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Displayed below are some selected recent viaLibri matches for books published in 1893



      [Bookseller: Come See Books Livres]
 1.   Check availability:     AbeBooks     Link/Print  

 Ocherki nashego poreformennogo obshcshestvennago chozjajstva [Studies of Our Post-Reform Economy]

      St. Petersburg: A. Benke, 1893. XVI, 353, (1) pp. + 29 tables. 8vo. Contemporary quarter-leather binding with gilt-lettering on the spine. Boards are slightly rubbed. Good condition. Rare. Nikolay Francevich Danielson (1844-1918) was a pivotal figure in Russian economic thought. He was responsible for the first translation of Karl Marx's Das Kapital in any language (published in Russian in 1872). Although he corresponded personally with Marx his own economic views were very different. Danielson was the leader of Russian liberal economic thought, but he undertook the translation of Marx to demonstrate that there was a third way of developing the Russian economy. He disagreed both with the official imperial policy of the time and with the Marxist alternative that was becoming very popular in Russia from the 1870s. Danielson famously stated: "The problem facing us could have been summed up in the following terms: What should we do to bring our industry up to the level of Western industry, in order to prevent Russia from becoming a vassal of more advanced countries, and at the same time raise the living standards of the people as a whole? What we did, instead, was to identify large-scale modern industry with its capitalist form, thus reducing the problem to the following dilemma: To what should we sacrifice our cottage industries - to our own capitalist industry or to English industry? When the issue was presented in this way - and this is how it was presented - our cottage industries were doomed and we began to propagate our own capitalist industry" (pp. 390-91). One of Danielson's Marxist opponents, a member of Lenin's organization Souyz borby za osvobozhdenie raboshego klassa, said of him that: "No authors of that time - not Vorontsov, nor Kryvenko, nor Mikhailovsky - brought us more trouble with his criticism of Marxism as Danielson. The "Mont Blanc" of statistical calculations, great erudition, the ability to articulate economic concepts and, finally, the charm of the first Marx translator - made him the most formidable opponent". A rare fine copy of one of the most important books in the history of Russian thought.

      [Bookseller: Bookvica]
 2.   Check availability:     Biblio     Link/Print  

        Kate Greenaway's Almanack for 1894

      George Routledge and Sons, [1893]. 48mo; [24] pages Cloth-backed paper-covered illustrated boards, all edges stained green, teal clay-paper endpages, in the original printed paper dust-wrapper; illustrated in color throughout. Spine mottled, a scrape to the front pastedown, but internally fresh and bright; the jacket has a long split at one flap joint, a short tear at one corner, and a chip out at the lower corner of the front (internal) flap, but is remarkably attractive and fresh, nonetheless;Kate Greenaway's "1894" publication in her Almanack series, published for the years 1883 through 1897, except 1896. Republished in the late 1920s with the illustrations of the original series

      [Bookseller: Books Tell You Why]
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        Cours d\'analyse de l\'Ecole de polytechnique. Tome I: Calcul Differentiel; Tome II: Calcul Integral; Tome III: Calcul Integral, Equations Differentielles.

      Gauthier Villars, Paris, France 1893-1896. Deuxieme Edition, entièrement, refondue, 3 Bände, 542 S. - 627 S. - 612 S. mit Abbildungen, 8°, maroriertes Halbleder der Zeit mit schlichter Rückenvergoldung, Bibliotheks-Exemplare (ordnungsgemäß entwidmet) mit Papier-Rückenschildern, Stempel auf Titel, Einbände leicht berieben, insgesamt gute und innen saubere Exemplare,Versand D: 5,00 EUR Mathematik, Analysis

      [Bookseller: Antiquariat Silvanus]
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        Brockhaus Konversations-Lexikon.Vierzehnte vollständig neubearbeitete Auflage. Band 1-16 cpl.

      Brockhaus, Leipzig, Berlin, Wien 1893 - ( Erscheinungszeitraum 1893 - 1895 ) Mit zusammen ca. 16000 Seiten sowie sehr zahlreichen Textillustrationen teils auf Tafeln ( meist in Holzstich ), diversene Karten sowie etlichen Chromolithographien. Goldgeprägte Ohldr mit farbigen Rückenschildchen, 4° ( Lexikon-Format ) Einbände jeweils am Buchrücken unten signiert " Buchhandlung G.Senf Nachfolger, Leipzig ". Einbände etwas berieben ( einige Bände auch stärker ), Ecken und Kanten bestoßen, Buchdeckel teils leicht fleckig. Innen Papier durchgehend etwas gebräunt, Seiten meist sauber und genauso wie die schönen Tafeln von guter Erhaltung. Dekoratives Exemplar. ( Gesamtgewicht ca. 35000 Gramm ) ( Pic erhältlich / webimage available ) [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antiquariat Friederichsen]
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        The Memorial Edition of the Works of Capt. Sir Richard F. Burton. Containing: Personal Narrative of a Pilgrimage to Al-Madinah and Meccah; A Mission to Gelele, King of Dahome; Vikram and the Vampire, or Tales of Hindu Devilry; First Footsteps in Africa.

      London: Tylston and Edwards, 1893-94. - Complete in 7 volumes, superbly bound in half black oasis with raised bands, gilt titles and gilt to spines, original cloth sides pictorially stamped in gilt, top edge tinted red, black endpapers. With frontispieces, black and white and coloured plates. Occasional light spotting otherwiseclean within. Minor marks to boards else externally fine. A most attractive copy of the works. The complete set of the posthumous Memorial Edition, edited and with introductions by Isabel Burton. [Attributes: Hard Cover]

      [Bookseller: Adrian Harrington Ltd, PBFA, ABA, ILAB]
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        Mothu et Doria. Scènes impressionistes.

      Poster for the sketches tiled "Mothu and Doria". Paris: Impressions Artistique 1893. Published in "Les Maitres de l'Affiche", 1896. Plate no. 46, 1895. Les Maîtres de l'Affiche (The Masters of the Poster) refers to 256 colour lithographic plates used to create a very significant art publication during the Belle Époque in Paris, France. The collection, reproduced from the original works of ninety-seven artists in a smaller format, was put together by Jules Chéret, the father of poster art. By the 1890's the streets of French cities were enlivened by large, colourful posters. The poster had not only caught the fancy of the public, but its best examples were already being regarded as true works of art (specifically, as fine prints) to be exhibited, reviewed in journals, collected and reproduced in a more manageable form. In the last five years of the 19th century, Imprimerie Chaix was to play a great part in codifying, hallowing and perpetuating the ebullient spirit of the Belle Epoque. The renowned set of 256 prints were created by Imprimerie Chaix, forever to be known as a set as Les Maîtres de l'Affiche. Each print was rendered as a separate sheet measuring 11 x 15 inches. [27.9 x 38.1 cm]. The set was compiled in a unique way: Every month for 60 months - from December 1895 through November 1900 - subscribers received a wrapper containing four consecutively numbered prints. On 16 occasions (each of the five Decembers, each of the Junes, and the March and September of the final three years) the monthly wrapper also contained a bonus plate, not a poster reproduction but a specially created lithograph. The compilation of this set of original prints makes up the complete suite known as Les Maîtres de l'Affiche.

      [Bookseller: Peter Grosells Antikvariat]
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      Paris: Librairie de l'Art Independant, & London: Elkin Mathews & John Lane,, 1893. Drame en un acte. Crown octavo. Contemporary half vellum for Hatchards, green cloth sides ruled in gilt, flat bands to spine forming compartments, olive-green morocco labels to second and third, floral centrepieces gilt to remaining compartments, top edge gilt, others untrimmed, marbled endpapers, bound green silk page-marker. With the terminal licence leaf. Original paper wrapper bound in before half-title. Contemporary ownership inscription of Mde Mérey, dated 1897, to the initial blank, possibly Belgian soprano Jane Mérey (1872-1923), pupil of Rosine Laborde in Paris; later collector's bookplate and accession label to front pastedown. Boards slightly bowed, vellum at upper outer corners darkened, internally crisp and clean. A very good copy. First edition, limited issue, one of 50 copies printed on Van Gelder paper. There was also a trade issue of 600 copies. Salome was composed by Wilde in French and not published in English until the following year.

      [Bookseller: Peter Harrington]
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        The Birth, Life and Acts of King Arthur of his noble knights of the round table.... Segue: The Morte Darthur Portfolio, reproductions of eleven designs omitted from the first edition of le Mort Darthur, London, Dent & Sons, 1927.

      J. M. Dent, 1893 - 94. 4 volumi in - 4°, pp. XC, 1 - 290; (4), 291 - 664; (4), 665 - 990, (1); 16 e 14 di tavole f.t., (1); illustrato da 2 superbi frontespizi su carta india (al I e III vol.) e 18 tavole f.t. in xilografia (di cui 5 a doppia pagina) e 13 tavole omesse nelle precedenti edizioni nel volume di portfolio, il tutto magistralmente inciso da Beardsley e circa 350 vignette in xilografia nel testo, capolettera stampati in rosso. Legatura di lusso in piena pergamena con ricche impressioni in oro ai dorsi e ai piatti raffiguranti gigli su disegno di Beardsley, tagli superiori in oro. Alcune bruniture (come sovente) alle tavole dovute alla qualità della carta, ma nel complesso buono, esemplare in barbe. Di questa edizione sono stati tirati 300 copie su "Dutch hand made paper" e 1500 copie ordinarie. Il nostro esemplare fa parte della tiratura di lusso, esemplare n. 153 per i tre volumi e 151 per il portfolio. Straordinario insieme dell'opera più significativa e importante di Beardsley, raro a trovarsi tutti e quattro i volumi rilegati in pergamena. 4 vols. in - 4°, pp. XC, 1 - 290; (4), 291 - 664; (4), 665 - 990, (1); 16 e 14 of plates, (1); with two mounted frontispieces on india paper, and 18 full page wood engravings, including five double - page, numerous text illustrations, chapter headings and borders, all by Aubrey Beardsley. Occasional foxing. All bound uncut in orig. full vellum with top edges gilt. Spines and frontboards with a bold gilt design by Beardsley. Enclosed "Morte Darthur Portfolio". Bound to match the 3 vols. Set in original full vellum (spine in half brown calf) with front board designed by Beardsley. This set constitute one of only 300 copies on Dutch handmade paper of the deluxe edition (large paper copy). In 1892 the publisher John M. Dent, seeking to emulate the books of the Kelmscott Press, commisioned the 20 year - old Beardsley to produce this edition of la Morte d'Arthur. The 351 designs appearing in the edition required eighteen months for Beardsley to complete. If he had never illustrated another book, this edition colud stand as a monument of decorative book illustration.

      [Bookseller: Libreria Antiquaria Xodo]
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        Autograph letter signed ("F. Liszt").

      Venice, 11. I. 1893. - 8vo. 1 p. on bifolium. To an unnamed Comte, regretting to postpone an invitation: "À mon regret j'ai eté empêché de vous faire ma visite aujourd'hui [.]".

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Paris-Photographe, revue mensuelle illustrée de la photographie et de ses applications aux arts, aux sciences et à l'industrie. Troisième année complète soit 12 numéros

      Office général de Photographie, 1893. - Office général de Photographie, Paris Janvier-Décembre 1893, 18,5x27cm, 12 fascicules brochés. - First Edition. Terzo anno intero 12 numeri di questa rara rivista scientifica fondata e diretta da Paul Nadar. Ogni copia ha almeno due testo con un asse di negativi fotografici Nadar e spesso una fotografia riprodotta in fotoincisione. Contributo P. Nadar, A. e L. Luce, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarcay, Davison, S. Ferrand, H. Fourtier, C. Ghiaia, A. Guerronnan Jetty Amécourt, H. Reeb, L. Vidal, J. Waterhouse ... Tra i tanti argomenti troviamo cronofotografia, ottenendo colori, cielo fotografia, il pellegrinaggio alla Mecca (bel rotocalco fuori testo la cerimonia di grande Calat) ... "Noi crediamo avanzamento del lavoro ancora più interessante il pubblico in questa scoperta molto francese della Fotografia ...". Così, Paul Nadar ha finito la sua introduzione in via di introduzione di questa preziosa rivista, contenente una fotografia del famoso fotografo per numero. Originariamente la creazione di Parigi fotografo, P. Nadar spiega la mancanza di una rivista patinata photography in Francia, a differenza delle belle pubblicazioni straniere. E qualche piccolo foxing marginale e piccoli strappi, altrimenti molto belle copie tagliati formando una serie di insegne rarità. - [FRENCH VERSION FOLLOWS] Edition originale. Troisième année complète en 12 numéros de cette rarissime revue savante fondée et dirigée par Paul Nadar. Chaque exemplaire comporte au moins deux hors texte dont une planche de clichés photographiques de Nadar et une photographie souvent reproduite en héliogravure. Contribution de P. Nadar, A. et L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... Parmi les nombreux sujets traités, on trouvera la chronophotographie, l'obtention des couleurs, ciels en photographie, Le pélerinage de la Mecque (très belle héliogravure hors texte de la cérémonie du grand çalat)... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... ». Ainsi, Paul Nadar achevait-il son introduction en guise de présentation de cette précieuse revue, contenant un cliché du célèbre photographe par numéro. A l'origine de la création de Paris-photographe, P. Nadar explique l'inexistence d'une luxueuse revue de photographie en France, contrairement aux magnifiques publications étrangères. Quelques rares et infimes mouillures marginales et petites déchirures sans gravité, sinon très beaux exemplaires non coupés formant un ensemble d'une insigne rareté.

      [Bookseller: Librairie Le Feu Follet]
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        Liturgies intimes -

      Léon Vanier 1893 -, Paris - 1 volume. In-12 54 pp. Reliure maroquin tête-de-nègre, jeu de filets sur les plats, dos lisse, roulettes de pointillés intérieures dorées. Couverture et dos conservés. Non rogné. Reliure signée Jacques ANTHOINE-LEGRAIN. Reliure élégante. Seconde édition suivant d'un an la première, avec 7 poèmes en édition originale : A Charles Baudelaire, Vêpres rustiques, Complies en ville, Prudence, Pénitence, Oportet haereses esse, Final. [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
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        The £1,000,000 Bank-Note and Other New Stories

      Chatto & Windus, London 1893 - 8vo. Bound c.2004 by Bayntun-Riviere in full crimson morocco, the covers with a gilt fillet border, the spine lettered in gilt on black leather labels, one line panels and tooled bands, hand-marbled endleaves, gilt edges. Original cloth cover bound in at the end. [Attributes: First Edition]

      [Bookseller: George Bayntun ABA ILAB]
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      1893. Paul Ollendorff, Paris 1893, 12x19,5cm, relié. - Paul Ollendorff, Paris 1893, 12x19,5cm, relié. - Edizione di carta corrente. Associazione a bradel metà percaline mandorla, smussare leggermente passato con un gioiello d'oro tipografico dorato filo doppio coda brano piatti sorrow rosso carta marmorizzata copertine conservata, prima copertina piatta con piccoli macchie senza testa gravità, vincolante contemporaneo. Autografo Precious firmata dall'autore Jean Ajalbert. Provenienza: Da library Jean Ajalbert con ex libris in stile giapponese xilografia Nabis a pochissimi monogramma firmato, probabilmente quella di Félicien Rops. [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Reliure à la bradel en demi percaline amande, dos lisse très légèrement passé orné d'un fleuron typographique doré, double filet doré en queue, pièce de titre de chagrin rouge, plats de papier marbré, couvertures conservées, premier plat de couverture comportant de petites taches sans gravité en tête, reliure de l'époque. Précieux envoi autographe signé de Jules Renard à Jean Ajalbert. Provenance : bibliothèque Jean Ajalbert avec son ex-libris japonisant dans le style des Nabis gravé sur bois à tout petit nombre, signé d'un monogramme, probablement celui de Félicien Rops.

      [Bookseller: Librairie Le Feu Follet]
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        Contributes [to HARPER'S WEEKLY, Vol XXXVII, Nos.1921-2]; 'The Adventures of Sherlock Holmes- The Naval Treaty'. ORIGINAL ISSUES IN WRAPPERS (parts 1 and 2, complete).

      New York, October 14-21, 1893 - FIRST APPEARANCE of this adventure, illustrated by W.H. Hyde, which was later collected in 'The Memoirs of Sherlock Holmes'. Single newspaper issues in pictorial wraps. Internally clean, with the occasional edge-tear. Covers are a little toned, discreet gummed postal label to upper. Near fine. Published before the Strand Magazine appearance (October and November 1893). This Harper's printing features alternative and exclusive illustrations (Stand printings carry the regular Sidney Paget drawings). DeWaal. Green & Gibson. BMC Graham Greene and Dorothy Glover; Victorian Detective Fiction (1966). See also Cooper & Pike [p115-119], Eric Quayle; Detective Fiction, Hardwicke; Complete Guide to Sherlock Holmes (1986), Keating; Sherlock Holmes and his World (1979). [Attributes: First Edition; Soft Cover]

      [Bookseller: Adrian Harrington Ltd, PBFA, ABA, ILAB]
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        L'Aimé. Roman.

      G. Charpentier et E. Fasquelle, 1893. Cm. 19,2, pp. (2) 382 + 10 di catalogo editoriale. Legatura di poco posteriore in mezzo marocchino verde cupo e angoli con titolo in oro al dorso. Taglio di testa dorato, sguardie marmorizzate. Ottima conservazione, in barbe e con testimoni. Esemplare con la peculiarità di presentare 6 acquerelli originali dipinti a piena pagina o intercalati n.t. da noti artisti francesi del tempo: uno di Apoux (a piena pagina) al recto della giustificazione di tiratura, uno di Bligny alla p. 98, uno di Lebègue alla p. 120, uno di Bligny alla p. 240, uno di Apoux alla p. 302, uno di Lebègue alla p. 332. Ex - libris. Edizione originale (esemplare n° 39 della tiratura di testa di sole 50 copie numerate su "papier de Hollande").

      [Bookseller: Studio Bibliografico Benacense]
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        Autograph musical quotation signed.

      Vienna, 13. XII. 1893. - 8vo. 1 p. on bifolium. Four bars from a "Concert" by Beethoven.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Die Handschriften-Verzeichnisse der Königlichen Bibliothek zu Berlin. Bände 12, 13 und 14: Verzeichniss der lateinischen Handschriften, (bearbeitet) v. Valentin Rose. Bände 1 bis 3 in 5 Bdn. 1) Die Meerman-Handschriften des Sir Thomas Phillipps. 2.) Die Handschriften der kurfürstlichen Bibliothek und der Kurfürstlichen Lande. 3) Die Görreshandschriften.

      Berlin, Asher, , 1901, 1903, 1905 und Berlin Behrend & Co.1919. 1893 - 4°. Fünf uniforme, grünliche OPappbände mit schwarzgedruckten Deckel- und Rückentiteln. 3 Bll., XXIII,513 S. / X, VII, X, 1522 S. / 4 Bll. Titelei, 262 Seiten. Der Einband von 2.I. etwas lichtgedunkelt, im Schnitt leicht braunfleckig. Davon abgesehen richtig gut erhaltenes, sehr schön sauberes und komplettes Exemplar. Collationiertes, komplettes Expl. (= Die Handschriften-Verzeichnisse der Preußischen Staatsbibliothek zu Berlin, Bde. 12, 13, 14.) FL4299 [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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        Holzfächer mit eighd. datierten Signaturen, von Max Schödl (1834-1921) dat. Gmunden 5. Sept. 1904, Charlotte Wolter dat. 20. August 1893, Carl von Wondrak (?) dat. 28.III.1897, Wilhelm Burmester dat. 26.11.1901, Rudolf Fritzner dat. 6.IX.1911, Ferdinand Löwe dat. August 1911, Alfred Grünfeld dat. 24.11.1911, Ludwig Ganghofer dat. 5. Jan. 1912, Pablo Casals dat. 20. Nov. 1913, Richard Strauss dat. 8.X.1916, Franz Steiner dat. 8.X.1916, Wilhelm Kienzl dat. 3.V. 1931 sowie zwei unleserliche.

      Budapest - Marburg - Gmunden, -, 1893 - 1931. Pro Segment eine Signatur, wobei drei frei sind. - Leichte Gbrsp. - So selten. Versand D: 7,00 EUR Autograph; Musik

      [Bookseller: Antiquariat Weinek]
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      1893. FIGARO ILLUSTRE. 1893. In-Folio.Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. Année entière avec environ 28 pages par mois. Nombreuses illustrations, photos en couleurs, en noir et blanc ou bicolores dans le texte et hors texte. Texte sur plusieurs colonnes. 1ères de couvertures illustrées en couleurs. Quelques partitions de musique dans le texte et hors texte. Une page débrochée. Janvier : Les poupées de Madame Charles COSSON. La vie artistique. Pierrot Dompteur. Le petit tambour d'Austerlitz. Hop! dans mon sac! Une vocation. Février: Le rosier blanc. La vie artistique. L'île adoptive. Une petite fille de Griselidis. La journée du 24 février 1848. Et avec ça, madame? Mars: Le carnaval de Nice. Le Maire. Une ronde au Kreider. Madame Récamier et Napoléon. Le rajah de Forapour. Avril: Les noces de la princesse Kirilla GLEBOVNA. Checchina la Fileuse. Les Rois chez eux: S.M. Oscar II roi de Suède et de Norvège. Le sourd qui n'avoue pas. Mai: Les courses, hier et aujourd'hui. L'art de faire courir. Le coaching. Les courses en France, 1651-1814. Rallye-Paper. Juin: Deux larmes. Le voeu. Charlet. Capitaine. Journal d'un Rastaquouère. Juillet: Au pays des cavernes. Les rois chez eux, Abbas-Helmi Pacha, Khédive d'Egypte. Double sauvetage. Le plaisir à Paris. Août: Les Bouilleurs de Cru. Miserere. Double sauvetage. Le cheval de la portière. Septembre: numéro spécial LES SPORTS ATHLETIQUES. Le polo. Le racing et le Foot-Ball. La bicyclette. Le lawn-tennis. Jeux de France et sports Anglais. Octobre: La marine Russe et ses peintres. Le Festéjadou, scènes de la vie catalane. Un revenant. Les rois chez eux, YI Roi de Corée. Francine. Novembre: L'art musulman à Paris. Malmaison pendant le consulat. Le Festéjadou. L'abbesse. Une chasse au loup. Une invitation à diner. Décembre: M. RE-DIEZE et Melle MI-BEMOL. Jim et Jack. La fée du Rocher. Marie-Marion. Le bon Méphisto.

      [Bookseller: Le-Livre.Com]
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        Ecuyers et écuyères. Histoire des cirques d'Europe (1680 - 1891). Avec une étude sur l'équitation savante par Maxime Gaussen

      J. Rothschild, 1893. - J. Rothschild, Paris 1893, 15x23cm, relié. - Quarta edizione. Bound in mezza pelle di pecora nera posteriore con cinque nervi decorati con dorature, piatti di carta in marmo, guardie e contreplats di carta fatta a mano, coperte (con due intervalli angolari a piede leggero) mantenuto, moderno vincolante. Prenota ornata con 280 ritratti e illustrazioni. Prefazione di H. Meilhac e l'introduzione di V. Franconi. Foxing luce sulle guardie e schienali coperture piane, altrimenti interni in buono stato. - [FRENCH VERSION FOLLOWS] Quatrième édition. Reliure en demi basane noire, dos à cinq nerfs orné de filets dorés, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures (comportant deux légers manques angulaires en pied) conservées, reliure moderne. Ouvrage orné de 280 portraits et illustrations. Préface de H. Meilhac et introduction de V. Franconi. Légères rousseurs sur les gardes et aux versos des plats de couvertures, sinon agréable état intérieur.

      [Bookseller: Librairie Le Feu Follet]
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      Calmann Lévy, 1893. - Calmann Lévy, Paris 1893, 12x18,5cm, relié. - Edizione originale. Binding metà marocco marrone cioccolato con angoli, leggermente diluito su quattro bande insieme con reti nere, piatti di carta marmorizzata data coda dorata, guardie e contreplats di carta fatta a mano, coperte e schienali (sbiadito) conservati, testa dorata, Binding firmato Kra. Autografo prezioso firmato Pierre Loti: "a Saint - Saëns maestro fedelmente." Il nostro campione è arricchito da una lettera autografa firmata e datata di Camille Saint - Saëns una pagina in cui offre le sue condoglianze al telecomando. Foxing sull'ultimo guardia bianca. Piacevole copia splendidamente disegnato. - [FRENCH VERSION FOLLOWS] Edition en partie originale. Reliure en demi maroquin marron chocolat à coins, dos légèrement éclairci à quatre nerfs sertis de filets noirs, date dorée en queue, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures et dos (défraîchi) conservés, tête dorée, reliure signée de Kra. Précieux envoi autographe signé de Pierre Loti : "Au maître Saint - Saëns, fidèlement." Notre exemplaire est enrichi d'une lettre autographe datée et signée de Camille Saint - Saëns d'une page dans laquelle il présente ses condoléances à son correspondant. Rousseurs sur la dernière garde blanche. Agréable exemplaire joliment établi.

      [Bookseller: Librairie Le Feu Follet]
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        Odes en son honneur

      1893. Léon Vanier, Paris 1893, 12x19cm, relié. - Léon Vanier, Paris 1893, 12x19cm, relié. - Edizione originale. Binding aperto marocco marino, spina dorsale dorata set con cinque nervi decorati con scatole dorate punteggiate decorato con motivi floreali dorati, Golden Data coda su ruote copricapi d'oro, che incorniciano una rete d'oro al primo piatto decorato vetri sottofinestra motivi floreali d'oro, doppi filetti dorati sui tagli, che incorniciano marocco marino e motivi floreali dorati impreziositi angoli di pizzo d'oro su carta contreplats crema, guardie e carta contreplats panna, coperchi conservati in - fine, Inglese vincolanti di Wallis firmato tempo. La nostra copia è arricchita firmato il manoscritto autografo della poesia di apertura, con molte correzioni. Libreria un'etichetta descrizione incollata sullo stesso contreplat. Provenienza: biblioteca George Heilbronn con il suo ex libris incollato sulla prima copertina. Bellissimo esemplare eccezionale autografo arricchita firmati poesia di Paul Verlaine e notevolmente in un'incantevole inglese contemporaneo vincolante. [FRENCH VERSION FOLLOWS] Edition originale. Reliure en plein maroquin marine, dos à cinq nerfs sertis de pointillés dorés orné de caissons dorés agrémentés de motifs floraux dorés, date dorée en queue, roulettes dorées sur les coiffes, encadrement d'un filet doré sur le premier plat décoré en écoinçons de motifs floraux dorés, doubles filets dorés sur les coupes, encadrement de maroquin marine et de dentelles dorées agrémentées de motifs floraux dorés en angles sur les contreplats de papier crème, gardes et contreplats de papier crème, couvertures conservées in - fine, reliure anglaise de l'époque signée Wallis. Notre exemplaire est enrichi du manuscrit autographe signé du poème liminaire, comportant de nombreuses corrections. Une étiquette de description de libraire encollée sur le même contreplat. Provenance : bibliothèque de Georges Heilbronn avec son ex - libris encollé sur le premier contreplat.   Bel exemplaire exceptionnellement enrichi d'un poème autographe signé de Paul Verlaine et remarquablement établi dans une charmante reliure anglaise de l'époque.

      [Bookseller: Librairie Le Feu Follet]
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        The Memorial Edition of the Works of Capt. Sir Richard F. Burton. Containing: Personal Narrative of a Pilgrimage to Al-Madinah and Meccah; A Mission to Gelele, King of Dahome; Vikram and the Vampire, or Tales of Hindu Devilry; First Footsteps in Africa.

      London: Tylston and Edwards, 1893-94.. Complete in 7 volumes, superbly bound in half black oasis with raised bands, gilt titles and gilt to spines, original cloth sides pictorially stamped in gilt, top edge tinted red, black endpapers. With frontispieces, black and white and coloured plates. Occasional light spotting otherwiseclean within. Minor marks to boards else externally fine. A most attractive copy of the works. The complete set of the posthumous Memorial Edition, edited and with introductions by Isabel Burton.

      [Bookseller: Adrian Harrington Rare Books]
 24.   Check availability:     Biblio     Link/Print  

        Les pélerins d'Emmaüs

      Vanier, 1893. - Vanier, Paris 1893, 14,5x20cm, relié. - Prima edizione, uno dei pochi esemplari in Olanda. Bound in bordeaux Marocco pieno, torna con cinque nervi, quando coda, telaio quadruple in confini interni dorati, copertine e colonna vertebrale conservati, testimoni Gilt - head, vincolante siglato Canape & Corriez. Provenienza: Biblioteca Lucien - Graux con il suo ex libris. Pochi piccoli morsi senza gravità. Molto bella copia ben stabilita. - [FRENCH VERSION FOLLOWS] Edition originale, un des rares exemplaires sur Hollande. Reliure en plein maroquin bordeaux, dos à cinq nerfs, date en queue, quadruple encadrement de filets dorés en bordures intérieures, couvertures et dos conservés, tête dorée sur témoins, reliure signée de Canape Corriez. Quelques rares petites piqûres sans gravité. Très bel exemplaire parfaitement établi. Provenance : bibliothèque de Lucien - Graux avec son ex - libris.

      [Bookseller: Librairie Le Feu Follet]
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        Instructions signalétiques

      Melun, imprimerie administrative, 1893. (4), LXXXIV, 148 pages suivies d'un album en trois parties contenant 84 planches, 2 tableaux dépliants et 1 grande planche repliée demi - chagrin bordeaux moderne (couverture d'origine conservée 1893, 1893, , (4), LXXXIV, 148 pages suivies d'un album en trois parties contenant 84 planches, 2 tableaux dépliants et 1 grande planche repliée, demi - chagrin bordeaux moderne (couverture d'origine conservée, Nouvelle édition, entièrement refondue et considérablement augmentée, avec un album de 84 planches et un tableau chromatique des nuances de l'iris humain imprimé en chromotypogravure. Alphonse Bertillon, célèbre criminologue français, présente dans cette ouvrage richement illustré toutes ses instructions signalétiques ainsi que ses observations anthropométriques, des renseignements descriptifs accompagnés d'un relevé des marques particulières. Sur la page de garde, un envoi autographe de l'auteur "à Monsieur et Madame Dodé" du 9 mai 1893. Très bel état

      [Bookseller: Librairie Alain Brieux]
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        The Mummy Chapters on Egyptian Funereal Archaeology

      Cambridge: Cambridge University Press, 1893.. Inscribed First Edition. Octavo, pp.xvi, 404. Bound in the publisher's red cloth, with gilt stamp of Mestha (otherwise known as Imseti) to front board, double-ruled blind panneling to boards, gilt titles and publisher's imprint to spine; deckled edges, newspaper insert pasted in to front flyleaf, bookplate to front pastedown. With eighty-eight illustrations, in a variety of styles (including photogravure), several of them fold-out, and a list of heiroglyphics. Binding is rubbed; worn and frayed at spine ends, bumped at corners, sunning to spine, and with tidemark to bottom left sixth of upper board, some small tears to proud deckle edges. Internally clean, with author's ink inscription to "Rev Henry Blunt, from the writer" in 1893 to first blank, tidemark to front lower right hand of front paste down, corresponding to tidemark on upper board, short ink notation to rear pastedown concerning Amen Ra in the same hand that labels and dates the review of The Mummy pasted in to the front fly, from the Pall Mall Gazette. Pictorial bookplate, "From the Middle East and Egyptological Library" of Robert William Morrell, MBE (co-founder of the Thomas Paine Society). Budge was one of the most significant early British Egyptologists, who wrote a number of standard works on the history of Egypt and Assyria at the turn of the twentieth century, though these have since been superseded by the work of modern Egyptologists, whose research with the assistance of modern technologies and with the advent of further discoveries in Egypt, have rendered a number of his conclusions unsupportable. The Mummy is a work of admirable scholarship, synthesising scholarship in German, French, and English, to giver perspective on the religious rites and means of preservation used in the process of mummification. The figure on the front board, Mestha or Imseti, was one of the four sons of Horus, venerated as a funerary god, and who appears as a human head on the lid of the canopic jar used to store the liver.

      [Bookseller: Adrian Harrington Rare Books]
 27.   Check availability:     Biblio     Link/Print  

        Le fantôme

      First edition, one of 300 numbered copies and justified by Remy de Gourmont on tinted vellum. Binding to bradel half gray calico, smooth back with a gold floral pattern, date and dual gold tail filet, rubbed caps, marbled paper boards, some rubbings on the cuts, then signed binding cold Lemardeley. Book illustrated with two original lithographs by Henry de Groux. Sources: libraries Edouard Wassermann with his bookplate engraved by Marie Laurencin, Hubert Heilbronn and his bookplate. Mercure de France Paris 1893 13x22,5cm relié

      [Bookseller: Librairie Le Feu Follet]
 28.   Check availability:     Direct From Bookseller     Link/Print  

        Salomé. Drame en un acte.

      Paris: Librairie de l'Art Independant, & London: Elkin Mathews & John Lane, 1893 - Crown octavo. Contemporary half vellum for Hatchards, green cloth sides ruled in gilt, flat bands to spine forming compartments, olive-green morocco labels to second and third, floral centrepieces gilt to remaining compartments, top edge gilt, others untrimmed, marbled endpapers, bound green silk page-marker. With the terminal licence leaf. Original paper wrapper bound in before half-title. Contemporary ownership inscription of Mde Mérey, dated 1897, to the initial blank, possibly Belgian soprano Jane Mérey (1872-1923), pupil of Rosine Laborde in Paris; later collector's bookplate and accession label to front pastedown. Boards slightly bowed, vellum at upper outer corners darkened, internally crisp and clean. A very good copy. First edition, limited issue, one of 50 copies printed on Van Gelder paper. There was also a trade issue of 600 copies. Salome was composed by Wilde in French and not published in English until the following year. Mason 348. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 29.   Check availability:     AbeBooks     Link/Print  

        The Brownies at Home

      The Century Co., 1893 A very good first edition in a very good dust jacket, very rare in the dust jacket. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Very Good/Very Good.

      [Bookseller: Bookbid Rare Books]
 30.   Check availability:     Biblio     Link/Print  

        Le Docteur Pascal

      Paris, Bibliothèque Charpentier, 1893. 1pl., (6), 390 pp., (2) demi - chagrin rouge à coins, dos à faux nerfs, avec super - libris doré d'Arthur Meyer : le coq avec la phrase "je chante clair", titre doré (rel. signée Lemale) 1893, 1893, in - 8, 1pl, (6), 390 pp, (2), demi - chagrin rouge à coins, dos à faux nerfs, avec super - libris doré d'Arthur Meyer : le coq avec la phrase "je chante clair", titre doré (rel. signée Lemale), Édition originale. Tirage limité à 340 exemplaires numérotés sur papier de Hollande, celui - ci portant le n°4. "Le Docteur Pascal" est le vingtième et dernier volume de la série des Rougon - Macquart ; l'intrigue se situe après la chute du Second Empire, période qui constituait le cadre historique de l'ensemble de l'œuvre. Ce roman constitue donc une conclusion à l'histoire de la famille, et permet à Zola de développer les théories sur l'hérédité qu'il a empruntées aux docteurs Prosper Lucas et Bénédict Augustin Morel. Le docteur Pascal est, de l'aveu même de son auteur, « un des romans auxquels [il] tient le plus », car c'est à la fois, comme il le dit dans sa dédicace, « le résumé et la conclusion de toute son œuvre ». L'ouvrage s'ouvre sur une planche repliée sur laquelle est représenté l'Arbre généalogique des Rougon - Macquart. Agréable exemplaire, à l'intérieur frais et à grandes marges. Super - libris, d'Arthur Meyer, directeur du Gaulois, quotidien conservateur et mondain qui fut absorbé par le Figaro

      [Bookseller: Librairie Alain Brieux]
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        Rujub, the Juggler.

      London: Chatto & Windus, 1893 - 3 volumes, octavo. Original blue morocco-grain cloth, titles to spines gilt, floral designs to boards in copper, pale brown-on-white floral endpapers. Housed in a dark blue cloth solander box by the Chelsea Bindery. A little very light rubbing to extremities, spines a touch sunned, minor spotting to edges. Otherwise an excellent set with the decorative cloth fresh and bright. First edition of this adult novel, published in America under Henty's intended title, In the Days of the Mutiny, which Chatto & Windus rejected for fear it would lead it to be mistaken for one of Henty's children's books. This is one of only seven multi-volume titles by Henty. "In the 1890s, among the last three-deckers to appear in Britain, Chatto and Windus published four novels by Henty. The first, Rujub, the Juggler, was the most popular, 11,000 copies being sold, practically all within three years. It was the eighth of his eleven adult novels: though selling fewer copies than his best boys' books, the later titles were, contrary to often expressed belief, remarkably popular" (ODNB). The imminent demise of the three-decker format explains the lavishness of the cloth decoration here, a doomed attempt to justify the expense of such a publication format. By the end of the following year, the three-volume novel was effectively dead. Dartt, pp. 114-15; Newbolt 56.1; Wolff 3164 ("a book almost never to be seen"). [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 32.   Check availability:     AbeBooks     Link/Print  

        Le Café Concert Suite complète des lithographies originales

      L'Estampe originale, 1893. - L'Estampe originale, Paris 1893, 33,5x45cm, en feuilles. - Suite complète des 22 planches lithographiées, 11 par Toulouse - Lautrec et 11 par Ibels, de la série Le Café Concert éditée par les Publications de l'Edition Originale. Epreuves originales tirées à 500 exemplaires sur vélin. Quelques petites déchirures marginales, manques angulaires et rares rousseurs. Références : Delteil 28 à 38 ; Wittrock 18 à 28 ; Adriani 16 à 26. Très rare et belle suite originale complète de ces 22 célèbres lithographies du "Paris by nignt fin de Siècle".   - [FRENCH VERSION FOLLOWS] Suite complète des 22 planches lithographiées, 11 par Toulouse - Lautrec et 11 par Ibels, de la série Le Café - Concert éditée par les Publications de l'Edition Originale. Epreuves originales tirées à 500 exemplaires sur vélin. Quelques petites déchirures marginales, manques angulaires et rares rousseurs. Références : Delteil 28 à 38 ; Wittrock 18 à 28 ; Adriani 16 à 26. Très rare et belle suite originale complète de ces 22 célèbres lithographies du "Paris by nignt fin de Siècle".  

      [Bookseller: Librairie Le Feu Follet]
 33.   Check availability:     Link/Print  

        Le Café Concert.

      L'Estampe Originale, 1893. In - folio (cm. 44,6 x 33,3), pp. 15 e 22 litografie originali (compresa quella della brossura) f.t., brossura editoriale con titolo in rosso e litografia di Ibel. Esemplare a fogli sciolti. Alcune pieghe alla brossura, lievi fioriture. Uno dei principali album pubblicati da Toulouse - Lautrec che evoca magnificamente il 1890. Le stampe ritraggono i famosi ballerini e cantanti del Café Concert: Jane Avril, Yvette Guilbert, Paula BREBION, Mary Hamilton, Edmée Lescot, Madame Abdala, Aristide Bruant, Caudieux, Petit Casino, Ducarre aux Ambassadeurs, Une spectatrice, Comique Excentrique Anglais. Wittrock, "Toulouse - Lautrec. Le stampe completi", 18 - 28 L. Delteil, "Le Peintre - Graveur illustré" Volumi X - XI, 28 - 38 J. Adhémar, "Toulouse - Lautrec, Litografia - sèches Pointes, opera complet", 28 - 38

      [Bookseller: Libreria Antiquaria Xodo]
 34.   Check availability:     Link/Print  


      Matsunaga Sakujiro, 1893. - Matsunaga Sakujiro 1893, 37x73cm (Oban triptyque), en feuilles. - Stampa originale a colori. Hideyoshi giù dal suo cavallo durante la sua lotta contro un guerriero Akechi.Triptique tre stampe. Una striscia di carta laminata al retro entrambi di collegamento. Foro o strappo nelle quattro estremità. 2 piccolo puntino nella prima stampa. Una lacrima giù, sotto il cavallo. Pliures.Toyotomi Hideyoshi era uno dei tre unificante shogun del Giappone. Akeshi era uno dei suoi vassalli che si rivolgevano contro di lui. Toshihide fu allievo di Yoshitoshi, le sue stampe sono caratterizzate da una miscela di occidentale e tradizionale. - [FRENCH VERSION FOLLOWS] Estampe originale, en couleurs. Hideyoshi descendu de son cheval durant son combat contre un guerrier d'Akechi.  Triptique de trois estampes. Une bande de papier contrecollée au dos relie chacune d'entre elles. Trou ou déchirure aux quatre extrémités. 2 petites taches rousses dans la première estampe. Une déchirure en bas, sous le cheval. Pliures. Toyotomi Hideyoshi fut l'un des trois shogun unificateurs du Japon. Akeshi fut un de ses vassaux qui se retourna contre lui. Toshihide fut l'élève de Yoshitoshi, ses estampes se caractérisent par un mélange des styles traditionnel et occidental.

      [Bookseller: Librairie Le Feu Follet]
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        La vie artistique.Paris,E. Dentu,

      1893 - Ottimo esemplare.Con dedica autografa dell'autore. Bella e assai raffinata puntasecca originale di Auguste Rodin in antiporta. In-16°(mm 171 x 115);4cc.n.n +396 pp.Legatura in brossura editoriale a stampa. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: La carta bianca studio bibliografico]
 36.   Check availability:     IberLibro     Link/Print  

        La vie artistique. Deuxième série. POINTE - SECHE D'AUGUSTE RODIN EN FRONTISPICE. Le Bagne idéal. Rembrandt. Holbein. Auguste Rodin. Gustave Doré. André Gill. Karl Bodmer. Adolphe Willette. Jules Chéret. L'Hôtel de Ville de Paris. Le Louvre. Coucy. Le Théât

      E. Dentu, 1893. Broché sous couverture rempliée. Dos creusé, petits plis. Tache d'encre bleue en marge de la couverture et des trois premières pages, sans gravité. Impression sur papier vergé. Texte très frais. Bon état. Solide ex. 

      [Bookseller: Librairie Christian Chaboud]
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        La vie artistique, deuxième série

      1893. Dentu, Paris 1893, 11x17cm, broché. - Dentu, Paris 1893, 11x17cm, broché. - Edition stampato su asta. Firmato autografo dell'autore Henry Fevre (sic). La nostra copia è piena della sua punta secca originale di Auguste Rodin frontespizio. A proposito di Auguste Rodin, Rembrandt, Gustave Doré, Jules Chéret, simbolismo, 1892 spettacolo ... A pochi morsi sul dorso e piatti in modo uniforme insolated, un piccolo strappo alla testa indietro. [FRENCH VERSION FOLLOWS] Edition originale imprimée sur vergé. Envoi autographe signé de Gustave Geffroy à Henry Fèvre (sic). Notre exemplaire est bien complet de sa pointe - sèche originale d'Auguste Rodin en frontispice. A propos d'Auguste Rodin, Rembrandt, Gustave Doré, Jules Chéret, le symbolisme, le salon de 1892... Quelques piqûres sur le dos et les plats uniformément insolés, une petite déchirure en tête du dos.

      [Bookseller: Librairie Le Feu Follet]
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        Eigenh. Brief mit U.

      Wien Döbling, 29. XII. 1893. - 2½ SS. auf Doppelblatt. 8vo. An Herrn Krämer: "[ ] Wider aller Erwarten wird nun meine Reise nach Berlin doch zur Wirklichkeit u[nd] z[war] [ ] in den ersten Tage des kommenden Monates. Anstatt Frau Kahlig wird, wie Siegfr. Ochs mittheilt, ein Frl. Corner (Holländerin) meine Sachen interpretiren. Ob es zu dem gewünschten Liederabend überhaupt kommen wird ist noch sehr fraglich. Einstweilen werde ich mir in der Rolle eines passiv Betheiligten dem Berliner Publikum mich vorstellen u. im Übrigen die günstige Gelegenheit zu einer vortheilhaften Aktion abwarten. Es ist sehr leicht möglich, daß darüber der Monat Jänner zu Ende gehen und mich des Vergnügens berauben wird zur selben Zeit Ihre verehrte Frau in Wien zu begrüßen. Hoffentlich kommt es in den Fasten zu dem projektirten Conzert in Linz u. läßt sich im Anschluß daran auch in Wien ein Vertrag machen, obschon ein solcher einigermaßen gewagt wäre, da nicht einmal auf die Theilnahme des hiesigen Wagner-Vereines mit Sicherheit zu rechnen ist. Bezüglich meiner Photographie kann ich Ihnen derzeit leider keine befriedigende Auskunft geben. Vermuthlich wird der betreffende Photograph noch keine Lust u. Muße gefunden haben die versprochene Reproduktion vorzunehmen. Ich werde dießbezüglich bei Dr. Potpeschnigg anfragen. Die Weihnachtsfeiertage werden Sie wohl im Kreise Ihrer Angehörigen auf Ihrem reizenden Gut in Saus u. Braus verbracht haben? Möge Ihnen u. Ihrer verehrten Frau das neue Jahr recht viele Feiertage bescheren [ ]".

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 39.   Check availability:     ZVAB     Link/Print  

        Der ungarische Adel. (Der Adel von Ungarn).

      Bauer & Raspe, Nürnberg 1893 - 5 Bände (Bände 1-4 und Supplementband). Nürnberg, Bauer & Raspe, 1893-1894. Ca. 28,5 x 21,5 cm. 775 S., (2) Seiten, (Bände 1-4, durchgehend paginiert); (2) S., 150 Seiten. Mit farblithographiertem Titelblatt und 540 getönten lithographierten Wappentafeln (Bände 1-4), 102 Tafeln (Supplementband). Halblederbände der Zeit mit geprägten Rückentiteln. Aus der Reihe: J. Siebmacher's grosses und allgemeines Wappenbuch in einer neuen vollständig geordneten und reich vermehrten Auflage mit heraldischen und historisch-genealogischen Erläuterungen. Vierten Bandes fünfzehnte Abtheilung Der Adel von Ungarn sammt den Nebenländern der St. Stephans-Krone. (Supplementband bearbeitet von Géza v. Csergheö und Josef v. Csoma). Einbände berieben, beschabt und bestoßen. Buchblöcke gelockert, daher einige Lagen vorstehend. Seiten und Tafeln teils stock- bzw. fingerfleckig, gebräunt. Ein Textblatt mit Randeinrissen und Randfehlstellen sowie knitterfaltig (ohne Textverlust). Ein Blatt vom Inhaltsverzeichnis beschädigt (mit Textverlust). Einige Blätter mit Randeinrissen. Halblederbände der Zeit mit geprägten Rückentiteln. [Attributes: Hard Cover]

      [Bookseller: Rainer Kurz - Antiquariat]
 40.   Check availability:     IberLibro     Link/Print  

        Spectacular 1893 Illustrated Advertising Cover for A. A. Vantine & Company Promoting their Wholesale Goods to Retailers

      New York: A. A. Vantine & Company, 1893. Envelope. Very Good. This advertising envelope, made from sparkling Japanese paper, measures 3" x 5" when folded and 10" x 13" when unfolded. It is filled with multi-color images of Japan (Mount Fuji and seaside scenes), a wide variety of Asian merchandise sold by Vantine, and Japanese and Chinese men celebrating Christmas. A. A. Vantine's was one of the first and largest importers of Asian goods in the United States and dominated the American market well into the twentieth century. Vantine opened his first "Oriental Store" in New York City in 1866 after years of selling trade goods to gold miners in California where he first became captivated by Asian ceramics and textiles. After a slow start, his sales exploded, and by the 1870s, Vantine stocked thousands of items and had branch offices located throughout the United States. This very scarce postal advertisement is truly spectacular in size, illustration and content; it will be used to illustrate a chapter on A.A. Vantine in the soon-to-be-published reference book, "Re-envisioning Japan: Meiji Fine Art Textiles," edited by John E. Vollmer that is scheduled for release by 5 Continents Editions of Milan in the summer of 2016.

      [Bookseller: Read 'Em Again Books, ABAA]
 41.   Check availability:     Biblio     Link/Print  

        Butterflies from China, Japan, and Corea; Part 2: Lycaenidae, Papilionidae, and Hesperiidae

      R.H. Porter 1893-94. Seite 298 - 681 Hardcover/Großformat Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel...). Schnitt und Einband sind sehr staubschmutzig; Einbandkanten sind stark bestossen; Buchschnitt und Seitenränder alters-/papierbedingt angebräunt und stockfleckig; der Buchzustand ist altersgemäß. Versandkostenfreie Lieferung

      [Bookseller: Petra Gros]
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        Missalis [Missale] Romano-Monastici Epitome specialiter accommodata pro Sanctissimo B. Mariae V. [Virgine] Sacello Einsidlensi Divinitus Consecrato.

      Typis Monasterii Einsidlensis Anno 1893 / Einsiedeln, Klosterdruckerei 1893. - 4° (28 x 20.8 x 4.3 cm). VI, 384, 2, L [=50], 24, 20 SS., 1 Bl., 10 faks. Ms.-SS. Front. u. 1 Tafel z. Ordo Missae in Farblithographie (Chromolithographie), Musiknoten (Quadratnotation a. 4 Linien), Druck in Rot und Schwarz, Schriftsatz zweispaltig in 10-Punkt Antiqua (Canon Missae pp. 131-148 in 14-Punkt-Grossdruck) in einfachen roten Linien-Satzspiegeln. Gepr. Ldr.-Handeinband d.Zt. von A. Weidmann in Einsiedeln (dunkelrot, fein geriefelt; min. berieben) mit 0.4 cm Deckeln a. 5 Bünden, vergold. Deckelbordüren u. -Embleme (Kreuz, resp. ligiertes Marien-Monogramm), Steh- u. Innenkantenvergoldung, alls. Goldschnitt, bunte floral gemusterte Vorsätze mit Goldakzenten. Ldr.-Daumenregister und a. Holzsteg gereihte Seiden-Lesebänder (6 in 3 Farben; unterschiedlich verfärbt). Lagen unterschiedlich etwas vorstehend (mit brauner Folie im Bundsteg sauber fixiert), Seiten vereinzelt etwas gebräunt, gelegentlich etwas fingerfleckig. Leichtere Alters- u. Gebrauchsspuren, Dublettenstempel der Stiftsbibliothek a. Vorsatz. Gesamthaft weitestgehend sauberes und gepflegtes, recht gutes Exemplar in nahezu bibliophiler Ausstattung. In dieser Form und Ausgabe ausserhalb von Stiftsbibliothek und -Archiv Einsiedeln nicht nachzuweisen. - Benziger p. 277, Nr. 672, erwähnt eine praktisch identische Ausgabe der Stiftsdruckerei (Johann Eberhard Kälin, s.d.), die er ohne Nachweis auf 1759 datiert. Unter Nr. 680/1759, jedoch ohne bibliographische Angaben, wird unspezifiziert ein ?Kleines Missale für die heilige Kapelle? gelistet mit dem Hinweis in Fussnote 1: ?Für den Gottesdienst in der Gnadenkapelle besitzt das Stift ein eigenes Missale zu Ehren der Muttergottes? Ein solches findet im Professbuch allerdings keinerlei Erwähnung. - Benziger berücksichtigt nur die klostereigene Druckerei 1664-1798, welche offenbar nach der Auflösung in der Helvetik ?erst 1889 wieder eröffnet wird? (F. Blaser, Daten zur Geschichte des Buchdrucks und des graphischen Gewerbes in der Schweiz. In: Der Schweizer Sammler, Bd. 15, H. 1-2, 1941, p. 9). Diese quasi neue Stiftsdruckerei muss bis ca. 1980 bestanden haben (vgl. dazu das E-Archiv des Klosters Einsiedeln). -- Möglicherweise ersetzte die vorliegende Version des Gnadenkapellen-Messbuches die (undatierte) Ausgabe von ca. 1756/1759. Jedenfalls findet sich hier wie dort das Privileg von Papst Benedikt XIV. vom Jahre 1756 (gez. von Cajetanus Amatus i.e. Gaetano Amato od. d?Amato S.J.). - Unter acht spezifischen Hinweisen zu dieser täglichen Votivmesse wird eingangs u.a. formuliert (p. III f.: Rubricae Missarum Votivarum B.M.V. in Ss. Sacello Einsidlensi) : I. Vi specialis Privilegii ab Apostolica Sede concessi (vide Brevia anteposita [.] quotidie Missae votivae de Eadem B.M.V. celebrantur [.]. II. Ex speciali pariter Privilegio (de die 26. Februarii 1885) omnes Sacerdotes in Ss. Sacello [.] celebrantes Directorio in eodem Sacello vigenti se accomodare possunt. (etc.). - Inhalt : 1. Proprium Missarum de Tempore (schliesst p. 111) / 2. Ordo Missae (pp. 112-129) / 3. Canon Missae (in 14-Punkt Antiqua, pp. 130/131-148) / 4. Sonntage von Ostern bis 24. nach Pfingsten (Dominica Resurrectionis [usque ad] XXIV. et ultima post Pentecostes; schliesst p. 195) / 5. Proprium Sanctorum (pp. 197-384, mit zahreichen Separata); enthält u.v.a. am Freitag nach dem Passionssonntag: Feria VI. post Dominica Passionis: VII Dolorum B.M.V. [i.e. Sieben Schmerzen Mariae], mit dem eindrücklichen Reimgedicht ?Stabat Mater dolorosa, Juxta crucem lacrimosa, Dum pendebat Filius?; p. 345 f.: Divinae Consecrationis Ss. Sacelli B.V.M. Einsidlensis am 14. September / als Separatum der Klosterdruckerei Engelberg von 1950 eingefügt p. 352: 25 Septembris: Sancti Nicolai de Flüe, Eremitae et Confessoris, Primi Helvetiae Patroni [Landespatron Bruder Klaus] / 6. Commune Sanctorum (röm. paginiert; pp. I-XV), gefolgt von den Missae votivae de S. Maria, ab Adventu usque ad Nativitatem Domini (mit Missa votiva VII Dolorum; pp. XVI-XXVI), den Missae votivae per Annum, resp [Attributes: Hard Cover]

      [Bookseller: Franz Kühne Antiquariat und Kunsthandel]
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        Kein Durcheinander.

      (Hartleben), Wien 1893 - Wien (Hartleben), 1893. Gr. 8°. 194 S. mit 36 Textabb., 1 Bl. OLn. mit reicher Gold- und Schwarzprägung sowie Farbschnitt. letzte Seite mit Knitterspuren, feines Ex. = Bekannte und unbekannte Welten, Bd. 56. Prachtausgabe. dt. EA. Fromm 26376. letzte Seite mit Knitterspuren, feines Ex. OLn. mit reicher Gold- und Schwarzprägung sowie Farbschnitt. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Bebuquin (Alexander Zimmeck)]
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      London: Elkin Mathews and John Lane, 1893. Hardcover. Very Good. Hardcover. First edition. One of 500 copies. A nice copy of this collection of poetry by Francis Thompson (1859-1907). Thompson aspired to be a writer but became addicted to opium after college and was homeless for several years. He was discovered and rescued by the writers Wilfrid and Alice Meynell, who arranged for the publication of his this, his first book of poems. He published more works before his early death at 47 from tuberculosis. This book includes his most famous poem, The Hound of Heaven, which describes the pursuit of the human soul by God. This poem is the source of the phrase, "with all deliberate speed," used by the Supreme Court. A phrase in his The Kingdom of God is the source of the title of Han Suyin's novel and the movie Love is a Many-Splendored Thing. In addition, Thompson wrote the most famous cricket poem, the nostalgic At Lord's. He also wrote Sister Songs (1895), New Poems (1897), and a posthumously published essay, "Shelley" (1909). He wrote a treatise On Health and Holiness, dealing with the ascetic life, which was published in 1905. G. K. Chesterton said shortly after his death that "with Francis Thompson we lost the greatest poetic energy since Browning." Among Thompson's devotees was the young J. R. R. Tolkien, who purchased a volume of Thompson's works in 1913-1914, and later said that it was an important influence on his own writing.Bound in grey cloth with the famous cover and spine design by Laurence Housman. Housman also did the frontispiece illustration and title page ornament. Covers are bumped and somewhat soiled but still very good. Offsetting to endpapers, light spotting to free endpapers and darkening to page edges otherwise clean. 81 pages plus 14 page publisher's catalog. POE/071916.

      [Bookseller: The Kelmscott Bookshop]
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        The Works of Charlotte Emily and Anne Bronte - In Twelve Volumes

      London, England: J. M. Dent & Co, 1893-01-01. Leather Bound. Very Good. London: J.M. Dent & Co, 1893. Limited Large Paper Edition. 150 were printed for England and 100 for America, of which this is number 10. Complete 12 volume set. 3/4 leather over cloth boards. Top edge of pages gilt. Marble endpapers and pastedowns. Very handsome set. All bindings are tight and sturdy. Boards show a bit of rubbing and shelfwear, spines mildly sunned, gilt lettering still bright. Photos available upon request. Ships from Dinkytown in Minneapolis, Minnesota. Due to the size/weight of this book it is not available for expedited delivery; international shipping may cost extra.

      [Bookseller: The Book House in Dinkytown]
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        Book Lover's Almanac, The

      1893. first edition. A Complete Set of The Book Lover's AlmanacEach Volume With an Original WatercolorFinely Bound in the 'Jansenist Style' by Taffin[BOOK LOVER'S ALMANAC]. The Book-Lover's Almanac for the year 1893 with illustrations by Henriot; ? for the year 1894 with etchings by Robida and other illustrations; ? for 1895; ?for 1896; ? for 1897. New York: Duprat & Co., 1893-1897.A Complete Set. Five small octavo volumes (7 x 4 7/8 inches; 177 x 124 mm.). All finely printed on Japon paper. [viii], [48] pp. 12 colored plates; [vi], [64] pp. 4 plain plates and several black & white illustrations; 66, [2] pp. 3 plain plates and several black & white illustrations; 56 pp. 1 color, 4 black & white plates and several black & white illustrations; [ii], 72 pp. 2 color plates and several black & white illustrations. Each volume with a fine original watercolor by T.F. Rush? at the front.Late nineteenth-century 'Jansenist' bindings by A. Taffin-Lefort of Paris (stamp-signed "Taffin" in gilt on front turn-ins) of full blue, purple, brown, maroon & green morocco. Spines lettered in gilt with five raised bands, board edges ruled in gilt, turn-ins richly decorated in gilt,various 'floral' decorative endpapers, top edge gilt, others uncut. Each volume with a set of original pink printed wrappers from the original parts issue bound in. From the notable rare book collection of Alex M. Hudnut with his small rectangular leather bookplate on verso of free-endpaper of first volume. A near fine set. The first volume dedicated to the members of The Grolier Club of New York. With articles including on Jean Grolier (by William Loring Andrews), Dibdin's Ghost (by Eugene Field), On an extra-illustrated copy of Nell Gwynne (by Beverly Chew), [and] Bibliophiles et Biblioscopes (by Octave Uzanne). A delectable feast of fascinating articles and tit-bits unique to the world of rare book collecting.1893: No. 167 0f 200 on Japon paper (out of a total of 600 copies) full blue morocco1894: No. 43 0f 150 on Japon paper (out of a total of 600 copies) full purple morocco1895: No. 78 0f 100 on Japon paper (out of a total of 500 copies) full brown morocco1896: No. 69 0f 100 on Japon paper (out of a total of 500 copies) full maroon morocco1897: No. 35 0f 100 on Japon paper (out of a total of 500 copies) full green moroccoJansenist style binding. In imitation of a style from a previous period. The Jansenist style was popular in the late seventeenth and early eighteenth centuries, characterized by a plain exterior and elaborately tooled or decorated doublures. Both front and back boards are plain while the spine has a gold tooled title. Inside, the doublures are elaborately tooled color leather, cloth or paper with a series of interlocked floral elements.

      [Bookseller: David Brass Rare Books, Inc.]
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      1893 - Barcelona. 1893. 105p. 32X22. Tela y relieves. Compañia Trasatlantica. Original bitacora del viaje desde Barcelona a Montevideo mediante el Buque de Vapor "Buenos Aires", contiene todas las descripciones y experiencias acaecidas en el viaje por Salvador Requena. Extremadamente raro ejemplar. Único. Ref 7.1 Biblioteca VJ. Language: eng La librería ofrece por tiempo limitado un descuento del 15%. El precio original de este ejemplar era de 1200.0 EUR. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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