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Displayed below are some selected recent viaLibri matches for books published in 1899

        Manuscrit autographe signé / « Prologo Poesia – Evaristo Carriego »

      - Jorge-Luis Borges (1899-1986). Écrivain argentin. Manuscrit autographe signé en espagnol, « Prologo Poesia – Evaristo Carriego », (Buenos-Aires), (Novembre 1950), 1 page in-folio (30 x 22 cm), ratures et corrections. Très beau texte écrit par Borges pour une édition complète de l’œuvre d’Evaristo Carriego. « Il m’est arrivé de me demander si toute vie humaine, aussi complexe et remplie qu’elle soit, ne dépend pas en réalité d’un seul instant : l’instant où l’homme prend conscience une fois pour toutes de ce qu’il est ». Voici la traduction présentée dans les Œuvres complètes de Borges (La Pléïade, tome I, p. 172-173). Notre manuscrit présente quelques variantes : « Nous ne voyons plus aujourd’hui Carriego qu’en fonction du faubourg et nous avons tous tendance à oublier qu’il est lui-même (comme le marlou, la cousette ou le gringo) un personnage de Carriego, tout comme le faubourg où nous l’imaginons est une projection presque fictive de son œuvre. Wilde soutenait que le Japon – les images que ce mot suscite – avait été inventé par Hokusaï ; dans le cas d’Evaristo Carriego, nous devons postuler une action réciproque : le faubourg a créé Carriego qui l’a recrée à son tour. Le faubourg réel et celui de Trejo et des milongas mêlent en lui leurs influences ; Carriego nous impose sa vision du faubourg et cette vision modifie la réalité. (Le tango et le théâtre la modifieront ensuite bien davantage.) ( ) Un beau jour de l’année 1904, dans une maison qui existe encore rue Honduras, Evaristo Carriego lisait avec chagrin et avidité un livre des aventures héroïques de Charles de batz, seigneur d’Artagnan. Avec avidité, car Dumas lui apportait ce qu’à d’autres apportent Shakespeare, Balzac ou Wat Whitman, la saveur de la vie dans toute sa plénitude ; avec chagrin, car il était jeune, orgueilleux, timide et pauvre , et qu’il se croyait exilé de la vie. La vraie vie était en France, pensait-il, dans le cliquetis des armes, ou quand les troupes de l’Empereur envahissaient le monde ; mais il lui était échu de vivre au XXe siècle, dans ce tardif XXe siècle et en un triste faubourg d’Amérique du Sud Carriego en était là de ses pensées quand quelque chose se produisit. Un grattement laborieux de guitare, la vue par la fenêtre d’une rangée de maisons basses. Juan Muraña soulevant son chapeau pour répondre à un salut ( ) la lune dans le patio carré, le vieil homme portant un coq de combat, quelque chose, n’importe quoi. Quelque chose que nous ne pourrons pas récupérer, quelque chose dont nous connaissons le sens mais non la Forme, quelque chose de quotidien, de banal, d’inaperçu, jusque-là, qui révéla à Carriego que l’univers (qui chaque instant et non pas seulement dans les œuvres d’Alexandre Dumas) était là auss, dans le simple moment présent, dans Palermo en 1904 ( ) Il m’est arrivé de me demander si toute vie humaine, aussi complexe et remplie qu’elle soit, ne dépend pas en réalité d’un seul instant : l’instant où l’homme prend conscience une fois pour toutes de ce qu’il est. A partir de cette révélation incontrôlable que j’ai essayé de deviner, Carriego est devenu Carriego. Il est déjà l’auteur de ces vers que des années plus tard il lui sera permis d’inventer : « Zèbrent son visage, violents stigmates, De profondes cicatrices et peut-être est-il fier De porter, ineffaçables ces sanglants ornements La dague aura eu des caprices de femme. » Evaristo Carriego (1883-1912) était un poète argentin. Jorge-Luis Borges lui consacre une biographie en 1930 (Gleizer Editor, Buenos Aires). Borges écrit ce texte pour une édition de l’œuvre d’Evaristo Carriego (paru en 1950).

      [Bookseller: Thomas Vincent]
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        Photographies de Terre-Sainte.48 Images by Félix Bonfils and C.& G. Zangaki Brothers.

      Jérusalem, 1899. 48 photographs, pressed in a oblong quarto (4to) thick olive wood boards with carved Jerusalem Cross, half leather. Nice picture of The Jews wailing place, a friday; Mar Elias; Entrée des pélerins à Bethléem; Dead See; Jérusalem; Tour Antonia; Jaffa; Jérusalem, Porte de Jaffa etc. Ex copy of J. AS.Z. Baron van Brakell, Doorwerth, Jerusalem, 5 Mars, 1899. KEYWORDS:palestine/photo.

      [Bookseller: Krul Antiquarian Books]
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        Blue-Grass and Rhododendron: Out-Doors in Old Kentucky; A Knight of the Cumberland; Following the Sun-Flag: A Vain Pursuit Through Manchuria; The Trail of the Lonesome Pine; Christmas Eve On Lonesome and Other Stories; Crittenden: A Kentucky Story of Love and War; A Mountain Europa; and The Heart of the Hills (Eight volume set)

      Charles Scribner's Sons/Harper & Brothers 1899-1913, New York - Eight volumes, all first printings, sparsely illustrated in color and b&w, nicely rebound in 3/4 blue leather boards and marbled endpapers by Macdonald, each inscribed by Fox (sometimes at length) in December 1916 to his close friend, Frank Garvan! Books all near fine with mild edgewear to boards and spine ends, mild wear to spine joints, gilt titles, decorations, and dates to spines, bindings tight, texts clean and unmarked, with handsome gilt to top edges of text blocks and original board and spine cloth bound in at rear. In protective archival mylar. The author was born in Kentucky and set much of his fiction there and in Virginia with realistic depictions of its coal miners and agrarian life. He also was a journalist who was embedded with the Rough Riders and who also went to Manchuria. Died of pneumonia in 1917. [Attributes: First Edition; Hard Cover]

      [Bookseller: Caliban Books Pittsburgh PA, ABAA]
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        War is Kind

      New York, New York.: Frederick A. Stokes , 1899 Crane's second collection of 37 verses, many published previously in periodicals from 1894 on. Grey illustrated boards, printed on heavy grey paper. Spine is lightly browned, wear to head of spine and tips. Binding is intact but split at page 57. Half inch stain on back cover board with some age toning. With six full page illustrations and numerous vignettes.Will Bradley, who was responsible for the book's manufacture, wrote to the publishers: "The book represents my best work up till now as a designer and printer. I have become greatly interested in it and want to make it my masterpiece." One of the most beautiful books of the Art Nouveau movement in America.

      [Bookseller: Boomerang Booksellers, ABAA/ILAB (USA)]
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        Nausikaa. Traduction de Leconte de Lisle. Compositions décoratives par Gaston de Latenay.

      Paris, Piazza, 1899. - 4to. 1 Bl., 45 S., 2 Bll. Mit illustr. Titel, illustr. Untertitel, doppelseitigem Frontispiz, 19 doppelseitigen Illustrationen und 4 großen Vignetten von Gaston de Latenay, alle in zarten Pastelltönen pochoirkoloriert sowie 2 Extrasuiten. Orig.-Kartoniert mit farbig illustr. Orig.-Umschlag und 2 weiße Kartonumschläge (Suiten) in Orig.-Halblederkassette mit goldgeprägtem Deckeltitel und blindgeprägter Vignette. Carteret IV, 235 "Important publication" und Carteret V, 106 "Décoration importante" - Eins von nur 10 num. Exemplaren einer besonderen Vorzugsausgabe auf "Rives impérial" mit den beiden Extra-Suiten der Illustrationen, die eine koloriert auf Japan, die andere schwarz-weiss auf China. - De Latenay "sieht das Phäakenland . als ein unendlich zartes , sehr zerbrechliches, porzellanern künstliches Traumland ." (Von Odysseus bis Felix Krull. Katalog SPK 1982, S. 20). - "The Nausikaa episod . is De Latenay's only major illustrated book, certainly his, and probably his publisher's, Piazza's masterpiece ." (Houghton Library No 70). - Die Illustrationen sind japanischen Farbholzschnitten nachempfunden, sodass die Extrasuite auf Japan besonders wirkungsvoll die Schönheit der Illustration wiedergibt. - Kassette etwas angestaubt. - Schönes Exemplar. [Attributes: Hard Cover]

      [Bookseller: Manfred Nosbuesch]
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        A Floral Fantasy In An Old English Garden, set forth in verses and coloured design by Walter Crane

      London: Harper & Brothers. Fair in Very Good dust jacket. 1899. First Edition. Cloth. Color-blocked cloth boards, green top-stain, color-illustrated endpapers, in the publisher's printed pale-green dust-wrapper; pp. [4] (half-title and two-page title page), 5-46 (plates), [2] (colophon); "Gutta percha" binding has failed, as usual, with all the french-fold sheets loose, but collates complete. Boards soiled, foxed, and rubbed, spine tips darkened; jacket with light chipping at the spine tips and corners, several closed tears, but attractive still, and scarce .

      [Bookseller: Books Tell You Why]
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        THE SONNETS

      London: Published by George Bell and Sons, 1899. n. Hardcover. 164 x 130 mm (6 1/2 x 5 1/8"). [84] leaves. VERY PRETTY BURGUNDY CRUSHED MOROCCO, GILT, BY ZAEHNSDORF (stamp-signed on front turn-in and with the firm's oval stamp in blind on back pastedown), covers with thin fillet borders enclosing a central panel featuring rose medallions in each corner and at center a lobed and leafy lozenge containing Shakespeare's initials within flames; raised bands, spine compartments with either lozenge, rose, or "W S" monogram at center, gilt titling, turn-ins with foliate tooling, red linen endleaves, top edge gilt, other edges untrimmed and UNOPENED. With woodcut initials and elaborate Kelmscott-style white-vine woodcut borders around first opening. A hint of rubbing to upper joint, spine just a shade darker than covers, pages faintly browned at edges, otherwise fine, the binding lustrous, and the text obviously never read. This is quite a pleasing edition of Shakespeare's immortal sonnets, finely printed by the Chiswick Press and attractively bound by Zaehnsdorf. "If there be nothing new but that which hath been before, how are our brains beguiled" by such a book as this? For starters, 'tis an exhibition binding, stamped with the Zaehnsdorf oval that suggests the firm's better work. By Zaehnsdorf standards, the binding is subdued, but its restrained design is nevertheless appropriate for these carefully wrought poems, where every syllable matters. Perhaps the binding's most striking feature is the eternal(?) flame of Shakespeare symbol at the center of the covers, a strong image requiring little decorative elaboration. The Chiswick Press was established by Charles Whittingham in 1811 and under his nephew, Charles Whittingham II, became one of the most influential printing shops in England, responsible for the reintroduction of fine printing into the national trade.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        The River War, An Historical Account of the Reconquest of the Soudan

      London: Longmans, Green, and Co., 1899. First edition, first printing. Hardcover. This is an exceptional, finely bound first edition, first printing set of Churchill's second published work. Published in two massive volumes in 1899, the first edition of this book is compelling in every respect. First, of course, is the inherent merit of the work itself. The text is arresting, insightful, powerfully descriptive, and of enduring relevance. Mohammed Ahmed was a messianic Islamic leader in central and northern Sudan in the final decades of the 19th century. In 1883 the Mahdists overwhelmed the Egyptian army of British commander William Hicks, and Great Britain ordered the withdrawal of all Egyptian troops and officials from the Sudan. In 1885, General Gordon famously lost his life in a doomed defense of the capitol, Khartoum, where he had been sent to lead evacuation of Egyptian forces. Though the Mahdi died in 1895, his theocracy continued until 1898, when General Kitchener reoccupied the Sudan. With Kitchener was a very young Winston Churchill, who would participate in the battle of Omdurman in September 1898, where the Mahdist forces were decisively defeated. In this book about the British campaign in the Sudan, Churchill - a young officer in a colonial British army - is unusually sympathetic to the Mahdist forces and critical of Imperial cynicism and cruelty. This work offers us the candid perspective of the future great man of the 20th century from the distinctly 19th century battlefields where Churchill learned to write and earned his early fame. Here is a chief architect of the Second World War involved in what has been called the last "genuine" cavalry charge of the British army. In addition to being a compelling piece of writing, the first edition of The River War is also beautiful, rare, and bibliographically important. Each of the two large volumes is printed on heavy paper with a profusion of illustrations, maps, and plans. From a collector's standpoint it is scarce. There were only 2,000 copies of this first edition, first printing. Moreover, this is one of the few Churchill books for which there was no concurrent U.S. first edition. Bibliographically it is notable that the first edition is the only unabridged edition to this day. This first edition, first printing set is in fine condition, notable for both exceptional contents and a high quality fine binding. We typically see fine rebindings of contents that show flaws and wear. This set features contents that are strikingly bright and clean for the edition. We note virtually none of the typical spotting and no previous ownership marks. Even the fore and bottom edges remain remarkably bright. The contents retain all of the extensive illustrations, maps, and plans, as well as the frontispieces and tissue guards. Searching the nearly pristine contents for flaws, we note only a neat repair to the Volume II folding map at p. 154. The binding is three quarter navy morocco over marbled paper boards and features raised spine bands, gilt rule compartments, head and foot bands, gilt top edge, and marbled endpapers. The binding is in fine condition, with no fading or soiling and virtually no wear. A spectacular set, as lovely without as within. Bibliographic reference: Cohen A2.1.b, Woods/ICS A2(a.1), Langworth p.29

      [Bookseller: Churchill Book Collector]
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        VERHANDLUNGEN DER KAMMER DER ABGEORDNETEN DES BAYERISCHEN LANDTAGES im Jahre 1899/1900. Stenographische Berichte, Band 1, 2, 4 und 5 + Beilagen, Band 1, 2, 3, 5, 6, 20 und 21 + Register.,

      Gedruckt in München., 1899 - 13 Einzelbände, ca. 11.000 S. 13 Einzelbände!!! XXXIII Landtagsversammlung, 1. Session. Sammlung von Protokollen der Sitzungen Nr. 1 (29.9.1899) - 82 (17.2.1900) und 118 (19.4.1900) - 167 (28.6.1900). Dokumentation aller Wortmeldugen und Vorgänge im Parlament. Beilagen-Bände enthalten ergänzendes Material zu den Sitzungen (Anträge, Petitionen, Gesetzesentwürfe, Verordnungen, Haushaltsaufstellungen), betreffend u.a. den Zeitraum 29.9.1899 - 28.6.1900. Beilagen-Band 20 (in 2 Halbbänden) beschäftigt sich mit neuen Gesetzesentwürfen, die sich aus der Einführung des BGB ergeben haben. Anderer Schwerpunkt: Hochwasser von 1899 (siehe u.a. Beilagen-Band 1, S. 309). // Bücher aus ehemaligem Bibliotheksbestand, außen mit Rückensignaturen, innen jew. gestempelt. Einbände berieben und bestoßen. Seiten teilweise stockfleckig, leicht wellig oder auch rissig. Bindung bei allen Bänden fest. Guter bis akzeptabler Zustand. Weitere Sitzungsprotokolle und Beilage-Bände sind bei uns erhältlich! atx mbx [Landtag Bayern, Gesetze, Debatten, Skandale, Politik, Ausschlussverfahren, Beschwerden, Eisenbahnbau, Industrie, Heimatkunde, Geschichte, Quelle, Archiv, 19. Jh, Luitpold von Bayern, Otto I.] Sprache: Deutsch Gewicht in Gramm: 23000 29.5cm x 23.5cm, Hardcover/Pappeinband

      [Bookseller: Antiq. Bookfarm/ Sebastian Seckfort]
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        The Book of Golf and Golfers

      London Longman's Green & Co 1899. G+ : in Good condition plus without dust jacket. Slight darkening to page ends. Ownership details on title page crossed out. Teg First Edition Red hardback cloth cover 230mm x 150mm (9" x 6"). xvi, 316pp. 71 portraits.

      [Bookseller: Barter Books]
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        Bibliotheca Norvegica. Bind I-IV.

      1899 - Oslo, 1899-1924. (12),LXIII,(1),621,(1) + (8),XLIX,(1,2 blanks),300,(4),XLI,(1),301-566,(8),CXIV,(2 blanks),567-842,(4) pp. & 1 leaf with instructions for the bookbinder + (12),LXXXIV,595,(4),1-54,(2 blanks) + (8),CV,(1 blank),798,(2 blanks) pp. Titles printed in red and black. Six very elegant volumes in tan half morocco with raised bands, spines ruled in gilt and black, top edges gilt, all other edges trimmed (Hedberg, 1937). The majority of the wrappers are preserved. A few insignificant scratches. In morocco-edged and partly lined cloth slipcases. Gilt bookstamp of Gustaf Bernström. A splendid copy. The subtitles for the different parts are: I: "Norsk boglexikon 1643-1813. Beskrivende katalog over bøger trykte i Norge i tidsrummet fra bogtrykkerkunstens indførelse til adskillelsen fra Danmark", II: "Norge og nordmænd i udlandets literatur. Beskrivende katalog over bøger og tidsskriftartikler om norske forhold", III: "Norske forfattere før 1814. Beskrivende katalog over deres værker, tilligemed supplement til Bibliotheca Norvegica I: Bøger trykt i Norge før 1814", IV: "Norske forfattere efter 1814. Beskrivende katalog over deres i udlandet trykte værker. Første samling. Med supplementer til Bibliotheca Norvegica I-III". [Attributes: Hard Cover]

      [Bookseller: Mats Rehnström Rare Books SVAF, ILAB]
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        A Model Japanese Villa [INSCRIBED AND SIGNED]

      Published by the author, Tokyo 1899 - Large oblong quarto (14 3/4 x 11 1/2"). [1] leaf (Title), [15] leaves (Plates). Original string-bound stiff wrappers covered with decorative rice paper, with title pasted on front cover. Title inscribed in French and signed by Commander K. Moriyama, naval attaché to the Japanese Embassy in Paris: "A Mademoiselle Malo-Lefèbvre, Avec mes meilleurs souhaits pour joyeux Noël et heureuse année 1909. K. Moriyama." The striking 15 plates containing 19 hand-colored collotype images present various aspects of an upper class Japanese residence (villa). All aspects of the home are covered from the inside formal rooms down to the villa's grounds. Particular emphasis is placed on the gardens and chrysanthemum in beds and in pots.The collotype images vary in size. The single image plates are approximately 10 x 7 1/2~8". Two of the collotypes are oval images approximately the same width as the large rectangular images. The collotypes on the two pages with multiple images are each 4 x 5 1/2". Each plate is protected with a tissue guard captioned in English. The plates run as followes: - Plate #1 contains the following three collotypes: 1) The Main Entrance to the house seen from the court yard; 2) A corner of the house showing a stone water basin; 3) A portion of the garden showing the stone lanterns and bronze storks. - Plate #2: A View of the house seen from the garden. - Plate #3: A View of the garden showing the hillock with three big trees. - Plate #4: A corner of a living room showing a portion of the tokonoma. - Plate #5: A view of the parlor. - Plate #6: A view of the parlor showing the tokonoma. - Plate #7: Chrysanthemums in bed and two young ladies. - Plate #8: Chrysanthemums in pots artistically arranged. - Plate #9: Artificial garden. - Plate #10: Another chrysanthemum bed showing the different varieties. - Plate #11: Another view of the chrysanthemums in pots artistically arranged. - Plate #12: Another view of the chrysanthemum beds with two young ladies in the centre. - Plate #13: A chrysanthemum bed with different varieties. - Plate #14: A view of the chrysanthemum beds in the north end of the garden with two young ladies in the centre. - Plate #15 contains the following three collotypes: 1) A temporary rustic gate at the west end of the garden; 2) The chrysanthemums in pots at the northwest corner of the garden; 3) Another view of the chrysanthemums in pots at the northwest corner of the garden. Minor shelf wear and age-toning to wrappers. Title and captions in English. Bound in colophon in Japanese. Wrappers in overall good+, interior in very good condition. About the author: Ogawa Kazumasa (1860-1929), also known as Ogawa Kazuma or Ogawa Isshin, was a Japanese photographer, printer and publisher who was a pioneer in photomechanical printing and photography in the Meiji era. He was a founding member of the Japan Photographic Society, which gathered photography amateurs from all around Japan. In 1891, he was charged with taking 100 pictures of Tokyo's most attractive geisha, to commemorate the opening of the Ryounkaku (from Wikipedia). [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        Nos Actrices

      Paris: Editions de la Revue Blanche, 1899. First edition. Hardcover. Orig. printed cream stiff wrappers with original acetate overwrapper. Fine in fine orange clam shell box with gilt lettered black cover label. 45 x 35 cm. One page Preface by Marcel Prevost, French novelist and women's rights advocate. Limited edition, copy 16 of 44 on Japan imperial paper. 18 color pochoir plates of contemporary actresses in their famous roles, including Sara Bernhardt, Marthe Brandes, Mariette Sully, Lucienne Breval, et al. An early caricature work by Cappiello before his acclaim as a poster artist. Cappiello started his career illustrating in journals: Le Rire, Le Cri de Paris, Le Sourire, L'Assiette au Beurre, La Baionnette, Femina, and others. In 1898, he moved to Paris, and his caricatures were published in Le Rire for the first time. He was the first poster artist to use bold figures popping out of black backgrounds. Bright, very fresh copy, most signatures unopened.

      [Bookseller: Royoung bookseller, Inc.]
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        Blick nach St. Blasien.

      . Algraphie mit olivbrauner Tonplatte, 1899, auf sehr festem Bütten, in der Platte monogrammiert, bezeichnet und datiert. 35:43,2 cm. Literatur: Beringer, Griffelkunst 109. Mit vollem Rand rundum.. Thoma begann nach Lehren als Lithograph und Anstreicher in Basel sowie als Uhrenschildmaler in Furtwangen, die er nicht beendete, autodidaktische Mal- und Zeichenstudien. 1859 studierte er an der Karlsruher Kunstakademie bei Ludwig Des Coudres (1820-1878) und Johann Wilhelm Schirmer (1807-1863). 1868 reiste er nach Aufenthalten in Basel und Düsseldorf mit Otto Scholderer (1834-1902) nach Paris. 1870-1877 lebte er in München, wo er mit dem Leibl-Kreis verkehrte. Sein erster Aufenthalt in Italien war 1874, ein zweiter 1880. 1876 zog er nach Frankfurt am Main. Nach sehr zögerlich einsetzendem Erfolg - seinen ersten größeren Auftrag hatte er 1882, 1890 seine erste erfolgreiche Sonderausstellung in München - führte seine steigende Bekanntheit 1898 zur Professur an der Karlsruher Kunstakademie und 1899 zum Direktorat der dortigen Kunsthalle.

      [Bookseller: Galerie Joseph Fach GmbH]
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        A Practical Introduction to the Study of Japanese Writing.

      London: Sampson Low, Marston & Co. ltd 1899 - New half calf (dark blue) with corresponding buckram cloth. Gilt titles to spine. New end papers. Text and Japanese characters throughout. Ex library, but the rebinding has resulted in very few library marks remaining. A lovely copy of this work. The binding is immaculate (it was finished last week!). Inside, the first 4 leaves have moderate foxing to them. The rest of the book is clean and tidy, with just a little darkening to the edges. Library marks are limited to a stamp to the verso of the title pages, then small discreet stamps to the top of page 1, and the bottom of page 480. Tape residue to the last page (list of author’s other works). Chamberlain was one of the foremost Japanologists active in the Nineteenth Century. He wrote some of the earliest translations of haiku into English. During his tenure at the Tokyo Imperial University, he sent many Japanese artifacts to the Pitt Rivers Museum at Oxford. [vi], 1-480, [vi]. pp [Attributes: Hard Cover]

      [Bookseller: Harrison-Hiett Rare Books. ABA/ILAB PBFA]
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        Plans d'ensemble et de détail : construction d'une école indigène - Commune d'Aumale, département d'Alger

      Aumale, 1899. Dossier cartonné in - 4 (31 x 21 cm) 7.60 mètres de papier à dessin aquarellé plié en accordéon (logement instituteur, classe, préau, jardin, façades, sections transversales), mentions manuscrites, tampons, signatures. Plans d'une école figurant encore aujourd'hui au patrimoine architectural de la ville, rebaptisée Sour El - Ghozlane depuis 1962. Français broché DeCollection

      [Bookseller: Livres Anciens Lucas Philippe]
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        DIE INSEL. Monatsschrift mit Buchschmuck und Illustrationen.

      Erster [1.] Jahrgang. Erstes [bis Viertes] Quartal. 4 Bände. Mit Buchschmuck u.a. von Georges Lemmen, Heinrich Vogeler[-Worpswede], Th. Th. Heine und E. R. Weiß. Berlin, Schuster & Loeffler bzw. Insel bei Schuster & Loeffler 1899 - 1900,. Gr.-8°, 5 Bll.,367, 5 Bll.,384, 4 Bll.,386(1), 4 Bll.,346(2)S., Orig.-Halbpergamentbde. mit Rückenvergoldung und dem Insel-Signet von Peter Behrens, Kopfrotschnitt. - Erste Ausgabe - Sark. 1974-1977 - Exlibris, ganz vereinzelt mit schwachen Bräunungen, Schnitt mit einem Anflug von Stockflecken, Hinterdeckel von Bd. 2 fleckig, Vorderdeckel von Bd. 1 mit einer Bereibung, insgesamt wohlerhaltene Exemplare, gedruckt auf handgeschöpftem Bütten mit dem Signet von Peter Behrens als Wasserzeichen

      [Bookseller: Antiquariat Josef Müller (Versandantiqua]
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        Bibliotheca Norvegica.

      Bind I-IV. Oslo, 1899-1924. (12),LXIII,(1),621,(1) + (8),XLIX,(1,2 blanka),300,(4),XLI,(1),301-566,(8),CXIV,(2 blanka),567-842,(4) s. & 1 blad med bokbindaranvisningar + (12),LXXXIV,595,(4),1-54,(2 blanka) + (8),CV,(1 blank),798,(2 blanka) s. Titelbladen tryckta i rött och svart. Sex mycket eleganta bruna halvmarokängbd med upphöjda bind, guld- och svartlinjerade ryggar samt övre guldsnitt, övriga snitt endast putsade (Hedberg, 1937). Flertalet av omslagen medbundna. Några helt obetydliga små repor. I marokängskodda och delvis fodrade klotkassetter. Med Gustaf Bernströms guldpressade pärmexlibris. Praktfull svit ur Sten Lundquists bibliotek.. Undertitlarna till de olika delarna lyder, I: "Norsk boglexikon 1643-1813. Beskrivende katalog over bøger trykte i Norge i tidsrummet fra bogtrykkerkunstens indførelse til adskillelsen fra Danmark", II: "Norge og nordmænd i udlandets literatur. Beskrivende katalog over bøger og tidsskriftartikler om norske forhold", III: "Norske forfattere før 1814. Beskrivende katalog over deres værker, tilligemed supplement til Bibliotheca Norvegica I: Bøger trykt i Norge før 1814", IV: "Norske forfattere efter 1814. Beskrivende katalog over deres i udlandet trykte værker. Første samling. Med supplementer til Bibliotheca Norvegica I-III". Sten Lundquist och Styrbjörn Öhman sålde delar av Gustaf Bernströms (1877-1966) bibliotek på sina bokauktioner

      [Bookseller: Mats Rehnström]
 18.   Check availability:     Antikvariat     Link/Print  


        Eaglehawk and Crow A Study of the Australian Aborigines including an Inquiry into their Origin and a Survey of Australian Languages

      London: David Nutt. Melbourne: Melville, Mullen and Slade, 1899. First edition, with review slip laid in. With tables plus 5 pages of plates and a small folding map. xvi, 288 pp. 1 vols. 8vo. Crimson cloth. First edition, with review slip laid in. With tables plus 5 pages of plates and a small folding map. xvi, 288 pp. 1 vols. 8vo. Ashley Montagu's copy.

      [Bookseller: James Cummins Bookseller]
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        Fantastic Fables

      New York: G. P. Putnam's Sons, printed at the Knickerbocker Press. Near Fine in Very Good dust jacket. 1899. First American Edition. Cloth. Publisher's tan cloth color-block illustrated in black, blue, red, black, and bright gilt, in publisher's printed paper dust-wrapper with black titling and decorations; pp. xi, 194, [4] (ads). 2nd issue, with the "New Fiction" heading to the adverts. Book is bright and clean, with just a little dust-soiling to the endpapers; unrestored jacket has large chips out at the spine tips and upper rear wrap.; Bierce's take on more than 200 classic tales; scarce in jacket .

      [Bookseller: Books Tell You Why]
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        Map of Lands Belonging to the Forest Preserve situated in the Counties of Delaware Greene Sullivan and Ulster Compiled from the Official Maps and Field Notes on file in the State Departments at Albany, N Y By authority of the Fisheries, Game & Forest Commission

      Wynkoop Hallenback Crawford Co. State Printers, 1899. First edition. Cloth with gilt titles, stamped in blind, string tied. Maps very good, with small splits at corner folds, colors bright, in very good portfolio with small soiled spot on front and some sunning to spine.. 1 colored map on 2 joined sheets (102 x 121 cm.). Issued in portfolio (9 1/4 x 5 3/4 inches) with cover title: Map of the Catskill Preserve. Engraved by J.Y. McClintock and W.L. Lawton. Over four feet if joined (scale is 1 inch to 2 miles). Shows patents, lots, names of landowners, and town boundaries subdivided into tracts. Shows street names and railroads. Compiled from "Official Maps and Field Notes on file in the State Departments at Albany, N.Y. by Authority of the Fisheries, Game, and Forest Commission." The first meeting of the Forest Preserve Commission was held on September 23, 1885, and a tabulation of the state ownership did not exist yet; in 1892 the State provided $250 the Forest Commission "for completing the public path leading to the summit of Slide mountain, Ulster County, included within the preserve..." and in a 1893 budget bill (Chapter 726) the State provided $1,000, "For the expenses of examination of title and survey of lands owned by the state on Slide Mountain in Ulster County and other parts of the Catskills..." which lead to the creation of this first map of the Catskill Forest Preserve. Quite detailed and in remarkably good condition.

      [Bookseller: Kaaterskill Books, ABAA/ILAB]
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        Seconda spedizione Bottego. L'Omo. Viaggio di esplorazione nell'Africa orientale narrato da L. Vannutelli e C. Citerni. Sotto gli auspici della Societa' geografica italiana. Con 142 incisioni 11 tavole e 9 carte

      U. Hoepli, Milano 1899 - In 8, pp. XVI + 650 con 11 tavv. f. t. 9 carte f. t. piu' volte rip. e 1 tab. f. t. e molte ill. n. t. M. pl. coeva con fr. al .d. Alcuni danni alle cerniere e lievi spellature ai tagli dei piatti. Classico delle memorie di spedizioni italiane in Africa, in questa spedizione partita il 3 luglio 1895 con lo scopo di risalire il corso dell'Omo ed esplorare la la regione fra l'Alto Giuba il lago Roberto e il Sobat, Bottego trovo' la morte. A Lugh fondo' una stazione commerciale, combatte' contro gli Arussi, visito' i Garra, i Boran, gli Amarr Bambala ecc. Scopri' anche il Lago Regina Margherita. Zavatti, Diz. esploratori, p. 41. ITA

      [Bookseller: coenobium libreria antiquaria]
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        Etude de chiens EDITION ORIGINALE ENVOI AUTOGRAPHE

      Crayon sur papier, 1899. Fine. Crayon sur papier Fin XIXème - Début XXème, 26,5 x 20,5 cm. - Original pencil drawing. Signature stamp of the artist's signature in the lower right corner of the work, and signature stamp of the workshop at the back. Trace of center fold, a small central tear slightly affecting the drawing (3 cm), otherwise very good condition. Provenance: the artist's studio, referenced to catalog Atelier Louis Anquetin (Thierry de Maigret, 28/11/08). Louis Anquetin, Étrépagny born in 1861 and died in Paris in 1932, is an important French painter. He began his career with avant-garde artists such as Vincent van Gogh and Henri de Toulouse-Lautrec. With Émile Bernard, he is the inventor of Cloisonnisme. From 1884 to 1893, Louis Anquetin continues to explore new opportunities introduced by the release of Impressionism in French painting. From 1893, after a long confrontation with the "old masters", he adopts a bias pictorial that will line the general art movement, and take away from his friends. Dazzled by the baroque art and its creative force, so he thinks his childhood friends were involved in a pathway leading to the death of painting. He believes in a "perfect painting" which is embodied in the re-remember the lessons of Michelangelo and Rubens among others. His work becomes more conventional, he advocated a return to business by offering to reflect on the a priori conditions of any possible form of art in accordance with the rules of perspective and anatomy, as practiced by the masters the sixteenth and seventeenth century. Leaving only a few works that can be described as monumental, Anquetin turns prolific with its many studies and sketches, who considered that the design was "a very powerful means of expression" compulsory foundation of all arts plastics. Working voluntarily countdown of his time, Louis Anquetin made possible the existence of an original modern figuration. By his obstinacy and his passion for painting, he has indeed prevented is completely closed the way to the great Western tradition. You can admire his works in many prestigious museums such as the Musée d'Orsay or the Louvre in Paris, San Francisco and Detroit, the Hermitage Museum in St. Petersburg, the National Gallery and the Tate London, etc.. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Dessin original au crayon. Signature du cachet de la signature de l'artiste dans l'angle inférieur droit de l'œuvre, et signature du cachet de l'atelier au verso. Trace de pliure centrale, une petite déchirure centrale affectant très légèrement le dessin (3 cm), sinon très bel état de conservation. Provenance : atelier de l'artiste, référencée au catalogue Atelier Louis Anquetin (Thierry de Maigret, 28/11/08). Louis Anquetin, né à Étrépagny en 1861 et mort à Paris en 1932, est un important peintre français.Il commence sa carrière aux côtés de peintres d'avant-garde tels que Vincent Van Gogh ou Henri de Toulouse-Lautrec. Avec Émile Bernard, il est l'inventeur du Cloisonnisme. De 1884 à 1893, Louis Anquetin ne cesse d'explorer les possibilités nouvelles offertes par la libération introduite par l'Impressionnisme dans la peinture française. A partir de 1893, à la suite d'une longue confrontation avec les « maîtres d'autrefois », il adopte un parti-pris pictural qui le mettra en marge du mouvement général de l'art, et l'éloignera de ses amis. Ébloui par l'art baroque et sa vigueur créatrice, il pense alors que ses amis de jeunesse se sont engagées dans une voie qui mènera à la mort de la peinture. Il croit en une « peinture parfaite » qui s'incarne dans le re-souvenir des leçons de Michel-Ange et de Rubens notamment. Son travail devient donc plus classique, il prône le retour au métier, en proposant de réfléchir sur les conditions a priori de toute forme d'art possible dans le respect des règles de la perspective et de l'anatomie, telles que pratiquées par les maîtres du XVIème et XVIIème siècle.Ne laissant que quelques œuvres que l'on peut qualifier de monumentales, Anquetin s'avère prolifique par ses nombreuses études et esquisses, lui qui considérait que le dessin était « un moyen d'expression tout puissant », le fondement obligatoire de tous les arts plastiques.En travaillant volontairement à rebours de son époque, Louis Anquetin a rendu possible l'existence d'une figuration moderne originale. Par son obstination et sa passion de la peinture, il a en effet évité que ne soit totalement obturé le chemin de la grande tradition occidentale. On peut admirer ses œuvres dans de nombreux et prestigieux musées comme le Musée d'Orsay ou Le Louvre à Paris, à San Francisco ou à Detroit, au Musée de l'Hermitage de Saint-Petersbourg, à la National Gallery et à la Tate de Londres, etc.

      [Bookseller: Librairie Le Feu Follet]
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        Tak govoril' zaratustra. Devjat' otrvkov'.vv perevod. C. P. Nani. Also sprach Zarathustra : neun Fragmente

      St: Peterburg, Stasjulevitch, 1899.. Gross_Oktav. IV, 103 Seiten, 3 nn. Blatt. Contemporary halflleather. The binding is used, the spine partly lacking. Auf dem inneren Rückendeckel eine Eintragung in Kugelschreiber und ein kleiner Stempel. Der Rücken weist eine Fehlstelle auf, die Gelenke sind gelockert und durchgehend leicht stockfleckig.. RARE RUSSIAN PARALLEL EDITION OF FRAGEMENTS OF ZARATHUSTRA. Darin die Kapitel: Pesn' noci = Das Nachtlied. Pochoronnaja pesnja = Das Grablied. O kafedrach dobrodeteli = Von den Lehrstühlen der Tugend. Proricatel' = Die Wahrsager. O trech prevra cenijach = Von den drei Verwandlungen. Ob ucenych = Von den Gelehrten. O puti sozidaju cago = Vom Wege der Schaffenden. O ctenii i pis'me = Vom Lesen und Schreiben. O trech zlach = Von den drei Bösen. Paralleltext deutsch und russisch. Im März 1885 hatte Nietzsche sich endgültig entschlossen, das zunächst als eine Art Vermächtnis gedachte Werk, das dann als eine Reihe von sechs Büchern mit dem Tod Zarathustras enden sollte, bereits mit dem vierten Buch abzuschliessen. "Nietzsche hielt 'Also sprach Zarathustra' für sein Meisterwerk, für sein Geschenk an die Menschheit, für seine größte persönliche Errungenschaft. Obschon die Schrift heute bloss einen Band umfasst, erschien sie zwischen 1883 und 1885 in vier einzelnen Büchern". - Schaberg, Nietzsches Werke, 123 f.

      [Bookseller: J.J. Heckenhauer e.K .]
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        The Poems of William Shakespeare, According to the Text of the Original Copies, Including the Lyrics, Songs, and Snatches Found in His Dramas

      London: Edward Arnold (printed by Essex House Pres: London: Edward Arnold (printed by Essex House Press), 1899., 1899. Book measures 9 1/4 x 7 inches. Limited edition of 450 numbered copies. 253pp. Full-page woodcut of Venus and Adonis with additional woodcut initials throughout. Woodcut device on the colophon. Headings and margin titles in red. Bound in original limp vellum, yapp edges, cloth ties. Vellum very slightly dust marked, slightly sprung. Binding in very good clean firm condition. Interanally, 2 pages roughly opened on top marging,1 page torn with the tear just touching text. Pages in very good clean bright condition throughout. . Vellum. Very Good. 8vo.

      [Bookseller: George Jeffery Books]
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        Versailles, Et Les Deux Trianons

      Tours, France: Maison Alfred Mame Et Fils, 1899. Leather_bound. Fine. Tours, France: Maison Alfred Mame Et Fils, 1899. Leather_bound. Four volumes. Large folio. Versailles Et Les Deux Trianons. Texte par Philippe Gille, de L'Institut Dessins et relevés par Marcel Lambert architecte des domaines de Versailles et des trianons. IL a été tiré de cent ouvrage 150 exemplaires numérotés no 2. Limited to twenty-five copies which this is number 2, portrait frontispiece in three state, illustration colour and black and white of gardens, palace, architecture, maps and plans. Bound by Zaehnsdorf in three quarter navy blue morocco over cloth boards, gilt floral decorations to spine between raised banding, gilt titles, top edge gilt, marbled endpaper. ( Text in French) . A handsome copy.

      [Bookseller: Imperial Fine Books]
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        When the Sleeper Wakes. A Story of the Years to Come

      Harper and Brothers, London, 1899,, 1899. First Edition. 8vo., pps. (viii) +329. Publisher's red cloth, gilt titles to spine and upper board. Spine is age-toned, text block shaken in the case with gauze-cloth joints showing to inside gutter, boards are especially clean. A very good, solid copy. In 1897 a Victorian gentleman falls into a sleep from which he cannot be awoken. During his 200 years of slumber he becomes the Sleeper, the most powerful person in the world. The common people, increasingly oppressed, view the Sleeper as a liberator whose awakening will free them from misery. Geoffrey H. Wells [15]. Bleiler; Checklist of Fantastic Literature [328]. Shorter New Cambridge Bibliography (Eng.Lit.) 1293-8.

      [Bookseller: Adrian Harrington Rare Books]
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        The Caroline Islands. Travel in the Sea of the Little Lands

      Naw Yok, Charles Scribner´s Sons, 1899. 4to. mayor, XIII - 412 pp. Con 43 láminas fotográficas, 3 planos y dos mapas plegados. Encuadernación original en tela estampada, fatigada. El autor fue vecino de Robert Louis Stevenson en Samoa entre 1890 y 1893 en que como alma itinerante partió hacia la Polinesia Oriental en busca de islas vírgenes. A su vuelta a Sidney se topó con Louis Becke quien le habló de una isla que llamaba Venecia cubierta enteramente por la jungla y situada «en el mar de las pequeñas islas». Es así como fue a parar en las Carolinas, sobre las que escribió éste primer libro, fascinado por su belleza y por el misterio de las ruinas monumentales de Lele Island.

      [Bookseller: Hesperia Libros]
 28.   Check availability:     Biblio     Link/Print  


        Nauticus. Jahrbuch für Deutschlands Seeinteressen. 38 Originalbände aus dem Zeitraum 1899 (1.Jahrgg.) bis 1991 (39. u. letzter Jgg.). Zwei Ausgaben fehlen (1901 und 1902).

      Berlin Mittler. 1899-1991. Alles Erstausgaben. KEINE REPRINTS. Gr. 8° (21x14cm bis 1901, danach 23,5x15cm). Unregelmäßiges Erscheinen: 1914=16.Jgg., 1923=17.Jgg,, 1926=18.Jgg., 1928=19.Jgg., 1936=20.Jgg. etc. etc. Die hier vorliegende Sammlung ist fast komplett, zwischen dem 1. und dem letzten (39.) Jgg. fehlen lediglich die Ausgaben 1901 und 1902 ( = 2. + 3. Jgg.). +++ Alle Bände mit fester Bindung (außer 1899, 1900, 1980). +++ Beschreibung der frühen Bände: 1899: 439 S.,Orig. Pp.Bd. Ex-Bibliotheks-Ex. Ebd. vorne leicht fleckig, hinten deutlich fleckig und an Kanten m. kl. Fehlstellen. Seiten kaum gebräunt und fleckenlos. ++ 1899: Ex-Bibliotheksex., hübsch neu gebunden in HLn. m. marmor. Deckeln, Seiten hell und fleckenlos. ++ 1900: OHLn. Vorsatz stockfleckig, Ss. an Rändern leicht gebräunt, Rückdeckel an Rändern mit 2 kl. Fehlstellen, mit vielen Fotos und zwei gr. vergleichenden FALTKARTEN DES GEPLANTEN PANAMAKANALS UND DES NIE GEBAUTEN NICARAGUAKANALS. ++ 1903: OHLn., Vord.deckel oben gestaucht, u. an Rändern angeschmutzt, kl. N.a.V. und N.a.T., Titel leicht stockfl., Ss. sauber und hell. ++ 1904: innen u. außen s. gut erhalten, m. 4 gr. Faltkarten in Kladde (vgl. Photo #4). ++ 1905: HLwd nachgebunden; durchwegs sauber, mit farbg. Weltkarte der Übersee-(Telefon-)Kabel. ++++ Die Bände ab 1906: in OLwd., Kapitale teils leicht bestoßen, jeweils zw. 626 u. 683 S. jeweils meist mit gr. farbigen Weltkarten; 4 Bde. m. Bes.vermerk a.V., Zustand gut bis sehr gut bis wie neu. +++ SEHR SELTEN IN DIESER VOLLSTÄNDIGKEIT u. diesem Zustand. +++ Weitere Fotos und Infos gern von: mDOTfruthAThotmailDOTde. Hardcover Buch. Gut bis sehr gut

      [Bookseller: Magister Michalis Versandantiquariat]
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        Lettres de Jean-Arthur Rimbaud - Egypte Arabie Ethiopie - EDITION ORIGINALE

      Paris: Mercure de France, 1899. Fine. Mercure de France, Paris 1899, 12,5x18,5cm, relié. - Edition become rare. Binding to open brown paper bradel with golden floral motifs in the style of 1900, as brown shagreen piece, wrappers and back preserved and bound in, Goy & modern binding signed Vilaine. - [FRENCH VERSION FOLLOWS] Edition originale devenue rare. Reliure à la bradel en plein papier marron à motifs floraux dorés dans le gout de 1900, pièce de titre de chagrin brun, couvertures et dos conservés, reliure moderne signée Boichot. Introduction et notes par Paterne Berrichon et fac-similé d'une lettre de Ménélick à Rimbaud. Bel exemplaire très joliment établi.

      [Bookseller: Librairie Le Feu Follet]
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        The River War, An Historical Account of the Reconquest of the Soudan

      London: Longmans, Green, and Co., 1899. First edition, first printing. Hardcover. This is the first edition, first printing of Churchill's second published work. Published in two massive volumes in 1899, the first edition of this book is compelling in every respect. First, of course, is the inherent merit of the work itself. The text is arresting, insightful, powerfully descriptive, and of enduring relevance. Mohammed Ahmed was a messianic Islamic leader in central and northern Sudan in the final decades of the 19th century. In 1883 the Mahdists overwhelmed the Egyptian army of British commander William Hicks, and Great Britain ordered the withdrawal of all Egyptian troops and officials from the Sudan. In 1885, General Gordon famously lost his life in a doomed defense of the capitol, Khartoum, where he had been sent to lead evacuation of Egyptian forces. Though the Mahdi died in 1895, his theocracy continued until 1898, when General Kitchener reoccupied the Sudan. With Kitchener was a very young Winston Churchill, who would participate in the battle of Omdurman in September 1898, where the Mahdist forces were decisively defeated. In this book about the British campaign in the Sudan, Churchill - a young officer in a colonial British army - is unusually sympathetic to the Mahdist forces and critical of Imperial cynicism and cruelty. This work offers us the candid perspective of the future great man of the 20th century from the distinctly 19th century battlefields where Churchill learned to write and earned his early fame. Here is a chief architect of the Second World War involved in what has been called the last "genuine" cavalry charge of the British army. In addition to being a compelling piece of writing, the first edition of The River War is also beautiful, rare, and bibliographically important. Aesthetically it is lavish and striking; the large, weighty volumes are beautifully decorated with gilt representations of the Mahdi's tomb on the spines and a gunboat on the front covers. Each of the two large volumes is printed on heavy paper with a profusion of illustrations, maps, and plans. From a collector's standpoint it is scarce. There were only 2,000 copies of this beautiful first edition, first printing. Moreover, this is one of the few Churchill books for which there was no concurrent U.S. first edition. Bibliographically it is notable that the first edition is the only unabridged edition to this day. Here is a first edition, first printing set. This set is in very good overall condition, with aesthetic flaws more than compensated by tight original bindings and unusually clean contents. The contents retain all illustrations, maps, and plans, as well as the frontispieces, tissue guards, and original black endpapers. The contents remain bright. Spotting, endemic to this edition, is comparatively light, intermittent throughout. The sole previous ownership mark we find is an inked last name on the upper Volume I half-title which, judging from ink spreading and fading, is old and perhaps contemporary to original ownership. The great weight of the first edition text blocks quite often results in gutter breaks and loose bindings. In this set, both bindings remain beautifully tight and square. The bindings are both tight and clean, with a minimal amount of the usual scuffing and wear. The aesthetic flaw that comprises this otherwise near fine set is some mottled discoloration, possibly from brief and superficial moisture exposure, that affects the lower spine, rear hinge, and lower rear cover of Volume II. A hint of the same mottling shows on the very bottom of the Volume I spine. This mottling is purely superficial, with no blistering or warping of the binding cloth. A modest dimple to the Volume II upper spine is also noted. A quite respectable and well-preserved original and unrestored set withal, and a set that gives every impression from matching condition and appearance to being a lifelong mated pair. Bibliographic reference: Cohen A2.1.b, Woods/ICS A2(a.1), Langworth p.29

      [Bookseller: Churchill Book Collector]
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        War is Kind

      New York, New York.: Frederick A. Stokes , 1899 Crane's second collection of 37 verses, many published previously in periodicals from 1894 on. Grey illustrated boards, printed on heavy grey paper. Spine is lightly browned, wear to head of spine and tips. Binding is intact but split at page 57. Half inch stain on back cover board with some age toning. With six full page illustrations and numerous vignettes.Will Bradley, who was responsible for the book's manufacture, wrote to the publishers: "The book represents my best work up till now as a designer and printer. I have become greatly interested in it and want to make it my masterpiece." One of the most beautiful books of the Art Nouveau movement in America.

      [Bookseller: Boomerang Booksellers, ABAA/ILAB (USA)]
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        Romantische Lieder. The first edition of his first book in an excellent condition!

      Dresden und Leipzig, E. Pierson, 1899.. 2 Blatt, 44 Seiten / pp Blue half cloth binding.. The outmost scarce half cloth binding in a brilliant condition. According to Volker Michels were four different bindings published (not only three as mostly mentioned), two kind of brochures and two kind of bound versions, one cloth binding and this half cloth one, the last variant. Pierson tried to sell the title in several versions, but he was not lucky with the sales. Hesse was asked himself in the 50ies several times by collectors for copies, but he had himself none left. With an interesting provenance, "Kurt Schneider, März 11" written on the flying frontpaper in ink. Schneider was a psychiatrist, who studied in Tuebingen and worked later in Heidelberg. Schneider (1887-1967) known largely for his writing on the diagnosis and understanding of schizophrenia, as well as personality disorders then known as psychopathic personalities. He published the book With an interesting provenance, "Kurt Schneider, März 11" written on the flying frontpaper in ink. Schneider was a psychatrist, who studied in Tuebingen and worked later in Heidelberg, together with Jaspers. Schneider(1887-1967) known largely for his writing on the diagnosis and understanding of schizophrenia, as well as personality disorders then known as psychopathic personalities. He published the book "Klinische Psychopathologie", which is now edited in its 15th edition ! Schneider was also in private contact with Hesse, several letters are archived in the National library in Bern / CH. , which is now edited in its 120th edition ! Schneider was also in private contact with Hesse, several letters are archived in the National library in Bern / CH. Erste Ausgabe von Hermann Hesses äußerst seltenem Erstlingswerk, in nur 600 Exemplaren im Jahre 1898 erschienen, von denen nur 54 Exemplare bis zum Jahre 1900 verkauft wurden. "Die romantischen Lieder" schrieb Hesse während seiner Lehrzeit als Buchhändler bei J. J. Heckenhauer in Tübingen. Gedruckt werden konnte das Buch erst, nachdem der angehende Sortimentsgehilfe Hermann Hesse sich mit 175 Mark an den Kosten beteiligte. "Wie wichtig schien mir im Herbst 1899 dieses kleine Büchlein, als ich das erste Exemplar meines ersten Buches in der Hand hielt! Ich bin dem treu geblieben, was ich damals begonnen habe, aber es war ein mühsamer Weg, und die Mühe hat sich nicht gelohnt. Aber dennoch: das Beste, was das Leben geben kann ..." (Hesse an Alice Leuthold, 4. 7. 1930).

      [Bookseller: J.J. Heckenhauer e.K .]
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        Pictures of Early New York on Dark Blue Stafford Shire Pottery Together with pictures of Boston and New England, Philadelphia, the South and West

      New York: Dodd, Mead. Fine in Fine dust jacket. 1899. First Edition. Cloth. Beige buckram, upper board ruled in gilt with a gilt-ruled ivory square with a (well, yes, um, blue) color image inset onto the board, titles in gilt on spine, in the publisher's matching-fabric cloth dust-wrapper; pp. xxvi, [329], [1] (colophon), frontispiece, dozens of plates and in-text illustrations throughout. A gorgeous copy, pristine, in the equally fine (and uncommon) dust jacket .

      [Bookseller: Books Tell You Why]
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        Duel : Étude 2 EDITION ORIGINALE ENVOI AUTOGRAPHE

      Fusain sur papier, 1899. Fine. Fusain sur papier Fin XIXème - Début XXème, 25 x 16,25 cm. - Original charcoal drawing. Signature stamp of the artist's signature in the lower right corner of the work, and signature stamp of the workshop at the back. Very nice condition. Provenance: the artist's studio, referenced to catalog Atelier Louis Anquetin (Thierry de Maigret, 28/11/08). Louis Anquetin, Étrépagny born in 1861 and died in Paris in 1932, is an important French painter. He began his career with avant-garde artists such as Vincent van Gogh and Henri de Toulouse-Lautrec. With Émile Bernard, he is the inventor of Cloisonnisme. From 1884 to 1893, Louis Anquetin continues to explore new opportunities introduced by the release of Impressionism in French painting. From 1893, after a long confrontation with the "old masters", he adopts a bias pictorial that will line the general art movement, and take away from his friends. Dazzled by the baroque art and its creative force, so he thinks his childhood friends were involved in a pathway leading to the death of painting. He believes in a "perfect painting" which is embodied in the re-remember the lessons of Michelangelo and Rubens among others. His work becomes more conventional, he advocated a return to business by offering to reflect on the a priori conditions of any possible form of art in accordance with the rules of perspective and anatomy, as practiced by the masters the sixteenth and seventeenth century. Leaving only a few works that can be described as monumental, Anquetin turns prolific with its many studies and sketches, who considered that the design was "a very powerful means of expression" compulsory foundation of all arts plastics. Working voluntarily countdown of his time, Louis Anquetin made possible the existence of an original modern figuration. By his obstinacy and his passion for painting, he has indeed prevented is completely closed the way to the great Western tradition. You can admire his works in many prestigious museums such as the Musée d'Orsay or the Louvre in Paris, San Francisco and Detroit, the Hermitage Museum in St. Petersburg, the National Gallery and the Tate London, ... etc. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Dessin original au fusain. Signature du cachet de la signature de l'artiste dans l'angle inférieur droit de l'œuvre, et signature du cachet de l'atelier au verso. Très bel état de conservation. Provenance : atelier de l'artiste, référencée au catalogue Atelier Louis Anquetin (Thierry de Maigret, 28/11/08). Louis Anquetin, né à Étrépagny en 1861 et mort à Paris en 1932, est un important peintre français.Il commence sa carrière aux côtés de peintres d'avant-garde tels que Vincent Van Gogh ou Henri de Toulouse-Lautrec. Avec Émile Bernard, il est l'inventeur du Cloisonnisme. De 1884 à 1893, Louis Anquetin ne cesse d'explorer les possibilités nouvelles offertes par la libération introduite par l'Impressionnisme dans la peinture française. A partir de 1893, à la suite d'une longue confrontation avec les « maîtres d'autrefois », il adopte un parti-pris pictural qui le mettra en marge du mouvement général de l'art, et l'éloignera de ses amis. Ébloui par l'art baroque et sa vigueur créatrice, il pense alors que ses amis de jeunesse se sont engagées dans une voie qui mènera à la mort de la peinture. Il croit en une « peinture parfaite » qui s'incarne dans le re-souvenir des leçons de Michel-Ange et de Rubens notamment. Son travail devient donc plus classique, il prône le retour au métier, en proposant de réfléchir sur les conditions a priori de toute forme d'art possible dans le respect des règles de la perspective et de l'anatomie, telles que pratiquées par les maîtres du XVIème et XVIIème siècle.Ne laissant que quelques œuvres que l'on peut qualifier de monumentales, Anquetin s'avère prolifique par ses nombreuses études et esquisses, lui qui considérait que le dessin était « un moyen d'expression tout puissant », le fondement obligatoire de tous les arts plastiques.En travaillant volontairement à rebours de son époque, Louis Anquetin a rendu possible l'existence d'une figuration moderne originale. Par son obstination et sa passion de la peinture, il a en effet évité que ne soit totalement obturé le chemin de la grande tradition occidentale. On peut admirer ses œuvres dans de nombreux et prestigieux musées comme le Musée d'Orsay ou Le Louvre à Paris, à San Francisco ou à Detroit, au Musée de l'Hermitage de Saint-Petersbourg, à la National Gallery et à la Tate de Londres, etc...

      [Bookseller: Librairie Le Feu Follet]
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        The Book of Golf and Golfers

      Longmans, Green & Co., London 1899 - Item Description: Longmans, Green, 1899, xvii + 316 pages, illustrated with 71 Portraits, Frontispiece (tissue guard), top page edges gilt, gilt vignette, spine letters gilt. With contributions by Miss Amy Pascoe, H.H. Hilton, J.H. Taylor, H.J. Whigham and Messrs. Sutton & Sons. Horace Gordon Hutchinson (1859-1932) was reared near Westward Ho! where his father was a founding member at the Royal North Devon Golf Club. Curiously enough, a young J. H. Taylor was bookblack to the Hutchuinson family while there. A fine and prolific writer on the game, Hutchinson could play with equal aplomb, winning the British Amateur Championship in 1886 and 1887. The Book of Golf and Golfers is a compendium containing history on the ancient game, instruction by various hands, a complete chapter on clubs and balls, another chapter on making the wooden-shafted club by five-time Open Champion J. H. Taylor, a chapter on Ladies Golf, one on Methods of Play by Hutchinson and perhaps most importantly, a chapter by Sutton on the LAYING OUT ANDUP-KEEP OF GREENS. Pre-1900 knowledge on greenkeeping was scarce and difficult to obtain, while information on golf course architecture was almost non-existent. This particular copy has an interesting provenance apparently being a publisher's pre-release copy WITH TIPPED IN SLIP offering to "supply it to the trade on terms which will not allow of discount." Furthermore, this copy was previously the property of legendary golf book collector from South Bend, Indiana, Col. Otto Probst, his signature and gift inscription to a friend are dated 1953 below the publisher's printed slip. Being a heavy and oft read book, it is uncommon to discover one in near fine condition with clean bright covers (slight bump lower corner only) showing no edge wear, no internal hinge splitting to the original black endpapers, with only light tanning to preliminary pages, A very clean copy of a most desireable golf book and a unique collectible in its own right. [D&M, 3110] Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquarian Golf]
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        Die Agrarfrage. Eine Uebersicht über die Tendenzen der modernen Landwirthschaft und die Agrarpolitik der Sozialdemokratie.

      Dietz, Stuttgart, 1899 - Stuttgart, Dietz 1899. 23,5 : 16 cm. VIII, 451 pages, 2 leaves Original cloth. First edition. Dedicated to his 'dear friend Hugo in old friendship' Berlin 3/1/(18)99 K. Kautsky. In publishers blue cloth covered boards. - The present work 'Die Agrarfrage' is an analysis of the influence of capitalism on agriculture. Karl Kautsky born 1854 in Prague and died 1938 in Amsterdam was an important economist, historien and publisher of the German social democracy. He studied in Vienna and joined the social democratic party. His friedship with Marx and Engels influenced his development. - Edges a bit rubbed otherwise a fine copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Michael Steinbach Rare Books]
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        Eden versus Whistler The Baronet and the Butterfly

      Paris: Louis-Henry May,, [1899]. A Valentine with a Verdict. Octavo. Original mustard-yellow cloth spine, drab yellowish paper boards, spine lettered in black, front cover lettered in gilt, Whistler's butterfly monogram in gilt on spine and front cover, untrimmed. Decorations by Whistler in the text. Spine toned, a little wear to corners, some marks to covers, offsetting to recto of limitation leaf and verso of imprint at end, but a very good, clean, copy of a rather fragile book. First and limited edition, one of 250 numbered copies signed by Whistler with his butterfly monogram. "Early in 1894 Whistler painted a small portrait of Lady Eden (Hunterian Museum and Art Gallery, Glasgow), and her husband, Sir William Eden, sent £100 for it, which Whistler banked. Whistler exhibited the picture in Paris but refused to deliver it, and Eden instituted legal proceedings; whereupon Whistler returned the money but scraped out the figure, substituting that of an American sitter in its place, so that if he lost the case the portrait could not be recovered. At the civil tribune in March 1895 Whistler was ordered to hand over the portrait and pay damages; but after two appeals, in 1897 and 1900, Whistler was finally granted the picture and Eden was ordered to pay expenses. In Eden versus Whistler: the Baronet and the Butterfly (1899) Whistler published his account of the case, which entered French law by establishing that artists do not enter into ordinary commercial contracts of sale with their patrons" (ODNB).

      [Bookseller: Peter Harrington]
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        Poésies EDITION ORIGINALE Tirage de tête

      Genève: Kundig, 1899. Fine. Kundig, Genève s.d. (1899), 17,5x28,5cm, relié. - First Edition, one of 10 numbered on Holland paper leading copy. Bound in half morocco Russian burgundy corners, flat spine decorated with two double gold boxes richly embellished with decorative golden date tail, gilt frames on flat marbled, endpapers and contreplats of handmade paper, blankets marginally past and spine preserved, bookplate pasted on a guard, elegant binding pastiche signed Semet & Plumelle. Frontispiece, a portrait of the author. Very nice and rare copy with all margins and perfectly prepared. Source: Fund for French-speaking Swiss Natural Albert poets that formed from the twenties. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 10 ex numérotés sur Hollande, tirage de tête. Reliure en demi maroquin de Russie bordeaux à coins, dos lisse orné de deux doubles caissons dorés richement agrémentés de motifs décoratifs dorés, date en queue, encadrements de filets dorés sur les plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures marginalement passées et dos conservés, ex-libris encollé sur une garde, élégante reliure pastiche signée de Semet & Plumelle. En frontispice, un portrait de l'auteur. Très bel et rare exemplaire à toutes marges et parfaitement établi. Provenance : fonds des poètes suisse romands d'Albert Natural qu'il constitua à partir des années vingt.

      [Bookseller: Librairie Le Feu Follet]
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        Histoires naturelles.

      Paris: Floury, 1899 - Small folio (310 x 220 mm). Art binding signed by P. L. Martin, dated 1973, of olive green calf, author's name on the upper cover and artist's name on the lower cover, title in relief frame, chemise and slipcase. Front wrapper and 22 lithographs hors texte by Henri de Toulouse-Lautrec. Limited edition, number 84 of 100 numbered copies. Lautrec began his preliminary sketches in 1896, at the Jardin d'Acclimatation, but the lithographs were only executed in 1898. Publication was delayed by the author, displeased with the illustrations which did not illustrate the text in every instance. Though today it is seen as one of the most celebrated and sought-after of all livres d'artiste, the book was received poorly when it was issued and did not sell out until 1917. Artist & the Book, 304.

      [Bookseller: Peter Harrington. ABA member]
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        Costumi sardi

      Lit. Giusti 1899 Serie completa di 13 tavole in litografia a colori cm. 33,5 x 49 opera di Puccioni (6) e di Guerrini (7) colorate dal vero dal Martelli. Stampate in gran parte su carta pesante (10) mentre 3 sono pubblicate su carta decisamente piu' sottile. Sono raffigurati i seguenti costumi: Carrettiere cagliaritano; Signora di Aritzo e Belvi costume festivo e giornaliero; Pescatore cagliaritano; Costume di Bono (2 fori marginali riparati); Costumi di Nuoro, giornaliero, costume da ragazza, da fatica; Costumi di Nuoro, festivo di sposa (3 fori marginali riparati); Costume di Mamoiada; Rigattiere cagliaritano; Donne di Bitti, costume antico; Costume attuale di Bitti (spelature marginali); Costumi di Orune (6 fori marginali riparati); Il latitante Salis Giovanni Cobeddu nato a Oliena il 16 aprile 1844 ucciso nella regione Riu Monte (territorio di Orgosolo) ... (spellature diffuse che interessano anche l'immagine senza comprometterne la godibilita'); Costume festivo e da lavoro di Orgosolo. Insieme raro e particolarmente significativo per quanto riguarda l'antropologia sarda, pubblicato in cartella (che qui manca) negli stessi anni di altre opere analoghe come quella di Enrico Costa. ITA

      [Bookseller: Libreria Antiquaria Coenobium]
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        LILIES OF JAPAN.

      ( Yokohama Nursery Co.): Nos. 21-35, Nakamura, Yokohama. Japan, October, 1899. Nos. 21-35, Nakamura, Yokohama. Japan ( Yokohama Nursery Co.) October, 1899. The Yokohama Nursery Company was one of the largest suppliers of Japanese lilies and other Japanese plants and bulbs to the Western nursery trade.This early catalogue from the company is a handsome survival. " The Yokohama Nursery Company catalogues from the mid-1890s through the mid-1920s are impressive documents, written in English and beautifully illustrated with colored plates..." (ARNOLDIA 64/23, Del Tredici. " From Temple To Terrace" p. 4). The catalogue here contains 36 full page plates of individual lilies: Section I.: Cardiocrinum; Section II: Eulirion; Section III: Archelirion; Section IV: Isolirion; Section V: Martagonli. Each is a beautifully printed color lithograph with the individual flower taking up the full page and identifying botanical name and number printed at the bottom. Some are printed on a green-gray background color and others against an off-white one. 4to (26.5 x 19 cm); blank leaf+ title + 20 leaves with table of contents + 36 plates. (plate xviii bound out of numerical order at the end). Original paper covers stabbled and tied with gold accented chromolithgraph of title lettering and flowers on the upper cover; minor nicks to paper cover edges; all else in very good condition.

      [Bookseller: Hinck & Wall]
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        Wissenschaftliche Luftfahrten. Erster Band: Geschichte und Beobachtungsmaterial. Mit einem farbigen Vollbilde, 19 eingedruckten Abbildungen und 59 Karten. / Zweiter Band: Beschreibung und Ergebnisse der einzelnen Fahrten. Mit fünf farbigen Vollbildern, 310 eingedruckten Abbildungen und zwei Tafeln. Dritter Band: Zusammenfassungen und Hauptergebnisse. Mit zwanzig eingedruckten Abbildungen und zwei Tafeln.

      Friedrich Vieweg und Sohn,, Braunschweig, 1899 - EA. 3 Bde. Braunschweig, Friedrich Vieweg und Sohn, 1899. 4°. ca. 1400 Ss. gesamt, Tafeln tls. gefaltet. O-Halbleinen m. Rückengoldpr. Exlibris. Einbandrücken oben und unten berieben. Bd. 1: Bindung i. vord. Gelenk etwas angelockert. Tafel 41 u. 42 lose einliegend. Band 2: Einbanddeckel m. leichtem Abrieb. Bibliothektsstempel. Alle 3 Bände insgesamt sehr gut erhalten. Versandkosten (Übergewicht, wertgesichert!) € 15,00. Die farbigen Bilder zeigen bemannte Ballons. Ausführlicher historischer Überblick, umfangreiche Darstellungen, Fahrtberichte u. Beobachtungsergebnisse über Lufttemperatur, Wasserdampf, Wolkenbildung, Winde, Sonnenstrahlen, Luftelektrizität. Brockett 949, Liebmann 1515. O-Halbleinen m. Rückengoldpr. Exlibris. Einbandrücken oben und unten berieben. Bd. 1: Bindung i. vord. Gelenk etwas angelockert. Tafel 41 u. 42 lose einliegend. Band 2: Einbanddeckel m. leichtem Abrieb. Bibliothektsstempel. Alle 3 Bände insgesamt sehr gut erhalten. Versandkosten (Übergewicht, wertgesichert!) € 15,00. [Attributes: Hard Cover]

      [Bookseller: Signum Antiquariat]
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        A Floral Fantasy In An Old English Garden, set forth in verses and coloured design by Walter Crane

      Harper & Brothers, London 1899 - Color-blocked cloth boards, green top-stain, color-illustrated endpapers, in the publisher's printed pale-green dust-wrapper; pp. [4] (half-title and two-page title page), 5-46 (plates), [2] (colophon); "Gutta percha" binding has failed, as usual, with all the french-fold sheets loose, but collates complete. Boards soiled, foxed, and rubbed, spine tips darkened; jacket with light chipping at the spine tips and corners, several closed tears, but attractive still, and scarce [Attributes: First Edition; Hard Cover]

      [Bookseller: Books Tell You Why - ABAA/ILAB]
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        The River War, An Historical Account of the Reconquest of the Soudan

      London: Longmans, Green, and Co., 1899. First edition, first printing. Hardcover. This is the first edition, first printing of Churchill's second published work. Published in two massive volumes in 1899, the first edition of this book is compelling in every respect. First, of course, is the inherent merit of the work itself. The text is arresting, insightful, powerfully descriptive, and of enduring relevance. Mohammed Ahmed was a messianic Islamic leader in central and northern Sudan in the final decades of the 19th century. In 1883 the Mahdists overwhelmed the Egyptian army of British commander William Hicks, and Great Britain ordered the withdrawal of all Egyptian troops and officials from the Sudan. In 1885, General Gordon famously lost his life in a doomed defense of the capitol, Khartoum, where he had been sent to lead evacuation of Egyptian forces. Though the Mahdi died in 1895, his theocracy continued until 1898, when General Kitchener reoccupied the Sudan. With Kitchener was a very young Winston Churchill, who would participate in the battle of Omdurman in September 1898, where the Mahdist forces were decisively defeated. In this book about the British campaign in the Sudan, Churchill - a young officer in a colonial British army - is unusually sympathetic to the Mahdist forces and critical of Imperial cynicism and cruelty. This work offers us the candid perspective of the future great man of the 20th century from the distinctly 19th century battlefields where Churchill learned to write and earned his early fame. Here is a chief architect of the Second World War involved in what has been called the last "genuine" cavalry charge of the British army. In addition to being a compelling piece of writing, the first edition of The River War is also beautiful, rare, and bibliographically important. Aesthetically it is lavish and striking; the large, weighty volumes are beautifully decorated with gilt representations of the Mahdi's tomb on the spines and a gunboat on the front covers. Each of the two large volumes is printed on heavy paper with a profusion of illustrations, maps, and plans. From a collector's standpoint it is scarce. There were only 2,000 copies of this beautiful first edition, first printing. Moreover, this is one of the few Churchill books for which there was no concurrent U.S. first edition. Bibliographically it is notable that the first edition is the only unabridged edition to this day. Here is a first edition, first printing set. This set is in very good overall condition, with aesthetic flaws more than compensated by tight original bindings and unusually clean contents. The contents retain all illustrations, maps, and plans, as well as the frontispieces, tissue guards, and original black endpapers. The contents remain bright. Spotting, endemic to this edition, is comparatively light, intermittent throughout. The sole previous ownership mark we find is an inked last name on the upper Volume I half-title which, judging from ink spreading and fading, is old and perhaps contemporary to original ownership. The great weight of the first edition text blocks quite often results in gutter breaks and loose bindings. In this set, both bindings remain beautifully tight and square. The bindings are both tight and clean, with a minimal amount of the usual scuffing and wear. The aesthetic flaw that comprises this otherwise near fine set is some mottled discoloration, possibly from brief and superficial moisture exposure, that affects the lower spine, rear hinge, and lower rear cover of Volume II. A hint of the same mottling shows on the very bottom of the Volume I spine. This mottling is purely superficial, with no blistering or warping of the binding cloth. A modest dimple to the Volume II upper spine is also noted. A quite respectable and well-preserved original and unrestored set withal, and a set that gives every impression from matching condition and appearance to being a lifelong mated pair. Bibliographic reference: Cohen A2.1.b, Woods/ICS A2(a.1), Langworth p.29

      [Bookseller: Churchill Book Collector]
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        Midshipman's Journal Books on board HMSs Terrible, Niobe, and Hogue - Boer War and Boxer Rebellion

      At Sea: , September 1899- December 1902. 2 volumes quarto (309 × 200 mm). Black pebble-grained morocco by Swiss & Co. of Devonport, gilt pallet foot of the front boards, titled in gilt on the front boards within a single fillet panel, similar panel to the rear boards, spines divided by single rules, edges sprinkled red, marbled endpapers, linen hinges. Around 100 pages of daily entries in each volume; 18 manuscript maps and charts, including a track chart from Durban to Hong Kong, and another from Hong Kong to Taku, and Taku to Chifu, detailed plan with soundings of Hong Kong Harbour, another of Tai Tam Bay; a watercolour of "Colenso as seen from Chieveley Camp", and two pen and ink coastal-profiles; 13 technical drawings, including a plan of the "4.7 Gun Mounting. Made to Captain. P. Scott's Design and used in S. Africa", diagram of a carbon arc searchlight, and coloured sketches of different shell types for a 6-inch gun; attractive pen and ink illustrated title page to the second volume; two copies of a 10-page typescript detailing Hallwright's services in the Relief of Ladysmith, titled "Experiences of W.W. Hallwright Midn. R.N. when he landed at Durban from H.M.S. 'Terrible' on Active Service", one loosely inserted in the first volume, the other bound in to the second. A little rubbed, some wear at the extremities, chafing at spine ends and corners, light browning to the text leaves, but overall very good indeed. Wonderfully maintained pair of journal books kept by Midshipman W.W. Hallwright (1883-1917) during his services in South Africa, China, escort duty to the Royal Yacht, and with the Channel Squadron. Often described as log-books, these were in fact part of a young middie's training regime, getting to grips with the process of log-keeping. As such they are perhaps not as revealing, at "command" level, of the actions of the ship as true logs, but are often neat, scrupulously filled, and feature attractive and informative diagrams, drawings, and charts, as is certainly true in this case. The 14,200-ton protected cruisers HMS Terrible and her sister ship Powerful were launched on Clydebank in 1895. Late in 1899 Terrible was ordered to China via Suez, but as the situation in South Africa worsened she was redirected to the Cape. Once there her men played a key rôle in the relief of the siege at Ladysmith, with both her marines and seamen being landed to assist with the campaign. Terrible's guns were dismounted and set on carriages designed by her captain Percy Moreton Scott, a gunnery expert, which meant that they could be manoeuvred by their team when the terrain offered no alternative. Scott was made CB for his services at this time, and the famous British annual inter-services field gun race was established to commemorate the efforts of these Blue Jackets. Hallwright's typescript narrative of his services offers a graphic account of the hard work, tedium and wretchedness of life at the front; "We marched out with the 4.7-inch several times from here and we took it a long walk to Umgain on the sea shore, where we fired it then took it back. On these occasions we had a very inspiriting band consisting of one of the men playing on a mouth-organ. This was the longest distance we ever dragged the gun … [At Frere] we had a fairly good first part of our stay as we lived with the Scotch [sic.] Fusiliers until they left for Springfield. They were very good fellow. I am sorry that they lost so heavily at Pieters Hill. I knew all that were killed and wounded … we trekked across some fairly rough country to Hlangwani … directly our waggons got in range of the Boer Guns we had two or three shells over us … this was the first time the gun's crew had been under fire … next day went about half a mile further west where we made sand bag forts for our guns and commenced firing at the enemy who were sniping from the the other side of the river pretty heavily … we had a fairly warm time as there were several of the enemy's guns which quickly started firing at us … most of the shells burst in the donga behind us … while one burst about 10 yards in our rear, wounding Captain Jones, Coxwain very badly - he afterwards died … Two days later I went up to Ladysmith and had a good look round when I got there … The people for the most part looked wretched and the place absolutely stank … We left for China a week afterwards". Terrible left South Africa in March 1900, proceeding to China via Mauritius, Ceylon, and Singapore, reaching Hong Kong on May 3. On the China Station Terrible played her part in the suppression of the Boxer Rebellion. She departed for Taku on June 16, calling at Chefu and Wei Hai Wei. Once again the men and guns of the ship were disembarked for land service, joining the international forces ranged against the anti-imperialist insurgents at Peking and Tientsin. This time Hallwright remained on board, his journal recording the landing of the ship's company of Marines and other parties, the transfer of ammunition, receipt of the wounded, and the international naval traffic in the harbour - the French cruiser Descartes, the Russian battleship Navarin, Japanese cruiser Satsuma, the American transport Iris J. - and going to the assistance of the newly-commissioned Japanese destroyer the Nigi, which ran aground on the Shantung Peninsula and was totally wrecked. The absence of significant action in Hallwright's textual account is more than compensated for by the presence of his splendid charts of the region. Terrible remained on the China Station until 1904, but Hallwright left early in September 1900, shipping out on the troopship S.S. Jelunga from Wei Hai Wei, and on his return in November joined the Diadem-class cruiser HMS Niobe at Devonport. In March 1901 Niobe accompanied HMS Ophir, which had been commissioned as Royal Yacht for the world tour of the Duke and Duchess of Cornwall - later King George V and Queen Mary - to Gibraltar, and later in the year she was called upon again to escort Ophir, this time to Canada with visits to Quebec and Halifax. For the rest of the period covered by these journals Hallwright remained with Niobe on the Channel Squadron, until November 1902 when joined the Hogue, a just completed Cressy-class armoured cruiser, a fact noted on the binding of the second volume but not in the text. During the First World War Hallwright served with distinction commanding HMS Laburnum, an Acacia-class sweeping sloop off Ireland; and subsequently HMS Heather, or Q16, one of the "Mystery Ships" used to lure U-Boats on which he died in 1917 when a shell-splinter penetrated the deck and struck him on the head. Handsomely presented sequence of journals, with excellent content relating to active service on two continents.

      [Bookseller: Peter Harrington]
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        Nos Actrices

      Paris: Edition de la Revue Blanche, 1899. First Limited Edition. Wraps. Glassine DJ over outer folio. . Fine. No. 28 of 44 copies printed on Japon Imperial. Large folio. 45 by 36 cm. One page preface followed by 18 pochoir plates of the leading actresses of the Fin-de-Siecle Parisian stage, with two plates of Sarah Bernhardt. Other actresses include Lucienne Breval, Marthe Brandes, Marie-Louise Marsy, Lara, Yahne, Rejane, Megard, Marcelle Lender, Lavalliere, Lucie Gerard, Cassive, Marthe Mellot, Simon Girard, Mariette Sully, Cecile Sorel and Jeanne Granier. The actresses are in costume, and Cappiello's approach is both highly stylized, yet also light and frothy, caricature perfectly befitting the frivolity of the period. Leonetto Cappiello (1875-1942) is best known for his revolutionary poster designs. He got his professional start, though, as a caricaturist for publications such as "Le Rire", "L'Assiette au Beurre", and "Le Cri de Paris", and theater caricature was a major sideline of his. The caricatures in this set embody many of the qualities of his later posters -- their simplicity, their fillip of drama, etc. Condition: slight creasing in the lower corner. The plates have essentially detached from the spine, as is typical, and slight chipping to the lower extremity of the spine. A touch of soiling on the glassine. Overall, very clean, and still about as lovely a copy as one is bound to see.

      [Bookseller: White Fox Rare Books and Antiques]
 47.   Check availability:     Biblio     Link/Print  

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