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Displayed below are some selected recent viaLibri matches for books published in 1890

        Calli e Canali in Venezia.

      Venezia, Ongania, 1890-1891,in-folio (55 x 37.5 cm.), 4 ff. et 100 planches photographiques en héliogravures sous portefeuille illustré d'éditeur, bel exemplaire en dépit de quelques rousseurs. Cette luxueuse publication dirigée par Ferdinando Ongania fut suivie d'une deuxième série de 100 héliogravures "Calli, canali e isole della laguna", toujours avec des photographies anonymes. (Parr et Badger, I-72 pour l'édition anglaise.)

      [Bookseller: Librairie Ancienne Richard]
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        The ART Of ZIGZAG CURVE PITCHING. A Book of Instructions for All Classes of Players, Embracing Both Theory and Practice of the Art

      Published by the Author, Milton, Conn 1890 - 8 pp. 5-7/8" x 3-1/2" The booklet attempts to explain the physics behind not just a regular curve ball, but a zig-zag or compound curve ball. The author explains at length the techniques and rotational dynamics of throwing a ball so that it not only spins around its axis, but also rotates around the poles, to acheive a tricky wobbling pitch. "in order to produce a compound curve the direction of the motion of the rotation bust be reversed or changed." I know of no pitcher today who employs such a pitch.OCLC records just two institutional holdings of this work [Baseball HOF; BYU]. Age-toning & signs of use to pamphlet. First & last leaf detached. Prior owner pencil signature on the copyright page ["James M. Kane / Doylestown / Pennsylvania"]. A Good copy of this rare survivor. Printed self-wrappers. Stitched into a custom brown paper wallet-style folder with hand-inked titling to one side

      [Bookseller: Tavistock Books, ABAA]
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        FERROVIA PARMA - BRESCIA - ISEO. TRONCO PIADENA - ASOLA. Anni 1890- 91-92. Impresa di costruzioni Ing. Carlo Brichieri Colombi. Album di cm 31x22 rilegato in tela con impressioni in oro al piatto anteriore (ancora solida ma con segni d'usura e piccol

      1890-1892. (Ferrovia - Lombardia - foto d'epoca) FERROVIA PARMA - BRESCIA - ISEO. TRONCO PIADENA - ASOLA. Anni 1890- 91-92. Impresa di costruzioni Ing. Carlo Brichieri Colombi. Album di cm 31x22 rilegato in tela con impressioni in oro al piatto anteriore (ancora solida ma con segni d'usura e piccoli danni). All'interno 38 fotografie all'albumina, ciascuna di cm 16,2x12, applicate al recto su altrettanti cartoncini di cm 30x21,3. Documentano il tratto ferroviario Piadena-Asola dall'inizio del tronco alla stazione di Asola (ponti, strade attraversate, sottopassaggi, stazioni). Ogni fotografia è animata da una o più persone. Conservazione buona. Insieme raro. (Rif.C5930-599/61)

      [Bookseller: La Casa del Collezionista]
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        Fytche Square Rangoon.

      ca. 1890. Original photograph, albumen print, 20,8 x 27,5 cm, on mount. KEYWORDS:birma/rangoon/photo

      [Bookseller: Krul Antiquarian Books]
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        Traité théorique et pratique de l'art du relieur contenant la brochure dans ses rapports avec la reliure, la cartonnage, la reliure en tous genres, l'emboitage, la dorure sur cuir et sur tissus, à la main et au Balancier, la dorure et l'ornementation des tranches, la marbrure, la lavage, la nettoyage, l'encollage et la réparation des livres et estampes accompagné d'une notice sur le cuir coselé et buriné

      paris Baudry et cie 1890 1 in 8° maroquin plats intérieurs et extérieurs richement ornés, dos à nerfs orné Reliure de Chamagne, relieur à Dijon (1900-1930), éxécuté pour lui-même. E.O. 16 planches H.T et 17 figures. Ill. H.T et in texte, frontispice. Tranche supérieure dorée.

      [Bookseller: Librairie Le Meur]
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        Négro Mendiant.

      ca. 1890. Original photograpg, albumen print, 24,8 x 18,7 cm. KEYWORDS:algeria/alger/photo

      [Bookseller: Krul Antiquarian Books]
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        HEDDA GABLER. Skuespil I Fire Akter.

      FIRST EDITION. Preceded by 12 copies printed in London, England, with a view to securing copyright. 8vo. (7 x 4.8 inches). iv, 236pp. A fine copy in publishers original green cloth binding with elaborate decoration and lettering in black and gilt to the front board and spine. Rear board with blind stamped borders and central publishers logo. Decorative floral endpapers. All edges gilt. Previous owners neat oval leather bookplate, lettered and decorated in gilt, on the front paste-down endpaper. A lovely copy of this famous work. Printing and the mind of man no. 375.

      [Bookseller: Paul Foster Books]
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        Map of the Borough of Stockton on Tees Based on the Cadastral Survey of England.

      CAMPBELL, K.F. Map of the Borough of Stockton on Tees Based on the Cadastral Survey of England. Manchester: G. Falkner, lithographer, c. 1890? Large scale at 25 inches to the mile. Approximately 104 x 90 inches, mounted on linen and folded into cloth folder which is complete but the front cover is detached. Presumably based on the Ordnance Survey large scale series which would have been issued on a number of sheets this seems to be produced for the use of the Borough Council. I have been unable to trace copies in any institutional holdings.

      [Bookseller: Michael S Kemp Bookseller]
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        THE COUNT OF MONTE CRISTO

      Boston: Estes & Lauriat. Hardcover. Two volumes, complete, in Very Good+ condition. Edge wear to front and rear panels as well as spine. Ink to front endpaper. No date, c. 1890.; Dumas' Works; 8vo 8" - 9" tall .

      [Bookseller: Rare Book Cellar]
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        Port Tarascon Dernières aventures de l'illustre Tartarin

      Paris, E. Dentu, 1890 23,7 x 16 cm, demi-maroquin rouge à coins, dos à nerfs, caissons ornés, filets dorés sur les plats, tête dorée, couv. et dos cons.,étui (Devauchelle), 4 f. n. ch., 392 pp. Edition originale illustrée de dessins de Bieler, Conconi, Montégut, Montenard, Myrbach et Rossi. L'un des 50 ex. num. du tirage de tête sur Chine (outre 75 ex. sur Japon), le nôtre le n°1 paraphé par l'éditeur. Exemplaire parfaitement établi par Devauchelle. Talvart & Place IV, p. 25. . Talvart & Place IV, p. 25.

      [Bookseller: Librairie Faustroll]
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        1 autograph letter signed and 2 autogr. lettercards signed (in full, or initials). London, 1890 and 1922.

      1890. (Small) 8vo. Altogether (1½+1+1=) 3½ pp. on 4 ff. To John Henderson, Secretary of the National Liberal Club. I: "[...] Would next Saturday be too sudden? I can think of nothing better, although I have two lectures to give on Saturday, + would rather appreciate an evening's rest beforehand. Still, as you say your room is a small one, I could take matters quietly in an address on 'Politics, Tory, Liberal + Working Class' [...]" (October 8, 1890). - II: "I have just been reminded that the Chrystal Palace concerto begins next Saturday. This will make it very inconvenient for me to go to Harlesden [...]" (October 9, 1890). - III: "No: if I were to add ... chairtaking to my platform activities, it would finish me altogether. Besides, it is very bad economy for the Circle to waste a star speaker on the chair. It is hard enough to get him one; and when you do, you had better got the whole evening out of him [...]" (December 20, 1922). - Accompaned by a typed letter signed by Shaw's secretary, Blanche Patch.

      [Bookseller: Antiquariat Inlibris]
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        Photos of Swaziland and South Africa by Joseph Raucher, Photographer. [our title]

      , 1890. 1890. Hardcover. Very Good. 24 albumen photos mounted (pasted down) one to a page on both sides of 12 album leaves. Photos generally about 20 x 15.5cm. Undated but 1880s or 1890s. Oblong album about 31 x 24cm. "Photographs" printed in gilt on front cover. Album faded around edges but otherwise sound. "J. Raucher, Cosmopolitan Photographer" stamped on purple in lower right corner of front pastedown. High quality professional photographs. A few are slightly faded but otherwise have excellent detail. Brief ink caption on album page beneath each photo. A prudish former owner had put ink scribbles over the six unclothed (or partially unclothed) bodies in the final picture ("Zulu Chiefs") but has left untouched the six who were fully clothed -- another picture titled "Swazi Natives" has similar ink scribbles over the upper portion of the torso of a partially unclothed woman. One can see clearly that the second photo was reproduced from a cracked negative. List of Inked Captions: (1) Middlebury Falls; (2) King's Kraal, Swaziland; (3) Moben Drift, Swaziland; (4) Town Hall Durban; (5) Lydenburg Falls; (6) Swazi Natives; (7) Carter House; (8) Street in Delagoa; (9) Transvaal Consulate, Delagoa; (10) Prince Imperial's Tomb; (11) British Consulate Swaziland; (12 & 13) Komati Gold Fields; (14) Amajuba; (15) Mdineba(?); (16) Cambane Kraal; (17) "My Queen" Gold Mine; (18) Botchabelo Mission Station; (19) Alluvial Wash; (20) Pigg's Peak; (21) Islandhleoain Battlefield; (22) Unsoli River; (23) Garden at Hotel Embekalwina, Swaziland; and (24) Zulu Chiefs.

      [Bookseller: McBlain Books ]
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        Biribi, discipline militaire.

      Albert Savine éditeur 1890. In-12 broché de 295 pages au format 12 x 18,5 cm. Couverture avec titre & petite illustration. Ce magnifique roman antimilitariste est tiré de l'expérience de l'auteur dans les camps disciplinaires de l'armée coloniale d'Afrique du Nord, les fameux Bat' d'Af. Mention fictive ,toujours la même " Onzième mille ", alors qu'il n'y eut qu'un seul tirage. 295 pages avec catalogue de l'éditeur de16 pages en fin d'ouvrage. Pas de grand papier annoncés. Microscopique manque au bas du dos. Intérieur parfait. Dos non cassé. Edition originale en magnifique état de fraicheur. Rarissime, surtout aussi frais.Port gratuit pour la France ( En raison des nouvelles normes postales, les livres dont l'épaisseur dépasse les 3 cm seront expédiés obligatoirement en Colissimo avec un forfait ajouté de 5 € ) Port à la charge de l'Acheteur pour le reste du monde. Pour destinations extra-planétaire s'adresser à la NASA. Membre du Syndicat Lusitanien Amateurs Morues - Vente exclusivement par correspondance ! Le libraire ne reçoit que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.

      [Bookseller: Librairie Victor Sevilla]
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        AVENTURES D'ALLAN QUATREMAIN AUX MINES DE SALOMON

      1890. Bibliothèque des Succès Scolaires, J. Hetzel et Cie. Non daté. In-8.Carré. Cartonnage d'éditeurs. Etat d'usage. Couv. légèrement passée. Dos satisfaisant. Intérieur acceptable. 260 pages. Gravures en noir et blanc en frontispice et en page de titre. Illustré de nombreuses gravures en noir et blanc dans et hors texte. Tranche rouge. Pages 2-6 détachées. (Très rare) Vers 1890. 'Bibliothèque des Succès scolaires'. Collection 'Hetzel'. Adaptation par C. Lemaire. Préface de Th. Bentzon. Illustrations de Riou.

      [Bookseller: Le-Livre.Com]
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        Les champignons comestibles et les espèces vénéneuses avec lesquelles ils pourraient être confondus. Décrits et peints d'après nature. Ouvrage accompagné de 54 planches en chromo - lithographie

      Delachaux & Niestlé - Carré - Gauchat & Robert, 1890. In-4° (348x255mm), pp. XLI, 118, (2) + 54 tavv. f.t., di cui 52 in cromolitografia, raffiguranti numerose varietà di funghi, sia commestibili che velenosi, incise da Furrer di Neuchatel da disegni del Leuba stesso. Legatura editoriale in m. percallina rossa e angoli con titolo e fregi in oro al dorso. Testo bicolonne. Alcune macchioline e sbiaditure alla percallina, ma esemplare pressoché perfetto. Edizione originale di questo classico della letteratura micologica. Il Leuba (Neuchatel, 1848-ivi, 1910) svolgeva la professione di farmacista nella propria città. Kelly, p. 127. Nissen, BBI, 1183. Schliemann, 991. Stafleu & Cowan, 4457. Francese

      [Bookseller: Libreria Antiquaria Galleria Gilibert]
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        Italia

      1890 ca.. Album contenente 98 fotografie, panorami e particolari, di luoghi del nord Italia: Lago di Como, Lago Maggiore, 37 di Milano, 47 Certosa di Pavia, 4 di Piacenza, 2 di Modena e 6 di Torino mm 350x300

      [Bookseller: Libreria Trippini Sergio]
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        Was ich Euch bringe!

      o.Dr., (O.O. 1890 - (O.O., o.Dr., ca. 1890). 4°. 5 n.n. kartonnierte Tafeln mit farb. lithograph. Abb. OHLn. mit farb. Deckelbild. No. 1896. - Nicht bei Wegehaupt, Weilenmann. - Die Bilder zu Berufen, Natur, Kinderszenen etc. mit kurzen Versen oder Legenden, mit dem Anfangsbild: "Jetzt Achtung, Kind, schau in dies Buch! Viel steht darinnen, drum versuch, Aus all den bunten Malerei'n, Zu seh'n, was dies und das mag sein!" - (Kanten berieben und bestossen. Hinterdeckel fleckig). - Selten. [Attributes: Hard Cover]

      [Bookseller: Biblion Antiquariat]
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        JACK THE RIPPER Famous British Murder Cases

      This is an interesting collection of Twenty original possibly late 19th or early 20th century watercolours , and additionally a few pencilled sketches, some if not all, are depicting scenes illustrating famous 19th Century Murder Cases, the pictures include one of Jack the Ripper handing over money to a Prostitute on a gas lit street corner, among the posters on the wall behind the lady is one advertising Neill Cream Undertakers "Funerals at Short Notice, inexpensive and efficient" Neill Cream also known as the Lambeth Poisoner was thought to have confessed that he was Jack the Ripper just before his hanging at Newgate prison also paintings of The Reverend George Dyson and scenes from the Pimlico Mystery or also known as Adelaide Bartlett and the Pimlico Poisoning Mystery, also a painting of William Probert's Supper party from The Radlett murder, also known as the Elstree murder, this was a murder in Radlett, Hertfordshire, England, in 1823. The victim, William Weare, was killed in Radlett and the body disposed of in a pond in Elstree. there is an unidentified scene of a man smoking a pipe looking out of a window while Police Officers are digging in the garden, presumably looking for a buried body another scene depicts a woman disposing of a body in a vat with a saw and axe visible at the base of the picture and human bones visible in a bucket another of a man in handcuffs being arrested by a police officer with a woman on her knees another of a bloody scene in a railway carriage on the London, Brighton South Coast Railway, probably depicting the Murder of Thomas Briggs by Franz Muller in 1881, the first Murder on a British train another depicting a Father Tyrell in the arms of a lady, the blurb reads he was killed in the !!! ( I cannot make out the last word) another scene depicting a man reading a letter in response to an advert in "Matrimonial News" signed Devereux, this could be Jeannie Devereux and the famous Victorian Fraudster Austin Bidwell case in the 1870s an unidentified scene showing a man with a pipe stood in night clothes looking at a woman on the other side of the bed while the woman in the bed looks to be dead another of two gentlemen on a street, one in a brown suit with cane and cigar, the caption reads "I have a feeling you won't live very long" probably a prelude to another murder another unidentified scene of a man digging a hole in an allotment with a woman sitting with her head in her hands, possibly to bury a murder victim another showing a man pouring some liquid into a gas light in a pub, "Murder by Gaslight" ? another of two men sat having tea, one man offering some foodstuff (possibly poisoned) !! further research could possibly identify some of the other Murder cases pictured None of the pieces are signed, but are obviously by a very competent artist, nor are they dated, but the style indicates they might be late Victorian possibly from the 1890s, though they could be later, originally bound in an album with painted covers (pictured) the album covers feature two original hand painted scenes of a sinister nature, with the word "Murder" appearing in the vapours of the liquid, possibly chloroform on the front cover with the victim looking lifeless in bed, there is a possibility the art could have been created to illustrate a book of true Murder stories the pictures show obvious evidence that they were once glued in the album, the album pages are no longer present, just the covers with the torn cloth spine a small tear with no loss to two pictures and edge creasing else all are pictured so condition can be seen the album cover measures 11 inches by 9 inches approx. the average size of the paintings is 9 inches by 7 inches and 7.5 inches by 6 inches approx., the pencilled sketches are a little smaller A VERY INTERESTING AND UNUSUAL COLLECTION OF ORIGINAL ARTWORK ILLUSTRATING SOME OF THE MOST FAMOUS MURDER CASES IN VICTORIAN ENGLAND

      [Bookseller: Andrew Cox]
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        Fünfzig Fabeln für Kinder In Bildern nach Otto Speckter Pracht-Ausgabe Erstes Heft

      Gotha, Friedrich Andreas Perthes, [ca. 1890]. . Hübsche Ausgabe mit 12 ausgewählten Fabeln zu wunderschönen Chromolithgraphien, gedruckt bei Julius Klinkhardt in Leizpig.. - Zusatz auf Außentitel-Lithographie: "1. Heft" (dieser Vermerk fehlt auf den uns bekannten Vergleichsexemplaren). - Rabe / Möpschen und Spitzchen / Storch / Pferd und Sperling / Wandersmann und Lerche / Vogel / Hündchen und Böckchen / Bär / Fuchs und Ente / Hähne / Kätzchen / Fischlein. - Vorderdeckelkanten und Rückendeckel beschabt, Kapitale bestoßen, innen etwas gebräunt u. teils leicht fleckig. Bei 2 Blättern ist die Leinenkaschierung mit kleiner, letztes Blatt mit größerer Nässespur, die Tafelbilder jedoch unebschadet . - Ausgabe mit leinenkaschierten Blättern sehr selten

      [Bookseller: Antiquariat Reinhold Pabel]
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        Sébastien Roch

      1890. G. Charpentier & Cie, Paris 1890, 12x19,5cm, relié. - G. Charpentier & Cie, Paris 1890, 12x19,5cm, relié. - Edizione di carta corrente. Associazione a bradel metà percaline cielo blu, spina liscia leggermente irradiato con un motivo floreale oro, oro doppio filo coda brano piatti dolore ciliegia carta marmorizzata, angoli urtato, vincolante contemporaneo. Autografo Precious firmata dall'autore Jean Ajalbert sulla pagina occhietto. La nostra copia è arricchita da un quattro pagine lettera autografa firmata e datata HGIbels in cui ha espresso la sua corrispondente dei suoi guai finanziari momentanei, circostanze negative che non si trovano in questa situazione e, infine, sollecitazioni bibliofili benestanti che desiderare la sua importante collezione di manoscritti del XVIII Fanatics ... Grande decolorazione marginale che colpisce la prima piastra di copertura e un po 'più pagina occhietto senza alterare l'autografo di invio. Provenienza: Da library Jean Ajalbert con ex libris in stile giapponese xilografia Nabis a pochissimi monogramma firmato, probabilmente quella di Félicien Rops. [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Reliure à la bradel en demi percaline bleu ciel, dos lisse légèrement insolé orné d'un motif floral doré, double filet doré en queue, pièce de titre de chagrin cerise, plats de papier marbré, coins émoussés, reliure de l'époque. Précieux envoi autographe signé de Octave Mirbeau à Jean Ajalbert sur la page de faux-titre.  Notre exemplaire est enrichi d'une lettre autographe de quatre pages datée et signée de H.G.Ibels dans laquelle il fait part à son correspondant de ses déboires pécuniaires momentanés, des mauvaises conjonctures qui le font se retrouver dans cette situation et enfin des sollicitations de richissimes bibliophiles qui convoitent son importante collection de manuscrits du XVIII sur les Convulsionnaires... Large décoloration marginale affectant le premier plat de couverture ainsi que beaucoup plus légèrement la page de faux-titre sans atteinte à l'envoi autographe. Provenance : bibliothèque Jean Ajalbert avec son ex-libris japonisant dans le style des Nabis gravé sur bois à tout petit nombre, signé d'un monogramme, probablement celui de Félicien Rops.

      [Bookseller: Librairie Le Feu Follet]
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        Sans titre

      ( - , (c. 1890), , , tirage albuminé [200 x 255 mm] contrecollé sur carton fort, Cliché réalisé par Félix Méheux : une patiente atteinte sans doute de scoliose dorso-lombaire droite à grande courbure, posant nue, de dos, devant un paravent sombre. Inscription à l'encre et au crayon non déchiffrée au verso du carton. Le carton porte en pied le nom du service - "Hôpital Clinique d'accouchement - Service de M. le Prof. TARNIER" - et le nom du photographe : "Photogr. de F. MÉHEUX, dessinat.". Inscription à l'encre au revers du carton. Belle photographie, qui atteste de la collaboration entre le chef de l'école obstétricienne française, Etienne, dit Stéphane, Tarnier (1828-1897), et le photographe médical Félix Méheux (1838-1908). [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        General Sir William Howe's Orderly Book

      London: Benjamin Franklin Stevens,, 1890. at Charlestown, Boston and Halifax June 17 1775 to 1776 26 May. To which is added the official abridgment [sic] of General Howe's correspondence with the English government during the siege of Boston, and some military returns and now first printed from the original manuscripts. With an historical introduction by Edward Everett Hale. The whole collected and edited by Benjamin Franklin Stevens. Tall octavo. Original brown cloth, gilt lettered spine, top edges gilt, dark brown coated endpapers. Spine slightly rolled, a little wear to extremities of binding, shallow indentation close to lettering on spine. A very good copy. First edition, scarce in commerce and in British and Irish institutional libraries: Copac locating only the copy at the British Library; well represented in institutional libraries worldwide, but, according to OCLC, almost exclusively in the US. "This curious Orderly Book, which presents every detail of the administration and discipline of the English Army in the siege of Bosron, has been happily preserved for the use of historians, among the American manuscripts in the library of the Royal Institution, in London... [it] was begun on the day of the Battle of Bunker Hill" (Introduction). General "Billy" Howe (1729-1814) was one of the principal British commanders during the American War of Independence: "[he] was an accomplished soldier. In more than half a century of service he proved himself a knowledgeable and meticulous officer and a skilful commander. Yet because he did not end the American rebellion when it seemed most vulnerable he was widely criticized, and historians have continued to puzzle over his failure" (ODNB). Howe's meticulousness is certainly exhibited here and the extensive index matches his high standards in its attention to detail.

      [Bookseller: Peter Harrington]
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        NEUE LEBENDE BILDER. Ein Ziehbilderbuch. Enthält: Der Portrait-Maler (Mechanismus der bewegl. Augen harckt); Das gute Katzerl (Mechanismus für Katze ausgehängt); Der Vituos (Bewegungslasche fehlt); Der Wurstler (Mechanismus, Lasche i.O.); Grosse Wäsche (Mechanismus, Lasche i.O.); Der Holzhauer (Mechanismus, Lasche i.O., Laschenaustritt angerissen); Der Student und sein Pudel (Mechanismus, Lasche i.O., Laschenaustritt angerissen); Der Brunnen (Mechanismus, Lasche i.O., Laschenaustritt angerissen) .

      Braun und Schneider. München., 1890 - 4°, 9 Seiten. Illustr. Original-Halbleinenband. 1 Blatt und 8 kolorierte lithographierte Ziehbilder. Einband bestossen, berieben, Rücken lt. angerissen aber fest, handschriftl. Eintrag auf vo. Innendeckel, Kritzelein auf hi. Innendeckel, SEHR SELTEN! Sprache: Deutsch Gewicht in Gramm: 1100 [Attributes: Hard Cover]

      [Bookseller: Antiquariat im Schloss]
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        African woman].

      c. 1890 - Silver gelatin print. Very good tonal range and in good condition. Dimenions: 170 by 120mm. (6.5 by 4.8 inches).

      [Bookseller: Shapero Rare Books]
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        A Manchu woman.

      ca. 1890. Original photograph, gelatine silver print, 26,6 x 20,2 cm. KEYWORDS:china/photo.

      [Bookseller: Krul Antiquarian Books]
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        Photographie originale de PAUL VERLAINE

      - Photographie au format carte cabinet (12 x 18 cm) représentant le poète en buste contrecollé sur carton souple vierge. (Circa 1890) Photographe : Otto, Paris

      [Bookseller: Manuscripta]
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        Collection of 30 photographs of Port Said, Cairo, and Southern Egypt. Egypt, c. 1890.

      1890. Albumen prints on cardboard, mostly captioned on the reverse. Measurements c. 265 x 220 to 285 x 225 mm. The photographs depict the harbour of Port Said (6), ships on the Suez canal (3) and a lithograph of the canal (1), the shady oases of Ismailia halfway to Suez (2), the streets and harbour of Suez (2), the pyramids of Gisa (with tree-lined avenue beside the railroad and with four natives on camels; 2) and 3 photos of the Gezireh Palace Hotel near Cairo and of the splendid hotel fountain. To these are added 11 pictures of natives in traditional dress: 2 images of Bisharin warriors from northern Sudan, six natives capturing a ten-foot Nile crocodile, a Bedouin next to a resting camel, a Nubian from Khartum, the portrait of a "professeur arabe" (in semi-profile), 4 images of fellah women (some with little children), as well as the portrait of a semi-nude café waitress. The photographs, many of which bear captions and the name of the studio, are principally taken by the Greek photographer Zangaki; others are issued by Arnoux, G. Massaoud, Schroeder & Cie. in Zurich, Lekegian & Co., etc. Some fading.

      [Bookseller: Antiquariat Inlibris]
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        Tewfik Pasha of Egypt. Weißenburg, Burckardts Nachfolger, [c. 1890].

      1890. Head-and-shoulders portrait. Chromolithograph. 60 x 44.6 cm. Very rare Weißenburg broadsheet showing the portrait of an oriental ruler: the last-but-one Khedive (Viceroy) of Egypt, Tewfik Pasha (ruled 1879-1892). These oriental broadsheets were usually sold with the fictitious imprint of Hassan Auvès in Cairo; this one also states the actual publisher, Camille Burckardt's successors. - Slight horizontal crease; edges somewhat browned. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012.

      [Bookseller: Antiquariat Inlibris]
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        Principles of Economics.

      London and New York: Macmillan and Co., 1890. Vol. I [all published]. Octavo. Original blue-green cloth, three-line rules blind stamped to head and tail of boards continued in gilt to spine, titles to spine gilt, green endpapers. With Macmillan adverts at end dated February 1890. Contemporary ownership inscription on free endpaper, with the printed bookplate of J. H. Reynolds to the front pastedown. Errata corrected in pencil, and with the occasional pencil marginal note. Lower corners rubbed, with exposure to boards, head of spine very slightly worn; a very good copy. First edition of an economic classic, the first full exposition of Marshall's theoretical position. Keynes described its publication as inaugurating "the modern age of British economics" (Economic Journal, 1940). Schumpeter writes that "Marshall's great work is the classical achievement of the period, that is, the work that embodies more perfectly than any other, the classical situation that emerged around 1900 ? Behind the great achievement there is a still greater message. More than any other economist ? with the exception, perhaps, of Pareto ? Marshall pointed beyond himself ? Naturally his work is out of date. But there is in it a living spring that prevents it from becoming stale" (pp. 834, 840). Marshall maintained for twenty years that this would be followed by a companion volume covering foreign trade, money, trade fluctuations, taxation, collectivism and more, but none was ever published. Running to 750 text pages with a hefty text block that places strain on its case, the book is rare in the original cloth. From the library of John Henry Reynolds, promoter of technical education, secretary to the Manchester Mechanics' Institution -see ODNB.

      [Bookseller: Peter Harrington]
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        Nouveaux modèles de lettres.

      Dourdan, Emile Thézard, sd (vers 1890), 1 volume, grand in-folio, feuilles sous chemise, incomplet. Page de titre et 27 planches en chromolithographie sur 30, manque les planches 2, 22, 23. Chemise en cartonnage rigide à dos toilé, une partie des liens est manquante, la couverture est sale, les marges des planches sont parfois poussiéreuses avec des rousseurs allant jusqu'à atteindre les illustrations, quelques déchirures marginales sans manque. Ouvrage rare qui était utilisé par les décorateurs de magasins et les peintres en bâtiment, peu d'exemplaires subsistent intacts, la Bibliothèque Nationale n'en possède aucun. Les images qui illustrent cette notice sont des scanners qui ne reproduisent qu'une partie des planches vu les dimensions importantes de l'ouvrage. Etat d'usage. ************* PROMO : Envoi gratuit en courrier suivi et assurance à partir de 20 € d'achat (France seulement), remise 20 % pour commande supérieure à 60 €.

      [Bookseller: Yves Oziol]
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        [MODEL OF THE STEAM YACHT OWNED BY J. PIERPONT MORGAN, THE CORSAIR II]

      [Philadelphia, 1890. Model boat, approximately 22 x 45 x 8 inches, in a mahogany and glass case, 27 x 51 x 15 inches. Also with a mahogany table stand, 31 x 51 x 15 inches. In excellent condition, and well prepared for display. A scale model of J. Pierpont Morgan's steam yacht, the Corsair II. In all, Morgan commissioned three yachts that he christened Corsair, with this one operating under his ownership from 1890 to 1898, at which time he sold it to the United States Navy for $225,000. The yacht was then converted for use as a patrol boat in the Spanish- American War, and sailed under the name U.S.S. Gloucester. J.P. Morgan, Jr. had a fourth Corsair built in 1930. During its heyday as Morgan's luxury vessel, the boat served as the flagship of the New York Yacht Club, of which Morgan was Commodore from 1897 to 1899. Designed by J. Beavor Webb, and built in Philadelphia by ship company Neafie & Leavy, the yacht measured 240 feet long. It served as a pleasure cruiser in New York, on which Morgan hosted many social events with famous guests such as Theodore Roosevelt and Thomas Edison, and often took Morgan upstate and to various points on the eastern seaboard. More interestingly, the boat also made regular trips across the Atlantic to Europe during the primary period of Morgan's book and art collecting, and therefore served as a ferry for his acquisitions back to the United States. As a result, it maintained a key role in establishing one of the greatest book collections in America. A terrific model, with masts and booms, standing and running rigging, anchors, anchor davits, winch, deck lights, paneled deck houses, deck rails, companionways, deck lights, open bridge with telegraphs, binnacle and helm, five ship's boats in davits, and other details. The hull is finished in black and green with a gold water line, and is mounted on two turned brass columns in an inlaid mahogany framed glass case and table.

      [Bookseller: William Reese Company - Americana]
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        MODEL OF THE STEAM YACHT OWNED BY J. PIERPONT MORGAN, THE CORSAIR II].

      [Philadelphia? ca. 1890]. - Model boat, approximately 22 x 45 x 8 inches, in a mahogany and glass case, 27 x 51 x 15 inches. Also with a mahogany table stand, 31 x 51 x 15 inches. In excellent condition, and well prepared for display. A scale model of J. Pierpont Morgan's steam yacht, the Corsair II. In all, Morgan commissioned three yachts that he christened Corsair, with this one operating under his ownership from 1890 to 1898, at which time he sold it to the United States Navy for $225,000. The yacht was then converted for use as a patrol boat in the Spanish- American War, and sailed under the name U.S.S. Gloucester. J.P. Morgan, Jr. had a fourth Corsair built in 1930. During its heyday as Morgan's luxury vessel, the boat served as the flagship of the New York Yacht Club, of which Morgan was Commodore from 1897 to 1899. Designed by J. Beavor Webb, and built in Philadelphia by ship company Neafie & Leavy, the yacht measured 240 feet long. It served as a pleasure cruiser in New York, on which Morgan hosted many social events with famous guests such as Theodore Roosevelt and Thomas Edison, and often took Morgan upstate and to various points on the eastern seaboard. More interestingly, the boat also made regular trips across the Atlantic to Europe during the primary period of Morgan's book and art collecting, and therefore served as a ferry for his acquisitions back to the United States. As a result, it maintained a key role in establishing one of the greatest book collections in America. A terrific model, with masts and booms, standing and running rigging, anchors, anchor davits, winch, deck lights, paneled deck houses, deck rails, companionways, deck lights, open bridge with telegraphs, binnacle and helm, five ship's boats in davits, and other details. The hull is finished in black and green with a gold water line, and is mounted on two turned brass columns in an inlaid mahogany framed glass case and table.

      [Bookseller: William Reese Company - Americana]
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        Port-Tarascon. Dernières aventures de l'illustre Tartarin. Dessins de Bieles, Conconi, Montégut, Montenard, Myrbach et Rossi.

      Paris, Dentu, Collection Guillaume (Editions du Figaro), 1890 ; in-8; bradel demi-maroquin à coins caramel, dos orné d'une grande composition de feuilles de palme dorées, titre doré, tête dorée sur témoins, filet doré sur les plats, couverture illustrée en couleurs et dos conservés, non rogné (Charles Meunier) ; (8), 390 pp. ; les illustrations à pleine page sont comprises dans la pagination. EDITION ORIGINALE, exemplaires N°50 des 75 sur papier du Japon, premier grand papier (Vicaire, II-688 et III-61). Quelques petites traces de rousseurs sur les témoins latéraux ; sinon bel exemplaire, bien relié.

      [Bookseller: Librairie Ancienne Clagahé]
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        Le Don Juan de Mozart.

      Ollendorff 1890 1Paris, Ollendorff Éditeur, 1890, in-12, cartonnage Bradel jaspé, pièce de titre en chagrin noir, couvertures conservées, 216 pages. Édition originale de cet ouvrage littéraire sur le célèbre opéra de Mozart. Envoi de Gounod, musicien et compositeur français (1818 Paris-1893 Saint-Cloud), à l'artiste Jacques-Émile BLANCHE sur le faux-titre. Charles Gounod fut le professeur de musique de Jacques-Emile BLANCHE, notamment lors de son exil en Angleterre, dont il disait qu'il jouait du piano "comme un petit Mozart" (in "Jane Roberts "Jacques-Emile Blanche"). Petites usures à la reliure, fines piqures sur les tranches pages jaunies.

      [Bookseller: Librairie Chrétien]
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        Autograph musical manuscript. Biarritz, 19. XII. 1890.

      1890. Large folio. 66 pp. on 17 double pages, paginated 97 to 162, entitled "III / Animé", and captioned at the end, "Biaritz 19 Décembre 1890 Ernest Chausson". A comprehensive handwritten manuscript, including the third movement of his Symphony in B-flat major, Opus 20 - Chausson's only symphony, written in 1890 and often considered his masterpiece. The ms. covers the first version of the finale in an apparently largely completed full score. - After a lengthy preparation, Chausson started working on his symphony in September 1889 and finished it 15 months later. It was first performed on 18 April 1891 at a concert of the Société Nationale de Musique conducted by the composer himself. Hitherto there have only appeared minor works in the antiquarian trade, and even these are very rare. Our ms. is the first of Chausson's major works to appear on the market since the late 1970s.

      [Bookseller: Antiquariat Inlibris]
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        The Works of Charles Dickens.

      London: Chapman and Hall, 1890-95. - FINELY BOUND SET. 24 titles in 17 volumes, together with a one-volume Life of Dickens by John Forster. Octavo. With illustrations from the original plates by Cruikshank, Stone, Phiz, et al. In half blue calf by Mudie, with striking blue marbled boards, end-papers and edges. Raised bands and gilt titles to spines. Bookplates of A. Clifford Morson, dated 1902, to front paste-down of each vol. Some light edge-wear and sunning to spines. Very good overall. [Attributes: Hard Cover]

      [Bookseller: Adrian Harrington Ltd, PBFA, ABA, ILAB]
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        Lettre autographe signée ("Votre Stéphane Mallarmé"). [Paris, 24 novembre 1890].

      1890. Une page petit in-4. Suscription. À "mon cher Hérold": "[...] Dites si ce n'est pas bien exigeant de vous demander de reprendre demain soir Mardi le chemin de la rue de Rome, parce que je voudrais prendre votre avis sur un rien tout en causant [...]". - En 1888, le tout jeune poète (Hérold est né en 1865) fait parvenir spontanément au Maître son premier recueil de poésie "L'Exil de Harini" que Dalou venait de publier. L'accueil de Mallarmé lui fut d'emblée favorable et Hérold allait devenir un des plus fervents affidés des célèbres Mardis de la rue de Rome, où se croisèrent entre 1880 et 1898, Verlaine, Gide, Louÿs, Régnier, Whistler, etc. autant de visiteurs illustres ou poètes inconnus qui participèrent à la légende mallarméenne des Mardis, ces réunions hebdomadaires où le Maître improvisait, debout, fumant la pipe, face à des disciples dévots de la génération post-symboliste. - A.-J. Ferdinand Hérold est le petit fils du compositeur Ferdinand Hérold (l'auteur du Pré-aux-Clercs). Entré à l'École des Chartes en 1885, il en sort trois ans plus tard pour se consacrer entièrement à la littérature qu'il servit au cours de sa vie avec beaucoup d'intelligence et de sensibilité poétique. Il s'immisce parmi les auteurs symbolistes, fréquente assidument les Mardis de Mallarmé, et noue une vive amitié avec son coreligionnaire le poète Pierre Louÿs dont il se séparera au moment de l'Affaire Dreyfus. Très lié au cercle des Heredia (les s

      [Bookseller: Antiquariat Inlibris]
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        A Skipper in the Arctic Seas

      Longmans, Green & Co, London 1890 - First edition. Folding colored map, frontispiece, 18 plates & illustrations to text. viii, 271, [blank] pp. 8vo. LAND-LUBBERS IN THE ARCTIC. A jolly account of two "land-lubbers" who charter a whaling vessel and sail to the east coast of Greenland, Jan Mayen and Spitzbergen. Clutterbuck makes no excuses for himself and fellow sailor stating that they know "nothing about the places we were going to or of the 'paraphernalia' of Arctic travel", and their awareness of the sea is limited to it being a "dismally damp place." They departed Peterhead on the whaler Traveller (partially covered in zinc to protect against against the ice) on May 1, 1888, for a five month voyage. Clutterbuck initally struggled to settle into life at sea, first due to sea-sickness and then due to odd meal times. And once he'd finally acclimatised, they immediately found themselves in a fog which took ten days to pass. Their muddled bearings are evident on the folding map.Clutterbuck is a keen observer of life on deck and the world around him. He describes the rocky desolation of Jan Mayen, the dramatic coast of Spitzbergen ("a rocky eminence so steep . it would defy a bird to fly up it"), the ice, and the particulars of the Arctic climate in great detail. They also took every opportunity for sport: killing eight hundred and seventy-six seals, four reindeer and one polar bear on the journey and much of the work is devoted to it. Interspersed with all this are hot baths, huge breakfasts ("if there is anything we consider delicious in this sinful world it is young seals kidneys"), and evening pipes.Although published by Longmans, much about this book suggests Clutterbuck contributed toward costs. Probably printed in small numbers, its scarcity on the market is confirmed by no copies being listed on ABPC or Rare Book Hub. Faux tree calf, spine gilt, red morocco label to spine gilt, all edges marbled, some discreet library stamps and minor spotting. A very good copy Folding colored map, frontispiece, 18 plates & illustrations to text. viii, 271, [blank] pp. 8vo [Attributes: First Edition]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Philatelic Ephemera - Annual Mail Packet Steamer Itinerary

      London, 25 November 1890. Packet steamer broadside presenting an itinerary for mail delivery in the year 1891 to Grand Turk Island and Bermuda in the British West Indies, via Londonderry and Halifax in Nova Scotia, a service then recently established and offered by Pickford & Black of Halifax, from 1888, with the ship 'Alpha' which was formerly a Cunard Line vessel. Folio. Printed ephemeral document on a light blue leaf, measuring approximately 32,5 x 20,5 cm. Printed for Her Majesty's [Queen Victoria] Stationery Office. Colonial Philatelic Material from the Turks and Caicos is exceedingly scarce. The Nova Scotia Archives (CNSA), Halifax, holds a Pickford & Black collection comprising business and shipping records, detailed registers and manifests, ship logs and so forth. An exceptionally rare West Indies and Halifax ephemeral postal history document, in that it deals with mail steam packet service to Grand Turk Island in the Turks and Caicos, this broadside dates to the Golden Age of Sail, and served to advertise voyages departing from Londonderry and Halifax in Nova Scotia, to deliver letters and parcels to colonial settlers in Bermuda and the Turks and Caicos. According to contemporary publications the vessel on this mail route was the steamship 'Alpha' operated by Pickford & Black West India Steamship Lines, a firm established in Halifax, landing on Grand Turk Island being reputed as particularly dangerous. She plied this specific sea mail route for seven years from 1888 to 1894. The post office notice was also published in the July 1890 issue of the Board of Trade Journal. Sixteen (16) voyages were made in 1891, reminding us of how very much communications have changed in the past century. The Handbook of Jamaica, published in 1892, states: "In 1888 two new lines were established. Messrs. Pickford and Black's West India Steamship Line, which runs the Steamer 'Alpha' between Halifax, Bermuda, Turks Island, Kingston, and... the Anchor Line..." "The 'Alpha' or another steamer is appointed to sail on the following dates - from Halifax the 15th, Bermuda the 20th, and Turks Island the 23rd of each month, arriving at Kingston on or about the 25th. Leaving Kingston on the return voyage on the 27th she calls at Turks Island on the 29th, and Bermuda on the 2nd of each month, arriving at Halifax on the 3rd." The Handbook of Jamaica, published in 1893, further states: "There is a monthly mail service between Jamaica, Halifax, Bermuda and Turks Islands, by means of the steamers of Messrs. Pickford and Black, which arrive here about the 25th of each month and leave three days after. The steamers are subsidized by the Government of the Dominion of Canada." [The itinerary remained the same as in 1891.] The screw propeller steamship 'Alpha' was built in Glasgow in 1863 and first registered to William Cunard, the youngest of Samuel Cunard's two sons. It was initially employed on the Halifax-New York-Bermuda feeder service. In 1869 'Alpha' was purchased by Pickford & Black of Glasgow. In 1880 she was re-fitted by J & G Thomson with new engines. Under the firm of Halifax & West India Steamship Co., which was incorporated in June 1887 with both Pickford & Black being primary shareholders, 'Alpha' operated a mail and passenger service with monthly voyages between Halifax, Bermuda, and Grand Turk Island, from 1888 to 1894, at which time she was replaced by her refitted sister ship 'Beta'. 'Alpha' was sold in 1894 to an S. Barber in Vancouver for trading around Vancouver Island, and wrecked off the coast of British Columbia in 1900. Robert Pickford (1841-1914) and William Anderson Black (1847-1934) were the founding partners of the Halifax shipping firm Pickford & Black established in 1876. At the time of its inception, Pickford & Black was a ship chandlery and hardware firm outfitting fishing and other vessels. In 1877, the partners purchased Seeton's wharf, which was to become known as Pickford & Black's wharf at 51 Upper Water Street, where the ship chandlery branch was extended. By 1887, the firm expanded into the steamship business. In 1888, two years after Cunard's Halifax Bermuda service was canceled, Pickford & Black purchased Cunard vessels 'Alpha' and 'Beta' which had been operating the Halifax-Bermuda route. Pickford & Black's route included also Grand Turk island and Kingston in Jamaica. In 1889, Pickford & Black of Halifax introduced a second service, from Saint John and Halifax, via Bermuda and the Windward Islands, to Demerara, British Guiana, using the vessels Tayworth Castle and Duart Castle, which continued until 1913. They also operated steamer lines in the Atlantic provinces. The firm also acted as agents for several leading marine insurance underwriters, including Lloyd's of London, as well as for numerous European steamship lines, including the owners of the ship Imo, which was involved in the Halifax Explosion in 1917. From 1889-1893 and again from 1908-1911 Pickford owned the now historic house (listed on the Canadian Register) at 1991 Prince Arthur Street in Halifax. Robert Pickford retired in 1911 and the company became Pickford & Black Ltd. The company is still in business, with its office located in the Gogswell Tower on Barrington Street in Halifax. This document further marks the beginning of a new era of communication, for Bermuda at least, with the official opening of the Halifax - Bermuda submarine telegraph cable line on 12 July 1890, which had a decisive impact on Bermuda's tourism and commerce. It was not until 1898 that the first telegraph cable reached the Turks and Caicos, with connections installed from Bermuda to Grand Turk, and from there to Jamaica. Some highlights of early British West Indies mail service: In 1833, mail carrying packet vessels terminated their routes at Halifax, until, that is, Samuel Cunard was awarded a contract by the British Admiralty to provide a monthly mail boat service between Halifax and Bermuda. This was his first trans-Atlantic service before his shipping line expanded hugely and later became world famous as the Cunard Line. Regular 'steamer' mail service began in the West Indies in 1842 when the Royal Mail Steam Packet Company started a twice-monthly service between Falmouth and the West Indies, having established its base and a coaling station on Grand Turk Island. Alas, in the same year the steamship 'Medina' of England ran upon a reef on the coast of Grand Trunk Island, and was sunk. Mail service from England was discontinued to this island for a short time. On March 1st, the first steamship to enter Bermuda waters anchored at Five Fathom Hole. She was the Royal Mail Steam Packet Thames, inaugurating what would become a regular call on her trips between the West Indies and England. Her route originated at Nassau in The Bahamas and the stop at Bermuda afforded an opportunity to both pick up and deliver mail in transit to and from the English port of Southampton. Due to the high risks of safe shore landings, the Royal Mail Steam Packet Company quickly transferred its main West Indies packet station from Grand Turk Island to St. Thomas in Jamaica in September 1842. As a result, St. Thomas became the first stop on the Leeward Islands route and a British Post Office was opened there in late 1842. The Government of the Bahamas was paying for "postal communication between Grand Turk and Nassau", which consisted of a schooner making regular trips to and fro. In 1850, Bahamas governor John Gregory wrote a note "pointing out the benefits that might be derived from substituting for the present miserable schooner which conveys mails and passengers from St. Thomas to Nassau with a small screw steamer that might drop the English Mails at Grand Turk and Inagua and take the homeward bound mails from those islands on her return from Nassau to St. Thomas." In November 1850, Samuel Cunard introduced his steam packet service from New York to St. Thomas, with a call at Bermuda in both directions. It was an extension of his successful 1840-incorporated British and North American Royal Mail Steam-Packet Company on the Liverpool, Halifax, Boston route. Annoyed that his passengers had only sparse hotel accommodations in Bermuda, he threatened to withdraw his ships, which led to the construction of Bermuda's first luxury hotel, the Hamilton Hotel, built by the Corporation of Hamilton. The New York portion of the service was not as successful as his earlier Halifax-Bermuda direct service, and was canceled in May of 1854. In May 1854, Cunard extended his direct Halifax Bermuda service. This route remained in place until January, 1880, when a number of West Indian islands replaced St. Thomas as ports of call. In 1888, two years after Cunard's Halifax Bermuda service was canceled, Pickford & Black purchased Cunard vessels 'Alpha' and 'Beta' which had been operating the Halifax-Bermuda route. Pickford & Black's route included also Grand Turk island and Kingston in Jamaica. In 1889, Pickford & Black of Halifax introduced a second service, from Saint John and Halifax, via Bermuda and the Windward Islands, to Demerara, British Guiana, using the vessels Tayworth Castle and Duart Castle, which continued until 1913. The West Indies postal routes of the Royal Mail Steam Packet Company called for at least 12 steam vessels covering hundreds of thousands of route-miles, with stops at some 60 ports. These early steamers were of the side-wheel type with auxiliary sails. Screw propeller steamers were introduced in the 1860s.

      [Bookseller: Voyager Press Rare Books & Manuscripts]
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        Turkish highway robber. Weißenburg, Burckardts Nachfolger, [1890].

      1890. Seven-part jumping jack. Stencil-coloured lithograph. 674 x 580 mm. A large, typical Weißenburg jumping jack, the threatening caricature of an oriental character. Western audiences delighted in subjecting enemy warriors to ridicule by pulling the string and making the figure "jump" (cf. "Bilderbogen aus Weißenburg" catalogue, p. 134: a contemporary Turkish soldier by the same publisher). - Some edge and corner flaws. Includes additional illustrated broadsheets with oriental motifs. All of these prints are very rare; a different print commanded £21,250 at Sotheby's in 2012.

      [Bookseller: Antiquariat Inlibris]
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        Salem et Euphemia.

      1890. 1890 1 vol. in-12° (178 x 130 mm.) de 21 dessins légendés sur 19 ff.+ 2 esquisses barrées à l'encre de Chine, 55 ff. bl. Demi-vélin blanc, dos à nerfs orné, pièces de titre et de date de maroquin rouge, plats recouverts de soie blanche, frise intérieure dorée, tranches dorées. (Mouillure sur la soie du premier plat). Recueil de dessins satiriques dune grande qualité, inspiré dun roman : Euphemia and Salem. La pièce de titre mentionne le titre de ce roman de Pithie W. Booth : « Euphemia and Salem, a tale », paru en 1863 à Aberdeen chez James Brown, et tous les dessins sont légendés dune citation de ce texte avec une indication de page. Pithie Booth est également lauteur de 'An afternoon's walk' et ses ouvrages sont très rares. Euphemia and Salem a connut deux publications et nest disponible que dans deux bibliothèques dans le monde, dont la National Library of Scotland. Le peu dinformation sur le présent carnet laisse un doute sur la nature des dessins : leur qualité et les renvois précis au texte peuvent faire penser quil sagit dun projet pour une édition illustrée qui naurait pas abouti, ou plus simplement, de luvre dun particulier inspiré par le roman. Provenance : ex-libris gravé contrecollé sur le premier contreplat, "A.P. Urquhart. Hys Booke." Bel ouvrage dans une charmante reliure.1 vol. 12mo. 21 India ink drawings on 19 ll. + 2 crossed out sketches. Contemporary half vellum, boards covered with white silk. Fine set of cartoons inspired by a rare novel by Pithie W. Booth, Euphemia and Salem: A tale. (Aberdeen, Brown for the Author, 1863). Very fine drawings in a nice binding. Mid-Victorian poetry, 1860-1879: an annotated biobibliography. Par Catherine W. Reilly, II, p.48.

      [Bookseller: Les Trois Islets]
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        Napoli Panorama preso dal Vomero

      Milano, Edizone Brogi, ca. 1890. Original collotype, 40,8 x 54,3 cm, photograph no. 5110. Repaired tear at right upper and lower corner, right upper corner lacking piece.. - Large photograph. KEYWORDS:italy/napoli/photo

      [Bookseller: Krul Antiquarian Books]
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        Vereins-Blatt des Westfälisch-Rheinischen Vereins für Bienen- und Seidenzucht (Nr. 1-12/1890)

      Hütter, 1890 - 392 Deckel stellenweise lagerspurig/berieben, Seiten altersgemäß angedunkelt, einzelne Seiten mit Namenseintrag am oberen Rand, Buch sonst sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 306

      [Bookseller: Versand-Antiquariat Konrad von Agris]
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        Belle lettre de condoléance à l'occasion du décès de Madame AUBRY, fervente royaliste.

      Lettre autographe signée ROBERT datée Schwazau 30 décembre 1890, à Monsieur AUBRY. Un feuillet (280x175) plié en deux, puis en quatre pour l'envoi. 3 pages manuscrites à l'encre noire sur papier vergé filigrané "Universal Note London". Petite tache d'encre noire (empreinte d'un doigt) et mention manuscrite au crayon de papier d'un collectionneur en quatrième page. Robert 1er fut le dernier souverain des duchés de Parme, de Plaisance et Guastalla. Né à Florence, Robert est alors le fils du duc héréditaire Charles et de Louise d'Artois, fille de Charles Ferdinand d'Artois, duc de Berry et de Caroline des Deux-Siciles (petite-fille du roi de France Charles X, sur du comte de Chambord). Il héritera de son oncle, le Comte de Chambord, sa fortune et ses biens dont le prestigieux château de Chambord.

      [Bookseller: Connaissances et perspectives sarl]
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        La Cuisine classique. Etudes pratiques, raisonnées et démonstratives de l'Ecole Française (2 volumes).

      1890E. Dentu, Editeur, 1890, 2 volumes de 23.5x30.5 cm environ, (1) ff., lxiv pp., 431 pp., (1) ff., - (1) ff., 507 pp., i pp (table des planches), ii pp., (1) ff., demi chagrin vert et percaline gauffrée, dos à 5 nerfs ornés de titres tomaisons et motifs dorés, décor à froid sur les plats, gardes marbrées. Contient 80 planches et un frontispice sous serpentes. Coins émoussés, frottements sur le cuir, des rousseurs, bon état pour le reste.Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.

      [Bookseller: Librairie Diogène]
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        Autograph corrections in: P[eter] Tschaikowsky. Eugen Onegin. Lyrische Scenen in drei Aufzügen. Text nach Puschkin. Deutsch von A[ugust] Bernhard. [...] Clavierauszug vom Componisten. Hamburg, D. Rahter, [1890].

      1890. Large 4to. Numerous autogr. corrections, insertions and additions on a total of 76 pages of the piano score, comprising 219 pp. altogether. Contemp. green cloth. Mahler's handwritten notes in black ink in the right margin add the names of the actors of the Vienna premiere of "Eugen Onegin" on 19 Nov. 1897: [Louise] Kaulich as Larina, [Marie] Renard as Tatyana, [Margarete] Michalek or [Jenny] Pohlner as Olga, [Edith] Walker [ultimately replaced by Ida Baier Liebhart in the performance] as Filipjewna, [Josef] Ritter as Onegin, [Fritz] Schrötter [i.e. Schrödter] as Lenski, [Wilhelm] Hess as Gremin, [Hans] Frei or [Ferdinand] Marian as captain (both names struck out), [Hans] Frei as Triquet, and, finally, [Anton] Schittenhelm as Gillot. - Also, there are 76 pages with extensive edits, some rather extensive (corrections and occasional deletions), written in pencil and blue crayon. - Provenance: From the estate of the Wagner tenor Hermann Winkelmann (1847-1912), who had known Mahler personally. After Winkelmann's death, the present score was given to his son, Eduard Walter Winkelmann, who saved it after the bombing of Osnabrück - one of the few family pieces salvaged from the rubble. Via his estate to his son Hugo Hermann Winkelmann (1912-2006), President of the Senate of the Austrian Supreme Court, and given by him as a gift to his daughter Heidelinde. Includes Hugo Hermann Winkelmann's statement of authenticity: "This piano score was used by Gustav Mahler for the Vienna premiere of 'Eugene Onegin' at the Vienna Court Opera on 19 November 1897. The handwritten entries including text and tonal changes are from Mahler's hand, as my father told me | Hermann Winkelmann". - Some marginal defects, a few loose leaves; actors' names slightly trimmed by the binder.

      [Bookseller: Antiquariat Inlibris]
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        Théâtre lyonnais de Guignol. Nouvelle édition, revue, corrigée et annotée par l'auteur. Illustrée de dessins et culs-de-lampes, par Enas d'Orly

      Lyon Veuve Monavon 1890In-4 (264 x 188 mm), demi-maroquin marron, coins, dos à cinq nerfs, tête dorée, non rogné, couverture et dos conservés (Affolter).Illustrations par Enas d'Orly. Tirage limité à 200 exemplaires, sur Japon (N° 118). (reliure usée, dos passé et plats en partie passés, mors supérieurs fendus, traces de brûlure sur les coins et la coiffe supérieure, deux déchirures sur la première couverture). // Quarto (264 x 188 m), brown three-quarter morocco, spine raised on five bands, top edge gilt, uncut, soft cover and spine preserved (binding signed Affolter). Illustrations by Enas d'Orly. Limited printing of 200 copies on Japan paper (Nr 118). (used binding, spine faded and cover partly faded, top joins cracked, burning-stains on corners and top of spine, two tears on top of soft cover).

      [Bookseller: Henri Picard et Fils]
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        Deacon's Pictorial and Descriptive Synchronological Chart of Universal History in Seven Languages. With maps of the World's Great Empires and a complete geological diagram of the earth. Multicoloured leporello in 14 parts. London, Deacon & Co., [o. J., ca. 1890].

      1890. Folio (375 x 535 mm) 4 lose SS., 14 einseitig bedruckte Bll. mit insgesamt 5,25 m Länge. Originaler schwarzer, lederstrukturierter Kalikoband mit goldgeprägtem Einbandtitel. Aufwändige, vielfarbig gezeichnete Karte in Leporello-Form mit einer Chronologie der Menschheitsgeschichte von Adam & Eva bis Thomas Alva Edison, vom irischen Geologen Edward Hull (1829-1917) auf Basis der christlichen Schöpfungsgeschichte nach den Werken des anglikanischen Theologen James Ussher (1584-1656) gezeichnet, der den Zeitpunkt der "Erschaffung" der Welt auf den 23. Oktober 4004 v. Chr. datierte. In parallelen Zeitströmen und mit besonderer Berücksichtigung des Christentums und auf der Folie einer eurozentrischen Weltsicht werden die wichtigsten politischen Epochen, Reiche und deren bestimmende Persönlichkeiten dargestellt, darüber hinaus auch Meilensteine der Geistes-, Kultur-, Wirtschafts- und Technikgeschichte reich bebildert und mit Statistiken versehen dargestellt. Die Bildlegenden sind auf Englisch, der im beiliegenden "Schlüssel oder Plan zu der Karte" einführende Text ist auf Englisch, Französisch, Deutsch, Italienisch, Spanisch, Portugiesisch und Niederländisch abgedruckt. Einband und Falze des Leporellos stellenweise fachkundig restauriert, insgesamt sauberes Exemplar dieser selten angebotenen Großkarte, der Druck mit ausnehmend frischen Farben.

      [Bookseller: Antiquariat Inlibris]
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