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Displayed below are some selected recent viaLibri matches for books published in 1895

        The Stolen Bacillus. And Other Incidents.

      London: Methuen, 1895.. FIRST EDITION. Octavo (20 x 14cm), pp. [x]; 275; [1], imprint; [32], catalogue, dated November 1896. In publisher's blue cloth, with gilt titles to spine and upper board, edges untrimmed. Internally very clean, adverts mainly uncut although final four pages have been roughly opened. Cloth generally bright with a little shelfwear. A very good copy indeed. A series of cynical biological and scientific tales are the basis for H.G.Wells' first collection of Science Fiction stories. Includes 'The Flying Man', 'The Flowering of the Strange Orchid', The remarkable Case of Davidson's Eyes', and 'The Lord of the Dynamos'.

      [Bookseller: Adrian Harrington Rare Books]
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        The Jungle Book & The Second Jungle Book

      London: Macmillan, 1895. First editions. Near Fine. A lovely, very Nearly Fine set of Kipling's most beloved work. Slight rubbing at the spine ends and corners of both volumes. Bookplate on the front paste-down of book one, light foxing throughout book two. Despite the minor defects, a handsome set, entirely without repair. Based on folk tales and legends that Kipling learned during his childhood in India and written while in Vermont. This work of several inter-related short stories met with huge success upon publication and continues to enthrall readers of all ages to this day. According to Professor Edwin L. Miller, their publication "caused even severe critics of his previous work to admit that he is a writer of inspired genius." Kipling was the first English-language writer, and the youngest ever, to receive the Nobel Prize for Literature. Near Fine.

      [Bookseller: Whitmore Rare Books]
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        LA DONNA DI GOVERNO COMMEDIA IN 5 ATTI IN VERSI MARTELLIANI

      EDOARDO PERINO, ROMA 1895 - TEATRO ITALIANO. COMMEDIE ITALIANO N.99 della collana, brossura editoriale con fioritura, strappetti ai bordi, strappi e nastro adesivo al dorsetto, al piatto anteriore illustrazione a firma di Zaniboni, all'antiporta illustrazione dall'atto I scena III, pagine brunite dal tempo e con fioriture sparse, strappo ai bordi interni all'altezza della spillatura e strappetti anche ai bordi, molte libere dalla legatura

      [Bookseller: Biblioteca di Babele]
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        [Photo Album]: Images of Boston Reservoir Park, Marblehead, Massachusetts and The White Mountains

      Near Fine/Near Fine. Oblong small quarto. Brown cloth boards with "Photographs" in gilt. Some wear to the spine ends, small worm hole and some foxing on the margins of a few pages, very good or better, images are largely fine. Ownership signature of Henry A. Janvier on the inside front board. Circa 1895. 24 silver gelatin print photographs. Each image is 6.75" x 5", mounted and all but one are captioned. Beautifully composed photographs of the Boston Reservoir Park and Marblehead, Massachusetts. Images include beachscapes, sailboats, and mountains. Henry A. Janvier, was an engineer for the Ferracute Company, a machine and die maker in Bridgeton, N.J. which was an important producer of machines to make coins and machine parts. Janvier was the company's representative to China who installed coin minting machines in 1898. A gifted amateur photographer he made his trip famous through the hundreds of images of parts of inland China that had never before recorded on film and glass.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        La propriété. Origine et évolution. Thèse communiste. Réfutation par Yves Guyot.

      Paris, Ch. Delagrave, 1895. - 8vo. (6), XIII, (1), 530 pp. Contemporary half calf; original printed wrapper cover bound within. Rare work by Karl Marx's son-in-law, prefixed by a "refutation" (pp. 1-297) by the politician and economist Yves Guyot. Lafargue's "communist thesis" on the origins and development of the concept of property is dedicated to Friedrich Engels, who owned a copy inscribed to him by the author. - Evenly browned throughout, handwritten ownership "Ch. Keller" on printed wrapper cover. The Alsatian-born socialist and anarchist Charles Keller (1843-1913) was an early associate of Elie Reclus and Mikhail Bakunin. In 1868 he attempted a translation of Marx's just-published "Capital" but had to abandon the project. He participated as a delegate in the Paris section of the First International and in the Second Congress of the League of Peace and Freedom in Berne. As a member of the Commune, he was injured fighting on the barricades in 1871 and escaped to Basel. Returning after the amnesty and settling in Nancy, he established himself as a poet and writer of workers' songs. - A fine copy with a few underlinings. Stammhammer II, 178, 13. Die Bibliotheken von Marx und Engels (MEGA IV.32), no. 716. OCLC 7194802.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Pocket Magazine Stephen Crane Collection

      Frederick A. Stokes 1895 - A collection of eight issues of this elusive monthly, published in New York from 1895 to 1901, each containing a short story by Stephen Crane. 12mos. Generally near fine, some issues whiter than others, spines with light wear. June 1896 cover with light quarter-sized stain to front wrapper. The July 1897 issue good only, with well-rubbed wrappers and a chipped spine. Only one issue, October 1896, which contains “A Detail”, is lacking for a complete set. The issues include: --April 1896: “A Tale of Mere Chance” (first American magazine appearance); --May 1896: “A Grey Sleeve” (first American magazine appearance); --June 1896: “One Dash – Horses” (first American magazine appearance); --August 1896: “The Snake” (first appearance); --September 1896: “An Indiana Campaign” (first appearance); --November 1896: “The Voice of the Mountain” (first appearance); --June 1897: “How the Donkey Lifted the Hills” (first appearance); --July 1897: “A Victory of the Moon” (first appearance). Also included in the collection is a window poster for the May 1896 issue, which is an enlarged version of the cover, in fine condition. A difficult collection to assemble, particularly in this condition. [Attributes: First Edition; Soft Cover]

      [Bookseller: Periodyssey]
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        La Fille Elisa

      Emile Testard, Librairie de l'Edition Nationale 1895 - Compositions et eaux-fortes originales de Georges Jeanniot, un des exemplaires sur papier vélin à la cuve avec double suite des eaux-fortes (n° 155), 1 vol. grand in-8 reliure demi-maroquin à coins rouge, dos lisse mosaïqué (motif floral), filet doré en mors et coins, couvertures et dos conservés, reliure signée de Ch. Meunier, Collection des Dix, Emile Testard, Librairie de l'Edition Nationale, 1895, 2 ff. (frontipsice signé par Jeanniot), VI-257 pp., 1 f. n. ch., 3 ff. (prospectus) avec 10 planches hors texte sur vélin et japon Bel exemplaire parfaitement relié par le grand relieur Charles Meunier (1865-1948), dans un tirage sur vélin avec double suite des eaux-fortes, sur vélin avec la lettre et sur Japon avant la lettre avec remarques, et parfois en trois états, dont une version alternative de la gravure "Le Poulailler" (infimes frott. en dos, superbe exemplaire en parfait état par ailleurs) Langue: Français [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Librairie du Cardinal]
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        NELL'S MAP OF COLORADO

      Hamilton & Kendrick, 1895., Denver - First edition. 11.6 x 18.5 cm [4 9/16" x 7 1/4"] cloth folder with titles stamped in gold gilt on the front cover. The map unfolds to 83.3 x 106.2 cm [32 1/2" x 41 1/2"] and is titled "Topographical Map of the State of Colorado." The map depicts the geographical and topographical details of the state and points out information useful to settlers, miners and travelers. Covers such details as the new mining camps, the latest land office surveys, the lands of the Ute Reservation thrown open to settlement, all modes of transportation such as railroads, roads and practicable mountain trails, U. S. timber reserves, the principal irrigation canals in south-eastern Colorado, and the more important ranches in those parts where villages are scarce. The map exhibits over 2000 altitudes of mountains, passes, railroad stations, and other towns in feet above sea level. Nell offered a succession of maps on Colorado and eventually succeeded Thayer as the most important map maker of Colorado and continued doing so into the early 1900's. Former owner's inked name on inside front cover of the binder and to the verso of the map, cloth lightly soiled and rubbed along the spine panel and extremities, and map has light wear to two fold points. Overall a very good copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: BUCKINGHAM BOOKS, ABAA, ILAB, IOBA]
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        Poems

      London: T. Fisher Unwin,, 1895. Octavo. Original buff cloth, titles and elaborate designs by H. Granville Fell gilt to spine and boards, edges untrimmed. Illustrated title page with tissue-guard. Spine tanned and a little rolled, ends and corners rubbed, a few marks to covers, superficial cracks to hinges but both holding, occasional light spotting, still a very good copy. First edition, first impression, one of 750 copies printed, UK issue, an interesting association copy of Yeats's first collected edition, with the armorial bookplate of poet Sydney Royse Lysaght (1856-1941), and his contemporary ink ownership inscription dated October 1895 to half-title. Lysaght, though he lived at Banwell Castle in Somerset, was of Irish ancestry. He published his first book of poems, The Modern Ideal, in 1886, the same year as Yeats's Mosada.

      [Bookseller: Peter Harrington]
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        La mêlée sociale

      first edition on the current paper.Binding half burgundy shagreen, back to seven nerves set with golden vertical lines, tail golden initials, traces of friction heads and tails of the joints, marbled paper plates, guards and contreplats of handmade paper, cover preserved and mounted on tab with a marginal tear, speckled head, contemporary binding.Signed autograph of Georges Clemenceau Leopold Lacour. Charpentier Paris 1895 12x18,5cm relié

      [Bookseller: Librairie Le Feu Follet]
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        Flags National And Mercantile

      Portsmouth: Griffin and Co. 1895 - | 8¾" x 5½". [III] 35,25,4 [8]pp. Index. | Flags National and Mercantile For The Use Of Officers of Royal Navy, Mercantile Marine; and Yacht Squadrons: Containing Flags Of The Royal Navy; National Ensigns For Men-Of-War; National Colours For Mercantile Marine; International Code; Fog Signals; Optional Signals; Signals Of Distress; Vessels' Lights As Seen By A Look-Out Man, And 957 House Flags And Funnels Of The Principal Ships Of The Mercantile Marine, And 120 National Flags And Signals. Third Edition With Supplementary Index-Greatly Enlarged, (175 Additional Flags).Pages 5-35 IndexPages 2-25 National Flags; Sound Signals for Fog &c.; Vessels' Lights as Seen by a Look Out Man; Steam Vessels; Sailing Vessels; (Many uncoloured, blank, flag and funnel templates)Pages Pages 1-4 SupplementPages 1-8 Index to supplement For more photos or information, use the «Ask Bookseller» button and I'll be pleased to help. The book is in stock and ships from the rustic nirvana of Peasedown St. John, near Bath, England from a long-established bookseller - guaranteed by my reputation and the UK Distance Selling Act. Remember! BUYING THIS BOOK means my Jack Russells get their supper! Condition :: Poor. Boards amateurishly covered, now worn and somewhat soiled. Upper board help in place with tape, hinge showing at the title page and last few leaves. Scattered spotting and tanning, heavier in places, throughout although the majority of the plates are unaffected. [Attributes: Hard Cover]

      [Bookseller: BookLovers of Bath]
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        Lika Joko, Harry Furniss's Illustrated Weekly, Volume 1, October 1894 to April 1895, Complete in original decorative binding,

      1895 London, 69 Fleet Street 1895 - 1895 1st edition, London, 69 Fleet Street, 4to., 520 pp., illustrations by Furniss, Louis Wain & others, many double page plates, numerous text illustrations, good, lacks rear free endpaper, inner joints weak, original decorated green cloth gilt some cracking on rear outer joint. Very scarce especially in the publisher's decorative binding. [Attributes: First Edition; Hard Cover]

      [Bookseller: Wyseby House Books PBFA]
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        Syr Perecyvelle of Gales

      Hammersmith: The Kelmscott Press, 1895. 98pp. Personal copy of Henry Marillier, William Morris & Co.'s Managing-Director, with signed note from artist Edward Burne-Jones to his assistant, Robert Catterson-Smith, who worked on this volume. **** One of an edition of 350 printed on hand-laid “Flower” watermarked paper (an additional 8 were produced on vellum). **** Featuring Chaucer type in black and red, as well as woodblock decorative text borders and carved initials designed by William Morris. The wood-engraved frontispiece, illustrated by Sir Edward Burne-Jones, depicts young Pereceyvelle embraced by his aging mother. **** Bound in original blue holland-backed boards, upper cover titled in black. **** This title is listed in William S. Peterson, The Kelmscott Press, Bibliography Appendix A, No. 33. After the edition printed by J.O. Halliwell from the M.S. in the Library of Lincoln Cathedral. **** The bookplate on front pastedown reads: "Ex Libris Harry Currie Marillier". Marillier (1865-1951) acted as the Managing Director of Morris & Company from 1905-1948. He was a journalist, critic and art historian, and authored books on Dante Gabriel Rossetti and Aubrey Beardsley. He was a contemporary of, and correspondent with, Oscar Wilde. **** There is also loosely contained with this item an autographed note signed by Edward Burne-Jones to Robert Catterson-Smith: "...could you come on Monday - instead of tomorrow - tomorrow is awkward for me. E.B.J.". Catterson-Smith was the studio assistant who most closely collaborated with Burne-Jones in turning the fine line drawings for the Kelmscott book illustrations into a more simplified form enabling the production of the wood blocks for printing. This process was detailed by William S. Peterson: "Emery Walker made a very pale print of a photograph (a platino) from Sir E. B.J.'s pencil drawing - the exact size of the drawing - I then stuck the print down on stout card...Next I gave the print a thin wash of chinese white with a little size in it. The result was to get rid of everything but essential lines: next I went over the pale lines with a very sharp pencil copying and translating them from the E.B.J. drawing which was in front of me. The lines of shading were put in pencil... When the pencil drawing was finished all trace if the photograph had disappeared. Next came the inking over which was done with a fine round sable brush and very black chinese ink...When difficulties arose in the treatment of passages I consulted B-J...Some of the drawings were done over several times. Finally E. Walker made a photograph on the wood block and Hooper cut it". **** Syr Pereceyvelle of Gales is the retelling of an Aurthurian romance involving Percival, a Knight of the Round Table. The text is based on a manuscript volume compiled by Robert Thorton of Yorkshire, around 1440, republished by The Camden Society in 1844. Condition: Near Fine, with small bump to one corner of the front cover. **** Overall, a marvelous synthesis of the ideals espoused by William Morris and his Arts and Crafts Movement followers that everyday objects should be hand-made objects worthy of great beauty. William Morris was intimately involved in every facet of the book's production, from designing the very type and borders, to commissioning art from his old friend Burne-Jones. There are stories of trials and error with the inks, and the paper which had to be sun-bleached on the lawns of Kelmscott (in between rain showers). (Peterson, The Kelmscott Press). This edition pre-dates the essential Kelmscott Chaucer by a year and is, with a smaller print-run, the more scarce. . Signed note by Burne-Jones. First Edition. Hard Cover. Near Fine.

      [Bookseller: Dark and Stormy Night Books]
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        The Expeditions of Zebulon M. Pike to Headwaters of the Mississippi River, Through Louisiana Territory, and in New Spain During the Years 1805-6-7.

      Francis P. Harper, New York 1895 - 9 1/2 x 5 3/4 inches, cloth, 3 volumes. All volumes: wear to spine extremities and edges; spotted discoloration along spine; corners bumped; browning at interior margins. Vol. 1: small chips at foot of spine, closed tears at head, discoloration near lower front corner. All 6 maps are present, in pocket at rear of Vol. 3. Howes: "best edition" of this account of the first government exploring expedition to the Southwest. Limited edition: 1150 edition. Very good. [Attributes: Hard Cover]

      [Bookseller: Dawson's Book Shop, ABAA, ILAB]
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        Le Museé de L'Hopital Saint-Louis; Iconographie des Maladies Cutanées et Syphilitiques avec texte Explicatif.

      Paris: Rueff et Cie, 1895-97. Paris:: Rueff et Cie, 1895-97., 1895. Folio. [2], iv, 346 pp. 50 chromolithographic plates, 23 engravings, 18 photogravures. Contemporary half crimson gilt-stamped morocco, marbled boards, raised bands. Very good. RARE. First edition. A MASTERPIECE OF PHOTO-CHROMOLITHOGRAPHY. "The authors of this book were senior doctors at the Hôpital Saint-Louis. Besnier presided over the 4th International Congress of Dermatologists, held in Paris in 1900. The museum had been founded by Devergie in 1865. During his 25 year long career, Devergie commissioned water colour paintings of the major skin diseases for use in his lectures. It was not long before these were supplemented by photographs and moulages. Between 1867 and 1894 the Italian moulage artist M. Baretta (1834-1925) produced 1,800 such models. He devised the internal colouring technique. This is a technique whereby the colours are applied in between the layers of wax. The effect is one of transparency and greater similarity to the colour of human skin (Zanca and Tagliavini). The various separate lesions have been portrayed exceptionally well. Less attention was paid to facial expressions. The museum now has a collection of 4,667 moulages at its disposal (Dahm). The finest among them were reproduced in this book. The printing technique used was photochromy." – Franz Ehring, Skin Diseases: 5 Centuries of Scientific Illustration. pp. 176-177. "Ernest Besnier was born in Honfleur in 1831. He studied in Paris, and was a celebrated pupil of Hardy and Bazin. Having been graduated in 1857, he turned his attention exclusively to dermatology, and by 1872 had become a chief at l'Hôpital Saint Louis." "Besnier was active in all phases of dermatology. Although essentially French in his diathetic thinking, he was responsible for translating Kaposi's text into French, with masterful annotations by himself. His monograph on psoriasis, his work on atopic dermatitis..., and his work on eczema entitle him to his place as the leading French dermatologist of his time." - Shelley & Crissey, Classics in Clinical Dermatology, p. 246. "Ernest Besnier was the unquestioned master of French dermatology towards the end of the 19th century. When he took over the leadership of the Parisian dermatology clinic in 1873, French dermatology had lost its premier position and fallen behind the Vienna school not only in regards to research and teaching but also in terms of space and equipment. Besnier reformed French dermatology, incorporating many advances from Vienna, such as establishing laboratories for bacteriology, mycology and histopathology and encouraging basic research. As he retired just before the turn of the century, French dermatology had closed the gap." "Ernest Henri Besnier was born on 21 April 1831 in Honfleur, a small village in the Normandy. Since his father was a customs official, the family moved frequently, including stays in Marseille and Orleans. Besnier studied medicine in Paris and advanced to Interne des Hôpitaux in 1853. His teachers included Ernest Bazin, Philippe Boyer, and Henri-Louis Royer, whose niece Besnier married a few years later. In 1857 his doctoral thesis on the diagnosis and therapy of ileus was accepted. He continued to address mainly internal medicine themes. Named Médecin des Hôpitaux in 1863, he published between 1864 and 1872 studies ranging from cholera to diseases of the spleen to rheumatic diseases to gall stones, becoming one of the best known internists in France. As signs of recognition he was elected Vice-President of the Société anatomique in 1861 and Secretary-General of the Société Médicale des hôpitaux in 1864. He served as a military physician in the Franco-Prussian War of 1870/1871 and was awarded the highest military honor, being named a Chevalier de la Légion d'Honneur." "When Bazin retired as head of dermatology clinic at Hôpital Saint-Louis at the end of 1872, Besnier was the highest ranking faculty member and entitled to the position. Although no one dreamed he would desert internal medicine for dermatology, he accepted the challenge. With little experience but great energy he started his new job on 1 January 1873. Within a few months he had read the entire dermatologic literature, concentrating on the works of Bazin and Erasmus Wilson; he profited greatly from the immense clinical experience of his colleague Charles Lailler, who tactfully assumed the role of the old experienced tutor. Besnier also benefited from working together with Adrien Doyon, the founder and editor of the Annales de Dermatologie et de Syphiligraphie; Doyen made him aware of the great advances in dermatology in Germany and Austria. With Besnier' encouragement, Doyen translated into French Moriz Kaposi's textbook from 1880 Pathologie und Therapie der Hautkrankheiten. Besnier employed his by now encyclopedic knowledge of the dermatologic literature to provide commentaries which enhanced Doyen's translation. The French edition appeared just one year later 1881 and dominated the training of dermatologists in France for the next two decades and helped to reduce the differences between the French and German-speaking schools of dermatology. In 1881 Besnier also became editor of the Annales de Dermatologie et de Syphiligraphie and was named a member of the medical academy." "Kaposi's Clinic [in] Vienna was the model of a modern dermatology clinic for Besnier. In 1882, he asked Doyen for a detailed report over the Viennese clinic, which was published in the Annales de Dermatologie et de Syphiligraphie and including information not only about the teaching program and costs of inpatient care, but also covered such details as patient clothing, the size of hospital rooms, and how instruction signs were posted on the walls. When compared to Vienna, the conditions in Hôpital Saint-Louis were primitive. Besnier described his outpatient clinic as a sleazy ramshackle hut completely unworthy of a great capital city. He demanded the construction of new inpatient wards and emphasized the importance of a histopathology laboratory. He also established the first laboratory for bacteriology and mycology at Hôpital Saint-Louis. Besnier demanded a change from purely descriptive dermatology, turned against the nosologic speculations of his predecessor Bazin which he felt had lost validity through the groundbreaking work of Pasteur and demanded the incorporation of knowledge from bacteriology and histopathology into dermatology. In addition, he tried to get dermatology incorporated into general medical education, so that medical students could not graduate without some exposure to dermatology – that had not been the case previously." "Besnier's daily activities were highly regimented. He arrived every morning at 8:45; once a week he made inpatient rounds, while the other days were devoted to specialty clinics. After each patient contact, Besnier washed his hands and cleaned under his fingernails. He was always carefully dressed and reserved. his students, including Louis Brocq, Raymond Sabouraud, Lucien Jacquet (1860-1914), George Thibierge, Félix Balzer (1849-1929) and Émile Leredde (1866-1926) consider him the ideal academic teacher. He stimulated them to produce many papers. His lectures were clear and contained a great deal of clinical and histopathological information embedded in a broad theoretical background. They attracted a wide range of listeners ranging from pharmacists and medical students to guest physicians from abroad. in 1888 Besnier started weekly meetings on Thursday for all physicians working at Hôpital Saint-Louis during which all the interesting cases of the week were discussed. Out of this meeting evolved in 1889 the Société française de Dermatologie et de Syphiligraphie with Besnier as a founding father. He served initially as Vice-President and then became President in 1892." "Besnier published very little. In 1879 he described the diagnostic possibilities made available by histologic examination and coined the term biopsy. In 1889 he described the diagnostic possibilities made available by histologic examination and coined the term biopsy. In 1889 he described lupus pernio, which was recognized a few years later as a manifestation of sarcoidosis and in 1892 he provided the first precise description of atopicdermatitis. In order to properly describe this illness, Besnier stated that one had to break away from the tyranny of Willan's and consider not only the primary lesions but all the findings. He stated that the central symptom is pruritus, intensive pruritus, waxing and waning, often worse in the evening, with seasonal remissions and exacerbations. The lesion morphology in contrast had little meaning; instead he pointed out that one absolute fundamental characteristic was that none of the lesions associated with or triggered by the illness were specific. Besnier did not use the terms lichen or eczema, employing instead lichenification and eczematization to emphasize that the skin changes were not specific, but instead banal lesions which resulted from itching and scratching. The disease often started in early childhood and took a variable but chronic course. Sometimes the disease left the skin and presented then primarily as emphysema, bronchitis, asthma, hay fever or less often gastrointestinal problems. Since he felt a congenital tendency towards pruritus existed, which then could appear in varying degrees of severity, Besnier designated the disease as Prurigo diathésique." – Löser, Plewig, and Burgdorf, Pantheon of Dermatology, pp. 89-93. Franz Ehring, Skin Diseases: 5 Centuries of Scientific Illustration. pp. 176-177; Löser, Plewig, and Burgdorf, Pantheon of Dermatology, pp. 89-93; Shelley & Crissey, Classics in Clinical Dermatology, p. 246.

      [Bookseller: Jeff Weber Rare Books ]
 15.   Check availability:     ABAA     Link/Print  


        Le Museà de L'Hopital Saint-Louis; Iconographie des Maladies Cutanà es et Syphilitiques avec texte Explicatif.

      Rueff et Cie, 1895-97., Paris: - Folio. [2], iv, 346 pp. 50 chromolithographic plates, 23 engravings, 18 photogravures. Contemporary half crimson gilt-stamped morocco, marbled boards, raised bands. Very good. RARE. First edition. A MASTERPIECE OF PHOTO-CHROMOLITHOGRAPHY. "The authors of this book were senior doctors at the Hà pital Saint-Louis. Besnier presided over the 4th International Congress of Dermatologists, held in Paris in 1900. The museum had been founded by Devergie in 1865. During his 25 year long career, Devergie commissioned water colour paintings of the major skin diseases for use in his lectures. It was not long before these were supplemented by photographs and moulages. Between 1867 and 1894 the Italian moulage artist M. Baretta (1834-1925) produced 1,800 such models. He devised the internal colouring technique. This is a technique whereby the colours are applied in between the layers of wax. The effect is one of transparency and greater similarity to the colour of human skin (Zanca and Tagliavini). The various separate lesions have been portrayed exceptionally well. Less attention was paid to facial expressions. The museum now has a collection of 4,667 moulages at its disposal (Dahm). The finest among them were reproduced in this book. The printing technique used was photochromy." â€" Franz Ehring, Skin Diseases: 5 Centuries of Scientific Illustration. pp. 176-177. "Ernest Besnier was born in Honfleur in 1831. He studied in Paris, and was a celebrated pupil of Hardy and Bazin. Having been graduated in 1857, he turned his attention exclusively to dermatology, and by 1872 had become a chief at l'Hà pital Saint Louis." "Besnier was active in all phases of dermatology. Although essentially French in his diathetic thinking, he was responsible for translating Kaposi's text into French, with masterful annotations by himself. His monograph on psoriasis, his work on atopic dermatitis., and his work on eczema entitle him to his place as the leading French dermatologist of his time." - Shelley & Crissey, Classics in Clinical Dermatology, p. 246. "Ernest Besnier was the unquestioned master of French dermatology towards the end of the 19th century. When he took over the leadership of the Parisian dermatology clinic in 1873, French dermatology had lost its premier position and fallen behind the Vienna school not only in regards to research and teaching but also in terms of space and equipment. Besnier reformed French dermatology, incorporating many advances from Vienna, such as establishing laboratories for bacteriology, mycology and histopathology and encouraging basic research. As he retired just before the turn of the century, French dermatology had closed the gap." "Ernest Henri Besnier was born on 21 April 1831 in Honfleur, a small village in the Normandy. Since his father was a customs official, the family moved frequently, including stays in Marseille and Orleans. Besnier studied medicine in Paris and advanced to Interne des Hà pitaux in 1853. His teachers included Ernest Bazin, Philippe Boyer, and Henri-Louis Royer, whose niece Besnier married a few years later. In 1857 his doctoral thesis on the diagnosis and therapy of ileus was accepted. He continued to address mainly internal medicine themes. Named Mà decin des Hà pitaux in 1863, he published between 1864 and 1872 studies ranging from cholera to diseases of the spleen to rheumatic diseases to gall stones, becoming one of the best known internists in France. As signs of recognition he was elected Vice-President of the Socià tà anatomique in 1861 and Secretary-General of the Socià tà Mà dicale des hà pitaux in 1864. He served as a military physician in the Franco-Prussian War of 1870/1871 and was awarded the highest military honor, being named a Chevalier de la Là gion d'Honneur." "When Bazin retired as head of dermatology clinic at Hà pital Saint-Louis at the end of 1872, Besnier was the highest ranking faculty member and entitled to the position. Although no one dreamed he would desert interna [Attributes: First Edition; Hard Cover]

      [Bookseller: Jeff Weber Rare Books, ABAA]
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        Pastels. Dix portraits de femmes.

      - Paris. Conquet. 1895. 2 volumes en plein maroquin curieusement tacheté de bleu, orange, beige, formant un ensemble peu courant mais harmonieux, dos à nerfs légèrement passés, tranches dorées, couvertures et dos conservés, étuis. Illustré de 11 aquarelles de Robaudi et de 35 aquarelles de Giraldon. Exemplaire de Giraldon, spécialement imprimé pour lui sur Japon, et augmenté d'un deuxième volume relié de manière identique, comprenant : 3 essais de couverture, dessin avec rehaut d'aquarelle, par Giraldon, et 177 planches sur japon de décomposition de couleurs et 30 planches sur papier fort en noir, pour les lettrines et en-têtes. Très bel exemplaire. 457 FX PP+VP+CB [Attributes: Hard Cover]

      [Bookseller: Librairie Pierre PREVOST]
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        The Life And Adventures Of George Augustus Sala, Written By Himself, In Two Volumes (Alfred Morrison Copy, With 2 Tipped In Letters From Sala, Additional Letters From The 1St Duke Of Wellington, To Sir Francis Doyle, William Farren To Dr. K-, Edward Bulwer Lytton To Pennell, Alexandre Dumas Fils, Douglas Jerrolddion Boucicault, Charles Knightand Martin Tupper To Pennell, Charles Knight To William Hepworth Dixon

      Charles Scribner's Sons, New York 1895 - Xix, 379; Xi, 381. Dred Cloth, Gilt. Two Volumes, With An Extra Volume I In Which Are Tipped In 10 Original Letters. Apparently From The Collection Of Alfred Morrison (1821¿1897), Known For His Interest In Works Of Art, Autographs And Manuscripts. The Main Interest Of His Later Life Was In Autographs And Letters, Cataloged In Many 9 Volumes, And Also The Papers Of Hamilton And Nelson And The Correspondence Of Nelson And Lady Hamilton (First Printed There). Inj This Volumes, All Letters Except Sala's Are Tipped In At The Pages Where The Authors Of The Letters Are Discussed By Sala. The Letters Are: 1. Sala To Morrison, Dated 6/18/77 2. Sala To Kingston, Undated, With Sala's Caricature Of Himself With His Quill. W. B. Kingston Was A Writer Etc. And Foreign Correspondent For The Telegraph. 3. Two Page Note From Arthur Wellesley, 1St Duke Of Wellington, To Sir Francis Doyle, Date Appears To Be 1801 But Pencil Note 1831. Field Marshal Arthur Wellesley, 1St Duke Of Wellington, ( 1769 ¿ 1852) Was An Anglo-Irish Soldier And Statesman Who Was One Of The Leading Military And Political Figures Of 19Th-Century Britain. His Defeat Of Napoleon At The Battle Of Waterloo In 1815 Put Him In The First Rank Of Britain's Military Heroes. Major-General Sir Francis Hastings Doyle, Was Created A Baronet In 1828.4. Short Note From William Farren To Dr. Kenneth (?), Undated. William Farren (13 May 1786 ¿ 24 September 1861), English Actor, Was The Son And Father Of Leading Actors Of The Same Name. 5. Letter Form Edward Bulwer Lytton, Prolific English Novelist, To Pennell, Dated Feb 3, 1885. 6. Letter From Alexandre Dumas, Fils., Addressed "Cher Grande", Undated. Alexandre Dumas, Fils 1824 ¿ 1895) Was A French Author And Playwright, Best Known For The Romantic Novel La Dame Aux Camélias (The Lady Of The Camellias) 7. Letter From Douglas Jerrold To Charles Knight. 8. Dion Boucicault, Letter 9/24/63 (?) To An Actress Or Her Agent. 9. Letter From Charles Knight To Hepworth Dixon Regarding The National Shakespeare Committee. William Hepworth Dixon (30 June 1821 ¿ 26 December 1879) Was An English Historian And Traveller. He Was Also Active In Organizing London's Great Exhibition Of 1851. 10. Letter To Pennell From Martin Tupper, Dated Dec. 15, 1865. Martin Farquhar Tupper (17 July 1810 In London ¿ November 1889 In Albury, Surrey) Was An English Writer, And Poet, And The Author Of Proverbial Philosophy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Arroyo Seco Books, Pasadena, Member IOBA]
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        Le Museé de L'Hopital Saint-Louis; Iconographie des Maladies Cutanées et Syphilitiques avec texte Explicatif.

      Paris:: Rueff et Cie, 1895-97., 1895. Folio. [2], iv, 346 pp. 50 chromolithographic plates, 23 engravings, 18 photogravures. Contemporary half crimson gilt-stamped morocco, marbled boards, raised bands. Very good. RARE. First edition. A MASTERPIECE OF PHOTO-CHROMOLITHOGRAPHY. "The authors of this book were senior doctors at the Hôpital Saint-Louis. Besnier presided over the 4th International Congress of Dermatologists, held in Paris in 1900. The museum had been founded by Devergie in 1865. During his 25 year long career, Devergie commissioned water colour paintings of the major skin diseases for use in his lectures. It was not long before these were supplemented by photographs and moulages. Between 1867 and 1894 the Italian moulage artist M. Baretta (1834-1925) produced 1,800 such models. He devised the internal colouring technique. This is a technique whereby the colours are applied in between the layers of wax. The effect is one of transparency and greater similarity to the colour of human skin (Zanca and Tagliavini). The various separate lesions have been portrayed exceptionally well. Less attention was paid to facial expressions. The museum now has a collection of 4,667 moulages at its disposal (Dahm). The finest among them were reproduced in this book. The printing technique used was photochromy." - Franz Ehring, Skin Diseases: 5 Centuries of Scientific Illustration. pp. 176-177. "Ernest Besnier was born in Honfleur in 1831. He studied in Paris, and was a celebrated pupil of Hardy and Bazin. Having been graduated in 1857, he turned his attention exclusively to dermatology, and by 1872 had become a chief at l'Hôpital Saint Louis." "Besnier was active in all phases of dermatology. Although essentially French in his diathetic thinking, he was responsible for translating Kaposi's text into French, with masterful annotations by himself. His monograph on psoriasis, his work on atopic dermatitis..., and his work on eczema entitle him to his place as the leading French dermatologist of his time." - Shelley & Crissey, Classics in Clinical Dermatology, p. 246. "Ernest Besnier was the unquestioned master of French dermatology towards the end of the 19th century. When he took over the leadership of the Parisian dermatology clinic in 1873, French dermatology had lost its premier position and fallen behind the Vienna school not only in regards to research and teaching but also in terms of space and equipment. Besnier reformed French dermatology, incorporating many advances from Vienna, such as establishing laboratories for bacteriology, mycology and histopathology and encouraging basic research. As he retired just before the turn of the century, French dermatology had closed the gap." "Ernest Henri Besnier was born on 21 April 1831 in Honfleur, a small village in the Normandy. Since his father was a customs official, the family moved frequently, including stays in Marseille and Orleans. Besnier studied medicine in Paris and advanced to Interne des Hôpitaux in 1853. His teachers included Ernest Bazin, Philippe Boyer, and Henri-Louis Royer, whose niece Besnier married a few years later. In 1857 his doctoral thesis on the diagnosis and therapy of ileus was accepted. He continued to address mainly internal medicine themes. Named Médecin des Hôpitaux in 1863, he published between 1864 and 1872 studies ranging from cholera to diseases of the spleen to rheumatic diseases to gall stones, becoming one of the best known internists in France. As signs of recognition he was elected Vice-President of the Société anatomique in 1861 and Secretary-General of the Société Médicale des hôpitaux in 1864. He served as a military physician in the Franco-Prussian War of 1870/1871 and was awarded the highest military honor, being named a Chevalier de la Légion d'Honneur." "When Bazin retired as head of dermatology clinic at Hôpital Saint-Louis at the end of 1872, Besnier was the highest ranking faculty member and entitled to the position. Although no one dreamed he would desert internal medicine for dermatology, he accepted the challenge. With little experience but great energy he started his new job on 1 January 1873. Within a few months he had read the entire dermatologic literature, concentrating on the works of Bazin and Erasmus Wilson; he profited greatly from the immense clinical experience of his colleague Charles Lailler, who tactfully assumed the role of the old experienced tutor. Besnier also benefited from working together with Adrien Doyon, the founder and editor of the Annales de Dermatologie et de Syphiligraphie; Doyen made him aware of the great advances in dermatology in Germany and Austria. With Besnier' encouragement, Doyen translated into French Moriz Kaposi's textbook from 1880 Pathologie und Therapie der Hautkrankheiten. Besnier employed his by now encyclopedic knowledge of the dermatologic literature to provide commentaries which enhanced Doyen's translation. The French edition appeared just one year later 1881 and dominated the training of dermatologists in France for the next two decades and helped to reduce the differences between the French and German-speaking schools of dermatology. In 1881 Besnier also became editor of the Annales de Dermatologie et de Syphiligraphie and was named a member of the medical academy." "Kaposi's Clinic [in] Vienna was the model of a modern dermatology clinic for Besnier. In 1882, he asked Doyen for a detailed report over the Viennese clinic, which was published in the Annales de Dermatologie et de Syphiligraphie and including information not only about the teaching program and costs of inpatient care, but also covered such details as patient clothing, the size of hospital rooms, and how instruction signs were posted on the walls. When compared to Vienna, the conditions in Hôpital Saint-Louis were primitive. Besnier described his outpatient clinic as a sleazy ramshackle hut completely unworthy of a great capital city. He demanded the construction of new inpatient wards and emphasized the importance of a histopathology laboratory. He also established the first laboratory for bacteriology and mycology at Hôpital Saint-Louis. Besnier demanded a change from purely descriptive dermatology, turned against the nosologic speculations of his predecessor Bazin which he felt had lost validity through the groundbreaking work of Pasteur and demanded the incorporation of knowledge from bacteriology and histopathology into dermatology. In addition, he tried to get dermatology incorporated into general medical education, so that medical students could not graduate without some exposure to dermatology - that had not been the case previously." "Besnier's daily activities were highly regimented. He arrived every morning at 8:45; once a week he made inpatient rounds, while the other days were devoted to specialty clinics. After each patient contact, Besnier washed his hands and cleaned under his fingernails. He was always carefully dressed and reserved. his students, including Louis Brocq, Raymond Sabouraud, Lucien Jacquet (1860-1914), George Thibierge, Félix Balzer (1849-1929) and Émile Leredde (1866-1926) consider him the ideal academic teacher. He stimulated them to produce many papers. His lectures were clear and contained a great deal of clinical and histopathological information embedded in a broad theoretical background. They attracted a wide range of listeners ranging from pharmacists and medical students to guest physicians from abroad. in 1888 Besnier started weekly meetings on Thursday for all physicians working at Hôpital Saint-Louis during which all the interesting cases of the week were discussed. Out of this meeting evolved in 1889 the Société française de Dermatologie et de Syphiligraphie with Besnier as a founding father. He served initially as Vice-President and then became President in 1892." "Besnier published very little. In 1879 he described the diagnostic possibilities made available by histologic examination and coined the term biopsy. In 1889 he described the diagnostic possibilities made available by histologic examination and coined the term biopsy. In 1889 he described lupus pernio, which was recognized a few years later as a manifestation of sarcoidosis and in 1892 he provided the first precise description of atopicdermatitis. In order to properly describe this illness, Besnier stated that one had to break away from the tyranny of Willan's and consider not only the primary lesions but all the findings. He stated that the central symptom is pruritus, intensive pruritus, waxing and waning, often worse in the evening, with seasonal remissions and exacerbations. The lesion morphology in contrast had little meaning; instead he pointed out that one absolute fundamental characteristic was that none of the lesions associated with or triggered by the illness were specific. Besnier did not use the terms lichen or eczema, employing instead lichenification and eczematization to emphasize that the skin changes were not specific, but instead banal lesions which resulted from itching and scratching. The disease often started in early childhood and took a variable but chronic course. Sometimes the disease left the skin and presented then primarily as emphysema, bronchitis, asthma, hay fever or less often gastrointestinal problems. Since he felt a congenital tendency towards pruritus existed, which then could appear in varying degrees of severity, Besnier designated the disease as Prurigo diathésique." - Löser, Plewig, and Burgdorf, Pantheon of Dermatology, pp. 89-93. Franz Ehring, Skin Diseases: 5 Centuries of Scientific Illustration. pp. 176-177; Löser, Plewig, and Burgdorf, Pantheon of Dermatology, pp. 89-93; Shelley & Crissey, Classics in Clinical Dermatology, p. 246.

      [Bookseller: Jeff Weber Rare Books]
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        Collection of letters, photos, ephemera. Lyon. Robert Lyon, A.R.C.A.

      ca. 1930s-1970s.(). 17 ALS and TLS, photos, postcards and ephemera from the 1930s-1970s to the English publisher, artist and patron Geoffrey Robinson, whose art teacher he had been. Lyon (1895-1978) was a mural painter and portraitist; Prix de Rome, Principal of Edinburgh College of Art, Ashington Project.

      [Bookseller: Wittenborn Art Books]
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        Revival Era Tour of Nantucket

      Nantucket, 1895. Manuscript signed letter by Arthur Bromfield of Nantucket, describing the city and including 8 original photographs mounted within the text. 8vo. 11 pages written on 3 double leafs of the writer's personal letterhead embossed with his surname Bromfield, and measuring approximately 20 x 13 cm. Together with covers, addressed in the same hand, addressed to the writer's nephew, named Arthur after him, measuring approximately 16 x 8 cm. Photographs measure approximately 4 x 5 cm and feature embedded manuscript captions. A witty and captivating account of Nantucket in its era of revival. The writer, Arthur Bromfield, and the recipient, his nephew, may be descendants of Edward Bromfield (1648-1734), a New England settler who emigrated from New Forest in Hampshire, England, to America in 1675, settling in Boston and becoming a peace commissioner. The settler's father was British MP Henry Bromfield (born circa 1610 - died 1683); his grandfather was Arthur Bromfield of MP Allington Hampshire (born circa 1565 - died 1650) who sat in the House of Commons between 1604 and 1622. It is also interesting to note that John Bromfield Jr. (1779-1849), Boston merchant and benefactor of the Boston Athenaeum, is also a descendant of the aforementioned Edward Bromfield. Further research may result in a connection to the writer of the present letter. The Massachusetts Historical Society in Boston holds a collection of Bromfield family papers. A period description of Nantucket Island, dating approximately twenty-five years after the start of the Island Renaissance (1870) and only thirty years after the American Civil War (1861-1865) unfolds in an eloquent manuscript letter. Few accounts from Nantucket residents survive from this era, as the island was in a period of revival after somewhat of a dormancy, but for a few writers, artists, and sojourners that had begun visiting, and a scant few visionary entrepreneurs who began development. Following the mid-nineteenth-century decline of the whaling industry, most residents had abandoned the island, leaving it in a deep economic depression. Arthur Bromfield, however, remained. His description forms a primary source account of Nantucket's emergence as a most desirable summer retreat destination and a developing community. Following are some excerpts from the letter: "... you sail into the harbour, the big steamer almost touching the point of land called Brant Point... you can see the light-house and the big Nantucket Hotel... a favourite place for visitors to catch fish..." "... there is one nice cat-boat called the 'Dauntless,' that has big red star painted on her sail, that runs once an hour every morning (except Sunday) between the Old North Wharf in town to the bathing beach.... 10 cents each way." [In the mid-1880s a Boston developper purchased Brant Point, relocating Atlantic Hall there, which became the center of the grand hotel complex called Nantucket Hotel. The luxurious hotel operated from 1884 to 1904.] "... you remember Brant Point Light, it was painted a dark red color when I was here a dozen years ago, but now it is white... stands right at the entrance of the harbor..." [First erected in 1746, the Brant Point Light is America's second oldest lighthouse. The ever-shifting battalion of sandbars, or shoals, lurking beneath the waters that surround Nantucket have caused between 700 and 800 shipwrecks in recorded history. Owing to decay or marauders, the light house has been resconstructed throughout history. The existing structure has lasted for over 110 years.] "Here is a picture of the Pacific National Bank... I had a thousand dollars in this bank last June. The thousand dollars is almost gone (largely for back bills) but the bank remains." [The Pacific National Bank of Nantucket opened in 1865, assigned charter number 714. It stopped printing money in 1935, which is considering a long operation period for a national bank. Over this period, it issued 31 different types and denominations of national currency.] "The bank is a better building than the jail which is a little ways out of town. A prisoner came to town one day and told the select men that he wouldn't stay in this jail unless they kept the sheep out. I think that when they have a prisoner now they let him go where he pleases in the day time if he will promise to go and sleep in the jail at night." "...the Methodist Church... built about fifty years ago when the whale fishing was at its heighth and the population of Nantucket was at 10,000. Since the discovery of petroleum Nantucket has declined and I think the population is now less than 4,000... there are thousands of visitors... next Sunday I plan to attend morning worship at the Quaker church." [Architect Frederick Brown Coleman designed several important buildings in Nantucket, including the Atheneum, the Unitarian Church, and the Methodist Church - built on Fair Street in the year 1800 and now a protected U.S. landmark.] "There is another famous Nantucket church - the Unitarian... all night, every night a watchman sits in the tower on the look-out for fires. The houses here are nearly all of wood..." [Originally built as a Unitarian Meeting House for worship in 1808, it officially named a church in 1837. In the nineteenth century, many of the town's leading citizens attended services here. Throughout its history, the meeting house has also played an important community role by opening its doors to intellectual discourse as well as to entertainment, community events. Perhaps the most famous example is librarian and famed astronomer Maria Mitchell, who probably heard Ralph Waldo Emerson speak in 1845, and Lucretia Coffin Mott, the antislavery and women's rights activist who spoke in 1856.] "Stone Alley shown in the picture above is characteristic of many streets about town, narrow, stony, and tree-less... Center Street... " "... Ocean House, which is the hotel... looks toward Main Street..." [Ocean House, now called The Jared Coffin House, is a historic mansion. It was constructed in 1845 by Jared Coffin, one of the most successful ship owners during the island's prime whaling days. It was the first mansion to be built on the New England island, and stands today as a stately landmark, and still hosting guests as a charming hotel.] "The Jethro Coffin House, which is 209 years old, is an interesting landmark... The inverted U... on the chimney... is supposed to represent a horse-shoe doing guard duty against witches. I can se this old house from my bedroom window... What stories this old house could tell if it could talk... Here in this old house souls have been born and bodies have died, Indians have attacked and been repulsed, people have rejoiced and mourned, and still the house with honest old timbers stands and bids fair to outlast all of the modern Queen Anne combinations of shingles and glue a la McKnight and Newman..." [Jethro Coffin House, now popularly known as The Oldest House, is in fact the oldest residence on Nantucket. Built as a wedding gift in 1686 for Jethro Coffin and Mary Gardner, it is a traditional New England style saltbox house and the sole surviving structure from the island's original 17th century English settlement. Jethro Coffin, who is listed as a blacksmith at the time of his death in 1727, was the grandson of one of the island's first white settlers and original proprietors, Tristram Coffin. Coffin sold the house in 1708 to island weaver Nathaniel Paddack. From the Paddack family, it passed into the hands of George Turner, a cooper, in the 1840s. Turner later abandoned the building during the depressed years of the Civil War. In 1923 it was acquired by the Nantucket Historical Association.] "... the Old Mill which is nearly 150 years old..." [Built in 1746, the Old Mill functioned as a gristmill until 1892, grinding corn and grain. It is the only surviving mill of the four "smock mills" that once stood overlooking Nantucket town. In 1897 Miss Caroline French, of Boston, purchased it at auction for $850 and donated it to the Nantucket Historical Association.]

      [Bookseller: Voyager Press Rare Books & Manuscripts]
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        Manuscript Signed Letter, Describing the City of Nantucket; with Original Photos Within the Text.

      Nantucket 1895 - 8vo. 11 pages written on 3 double leafs of the writer's personal letterhead embossed with his surname Bromfield, and measuring approximately 20 x 13 cm. Together with covers, addressed in the same hand, addressed to the writer's nephew, named Arthur after him, measuring approximately 16 x 8 cm. Photographs measure approximately 4 x 5 cm and feature embedded manuscript captions. Envelope partially clipped, otherwise in very good condition, a witty and captivating account of Nantucket in its era of revival. The writer, Arthur Bromfield, and the recipient, his nephew, may be descendants of Edward Bromfield (1648-1734), a New England settler who emigrated from New Forest in Hampshire, England, to America in 1675, settling in Boston and becoming a peace commissioner. A period description of Nantucket Island, dating approximately twenty-five years after the start of the Island Renaissance (1870) and only thirty years after the American Civil War (1861-1865) unfolds in an eloquent manuscript letter. Few accounts from Nantucket residents survive from this era, as the island was in a period of revival after somewhat of a dormancy, but for a few writers, artists, and sojourners that had begun visiting, and a scant few visionary entrepreneurs who began development. Following the mid-nineteenth-century decline of the whaling industry, most residents had abandoned the island, leaving it in a deep economic depression. Arthur Bromfield, however, remained. His description forms a primary source account of Nantucket's emergence as a most desirable summer retreat destination and a developing community. [Attributes: Signed Copy]

      [Bookseller: Voyager Press Rare Books & Manuscripts]
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        The Science of Finance.

      Chicago: The University of Chicago Press,, 1895. Octavo. Original dark green cloth, titles to spine and front board gilt, black endpapers. Contemporary ink note to verso of front free endpaper. Spine slightly cocked, extremities a touch rubbed and bumped, mild spotting to edges, front joint tender, rear joint cracked but holding. A very good copy. First edition in English of the German economist Gustav Cohn's System der Finanzwissenschaft, originally published in Stuttgart in 1889. This translation was also the first book to bear Veblen's name, preceding his first original work, The Theory of the Leisure Class, by four years. After being awarded a fellowship in the Political Economy Department at the University of Chicago in 1892, Veblen's translation of Cohn's work helped launch the Economic Studies of the University of Chicago book series of which the present work forms the first volume. Cohn "was regarded as someone who chartered a middle way between the descriptivism of some historicists and the deductivism of English economics" (Rutherford, The Institutional Movement in American Economics, p. 40).

      [Bookseller: Peter Harrington]
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        The Life And Adventures Of George Augustus Sala, Written By Himself, In Two Volumes (Alfred Morrison Copy, With 2 Tipped In Letters From Sala, Additional Letters From The 1St Duke Of Wellington, To Sir Francis Doyle, William Farren To Dr. K-, Edward Bulwer Lytton To Pennell, Alexandre Dumas Fils, Douglas Jerrolddion Boucicault, Charles Knightand Martin Tupper To Pennell, Charles Knight To William Hepworth Dixon

      New York: Charles Scribner's Sons, 1895. 1st Edition 1st Printing. Hardcover. Very Good +. Frontispiece; Original Letters Tipped In. Xix, 379; Xi, 381. Dred Cloth, Gilt. Two Volumes, With An Extra Volume I In Which Are Tipped In 10 Original Letters. Apparently From The Collection Of Alfred Morrison (1821-1897), Known For His Interest In Works Of Art, Autographs And Manuscripts. The Main Interest Of His Later Life Was In Autographs And Letters, Cataloged In Many 9 Volumes, And Also The Papers Of Hamilton And Nelson And The Correspondence Of Nelson And Lady Hamilton (First Printed There). Inj This Volumes, All Letters Except Sala's Are Tipped In At The Pages Where The Authors Of The Letters Are Discussed By Sala. The Letters Are: 1. Sala To Morrison, Dated 6/18/77 2. Sala To Kingston, Undated, With Sala's Caricature Of Himself With His Quill. W. B. Kingston Was A Writer Etc. And Foreign Correspondent For The Telegraph. 3. Two Page Note From Arthur Wellesley, 1St Duke Of Wellington, To Sir Francis Doyle, Date Appears To Be 1801 But Pencil Note 1831. Field Marshal Arthur Wellesley, 1St Duke Of Wellington, ( 1769 - 1852) Was An Anglo-Irish Soldier And Statesman Who Was One Of The Leading Military And Political Figures Of 19Th-Century Britain. His Defeat Of Napoleon At The Battle Of Waterloo In 1815 Put Him In The First Rank Of Britain's Military Heroes. Major-General Sir Francis Hastings Doyle, Was Created A Baronet In 1828.4. Short Note From William Farren To Dr. Kenneth (?), Undated. William Farren (13 May 1786 - 24 September 1861), English Actor, Was The Son And Father Of Leading Actors Of The Same Name. 5. Letter Form Edward Bulwer Lytton, Prolific English Novelist, To Pennell, Dated Feb 3, 1885. 6. Letter From Alexandre Dumas, Fils., Addressed "Cher Grande", Undated. Alexandre Dumas, Fils 1824 - 1895) Was A French Author And Playwright, Best Known For The Romantic Novel La Dame Aux Camélias (The Lady Of The Camellias) 7. Letter From Douglas Jerrold To Charles Knight. 8. Dion Boucicault, Letter 9/24/63 (?) To An Actress Or Her Agent. 9. Letter From Charles Knight To Hepworth Dixon Regarding The National Shakespeare Committee. William Hepworth Dixon (30 June 1821 - 26 December 1879) Was An English Historian And Traveller. He Was Also Active In Organizing London's Great Exhibition Of 1851. 10. Letter To Pennell From Martin Tupper, Dated Dec. 15, 1865. Martin Farquhar Tupper (17 July 1810 In London - November 1889 In Albury, Surrey) Was An English Writer, And Poet, And The Author Of Proverbial Philosophy.

      [Bookseller: Arroyo Seco Books]
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        Fribourg. Suisse. Affiche originale en couleurs fraiches.

      Société de développement / Verkehrsverein, 1895, - 110x76 cm, Affiche originale en chromolithographie, excellent état (Farblithogr. in gutem Zustand), 1 Feuille / 1 Blatt. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

      [Bookseller: Harteveld Rare Books Ltd.]
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        Essai de bibliographie canadienne.

      Imprimé pour l'Auteur, Québec 1895 - 2 volumes in-4 (247 x 162 mm) de X, 711 pp. pour le premier vol.; portrait, X, 462 pp. pour le second vol.; demi-chagrin noir, dos à nerf, (reliure de l'époque pour le premier vol. et à l'imitation pour le second). Bel exemplaire de la bibliographie standard sur le Canada qui répertorie plus de 5000 pièces.

      [Bookseller: CLAVREUIL]
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        Poems

      T. Fisher Unwin, London 1895 - First edition, a near fine copy in publisher¿s cloth, lightly rubbed at the edges. William Archer¿s copy with his name on front end paper, a Scottish Critic who introduced Ibsen to the English language and was a close friend of Shaw, and early reviewer of Yeats. Author¿s compliment slip tipped in. Some spotting to end papers and tissue guard. A few pencil notes probably in the hand of critic E. Rimbault Dibdin in a few places with his bookplate on front pastedown. [Attributes: First Edition; Hard Cover]

      [Bookseller: Blackrock Rare Books]
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        The Time Machine

      New York: Henry Holt, 1895. First Edition. Hardcover. Good. First edition, first printing. First issue with author misidentified as "H. S. Wells" on title page and 6 pages of publisher's ads at rear. Good. Hinges and crack at front paste down professionally repaired. Cloth soiled, with lettering worn off, extremities lightly frayed. Front free end paper shows light crease to top corner and previous owner name. Pages clean, with very light foxing or thumbing. Tissue guard intact. Rare in first issue, with most copies being recalled and rebound with new title pages. Precedes the British first edition by several weeks. An extreme rarity.

      [Bookseller: Burnside Rare Books ]
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        The Stolen Bacillus and Other Incidents

      Methuen & Co, London 1895 - First edition. 276, [1], 32 (ads, dated September 1895) pp. 8vo. Inscribed to Wells's Literary Mentor W.E. Henley. First edition, presentation copy, of this early collection of H.G. Wells short stories, inscribed by the author to W.E. Henley on the half-title: "With kindest regards from the author. (I apologize for the wrong done your balcony on p 73)." Examination of the page reveals a dark stain, perhaps coffee spilled by Wells across the book and on to Henley's balcony.W.E. Henley (1849-1903), a writer and influential editor of The National Observer and other papers "had a gift for finding and encouraging new talent" (ODNB). He published works by Kipling, Hardy, Yeats, and Barrie among others, and early in his career he collaborated with his friend Robert Louis Stevenson on four plays. Henley encouraged Wells to develop a series of time traveling stories into what became The Time Machine, Wells's first important novel and what remains his most important scientific romance. Henley serialized the work and even secured a generous publication agreement with Heinemann. "In making friends with Henley he had made the contact that was to launch his career" (MacKenzie, H.G. Wells, p. 105). Currey, p. 523; Wells 6. Provenance: W.E. Henley (presentation inscription from Wells); Sotheran's (bookseller's ticket); Eugene Plunkett (bookplate and penciled inventory number on front pastedown) Publisher's blue cloth gilt, stamped in gilt. Slight lean, spine dulled and creased, extremities rubbed, hinges cracked or starting,front free endpaper loose and chipped, stain to pp. 73-4. Laid into a half red morocco slipcase and chemise 276, [1], 32 (ads, dated September 1895) pp. 8vo [Attributes: First Edition; Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Norddeutscher Lloyd. Erinnerungsblätter No 3. Bremen - New-York. Illustriert von Gustav Schulz.

      Bremen, Lloyd, vor 1895!. - circa 30 x 24 cm. 20 Tafeln in Kupfertiefdruck Original-Leinen mit reicher Prägung "Schöne Mappe hier in der sehr seltenen ersten Ausführung noch mit den Photos des Schnelldampfer "Elbe", der am 30. Januar 1895 im schwersten Unfall der Geschichte des NDL nach einem Zusammenstoss mit dem britischen Dampfer Crathie in der Nordsee gesunken war. Es starben dabei 332 Menschen, nur 20 konnten gerettet werden. Verständlicherweise hatte der NDL kein Interesse an dieses Ereignis zu erinnern und die Bilder der Mappen wurden in allen griefbaren Exemplar durch Photos vom Dampfer "Saale" ausgetauscht. - Hier noch mehrere Bilder der Elbe: Gesamtansicht des Schiffes, Damen-Zimmer, Speisesaal, Leben an Deck, an Bord Bringen der Passagiere - ferner Ansichten von Bremerhaven, Nordenham, Rotersand Leuchtthurm, Dover, Needles, Sandy Hook, Hoboken, Statue of Liberty etc. " "- Nur ganz vereinelt kleine unbedeutend Stockfleckchen, sonst sauber, Mappe sehr frisch. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Thomas Rezek]
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        The Life And Adventures Of George Augustus Sala, Written By Himself, In Two Volumes (Alfred Morrison Copy, With 2 Tipped In Letters From Sala, Additional Letters From The 1St Duke Of Wellington, To Sir Francis Doyle, William Farren To Dr. K-, Edward Bulwer Lytton To Pennell, Alexandre Dumas Fils, Douglas Jerrolddion Boucicault, Charles Knightand Martin Tupper To Pennell, Charles Knight To William Hepworth Dixon

      New York: Charles Scribner's Sons, 1895. 1st Edition 1st Printing. Hardcover. Very Good +. Frontispiece; Original Letters Tipped In. Xix, 379; Xi, 381. Dred Cloth, Gilt. Two Volumes, With An Extra Volume I In Which Are Tipped In 10 Original Letters. Apparently From The Collection Of Alfred Morrison (1821-1897), Known For His Interest In Works Of Art, Autographs And Manuscripts. The Main Interest Of His Later Life Was In Autographs And Letters, Cataloged In Many 9 Volumes, And Also The Papers Of Hamilton And Nelson And The Correspondence Of Nelson And Lady Hamilton (First Printed There). Inj This Volumes, All Letters Except Sala's Are Tipped In At The Pages Where The Authors Of The Letters Are Discussed By Sala. The Letters Are: 1. Sala To Morrison, Dated 6/18/77 2. Sala To Kingston, Undated, With Sala's Caricature Of Himself With His Quill. W. B. Kingston Was A Writer Etc. And Foreign Correspondent For The Telegraph. 3. Two Page Note From Arthur Wellesley, 1St Duke Of Wellington, To Sir Francis Doyle, Date Appears To Be 1801 But Pencil Note 1831. Field Marshal Arthur Wellesley, 1St Duke Of Wellington, ( 1769 - 1852) Was An Anglo-Irish Soldier And Statesman Who Was One Of The Leading Military And Political Figures Of 19Th-Century Britain. His Defeat Of Napoleon At The Battle Of Waterloo In 1815 Put Him In The First Rank Of Britain's Military Heroes. Major-General Sir Francis Hastings Doyle, Was Created A Baronet In 1828.4. Short Note From William Farren To Dr. Kenneth (?), Undated. William Farren (13 May 1786 - 24 September 1861), English Actor, Was The Son And Father Of Leading Actors Of The Same Name. 5. Letter Form Edward Bulwer Lytton, Prolific English Novelist, To Pennell, Dated Feb 3, 1885. 6. Letter From Alexandre Dumas, Fils., Addressed "Cher Grande", Undated. Alexandre Dumas, Fils 1824 - 1895) Was A French Author And Playwright, Best Known For The Romantic Novel La Dame Aux Camélias (The Lady Of The Camellias) 7. Letter From Douglas Jerrold To Charles Knight. 8. Dion Boucicault, Letter 9/24/63 (?) To An Actress Or Her Agent. 9. Letter From Charles Knight To Hepworth Dixon Regarding The National Shakespeare Committee. William Hepworth Dixon (30 June 1821 - 26 December 1879) Was An English Historian And Traveller. He Was Also Active In Organizing London's Great Exhibition Of 1851. 10. Letter To Pennell From Martin Tupper, Dated Dec. 15, 1865. Martin Farquhar Tupper (17 July 1810 In London - November 1889 In Albury, Surrey) Was An English Writer, And Poet, And The Author Of Proverbial Philosophy.

      [Bookseller: Arroyo Seco Books]
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        Noções de grammatica Landina. Breve guia de conversação em portuguez, inglez e landim.

      Lisbon, Imprensa Nacional / Sociedade de Geographia de Lisboa, 1895. - Oblong 8°, contemporary navy quarter straight-grained morocco over marbled boards(minor wear), smooth spine with gilt shote author-title vertical; original printed wrappers bound in (small repair to corner of rear wrapper). Arms of the Portuguese royal navy on front wrapper and title page. Light browning. In very good condition. 75 pp., (2 blank ll.). Printed in two and three columns throughout. *** FIRST and ONLY EDITION of this publication ordered by the War Ministry for use by the expeditionary force being sent to Lourenço Marques. The grammar, in two columns, occupites pp. [3]-20. The rest of the book consists of a vocabulary and conversational guide, in three columns, Portuguese, English, and Landim. Landim, or Ronga (XiRonga; sometimes ShiRonga or GiRonga) is a south-eastern Bantu language in the Tswa-Ronga family spoken just south of Maputo (formerly Lourenço Marques) in Moçambique. It extends a little into South Africa. It has about 650,000 speakers in Mozambique and a further 90,000 in South Africa, with dialects including Konde, Putru and Kalanga. Ronga is grammatically so close to Tsonga in many ways that census officials often consider it a dialect; its noun class system is very similar and its verbal forms are almost identical. Its most immediately noticeable difference is a much greater influence from Portuguese.*** [Attributes: First Edition; Soft Cover]

      [Bookseller: Richard C. Ramer Old and Rare Books]
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        Photo Album]: New England Life

      Boston and Worchester, Massachusetts, and New Hampshire 1895 - Oblong quarto. Thick red cloth beveled boards with "Photographs" in silver on front board. Commercially produced with title page reading: "The Art Album for 96 'Bullet' Photographs". Contains 95 sepia-toned gelatin silver prints in the sleeves provided (and one apparently commercially printed, probably collotype, image). Each image is 3.25" x 3.25" and have either mat or glossy finishes. Most are probably Kodak images. Some minimal captioning, mostly with place names. Hinges cracked, with some loose or detached leaves, very good. Some images with fading, overall the images are near fine. A pleasing if somewhat prosaic album of both outside locations and interior domestic images. Among the images are fashionably dressed women at lake side, several boat images: both small steamboats and handsome sailing vessels, and one of a lighthouse. Also many farm images: haywagons, silos, chickens in the barnyard, and a buckboard wagon. Several images of downtown Worchester, Massachusetts, including the train station and a train, the Oddfellows Hall, and several other downtown buildings. Another section features domestic interior images both with and without people posed in them: with an organ, a typewriter on a desk, and a large stove evident. Later are images of Boston: B.F. Kieth's Opera House, Fenuil Hall, Boston Commons, and other buildings. These are followed by some vacation shots in New Hampshire, including one of the Alpine House in Berlin, N.H.,and it ends up with a few images of women clowning around dressed as men. Nice images, mostly of New England domestic and leisure life.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Child Christopher And Goldilind The Fair

      Hammersmith: Made by William Morris, and printed by him at the Kelmscott Press, 1895 - Two volumes. 4 in. x 5 ¾ in. Vol. I: 256 pp. Vol. II: 239 pp. Tan cloth spine; blue-gray papers over boards. Paper title labels with black printing on the spines. Printed in red and black. Errata slip at end of Vol. I is present. Many pages in both volumes are unopened. A few tan spots to upper edge of Volume I. The bookplate of George Allison Armour (1856-1936) appears on the front paste-down of Volume I. A better than usual copy. [Attributes: Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        Die Schreckenshöhle oder die Leiden der jungen Miranda. Eine neapolitanische Erzählung. Aus dem Englischen bearbeitet von dem Verfasser des Rinaldini. Besonders abgedruckt aus dem Magazin schrecklicher Ereignisse.

      Mit gest. Frontispiz. 144 S. Pappband d. Zt. Goed. V, 512, 53. - Über KVK 3 Exemplare nachweisbar, diese alle mit nur 96 S., was den ersten drei Abschnitten entspricht. Vorliegendes Exemplar mit dem vierten Abschnitt (SS. 97-144), der die gruselige Geschichte des Schwagers Goethes zu einem mehr oder weniger vernünftigen Ende führt! - Unbeschnittenes Exemplar. Mit Exlibris "Arvidus Klingspor Bibliotheca Naesbyensis 1895" (d. i. Carl Arvid von Klingspor, schwedischer Offizier, Reichsheraldiker und Genealoge, 1829-1903). - Rücken berieben. Untere Ecke des Frontispiz fachmännisch ergänzt, ohne Text- oder Bildverlust.

      [Bookseller: Antiquariat Turszynski]
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        1st Battalion Coldstream Guards. Household Brigade Drag Hounds. 1893-1894

      Windsor, England: Oxley & Son, 1895. First edition. Half Morocco. . Very Good. Scarce. with no copies found on OCLC First Search. Oblong 4to, 25.5 by 34 cm. [6], 43, [2] pp. 22 plates -- photographs, copies of mostly humorous drawings relating to the account. Not counted as plates -- among the pages that are paginated -- are the final leaves with mounted programmes, menus, invitations relating to the hunts. Drag racing began as a preparatory exercise to train foxhounds, who instead of chasing an actual fox, run after an artificially laid scent, one carried by a person bearing a material soaked in a pungent aniseed or other smelly substance. By the mid-nineteenth century had become a sport in its own right. Because the sport isn't dependent on the vagaries of the fox, it is more controllable by the master running the show, and thus can be more consistently fast-paced, if that is the objective. Among its greatest enthusiasts became members of the British army and cavalry. Drag hunts remain a fixture to this day in foxhunting country, including in the United States. This account of a season of drag hunts is rendered in a chatty, propulsive narrative similar to many a foxhunting reminiscence. The latter, though, is a staple of sporting literature, whereas we believe that drag hunting has seldom received such treatment, other than as part of, and ancillary to, a foxhunting memoir. Binding is heavily rubbed or abraded. Generally a clean interior, and overall, a tight copy.

      [Bookseller: White Fox Rare Books and Antiques ]
 36.   Check availability:     ABAA     Link/Print  


        1st Battalion Coldstream Guards. Household Brigade Drag Hounds. 1893-1894

      Windsor, England: Oxley & Son, 1895. First edition. Half Morocco. . Very Good. Scarce. with no copies found on OCLC First Search. Oblong 4to, 25.5 by 34 cm. [6], 43, [2] pp. 22 plates -- photographs, copies of mostly humorous drawings relating to the account. Not counted as plates -- among the pages that are paginated -- are the final leaves with mounted programmes, menus, invitations relating to the hunts. Drag racing began as a preparatory exercise to train foxhounds, who instead of chasing an actual fox, run after an artificially laid scent, one carried by a person bearing a material soaked in a pungent aniseed or other smelly substance. By the mid-nineteenth century had become a sport in its own right. Because the sport isn't dependent on the vagaries of the fox, it is more controllable by the master running the show, and thus can be more consistently fast-paced, if that is the objective. Among its greatest enthusiasts became members of the British army and cavalry. Drag hunts remain a fixture to this day in foxhunting country, including in the United States. This account of a season of drag hunts is rendered in a chatty, propulsive narrative similar to many a foxhunting reminiscence. The latter, though, is a staple of sporting literature, whereas we believe that drag hunting has seldom received such treatment, other than as part of, and ancillary to, a foxhunting memoir. Binding is heavily rubbed or abraded. Generally a clean interior, and overall, a tight copy.

      [Bookseller: White Fox Rare Books and Antiques]
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        Dictionary and Grammar of the Kongo Language and Appendix

      First edition. 2 vols. 8vo. Original blue cloth, gilt, lightly sunned, library stamps on front pastedowns, with black cloth slipcases. xxiv, 718; vii, 721-1052pp. London, Baptist Missionary Society, Trubner & Co, 1887 &

      [Bookseller: Maggs Bros. Ltd.]
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        Black Spirits and White: A Book of Ghost Stories

      Stone & Kimball, Chicago 1895 - 151 pages plus 12 pages of publisher's ads in rear, title page printed in red and black. Light tan cloth covers with a green and black floral pattern on front and rear, title on spine in green, green end papers., top edge gilt. Previous owner's inscription on blank page following front fly leaf. There is some flecking or light discoloration to cloth on spine otherwise clean, tight copy. Record # 407002 [Attributes: First Edition; Hard Cover]

      [Bookseller: Monroe Street Books]
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        The Watter's Mou'

      A. Constable, 1895. Hardcover. Very Good. 1895. First Edition. 164 pages. No dust jacket. Signed by the author. Dedicated to "Emily Stoker from her affectionate brother", on front endpaper. Appears to be signed by Bram Stoker. Blue cloth with gilt lettering. The Acme Library Vol II edition. Clean pages. Noticeable tanning throughout. Pages are rough cut. Some internal hinge cracks. Small brown stains (approx. 2mm) to page 2&3. Rear hinge cracked, but board remains firm. Mild wear to spine, board edges and corners. Visible sunning to spine. Distinct faded stains (approx. 1cm) & markings mainly to the rear, with soiling all over boards.

      [Bookseller: The World of Rare Books]
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        The Century for Xmas. 1895.

      New York: The Century, 1895.(). Poster. Mounted on rag. 21 x 14 inches. Das Frühe Plakat, no. 448. Reims, 1297. Center fold. marginal flaws.

      [Bookseller: Wittenborn Art Books]
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        Die Bücher der Hirten- und Preisgedichte der Sagen und Sänge und der hängenden Gärten.

      Bln im Verlage der Blätter für die Kunst 1895 - 110(2) S. Gelbes Leder d. Zt. mit 4 falschen Bünden (Deckel etwas fleckig). Erste Ausgabe. Landmann 62. Wilp./G. 6. - Eines von nur 200 Exemplaren (!) auf leicht gelblichem Bütten, gedruckt bei F. Cynamon, Berlin, erschienen im Dezember 1895. Auch noch bei diesem vierten Buch Georges ist die Öffentlichkeit praktisch ausgeschlossen, auch wenn die Auflagenzahl sich gegenüber den ersten 3 Bänden verdoppelt hat. Erst im Jahr 1899 (Ende 1898) erschienen die ersten öffentlichen Ausgaben seiner Bücher im Verlag Bondi. - Ein Teil der Gedichte war bereits in den Blättern für die Kunst erschienen und trägt nun die gedruckte Widmung "Seien diese seiten mit den namen dreier dichter geschmückt: Paul Gerardy, Wenzeslaus Lieder, Karl Wolfskehl, München 1894/95". - Die in diesem Band vereinigten drei Bücher weisen auf drei Bildungswelten hin: die Antike, das Mittelalter und den Orient. "Die Hirtengedichte wachsen aus einer griechischen Sinnesart. Auch hier freilich keine Auffrischung des Vergangenen, sondern Vergegenwärtigung des Ewigen!" So beschreibt Friedrich Gundolf den ersten Teil. Auch im zweiten Buch, welches das Mittelalter, das Rittertum mit seinen menschlichen Urformen wie Andacht, Minne, Fehde und Treue erlebt, geht es nicht um romantisches Schweifen, "sondern die persönliche Heraufkunft der überpersönlichen Kräfte die im Rittertum Geschichte sind. Es ist die Er-innerung (anamnesis) eines neuen Menschen - die Er-neuung (nicht Wieder-holung) einer alten Zeit, die Äußer-ung einer ewigen Lage." (Gundolf). Ebenso wird im dritten Teil der Orient, die "sinnliche Gewalt des Ostens" durchlebt und aus dem rein historischen Stoff das Ewige gezogen. Bernhard Zeller fast im Marbacher Katalog zum 100. Geburtstag Georges zusammen: "Diese geschichtlichen Geistesräume geben George die Möglichkeit, nach dem Denken und Dichten in 'fremdem Sprachstoff' mit verschiedenen Stilen zu spielen, um auf den eigenen hinzuarbeiten. Was dabei entsteht, sind 'spiegelungen einer seele die vorübergehend in andere zeiten und örtlichkeiten geflohen' war." - Minimal stockfleckiger Titel, sonst sehr gut erhaltenes Exemplar dieses Rarissimum der frühesten George-Titel! [Attributes: First Edition; Hard Cover]

      [Bookseller: Daniel Osthoff]
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        Corinth, Lovis. - "Kain".

      - Radierung / Strichätzung & Roulette, in Schwarz, auf hellem Similijapan, 1895. Von Lovis Corinth. Auflage 50 Exemplare. 43,8 x 32,4 cm (Darstellung) / 44,8 x 33,8 cm (Platte) / 62,5 x 46 cm (Blatt). Schwarz 18 III (von III). Rechts unten in Bleistift signiert: "Lovis Corinth". In der Platte am unteren Rand mittig Titel und Monogramm: "KAIN / LC". Verso Sammlernotizen in Bleistift. - Schönes breitrandiges Exemplar. Im äußeren Rand feine, kaum merkliche originale Quetschfalten. Papier altersbedingt unscheinbar gegilbt. Gratiges und kontrastreiches Druckbild. Sehr guter Erhaltungszustand. Lovis Corinth (1858 Tapiau/ Ostpreußen - 1925 Zandvoort/ Niederlande). Deutscher Maler und Grafiker. Wegbereiter der Moderne mit expressionistischen Tendenzen. Zählt mit Max Liebermann, Lesser Ury und Max Slevogt zu den wichtigsten Vertretern des deutschen Impressionismus. 1876 Akademiestudium als Schüler des Genremalers Otto Günther in Königsberg. 1880-83 Studium an der Münchner Akademie. 1884 Malunterricht in Antwerpen und Eintritt in die Académie Julian in Paris. 1888 Umzug nach Berlin. 1891 Umzug nach München. 1892 Eintritt in die Münchner Secession. 1893 Gründung der "Freien Vereinigung". Geht 1897 nach Zurückweisung der "Salomé" nach Berlin, wo er 1901 eine Malschule gründet und der Berliner Secession beitritt. Freundschaft mit Max Liebermann. 1918 Professorentitel. Seine Werke beschäftigen sich mit existenziellen Fragen des Menschen wie Liebe und Tod, Gewalt und Leidenschaft. Sprache: Deutsch [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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