drinking, gobbling underdone duck, and avoiding exercise. To him, the chief merit of his new doctor was that he could now get increasing supplies of the opiates he had first begun taking in the Solomon Islands. From this time forward, morphine and heroin began to replace alcohol as analgesics for his white nights. [Sinclair]~When, on 22 November 1916, Jack lay dying of an apparent morphine overdose (according to the local doctor who first arrived), Dr. Porter would be summoned -- too late; he and a third doctor conferred about the cause of death, and chose to attribute it solely to kidney failure -- which precluded an inquest or autopsy, or questions as to how Jack had gotten the morphine. Jack's body, and the morphine in it, were quickly cremated. It is Porter's signature that appears on the death certificate. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Sumner & Stillman [ABAA]]
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        Tessiner Landschaft. Oel a. Leinwand.

      1911 1911 - 100 x 90 cm, gerahmt, 115 x 105 cm, Rahmen minimal lädiert. Rückseitig gestempelt: Zoll II. 29. Handschriftliche Notiz a. Rahmen: 2. Sommer 5000 gr.

      [Bookseller: antiquariat peter petrej]
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        Plastic and cosmetic surgery.

      New York, 1911 - . XXI,511 p., illustrations, original cloth (a very good copy) [Attributes: Hard Cover]

      [Bookseller: Boek & Glas]
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        Report of Researches Made in Great Britain and America for Clarence Moore, Esq. [with:] Swift's Genealogy

      [N.p., London?, ca. 1911] - Monumental genealogical manuscript volumes recording the descent of Clarence Moore, of Washington, D.C., who died aboard the S.S. Titanic in April 1912, and his second wife Mabille, daughter of Edwin Carleton Swift of Prides Crossing, Massachusetts. They were married in 1900 and had four sons: Edwin Swift Moore (born 1901, died in childhood, 1907); Jasper Moore (born 1905); Clarence Moore (born 1910); and Lloyd Moore (born 29 November 1912). In addition to the detailed genealogical reports, the volumes include extenisve extracts from historical documents and records in England, Pennsylvania, Massachusetts, and Maryland. The Swift Genealogy, William Swyft of Sandwitch and some of his descendants 1637-1887, includes 1296 entries and concludes with a family tree for Mabille Florence Swift. The researches for Moore were conducted by "Hester Dorsey Richardson and Albert Levin Richardson, experts in Original Research, of Baltimore, Maryland". The Moore pedigree is updated through 1926, noting that Mabille married again in 1915, to Aksel de Wichfeld of Maribe, Denmark. Clarence Moore (1865-1912), a banker and sportsman of Washington. D.C., and M.F.H. of the Loudoun Hunt and the Chevy Chase Hunt, had travelled to England to buy a pack of hounds, and sailed for home on the Titanic. Survivors reported Moore's heroic conduct. He lowered women and children into the lifeboats and refused to take a place in the boats. A beautiful and imposing genealogy (S.S. TITANIC) 2 vols., Folio. With two full page watercolor heraldic drawings in first volume: Arms, Crest and Badge of Clarence Moore; Armorial Bearings of Edwin Carleton Swift; both signed Archibald G.B. Russell, Lancaster Herald, College of Arms, London. Manuscript on paper, 28 lines, in a fine cursive hand in black ink with occasional red initials, within red rules. 160; 253 pp. Full red morocco gilt, upper boards titled in gilt, spines with raised bands, dentelles gilt, marbled endsheets, a.e.g. Some inoffensive traces of damp along lower portion of boards of Moore volume, occasional superficial scuffs, otherwise fine. Internally immaculate [Attributes: Signed Copy; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Fourth Edition Revised and corrected 1911 / Driving and Cycling Road Map of the Bermuda Islands.

      New York 1911 - With an inset map, "Map of the Town of Hamilton - Bermuda -"., Size : 236x646 (mm), 9.25x25.375 (Inches), Hand Colored

      [Bookseller: Alexandre Antique Prints, Maps & Books]
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        TANNHAUSER A DRAMATIC POEM

      Published by G.G. Harrap & Co., 1911. 1st edition.. Hardback. Very Good. Illustrated by Pogany, Willy. Slightly better than very good condition with no wrapper. Limited to 525 signed and numbered copies. Dark green calf binding with tooled design and title on front cover. Tooled title and decoration to spine. 16 beautiful tipped-in colour plates. Printed on thick grey paper, every page has lithographed orange or black illustrations. Endpapers and prelims are illustrated in multiple colours, predominantly blue. Top edge gilt. Copy no. 16 SIGNED by Pogany. Inscription on front endpaper. Covers edges slightly rubbed, rear cover very slightly scuffed. One corner bumped. Spine browned. Contents fine. An exquisite book. [S]

      [Bookseller: Stella & Rose's Books]
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        Tannhauser. A Dramatic Poem by Richard Wagner Freely Translated in Poetic Narrative Form by T. W. Rolleston. Presented by Willy Pogany.

      London: G. G. Harrap & Co., 1911 - Octavo. Publisher's deluxe reverse calf, titles and decorative designs to spine and upper board in blind, pictorial endpapers, top edge gilt, others untrimmed. Binding rubbed, some wear to corners and edges, spine tanned, but contents clean and fresh. A very good copy. Small colour frontispiece tipped-in to illustrated page, 16 tipped-in colour plates, illustrated half-title, title, and contents leaves, numerous full-page illustrations and illustrations within the text, elaborate decorative borders. First Pogany edition, first impression. One of a limited edition of 525 numbered copies signed by the artist on the limitation leaf. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Tannhauser. a Dramatic Poem. Freely Translated in Poetic Decorative Form by T.W. Rolleston.

      Harrap 1911 - Special binding in green leather discoloured around edges. Punched holes around edges of cover with thin leather stitching. Coarse cloth backing to covers. 16 tipped in plates, with other illus in black and orange. Raised lettering and design on spine Sp

      [Bookseller: Eric T. Moore Books]
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        THE TALE OF TIMMY TIPTOES

      F. Warne & Co 1911 - First edition. 12mo. Brown paper covered boards with white lettering and pictorial onlay to upper cover. In the rare glassine dustwrapper, with printing to the flaps and rear cover. A near fine copy, which is bright and crisp in a very good+ dustwrapper. Pictorial endpapers and 27 colour plates by Potter. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
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        Tale of Timmy Tiptoes, The

      London: Frederick Warne and Co., 1911. - First Edition in the Original Printed Glassine Dust JacketPOTTER, Beatrix. The Tale of Timmy Tiptoes. London: Frederick Warne and Co., 1911.First edition. Twelvemo (5 7/16 x 4 1/8 inches; 139 x 105 mm.). 84, [1], [1, blank] pp. Color frontispiece and twenty-six color plates (included in pagination). Black and white vignette on title-page.Original dark green boards ruled and lettered in white on front cover and lettered in white spine. Cover pictorial label (measuring 2 5/8 x 2 1/4 inches; 67 x 57 mm.) on front cover within a blind arch-shaped panel outlined in blind. Color pictorial endpapers (Quinby Plate X). A near mint copy. In the original glazed paper glassine dust jacket printed in black with the price "1/- NET" at foot of spine, with vertical lines at the top and bottom of the spine indicating where the fold should come for the front panel, with an advertisement for "The Peter Rabbit Books" on the rear panel listing The Tale of Timmy Tiptoes under "New Book for 1911," an advertisement on the front flap: "Children Will Revel In The Story of The Roly=Poly Pudding The Pie & The Patty=Pan Ginger and Pickles," and an advertisement on the rear flap: "A Novel and Charming Pocket Series by Beatrix Potter The Story of a Fierce Bad Rabbit The Story of Miss Moppet." A remarkable and complete jacket, with only a tiny bit of chipping at the top and bottom of the spine and a closed tear at the bottom of the spine.Linder, p. 429. Quinby 20. V & A 1664. [Attributes: First Edition]

      [Bookseller: David Brass Rare Books, Inc.]
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        Revue de métaphysique et de morale. Paraissant tous les deux (trois) mois. 14 Bände (14 tomes). 19.-32. Jahrgang (Jahrgänge 1911-1925). 19.-32. année (1911-1925).,

      Paris, Librairie Armand Colin 1911-1925. - Das französische Philosophiejournal "Revue de métaphysique et de morale" wurde 1893 von Léon Brunschvicg, Xavier Léon and Élie Halévy gegründet. Zunächst erschien die Publikation sechs Mal jährlich, seit 1920 vierteljährlich. Die philosophischen Debatten des 20. Jahrhunderts fanden hier ihren Niederschlag, es gab bedeutende Beiträge von Henri Bergson, Bertrand Russell, Henri Poincaré, Maurice Merleau-Ponty, Georg Simmel und vielen anderen. In einem der vorliegenden Bände (1918) etwa "Le contrat social de Rousseau" von Emile Durkheim. - Kunststoffkaschierte Bibliotheksexemplare (ex-library copies) mit Rückensignaturen, Inventarnummern und Stempeln auf Schnitten, vorderen Vorsätzen und wenigen Seiten. Einbände etwas berieben. Innengelenke von Band 21 mit Klebeband verstärkt. 1 Seite von Band 28 geringfügig eingerissen (1,5 cm). Papier ein wenig gebräunt. Sonst guter, sauberer Zustand. Sprache: fr Gewicht in Gramm: 23800 Gr. 8° (24 x 17 cm), Hardcover (half cloth), goldgeprägte Priv.-Halbledereinbände. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Kretzer]
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        THE NATURAL HISTORY & ANTIQUITIES OF SELBORNE. In the County of Southampton. With illustrations in colour by George Edward Collins, R.B.A. Edited with notes by Grant Allen

      Macmillan and Co. Limited. London. 1911. FIRST COLLINS illustrated edition. Large 8vo. (9.9 x 7.4). Fully illustrated with 24 full page colour plates by Collins. Some spotting to the frontispiece illustration otherwise a fine bright copy in a beautiful binding by Bayntun of half dark green morocco. Spine with five raised bands, 2 compartments lettered in gilt and the other 4 decorated with gilt designs of birds. Green cloth on boards. Plain green endpapers. Top edge gilt. A lovely copy.

      [Bookseller: Paul Foster Books]
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        Peter and Wendy

      New York: Charles Scribner's Sons 1911 - 8vo., green cloth lettered in gilt with decorative gilt cover and spine designs, with the slightest soiling. First American edition, first printing, illustrated with twelve plates by F. D. Bedford. A gorgeous copy of Barrie's classic work [Attributes: First Edition; Hard Cover]

      [Bookseller: North Star Rare Books & Manuscripts]
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        THE STRAND MAGAZINE. AN ILLUSTRATED MONTHLY. VOL. XLII. JULY TO DECEMBER.

      London: George Newnes, Ltd., 1911. - First edition. Thick 8vo. Original pictorial blue cloth, the spine in stylized titles in black and gold gilt, the upper front cover with title and pictorial scene in black, iv, 800 pp., illustrated, all edges gilt, double column. Contains a lovely fore-edge painting featuring a likeness of Arthur Conan Doyle on one side and featuring a portrait of Sherlock Holmes based on the illustration on page 609 from the first appearance of THE DISAPPEARANCE OF LADY FRANCES CARFAX, by Arthur Conan Doyle. This volume also features a mystery by Arthur Conan Doyle titled ONE CROWDED HOUR, plus stories by P. G. Wodehouse, E. Phillips Oppenheim, and Mrs. Baillie Reynolds. Also featured in this volume are illustrations by Brock, Rene Bull, Joseph Simpson, among others. Lightly rubbed at spine ends and corners, else a very good, clean, tight copy. The fore-edge painting is in fine condition. GREEN AND GIBSON A40. vi. [Attributes: First Edition; Hard Cover]

      [Bookseller: BUCKINGHAM BOOKS, ABAA, ILAB]
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        The Army of God Knows Where

      Chicago: The American Asphaltum & Rubber Co.. [1911]. First. First edition. One sheet folded and ribbon tied to make four pages. Very light pencil name, light edgewear, still a just about fine copy of this attractively printed pamphlet. The only known copy of one of Damon Runyon's first separate publications, a poem printed by an asphalt company, and dedicated to "Our Civil Engineers." The poem originally appeared in Bohemian Magazine in Boston, probably in 1910. A report of this separate publication was printed in Volume XLII, the January-June 1912 Municipal Engineering Index. The poem is also reprinted in Runyon's acknowledged first book, The Tents of Trouble, a volume of poems in flexible boards published in 1911. His best known book, Guys and Dolls, was not published until 1931. Whether this volume precedes the poem's appearance in The Tents of Trouble (making this his first book), or follows that but precedes his next publication, Rhymes of the Firing Line (making this his second book), we are unable to determine. But we can locate no additional copies of this pamphlet and it is clearly rare. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        SIEGFRIED AND THE TWILIGHT OF THE GODS. Translated by Margaret Armour

      William Heinemann. London.,1911. FIRST RACKHAM EDITION. 4to.(10.1 x 7.7 inches). Colour frontis and twenty nine colour plates, mounted onto thicker paper and with a printed tissue guard. Publishers tan cloth with gilt lettering and decoration to front board and spine. Illustarted endpapers. Previous owners name stamped onto the front pastedown endpaper. A very good copy of this beautiful book.:.

      [Bookseller: Paul Foster Books]
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        Works [Edition d’Amiens]

      New York: Vincent Parke and Company, 1911. - A Finely Bound Set of The Edition d’Amiens of Jules VerneVERNE, Jules. Works of Jules Verne. Edited by Charles F. Horne, Ph.D. Professor of English, College of the City of New York; Author of "The Technique of the Novel"," etc. New York: Vincent Parke and Company, [1911].Edition d’Amiens. Limited to 600 numbered copies, of which this is No. 122 and signed by R.G. Lancaster, Registrar. Fifteen large octavo volumes (8 5/8 x 5 13/16 inches; 220 x 151 mm). Hand-colored frontispieces, signed by the colorist, and numerous tinted plates, with descriptive tissue guards. Hand-illuminated limitation leaf. Bound by Frost of Bath ca. 1960 in full crimson polished calf, covers with double-gilt rules, spines with five shallow raised bands decoratively tooled in gilt in compartments, purple and green morocco gilt lettering labels, board edges and turn-ins decoratively gilt, marbled endpapers, all edges gilt. A very fine set.Jules Verne (1828-1905), "French writer whose writings shaped the development of modern science fiction In 1863 Verne published the first of his Voyages extraordinaires—Cinq semaines en ballon (1863; Five Weeks in a Balloon). The great success of the tale encouraged him to produce others in the same vein of romantic adventure, with increasingly deft depictions of fantastic but nonetheless carefully conceived imaginary scientific wonders. The Voyages continued with Le Voyage au centre de la Terre (1864; A Journey to the Center of the Earth), De la Terre à la Lune (1865; From the Earth to the Moon), Vingt Mille Lieues sous les mers (1869-70; Twenty Thousand Leagues under the Sea), and L’Île mystérieuse (1874; The Mysterious Island), in which he foresaw a number of scientific devices and developments, including the submarine, the aqualung, television, and space travel. Verne’s novels were enormously popular throughout the world; one in particular, the grippingly realistic Le Tour du monde en quatre-vingt jours (1873; Around the World in Eighty Days), generated great excitement during its serial publication in Le Temps and remained one of his most popular works" (Merriam-Webster’s Encyclopedia of Literature).

      [Bookseller: David Brass Rare Books, Inc.]
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        The Secret Garden

      William Heinemann, London 1911 - vii, [1], 306pp, 6pp adverts. Rebound in full goatskin by Temple Bookbinders, raised bands, spine in six panels, title in gilt to second, author to third and illustrator to fourth panel, covers with single fillet border, upper cover with gilt device, gilt to inner dentelles, a.e.g. with leaf and gilt endpapers. Externally near fine, internally occasional light foxing, but generally bright and clean. Original cloth from upper cover and spine bound in to rear. Complete with eight tissue-guarded colour plates by Robinson [Attributes: First Edition; Hard Cover]

      [Bookseller: Temple Rare Books]
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        Heures de Milan. Troisième partie des Très-belles Heures de Notre-Dame enluminées par les peintres de Jean de France, Duc de Berry et par ceux de Duc Guillaume de Bavière, comte du Hainaut et de Hollande. Vingt-huit feuillets historiés reproduits d'après les originaux de la Biblioteca Trivulziana à Milan. Introduction historique par Georges H. de Loo

      Libr. Nat. d'Art et d'Histoire, Bruxelles/Paris 1911 - Gran fol., (27x37), 85 p., 31 láminas grabadas en blanco y negro. Papel hilo, barbas. Ejemplar 228 de una tirada de 325. Bella encuadernación en plena piel, planos muy decorados con bellos dibujos geométricos. Ex-libris. Notabilísima encuadernación para este facsímil impreso con gran calidad, a una sola tinta, en papel fabricado expresamente para la edición, del fragmento del manuscrito de las Très Belles Heures conservado en la Biblioteca del Príncipe de Trivulzio, en Milan, con miniaturas de finales del s. XIV y principios del siglo XV, entre las cuales sobresalen las realizadas entre 1416 y 1417 por los hermanos Hubrecht y Johannes van Eyck, todas solicitadas por cuenta del Duc de Berry, en cuya biblioteca se conservaron las Belles Heures hasta que a su muerte, el manuscrito se escindió en dos fragmentos, y cada uno siguió separadamente su vida. Las láminas van precedidas de una documentada historia de la azarosa vida del códice y de un comentario a cada lámina. Muy buen ejemplar. Facsímiles. Iglesia católica. Bibliofilia. Facsimile. Catholic Church. Bibliophilism.

      [Bookseller: Libreria Anticuaria Studio]
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        The Secret Garden

      New York: Grosset & Dunlap Publishers, 1911. 375 pages, old ink stain on the back pastedown and end paper, beside that is very good interior.Blue cloth bound volume with black title on pasted white plate on the front borad. One corner of plate is little bit torned. Black titling on white pasted plate on the spine of teh book. Hint of shelf rubbing on the blue cloth bound volume, few whitish spots on the front board and spine of the book. Top tip of spine little bit torned, trace of shelf wear on both tips of spine. 1st American Edition. Hard Cover. Very Good -. 8vo - over 7¾" - 9¾ Octavo.

      [Bookseller: Alexandria Books]
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        The Secret Garden. Illustrated by Charles Robinson

      London: William Heinemann, 1911. . First English edition and first edition with these illustrations, 8vo, (viii), 306, 6 advertisement pp. 8 coloured plates with captioned tissues, pictorial endpapers bound in at front, contemporary pencilled inscription to front blank, recent marbled endpapers. Recent half green calf, a.e.g. Originally published the same year in New York with different illustrations.

      [Bookseller: Bow Windows Bookshop]
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        Catalogue of the philatelic library of the Earl of Crawford.

      Philatelic Literature Society, 1911 - 923 large pp. 1st ed., very clean in original grey paper covers. Two very small library h/s's and small m/s ink number on spine. [Attributes: First Edition]

      [Bookseller: Pennymead Books PBFA]
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        SYNGE AND THE IRELAND OF HIS TIME.

      The Cuala Press,, Churchtown, Dundrum [Ireland]: 1911 - First edition. One of 350 copies. This copy SIGNED by Yeats on title page where he has crossed out his printed name in ink and signed beneath it, "W B Yeats." John Millington Synge (1871- 1909) was an Irish playwright, poet, prose writer, collector of folklore, and one of the co-founders of the Abbey Theatre. He is best known for his play "The Playboy of the Western World," which caused riots during its opening run at the Abbey. He suffered from Hodgkin's disease, a form of cancer which at the time was untreatable. He died just weeks shy of his 38th birthday. Yeats says of Synge, "He was a drifting silent man full of hidden passion, and loved wild islands, because there, set out in the light of day, he saw what lay hidden in himself." Crème colored cloth spine and paper boards. Bottom on spine has a small dampstain, otherwise very good or better. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quill & Brush, member ABAA]
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        Synge and the Ireland of His Time. by William Butler Yeats with a Note concerning a Walk through Connemara with Him by Jack Butler Yeats

      Churchtown, Dundrum: Cuala Press. 1911. First. First edition. Quarter cloth and printed paper covered boards. Age-toning to the boards and a small label on the front pastedown noting that this book is now published by Mitchell Kennerley, a very good copy. One of 350 copies. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Les Turcs ont passé là - recueil de documents, dossiers, rapports, requêtes, protestations, suppliques et enquêtes établissant la vérité sur les massacres d'Adana en 1909

      Chez l'Auteur, Paris 1911 - Une carte dépliante - Feuillets non-coupés - Manque (coin supérieur gauche coupé) au 4ème plat de la couverture - sinon intérieur en TB état général - Poids : 355 gr [Attributes: Soft Cover]

      [Bookseller: D'un livre à l'autre]
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        Sindbad the Sailor

      London, Hodder and Stoughton,, [1911]. and Other Stories From the Arabian Nights. Illustrated by Edmund Dulac. Quarto (280 x 230 mm). Finely bound by The Chelsea Bindery in dark blue morocco, titles to spine, raised bands, pictorial block to front board, inner dentelles, marbled endpapers, top edge gilt, other edges untrimmed. With 23 mounted colour plates by Edmund Dulac. Light marginal browning, else fine. Signed limited edition of 500 numbered copies signed by Dulac.

      [Bookseller: Peter Harrington]
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        Die Traumdeutung [The Interpretation of Dreams]

      Franz Deuticke, Leipzig und Wien 1911 - Hardcover. Third Edition. This is Freud's greatest work and one of the most influential books of the twentieth century. First published in 1899, the book introduced Freud's theory of the unconscious with respect to dream interpretation, his theories of psychoanalysis, and the subconscious. Its influence has extended far outside the field of psychiatry into culture and literature. Very good in brown cloth with marbled paper covered boards and gilt title to spine. Minor fraying and wear to spine ends, joints, and edges of boards. The interior hinges have been repaired with green binder's tape. A crack is visible to the gutter between the colophon and last page. Light foxing and previous owner's signature in pen on the half title page. 414 pages. PSYCH/051512. [Attributes: Hard Cover]

      [Bookseller: The Kelmscott Bookshop, ABAA]
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        Die Kronprätendenten,

      Gesellschaft Der Bibliophilen, Weimar 1911 - 250 Exemplare, hier Nr. 23. Eine Prachtausgabe! Farbig marmorierter Hartkarton-Einband, Lederecken mit Goldverzierung, Lederrücken mit goldgeprägter Titelei, 6 Bünde, goldener Kopfschnitt, Exlibris im inneren Buchdeckel, auf schwerem, kartoniertem Papier gedruckt. "Dieses Buch wurde für die Gesellschaft der Bibliophilen auf der Privatpresse der königlichen Akademie für graphische Künste und Buchgewerbe zu Leipzig hergestellt. Satz: Georg Belwe. Buchdruck: Richard Berthold. Bilder und Initialen: Radiert von Alois Kolb. Georg Witkowski überwachte die Gestaltung des Wortlauts. Papier: Edmund Obst." 96 paginierte Seiten, mit teilweise ganzseitigen Radierungen, mit dekorativem, gemustertem Reispapier geschützt, einzeln signiert von Alois Kolb. Ein Meisterwerk der Buchkunst, minimalste Schieflage, kaum erkennbar, insgesamt sehr gut erhalten. "Henrik Ibsen(1828-1906) war im Jahre 1857, als er sein historisches Schauspiel "Die Kronprätendenten" schrieb, Theaterdirektor in Christiania. Er war nicht schon wie später Führer und Verführer, er war noch der Geführte; sein körperliches Auge war noch befangen in den engen Verhältnissen der nordischen Heimath, sein geistiges hatte noch nicht gelernt, die Nebel der Tradition, der später so viel gehaßten, zu durchspähen. Wie heutzutage bei uns die sozialen Dramen des vierten Standes in Mode sind, waren vor 30 Jahren im Norden die politischen Dramen des ersten Standes im Schwange. Die inneren Wirren, die das ganze 12. Jahrhundert hindurch am Marke Norwegens zehrten und die ihren Ursprung in dem auch auf außereheliche Kinder der Gewalthaber ausgedehnten Thronfolgerecht hatten, beschäftigten eine ganze Reihe von Dichtern dieses Landes, das auch heute noch nicht zur politischen Ruhe gelangt ist. Vor allen war es Adam Oehlenschläger, Björnstjerne Björnson und Andreas Munch, die ihre Federn in den Dienst der nationalen Dichtung stellten. Das letzte Schauspiel "Herzog Skule" deckt sich in vielfacher Weise mit Ibsens "Kronprätendenten". Beide behandeln den endlichen grandiosen Abschluß der Bürgerkriege durch König Hakon Hakonson, der sein angeborenes Recht gegen eine Welt von Widersachern vertheidigte, das Land beruhigte und vergrößerte und weit über dessen Grenzen hinaus gewaltigen Herrscherruhmes genoß, so daß ihm der Papst sogar den eigentlich nicht vakanten Deutschen Kaiserstuhl anbot."(ibsen.net) Alois Kolb (1875-1942), Wiener Künstler, besonders als Buchillustrator und Exlibris-Künstler bekannt. In seinen grafischen Blättern erreichte Kolb eine malerische Wirkung, indem er seine Radierungen häufig mit anderen Verfahren wie z. B. der Ätztechnik kombinierte. Die Motive sind pathetisch inszeniert. Er war ein Bewunderer der Wagnerischen Musikdramen. 33 x 43 Cm. 2,4 Kg. Gewicht in Gramm: 2400 [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antiquariat Clement]
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        Motifs historiques d'architecture et de sculpture d'ornement. Décorations extérieures emprumptées a des édifices francais du commencement de la Renaissance à la fin de Louis XVI. Nouvelle édition.

      Ch. Massin,, Paris, 1911 - Due volumi di cm. 45, pp. (8) di testo + 112 tavole; pp. (8) di testo + 86 tavole. A fogli sciolti, come d'origine, entro cartelle editoriali in piena tela bordeaux con titoli in oro e laccetti di chiusura (intatti). Esemplare completo ed in eccellente stato di conservazione. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Benacense]
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        OEUVRES COMPLÈTES et OEUVRES POSTUMES (5vol.)

      - Paris, Albert Messein (successeur de Léon Vanier), 1911, 14x19, 7 volumes. Reliure en demi maroquin vert à grands coins. Dos à 5 nerfs, orné de motifs fleuraux dorés. Titre, auteur et tomaison en lettres dorées. Tranche supérieure dorée. Très belle édition, bien relié. Ces exemplaires ont été truffés de deux articles sur Verlaine par leur précédent possesseur. Quatre dos sont décolorés (brun). Envoi de photographies sur demande. [Attributes: Hard Cover]

      [Bookseller: Librairie de l'Univers]
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        La Rôtisserie de la Reine Pédauque

      Pelletan 1911 - In-4 relié, box noir, le 1e plat porte une représentation en filets à froid ou dorés de la devanture de ladite rôtisserie, le 4e plat portant sur le même mode un encrier et une chandelle, roulette à froid sur les coupes, doublure de maroquin crème, gardes de soie havane foncé, avec décor floral, doubles gardes de papier marbré, tranches dorées, couverture et dos conservés, étui, reliure signée par Andrée et Jeanne Langrand, l'ouvrage est illustré de 174 compositions sur bois d'Auguste Leroux, dont 17 hors-texte, une suite tirée à part de ces compositions, sur Chine, est rassemblée dans un 2e volume relié en demi box noir à coin sous étui, avec décomposition des bois en couleurs, ainsi qu'une épreuve refusée d'un portrait de l'auteur, par ailleurs a été relié in fine le prospectus illustré de l'éditeur, tirage total, numéroté, à 444 exemplaires, le nôtre est un des 333 sur vélin du Marais ; dos du volume principal marqué de quelques traces ou très légères éraflures, ensemble rare, en très bel état. Leroux Auguste [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Abraxas-libris]
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        ESTUDIO HISTÓRICO DEL CUERPO DE INGENIEROS DEL EJÉRCITO. Iniciado al celebrar en 1903 EL PRIMER CENTENARIO DE LA CELEBRACIÓN DE SU ACADEMIA Y DE SUS TROPAS y empezado a publicar EN EL SEGUNDO CENTENARIO DE LA CREACIÓN DEL CUERPO en 24 de Abril de 1911.

      - Dos volúmenes en gran folio encuadernados en plena piel con el emblema del cuerpo estampado en oro en los planos. Profusión de fotografías, reproducción facsímil de antiguos documentos e impresos, mapas en color, uniformes etc. Corte superior dorado. Vol. 1: XIX+554 pp. Vol. 2: 673 pp. 37x30. Est. Tip. Suc. de Rivadeneyra. Madrid, 1911. Palau 84647. La obra es monumental y lujosamente editada (los dos tomos pesan 12,5 kgs.) LIBROS ANTIGUOS Catálogo 83 [Attributes: Hard Cover]

      [Bookseller: Librería Anticuaria Galgo]
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        Osiris and the Egyptian Resurrection

      The Medici Society Ltd, 1911 - Colour frontispieces, black-and-white plates, two folding, and numerous illustrations Two volumes Large 8vo Cloth just a little marked, light foxing throughout, otherwise an exceptionally nice copy in like dust-wrappers; neat ownership inscription in each volume Original red blindstamped cloth, spines lettered in gilt [Attributes: First Edition; Hard Cover]

      [Bookseller: Bertram Rota Ltd]
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        Die Kunst (Freie Kunst) Monatshefte für freie und angewandte Kunst und Angewandte Kunst» . 1911 (23 Bd.: Freie Kunst FK, 24 Bd.: Angewandte Kunst AK); 1912 (25 Bd.: FK, 26 Bd.: AK); 1913 (27 Bd.: FK, 28 Bd. AK); 1914 (30. Bd. AK); 1915 (31 Bd.: FK, 32 Bd.: AK); 1916 (33 Bd.: FK, 34 Bd.: AK); 1917 (35 Bd.: FK, 36 Bd.: AK). 14 Bde.

      München, Bruckmann, 1911 -17 - 4°, je ca. 600 S., unzähl Abb., teilw. farbig. (Inhalts- u Bilderverzeichnis, Namensregister, Privat -HLdr m. Rückenschild, Rücken fleckig, etwas berieben, innen minimal stockfleckig, ansonsten gute Exemplare Die Bände «Angewandte Kunst», zeigen unzähliche Beispiele von Kunstgewerblichen Arbeiten aller Art, Bauten und Innenarchitektur. Die frühen Bände vor allem Beispiele des Jugendstil. 27000 gr. [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        Kunst und Künstler Illustrierte Monatsschrift für Kunst und Künstler. RedaktionKarl Scheffler Jahrgang IX.,

      Berlin, Bruno Cassirer Verlag, 1911 - 4nn Bl., 653 S. Gut erhaltenes Exemplar mit sämtlichen Originalgraphiken: 3 Lithographien (1 farb.) von R. Grossmann; 2 Radierungen v. L. v. Kalkreuth; und 1 Radierung von M.Slevogt. Sprache: de Gewicht in Gramm: 4500 Fol. Originalhalbergament mit goldgepr. R-Titel und reichlicher Verzierung sowi ebs. Prägung auf dem Deckel

      [Bookseller: Antiquariat Michael Solder]
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        Osiris and the Egyptian Resurrection ( 2 volumes ).

      Medici Society, London 1911 - Hardcovers. Small 4to. Two volumes. xxxvi + 404pp & vii + 440pp. Original red cloth with decorations in blind, blind titling to upper board, gilt titling to spines. Color frontis in both vols., 4 photogravure plates and 2 folding plates to Volume I, numerous drawings in-text to both volumes. Budge's massive study of ancient Egyptian belief in the afterlife, and in particular the worship of Osiris. The First Edition was published by Philip Lee Warner under his own name, with an unspecified number of copies appearing under the 'Medici Society' imprint. The which was a sort of "book club" founded in 1908 by Warner and Eustace Gurney, with the express aim of making works of great artistic and literary importance available to a wider public by issuing them at as low a price a commercially feasible. As far as we can ascertain the two issues were issued more or less simultaneously in 1911, with the only differences being in binding, title page, and the color frontis (which in the Warner-imprinted issues are folding.) Spine ends bruised and a little rubbed with a few tiny tears at upper spines, corners lightly rubbed, page edges a little darkened with a few spots of foxing, early and later pages lightly and unevenly browned. Overall a tight, bright VG+ set. [Attributes: First Edition; Hard Cover]

      [Bookseller: Weiser Antiquarian Books, Inc.]
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        Encyclopedia Britannica: Eleventh Edition

      1911 - Eleventh Edition. Full leather. 28 volumes + volume 29 index. 1912 new volumes 30,31,32. Thirteenth edition new volumes I,II,III. Yearbook 1913. Also included These Eventful Years volumes 1 &2. All volumes exhibit some wear to varying degrees. Split at spine of index. Please observe photographs. This is a very very heavy set, 40 kilograms/100 pounds. The listed price includes postage to any Australian address. Unfortunately, international buyers will be asked for additional postage on this very heavy item. Size: 4to - over 9¾" - 12" tall [Attributes: Hard Cover]

      [Bookseller: Serendipitous Ink]
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        The Holy Bible.Containing the Old and New Testament & The Apocrypha.

      The Ballantyne Press,London and Edinburgh.,1911 - Three large 8vo volumes. Printed on India Paper. Limited edition, only 750 sets published. Fully illustrated throughout with colour plates of views of the Holy Land. Fine delux publishers leather bindings of full brown morocco with Arts and Crafts style Line and box design to both boards and spines. Gilt lettering to spines. Top edges gilt. Lovely decorative set. Binding designed by Cedric Chivers of Bath.:. [Attributes: Hard Cover]

      [Bookseller: Paul Foster. - ABA & PBFA Member.]
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        Stories From Hans Andersen

      London: Hodder and Stoughton, 1911. - One of 100 Copies Printed on Japanese Vellum Signed by Edmund DulacA Unique CopyIn a Handsome, Unrecorded Variant Binding[DULAC, Edmund, illustrator]. ANDERSEN, Hans [Christian]. Stories from Hans Andersen. With Illustrations by Edmund Dulac. London: Hodder & Stoughton, [1911].Edition de Luxe, limited to 100 numbered copies printed on Japanese Vellum and signed by the artist, this copy being no. 20. Large quarto (12 1/8 x 9 3/4 inches; 309 x 249 mm.). viii, 250, [2] pp. Mounted color frontispiece, with descriptive tissue guard printed in black, and twenty-seven mounted color plates (included in pagination). Plates framed with thick pale green line border and accompanied by guard leaves printed in pale green with stylized pineapples on the recto and border of snowflakes above descriptive caption on the verso. Text pages with pale green snowflake borders at top and bottom. All leaves framed with double pale green lines.Original dark chocolate brown pigskin pictorially stamped with three-peacock design and lettered in gilt on front cover and spine, with Hodder & Stoughton gilt-stamped at spine foot. Top edge gilt, others uncut. Endpapers printed in pale green with repeated design of stylized peacocks. A stunning copy, unique, and arguably the finest copy of the De Luxe Edition. The binding and endpapers do not conform to Hughey's description, and appear to be unique to this handsome copy. As she notes, the pigskin binding, ("brandy colour," not dark chocolate-brown, as here), should only have two thin gilt rules as frame, gilt lettering, date 1911 on spine, and white endpapers, not illustrated as here and in the trade edition. We contacted her for insight. Having seen only two copies of the Edition De Luxe, William Randolph Hearst's and another viewed at a Washington book fair, she reports:"So, where does your copy fit in? And when was it bound? I tend to think it was done close to original printing time, November 1911. There were a lot of oddball copies done then.The title was sold very quickly - all sold by December 1911. The fact that your endpapers are paper available at the time [to the trade edition] tends to date it.It is possible that someone or firm had this done for your copy #20. Your copy's binding design on front cover is clearly an adaptation of the endpapers but I do not think by Dulac as it does not appear in any of his other editions of Hans Andersen's work. Someone may not have liked the plain cover."If that's the case, we'd like to thank them. This special copy is the better for it.Hughey 27.

      [Bookseller: David Brass Rare Books, Inc.]
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