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Displayed below are some selected recent viaLibri matches for books published in 1911

        The Phantom of the Opera

      The Bobbs-Merrill Company 1911 - First edition, first printing; with Braunworth & Co. slug at bottom of the copyright page. Very Good, with all plates present. Lightly soiled binding with rubbing to stamping on spine, a bit of wear to early pages, and several creased corners throughout. Presents well. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
 1.   Check availability:     IberLibro     Link/Print  


        HILL TOWNS OF ITALY; with PLAIN TOWNS OF ITALY - The Cities of Old Venetia [Two volumes, finely bound by the Rowfant Bindery]

      Houghton Miffin, Boston 1911 - "Hill Towns" was originally published in 1903. This copy is a later printing, available from Houghton Miffin contemporaneously with the 1911 first edition of the author's "Plain Towns." The pair of volumes are offered as a set, in matching fine bindings: contemporary three-quarters bindings of navy blue crushed levant morocco over marbled paper covered boards, with four raised bands on the spines. The titles and author's names are lettered in gilt between the upper and lower pairs of bands, in the larger space at the center, there are extraordinary pictorial onlays in four shades of tan and brown leathers. The high quality of these bindings, brilliantly executed using the finest materials is confirmed by the stamped identification of the Rowfant Bindery on the verso of each front free endpaper. This renowned firm had roots in the project initiated by Robert Hoe and members of the Grolier Club in New York, unhappy with the woeful state of the art of fine binding in America, to establish the Club Bindery in an attempt to make available to Grolier Club members luxury bookbindings that could rival those crafted by the European binders. Several English and French-trained binders were brought to New York to begin work around1895. In 1897, Robert Hoe was instrumental in bringing Leon Maillard to the bindery from France. The temperamental Maillard turned his exceptional finishing skills to the production of wonderful and expensive bindings for Hoe and other collectors. The Club Bindery was dissolved in 1909, after Hoe's death. The staff was drawn to Cleveland by the prospect of working for the active collector-members of that city's Rowfant Club. (The tools of the Club Bindery were sold to another firm in New York as part of the Hoe estate in 1912). The designer and finisher from the Rowfant Bindery responsible for these matched bindings has based the pictorial onlays on the designs of the handsome original cloth bindings in which these books appeared from the publisher. [The earlier "Hill Towns" had a decorative cloth binding designed by Adrian Iorio, an assistant to Will H. Bradley. The later "Plain Towns" was a product of the Decorative Designers studio]. The masterly vignette on the "Hill Towns" spine depicts a typical building of the region, in onlays of tan and two shades of brown, with outlines in black. A sense of the building's setting on a hill is neatly conveyed by the simple geometric sweep of the wall and path leading to the door. The scene on the spine of the "Plain Towns" uses a similar palette, and shows vernacular buildings with their tile roofs in two shades of tan, glimpsed through poplar trees with a hill behind, using two shades of brown. This pair of bindings are executed in three-quarters morocco, and may not have been commissioned by a member of the Rowant Club -- (there is no groundhog candlestick device, just the tiny letters "ROWFANT BINDERY" stamped at the upper corner of the verso of each front free endpaper). Most likely, this handsome pair represent a relatively scarce subset of the 1051 Rowfant bindings -- in which the best American binders of their time were attempting to save the Rowfant Binders firm with superior commercial work to supplement the commissions from Rowfant Club members. Alas, in 1914, the firm's brief existence came to an end, less than five years after its Cleveland incarnation opened. Some of the staff including Gaston Pilon formed their own firm as Book-lover's Bindery in Cleveland, and thus struggled along for four more difficult years. Some of that staff subsequently moved back to New York and plied their trade as "The French Binders." The brilliant finisher, Leon Maillard, who learned his trade from his father Charles Maillard in Paris at Cuzin's, and then worked with Gruel and as master finisher with Marius Michel before Robert Hoe lured him to New York to be master finisher for the Club Bindery, was known as sullen and moody, even when things were going well. Leon Maillard, ath [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquarian Bookshop]
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        Gesamtausgabe. Im Auftrag der Karl Barth-Stiftung herausgegeben im TVZ von Hinrich Stoevesandt (bis 1998) und Hans-Anton Drewes (ab 1999). Band 1 - 28.

      Theologischer Verlag Zürich, - Es sind bis dato 47 Einzelbände + Supplement erschienen. Folgende Abteilungen liegen vor: Abteilung I: Predigten; Abteilung II: Akademische Arbeiten; Abteilung III: Vorträge und kleinere Arbeiten; Abteilung IV: Gespräche; Abteilung V: Briefe. Der erste Band liegt bereits in der erweiterten Ausgabe bei (Briefe 1911 bis 1966). Die erste Ausgbe (Briefe 1922-1966) liefern wir bei Bestelllung gratis mit (Geschenk). Alle Bände sind in gutem Zustand, die Schutzumschläge weisen teils Gebrauchspuren auf, ebenso der Buchschnitt, wenige Bleistiftanstreichungen, teils wirken die Bände noch ungelesen. Sprache: Deutsch Gewicht in Gramm: 550 8°, Leinen mit original Schutzumschalg [Attributes: Hard Cover]

      [Bookseller: BuchKaffee Vividus oHG]
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        L'Eritrea archeologica.

      Milano, 1911, estratto con copertina posticcia muta, pp. 950/952 con ill. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo ? composto da tre pagine. Quando la rivista di provenienza non viene indicata ? perch? ci ? sconosciuta. - !! ATTENTION !!: : NOT A BOOK : ?estratto? or ?stralcio? means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from? ?to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.

      [Bookseller: Libreria Piani gia' Naturalistica]
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        The Lair of the White Worm

      London: William Rider and Son, 1911.. FIRST EDITION. PRE-PUBLICATION PRESENTATION COPY TO A CLOSE FRIEND OF THE AUTHOR. Octavo, pp.viii; 324; 325-8, adverts; 16, catalogue. Illustrated with 6 coloured plates by Pamela Colman Smith, 'Contents' leaf is a cancel. Publisher's cloth with gilt decorated titles to spine and front board. Some foxing, spine lightly sunned, otherwise a crisp, fine copy. This particular example was sent by Stoker's publisher (with their 'Presentation' stamp to title) to his close friend James Cruickshank, with the author's covering handwritten letter affixed to flyleaf; 'My dear Cruickshank / I hope you will like The Lair of The White / Worm which the publishers (W.Rider & Son) / sent herewith. It comes out on 7th. I shall / be glad to know what you thought of it. Warmest / rememberances to all / love (?) / Bram Stoker. on Author's personal notepaper, dated 3/11/11. James Cruickshank was a landowner and proprietor of the Kilmarnock Arms Hotel, Cruden Bay, in the Scottish Highlands, where Bram Stoker first stayed in 1894. This rugged coastal retreat became a second home for the author and Cruden Bay would play a prominent part in much of his subsequent fiction; written in the year of his first visit 'The Watter's Mou' is a strange melodrama about smuggling in the harbour town during the first half of the nineteenth century; Stoker name-drops his friend 'James Cruickshank of the Kilmarnock Arms', seen with a sinister companion, described as 'an elderly man with a bald head, keen eyes, a ragged grey beard, a hooked nose and an evil smile'. His next novel 'The Mystery of the Sea', features the landing at Cruden Bay of a grisly procession of wraiths from ships wrecked on the treacherous jagged Scaurs - the hazardous rock range piercing the water along the shoreline. Overlooking the bay are the famous clifftop ruins of Slains Castle, built by the 9th Earl of Erroll (Cruden Bay was also known as Port Erroll until the '30s). Long abandoned, although inhabited and imposing at the time of Stoker's residence, the Baronial mansion and its tower have commonly been cited as an inspiration for the 1897 novel Dracula, the next book written by Stoker at his chosen haven of tranquillity. A lesser-known fact is that the husband of Diana, Countess of Erroll, had an ancestor who married into the family of Drakula, ruler of Walachia, Rumania, upon which Stoker's character is based. A remarkable association, and certainly a strong contender for most significant copy of this title; several copies were presented by the publisher, presumably to a list on the author's behalf, yet we are unable to locate any inscribed copy at auction and note just two others with a similar accompanying letter from the author (1978 and 2016).

      [Bookseller: Adrian Harrington Rare Books]
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        The Tale of Timmy Tiptoes.

      London: Frederick Warne & Co.,, 1911. Sextodecimo. Original green boards, spine and front board lettered in white, pictorial label with illustration to front cover, pictorial endpapers. 27 colour plates. Spine rolled, spine ends a little torn, tips very slightly worn, some faint marks to contents. An excellent copy. First edition. The first two printings are believed to be identical. The story of Timmy and Goody Tiptoes is the only Beatrix Potter story apparently set in North America - although this is implicit rather than stated anywhere in the book. All the main animal characters are indigenous to North America: grey squirrels, chipmunks and a "large bear", but the waters are muddied somewhat by the presence of Yellowhammers (or Emberiza citrinella, the birds which sing "Little bita bread and-no-cheese!"), whose range includes Europe and much of Asia but not America.

      [Bookseller: Peter Harrington]
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        Catulli, Tibulli, Properti carmina quae extant omnia cura Robinson Ellis, Joannis Postgate, Joannis S. Phillimore, apud P.H. Lee Warner Mediceae Societatis Librarium * VORZUGSAUSGABE in G A N Z P E R G A M E N T

      London, Lee Warner Medicae Societatis Librarium, 1911. Vollständige Ausgabe im original Verlags-Handeinband: flexibles Ganzpergament GPgt / Pgt im Format 17 x 25 cm mit Kopfgolddschnitt, Rücken- und Deckeltitel in Goldprägung sowie Zeichenband, unbeschnittener Buchblock mit grünen Schließbändern. Eines von 1000 numerierten Exemplaren auf klanghartem Büttenkarton der Ricardi Press mit entsprechendem Wasserzeichen. Hervorragendes Druckerzeugnis in der Nachfolge von William Morris und der Arts- and Crafts-Bewegung. 4Bl., 318 Seiten, mit Pressensignet in Gründruck. Expl.Nr.120. - Exemplar der Vorzugsausgabe in sehr guter Erhaltung (Einband minimal fleckig, sonst sehr gut). - \"Warum handgebunden? - Die wesentlichsten Vorzüge des guten Handbandes sind: Die einzelnen Druckbögen werden mit der Hand nach dem Schriftspiegel gefalzt. Die Bogenränder werden dadurch zwar ungleich, aber das Satzbild steht gerade. Um infolge der ungleichen Ränder ein späteres zu starkes Beschneiden mit der Maschine zu vermeiden, werden die Bogen einzeln, vorne und unten, mit der Pappschere auf ein Mittelmaß rauh beschnitten. Dadurch wird der Druckrand weitestgehend geschont. Als erste und letzte Lage wird dem Buche zum Schutze eine leere Papierlage hinzugefügt, welche mit einem feinen Leinen- oder echten Japanpapierfalz versehen ist. Geheftet wird der Handband nach sorgfältiger Auswahl des Heftzwirnes auf echten erhabenen oder aufgedrehten flachen Bünden und auf Pergamentriemchen (welche beim Pergamentbande durch den Rücken gezogen werden). Oben wird das Buch beschnitten und erhält nicht nur der Schönheit willen Goldschnitt, sondern diese feine Metallschicht schützt vielmehr die dem Lichte und Staub am meisten ausgesetzte Schnittfläche vor deren schädlichen Einflüssen. Die Deckel werden in einem tiefen Falz angesetzt, mit den Bünden nach außen. Ein Herausreißen aus der Decke ist somit nur unter Zuhilfenahme von Werkzeug möglich. Als Einbandmaterial kommen sumachgares, lichtechtes Saffian, Kalbleder, vereinzelt auch Rindsleder, ferner naturelles und weißes Schweinsleder sowie Kalbspergament zur Verwendung. Ein mit der Hand hergestelltes, dazupassendes Überzugpapier sowie Handvergoldung oder Blinddruck am Rücken ergänzen das Werk nach außen. Ein solcher Einband entspricht allen Anforderungen, die an einen Gebrauchsband gestellt werden können.\" Aus einem alten Prospekt von Richard Hönn, ehemals Handbinderei des Verlages Albert Langen, Werkstatt für feine Buchbinder- und Lederarbeiten in München, Dienerstrasse 14 - Bibliophilie, Handeinband, Meistereinband, englische Kunstbuchbinderei / Buchkunst im 20. Jahrhundert, römische Literatur, Catull, Tibull, Properz, Pressendruck Versand D: 5,90 EUR Bibliophilie, Handeinband, Pergamentband, Pergamentausgabe, Meistereinband, englische Kunstbuchbinderei / Buchkunst im 20. Jahrhundert, römische Literatur, Catull, Tibull, Properz, Pressendruck

      [Bookseller: Galerie für gegenständliche Kunst]
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        The Lair of the White Worm

      London: William Rider and Son, 1911.. FIRST EDITION. PRE-PUBLICATION PRESENTATION COPY TO A CLOSE FRIEND OF THE AUTHOR. Octavo, pp.viii; 324; 325-8, adverts; 16, catalogue. Illustrated with 6 coloured plates by Pamela Colman Smith, 'Contents' leaf is a cancel. Publisher's cloth with gilt decorated titles to spine and front board. Some foxing, spine lightly sunned, otherwise a crisp, fine copy. This particular example was sent by Stoker's publisher (with their 'Presentation' stamp to title) to his close friend James Cruickshank, with the author's covering handwritten letter affixed to flyleaf; 'My dear Cruickshank / I hope you will like The Lair of The White / Worm which the publishers (W.Rider & Son) / sent herewith. It comes out on 7th. I shall / be glad to know what you thought of it. Warmest / rememberances to all / love (?) / Bram Stoker. on Author's personal notepaper, dated 3/11/11. James Cruickshank was a landowner and proprietor of the Kilmarnock Arms Hotel, Cruden Bay, in the Scottish Highlands, where Bram Stoker first stayed in 1894. This rugged coastal retreat became a second home for the author and Cruden Bay would play a prominent part in much of his subsequent fiction; written in the year of his first visit 'The Watter's Mou' is a strange melodrama about smuggling in the harbour town during the first half of the nineteenth century; Stoker name-drops his friend 'James Cruickshank of the Kilmarnock Arms', seen with a sinister companion, described as 'an elderly man with a bald head, keen eyes, a ragged grey beard, a hooked nose and an evil smile'. His next novel 'The Mystery of the Sea', features the landing at Cruden Bay of a grisly procession of wraiths from ships wrecked on the treacherous jagged Scaurs - the hazardous rock range piercing the water along the shoreline. Overlooking the bay are the famous clifftop ruins of Slains Castle, built by the 9th Earl of Erroll (Cruden Bay was also known as Port Erroll until the '30s). Long abandoned, although inhabited and imposing at the time of Stoker's residence, the Baronial mansion and its tower have commonly been cited as an inspiration for the 1897 novel Dracula, the next book written by Stoker at his chosen haven of tranquillity. A lesser-known fact is that the husband of Diana, Countess of Erroll, had an ancestor who married into the family of Drakula, ruler of Walachia, Rumania, upon which Stoker's character is based. A remarkable association, and certainly a strong contender for most significant copy of this title; several copies were presented by the publisher, presumably to a list on the author's behalf, yet we are unable to locate any inscribed copy at auction and note just two others with a similar accompanying letter from the author (1978 and 2016).

      [Bookseller: Adrian Harrington Rare Books]
 8.   Check availability:     IOBABooks     Link/Print  


        Ernst Heilemann: Berlin s'amuse (Originalzeichnung)

      1911 - Aquarell, Tusche und Deckweiß auf Karton. 41,5 x 30 cm Rechts unten signiert. Veröffentlicht: Simplicissimus. Jahrgang 16 (1911), Heft 7, Seite 110 Text: „Is das ’n Infanterist oder ’n Kavallerist?“ – „Taxiere, Lagerist.“ Biografie:Ernst Heilemann (1870 Berlin - 1936 Kitchener (Kanada)). Nach kurzem Studium der Malerei an der Berliner Hochschule der Bildenden Künste verlässt Ernst Heilemann seine Geburtsstadt, um sich auf Reisen nach Italien, Frankreich, Großbritannien und den USA autodidaktisch weiterzubilden. Zurück in Berlin macht sich der junge Künstler bald mit Darstellungen aus dem mondänen Leben der aufstrebenden Reichshauptstadt sowie als Gesellschaftsporträtist einen Namen. Diesen festigt er ab 1893 durch die regelmäßige Teilnahme an den Großen Berliner Kunstausstellungen sowie durch Einzelausstellungen in der renommierten Berliner Galerie Eduard Schulte (1902 und 1912) und im Berliner Künstlerhaus (1918). In der Weimarer Republik konzentriert sich Heilemann zunehmend auf die Porträtmalerei, wobei seine Gemälde stark vom Stil der Neuen Sachlichkeit beeinflusst sind. Von 1898 bis 1912 ist Heilemann mit knapp 200 Beiträgen in der Münchner Satirezeitschrift Simplicissimus vertreten. Fast immer handelt es sich um Szenen aus dem großbürgerlich-aristokratischen Milieu, dessen scheinbar sorgloses Dasein und zahlreiche Vergnügungen er mit schwungvollem Strich im Bild festhält. Sowohl hinsichtlich der Motive als auch des Zeichenstils zeigt Heilemann eine große Nähe zu den Werken des Simplicissimus-Mitarbeiters Eduard Thöny, mit dem er befreundet ist. Im Gegensatz zu Thöny fehlt bei Heilemann jedoch das karikierende Element, vielmehr sind seine Beiträge von einem eleganten Illustrationsstil geprägt. Dies wiederum verbindet ihn mit Ferdinand von Reznicek. Er ist am Simplicissimus hauptsächlich für eben jenes Genre zuständig, das Heilemann kaum weniger brillant beherrscht und welches er nach dessen plötzlichem Tod 1909 übernimmt. Dass sich Heilemanns Werke bei den Lesern des Simplicissimus bereits zuvor großer Beliebtheit erfreut haben, belegt das 30 seiner Zeichnungen enthaltende Album "Die Berliner Pflanze", welches 1908 in dem der Zeitschrift angegliederten Albert-Langen-Verlag erschienen ist. [Attributes: Signed Copy]

      [Bookseller: Kunkel Fine Art]
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        Aéroplanes Farman - Biplans & Monoplans. - (Und:) Supplément a la liste des aviateurs brevetés sur appareil H. & M. Farman.

      Paris Draeger (Ca -12) 1911 - (27,5 x 21 cm). 20 S./ 2 Bll. Mit zahlreichen Abbildungen. Geprägter illustrierter Original-Kartonband. Seltene französischsprachige Werbeschrift für die verschiedenen von Henry & Maurice Farman entwickelten und gebauten Flugzeuge; jeweils mit technischen Daten, einer kurzen Beschreibung und einem halbseitigen Foto. - Vorsatz etwas stockfleckig. Einbandkanten minimal bestoßen. Insgesamt wohlerhalten. - Beiliegend: Original-Photographie aus der Zeit in Silbergelatine. Es zeigt einen Biplan von Maurice Farman, auf einem Flugfeld stehend

      [Bookseller: Antiquariat Gerhard Gruber]
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        Il Padiglione Lombardo a Roma Nel 1911.

      Unpaginated text (circa 8 pp.) prefacing a presentation of 40 excellent photogravure plates (reproduced from images by Milan photographer Achille Ferrario) of the Lombard pavillion (architect Adolfo Zacchi) at the 1911 exposition in Rome celebrating the 50th anniversary of Italian unification, includes detailed exterior, interior, and courtyard views. Sm. folio, oblong. Contents loose as issued, housed in protective cloth portfolio, corners bumped, library stamp affixed to spine. Milan (Comitato Regionale Lombardo) 1911.

      [Bookseller: F.A. Bernett Books]
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        Kûdrûn.

      Hyperiion-Verlag Hans von Weber, München 1911 - München, Hyperiion-Verlag Hans von Weber, 1911. Gr.-4°. 344 S. Original-Pergamentband mit schwarzem Titel auf Deckel und Rücken. Rodenberg 461. - Monumentalausgabe des zweiten grossen Heldenepos der mittelaltelichen deutschen Literatur nach dem Nibelungenlied. Nr. XXIV von 100 Exemplaren auf ungebleichtem Hundertbütten von Van Gelder Zonen für die Mitglieder der Vereinigung "Die Hundert", aus einer Auflage von 1507 Exx. Druck von Joh. Enschedé en Zonen, Haarlem. Die Drucklegung wurde von Ersnt Schulte-Strathaus überwacht. - Einband leicht angestaubt. Original-Pergamentband mit schwarzem Titel auf Deckel und Rücken.

      [Bookseller: EOS Buchantiquariat Benz AG]
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        Beschreibung rà mischer Altertümer. Dritte Bearbeitung. 2 Bände.

      Kà ln (Cà ln), Greven & Bechtold, 1911. - 4°. XXIII, 311 SS; 1 Bl., CXXXXVIII Tafeln, davon 16 in Farbdruck montiert Original-Leinen Bedeutender Katalog einer sehr umfangreichen Samlung von Glas, Keramik und Bronzen der rà mischen Antike, mit über 5.000 Abbildungen. Hier die massgebliche dritte Bearbeitung, die gegenüber den früheren stark erweitert ist. "- Einband wenig berieben, Besitzervermerk und Nummer auf Titel, Schnitt gering fleckig, ansonsten gut erhalten. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Thomas Rezek]
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        Treasure Island.

      New York: Charles Scribner's Sons,, 1911. Illustrated by N. C. Wyeth. Quarto. Original black cloth, gilt titles to spine, colour illustration to front cover, pictorial endpapers, top edge gilt, others untrimmed. Colour illustrated title page and 14 colour plate with printed tissue guards. Light spotting to pages, bookplate to front blank, front hinge weak, spine sunned, corners and ends of spine rubbed. A good copy. First Wyeth edition, first printing.

      [Bookseller: Peter Harrington]
 14.   Check availability:     Biblio     Link/Print  


        La Bible Moralis?e Illustr?e, Conserv?e ? Oxford, Paris et Londres. Reproduction Int?grale du Manuscrit du XIIIe Si?cle, Accompagn?e de Planches Tir?es de Bibles Similaires et d'une Notice. And: Etude sur la Bible Moralis?e Illustr?e.

      5 vols.: One vol. text (207 pp.), including detailed analytical essay, ext. notes with bibliographic material, indices, and 4 vols. containing 810 excellent plates (3 in colors and gold) reproducing all the illuminations. Large 4to and folio. Uniform boards portfolios. Paris 1911-1927. Privately printed for Soci

      [Bookseller: F.A. Bernett Books ]
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        Record of Principal Chiefs and Headmen, Nyasaland

      Government Printer / Nyasaland Protectorate, Zomba, Nyasaland, 1911, - (Nyasaland Protectorate). Record of Principal Chiefs and Headmen, Nyasaland. Zomba, Nyasaland : Printed by the Government Printer, n.d. [1911]. Pp (80) interleaved with blank leaves on lighter paper for annotations. 8vo, maroon half cloth, black cloth boards, blindstamped lettering to front board. A list of Chiefs and Headmen, listed by district : Lower Shire District; Ruo District; West Shire District; Blantyre District; Mlanje District; Zomba District; Chikala District; South Nyasa District; Upper Shire District (Ncheu Division); Dedza District; Lilongwe District; Marimba District; West Nyasa District; Mombera District; North Nyasa District; Deep Bay. Sample entries : [Mlanje District] - "Mlasa. Chimwavi; Yao; Headman, old with a large following; In 1907 was in disgrace for resisting vaccination." [Ncheu Division] - "Njovualema. Tribe Ngoni. Father Makwea, a slave of Chikusi. He married Manga, a daughter of the Chieftainess Mlangeni. His territory comprises the district known as Kambironjo. He was responsible for an extensive mwabvi-drinking orgie in 1905, which resulted in a number of deaths. He was fined £5 by order of the Governor (Sir A. Sharpe). He indulges to excess in native beer and is consequently possessed of little intelligence. His behaviour during the past two years has been more satisfactory. The Marist Fathers Mission at Nzama is situated closed [sic] to this village." [Marimba District] - "Before the arrival of Arabs, Yaos, Angoni or other invaders, the indigenous population of Marimba district were the Achewa and Achipeta tribes. They recognized Karonga alias Kulimakwadzuz who then lived near the site of the present Fort Johnston as their paramount Chief and the owner of the soil. Karonga appointed various Chiefs to represent him, greatest of these was Ranyenda who now lives in the West Nyasa District,.". [West Nyasa District] "Mkumbira. Tribe Atonga; about 60 years; most important headsman at Nkata, succeeded his brother 10 years ago; is responsible for most of the steamer fuel cutting." AN EXTREMELY RARE BOOK : According to Tony Woods in "Capitaos and Chiefs : Oral Tradition and Colonial Society in Malawi", Int. Jour. Of African Hist. Studies, 23:2, 1990, pp 259-268 - "One of the results of this effort was the production of a list of "traditional" authorities by the colonial administration, Record of Principal Chiefs and Headmen, Nyasaland (Zomba, 1911). To the best of my knowledge, the only extant copy of this work is located in the Society of Malawi's Library in Limbe." (footnote, p. 266). Not in Brown, Fisher, and Webster, A Bibliography of Malawi (1965). Wear to spine and edges, black cloth to boards damaged (silverfish?), binding shaky, inner hinges cracked, spotting to fore-edge, penned note "Compiled in 1907" to title page and penned notes to obverse, a few penned notes or markings to blank annotation leaves, one blank page torn out and another loose, inkstamped "High Court, Blantyre." in rectangular border to front free endpaper, else a good copy of a rare book. As is. 2,800.00 [Attributes: Hard Cover]

      [Bookseller: John W. Doull, Bookseller (A.B.A.C.)]
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        Vorbildliche Glasmalereien aus dem späten Mittelalter und der Renaissancezeit

      Berlin Ernst Wasmuth 1911-13 [22] pp text, 12 plates. Large loose leaf folio (650×480mm). Lettered boards, quarter cloth. Gothic script. This publication by the the Royal Academy of Construction Engineering in Berlin was intended as a serial publication to illustrate exceptional examples of medieval and renaissance stained glass from the turn of the 15th to the 16th century. Four parts of four plates, each along with a short introduction to each window, was planned. This folio comprises the first three parts dated 1911, 1912 and 1913. Housed in the folio with 1911 on the upper board. Each part was published in wrappers. The three parts are complete with tissue guards. A final part, called for, was published in 1917 not present. Part I: [7 sheets] titlepage, general introduction, introduction to plates 1-4, 4 plates: (Fenster aus dem nördlichen Seitenschiffe des Domes zu Köln) window in the northern side aisle of the dome in Cologne. Part II: [7 sheets] titlepage, introduction to the plates 5-8, 4 plates:(Fenster aus dem nördlichen Querflügel der Kollegiatskirche des hl. Michael und der hl. Gudula in Brüssel) window in the north trancept of the collegiate church of St Michael and St Gudula in Brussels. Part III: [8 sheets] titlepage, introduction to plate 9, plate, introduction to plate 10, plate, introduction to plates 11-12, 2 plates. Plate 9: (Fenster der Stürtzelkapelle im Chore des Freiburger Münster) window in the Stürtzel-chapel of the Minster in Freiburg; plate 10: (Das St-Annen-Fenster im Alexander-Chörlein des Freiburger Münsters) the window of St Anne in the Alexander-Chörlein of the Minster in Freiburg; plates 11-12: (Fenster im Chore der Stiftskirche Unserer Lieben Frau zu Kyllburg) choir window in the church of Our Lady in Kyllburg. Part IV [not present] Plate13: (Rathaus in Emden. Fenster der Waffenhalle) city hall in Emden, window of the armoury; plates 14-15: (Nürnberg. Lorenzkirche, Fenster im Chor) Nuremberg, choir window in the church of St Lawrence; plate 16: (Soest. Patroklikirche, Fenster im südlichen Querschiff) Soest, window in the south trancept of the church of St Patrokli. 650 by 480mm (25½ by 19 inches). Repaired on spine to make a good copy with ribbon ties. Internally some scattered foxing. Original wraps and tissue guards worn at edges else a good set. .

      [Bookseller: Janette Ray]
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        The Novel

      Edinburgh: John Grant, 1911. Leather_bound. Twelve volumes. Octavo. The Writings and Novels of Jane Austen. Winchester Edition. Illustrated to frontispiece, Bound in half red morocco between marbled boards, top edge gilt, raised bands, gilt panels to spine. Fine.

      [Bookseller: Imperial Fine Books]
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        Untersuchungen und Rekonstruktionen an Altchristlichen Kultbauten in Salona.

      At head of title-page: K.K. Österreichisches Archäologisches Institut. 71 pp. text discussing the reconstruction of the Early Christian remains in the city now located in modern-day Croatia, including descriptions of the basilicas and other structures, 158 text illustrations (some full-page), showing reconstructions, floor plans, ornamental details, etc., 3 plates (1 color) showing maps, floor plans, and a mosaic pattern. Small folio. Wrpps., text partially detached. Vienna 1911.

      [Bookseller: F.A. Bernett Books]
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        Csoda Album: A Pesti Napló.

      131 pp. volume of Hungarian fairy tales, with 17 stories by Gyula Pekár, Aladár Fodor, Ernö Dezsö, Viktor Cholnoky, Séndor Hunyadi, Guuila Szini, et. al., illustrated throughout with decorative initials, 20 illustrations in decorative botanical borders, each initialed H.A., and 12 full-page plates in brilliant colors by Heinrich Lefler and Joseph Urban. Several pages with small tears along bottom edge. 4to. Green cloth with Art Nouveau decorative endpapers, embossed gilt decoration to cover, bumping to extremities, wear along bottom edge of spine, spine slightly shaken. Budapest (Viktor Hornyánszky/Martos Adolf) 1911.

      [Bookseller: F.A. Bernett Books]
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        [Binding] Works ... Introductions and photographic illustrations by Clifton Johnson [comprising Walden / A Week on the Concord and Merrimack Rivers / The Maine Woods / Cape Cod / Excursions

      London George G. Harrap [through 1912] 1911 Complete in five volumes. Thick 8vo: xvi,440; [4],xxii,492; xiv,423,[1]; xii,319,[1]; viii,303,[1]pp, with 33 full-page halftones, including the frontispiece, in each volume (165 in total). Publisher's finely woven forest-green pictorial cloth, elaborate art nouveau title frames stamped in gilt and copper on spines and upper covers, title pages in red and black, protective tissue guard over frontispieces. Virtually pristine, square, tight unmarked bindings; clean, fresh pages; rich photographic illustration. A splendid production and scarce: COPAC and WorldCat list only BL. Borst A1.11.b, A2.12.c, A3.6.b, A4.6.b, and A5.6.b Fine

      [Bookseller: Fine Editions Ltd.]
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        Ethan Frome

      New York Charles Scribner's Sons 1911 First Issue, with "wearily" unbroken on penultimate line p.135 and top edge gilt. Small 8vo: [6],195,[5, four of which advertisements]pp. Publisher's crimson cloth, spine and upper board stamped gilt, fore- and bottom edges untrimmed, title page in red and black. A superb copy, bright, square and tight. Garrison A 19.I.a. Johnson, High Spots, pp 76-77. Auchincloss, The Edith Wharton Reader, p. 21. Fine

      [Bookseller: Fine Editions Ltd.]
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        Das Staatsrecht des Deutschen Reiches.

      Tübingen, Verlag von J. C. B. Mohr (Paul Siebeck), 1911-14. 5., neubearb. Aufl. 4 Bde. Gr.-8vo. (1:) XII, 532; (2:) III, 318; (3:) III, 524; (4:) IV, 670 S. Zeitgenössische Halblederbände mit Lederecken. (Ebde. etw. berieben und bestoßen). Letzte Auflage des großen Werkes von Laband! - Laband (1838-1918) war der führende Staatsrechtler des deutschen Kaiserreichs, seit 1864 a.o. Prof., ab 1866 o. Prof. in Königsberg, ab 1872 dann bis zu seiner Emeritierung Prof. in Straßburg. - Das vorliegende Hauptwerk erschien zuerst in den Jahren 1876-1882. Die Gründung des Norddeutschen Bundes 1866 und der sog. preußische Verfassungskonflikt brachten Laband zur intensiven Beschäftigung mit dem Staatsrecht, das eigentlich erst durch Labands methodischer Begründung auf rechtspositivistischen Grundsätzen als solches bezeichnet wird. Er entwickelte seine Methode in Anlehnung an das Privatrecht und wollte die juristische Betrachtung des Staates von naturrechtlichen und philosophischen Spekulationen befreien. Mit dem vorliegenden Werk gilt Laband somit als der Begründer des modernen Staatsrechts, für das er (gemeinsam mit Felix Stoerk und Georg Jellinek) mit dem von ihm 1886 geschaffenen \"Archiv für öffentliches Recht\" zudem eine wirkungsmächtige institutionelle Plattform schuf. Versand D: 2,00 EUR

      [Bookseller: Antiquariat + Verlag Klaus Breinlich]
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        Catulli, Tibulli, Properti carmina quae extant omnia cura Robinson Ellis, Joannis Postgate, Joannis S. Phillimore, apud P.H. Lee Warner Mediceae Societatis Librarium * VORZUGSAUSGABE in G A N Z P E R G A M E N T

      London, Lee Warner Medicae Societatis Librarium, 1911 - Vollständige Ausgabe im original Verlags-Handeinband: flexibles Ganzpergament GPgt / Pgt im Format 17 x 25 cm mit Kopfgolddschnitt, Rücken- und Deckeltitel in Goldprägung sowie Zeichenband, unbeschnittener Buchblock mit grünen Schließbändern. Eines von 1000 numerierten Exemplaren auf klanghartem Büttenkarton der Ricardi Press mit entsprechendem Wasserzeichen. Hervorragendes Druckerzeugnis in der Nachfolge von William Morris und der Arts- and Crafts-Bewegung. 4Bl., 318 Seiten, mit Pressensignet in Gründruck. Expl.Nr.120. - Exemplar der Vorzugsausgabe in sehr guter Erhaltung (Einband minimal fleckig, sonst sehr gut). - "Warum handgebunden? - Die wesentlichsten Vorzüge des guten Handbandes sind: Die einzelnen Druckbögen werden mit der Hand nach dem Schriftspiegel gefalzt. Die Bogenränder werden dadurch zwar ungleich, aber das Satzbild steht gerade. Um infolge der ungleichen Ränder ein späteres zu starkes Beschneiden mit der Maschine zu vermeiden, werden die Bogen einzeln, vorne und unten, mit der Pappschere auf ein Mittelmaß rauh beschnitten. Dadurch wird der Druckrand weitestgehend geschont. Als erste und letzte Lage wird dem Buche zum Schutze eine leere Papierlage hinzugefügt, welche mit einem feinen Leinen- oder echten Japanpapierfalz versehen ist. Geheftet wird der Handband nach sorgfältiger Auswahl des Heftzwirnes auf echten erhabenen oder aufgedrehten flachen Bünden und auf Pergamentriemchen (welche beim Pergamentbande durch den Rücken gezogen werden). Oben wird das Buch beschnitten und erhält nicht nur der Schönheit willen Goldschnitt, sondern diese feine Metallschicht schützt vielmehr die dem Lichte und Staub am meisten ausgesetzte Schnittfläche vor deren schädlichen Einflüssen. Die Deckel werden in einem tiefen Falz angesetzt, mit den Bünden nach außen. Ein Herausreißen aus der Decke ist somit nur unter Zuhilfenahme von Werkzeug möglich. Als Einbandmaterial kommen sumachgares, lichtechtes Saffian, Kalbleder, vereinzelt auch Rindsleder, ferner naturelles und weißes Schweinsleder sowie Kalbspergament zur Verwendung. Ein mit der Hand hergestelltes, dazupassendes Überzugpapier sowie Handvergoldung oder Blinddruck am Rücken ergänzen das Werk nach außen. Ein solcher Einband entspricht allen Anforderungen, die an einen Gebrauchsband gestellt werden können." Aus einem alten Prospekt von Richard Hönn, ehemals Handbinderei des Verlages Albert Langen, Werkstatt für feine Buchbinder- und Lederarbeiten in München, Dienerstrasse 14 - Bibliophilie, Handeinband, Meistereinband, englische Kunstbuchbinderei / Buchkunst im 20. Jahrhundert, römische Literatur, Catull, Tibull, Properz, Pressendruck Bitte beachten Sie: Auf Grund der besonderen Versandkostenvorgaben vom ZVAB und Abebooks, kann es bei schwereren oder mehrbändigen Werken zu höheren Portokosten kommen, da der Preis sich nicht am Gewicht, sondern nach der Anzahl der Artikel richtet. Sprache: Deutsch Gewicht in Gramm: 2000 [Attributes: First Edition; Soft Cover]

      [Bookseller: Galerie für gegenständliche Kunst]
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        Peter and Wendy

      London: Hodder & Stoughton,, [1911]. Illustrated by F. D. Bedford. Octavo. Original green cloth, titles and pictorial decoration to spine and upper board gilt. Frontispiece, illustrated title page, and 11 plates. Light rubbing to corners and ends of spine, rubbing to gilt to front board, occasional spotting to pages, inscription to front endpaper. A very good copy. First edition, first impression, first issue with the decorations and titles gilt. Peter and Wendy is an expanded adaptation into novel form of the story first made popular in the 1904 stage play Peter Pan, or The Boy Who Wouldn't Grow Up.

      [Bookseller: Peter Harrington]
 25.   Check availability:     Biblio     Link/Print  


        Fermina Marquez (envoi de l'auteur)

      Bibliothèque-Charpentier, Eugène Fasquelle 1911 - Edition originale, sur papier d'édition, après 6 Hollande, de ce roman d'adolescence, envoi autographe signé sur la page de faux-titre qui est légèrement plus courte "à Henri Ménabréa, en souvenir du bateau de la Restauration, du jeu d'Enfer, de la rue José Frappa, et d'autres choses d'une grande importance / Vlery Larbaud", Henri Ménabréa (1882-1968), avocat et historien, in-12, demi percaline de l'époque, couvertures et dos conservés (premier plat détaché, dos avec petit manque), 249 pages, bon état. Language: eng La librairie offre aux clients d'AbeBooks 15% de réduction sur l'ensemble de son catalogue. Prix d'origine : 1100.0 EUR. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: alain marchet]
 26.   Check availability:     AbeBooks     Link/Print  


        Flotte und Kolonie im Spiegel deutscher Dichtung.

      Wolfenbüttel, Heckners Verlag, 1911. - Strukturierter Original-Kartoneinband, 8°, 76 Seiten, alter Namenszug auf Titel, sonst sehr schönes und frisches Exemplar. Inhalt (mit biographischen Notizen der Autoren) u.a.: Artur Fitger: Die Auswanderer / Wilhelm Brandes: Deutsch-Afrika / Rudolf Presber: Die Helden vom Iltis / Wilhelm Poek: Deutsche Blaujacken for de Takuforts / Ernst von Wildenbruch: Stimme aus Afrika / Max Geißler: Afrikanische Reiterballade / Theodore von Rommel: Patrouillenritt / Albert Mummenhoff: Deutsche Kameradschaft / Detlev von Liliencron: Der Kampf um die Wasserstelle / Gustav Frensen: Der Kampf um die Wasserlöcher / Max Geißler: Am Totenhügel zu Sperlingspütz / Gustav Frensen: Der Grasbrand / Max Geißler: Reitergrab in Südwest / Felix Dahn: Deutsches Koloniallied. Insgesamt 31 Gedichte. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Welwitschia Dr. Andreas Eckl]
 27.   Check availability:     ZVAB     Link/Print  


        Two Years before the Mast: A Personal Narrative (two volumes complete)

      Houghton Mifflin Company, Boston 1911 - Mild wear to edges of spines, Ex-libris John W. Masury bookplates in each volume, listing for this set from bookseller's catalogue tipped in to front pastedown ; One quarter brown gilt-tooled morocco spines and tips on marbled boards, 5 raised bands, marbled endpapers, top edges gilt, ribbon markers. Two page leaf from original manuscript tipped in. Color frontispieces (with tissue guards) , tipped-in B&W plates, Small drawings head each chapter, appendix, index. 2 short notes signed by Richard Dana laid in (one requesting room with a "pleasant prospect" at the "falls", the other inviting a Dr. R. H. Salter to tea). Limited edition (Large Paper Edition no. 154 of 350 copies). Photo available on request; 8vo; xiv + 553 pages; Signed by Author [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Wickham Books South]
 28.   Check availability:     AbeBooks     Link/Print  


        Old Chinese porcelain and works of art in China; being description and illustrations of articles selected from an exhibition held in Shanghai, November, 1908

      Cassell & Co., London & New York 1911 - First edition. Octavo. Hardcover. Very good: some foxing to free endpapers, corners lightly bumped and slight rubbing. 160 Pages, 120 plates in black and white showing multiple items. A.W. Bahr was born in Shanghai in 1877 to a German father and a Chinese mother. He founded the Central Trading Company with a friend in 1898. Throughout the next few years, he remained in China, organizing various art exhibitions with pieces from his own collection. Bahr moved to London, England in 1910, where he continued to exhibit art, finally moving to Canada with his family in 1946. Before his death in 1959, Bahr donated pieces of his collection to the Metropolitan Museum of Art, the Royal Ontario Museum of Archaeology, and the Montreal Museum of Fine Arts. An important and rare work! [Attributes: First Edition; Hard Cover]

      [Bookseller: Meijering Art Books]
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        Queen of Spades].

      P. Golike and A. Vilborg Skt. Peterburg 1911 - Folio (30 x 24 cm). [4] half titles, XXII incl. title, 68 pp., with 8 plates in colour and many colour illustrations in text, all by Benois; occasional spotting. Original publisher's cream boards with blind, black and gilt panel decoration, top edge gilt; a bit rubbed, lower spine skillfully renewed. First edition with the famous illustrations by Benois. Tchaikovsky's materpiece based on Pushkin's 'Pikovaya dama' was Benois' favorite opera. Although he provided some of the décor for a 1903 production, it was not until May 1921 that Benois (1870-1960), a founding member of 'Mir Iskusstva', produced and adapted Tchaikovsky's libretto and designed all the sets and the costumes for the State Theater for Opera and Ballet in Petrograd. These illustrations dating from a decade before obviously influenced the 1921 production. Gubar 100. [Attributes: First Edition; Hard Cover]

      [Bookseller: Shapero Rare Books]
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        THE PHOTOGRAPHIC HISTORY OF THE CIVIL WAR IN TEN VOLUMES Semi-Centennial Memorial

      Review of Reviews Company. Very Good. 1911. Hardcover. Very Good set of ten volumes, light wear to spine ends and corner tips. No names or marks. ; 10.90 X 8.30 X 1.30 inches; 3528 pages .

      [Bookseller: Elders Bookstore]
 31.   Check availability:     Biblio     Link/Print  


        Important Autograph Letter about Franck and "False Genius"

      Used; Like New/Used; Like New. A fascinating and important autograph letter from the French composer, organist, pianist, and conductor to an unidentified friend, revealing his opinions on the music of César Franck and on the nature of true and false genius. Writing on February 6, 1911 from Algiers, where five of his operas had been staged that winter, Saint-Saëns begins his letter by mentioning his educational background: "Did I tell you that I was never in the piano class at the Conservatory, where my teacher [Camille-Marie] Stamaty was not a professor?" After recommending piano etudes by Josefy and Phillipp, he goes on to dissuade his correspondent from learning pieces by Franck (who had died in 1890): "Seeing as the music of Franck is causing you so much trouble to learn, then don't learn it - who's forcing you? In general, I find Franck's music as boring as it is worthy... An artist whose work never laughs is not a genius." Franck, according to Saint-Saëns, is one of "a clan of false geniuses who are poisoning our era." This group, in which Saint-Saëns includes artists Pierre Puvis de Chavannes and Auguste Rodin, do not "dare to descend from their pedestals." A rather damning condemnation of a composer for whom he had once advocated, the letter also shows Saint-Saëns' sense of humor, as he finishes: "Now, if I am talking nonsense, keep it to yourself. For I don't know that Michelangelo ever showed much gaiety; but who would dream of calling him boring?"<br style="">On the letterhead of the Excelsior Hotel, Algiers, dated February 6, 1911. 2 pp. Creases, one small tear on the horizontal crease, some wear to the edges, and light toning; overall in very good condition. 8 x 10.5 inches (21 x 27 cm).  Full translation as follows:<br>"My dear friend,  It seems to me that I forgot to talk to you about the piano. Did I tell you that I was never in the piano class at the Conservatory, where my teacher Stamaty was not a professor? I only ever won the organ prize. -- Regarding the way to acquire a brilliant technique, I recommend Josefy's exercises, published by Schirmer in New York; there are also those by Philipp which are excellent (Paris-Durand.) But all these exercises are intended for those who already have talent. For others, there are the old Czerny exercises which are always good.Seeing as the music of Franck is causing you such trouble to learn, then don't learn it - who's forcing you? In general, I find Franck's music as boring as it is worthy; it's like those honest people whose company would put you off from honesty. I was for it when people were unjustly against it, when people were disdaining it, but now that everyone wants to make it a work of genius, I don't [like?] it any more. An artist whose work never laughs is not a genius. César, along with Puvis de Chavannes and Rodin, is one of the clan of false geniuses who are poisoning our era. They are not Homers, Virgils, Beethovens, Mozarts; even Bach knew how to suit the occasion. The true geniuses know that even if they fail, they [will rise again???;] the false do not dare to descend from their pedestals.Now, if I am talking nonsense, keep it to yourself. For I don't know that Michelangelo ever showed much gaiety; but who would dream of calling him boring?Yours, C. St-S"

      [Bookseller: Schubertiade Music & Arts]
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        Quaderni d'Anatomia I - VI. ... Tredici Fogli della Royal Library di Windsor ... Pubblicati da Ove C.L. Vangensten, A. Fonahn, H. Hopstock. Con Traduzione Inglese e Tedesca.

      Kristiania, Dybwad 1911 - 1916. Folio. 25 pl. + 24 pl. + 20 pl. + 32 pl. + 26 pl. + 23 pl. Orig. typogr.kartonbd. Noen av bindene litt brunet, pen materie. Nr. 188/ 248

      [Bookseller: Norlis Antikvariat]
 33.   Check availability:     Antikvariat     Link/Print  


        The Novels [Works] of Jane Austen. Include: Sense and Sensibility, Pride and Prejudice, Northanger Abbey, Mansfield Park, etc.

      Edinburgh: John Grant, 1911. - The Winchester Edition. Complete in 12 volumes including the 2 volumes of Miss Austens's Letters; large octavo, frontispiece portrait to volume one, title pages printed in red and black with vignette illustration. Elegantly hand-bound in half dark blue calf with raised bands, gilt titles and gilt to spines in six compartments; marbled sides; top edges gilt, others untrimmed. Some light toning and occasional spotting to first and final leaves; externally unmarked. Considered to be the best edition of Jane Austen's works, this is a fine set in an attractive recent leather binding. [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Ltd, PBFA, ABA, ILAB]
 34.   Check availability:     IberLibro     Link/Print  


        OIL FIELDS OF NEW ZEALAND, WITH SOME CRITICAL NOTES ON THE COLONIAL OIL SITUATION OF TO-DAY

      London: Bradbury, Agnew & Co. Ltd., 1911., 1911. First edition. First edition. Thick 8vo. Inked presentation inscription from the author on the front fly leaf. Original dark green cloth with beveled edges, titles and decorative devices stamped in gold gilt and black on front cover and spine, xxvi, 337 pp., plus xix pages of oil-related advertisements, folding frontispiece, author's note, illustrated, plates, portraits, diagrams, maps, teg., advertisements. Swanson page 62 says "Endeavors to develop oil production in New Zealand, beginning near close of 1865; review of shale oil industry of New Zealand." Henry produced a number of extensive studies on the oil industry in the early 20th Century, all of which are very scarce. The publisher's catalogue at the rear is quite interesting and certainly reflects the technology of the day. Included in this volume are 4 portraits with annotated tissue guards intact, with 32 illustrations, and 10 maps and diagrams. Two former owner's names at top of front fly leaf, scattered foxing throughout although more so near the front and near the edges of the volume, else a very good copy of a scarce book.

      [Bookseller: BUCKINGHAM BOOKS]
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        A revised catalogue of the indigenous flowering Plants and ferns of Ceylon

      Colombo : H.C. Cottle, Govt. Printer, 1911. First Edition. Fine copy in the original title-blocked, lined-backed plain boards. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series; Ann. R. Bot. Gard. Peradeniya, v. Peradeniya manuals of botany, entomology, agriculture and horticulture ; no. 2. Physical description; 188 p. ; 24 cm. Subjects; Sri Lanka. Floras. Angiospermae. Ferns. Pteridophyta. Botany - Sri Lanka. Ferns - Sri Lanka. Botany - Ceylon. Ferns - Ceylon. Botany - Indexes - Sri Lanka. Filices - Indexes - Sri Lanka. Plant names, Popular - Sinhalese. Plant names, Popular - Tamil. Genre; text.

      [Bookseller: MW Books Ltd.]
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        A Book of Children's Verse.

      London: Henry Frowde, Hodder & Stoughton,, [1911]. Illustrated in Colour by M. Etheldreda Gray. Quarto. Original full vellum over bevelled boards, spine and front cover lettered and decorated in gilt, top edges gilt, others untrimmed. Decorative title page designed by W. G. Easton, colour frontispiece and 19 colour plates by M. Etheldreda Gray (with captioned tissue guards) tipped-in on Japanese vellum sheets printed with a gold border. A few light blue marks on back cover, covers just slightly dished. An excellent copy. First and limited edition, number 37 of 100 numbered copies signed by the illustrator. Millicent Etheldreda Gray (1873-1957) is little known but her charming work here is full of atmosphere; she also illustrated an edition of Louisa May Alcott's Little Women.

      [Bookseller: Peter Harrington]
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        The Phantom of the Opera.

      New York, Indianapolis: The Bobbs-Merrill Company, 1911. First edition, first printing with the printer's imprint "Press of Braunworth & Co. Bookbinders and Printers Brooklyn, N. Y." at bottom of copyright page. Octavo, original cloth, publishers tissue guard. Illustrated by Andre Castaigne with one single-page and four double-page inserted plates with color illustrations. In near fine condition with light shelfwear. A very nice example. Modern audiences are well acquainted with Gaston Leroux's infamous Phantom of the Opera, the tale of Erik, a horrifically disfigured man who lives in the underground beneath the Paris Opera House, where his creative genius mingles - and festers - with madness. First published in 1910, the Phantom's obsessive and consuming love for the beautiful young chorus girl Christine has captivated readers, film goers and musical theater fanatics for over 100 years. The Phantom of the Opera has become the source for numerous adaptations, including the 1925 film starring Lon Chaney and Andrew Lloyd Webber's Tony Award-winning musical.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 38.   Check availability:     Biblio     Link/Print  


        Proceedings Of The Dorset Natural History & Antiquarian Field Club. Complete Set of 32 Volumes. Volumes I - XXXII.

      Dorset Natural History & Antiquarian Field Club 1877 - 1911 1st Editions - 32 Volumes. Hardbacks. Each size 5.25 x 8.5 inches. In green cloth covers with gilt lettering and decorations to spine. Blind embossed decorative edging to boards. Black/brown endpapers. In very good conditions. Ex library set (with exception of vols. V-IV.) with some labels and label remnants to endpapers. Some stamps to verso of pages and some plates. Some rubbing to extremities, ends of spine, corners slightly bumped. Hinges slightly cracked on v.1 with repair to rear hinge. Some hinges cracked on other volumes. Some miunor marks to pages but otherwise clean and tight. Illustrated with many photographs, chromolithographic plates, illustrated plates, line drawings. Includes articles on Museum, Sir George Somers, Cranborne, Dorchester Gallows, Dorset Volunteer Force, Lobsters, Old House Piddletown, Saxon Saints, Memorial Brasses & much more.

      [Bookseller: PROCTOR / THE ANTIQUE MAP & BOOKSHOP]
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        Origin and History of Beer and Brewing. From prehistoric times to the beginning og brewing science and technology. A critical essay. Illustrated.

      Chicago, Alumni Ass. of the Wahl-Henius Institute of Fermentology, 1911. 4°. XVI + 411 S. OLwd. In engl. Sprache. First Impression. Mit eighd. Signatur u. gestempelter Widm. a. Schmutztitel. - Ebd. etw. fleckig, berieben, leichte Gbrsp. Schönes Expl. mit zahlreichen Illustrationen. - Cover a little spotty, some rubbing, little signs of use. Versand D: 7,00 EUR Bier; Hauswirtschaft; Kochbücher

      [Bookseller: Antiquariat Weinek]
 40.   Check availability:     buchfreund.de     Link/Print  


        THE ARAN ISLANDS; IN WICKLOW, WEST KERRY AND CONNEMARA; FOUR PLAYS AND POEMS; TWO PLAYS. (4 Volumes)

      Maunsel and company, Dublin 1911 - Maunsel & Company, Dublin, 1911. 4 volumes which have been bound as a matching set in 1/2 vellum with beautiful blue marbled boards. Gilt titles to spines. Top edges gilt, other edges Deckled. 'THE ARAN ISLANDS' is the library edition, with 12 b/w drawings by Jack B. Yeats. Many of the pages are uncut and the book is bright and clean apart from some occasional foxing.'IN WICKLOW.' is a first edition, with drawings by Jack B. Yeats. very clean internally and in near fine condition. 'FOUR PLAYS AND POEMS' includes'The Shadow of the Glen', 'Riders to the Sea', 'The Well of the Saints', and 'The Tinker's Wedding', plus 50pp of poems. Some pages uncut and occasional foxing. 'TWO PLAYS' includes 'The Playboy of the Western World' and 'Dierdre of the Sorrows'. Together, these volumes make a very handsome little set which seem to have been produced specially and are in very good+ condition. Each volume has an ex libris label pasted to the fep. [Attributes: Hard Cover]

      [Bookseller: Serendipity books]
 41.   Check availability:     AbeBooks     Link/Print  


        Stories from Hans Andersen

      New York and London: Hodder and Stoughton,, 1911. Quarto. Finely bound by The Chelsea Bindery in dark blue morocco, titles and decoration to spine gilt, pictorial title block to front board gilt, single rule to boards gilt, dark green endpapers, inner dentelles gilt, gilt edges. With 28 tipped in colour plates. First English trade edition.

      [Bookseller: Peter Harrington]
 42.   Check availability:     Biblio     Link/Print  


        Ethan Frome

      

      [Bookseller: Jeffrey H. Marks Rare Books]
 43.   Check availability:     Biblio     Link/Print  


        Intellectual World. Gallery of Contemporaries in the realm of Arts and Sciences.

      Adolf Ecksteins Publishing House. Berlin-Charlottenburg. No date c. Large folio 18 inches x 12 inches 1911 - Title, [Preface] + 64 very fine photogravure portraits on India paper, each with a leaf of biography, and most with a facsimile signature within the plate-mark, 8 portraits lack the biographical text. Publisher's extraordinary pictorial cloth on heavy, padded boards, the rear cover with a large damp-mark not affecting the interior, the front cover with a few small spots and streaks at the lower edge, joints firm, scattered foxing, top edges of the plates dusty because of the thickness of the paper, overall in good plus condition. *The series of plates, ordered alphabetically, begins with George V and Queen Mary, followed by Edward VII and Queen Alexandra, followed by 60 contemporary eminents, all male, of whom 51 were physicians and surgeons, 2 were scientists, 3 military and 4 in law and politics. Most of the copies in UK academic libraries appear to differ one from the other, and they may well have been made up to order. [Attributes: Hard Cover]

      [Bookseller: Patrick Pollak Rare Books ABA ILAB]
 44.   Check availability:     AbeBooks     Link/Print  


        Photograph Album Documenting an American Actor's Tour of Southeast Asia

      China, Japan, Burma, Malaysia, and India, 1911. Photograph Album. Very Good. The album measures 8" x 6" and contains 52 pages with approximately 130 photographs of varying sizes. The photographs are in nice shape as are the album pages, however most of the album leaves have cleanly separated from the binding. The album documents John Wilmuth Merkyl's participation in a theatrical tour of Southeast Asia during 1911. Early in his career, Merkyl (sometimes spelled Merkel) was an actor in operettas and later became a popular early silent movie star. When Merkyl compiled this album, he was touring with the Bandman Theater Company (owned by Maurice E. Bandmann, an American expatriate from Montana) in one of its troupe's circuits through Asia where it owned a number of theaters. Although Merkyl's name does not appear in this album, it comes from the estate of one of his descendants and contains several photographs of him as a young man. Most of the photographs are vernacular, however a few are commercial. The images include members of the troupe, theaters (Bombay, Rangoon, Kuala Lampur, Singapore, Tokyo, Osaka), hotels (Albany Hotel in Calcutta, Minto Mansions in Rangoon, the Royal Selangor), the Indian Coronation Ceremony (Durbar) for King George V and Queen Mary, tourist sights and scenes (temples, gardens, city streets, countryside), transportation (sedan chairs, rickshaws, junks, sampans, trains, oxcarts, donkeys), severed heads, children, markets, soldiers, buildings (pagodas, thatched huts, a cockfight), an impromptu performance on a ship, and more. A unique record of theatrical entertainment during the heyday of the British Empire.

      [Bookseller: Read 'Em Again Books, ABAA]
 45.   Check availability:     IOBABooks     Link/Print  


        Peter Rabbit's Painting Book.

      London: Frederick Warne and Co.,, 1911. Octavo. Original green boards, titles to front board and spine in white, pictorial illustration to front board, illustrated endpapers. With the printed glassine dust jacket. Housed in a green cloth solander box. With 12 coloured illustrations and 12 outline illustrations for colouring. Small gift inscription to the title page. An exceptional copy in the jacket with a few minor nicks to extremities. First edition, first impression with glassine dust jacket not advertising any books, priced one shilling net. The first of three painting books issued by Potter.

      [Bookseller: Peter Harrington]
 46.   Check availability:     Biblio     Link/Print  


        The Phantom of the Opera

      New York: The Bobbs-Merrill Company, 1911. First Edition. Hardcover. Very Good. First edition, first printing; with Braunworth & Co. slug at bottom of the copyright page. Very Good, with all plates present. Lightly soiled binding with rubbing to stamping on spine, a bit of wear to early pages, and several creased corners throughout. Presents well.

      [Bookseller: Burnside Rare Books]
 47.   Check availability:     Biblio     Link/Print  

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