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Displayed below are some selected recent viaLibri matches for books published in 1900

        Blüthe und Frucht in dekorativer Anordnung. Nach der Natur aufgenommen. Eine Sammlung von Studien für das moderne Kunstgewerbe, enthaltend Friese, Pilaster, Flächenmuster, Füllungen, Gehänge, Stilleben und dergleichen nach natürlichen Pflanzen und Geräthen.

      Berlin and New York: Bruno Hessling, n.d. [circa 1900]. Folio, title-page, 36 b&w heliotypes tinted with yellow. Disbound plates housed in a quarter blue cloth portfolio with beige paper boards printed in raw umber with floral illustrations, and cloth ties. Portfolio is a bit rubbed around the edges, some minor foxing to the edges of the leaves, else a very good copy with bright plates. A collection of floral and fruit arrangements for the modern arts and crafts industry, including friezes, pilasters, bas-reliefs, wall decor, hangings, surface patterns, et al., in resplendent art nouveau style. Behrens was the artist renowned for his iconic image "The Kiss" (Der Küss) 1898.

      [Bookseller: John Windle Antiquarian Bookseller]
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        London to Ladysmith via Pretoria. New impression.

      - London, Longmans, Green, and Co., 1900, in-8, tela edit. figurata (segni di usura, cerniere consumate), pp. XIV, 498, [2], 30. Con 4 carte geografiche, una a colori ripiegata in antiporta, due ripiegate f.t., una a piena pagina compresa nella paginazione. La carta a colori in antiporta presenta un strappo trasversale (riparabile e senza perdite). Firma di possesso sulla prima carta bianca: Gordon Walker. Invio autografo di Winston Churchill sull'occhietto (o a Walker stesso o a un familiare). Allegato certificato di autenticità dell'autografo di Churchill. [Attributes: Hard Cover]

      [Bookseller: Libreria Oreste Gozzini snc]
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        Fleur de pres." Statue mit Pendeluhr. (Jugendstilfigur , Frau mit wehendem Gewand )

      vermutl Paris, ca 1900 - Höhe: ca. 75 cm, Metallstatue mit Steinsockel, mit Metallschild mit Namen des Künstler und Titel der Figur, Signatur des Künstlers im Metall-Sockel --Auguste Moreau (1861 - 1906) Pendel mit Schaden, Uhr vermutl. reparaturbedürftig, aber alle Teile vorhanden +++Antiquariat seit 30 Jahren+++

      [Bookseller: Der ANTIQUAR in LAHR, Werner Engelmann]
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        Tekko.

      - [German], [circa 1900]. Oblong folio, unpaginated, full-page silk wallpaper samples in metallic tones, with numbers stamped to verso, distributor's price list affixed to front pastedown. Original bolted black cloth, brown paper boards, company logo printed in gilt to upper board. Edges slightly worn, backstrip has a tear at the head, ink stain on upper board; internally very good. A wallpaper sample book, comprised of German wallpaper samples in art nouveau style. Silk and fabric wallpaper styles are in many colors and all have a shiny metallic quality. [Attributes: Hard Cover]

      [Bookseller: John Windle Antiquarian Bookseller, ABAA]
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        Brücke im Hamburger Hafen. Ölgemälde auf Pappe, links unten monogrammiert, verso handschriftlich bezeichnet.

      Bildmaß ca, 30 x 23 cm ( Höhe x Breite ). Rahmenmaß ca. 41 x 34,5 cm. Das in dunklen Farben gemalte Bild einer nicht nähere bezeichneten Brücke im Hamburger Hafen von guter Erhaltung, rechts unten mit *C.G. * monogrammiert. Verso auf der Rückwand mit alten handschriftlichen Angaben ( möglicherweise durch den Künstler ) *Nr. 265, 30 x 23, Carlos Grethe, Brücke im Hamburger Hafen *. Das Gemälde von guter Erhaltung, der schöne Rahmen bestoßen und etwas fleckig. Wohl um 1900 gemalt. ( Literatur u.a.: Der Neue Rump: Hamburgisches Künstlerlexikon, Seite 156 )

      [Bookseller: Antiquariat Friederichsen]
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        Zur Theorie des Gesetzes der Energieverteilung im Normalspectrum.

      Leipzig: Johann Ambrosius Barth, 1900. First edition of the first appearance of Planck's revolutionary quantum theory, arguably the most important development in twentieth-century physics. "In this important paper [Planck] stated that energy flowed not in continuous, indefinitely divisible currents, but in pulses or bursts of action [or quanta]" (Dibner). This hypothesis "contradicted the mechanics of Newton and the electromagnetics of Faraday and Maxwell. Moreover it challenged the notion of the continuity of nature" (PMM). In this paper Planck uses his eponymous constant h, the quantum of action, to explain the observed distribution of energy as a function of frequency in the radiation emitted by a black body. Although Planck's new theory was initially resisted by many in the scientific community, it gained acceptance after Einstein used the constant h to explain the photoelectric effect in 1905, and after Niels Bohr applied it in 1913 to explain the spectrum of the hydrogen atom. The importance of quantum theory is impossible to overstate: it not only revolutionized theoretical physics, but also technology and hence everyday life: modern inventions based on quantum theory include the laser, the transistor, the electron microscope, and magnetic resonance imaging - the entire electronics industry is based on it. "In 1859-60 [Gustav] Kirchhoff had defined a blackbody as an object that reemits all of the radiant energy incident upon it; i.e., it is a perfect emitter and absorber of radiation. There was, therefore, something absolute about blackbody radiation, and by the 1890s various experimental and theoretical attempts had been made to determine its spectral energy distribution--the curve displaying how much radiant energy is emitted at different frequencies for a given temperature of the blackbody. Planck was particularly attracted to the formula found in 1896 by his colleague Wilhelm Wien at the Physikalisch-Technische Reichsanstalt (PTR) in Berlin-Charlottenburg, and he subsequently made a series of attempts to derive "Wien's law" on the basis of the second law of thermodynamics. By October 1900, however, other colleagues at the PTR, the experimentalists Otto Richard Lummer, Ernst Pringsheim, Heinrich Rubens, and Ferdinand Kurlbaum, had found definite indications that Wien's law, while valid at high frequencies, broke down completely at low frequencies. "Planck learned of these results just before a meeting of the German Physical Society on October 19 [1900]. He knew how the entropy of the radiation had to depend mathematically upon its energy in the high-frequency region if Wien's law held there. He also saw what this dependence had to be in the low-frequency region in order to reproduce the experimental results there. Planck guessed, therefore, that he should try to combine these two expressions in the simplest way possible, and to transform the result into a formula relating the energy of the radiation to its frequency. "The result, which is known as Planck's radiation law, was hailed as indisputably correct. To Planck, however, it was simply a guess, a "lucky intuition." If it was to be taken seriously, it had to be derived somehow from first principles. That was the task to which Planck immediately directed his energies, and by December 14, 1900, he had succeeded--but at great cost. To achieve his goal, Planck found that he had to relinquish one of his own most cherished beliefs, that the second law of thermodynamics was an absolute law of nature. Instead he had to embrace Ludwig Boltzmann's interpretation, that the second law was a statistical law. In addition, Planck had to assume that the oscillators comprising the blackbody and re-emitting the radiant energy incident upon them could not absorb this energy continuously but only in discrete amounts, in quanta of energy; only by statistically distributing these quanta, each containing an amount of energy hν proportional to its frequency ν, over all of the oscillators present in the blackbody, could Planck derive the formula he had hit upon two months earlier. He adduced additional evidence for the importance of his formula by using it to evaluate the constant h (his value was 6.55 × 10−27 erg-second, close to the modern value of 6.626 × 10−27 erg-second), as well as the so-called Boltzmann constant (the fundamental constant in kinetic theory and statistical mechanics), Avogadro's number, and the charge of the electron. As time went on physicists recognized ever more clearly that--because Planck's constant was not zero but had a small but finite value--the microphysical world, the world of atomic dimensions, could not in principle be described by ordinary classical mechanics. A profound revolution in physical theory was in the making. "Planck's concept of energy quanta, in other words, conflicted fundamentally with all past physical theory. He was driven to introduce it strictly by the force of his logic; he was, as one historian put it, a reluctant revolutionary. Indeed, it was years before the far-reaching consequences of Planck's achievement were generally recognized, and in this Einstein played a central role. In 1905, independently of Planck's work, Einstein argued that under certain circumstances radiant energy itself seemed to consist of quanta (light quanta, later called photons), and in 1907 he showed the generality of the quantum hypothesis by using it to interpret the temperature dependence of the specific heats of solids. In 1909 Einstein introduced the wave-particle duality into physics. In October 1911 Planck and Einstein were among the group of prominent physicists who attended the first Solvay conference in Brussels. The discussions there stimulated Henri Poincaré to provide a mathematical proof that Planck's radiation law necessarily required the introduction of quanta--a proof that converted James Jeans and others into supporters of the quantum theory. In 1913 Niels Bohr also contributed greatly to its establishment through his quantum theory of the hydrogen atom. Ironically, Planck himself was one of the last to struggle for a return to classical theory, a stance he later regarded not with regret but as a means by which he had thoroughly convinced himself of the necessity of the quantum theory. Opposition to Einstein's radical light quantum hypothesis of 1905 persisted until after the discovery of the Compton effect in 1922. "Planck was 42 years old in 1900 when he made the famous discovery that in 1918 won him the Nobel Prize for Physics and that brought him many other honours. It is not surprising that he subsequently made no discoveries of comparable importance. Nevertheless, he continued to contribute at a high level to various branches of optics, thermodynamics and statistical mechanics, physical chemistry, and other fields. He was also the first prominent physicist to champion Einstein's special theory of relativity (1905)" (Britannica). "Planck had the physical interpretation of his radiation law in hand before the middle of November 1900, but he presented his results first at the meeting of the German Physical Society in Berlin on 14 December 1900 in a contribution entitled 'Zur Theorie des Gesetzes der Energieverteilung im Normalspectrum' ('On the Theory of the Law of Energy Distribution in Normal Spectrum'). In this contribution he outlined in short 'the most essential point of the whole theory as clearly as possible' (p. 238) ... In his Atombau und Spektrallinien (1919), Arnold Sommerfeld called 14 December 1900 the 'birthday of quantum theory' ('Geburtstag der Quantentheorie', p. 213). He referred in particular to the fact which Planck had considered to be the 'most essential point' of his derivation of the blackbody radiation law: namely, the assumption that the energy is distributed among the cavity resonators only in integral multiples of finite energy elements ... Planck himself continued with his attempts to deepen the theoretical foundations and to elucidate the physical interpretation of his theory of blackbody radiation. In a paper, which he submitted to Annalen der Physik in January 1901 ['Über das Gesetz der Energieverteilung im Normalspectrum,' 4 Folge, 4 Band, pp. 553-563], Planck again presented the theoretical derivation of his radiation formula, introducing certain changes in his earlier treatment" (Mehra & Rechenberg, pp. 50-53). Dibner Heralds of Science 166; Evans 47; Grolier/Horblit 26a; Norman 1713; PMM 391a; Sparrow 162. Hermann, The Genesis of Quantum Theory (1899-1913), 1971. Mehra & Rechenberg, The Historical Development of Quantum Theory, Vol. 1, 1982. The most detailed account of the development of quantum theory remains Kuhn's classic Black-Body Theory and the Quantum Discontinuity, 1894-1912. In: Verhandlungen der Deutschen Physikalischen Gesselschaft im Jahre 1900, Zeiter Jahrgang, pp. 237-245. The entire volume offered here in a fine contemporary half calf binding over marbled boards with no repairs and no library markings at all. 4to (223 x 150 mm), pp vi 260. Fresh and clean throughout.

      [Bookseller: SOPHIA RARE BOOKS]
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        Contribution À l'Étude de la Perception Stéréognostique (Précieux Exemplaire De Pierre Janet)

      Genève Ch. Eggimann 1900 - In-8° relié, plats conservés, 82 [1] pp. Thèse de doctorat soutenue à Genève devant Flournoy, de cette élève de Claparède. Il s'agit de la thèse la plus importante de l'aube du XX° siècle sur la perception stéréognostique. Ce terme à été crée par Hoffmann dans sa thèse en 1883, passé à Strasbourg « Stereognotische Versuche, angestellt zur Ermittlung der elemente des gefuhlssinns ». La perception stéréognostique est la perception de la corporalité des objets par le toucher. [Attributes: First Edition; Hard Cover]

      [Bookseller: PRISCA]
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        Hunting

      J.M. Dent, London 1900 - One of 150 copies, of which this is number 20, bound into full vellum with gilt decoration to the boards and the spine. Illustrated throughout with litographic plates, one of which seems to be a duplicate laid in. Bound in ribbon marker. Slight curl to the boards; faint browning to the outer page edges. Size: 8vo [Attributes: Hard Cover]

      [Bookseller: Contact Editions, ABAC, ILAB]
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        WORKS (La Comedie Humaine).

      Philadelphia: George Barrie (Printed for subscribers), 1896-1900. - Illustrated by Remarque (double) frontispieces (except Vols. 50 & 51) and etchings. Nationale edition. "Memorial Edition of which there have been printed 100 copies; lettered A to Z and 1 to 74, issued in the interest of La Societe des Gens de Lettres for the Prix Barrie-Balzac", this set numbered "47" (red stamp each volume). Note: spine labels say "Edition Definitive". 53 volumes. Green Shot-silk, paper spine titles printed black and red, Japanese vellum, uncut and unopened. Signed by "C te de Larmandie" (M. le Comte de Larmandie, Secretary of La Societe des Gens de Lettres de France) in Volume One. Demy 8vo. Near Fine/No jackets, as issued. Foxed and faded spine labels (fading to red print), o/w mostly unopened, traces of wear to caps. A rare set in magnificent condition. Parisian Life (1-11); Private Life (12-22); Provincial Life (23-32); Military & Political (33-40); Philosophical & Analytical (41-47/48-9); Repertory (La Comedie Humaine) [50-51]; Les Contes Drolatiques (52-53). Royce: 546, 582, 1073, 1207, 2713, 2797. [Published price $848.00 December 1, 1914] (Barrie) Edition Price-List (8 pp) to accompany Book Catalogue, Part A (54 pp); November 24, 1981 Southeby's Lot 376, $4500; ABPC $5,500 1987 (52/53)]. [Attributes: Signed Copy]

      [Bookseller: OLD WORKING BOOKS & Bindery (Est. 1994)]
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        The Works.

      New York and London: D. Appleton & Company,, [c.1900]. With editorial introductions by Paul Leicester Ford, Edward Everett Hale, Capt. Alfred T. Mahan. 32 volumes, octavo (210 x 139 mm). Octavo. Contemporary dark blue half morocco, uniformly faded to tan, titles and floral decoration to spines gilt in compartments separated by raised bands, marbled boards and endpapers, top edges gilt, others untrimmed. With steel engravings in colour and in monochrome. Title pages printed in colour on vellum. Spines and boards a little rubbed, an excellent set. Mohican edition. This edition is limited to 250 sets of which this is number 52.

      [Bookseller: Peter Harrington]
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        [Wooden Box]: Let the Gold Dust Twins Do Your Work Circa 1900

      Syracuse, N.Y.: Fairbanks Gold Dust Washing Powder, 1900. Very Good. Pine box. Measuring 12" wide x 27.75" long x 8.25" deep. Stamped with five illustrations of the comic black African "Gold Dust Twins" ("Goldie" and Dustie") doing household labor, and with a color lithographic label illustrating the twins on one end. "Syracuse, N.Y." stamp on bottom of the box. Label is partially perished, a few modest cracks in the wood, and lacks the presumed wooden lid. The company's packaging featured the Twins beginning in 1890, and their image was used in the brand for approximately 60 years. Relatively early on the company switched to cardboard shipping boxes and thus the date attribution. The individual wooden panels of the boxes, decorative in themselves, have often been detached and framed, thus finding an intact box of this size and vintage is an uncommon occurrence.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        [Wooden Box]: Let the Gold Dust Twins Do Your Work. Circa 1900

      Syracuse, N.Y.: Fairbanks Gold Dust Washing Powder, 1900. Very Good. Pine box. Measuring 12" wide x 27.75" long x 8.25" deep. Stamped with five illustrations of the comic black African "Gold Dust Twins" ("Goldie" and Dustie") doing household labor, and with a color lithographic label illustrating the twins on one end. "Syracuse, N.Y." stamp on bottom of the box. Label is partially perished, a few modest cracks in the wood, and lacks the presumed wooden lid. The company's packaging featured the Twins beginning in 1890, and their image was used in the brand for approximately 60 years. Relatively early on the company switched to cardboard shipping boxes and thus the date attribution. The individual wooden panels of the boxes, decorative in themselves, have often been detached and framed, thus finding an intact box of this size and vintage is an uncommon occurrence.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Salesman's Sampler Album for Chromolithographic Transferware Decals

      - N.d., circa 1900. Folio, 42 by 29.5 cm. 108 leaves, nine of which are folding, containing hundreds of samples of ceramic transferware. The decals include flowers and bouquets, fruits, picturesque views (buildings, panoramas, bucolic settings, harbors, etc.), Chinoiserie imagery, human studies (lovely young maidens, seraphs, children, animals (birds and horses), ornaments (Rococo, geometric, Art Nouveau). These various categories are mostly grouped separately, notwithstanding the frequent overlap (animal studies will have a floral element, the views might be framed with ornament, etc.) The final section shows various decals on a brown or black background which heightens the visual impact of the decals. These decals are generally the more elaborate and/or more spectacular ones, and in this section, there is no particular subject category order as far as we can discern. Many of these, perhaps two-thirds, are identical in terms of their imagery, to chromolithographic die-cuts of the period, except here the samples are not die-cuts but rather impressed onto the sheets. The rest are transfer images that one might also see on furniture but are definitively not of a more general decorative usability -- they are not what one might find on greeting or trade cards of the period. The decals are of varying size, and the pages range from a single decal to up to 13, with the majority of pages having one or two and but for a small number of pages, there are four or less per page. Each of the decals is accompanied by a printed stamp with a stock number (which is inked). From this we know the source of the album was a German company, probably one based in Bavaria, which was known for its high level of chromolithography, but we can't unfortunately identify the specific enterprise. Lifting of the surface to some of the decals, with loss to the imagery of those decals affected as part of the color is transferred to the tissue guard. This affects only a small percentage of the decals, and never is there a complete loss, but rather, merely a flattening of the color in these images. Some of the tissue guards are sticking to the underlying leaves, or there is a general stickiness to guards, thus resulting in the aforementioned instances of lifting. One page has a small cut-out, which we assume was done to remove a single decal. Some paper loss to the cover pastedown. Overall, this remains an exciting, extraordinary collection of transferware ornament and decoration from around 1900. Hardcover. Cloth spine. Patterned paper pastedown on boards. [Attributes: Hard Cover]

      [Bookseller: White Fox Rare Books, ABAA/ILAB]
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        BUFFALO BILL'S WILD WEST AND CONGRESS OF ROUGH RIDERS OF THE WORLD

      [Paris, 1900. 77pp. including numerous illustrations, plus advertisements. Original pictorial wrappers. Some slight chipping and wear. Internally clean. Near fine. An unusual Paris edition of the program. Self-styled twelfth edition of this elaborate Wild West Show program, illustrated with woodcuts and halftones, including portraits of Gen. Custer and many Indian chiefs. One of the illustrations depicts the Wild West Show performers riding around the Coliseum. The front wrapper shows Buffalo Bill riding a white horse with the French tricolor and American flags in the background. Throughout the program are scores of additional photographs, including dramatic western scenes. The text features biographies, testimonials, stories of Buffalo Bill's exploits, and more. A good view of the West of the European imagination.

      [Bookseller: William Reese Company - Americana]
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        CHINA WITH INDEX.

      - [London n.d. ca.1900], Philips'. Red cloth folding case,very good, some old discoloration, else clean, solid, [24]p. + cover, case size 10 x 18.8 cm., color folding map opens to 67 x 53.8 cm., linen backed, very nice early work. SCARCE An excellent early folding map, with nice linen backing. The work is printed in color, and shows English Miles, Kilometers, Geographical Miles, and shows from about 84 degrees west to ca. 135 degrees east; from ca 12 degrees south up to ca 55 degrees north. This includes Sakhalin, Karafuto Hokkaido, all of Japan, Korea, stretching down through the Liu Kiu or Luchu Islands [Ryukyu or Okinawa]. to Formosa or Taiwan, and the tip of Luzon. The China Sea, showing all of China, from Hainan Island up the coast to Siberia [Russia], Korea, Manchuria, Koko Nor Mongolia, Chinese Turkistan, Tibet, India, Burma, Shan States, Laos & Tonking [North Vietnam]. * China area shows all provinces of China, with provinces done in green outline, shows a large number of small towns, villages, rivers, lakes, mountains, shipping lines, based on the London Geographic Institute projection. * This is a nice work, with cloth backing, easily opens and folds back into the cloth covers. * CONDITION: Very solid item, a small amount of covers discolored, else map is excellent and solid, with the index pages to the left, which are also very clean and solid. *

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Fleurs de serre

      - environ, 26,8x59cm, une feuille. - Litografia laminato a cartoni. 1900. Parte di una serie di quattro rappresentazioni simboliche femminili, fiori intitolato, che comprende Montagna Fiori, fiori di campo, acqua Fiori e fiori di serra. Firmato in basso a destra nella pietra. Secondo acquerelli esposti al Salon des Artistes 1893 al 1941. Elisabeth Sonrel, nato nel 1874 a Tours, ha studiato presso le Beaux Arts di Parigi nel studio del pittore Jules Lefebvre. Simbolista artista per affinità, che trae ispirazione da dipinti rinascimentali tra cui lo stile Botticelli per questa serie e per la serie Stagioni. Realizzato in tipico stile Art Nouveau, i fiori sono parte di una tendenza ereditata dalla preraffaelliti dalla fine del XIX secolo, che ama rappresentare la donna su sfondo di una vegetazione lussureggiante. linee curve che incorniciano la rappresentazione fondono nella decorazione floreale brulicante. La figura, vestita di antica allegoria, sta dietro gli allori, portando le sue margherite, fiordalisi, ranuncoli e achillea. Questo tipo di serie litografica   è stato determinante nella diffusione dell'Art Nouveau, arti grafiche di quel tempo di essere declinato in poster, almanacchi e giornali.   - [FRENCH VERSION FOLLOWS] Lithographie contrecollée sur carton. Vers 1900. Fait partie d'une série de quatre représentations symboliques féminines, intitulée Fleurs, qui regroupe Fleurs de montagne, Fleurs des champs, Fleurs des eaux et Fleurs de serre. Signée en bas à droite dans la pierre. D'après des aquarelles exposées au Salon des Artistes de 1893 à 1941. Elisabeth Sonrel, née en 1874 à Tours, étudie aux Beaux-Arts de Paris dans l'atelier du peintre Jules Lefebvre. Artiste aux affinités symbolistes, elle puise son inspiration dans la peinture Renaissance et notamment le style de Botticelli pour cette série ainsi que pour la série Saisons. Réalisées dans un style typiquement Art Nouveau, les Fleurs s'inscrivent dans une tendance héritée des préraphaélites de la fin du XIXe siècle qui aiment à représenter la femme sur fond de végétation luxuriante. Les lignes courbes qui encadrent la représentation se fondent dans le décor floral foisonnant. La silhouette, une allégorie habillée à l'antique, des roses dans les cheveux, se détache derrière des lauriers, entourée de lys et d'orchidées. Ce type de séries lithographiques eut un rôle déterminant dans la diffusion de l'Art nouveau, les arts graphiques de cette époque étant déclinés en affiches, almanachs et journaux.    

      [Bookseller: Librairie Feu Follet]
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        The Poems of John Milton: Two Volumes

      New York: Brentano's, 1900. Very Good. First thus edition. Preface by H.J.C. Grierson, F.B.A. Two volume set. Maroon cloth cover with gilt decoration and letters. Top edges gilt. Gilt on spines dulled, spine ends are a bit worn, some pages are unopened, else very good.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Revista blanca 61 ejemplares en dos tomos

      - Revista blanca 61 ejemplares en dos tomos. Año 1900: números 43, 44, 47, 48, 49, 50, 51, 52, 54, 55, 57, 58, 59. Año 1901: números 62 al 79 consecutivos Año 1903: números 119, 120, 126, 127, 128, 129, 130, 131, 132. Año 1904 números: 133, 135, 136, 137, 138, 139, 140, 141, 142, 143, 144, 145, 146, 147, 148, 149, 150, 151, 152, 156, 157. Encuadernados en tapa dura, media piel. Tapas rozadas. Papel en buen estado. [Attributes: Hard Cover]

      [Bookseller: Librería Mamut]
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        Étude de la plante. Son application aux industries d'art. Pochoir, papier peint, étoffes, céramique, marqueterie, tapis, ferronnerie, reliure, dentelles, broderies, vitrail, mosaïque, bijouterie, bronze, orfèvrerie

      Libr. Centrale des Beaux-Arts, 1900. Grand in-4, 326 pp. Pleine toile verte, reliure d'éditeur. Titre et décor floral en blanc sur le 1er plat et au dos. 379 compositions en couleurs au pochoir in et hors-texte. Table des Noms de Plantes contenues dans le volume in fine. Reliure défraichie, dos, plats et coins usés. Rares rousseurs, marges lég. brunies. En l'état. Bel ouvrage estimé sur les motifs décoratifs de style Art nouveau.

      [Bookseller: Librairie de L' Avenue]
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        La mère et l'enfant

      Bibliothèque artistique & littéraire, Paris 1900, 12,5x15cm, broché. - Bibliothèque artistique & littéraire, Paris 1900, 12,5x15cm, broché. - Edizione originale. autografo firmato di Charles-Louis Philippe Georges Ancey. Quattro piccole e marginali lacune sul piatto e posteriore. [FRENCH VERSION FOLLOWS] Edition originale. Reliure à la bradel en plein papier rose façon bois, dos lisse, pièce de titre de maroquin bordeaux, couvertures comportant quatre légers manques angulaires et dos conservés, élegante reliure moderne signé de T. Boichot. Envoi autographe signé de Charles-Louis Philippe à Georges Ancey. Agréable et rare exemplaire joliment établi.  

      [Bookseller: Librairie Feu Follet]
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        Through the First Antarctic Night 1898–1899. A Narrative of the Voyage of the "Belgica" among Newly Discovered Lands and over an Unknown Sea about the South Pole.

      London: William Heinemann, 1900 - Octavo. Original pale blue cloth, gilt lettered spine, lettered and with pictorial block in white on front cover. Spine rolled and lightly sunned. An excellent copy. Coloured frontispiece, 3 other coloured plates, 74 half-tone plates and numerous illustrations to the text. First edition. Cook had previously travelled as surgeon and anthropologist on Peary's second expedition to Greenland - and had fallen out with the leader over his treatment of the Inuit and his subordinates - when he joined the Belgian Antarctic Expedition in a similar capacity. When the expedition became trapped in the ice after crossing the Antarctic Circle, "Cook soon proved the most invaluable of the scientists, devising an antiscorbutic diet and observing some of the curious physical and mental effects caused by the absence of sunlight. He devised a crude form of light therapy to treat what is now commonly known as seasonal affective disorder, alleviating the condition by placing the afflicted crew members before an open fire" (Howgego). Having previously disagreed with Peary on the subject of publications, Cook pre-empted the official report by publishing an account in the New York Herald in 1899, followed by the present work in 1900. Amundsen, who served on the Expedition as first mate, contributes Appendix V, "The Navigation of the Antarctic Ice-Pack", and further distinguished himself by becoming the first person to ski on Antarctica. Howgego C24; Spence 311. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Silver Gelatin Print of a Chinese opium smoker in an Opium Den

      1900 - Rare turn of century silver gelatin print of a Chinese opium smoker in an opium den. 6" x 4.25". Circa 1900. Titled in ink at the bottom of the photo.

      [Bookseller: Picture This (PBFA, IVPDA)]
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        THE ENGLISHMAN IN CHINA DURING THE VICTORIAN ERA: As As Illustrated in the Caree

      - London 1900, Blackwood.Original red cloth, 2 vols., 442+510p 6 maps, index, appendix, 30 illustrations, an exceptionally clean & bright copy, a tiny bit of spine fading, else a nice copy. RARE FIRST EDITION Covering Alcock's life as an army surgeon, sent to China, the first war, treaty of 1842, fruits of war, intercourse in Canton 1842-47, New treaty ports: Foochow, Amoy, Ningpo, and Shanghai. The Tsingpu affair, rebellion, Chinese Maritime Customs, Alcock's departure from Shanghai. * Consul Alcock's views, trade under the treaty of Nanking: tea, silk, opium, Chinese exports, British exports, native trade, traders, Macau, Hong Kong, Piracy, Arrow War, treaties of 1858 & 1860. * Japan: his part in the treaties & negotiations, assassination period 1860-61, 1862-64, Tycoon's dilemma, crisis, Birth of New Japan, Diplomatic body-Tsushima, trade and traders. * Alcock in Peking 1865-69, British legation, foreign life in Peking, emigration, Korea, treaty revisions, missionary problem: Tientsin Massacre of 1870. Expansion of intercourse: Russia, Japan aggressive, Korea opened, Murder of Margary. * Also covers essays on tea, silk, economics, trade, Canton, Macao, Shanghai, Peking, Yangtze River, Formosa, opium, shipping, Hong Kong, piracy, Lord Elgin's missions, new ports opened. * Japan: treaties & their negotiators, assassination period 1860-61. * Korean Imbroglio 1882-85, Port Hamilton episode 1855-57. Tibet, Tonking quarrel, resettlement of the Far East &c. Volume I: China; Vol. II: Japan, Korea & Formosa. *** FIRST AND ONLY EDITION. A major primary resource by Alcock [1809-1897] who was personally involved with the diplomatic efforts & negotiations. * A most important & valuable primary reference work. Complete as issued with all maps and plates. S C A R C E ! ***

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        GENS DE LA NOCE LES BATAILLES DE LA VIE

      Paris: PAUL OLLENDORFF, 1900. XIIIED. BROSSURA. DISCRETO. 12 19. USATO

      [Bookseller: Biblioteca di Babele]
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        Le pain quotidien. (= La vie en France au début du XXe siècle).

      4. Mit 16 pochoirkolor. lithogr. Tafeln, 2 (1 kolor.) zusätzlichen Folgen der 16 Lithographien, 6 weiteren, nicht verwendenten Lithographien u. einer sign. mont. Federzeichnung von Pierre Leconte. 356 S., 1 Bl. - Angeb. - Fargue, Léon-Paul. Présentation de 1900. (= La vie en France au début du XXe siècle). Ebda., 1944. Mit 12 Illustrationen von Dignimont. 20 nn. Bll. (die beiden ersten weiß), Rotbrauner HMaroquin-Bd. d. Zt. a. 4 Bünden m. etw. Rückenverg., goldgepr. Rückentitel u. den eingeb. OUmschlägen. Erste Ausgaben. - Ad 1) Nr. XCII von C (ges. 400) Exemplaren auf vélin d'Arches mit den zusätzlichen Folgen, den nicht verwendenten Lithographien u. der Orig.-Federzeichnung. - Ad 2) Nr. XCII von CL (ges. 625) Exemplaren auf vélin d'Arches. - Einband tlw. etw. berieben. Hintere Rückenkante am oberen Kapital etw. angebrochen. Die unbeschnittenen Ränder tlw. min. gebräunt. - Ad 1) Monod 9264. - Ad 2) Vgl. Monod 4465.

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Poster]: Base Ball! Alumni vs. College. Tuesday, June 26 at 3 P.M. on the Oval. See the Daily Dartmouth for Names of Players

      Dartmouth College, [Hanover, New Hampshire 1900 - Poster or broadside. 15.5" x 21.5". Several old folds, some modest paper remnants on the verso (presumably removed from an album), some small chips and tears, a large, attractive, and presentable good example. Shrinkwrapped and mounted on foamcore.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Ian Hamilton's March. Together with Extracts from The Diary of Lieutenant H. Frankland a Prisoner of War in Pretoria.

      London: Longmans, Green, and Co., 1900 - Octavo. Finely bound by the Chelsea Bindery in burgundy morocco, titles to spine with lion centre tool in compartments, single rule to boards, signature block to front board, inner dentelles, marbled endpapers, gilt edges. A fine copy. With Portrait, Maps and Plans. First edition, first impression, the second of Churchill's two books describing his daring exploits during the South African War. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        The Complete Writings of Nathaniel Hawthorne. Autograph Edition, with Portraits, Illustrations, and Facsimiles in Twenty-Two Volumes. [with] Nathaniel Hawthorne [biography] by George E. Woodberry

      Houghton, Mifflin and Co., Boston 1900, 1902 - . . . . Ltd. edition: no. 158 of 500 signed & numbered copies. 8vo, hardcover, no dj's. 22 volumes, plus Woodberry's biography of Hawthorne comprising an additional, 23rd, matching volume. Beautifully bound in olive green half morocco leather, marbled boards & endpapers; 5 raised bands at spine w/ decorative gilt in the compartments; top edge gilt, page edges untrimmed. Volume 1 is signed on the limitation page by the author's daughter Rose Hawthorne Lathrop as well as the publisher. Each volume includes a distinctive color frontispiece by a different illustrator, plus a tissue-protected reproduction of that frontis. plate signed in pencil by the volume's illustrator. Numerous eminent illustrators are represented, among them Howard Pyle, Childe Hassam, Frank E. Schoonover, Anna Whelan Betts, Jessie Wilcox Smith, Alice Barber Stephens, and others. Vg+ condition overall: most volumes near fine, exteriors clean, corners sharp, little to no outer rubbing; however, spines of all volumes lightly sunned to a matching degree: originally green leather spines now appear to be the same matching shade of brown; gilt spine decoration & title lettering remain bright. Very occasional, mild foxing to some volumes, confined chiefly to margins. Six volumes show a pale water-stain around the margins of pages: in 4 of the 6, this affects only the frontis. plates through title page, fading away thereafter. Overall a very handsome set, contents unmarked, bindings & hinges quite firm. Each volume appx. 350 pp., illus. w/ tissue-protected plates. Includes a 23rd volume showing the same limitation number (no. 158), in matching binding: George E. Woodberry's biography of Hawthorne, 302 pp. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Tiber Books]
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        Photographies de Rome

      Fratelli Beretti, negozianti di oggetti sacri ecc., piazza della Minerva, 1900. Album (cm. 32x24), 32 fotografie all’albumina applicate su cartoncino rigido. Legatura editoriale in mz. pelle con nervi, fregi e titolo oro al ds. Piatti in tela con titolo all’anteriore. Carte di guardia decorate. Ottimo esemplare.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
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        The Book of Common Prayer, And administration of the sacraments, and other rites and ceremonies of the Church, according to the use of the Church of England . ; [together with] Hymns Ancient and Modern . ; [and] The Holy Bible, containing the Old and New Testaments .

      Oxford: printed at the University Press; William Clowes and Sons, London, [c. 1900] - Sextodecimo (140 x 88 mm). Contemporary brown crushed morocco for J. & E. Bumpus Ltd of Oxford Street, floral decoration in gilt to spine, frames to covers in gilt, metallic dark orange endpapers, gilt edges, brown silk page markers. Housed in the red cloth solander box. Boards slightly sprung, an excellent, clean copy. With 6 colour maps. An attractively bound and easily readable collection of the Book of Common Prayer, with the full text of the Bible and a book of hymns. Date slip for 11 January 1916 with Henry Longfellow quote laid-in.

      [Bookseller: Peter Harrington. ABA member]
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        Quo vadis

      - Editions de la Revue Blanche, Paris 1900, 12x19cm, relié. - Prima edizione della traduzione francese, uno dei cinque copie numerate in Cina, uno dei nostri fuori commercio ingiustificata, edizione deluxe. Binding metà blu navy marocco, della colonna vertebrale con cinque nervi decorato con gli ornamenti dorati, Golden Data coda tracce di attrito sulla mascella, parte del titolo e il nome dell'autore in marocco marrone, filetto dorato sulle copertine, piatti, contreplats guardie e carta marmorizzata, copertine e dorsi conservati, testa dorata, contemporaneo vincolante firmato Franz. Alcuni foxing inevitabile in considerazione della qualità di questo lavoro colpisce principalmente i margini e alcune fette di fogli.   - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française, un des 5 exemplaires numérotés sur Chine, le nôtre un des hors commerce non justifié, tirage de tête. Reliure en demi maroquin bleu marine, dos à cinq nerfs orné de fleurons dorés, date dorée en queue, quelques traces de frottements sur les mors, pièce de titre et nom de l'auteur de maroquin marron, filet doré sur les plats, plats, gardes et contreplats de papier marbré, couvertures et dos conservés, tête dorée, reliure de l'époque signée de Franz. Quelques inévitables rousseurs au regard de la qualité de ce papier affectant principalement les marges et les tranches de certains feuillets.  

      [Bookseller: Librairie Feu Follet]
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        Instruments de Musique : Materiel, Procedes et Produits, a l'exposition universelle internationale de 1900, a Paris. Rapport du Comite d'installation. Musee retrospectif de la Classe 17.

      P., imp. André Eyméoud, sd (1900). In-4, demi-maroquin grège, dos lisse, plats de vélin crème ornée d'une décoration florales (signée JA) à l'adresse du Ministre de l'industrie, filets et roulettes dorés, signet tricolore, tête dorée imp. sur papier couché, 119 pp. Figures dans le texte, planches hors-texte sous sepentes, bandeaux et lettines. Figures et planches sous serpente d'après Hans Burgkmair, Charles, Israel van Mecken, Miris gr. par Chenu. Belle reliure (un peu passée et cintrée) de présent. Rédigé par Albert Jacquot (1853-1915), luthier et auteur d'études sur les arts et la lutherie en Lorraine, avec la collaboration de Eugène de Bricqueville<. Représentations d'altos, archicistre, archiluth, basse de viole, basson, cistres, cithare, clavecins, clavicorde, calissoncini, contrebasse, cornemuses, cornets, cors, épinette, flûtes, forte-piano, guitares-lyre, guitares, harpes, instruments de cuivres de l'invention de Sax, instruments à bouche, à vent et à anche, lyres, mandolines, mandores, musettes, orgues, pandore, pianos, pochettes, psalterion, quintons, rebec, serpents, tambourins, tambours, teorbe, timbales, triangles, trombones, trompettes marines, tympanons, vièles, vielles, violes, violoncel, violoncelles, violons.

      [Bookseller: Librairie de L' Avenue]
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        Die Insel. Monatsschrift mit Buchschmuck und Illustrationen, herausgegeben von O. J. Bierbaum, A. W. Heymel und R. A. Schröder. I. Jahrgang. 2. Quartal, No. 4. Januar. 1900

      Schuster und Loeffler (W. Drugulin, Leipzig), Berlin und Leipzig 1900 - The 6 large or full-page illustrations and the text illustrations, just as the illustrated title page for Hofmannstahl's Der Kaiser und die Hexe, are designed by Heinrich Vogeler. First edition. With the signature of the contributor, Detlev von Liliencron on p. 67. Printed on thick, handmade paper. In publisher's patterned wrappers, with title vignette on the front panel. 118 p. Illustrated literary and art magazine, contains besides other works, Hofmannsthal's "Der Kaiser und die Hexe", Robert Walser's poem "Glück", and it is signed by Detlev von Liliencron after his poem. Die Insel was one of the most important German literary magazines of early modernism, published between 1899 and 1901. Cover chipped. Pages untrimmed. Overall in very good condition. In publisher's patterned wrappers, with title vignette on the front panel First edition. With the signature of the contributor, Detlev von Liliencron on p. 67. Printed on thick, handmade paper. [Attributes: Soft Cover]

      [Bookseller: Földvári Books]
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        COLLECTION OF 51 EARLY B.W. COLLOTYPE POSTCARDS IN A JAPANESE LACQUER ALBUM.]

      - N.p. ca. 1900-1915. Black lacquer Japanese accordion album 34.5 x 27.5 cm., 4 post cards per page side,51 cards in all, very good, solid, mounted under threads, silk painted pages, cloth spine, some small chips to corners else solid. RARE ! *** *** *** . . . COLLECTION OF 51 EARLY KOREAN PICTORIAL POSTCARDS . . . BEAUTIFULLY CONTAINED IN A PERIOD JAPANESE LACQUER ALBUM . * This is an amazing and superb collection of fifty-one period black & white collotype photo postcards. Each card is slipped under orange threads to hold them in place, the last 4 cards inside the back cover are held down with old silver photo corners. . *** THE SUBJECTS: This collection was probably compiled by a Japanese who was working or visiting Chosen, Japan held Korea. The probable dates of the postcards range from about 1900-a dated post mark of 1912. . The collection covers some great rarities. A double-postcard panoramic view of Seoul, followed by other "bird's-eye views of Seoul, [Japanese] Governor-General's Residence, other government buildings, palace views, temples, gates, pagodas, main streets, parks, prostitute quarter, Keisang beauty, and a good number of women, girls, priest, dress, common people, itinerant sellers, street stalls, sellers, occupations, rural views, the Chosen Hotel & Korean Nobleman. . *** THE ALBUM. The album is black lacquer over wooden boards, typical of the turn-of-the-century -1920's type album. This one is however, very special, in that the thick pages are all silk gauze covered, and then color painted with lovely floral and other designs, then four threads are sewn in place to hold the corners of the postcards. The album has cloth covered pages that match the end coverings. It appears that a new spine of cloth was done at some time. The cover design sows a Japanese Rickshaw man pulling a Japanese woman in a rickshaw before a large Mt. Fuji. All of the painting is done in gold against a back background, with some touches of red to enhance here and there. The faces of the two people are "mother-of-pearl" and the man's face is complete and nice, while the woman passenger in the rickshaw has some loss and about half is present. . *** CONDITION OF THE LACQUER ALBUM: The album corners have lack some lacquer, and there are a few small cracks or bumps and scuffs to the front cover. The back cover has a few small pieces missing from the corners, back by and large in very nice condition. See also above "THE ALBUM" for other condition comments. . *** HISTORICAL BACKGROUND OF THE JAPANESE OCCUPATION OF KOREA: In 1910, an already militarily occupied Korea was a forced party to the Japan-Korea Annexation Treaty. The treaty was signed by Lee Wan-Yong, who was given the General Power of Attorney by the Emperor. However, the Emperor is said to have not actually ratified the treaty according to Yi Tae-jin. There is a long dispute whether this treaty was legal or illegal due to its signing under duress, threat of force and bribes. . Korean resistance to the brutal Japanese occupation was manifested in the nonviolent March 1st Movement of 1919, during which 7,000 demonstrators were killed by Japanese police and military. The Korean liberation movement also spread to neighboring Manchuria and Siberia. . *** THE POSTCARDS: Captions in both English & Japanese, found inside of the " " marks, where these marks are absent, there was no caption. . 1. "VIEW OF SEOUL" A very rare double-panoramic black & white photo postcard, showing the old city, with just a few larger buildings, the balance are small houses, the center fold is intact which is quite RARE and unusual to find in such excellent condition. Being a double card, we count this as two cards. . 2. "BIRD'S EYE VEIW OF KEIJI CITY" . 3. "BIRD'S-EYES VIEW ON SEOUL" . 4. "BIRD'S EYE VIEW OF KEIJI CITY" . 5. "MAIN STREET. SEOUL" . 6 "TOKUSON MOHANJO OF GOVENOR GENERAL" . 7 "THE GOVERNOR-GENERAL OFFICE CHOSEN" . 8. "THE KOREAN GOVERNMENT GENERAL OFFICE, SEOUL" . 9. "KOREAN-GOVERNMENT, KEIJO" .

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Album with 95 photographs of Cairo and Helwan

      ca. 1900. Original photographs, 95 silver prints, ca. 8,5 x 8,5 cm, 4to oblong cloth. Pictures of Gezireh Palace Hotel, Citadelle, Zoological garden, mosques, streetlife, harem, barage, Heleopolis, Gizeh, Pyramids, Temple, El Hayad. KEYWORDS:egypt/cairo/helwan/photo

      [Bookseller: Krul Antiquarian Books]
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        PHOTOGRAPHIC ALBUM OF THE GERMANS IN PEKING DURING THE BOXER-REBELLION 1900-1901

      - China n.d. ca. 1900-1901. 3/4 Gilt-stamped leather over buff cloth, very good, 25 x 29 cm., 30p., 26p. with photos, 2 per side = total of 104 photographs,16 x 11 cm., all very clean, albumen type, bit of fading, but clear, strong images. RARE! This is a wonderful and quite rare album. It shows the German contingent sent to China to join in the defense of foreign embassies in Peking during the 1900 uprising of the siege of the Boxers. The work begins with the group aboard the S.S. Strassburg from Bremen, and their landing in the German colony of Tsingtao, Tsingtau. From there, it was a long trek down to Peking in the snowy winter. Classic photos posed for the camera & history [4 in all]. Arrival in China with more classic poses of the German troops before Chinese sights and in a temple where they were stationed. One shows large wooden cases of their supplies stacked up in the temple garden with the commanders posing for a lovely memor- ial photos. Well taken photographs by the group's photograp- hic officer, nicely composed and carefully taken, these are NOT tourist snap shots ! These average two photos per page. * A group of German military men pose before a wide variety of Chinese pagodas and sights, some in long capes, spiked helmets, with Chinese officials ! Their arrival in Peking during a heavy snowfall in 1900 is documented by a series of superb & rare photographs from the Summer Palace where the lake is frozen ! Magnificent but frozen Peking sights, architectural views, palaces, Germans on the move with horse and carts through the snow as they deployment on orders to defend the foreign legations. Inside a legation taking lunch [tiffin]; outside two or three Chinese Boxers were executed hands bound they lay face down in the snow. More photos of travel along the way, wonderful Chinese scenery & buildings, architecture, snowed in barracks, their visit to the Great Wall in the dead of winter with snow sprinkled all over, a passage through Chinese villages and towns with long columns of German troops. One comic and lovely image of a German dressed in Chinese clothes, another in a Chinese garden. A German celebration, Chinese and German open-air trial where the accused Chinese are on their knees before a magistrate, Germans playing badminton, leisure time in a garden, soldiers packing medical supplies on horses, and German headquarters &c. * PEKING: A lovely series of photos showing the great sites of Peking and the Imperial Palace, large battalion of German soldiers on parade, another shows them marching to a great hall, destruction of Chinese buildings, superb views of fine Chinese architecture, lakes, bridges, bas-reliefs, the Great Buddha with soldiers taking a memorial snap shot. A fascina- ting photo of "Coal Hill" and stunning panoramic bird's eye view of the Forbidden City. Interiors of the Forbidden city, Temple of Heaven, Emperor's throne, the great walled city, Germans guarding Chinese buildings, Japanese Embassy, Chine- ese gates and walls showing Chinese children saluting a German officer. Magnificent temples and Fu-dogs, Germans playing tourists taking commemorative photos before many great sights. Fascinating photographs of ordinary Chinese who mug for the German camera with a German officer standing in the background, pagodas, Chinese officials, and photos of the German cemetery with tribute paid to fallen comrades. Huge temple guardians, stone bride & others. * A final pair of photos grace the last page the upper shows a large contingent of Germans on parade as they are reviewed by their officers on horse-back, the lower shows them aboard a train, in preparations for departure back to Germany, thus ending the album. The remaining five pages are blank. * This album is an excellent example of the German contingent in China during the historic Boxer Rebellion [1900-1901]. It is also a primary record of what they did, where they went, acting as tourists during free moments. Recording photos of the great and small

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Gli eroi del Gladiator. La ferrovia transafricana del XX secolo.

      Casa editrice Calzone-Villa, 1900. Edizione originale in esemplare di estrema bellezza. Testo e 300 disegni di Yambo in nero e a colori. Prima illustrazione a doppia pagina come Carta illustrativa ad intelligenza del testo con relativa spiegazione. Opera dedicata "A mio figlio che forse un giorno avrò". Dall'Indice: Prefazione. Il segreto del minatore. La vendetta di Luigi Dalteno. Nell'impero dei cannibali. Le vittorie della scienza. L'eredità di Giacomo Stuhlman. Esemplare perfettamente conservato in ogni sua parte e totalmente editoriale. Splendida ed introvabile legatura editoriale in tutta tela interamente illustrata a colori, titoli e dati tipografici all'interno della scena al piatto anteriore e al dorso, tagli rossi, pp. XI, 1, 404, in 8° grande (200 x 280 mm)

      [Bookseller: Libreria il Bulino]
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        Photographic Portrait mounted on the back of a Pocket Mirror

      1900 - Small gold-colored filigree pocket mirror, with a mounted portrait of Eleanor Roosevelt at approximately fourteen years of age. The portrait is surrounded with tiny pearls, housed in a small, satin mesh string-tied bag. The mirror is cracked but is otherwise intact and stable, the portrait of Roosevelt and the rest of the mirror and bag are in fine condition. This mirror was presented by Eleanor Roosevelt to Jane Plimpton Plakias. She was a Vassar student who attended a leadership conference at Campobello, the Roosevelt's home in Maine, where she met the First Lady. Plakias later invited Roosevelt to Vassar to speak, and still later served with her on a Refugee Protection Plan. They became lifelong friends. Plakias appeared on a PBS documentary about Roosevelt.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Sailing Alone Around the World.

      The Century Co, New York 1900 - First edition of "the finest single-handed adventure story yet written" (Seafarer). Octavo, original blue cloth. Pictorially stamped in silver and green, top edge gilt. Signed by author on the half-title page with a particularly nice inscription, "You must then know that you know the sea" Joshua Slocum onboard the Spray The Pan American Exposition Aug 29th 1901." In very good condition with rubbing and wear to the spine tips, contemporary inscription above Slocum's. Illustrated by Thomas Fogarty and George Varian. Sailing Alone Around the World was published by Century Company in 1900. The sailing memoir records Slocum's amusing experience as the first person to sail around the world alone. National Fisherman called it "[a] literary gem, adroitly and engagingly written," but interest extends beyond mere sea-aficionados. Excitement for the voyage was universal, and Slocum was awaited by admirers at his ports. To these he gave popular lectures and lantern-slide shows upon his arrival, including the English writers Edwin Arnold and Arthur Ransome. The memoir was first published in installments before its popularity became such that it was issued in lavishly illustrated book form. Slocum conveys an appreciably casual, almost self-deprecating, style. Contemporary reviews speak as well of it even now as "one of the most readable books in the whole library of adventure" (Sports Illustrated). "There is so much to this book that it is not surprising that it is has been continually in print since 1889.this book has literary merit, thoughtful and beautifully written and packed with incident" (Nautical Magazine). [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        A critical exposition of the philosophy of Leibnitz.

      Cambridge University Press 1900 - Octavo. xvi, [ii], 311pp., original blue cloth gilt, light wear to head of spine. A fine example of the first edition of Russell's first strictly philosophical work, one of the most important studies of Leibniz ever published. It established an approach to studying philosophers of the past that emphasises the philosophical rather than the historical. In Russell's own words, `Philosophic truth and falsehood, in short rather than historical fact, are what primarily demand our attention in this inquiry.' His interpretation emphasised the logical and deductive power of Leibniz's system in opposition to the standard interpretations that had previously led Russell to believe that the Monadology (one of Gottfried Leibniz's best known works representing his later philosophy) was a kind of fantastic fairy tale. [Attributes: First Edition; Hard Cover]

      [Bookseller: Shapero Rare Books]
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        Gregg Typing - 3 Bundle Set

      McGraw-Hill Book Company, Inc., New York 1900 - Titles include: Gregg Typing, 191 Series, Book One: General Typing (1962) and Book Two: Office Production Typing(1963) by John L. Rowe, Alan C. Lloyd and Fred Winger. Additional volume: Gregg Typing for Colleges, Intensive Course, Series Four(1979). by Lloyd, Winger, Rowe, Poland, Hanson and Rossetti. 0070382522. This volume is in VG condition / All volumes: previous owner's name on inside cover. Selected pages may contain some light pencil markings and/or residue of pencil markings. Some wear along the edges. Tips are slightly bent. Some rubbing wear to covers. Binding is as tight for the first two volumes. Selected volumes may contain some odor from prior storage. ONLY SOLD AS A BUNDLE SET. THIS IS A VERY HEAVY AND OVERSIZE SET. INTERNATIONAL ORDERS PRIORITY DOMESTIC ORDERS REQUIRE ADDITIONAL SHIPPING CHARGES. [Attributes: Hard Cover]

      [Bookseller: Sabra Books]
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        A Bibliography of the Complete Angler of Izaak Walton and Charles Cotton. Being a Chronologically arranged List of the Several Editions and Reprints, from the First Edition MDCLIII until the Year MCM

      New York: Charles Scribner's Sons, 1900. First edition, no. 81 of 102 copies on Van Gelder paper. Printed by the De Vinne Press in the Month of September, 1900. Portrait of Walton as Frontispiece, signed in pencil, lower right "T. Johnson", engraved title leaf, with 86 photo-engraved reproductions of title-pages in text. [viii], 204 pp.; [1] f. (errata), [1] f. (imprint). First leaf is a blank. 1 vols. 4to. Original three quarter blind stamped vellum and drab boards, spine titled in gilt, upper board stamped in gilt, lower board in blind, uncut. Near fine copy, lightly rubbed (minor soiling to lower board; imprint leaf toned). First edition, no. 81 of 102 copies on Van Gelder paper. Printed by the De Vinne Press in the Month of September, 1900. Portrait of Walton as Frontispiece, signed in pencil, lower right "T. Johnson", engraved title leaf, with 86 photo-engraved reproductions of title-pages in text. [viii], 204 pp.; [1] f. (errata), [1] f. (imprint). First leaf is a blank. 1 vols. 4to. "to enjoy the pleasure, to a collector of angling literature, of recording the results of his investigations" &#11;&#11;Wood's investigations into the Compleat Angler and the beautiful presentation of this information earn him a place alongside George Bethune and Thomas Westwood as perpetual votaries at the shrine of Walton. The illustrations of title pages remain of interest.&#11;&#11;Scarce. Coigney p. 384

      [Bookseller: James Cummins Bookseller ]
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