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Displayed below are some selected recent viaLibri matches for books published in 1894

        The Land of Heart's Desire

      London: T. Fisher Unwin 1894. First edition, first state, one of 500 copies. 43, (2) pp. Bound in half green morocco over marbled boards. Black leather title & author labels to spine. Spine leather uniformly faded to tan. Original pictorial wrappers bound in at rear. First edition, first state with three fleurons after the word 'desire' on the title page. Wrapper & title page design by Aubrey Beardsley. Some leaves slightly marked. Edges untrimmed. Yeat's first play. . Very Good. Half Morocco. First Edition. 1894. 8vo..

      [Bookseller: Fosters' Bookshop]
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        Zambra The Detective

      Chatto and Windus: London, 1894. 8vo. 259pp. + 32pp. ads (dated Nov. 1893). Publisher's dark red cloth over limp (or at least notably thin) boards, titled and decorated in gilt, black and tellow to spine and front board. Publisher's device in black to rear board. Rubbed to extremities, bumped and with some staining and toning to the cloth, some light chipping to the paint on the front board image, but solid, strong and handsome. A very good presentable copy of a significant rarity (the usual suspects list but a handful of copies worldwide). Floral patterned endpapers, internally clean and fresh. The stories included in this collection can trace their origin to the very simple late 19th century recurring theme: "We really like Sherlock Holmes, yes we do, we'd like more of that please." Hill set out to create a rival to Holmes and in fact created one of the more exotic variants on the theme. He realised that there had to be something more than just another deductive consulting detective and, being Headon Hill went full "mad as a bag of weasels" and created not only Zambra but the equally compelling and peculiar Kala Persad (equally rare, totally mad). The Doyle influence is manifestly obvious, although occasionally the cases don't require a mastermind to solve them, and as usual Hill basically decided that every one of the reader's immediate assumptions should be confounded at least once a chapter. Zambra sounds foreign, but is excruciatingly English, his mysteries are titled in a manner that frequently bears only a cursory relationship to the plot, and he specialises in rather entertaining linguistic misdirection. All very entertaining and peculiarly charming; ranking the author quite high on the list of Holmesian bandwagon jumpers who actually had some serious skills of their own. A very scarce and important piece of detective fiction. .

      [Bookseller: Jonathan Kearns]
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        The Journal of Indian Art, Vol. 5, Nos. 38-45

      London: W. Griggs, 1894. Hardbound. Contents are VG or better, front inner hinge and gutter weak, and front cover is beginning to detach. Lower half of spine cloth is attached only at back hinge. Several pages are brittle and beginning to detach and chip or are detached. The tri-fold color plate in that section is completely detached and laid in. There is light off-setting from each colored plate onto the facing page (usually a blank page, so no text is marred). The volume is ex-library from the Museum of Fine Arts, Boston, with a stamp on the title page, a sticker on the back free end paper, and the remnant of a pocket inside the back cover. In addition, each color plate is library-stamped on the reverse. A personal bookplate of William Sturgis Bigelow, Boston surgeon and collector of Asian (especially Japanese) art. He donated his entire collection of 25,000 works of art to the MFA. The contents are bound consecutively but without original covers, as various "chapters" of a book. The original paper covers are bound together, in order, at the back of the volume.. Green gilt embossed publisher's cloth. Unpaginated, and filled with breathtaking colored chromolithographs (36 in color on single sheets, some with multiple images; one tri-fold) and other two-tone plates and images. Heavy at 7 pounds and will require extra postage. Scholarly literature on the decorative arts in India is scanty and mainly in learned journals. The Journal of Indian Art and Industries (1886-1916) is the most important and contains numerous pioneering studies. Original front and rear wraps from each issue are bound in at the rear. These covers have the contents of each issue printed on them. This is the exceedingly rare third volume of this seminal and Influential periodical on Indian arts. See article by Peter H. Hoffenberg entitled "John Lockwood Kipling, W. H. Griggs and The Journal of Indian Art and Industry" written in 2003 for a complete description of this periodical. He states: "...Kipling's and Buck's vision encouraged use of the latest photographic and reproductive innovations to ensure accurate and attractive illustrations of lasting quality. Griggs and his editorial staff took advantage of that encouragement and of the most current technology to produce exquisite color chromo- and photo-lithographs bound in leather. Black and white illustrations were also included...No doubt the publisher applied chromo-lithographic technologies from Britain and the continent, but the pages of the Journal also included illustrations resulting from innovative work in the heliogravure and collotype sections of India's own Revenue and Agriculture Department, particularly the offices devoted to the Survey of India. " The first 4 or 5 volumes of this publication seem exceedingly scarce.

      [Bookseller: Mullen Books, Inc. ABAA / ILAB]
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        Le Mouvement.

      Paris G. Masson, Éditeur 1894 In-8 de VI-335-(1) pp, 214 figures dans le texte et 3 planches numérotées hors-texte, demi-percaline bleue, dos lisse orné (reliure de l'époque). Edition originale rare portant un envoi autographe signé à l'avocat et diplomate Marcellin Pellet (1849-1942), député du Gard de 1876 à 1885 : A Mr Marcellin Pellet affectueux souvenir E. Marey. « Le Mouvement reste le plus célèbre et le plus rare des ouvrages de l'auteur (bon nombre des exemplaires on été détruits dans un incendie). Sans qu'il y paraisse, Étienne-Jules Marey (1830-1904) a transfiguré le réel le plus immédiat. En capatnt le mouvement pour mieux enregistrer les phénomènes vivants, il est parvenu à transcrire une idée du temps en termes d'espace - sans jamais prendre la trajectoire pour le mouvement. Modernité d'une pensée et d'une démarche où s'enracineront sciences, arts et techniques, d'où naîtra en une vision du monde particulièrement féconde toute la symbolique visuelle du siècle à venir. » Bel exemplaire. En français dans le texte, 318.

      [Bookseller: Bonnefoi Livres Anciens]
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        Trilby

      New York: Harpers, 1894 Book. Illus. by DU Maurier. Very Good. Hardcover. 1st Edition- the true and scarce first, first serialized in Harper's. Beautiful cover depicting wings and a heart in gilt in the middle of a spider web, with flowers and other various symbols as a border in green. Scarce, collectible. Same date, 1894, to copyright and title page. Hard boards in very good condition, with the usual bumping to spine edges and corners. Cover lightly stained with a few light speckles. All pages are intact. Numerous beautiful wood cut prints throughout book, illustrated by DU Maurier. The English triple decker (1894) did not retain these illustrations. One of the most popular novels of it's time, perhaps the second best selling novel of the Fin de siecle after Bram Stoker's Dracula. Published serially in Harper's Monthly in 1894. Adapted to the stage several times, made into a movie in 1931.Trilby inspired Gaston Leroux's novel Phantom of the Opera. Trilby introduce the trilby hat to the UK in the early 1900's, which made a comeback in the U.S. one hundred years later. Trilby also introduced the phrase, "in the altogether" meaning "completely unclothed", and the term "Svengali" for a man with dominating powers over a female protegee. Set in the 1850's in an idyllic Bohemian Paris, features the stories of 2 English artists, a Scottish artist as well as a Svengolian Jewish rogue, masterful musician and hypnotist. .Gullans & Epsey #79

      [Bookseller: Cova Rare Books]
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        Pride and Prejudice. With a Preface by George Saintsbury and Illustrations by Hugh Thomson

      London: George Allen, 1894. First edition thus, 8vo, (xxviii), 476, (2) pp. Numerous illustrations, a little foxing at the beginning and end. Original gilt decorated dark green cloth, a.e.g., some light marking to the lower cover otherwise a handsome copy.

      [Bookseller: Bow Windows Bookshop]
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        Deephaven

      Boston and New York: Houghton, Mifflin and Company, 1894. Holiday edition. Illustrated by Charles and Marcia Woodbury. 1 vols. 8vo. Original cream linen spine titled in gilt, upper board decorated in silver, lower board stamped in blind, t.e.g., design by Sarah Whitman. Burgundy endsheets. Signed by the author on the title page, additionally inscribed on the first blank. Fine, bright, unread copy. Holiday edition. Illustrated by Charles and Marcia Woodbury. 1 vols. 8vo. Fine Copy, Signed & Inscribed with a Quotation. Superb copy of this beautiful edition of Jewett's classic tales of Maine, signed by the author on the title page, "Sarah Orne Jewett 21 September 1900", and additionally inscribed by her on the first blank, "Mellish Irving Motte Jr., p. 23, Late in the evening we went down to the shore; the fresh sea air was so welcome after the dusty day and it seemed so quiet and pleasant in Deephaven. S.O.J."Sarah Whitman was a close friend of Jewett; she designed this binding and many others for editions of works by the New England author. BAL 10904

      [Bookseller: James Cummins Bookseller ]
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        Une mère. Conte en vingt-deux langues. Avec un portrait de l’auteur, gravé sur boise par M-r B. Matthée. Le dessin de la couverture par M-r M. Dalkevitsch. Édité par P. Em. Hansen. [Cyrillic title:] Mat’. Skazka

      S.-Peterburg. Tipografiia i litografiia S. M. Nikolaeva 1894 - First edition thus, compiled by the Danish–Russian translator Peter Emanuel Hansen (1846–1930), its impetus being an earlier fourteen-language edition published in Copenhagen on the occasion of Andersen’s 70th birthday in 1875. Hansen presents the text of Historien om en moder together with 21 translations: Russian (translated by Hansen and his wife, Anna), Ukrainian, Polish, Czech, Slovak, Serbian, Icelandic, Swedish, German, Low German (Plattdeutsch), Dutch, English (from Oscar Sommer’s recent translation, London, 1893), French, Spanish, Italian, Greek, Armenian, Finnish, Hungarian, Tartar, and Hebrew. H. C. Andersen-bibliografi 1447 (online at H. C. Andersen-Centret), citing Jørgensen 118. COPAC locates the British Library copy only. Large 8vo (246 × 170 mm), pp. viii, 144; facing French and Russian title-pages; original decorated cloth, calf spine (rubbed, headcap chipped), preserving the original chromolithographed wrappers designed by Dalkevich, incorporating a portrait of Andersen by the engraver Vasily Matè (1856–1917); early ink ownership inscription to front free endpaper. [Attributes: First Edition; Hard Cover]

      [Bookseller: Simon Beattie ABA ILAB]
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        From the Virginia Plantation to the National Capitol: Or the First and Only Negro Representative in Congress from the Old Dominion

      Hartford, CT: American Publishing Company, 1894. First Edition. Hard Cover. Very Good. 8vo. Complete. Sound binding with some minor wear including a cracked rear hinge. Fascinating autobiography. Langston, born free in 1829 as the youngest son of a Louisa County plantation owner and his emancipated true love, lived with his siblings in the big house until his parents' death in 1834. At that time, the children, whose inheritance was substantial, moved to Ohio to live with abolitionist friends. Langston graduated from Oberlin College and studied law under the tutelage of Republican Congressman Philemon Bliss. Langston became one of the first black men ever to hold public office in the United States when he won the election to a town clerk position in Ohio, and he became the first African-American elected to the U.S. Congress from Virginia during Reconstruction in 1888. He also served as the first dean of the law school at Howard University and the first president of what is now Virginia State University.

      [Bookseller: Read 'Em Again Books, ABAA]
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        More Celtic Fairy Tales.

      London: David Nutt,, 1894. Octavo. Finely bound by the Hampstead Bindery in contemproary green full morocco, spine titled with gilt tools and red morocco onlay, sides florally decorated in gilt with red, black and brown morocco onlay, full morocco doublures richly decorated in gilt and multicoloured onlay, japon endpapers with gilt cornerpieces, top edge gilt, others untrimmed. Original wrappers bound in. Illustrated plates, vignettes and initials by John D. Batten, many hand-coloured by Gloria Cardew. Armorial bookplate of James Robson Anderson Jr to front pastdown. Spine a little darkened, joints a little rubbed, the endpapers necessarily crinkled against the japon, otherwise internally fine, excellent condition overall. First edition, number 97 of 125 copies on japon paper, signed by the publisher David Nutt, this copy exquisitely bound by the Hampstead bindery and additionally hand-coloured throughout by Gloria Cardew (with a ticket to front free endpaper verso attesting "The Illustrations in this Book were coloured by hand by Miss Gloria Cardew"). The hand coloured plates are duplicated, appearing in the uncoloured state also, suggesting some intentional collaboration between the publisher, the binder, and Miss Cardew. It is now known, however, how many copies of this already tiny edition were issued thus coloured. Cardew was associated with the Guild of Women Bookbinders, which was the sister bindery to the Hampstead Bindery, both set up by Frank Karslake. David Nutt was British publisher notable for its concentrated output of editions collecting myth, legend and fairy tale.

      [Bookseller: Peter Harrington]
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        The Geographical Journal. Vol. IV, No. 2. London, The Royal Geographical Society, 1894.

      1894. 8vo. XVI, (97)-192, XVII-XX pp. With a folding map and a folding plate. Original printed wrappers. Includes the description of an early view of Hormuz Island, "A View of Ormus in 1627" (by William Foster, pp. 160-162), illustrated by a large folding plate. The sketch was drawn by David Davies, master's mate of the East India Company's ship "Discovery", but a few years after the island was captured by a combined Anglo-Persian force in 1622. - Slight foxing, otherwise fine.

      [Bookseller: Antiquariat Inlibris]
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        The Jungle Book; The Second Jungle Book

      London: Macmillan and Co.,, 1894 & 1895. 2 works, octavo. Original dark blue cloth, spines lettered and blocked in gilt, large pictorial blocks to front covers gilt, twin wavy rules to spines extending over front covers, all edges gilt, dark green coated endpapers. Housed in custom red cloth chemises and red quarter morocco slipcase. Illustrated throughout by J. L. Kipling, W. H. Drake and P. Frenzeny. Spines rolled, a touch of wear to tips, vol. I with front hinge cracked but holding and small split to rear hinge but text block sound, some occasional light foxing to contents. An excellent set. First editions of Kipling's classic tales.

      [Bookseller: Peter Harrington]
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        The Tragedy of Pudd'nhead Wilson And the Comedy Those Extraordinary Twins

      American Publishing Co 1894 Hartford - Very good issued in brown-orange decorative cloth, gilt letterin First Edition Hardbound Octavo 423pp First state. Illustrated with frontispiece from photograph of Twain with tissue guard; With BAL first issued points: title page integrally bound (not on a stub), frontispice with twain's facsimile authograph 1-7/16" wide and sheets bulk 1-1/8". (BAL 3442). Slight retouching to cloth a bottom edge and corners, book plate to front pastedown, front hing starting. [Attributes: First Edition; Hard Cover]

      [Bookseller: The Book Collector, Inc. ABAA,IOBA,TxBA]
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        Autograph letter signed ("F. Volkhovsky"). London, 15. X. 1894.

      1894. 8vo. 2¾ pp. on bifolium. To an unidentified lady: "[...] I should be glad to visit Bristol where I lectured some 3 years ago with much success. I do not gather from your letter what kind of address do you expect from me: is it a lecture on my experiences in prison + exile, or drawing-room speech on the political situation of Russia? My fee is, generally speaking, 10 guineas per lecture, travelling expenses included, I mean for institutions which can pay it. But this fee may vary according to different circumstances [...] I should easily come in November [...] I should prefer however to visit Bristol before the 21st, as after that date I am busy with preparing the coming No. ov 'Free Russia' [...]". - Some duststaining.

      [Bookseller: Antiquariat Inlibris]
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        Diary of a Journey Across Tibet

      London: Rivington, Percival and Co, 1894. First Edition. Cloth. Very good. xvi, 309 p. + 1 p. of advertising. 23 cm. Frontispiece, fold-out colour map, fold-out diagram, 12 plates, and 16 small b&w illustrations within text. Blue-green cloth hardcover with black impressing. Corners lightly bumped. Some wrinkling to cloth on spine and ends a bit softened. Ink signature on front free endpaper. Major-General Hamilton Bower was a British Indian Army officer who in 1891 was sent on a spy mission to Tibet. With Surgeon-Captain W. G. Thorold and an Indian, Bower crossed into Western Tibet and proceeded towards Lhasa in disguise. But before he reached the city he was discovered by Tibetan officials, who flatly denied his party permission to enter Lhasa. In the end, he had to continue eastwards, leaving the country altogether. However, he did receive the Royal Geographical Society's Gold Medal in 1894 "for his remarkable journey across Tibet." His topics include: the journey from Simla to the frontier; being deserted by their guides; meeting nomads; the neighbourhood of Lhasa; neogitations with Lhasa officials; marching northwards; neighbourhood of Chaimdo; Garthok; Lithang; Ta Chen Lu; through China back to India; the religion, country, people, etc. Indexed.

      [Bookseller: Attic Books]
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        The Works.

      Chicago: Stone & Kimball,, 1894. Newly collected and edited, with a memoir, critical introductions, and notes by Edmund Clarence Stedman and George Edward Woodberry. The illustrations by Albert Edward Sterner. In ten volumes. 10 volumes, octavo (185 x 118 mm). Finely bound by Blackwell for Brentano's in contemporary tan half calf, red and green morocco labels, decoration to spines gilt in compartments, marbled boards and endpapers, top edges gilt. With engraved portrait frontispieces and full page engravings throughout. Labels ever so slightly faded, an excellent set. A handsomely bound set. There is extra material in volume VII, which was previously unpublished. This material is; the final paragraph of "Plagiarism," "An Author's Face," "Apothegms," "Hyperism," and the eleven pieces on pp.336-349. It also has the first American publication of " The Journal of Julius Rodman" in volume V.

      [Bookseller: Peter Harrington]
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        Miniatures and Borders from the Book of Hours of Bona Sforza, Duchess of Milan in the British Museum. With Introduction By George F. Warner.

      London: Published By the Trustees, 1894. - 1 vol., 10" x 7-5/8", illustrated. Bound in fine full brown morocco, ribbed gilt lettered spine, spine panels tooled in blind, covers elaborately tooled in blind, blind tooled crest to both covers, gilt dentelles, spine slightly sunned, all edges gilt, by Riviere & Sons, head and foot of spine fine, inner and outer hinges fine, a VERY GOOD copy. This illuminated manuscript 'Book of Hours' is of the Milanese and Flemish Schools and is of the highest order. The plates are printed in collotype. This is a reproduction of Charles V's, the Holy Roman Emperor, Book of Hours originally created for Bona Sforza, Duchess of Milan. The introduction by G.F. Warner deals with the history of the manuscript and commentary about the plates and artistic content. The fine details of the drawings and the artistic merits of the composition will not fail to excite the admiration of those interested in a fine example of the Book of Hours which is considered one of the most finest examples. [Attributes: Hard Cover]

      [Bookseller: D&D Galleries - ABAA]
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        "Qu'importe!". Autograph musical manuscript. Paris, 1894/95.

      1894. Folio. Title page and 4¾ pp. on 6 ff. Folio. Music paper. Notation for "Mezzo Sopran ou Barytone en ré" and piano, underlined with G. François's text, and dedicated "á Madame A. D." as well as to his lawyer, Della Rogers.

      [Bookseller: Antiquariat Inlibris]
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        Cheret, Jules - Palais de Glace.

      Kleurenlithografie uit 1894 ontworpen door Jules Chéret. Gesigneerd in de druk rechtsonder.Gedrukt door Chéret"s drukkerij Chaix. Dit blad is een verkleining van het op de straten van Parijs hangende affiche en verscheen als bijlage van de Courier Français.Jules Roques, de eigenaar van Le Courier Français, was een van de grootste aanhangers van het werk van Chéret. Op een gegeven moment huurde Roques het enorme gordijn van het Theatre des Ambassadeurs, een van de grootste muziek hallen in Paris, en behing dit van boven tot onder met affiches van Chéret, met daarboven de naam van zijn blad. Ook gaf hij regelmatig affiches uit als bijlagen van zijn Courier Français, kleiner van formaat maar van de zelfde kwaliteit.De geneugten van Parijs zijn nergens zo evident als in de affiches gemaakt voor het Palais de Glace. Chéret ontwierp het ene meesterwerk na het andere voor hét ijs paleis van de Belle Epoque. Op dit affiche zien we een van zijn statuesque "Chérettes"' over het ijs zwieren, de toeschouwer kan weinig anders doen dan haar bewonderen.In 1894 opent het Palais de Glace haar deuren aan de Champs Elysées. Behalve voor de ijsbaan, gaat men er naar toe om te zien en gezien te worden. Het wordt the-place-to-be in Parijs. Ook in Brussel, Wenen, Londen en elders in Europa worden dergelijke schaatspaleizen geopend.In de 20e eeuw verliest het Palais de Glace gaandeweg haar aantrekkingskracht en moet in 1980 sluiten. Anno 2008 is in het monumentale gebouw het Théatre du Rond-Point gevestigd.Prijs: € 1.250,- (incl. lijst, BTW margeregeling).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        THE YELLOW BOOK - An Illustrated Quarterly (1894-1897 13 volumi tutto il pubblicato), LONDON, Mathews & Lane, 1894

      1894. 16,5 x 20, bella e raffinata legatura editoriale in giallo, con piatti e dorsi figurati, tutti sono in buone condizioni, molti fogli sono ancora chiusi e tutte le tavole fuori testo sono protette da veline. Il colore giallo delle copertine venne scelto VOLUTAMENTE dall'editore per dare un tocco di "trasgressione" ai lettori "dell'Inghilterra puritana di fine '800" (Anche le "donnine" veneziane vestivano di giallo) Questa famosa rivista artistica inglese ha avuto una storia polemica che ha coinvolto l'amicizia tra BEARDSLEY AUBREY 1871-1898 (Il quale ha illustrato magistralmente alcune copertine delle prime 4 annate ed anche con num. tav. fuori testo all'interno, in tutti i primi 4 volumi, precedente la sua scomparsa) e OSCAR WILDE. Beardsley aveva in precedenza illustrato il famoso testo "Salomè" per Wilde, e le cronache del tempo non sono proprio categoriche nel sottilineare "l'amichevole frequentazione", ma l'opinione pubblica aveva già emesso la sentenza. I giornali del tempo riferiscono che quando Wilde venne arrestato ed imprigionato, chiese di passare dal suo studio, dove ritirò un volume di The Yellow Book e con esso sottobraccio entro' in carcere (anche per sottolineare pubblicamente l'ammirazione per la rivista stessa). Prescindendo da questi riferimenti, la rivista è di ottima qualità sia per le illustrazioni di altri valenti artisti (decine di tav. f.t.) che i contributi letterari (Beerbohm, John Buchan, Elia D'Arcy, Joh Davidson, Richard Garnett ed altri. Volume I April 1894 pp. 272 " II July 1894 pp. 360 " III October 1894 pp. 278 " IV January 1895 pp. 284 " V April 1895 pp. 318 " VI July 1895 pp. 336 " VII October 1895 pp. 320 " VIII Januyary 1896 pp. 406 " IX April 1896 pp. 256 " X July 1896 pp. 344 " XI October 1896 pp. 342 " XII January 1897 pp. 344 " XIII April 1897 pp. 316 La collezione completa dei 13 volumi

      [Bookseller: Libreria e Rivisteria Ferraguti]
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        Les Races chevalines, avec une étude spéciale sur les chevaux russes.

      Paris, Librairie agricole de la Maison rustique, (vers 1894). In-4, XV-(1)-316 pp., reliure moderne demi-veau bordeaux (Vigreux), dos orné, tête mouchetée. Orné de 32 planches hors-texte en chromolithographie d'après les aquarelles de Samokisch et Bounine et de 70 photogravures d'après les dessins de Samokisch. Bel exemplaire. * Cheval, chevaux, équitation, équine * Voir photographie(s) / See picture(s).* Frais de port en sus. * Membre du SLAM et de la LILA / ILAB Member. * La librairie est ouverte du mardi au samedi de 14h à 19h. * Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable. *

      [Bookseller: Chez les Libraires Associés]
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        MIRIFIQUES AVENTURES DE MAÎTRE ANTIFER. 78 illustrations par G. ROUX dont 12 grandes gravures en chromotypographie et 2 cartes en couleurs.

      1894Paris, Hetzel, sans date [1894]. Grand in-8 (192 X 282) percaline rouge de l'éditeur ornée de fers spéciaux, édition « au portrait collé », titre dans le cartouche, dos «au phare », second plat type « Lenègre e », tranches dorées (A. LENEGRE et Cie REL.) ; faux-titre avec frontispice au verso, titre, 420 pages, 14 planches couleurs hors-texte, 8 pages de catalogue "HF". Quelques rares rousseurs éparses, griffure sur le premier plat avec petit manque de couleur sur le globe terrestre et deux petites griffures au dos, sans caractère de gravité. PREMIÈRE ÉDITION grand in-8 illustrée, de la série des «Voyages extraordinaires », mise en vente le 26 novembre 1894, contenant in fine le catalogue « HF » de l'éditeur annonçant les nouveautés pour les années 1894-1895. L'ouvrage est COMPLET des 14 PLANCHES COULEURS hors-texte, dont 2 CARTES, l'une de l'Imanat de Mascate et l'autre du Spitzberg. (JAUZAC, 273-274). Ce volume illustré est présenté dans son beau cartonnage éditeur polychrome « au portrait collé », avec le dos «au phare » et le second plat de type « Lenègre e ». EXEMPLAIRE en BEL ÉTAT. NICE COPY. PICTURES AND MORE DETAILS ON REQUEST.

      [Bookseller: Librairie ancienne & Moderne Eric Castér]
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        Mirifiques Aventures de Maître Antifer. (Portrait collé)

      78 illustrations par G. Roux, dont 12 grandes gravures en chromotypographie - 2 cartes en couleurs. Complet & Contrôlé. Édition originale. Bibliothèque d'Éducation et de récréation J. Hetzel et Cie. 1894 - 420 pages. Catalogue HF pour 1894-1895. Imprimé par Gauthier-Villars. Relié par Lenègre. Cartonnage polychrome Hetzel au portrait collé. Dos au phare. Tranches dorées. Gouttière régulière. Infimes rousseurs. Très bon état. Format in-4°(28x19).

      [Bookseller: Livres et Collections P. Commerot]
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        A BIBLIOGRAPHY OF THE JAPANESE EMPIRE: Being a classified List of All Books, Essays and Maps in European Languages Relating to Dai Nihon [Great Japan], published in Europe, America & in the East, from 1894-1906.

      - EXCEPTIONALLY USEFUL * COPIOUS EARLY BIBLIOGRAPHY ON JAPAN London 1895, Kegan Paul/London 1928, Goldston. Black cloth,4vol. set, vols. 1 & 2 leather labels on front cover each volexceptionally clean, bright, firm, indices, vols. 3 & 4 inmylar protected dj., prospectus laid in. RARE FIRST EDITION Color scans available for this book on request. Description content 2016Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Lustige Gesellschaft

      Nurnberg: Theo Strosfer, 1894. Unnumbered pages. Cloth on board with applied chromolithograph . Eight (8) rhyming stories, each accompanied by a changing view picture puzzle. All mechanisms functioning. Few changing view pages pulled away from text block. Measures 12 3/4" x 10" .

      [Bookseller: Eclectibles]
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        Lourdes

      Paris, Charpentier et Fasquelle, 1894 In-12, demi-basane marine, dos à nerfs, titre doré en plein, couvertures conservées. Un des 40 exemplaires numérotés sur papier Japon (seul grand papier). Faux-titre, titre, 598 pp. Bel exemplaire. Edition originale de ce roman, qui reflète la vision sceptique de l'auteur. Elle aboutit à la mise à l'Index du roman et de toute l'

      [Bookseller: Librairie Ancienne Denis]
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        The Works of Robert Louis Stevenson. [Including Treasure Island; Dr. Jekyll and Mr. Hyde; Kidnapped].

      Edinburgh: Printed by T. and A. Constable for Longmans, Green and Company, 1894. Edinburgh edition of the Works of Robert Louis Stevenson, often considered the finest edition of Stevenson due to the paper quality used. Octavo, complete set, 34 volumes, bound in three quarters morocco over marbled panels, raised bands with gilt titles and tooling to the spine, top edge gilt, marbled endpapers. In fine condition. An exceptional set. "Few writers have during their lifetime commanded so much admiration and regard from their fellow-craftsmen Energy of vision goes hand in hand with magic of presentment, and both words and things acquire new meaning and a new vitality under his touch" (DNB).

      [Bookseller: Raptis Rare Books]
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        Eigenh. Brief mit U. Paris, 7. V. 1894.

      1894. 4 SS. (Doppelblatt, im Falz durchgerissen). 8vo. An einen unbekannten Adressaten, der ihn nach seinen "inneren Beziehungen zur Musik" befragt hatte: "Hochgeehrter Herr, Wenn ich Ihre Frage nach meinen inneren Beziehungen zur Musik erschöpfend beantworten wollte, müßte ich Ihnen eigentlich eine bis ins Einzelne gehende Geschichte meines Lebens und Selbstcharakteristik liefern, da die Musik thatsächlich mit meinem ganzen geistigen Werden und Sein auf das Innigste verflochten ist. Ich beschränke mich darauf, Ihnen zu sagen, daß das Schöne mir zuerst in musikalischer Gestalt entgegengetreten ist. Mein erstes Gedicht schrieb ich, zwölf Jahre alt, nachdem ich die Mondschein-Sonate gehört hatte, die man mir, auf meine ungestüme Bitte, dreimal hintereinander hatte vorspielen müssen. Als ich, fünfzehn Jahre alt, Mozarts 'Don Juan' zum erstenmal hörte, floh der Schlaf mich drei Nächte lang und ich glaubte fortwährend die Orchesterbegleitung zum Auftreten der Statue des Kommandeurs zu hören. Ich glaube nicht, daß ich jemals eine Aufführung der Neunten Symphonie versäumt habe, wenn sie an meinem Wohnort stattfand; und doch fürchte ich sie eigentlich, denn sie wühlt mich in allen Tiefen so furchtbar auf, daß ich tagelang nicht zur Ruhe komme; so wirkt sie noch heute auf mich, obschon ich jeden Takt von ihr auswendig kann. Ich führe ein Leben des Kampfes und erfahre viel Bitteres und Schmerzliches. Es gibt aber die Empörung, den Zorn, die Kränkung nicht, die nicht sofort verschwänden, wenn mir meine Schwester ein Lied von Schumann, etwa 'Ich grolle nicht' oder 'Aus meinen Thränen sprießen' singt. Alle Gemeinheit der Menschen ist dann vergessen, mein eigenes Ich löst sich in Liebe und Wollaut [!] und mir ist, als wäre ich auf irgend einem Stern, himmelweit von allen Leidenschaften und Interessen, die sonst das Gewebe meines Daseins bilden. Aus der Musik quellen mir unvergleichliche Tröstungen und Anregungen. Der Drang, den wogenden, unbestimmten Emotionen, welche die Musik in mir wachruft, eine feste Form zu geben, hat oft genug meinem Schaffen die Richtung gewiesen. Um nur ein Beispiel anzuführen: mein Roman 'Die Krankheit des Jahrhunderts' ist wesentlich aus der Stimmung hervorgegangen, in die mich einmal das unter eigenthümlichen Umständen gehörte Lied 'Freut euch des Lebens' versetzt hat. Um meine Anschauungen kurz zusammenzufassen: ich würde es, trotz meiner mannigfachen anderen geistigen Interessen, für die erschreckendste Verarmung meines Lebens halten, wenn ich auf Musik verzichten müßte. Glauben Sie, hochgeehrter Herr, an die vorzügliche Hochachtung Ihres ergebensten Dr. M. Nordau". - Nordau war seit 1892 Mitstreiter Herzls; seit 1880 wohnte er als praktischer Armenarzt und Gynäkologe in Paris. 1897 Organisator des Basler ersten Zionistenkongresses, war er Hauptautor des sog. Basler Programms und eine der führenden Gestalten der frühen zionistischen Bewegung. - In lila Tinte; kleine Randeinrisse.

      [Bookseller: Antiquariat Inlibris]
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        Sténose du cordon en raison de son insertion à l'ombilic. Enfant de ( ?) accouchée le 9 juin 1894

      1894 - , 1894, , , tirage albuminé [240 x 300 mm] aquarellé à la main et contrecollé sur carton fort, Cliché réalisé par Félix Méheux et rehaussé à l'aquarelle : fond noir et chair du nouveau-né rehaussée dans des nuances de beige-rose-rouge. Saisissante photographie d'un enfant mort-né. La face est très affectée et les orbites sont vides ; l'enfant a dû longuement macérer dans la cavité utérine. Le carton porte en pied le nom du service - "Clinique d'accouchement - Service de M. le Prof. TARNIER" - et le nom du photographe : "Aquarelle photogr. de F. MÉHEUX, dessinat". Inscription à l'encre au revers du carton. Photographie saisissante, qui atteste de la collaboration entre le chef de l'école obstétricienne française, Etienne, dit Stéphane, Tarnier (1828-1897), et le photographe médical Félix Méheux (1838-1908). Légers manques en pied du carton. On joint : Un dessin signé G. Devy, 1890. Aquarelle sur bristol. Inscription au revers : "Sténose du cordon". Nouveau-né représenté des hanches aux cuisses. Devy est l'un des dessinateurs du célèbre Traité d'anatomie humaine de Léo Testut (1893). [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        Le Livre et l'Image. Revue documentaire illustrée mensuelle.

      P., Librairie Auguste Fontaine, 1893-1894, 3 vol. petit in-4° (260 x 190) reliés ½ basane bleue, dos lisses orné, couvertures illustrées conservées, de (2) ff. (faux-titre et titre) - 336 pp. ; (2) ff. (faux-titre et titre) - 356 pp. - (2) ff. (faux-titre et titre) - 392 pp. Coins légèrement émoussés, les hors-texte, imprimés sur papier différent du texte, sont souvent brunis avec rousseurs, le reste est en très bon état. - Directeur littéraire : John Grand-Carteret. Directeur-Gérant : Emile Rondeau.Tome I (Mars-Juillet 1893) : Lithographie de Robida en frontispice avec timbre sec, 185 illustrations, dont 12 hors-texte (4 en couleurs).Tome II (Avril-Décembre 1893) : Eau-forte originale de Piguet en frontispice, 245 illustrations dont 25 hors-texte (4 en couleurs).Tome III (Janvier-Juin 1894) : Lithographie originale de Robida en frontispice, 220 illustrations dont 20 hors-texte (5 en couleurs). La page de titre annonce 22 illustrations hors-texte dont le frontispice mais une des illustrations ayant 2 sujets est comptée pour 2.Collection complète de cette revue, donnant un très bon instantané de la bibliophilie de la fin du XIXe siècle. [Attributes: Soft Cover]

      [Bookseller: Bouquinerie Aurore (SLAM-ILAB)]
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        Ölgemälde \" Bauernhaus im Hammer Park \".

       Schönes Ölgemälde auf Pappe des 1894 geborenen und 1984 verstorbenen Hamburger Künstlers, der lange Zeit in Hamburg-Eppendorf lebte. Gezeigt wird ein altes Bauernhaus vor reichen Staudenrabatten im Hammer Park in Hamburg-Hamm. Bildmaße 28 x 30 cm ( Höhe x Breite ), alt gerahmt ( schlichte Rahmung ), Rahmenmaße 35 x 37,5 cm ( Höhe x Breite ). Links unten signiert mit \" Wriggers 23 \". Verso findet sich eine handschriftliche Notiz ( möglicherweise des Künstlers ) \" Adolf Wriggers, Maler + Graphiker, Hamburg 20, Tarpenbekstr. 66 - Motiv aus dem Hammerpark, Öl, 1923 \". Der Rahmen gering beschädigt, sonst von farbfrischer, guter Erhaltung. ( Gewicht 700 Gramm ) ( Pic erhältlich / webimage available ) Versandkostenfreie Lieferung Wriggers, Hamm, Hammer Park, Hammerpark, Bauernhaus, Ölgemälde

      [Bookseller: Antiquariat Friederichsen]
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        REPORT ON INDIANS TAXED AND NOT TAXED IN THE UNITED STATES (EXCEPT ALASKA) AT THE ELEVENTH CENSUS: 1890

      Washington, 1894. vi,[2],683pp. plus twenty-five maps (three of them large, colored, folding maps) and 203 plates, consisting of twenty in color (two folding), twenty-five uncolored lithographs, and 158 photographic plates. Large, thick quarto. Modern three-quarter calf and marbled boards, spine gilt, leather label. Several small tears to edges of leaves, light scattered soiling and wear. Very good. One of the most important and exhaustive treatments of the American Indian in the 19th century. As American Indians had not been treated in detail in previous censuses, it was decided under the administration of Superintendent Robert Porter to prepare this mammoth undertaking, which pays scrupulous, detailed attention to the present state of the American Indian of the times. Included are discussions of Indian populations by state, status reports concerning life on the reservations, disbursement of populations on and off reservations, progress in schooling and employment, etc. Virtually every aspect of the topic is at least considered in this work, if not investigated in depth. The highly prized lithograph color plates of Indian life by noted artists are the best such works undertaken in a government publication, and are of exceptional quality. The scores of photographic plates show tribal leaders, delegations, homes, schools, food preparation, craft making, artifacts, etc., and provide an outstanding visual catalogue of the tribes near the turn of the 20th century. HOWES D418, "aa." REESE, STAMPED WITH A NATIONAL CHARACTER 33.

      [Bookseller: William Reese Company - Americana]
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        Les Chansons éternelles.

      BIBLIOTHEQUE D'OCCITANIE. 1894. In-12 Carré. Broché. Etat d'usage. Couv. défraîchie. Dos satisfaisant. Quelques rousseurs. 303 pages. Bandeaux et lettrines. Envoi de l'auteur, daté de 1898. Accomapagné d'une lettre manuscrite originale de l'auteur, daté de 1934. Bibliothèque d'Occitanie, n°242 / 400. Avec un argument analytique. Bibliothèque de "La Plume".

      [Bookseller: Le-livre.fr]
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        Climbing and Exploration in the Karakoram - Himalayas. With illustrations by A.D. McCormick.

      THE FIRST MAJOR ATTEMPT TO EXPLORE THE KARAKORAM. CONWAY, William Martin Climbing and Exploration in the Karakoram - Himalayas. With illustrations by A.D. McCormick. T. Fisher Unwin, 1894. 3 Volumes bound in 4. Large 8vo. pp. xix, 360: xv, 361 - 709: viii, 126; portrait frontispiece in vol. 1, 300 illustrations plus duplicate proofs, 3 folding maps in separate volume. All volumes uniformly bound in beige cloth, maroon morocco labels, text volumes slight darkening to spines; a Very Good set. Number 73 of 150 Copies Signed by the Author. William Conway (1856 - 1937) developed an interest in mountaineering whilst at Cambridge and became a member of the Alpine Club in 1877. Although a typical Victorian in his wide ranging interests, he was a keen bibliophile and a lover of the fine arts, later becoming Roscoe Professor of Art at University College, Liverpool. Conway was in no sense an amateur climber. He took as his model Edward Whymper's expedition to the Great Andes of the Equator, which had already demonstrated how a scientific mountaineering expedition should be organised, and the importance Conway attached to the separately published scientific reports clearly reflects this ambition. As W.A.B. Coolidge observed in the Pall Mall Gazette: "The book is not merely the narrative of the best organised and most successful mountaineering expedition as yet made, it is a most valuable and minute account, based on first-hand evidence, of a most fascinating region of the heaven-soaring Himalayas." A scarce account of a remarkable achievement. Neate C103; Yakushi C143.

      [Bookseller: Peter Hill]
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        Rapports commerciaux des agents diplomatiques et consulaires de France [...]. Année 1894. N 174. Perse. Mouvement commercial des principaux ports persans du golfe Persique en 1892-1893. (Paris, Dupont), 1894.

      1894. Large 8vo. 21, (1) pp., final blank. Modern green leather binding with red marbled endpapers. Rare French consular report on the manufactures and commerce of Persia (now Iran), providing a detailed account of the region's principal produce in the late 19th century. Among the principal commodities imported to Persia are coffee (from Arabia), pearls (from the pearl banks of Bahrain), and - remarkably - petroleum (from Russia). A British exploration company is said to be prospecting for oil in the country, but "so far without any practical result": only in 1908 would large quantities of oil be discovered at Masjed Soleyman (today, Iran possesses the world's fourth-largest oil reserves). Exports include dried fruits and opium as well as pearls and mother-of-pearl (largely also originating from Bahrein). Imports from France are said to be virtually nil, and a lengthy paragraph is devoted to the means by which commerce with the Gulf might be boosted. - Paper browned and brittle, rebound with repairs to gutter; title page slightly cracked.. OCLC 17376794.

      [Bookseller: Antiquariat Inlibris]
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        Strasbourg historique et pittoresque depuis son origine jusqu'en 1870. Aquarelles et dessins par E. Schweitzer et A. Koerttgé.

      Strasbourg, Publié et annoté, par l'Imprimerie Alsacienne, 1894. - Très fort vol. grand in-4, basane à coins moderne bordeaux, dos à nerfs, pièce de titre noire, couverture illustrée en chromolithographie conservée, XII-704 pp, illustré d'un frontispice + 42 planches h.-t. principalement en chromolithographies et de nombreuses reprod. et ill. photographiques in et h.-t. complet du Plan de Strasbourg en 1762 en quatre parties en double page, sous papier calque imprimé et du rare prospectus de souscription de 4pp, . Première édition. Bel ex. [Attributes: Hard Cover]

      [Bookseller: Librairie Le Trait d'Union sarl.]
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        Au pays du mufle. Nouvelle édition revue et considérablement augmentée. Préface d'Arnaud Silvestre. Dessins d'Hermann Paul.

      Paris, Bibliothèque Artistique et littéraire, 1894 ; in-8 ; demi-maroquin citron, dos lisse décoré d'un encadrement de palmes dorées, succession d'étoiles verticale, titre doré, tête dorée (reliure de l'époque) ; 129 pp., (1) f. d'errata placé en début et (1) f. d'achevé d'imprimer (imp. A. Davy pour la Société Anonyme "La Plume"). Première édition illustrée et probable premier livre illustré d'Hermann-Paul qui avait 20 ans à l'époque. Bon exemplaire dans une belle reliure en parfait état.

      [Bookseller: Librairie Ancienne Clagahé]
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        Autograph quotation signed. N. p., 1894.

      1894. 1 p. 116:47 mm. "A beautiful voice is the gift of God". - With a small photographic portrait; somewhat faded.

      [Bookseller: Antiquariat Inlibris]
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        Discovery of Lakes Rudolph & Stefanie

      London: Longmans Green & Co, 1894. First Edition in English. Hardcover. Near Fine. A narrative of Count Samuel Telleki's Exploring and hunting expedition in Eastern Equatorial Africa in 1887 and 1888. Two volumes: 435 pp, ill, colored folding map and 397 pp, map frontis, ill, folding map in rear. An excellent hunting book. Hunting between Zanzibar and Mt Kilimanjaro. They continued hunting throughout Kenya, of course around Lakes Rudolph & Stefanie. Much on big game as well as plains game. A lovely set in original highly gilt brown cloth with gilt vignettes on upper boards. One corner mildly bumped. The set is truly lovely.

      [Bookseller: Trophy Room Books]
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        The Garden.

      London, The Garden, -6. 1894 - 1st ed. Volumes45, 46, 49 and 50. 104 chromolithograph plates, original giltstamped cloth. Cloth spotted, inner hinges cracking. Plates and contents bright and clean. [Attributes: First Edition; Hard Cover]

      [Bookseller: Besleys Books ABA ILAB]
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        Letters of Emily Dickinson; 2 Volumes

      Roberts Brothers, 1894 First Edition set of two volumes, 1894. One of only 1,000 copies. From the personal library of Efrem Zimbalist. His personal plate is pasted on the front pastedown page in both volumes. Condition is very good for its age, with only a small amount of visible wear. The front free endpage in both books has some darkening caused by contact with the previous owner's book plates.. 1st Edition. Hardcover. Very Good/No Jacket.

      [Bookseller: Bookbid Rare Books]
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        Pithecanthropus erectus. Eine menschenaehnliche Uebergangsform aus Java. Mit Zwei tafeln und Drei in den Text gedruckten Figuren. [AND] An original photo of the type locality at Trinil, Java, most probably by Eugène Dubois himself.

      Batavia, Landesdruckerei, 1894. Large 4to (32.2 x 25.9 cm). Title page, [ii], 31 pp., two plates (one with photos of a skull, the other a tinted lithograph of bones), two text engravings. Blind quarter cloth over original printed boards.= Unique dedication copy of the true first edition of this ground breaking work in human evolution, being the first unambiguous record of "the missing link", a human species decidedly older and more primitive than Homo sapiens, based on well-preserved fossils found at Trinil near the Bengawan [Bengavian] Solo river in east-central Java. The Dutch anatomist, anthropologist and palaeontologist Marie Eugène François Thomas Dubois (1858-1940) was the first to deliberately search for hominid fossils, and the first to be successful at it. Dubois' discovery was proof that humans were as much the subject of evolution as any other animal or plant. This edition precedes the edition from "Jaarboek van het Mijnwezen" and its offprint, which were both published in 1895. Dubois immediately realized the great importance of his discovery and could not wait for the "Jaarboek" to be published, let alone for a thorough description of all the mammalian fossils found at the Trinil site. In the preface, dated January 1894, Dubois stated "Für die Abfassung einer einigermaassen vollständigen Beschreibung ist die Vergleichung der gesammelten Fossilien mit ähnlichen Sammlungen, namentlich in europäischen Museen... erforderlich - und so wird die Veröffentlichung jener Beschreibung und der in mancher Beziehung wichtigen allgemeineren Untersuchungsergebnisse wahrscheinlich nog längere Zeit ausbleiben müssen. Die in der vorliegende Abhandlung beschriebene Form is jedoch von zo ganz besonderem Interesse, und giebt zu Schlüssen von so grosser und allgemeiner Bedeutung Anlass, dass... sie schon jetzt zu bearbeiten und der Oeffentlichkeit zu überlieferen". It took Dubois and his fossils many years to convince the majority of the scientific world of the importance of these findings, and today it is universally regarded as a cornerstone in human palaeontology and evolution. This edition was printed at and published by the "Landesdruckerei" [actually Landsdrukkerij in Batavia, or modern day Jakarta]. Very few copies of this edition are known to exist. Provenance: on the front free endpaper, Dubois wrote in a neat hand "Met broederlijke groet van den schrijver" [with brotherly regards from the author]. An oblong albumen print (11.8 x 15.8 cm) of the Bengawan Solo river, cutting through the Pleistocene deposits in which P. erectus was found, has been inserted. In the left lower centre is a white tent, most probably of Dubois's team, adjacent to a cliff with outcrops of sediment layers. On the photo verso "vindplaats Pithecanthropus" [type locality of Pithecanthropus] is written in an old hand. A unique copy - inscribed by the author to his brother - with an original photograph. See http://www.talkorigins.org/faqs/homs/edubois.html. Garrison-Morton, 210.

      [Bookseller: Dieter Schierenberg bv]
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        Choix de Fables de La Fontaine Illustrées par un Groupe des Meilleurs Artistes de Tokio. Sous la Direction de P. Barboutau

      Tsoukidji-Tokio, Tokyo 1894 - One of 200 (of 350 total) copies on Hosho. 28 double-page color woodblock prints by various artists. 2 vols. 4tpo. An inspired pairing of 28 fables by La Fontaine with Japanese illustrations. Original illustrated wrappers, stamped "E. Flammarion, Éditeur." Light wear to covers. In custom blue cloth slipcase and chemises 28 double-page color woodblock prints by various artists. 2 vols. 4tpo One of 200 (of 350 total) copies on Hosho.

      [Bookseller: James Cummins Bookseller, ABAA]
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