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Displayed below are some selected recent viaLibri matches for books published in 1889

        Traité Complet d'Ophtalmologie.

      Paris, Delahaye, 1880-1886-1887-1889. - 4 forts volumes grand in-8. 3ff. IV. 965pp. 1f. 2 planches hors-texte. + 2ff. 1150pp. + 2ff. IV. 976pp. + 2ff. 1138pp. Brochés, couvertures imprimées (couvertures factices pour 2 volumes). Les tomes 3 et 4 sont coupés en deux au niveau du dos. Rousseurs générales. Exemplaires non rognés. Première édition de cet important traité d'ophtalmologie. Très nombreuses figures dans le texte (Optique, Instruments etc).

      [Bookseller: Último Capítulo S.C.P.]
 1.   Check availability:     AbeBooks     Link/Print  


        Ueber Nucleinsäuren (pp.524-536).

      Arch. Anat. Phys., 1889 P/5-6. - Leipzig, Veit & Comp., 1889, 8, pp.568-739, VI pp., 5 Abb., 1 Taf., original broschiert unaufgeschnittenes, frisches Exemplar. First Edition, in the original wrappers! Richard Altmann (1852-1900) coined the term "nucleic acid," which he introduced in his 1889 paper "Ueber Nucleinsäuren," and developed a convenient and general method for its preparation. His work on nucleic acids represents an early stage in the development of molecular biology.Altmann was a student of Johann Friedrich Miescher, who in 1869 discovered a hitherto unknown substance in the cell nucleus that he named nuclein we now know it as DNA. Garrison & Morton No. 713

      [Bookseller: MedicusBooks.Com]
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        Déclaration passionnée à la comtesse Potocka "Je ne dis pas que je vous ai aimé - je dis que j'ai été atteint, comme d'autres, par votre pouvoir"

      - Paris 11 mars 1889, 10x15,5cm, 7 pages sur deux feuillets rempliés. - "Non dico che io vi ho amato - dico che ho raggiunto, come gli altri, dal vostro potere" lettera autografa Eccezionale firmata da Guy de Maupassant, 123 linee in inchiostro nero su due pagine. In allegato, una busta contessa Indirizzo 14 bis rue Chateaubriand. Questo notevole lettera, probabilmente senza precedenti, riassume l'amore anno di attesa e sofferenza passata Maupassant a fianco della contessa Potocka. Lo scrittore, infine, esposto in una finale, amara lettera di confessione e rivela le lotte interne amare che si tratta dal suo incontro con questo essere fascino irresistibile. Questa affermazione, a lungo rifiutato da Maupassant, che fino a quel momento cortesie contenti e qualche effusione discreto nella sua corrispondenza rivela i forti sentimenti dello scrittore alla contessa Potocka. Il seduttore scrittore famoso per le sue numerose conquiste femminili arco, questa volta sotto il dominio della sua amica; queste linee dolorosi e liberanti sono così unico e sublime testimonianza della passione immediata che lo scrittore aveva nascosto quando si sono incontrati nel salotto della contessa, e alla fine confessa: "Nessuna donna mi ha affascinato dalla in primo luogo, come te. " Emmanuela Pignatelli di Cergharia era la moglie del ricco conte polacco Nicolas Potocki, che lo ha lasciato grande libertà. Il suo viale salone Friedland Parigi nel 1882 è stata la nomina stravagante di un'élite di scrittori, uomini del mondo, e gli uomini di lettere, e ha ricevuto ogni Venerdì un areopago contendenti "amore morto", ironicamente chiamato "libro dei Maccabei" . Egeria Guerlain crea una fragranza per lei intitolato capriccio e scrittori di tutta Parigi Shore, ha ispirato prima Maupassant, che dà i suoi lineamenti a Christiane Andermatt a Mont-Oriol, e Michele de Burne nel nostro cuore. La loro splendida corrispondenza si estende su diversi anni fino a quando l'internamento di Maupassant. Al momento della stesura di questa lettera 11 marzo 1889, la contessa rimase vive ancora con la madre rue de Chateaubriand. Maupassant è un devoto delle sue serate per molti anni come punterà Proust in cronica du Figaro 1904: "Maupassant è andato ogni giorno a casa"; per ironia della sorte è stato anche elevato a "segretaria perpetua del Consiglio permanente del club dei Maccabei." La confessione furioso Maupassant comincia un tono altamente drammatico ( "Io qui fare una confessione che io sono forse l'unico uomo in grado di fare voi"). Questo è principalmente per Maupassant di stare fuori da una folla di contendenti nella stessa posizione come lui, a cui la riserva contessa parità di trattamento: un "influenza dominante" insopportabile per lo spirito libero dello scrittore, che si autodefinisce come "sospetti molto nascosta maestro,, molto attento e molto di [lui]". Avvertito presto nell'arena crudele ha guidato nella sua cerchia di ammiratori, dichiara: "V'è stato detto un sacco di problemi [...] Io sono particolarmente prudenti, in particolare quella irrigidito stavo sperimentando terribilmente il vostro fascino. "Lo scrittore è impegnato in una confessione amara e ammettere la sconfitta prima che il fascino di manipolazione della contessa. La questione di onestà sembra costoso per Maupassant leitmotiv tutta la lettera. La contessa e lo evolvere in sfere mondane (lo scrittore organizza molte cene a Parigi e nelle province), e il loro rapporto dal suo amore mescolato inizio e di amicizia, in un gioco di seduzione subliminale. La contessa sembra dubitare della sincerità del suo amico: "Tu fai finta di non mi capisci, pensi che ho sempre avuto nei confronti del si atteggiamento con un subdolo"; replicò: "Se lo dici ancora una volta che io non sono aperto è che la Torre Eiffel non è di ferro." Questa menzione del monumento ricorda la veemente opposizione del Maupassant alla costruzione della Torre Eiffel (aperto il 30 marzo dello stesso anno), contro la quale ha firmato una petizione. Maupassant ha rivelato attraverso queste linee doppiezza del loro rapporto e le molte pregiudizi della contessa, che ha rifiutato di riconoscere i segni di un amore nascente: "Non pensate che essere innamorati è come irascibili o dolce! No. Si diventa, secondo la sua natura. È sempre negato questa verità assoluta. " Nella sua divorante passione che ha per la contessa Potocka, Maupassant si oppone la sua ragione e la sua "l'egoismo": "" In Alvernia avevo quasi innamorato di te. Sono anche stato. Ma ho superato [...] Ho la capacità di dominare me ragionando alla potenza estrema. Dopo genuini sconfitte interne ho sempre finito per tornare a voi. " L'anima cartesiana dello scrittore è impegnato in una lotta contro l'ardore dei suoi sentimenti, ma lo stile di questa insolita lettera tradisce i suoi tormenti. Le frasi ripide e le eruzioni del suo amore irragionevole è assolutamente diversa da quella amichevole corrispondenza qu'échangeait Maupassant con la contessa, e danno la lettera di capitale importanza per il loro rapporto. Essi sono il culmine di una passione che ha scelto di rifiutare ulteriormente prima di abbandonarla - conclude la sua lettera su questa frase scuro e bello: "Ci si può fermare sulle piste se si dispone di vertigini e se dovessimo tornare a tempo; ma se inizia a correre verso il basso, è finita. Mi girava la testa e ho avuto paura. " testimone Sublime alla passione per Maupassant affascinante contessa Potocka, che ha tenuto sotto il suo incantesimo di Parigi letteraria e mondana della fine del secolo.   - [FRENCH VERSION FOLLOWS] « Je ne dis pas que je vous ai aimé - je dis que j'ai été atteint, comme d'autres, par votre pouvoir » Exceptionnelle lettre autographe signée de Guy de Maupassant, 123 lignes à l'encre noire sur deux feuillets. Jointe, une enveloppe à l'adresse de la comtesse au 14 bis rue Chateaubriand. Cette remarquable missive, probablement inédite, résume les années d'attente et de souffrance amoureuse de Maupassant passées aux côtés de la comtesse Potocka. L'écrivain s'expose enfin dans une ultime et amère lettre d'aveux et dévoile les combats intérieurs acharnés auxquels il s'est livré depuis sa rencontre avec cet être au charme irrésistible. Cette déclaration, longuement repoussée par Maupassant qui se contentait jusqu'alors de civilités et de quelques discrets épanchements dans sa correspondance, trahit les violents sentiments de l'écrivain envers la comtesse Potocka. L'écrivain séducteur resté célèbre pour ses nombreuses conquêtes féminines ploie cette fois sous la domination de son amie ; ces lignes douloureuses et libératrices sont donc le témoignage unique et sublime d'une immédiate passion que l'écrivain avait dissimulé depuis leur rencontre dans le salon de la comtesse, et qu'il confesse enfin : « Aucune femme ne m'a plu dès l'abord, comme vous ». Emmanuela Pignatelli di Cergharia fut l'épouse du très riche comte polonais Nicolas Potocki, qui lui laissait une grande liberté. Son salon parisien avenue Friedland fut dès 1882 l'extravagant rendez-vous d'une élite d'écrivains, hommes du monde, et de lettrés, et recevait chaque vendredi un aréopage de prétendants « morts d'amour », ironiquement appelés « Macchabées ». Egérie de Guerlain qui crée pour elle un parfum intitulé Shore's caprice et des écrivains du Tout-Paris, elle inspira en premier lieu Maupassant, qui donne ses traits à Christiane Andermatt dans Mont-Oriol, et à Michèle de Burne dans Notre c

      [Bookseller: Librairie Feu Follet]
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        [THE WORKS OF HENRY WADSWORTH LONGFELLOW]

      Boston & New York: Houghton Mifflin(1889/1891). Eleven octavo (5" x 7-7/8") volumes, illustrated with frontispieces and bound in 1/2 brown polished calf leather and marbled boards with matching corners and endpapers and elegantly gilt-decorated and lettered spines. Consists of six volumes of the POETICAL WORKS, two volumes of the PROSE WORKS, and three volumes of Longfellow's TRANSLATION OF DANTE'S DIVINA COMMEDIA., Hardcover, Minor wear and rubbing to corners, joints, edges, and spines. One cover with a short split to one joint; several volumes with a little wear to the spine tips. Contemporary owner gift inscription in one volume. Very Good with a bright shelf appearance

      [Bookseller: Charles Agvent, ABAA]
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        PHILOBIBLON

      New York: Printed for the Grolier Club, 1889. ONE OF 297 COPIES on paper (and three on vellum.). This paean to books, collecting, libraries, and learning was printed for the first society of bibliophiles in America, and was bound by the bindery formed to provide club members with bindings as fine as those available from craftsmen in England and France. In 1895, Grolier members, along with Edwin Holden and other wealthy collectors, established the Club Bindery in order to attract European craftsmen to provide, close to home, fine quality binding work rivalling what was available abroad. The Club Bindery was in operation until 1909, with Robert Hoe being its most influential manager and client. It provided bindings that tended to be traditional in style--though frequently with elaborate decoration--and that lived up to its patrons' expectations in terms of excellence. The first members of the staff of the Club Bindery were the Englishmen R. W. Smith and Frank Mansell, who have signed the present bindings. They were subsequently joined by a number of French binders, chief among them being Leon Maillard, who had worked previously for Cuzin, Gruel, and Marius-Michel. Named for his birthplace of Bury St. Edmunds, Richard de Bury (1281-1345) was a devoted patron of learning and an ardent bibliophile. As Bishop of Durham during the last 13 years of his life, he rescued many classical manuscripts that would otherwise have been lost, and his household included collators, scribes, illuminators, and binders. He is best remembered for the present work, first printed in 1473. The Grolier Club printing is "edited from the best manuscripts" in an effort to retrieve the original text, found by the editor to be "hopelessly corrupted" in the printed Latin versions and the translations based upon them.. 190 x 150 mm. (7 1/2 x 5 7/8"). Three volumes. Translated and with an introduction and notes by Andrew Fleming West. ONE OF 297 COPIES on paper (and three on vellum.). ATTRACTIVE BROWN CRUSHED MOROCCO BY R. W. SMITH AND FRANK MANSELL (stamp-signed on front doublure), covers with frame tooled in blind and accented with gilt flowers and small dots, raised bands, spine compartments with blind-tooled frames and central gilt flower, gilt titling, DARK BLUE MOROCCO DOUBLURES with the gilt emblem of the Grolier Club at center, floral cornerpieces, monogram of "T V W" at foot, marbled free endpapers, all edges gilt. In the original (just slightly worn) morocco-lipped slipcases. Decorative woodcut headpieces, tailpieces, and initials, some of them historiated, the initials in the first volume in gold, frontispiece and two plates in volume III. Printed in red and black in Latin (black letter type) and English (roman type). A SUPERB SET with no signs of use. This paean to books, collecting, libraries, and learning was printed for the first society of bibliophiles in America, and was bound by the bindery formed to provide club members with bindings as fine as those available from craftsmen in England and France. In 1895, Grolier members, along with Edwin Holden and other wealthy collectors, established the Club Bindery in order to attract European craftsmen to provide, close to home, fine quality binding work rivalling what was available abroad. The Club Bindery was in operation until 1909, with Robert Hoe being its most influential manager and client. It provided bindings that tended to be traditional in style--though frequently with elaborate decoration--and that lived up to its patrons' expectations in terms of excellence. The first members of the staff of the Club Bindery were the Englishmen R. W. Smith and Frank Mansell, who have signed the present bindings. They were subsequently joined by a number of French binders, chief among them being Leon Maillard, who had worked previously for Cuzin, Gruel, and Marius-Michel. Named for his birthplace of Bury St. Edmunds, Richard de Bury (1281-1345) was a devoted patron of learning and an ardent bibliophile. As Bishop of Durham during the last 13 years of his life, he rescued many classical manuscripts that would otherwise have been lost, and his household included collators, scribes, illuminators, and binders. He is best remembered for the present work, first printed in 1473. The Grolier Club printing is "edited from the best manuscripts" in an effort to retrieve the original text, found by the editor to be "hopelessly corrupted" in the printed Latin versions and the translations based upon them.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        Fine portrait photo by H. Manny, signed and inscribed (Jules, 1842-1912, French Composer)

      1889 - to "Madam Dexter Fearjon trés respectueux hommage", showing him half length, looking to one side, 9" x 6", in mount 13" x 10", no place, no date, dated on the verso slightly damaged on the signature and one word

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Nineteenth Century Commonplace Book with original poetry, fiction and memorials written in and about Gold Hill, Nevada Circa 1880s

      Gold Hill, Nevada, 1889. Good. Tall octavo. 9" x 7.5" Quarter red sheep and marbled paper covered boards. Owner's name on front fly: "Miss Mary I. J. Menary, Gold Hill, Nevada. August 18th, 1881." The cover is heavily worn, textblock is reasonably sound, with inserted leaves very edgeworn and marginally toned. Holograph manuscript in the ink in the same legible hand throughout. The first 78ppp. are comprised of poetry, followed by 38 blank pages, and thereafter (counting material on various loose leaves of paper laid in) about twenty pages of prose. The poetry is much concerned with death, and seems to be a mix of both original poetry and some copied, as well as a prose piece "Pledge with Wine" by Harriet Beecher Stowe. Also laid in is a small heartfelt three page memorial in her hand for the late James Livingston, dated Gold Hill, Jan 13th, 1889. Gold Hill was Incorporated in 1862. It enjoyed prosperity generated by the Comstock Lode from 1868-1888, and is now a ghost town. An interesting look into the mind of a literate woman in a Gold Rush town.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Théâtre

      Jouaust ¿ Librairie des bibliophiles, Paris 1889 - Quatre volumes, in-8 raisin, demi maroquin chocolat à coins, dos lisses mosaïqués à décor floral, étiquettes de titre de de maroquin châtaigne, date dorée en queue, têtes dorées, témoins conservés, couvertures conservées. Reliure de l'époque de Victor Champs. [4], xxiv, 263 ; [4], 325 ; [4], 335 ; [4], 365 . Belle édition du Théâtre de Musset, illustrée de 16 eaux-fortes hors texte par Charles Delort (1841-1895) et tirée à 150 exemplaires. Ici, le n°12 imprimé sur Chine fort avec les épreuves en deux états (avec et sans la lettre). Rousseurs aux tout premiers et derniers feuillets, piqûres sur tranches. Bel exemplaire très élégamment relié. /// 4 volumes, large 8vo, half cornered dark brown morocco, smooth gilt-lettered, gilt ornate and mosaic inlaid spines, top edges gilt, untrimmed, original wrappers bound in. Binding of the time by Victor Champs. [4], xxiv, 263 ; [4], 325 ; [4], 335 ; [4], 365 . Nice edition of Alfred de Musset theatre plays, illustrated with 16 out of text etchings by Charles Delort (French painter and illustrator, 1841-1895). A 150 copies limited print run, ours the n°12 printed on China paper, with the etchings in two states (with and without the letter). Some foxing at the very beginning of the books, and to the edges. Nice copy elegantly bound. [Attributes: Hard Cover]

      [Bookseller: Le Scriptorium d'Albi]
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        ZUR ENTSTEHUNGSGESCHICHTE DER ILIAS

      COTHEN: OTTO SCHULZE'S VERLAG, 1889. BROSSURA. DISCRETO. 15 23. USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        Folkelivsskildringer. 2 bd. Orig. udgave.

      1889 1889 - Kbhvn.: Hauberg og Gjellerup & Nyt dansk Forlagskonsortium [1889-90]. 104 + 80 s. 12mo. Let bruneret, ellers velholdt ubeskåret eksemplar indbundet med de orig. omslag i smukt privat halvlæder med guldtryk på ryggene. Bindene signeret Ahrenkiel & Olsen. * Dansk Folkebibliothek nr. 67 + 109. Indeholder: Et Grundskud. En Fiskerrede. Tro til Døden. Hjærtensfryd. Sommerbillede. Kasper Kapper. Et Endeligt. Morgendug.

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
 10.   Check availability:     ZVAB     Link/Print  


        The Wanderings of Oisin And Other Poems

      London: Kegan Paul, Trench, & Co., 1889 First edition of Yeats' first published book. Publisher's dark blue cloth lettered in gilt with publisher's stamp in blind to rear board, black endpapers. A very good copy with a clean interior, extremities lightly bumped, some light staining to front and rear boards, light wear to spine, hinges cracked and holding.In The Wanderings of Oisin, an Irish hero recounts the story of his travels through the faerie isles of Ireland, battling demons and giants with the help of his immortal companion, Niamh, until he accidentally breaks the spell that had been keeping him immortal and rapidly ages three hundred years. This epic poem is written in three parts, each in more complicated verse than the one before. The collection also includes 30 shorter poems. This book was Yeats's first work to be published outside of magazines and periodicals, and earned him the respect of the literary world as a serious poet. . 1st Edition. Hard Cover. Very Good.

      [Bookseller: B & B Rare Books, Ltd., ABAA ]
 11.   Check availability:     ABAA     Link/Print  


        1889 NEW ORLEANS CITY DIRECTORY with EVERY RESIDENT'S NAME, ADDRESS & TRADE

      SOARDS' NEW ORLEANS, LOUISIANA, CITY DIRECTORY for 1889: A Complete Record of the Residents of the Entire City, A Classified Business Directory... Also, an Improved Street Guide. Published by L. Soards, Publisher, NEW ORLEANS, 1889. This is the Original, Vintage Directory published in 1889. Original hardcovers (covers disbound but present), printed cloth covered boards and spine, 6x9 inches, thick volume, 1115 pages. Contains numerous advertisements of the day. These directories were published as advertising vehicles so ads are everywhere, including the covers and stamped on the page edges. This volume was part of the amazing SUTRO GENEALOGICAL LIBRARY of SAN FRANCISCO, CALIFORNIA. There is a Sutro Library bookplate on the front pastedown, and Sutro Library ink stamps and associated library marks and stamps here and there throughout. The Sutro Library was (and to a large part still is) a treasure trove of genealogical books collected by Adolph Sutro and donated to the City of San Francisco. The collection was pretty much neglected by the City until, in 2012 the City gave the collection to the library of San Francisco State University. Before and after the move to SFSU, quite a few volumes from the Sutro genealogical library were, sadly, deaccessioned, so that the collection would fit it into its new space. In its new home the Sutro Library is still considered to have the best genealogical collection west of Salt Lake City, and is now much better cared for, it's just not as large as it was. Once these wonderful deaccessioned Sutro genealogy books find new homes they will likely not be seen again for some time. CONDITION: The front and rear covers are disbound along with a few endpapers that remain attached to them (there is some neatly applied cloth tape to the inner hinges that holds the endpapers to the covers); the spine is worn and rough along the edges where the covers are disbound; the spine covering has some pieces missing and is generally chipped but some of the lovely gilt lettering remains; internally there are the Sutro Library markings and labels as noted above, otherwise the inner pages remain tight, bright, clean and unmarked. A solid, complete copy with its original but disbound covers. A COMPLETE, ORIGINAL 1921 DIRECTORY of RESIDENTS of NEW ORLEANS, Louisiana. About the SUTRO LIBRARY (from where this book was deaccessioned): ******The Sutro Library holds the original collection of Adolph Sutro (1830-1898), California businessman and San Francisco mayor. The library has a large collection of publications and items dating from the 13th to the 21st centuries. It also has one of the largest genealogy collections in the U.S. Adolph Sutro's heirs donated his collection to the California State Library in 1913 with the requirement that the collection stay within the city of San Francisco. After operating in various locations in the city for almost 100 years, the Sutro Library moved to a permanent home at San Francisco State University in 2012.****** INTERNATIONAL BUYERS PLEASE NOTE: This book is thick and heavy and will require additional shipping charges. After placing your order you will be notified of the additional charges and be able to accept or reject them before your payment is processed. Or you can contact us ahead of time to find out the shipping charge to your country. Thanks. Fair.

      [Bookseller: Blank Verso Books]
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        The Wanderings of Oisin And Other Poems

      London: Kegan Paul, Trench, & Co., 1889 First edition of Yeats' first published book. Publisher's dark blue cloth lettered in gilt with publisher's stamp in blind to rear board, black endpapers. A very good copy with a clean interior, extremities lightly bumped, some light staining to front and rear boards, light wear to spine, hinges cracked and holding. In The Wanderings of Oisin, an Irish hero recounts the story of his travels through the faerie isles of Ireland, battling demons and giants with the help of his immortal companion, Niamh, until he accidentally breaks the spell that had been keeping him immortal and rapidly ages three hundred years. This epic poem is written in three parts, each in more complicated verse than the one before. The collection also includes 30 shorter poems. This book was Yeats's first work to be published outside of magazines and periodicals, and earned him the respect of the literary world as a serious poet. . 1st Edition. Hard Cover. Very Good.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        Athletic Sports in America, England and Australia. Comprising History, Characteristics, Sketches of Famous Leaders, Organization and Great Contests of Baseball, Cricket, Football, La Crosse, Tennis, Rowing and Cycling. Also Including the Famous "Around the World" Tour of American Baseball Teams...

      Philadelphia: Hubbard Brothers, 1889. Hardcover. Small 4to. Brown cloth over bevelled boards with gilt lettering. 711pp. Tissue-guarded chromolithograph frontispiece, numerous illustrations, 3 full-page tissue-guarded chromolithographs, decorative endpapers. Very good. Mild edgewear and bit of rubbing, though internally fine. A tight and lovely first edition of this "Most Elegantly Illustrated" (notes title page) tome ostensibly about the wide world of sports -- but, let's face it, baseball gets more than its fair share of coverage, and three of the four breathtaking chromolithographs concern the great American pastime. "Father of Baseball" Henry Chadwick provides the introduction. Quite scarce in such nice condition. A landmark title for any baseball book collector, containing some of the earliest color images.

      [Bookseller: Main Street Fine Books & Manuscripts, AB]
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        Nineteenth Century Commonplace Book with original poetry, fiction and memorials written in and about Gold Hill, Nevada Circa 1880s

      Gold Hill, Nevada, 1889. Good. Tall octavo. 9" x 7.5" Quarter red sheep and marbled paper covered boards. Owner's name on front fly: "Miss Mary I. J. Menary, Gold Hill, Nevada. August 18th, 1881." The cover is heavily worn, textblock is reasonably sound, with inserted leaves very edgeworn and marginally toned. Holograph manuscript in the ink in the same legible hand throughout. The first 78ppp. are comprised of poetry, followed by 38 blank pages, and thereafter (counting material on various loose leaves of paper laid in) about twenty pages of prose. The poetry is much concerned with death, and seems to be a mix of both original poetry and some copied, as well as a prose piece "Pledge with Wine" by Harriet Beecher Stowe. Also laid in is a small heartfelt three page memorial in her hand for the late James Livingston, dated Gold Hill, Jan 13th, 1889. Gold Hill was Incorporated in 1862. It enjoyed prosperity generated by the Comstock Lode from 1868-1888, and is now a ghost town. An interesting look into the mind of a literate woman in a Gold Rush town.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 15.   Check availability:     IOBABooks     Link/Print  


        Nicholas Flammel his exposition of the hieroglyphical figures which he caused to be painted upon an arch in St. Innocents church yard in Paris : concerning both the theory and practice of the philosophers Stone

      Bath-UK: Robert H. Fryar, 1889. Nicholas Flammel his exposition of the hieroglyphical figures which he caused to be painted upon an arch in St. Innocents church yard in Paris : concerning both the theory and practice of the Philosophers Stone..../done into English out of the French copy, by Eirenaeus Orandus ...Illustrated-Robert H. Fryar, Bath-UK- [London] : Printed at London by T.S. for Thomas Walsley, 1624 [i.e. Bath : R.H. Fryar, 1889]- Hardcover: Fair++-Good/ no jacket as issued, paper cover boards, missing piece of paper coering at back, taped spine, insides clean, ex-libris C.S. Overy and Lincold Philosophical Research Foundation, Cleveland, Ohio-Gift of Louis S. Vosburgh, some marginalia in pencil, by either Over, Vosburgh or the Reasearch foundation concerning the subject of the book. Description:XII, 45, [1] p., [1] leaf of plates : ill. ; 22 cm.-Notes:Half title: Flammel's book. Caption title p. 2: The explication of the hieroglyphic figures, placed by me Nicholas Flammel, scrivener, in the church yard of the Innocents ..."To the subscribers" (p. [V]-VI) signed at end: Robt. H. Fryar.-Corrected imprint from preface, limitation statement, and subscriber's notice. Preface signed: W. W. Westcott ...London, Novembar [sic] 1889. "One hundred copies. No. 14 [signed] RHF"--p. [I].-Publisher's advertisement of Robt. H. Fryar p. [46].- SEE PHOTOS- A very scarce and desired book- Non-fiction-alchemy-hieroglyphical Figures-Illustrated (4471). Signed By Publisher. 1st Edition-Thus. Hardcover. Fair++-Good/No Jacket as Issued. Illus. by Illustrated. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: jakoll]
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        Late Nineteenth Century American Folk Art Portrait of a Boy and Girl

      1889. Very Good. Two color printed papercut portraits of a young boy and girl; both fully dressed by hand in original contemporary clothing (including buttons and beads), and with what appears to be actual curled locks of human hair. Each dressed portrait measures about 17" high and is neatly laid-down on a background color landscape print measuring about 14.5" x 19.5". In a near-contemporary wood frame, glazed (16.5" x 21.5"). The wood frame is darkened and rubbed at the edges, very good; not examined out of the frame.The papercut portraits are printed in four colors (black, blue, green, yellow); the boy with green eyes and the girl with blue eyes. The children's curled locks, likely taken from a boy and girl, are each distinct: the boy with more tightly curled auburn-colored hair; and the girl with loosely curled lighter-colored hair. The boy is dressed in a black linen jacket with white trim and mother of pearl buttons; the girl is dressed in a white dress with fine woven silk and white lace trims. She also is wearing a bracelet of tiny glass beads. The three dimensionality of the boy and girl is enhanced by their forward looking gaze and the way in which both are positioned upon the background print (also printed in multiple colors): as standing in a garden with flowers in full bloom and mountain scenery in the distance.An unusual custom-made American portrait, featuring fine contemporary cloth and lace work, and contemporary locks of hair skillfully styled in both tight and loose curls.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Pall Mall Budget No 992 -Vol XXXV [-No 1066 -Vol XXXVII]

      [London: Richard Lambert], 1889. Illustrated. 2,400 total pages. 3 vols. Folio. Contemporary purple cloth, spines titled in gilt. Light soiling and wear to covers, contents clean. Illustrated. 2,400 total pages. 3 vols. Folio. Jack the Ripper and Arthur Conan Doyle. A continuous run of seventy-five numbers of the weekly illustrated Pall Mall Budget, from September 1887 through February 1889, with the complete serialization of Arthur Conan Doyle's The Mystery of Cloomber (23 August-8 November 1888) and much content on the Whitechapel Murderer, aka Jack the Ripper. The paper, a weekly digest of the daily Pall Mall Gazette, documents the public hysteria over the East-end murders and the frustration with the inability of the police to solve the crimes or prevent further murders. For example, a satirical piece asks that all London murderers leave a note pinned to their victim's body identifying themselves. Two numbers open with dramatic full-page illustrations related to the murders - one of the home secretary, Henry Matthews, peacefully asleep as the specters of seven murdered women float over his bedside, another asking "Where is Jack the Ripper" as a ghoulish creature taunts Chief Commissioner Sir Charles Warren. The rush to break news and sell papers even leads to a bit of "fake news" as the News of the World is reported here to have invented fresh murders. A critical multipart series titled "The Secrets of Scotland-Yard Unveiled" runs alongside the serialized parts of Doyle's The Mystery of Cloomber. Doyle, associated as he is with late Victorian criminal London, is often linked in the public's mind with Jack the Ripper, and he has been variously accused of perpetrating or solving the crimes. An important primary source for media reaction and imagery related the Whitechapel murders.

      [Bookseller: James Cummins Bookseller]
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        [Trade Catalogue] Police Signal Telegraphs The Gamewell Fire Alarm Telegraph Co, 1 1/2 Barclay Street, New York

      New York (and Boston): The Gamewell Fire Alarm Telegraph Co.. Illustrated wrappers. Very Good. N.d., circa 1889. (There are dates for testimonials ranging from 1886 to 1889.) 4to. 27 by 17.5 cm. 26 pp. Catalogue showing various telegraph/telephone systems, then a recent addition to the policing toolkit. These include a lamp post box, a wall box, a signal box. Also promoted are patrol wagons. Described are the virtues of police signal telegraphs, its purpose and uses. The company's products are shown in copious illustrations. Listed are the cities that had bought from the company, and nine pages are devoted to testimonials. Scarce catalogue, with only physical copy of this catalogue shown on OCLC at Harvard. (There are a few digital versions, and a few copies of other catalogues issued by the company.)

      [Bookseller: White Fox Rare Books and Antiques]
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        Trade Catalogue] Police Signal Telegraphs. The Gamewell Fire Alarm Telegraph Co, 1 1/2 Barclay Street, New York.

      The Gamewell Fire Alarm Telegraph Co., New York (and Boston) - N.d., circa 1889. (There are dates for testimonials ranging from 1886 to 1889.) 4to. 27 by 17.5 cm. 26 pp. Catalogue showing various telegraph/telephone systems, then a recent addition to the policing toolkit. These include a lamp post box, a wall box, a signal box. Also promoted are patrol wagons. Described are the virtues of police signal telegraphs, its purpose and uses. The company's products are shown in copious illustrations. Listed are the cities that had bought from the company, and nine pages are devoted to testimonials. Scarce catalogue, with only physical copy of this catalogue shown on OCLC at Harvard. (There are a few digital versions, and a few copies of other catalogues issued by the company.) [Attributes: Soft Cover]

      [Bookseller: White Fox Rare Books, ABAA/ILAB]
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        Huttens letzte Tage. Eine Dichtung.

      Kl.8, VIII, 170 S., OLwd. m. floraler Goldprägung auf Vorderdeckel u. gold. Rückenpräg., Kopfgoldschnitt, Lesebändchen, Rücken min. beschienen, Vs. min. stockfl. (innen sonst nur sehr vereinzelt), Papier min. gebräunt gutes, frisches Ex. 7. Auflage der Taschenausgabe. Mit Widmung von C. F. Meyer auf Innendeckel (freundlichst / der Verfasser / 1 dec. 1889).

      [Bookseller: antiquariat peter petrej]
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        Traicte de l'oeconomie politique, dedie en 1615 au roy et a la reyne mere du roy. Avec introduction et notes par Th. Funck-Brentano. [At head: L'Economie politique patronale.] Paris, Plon

      1889 - First Edition. 8vo. cxvii, 398pp, original wrappers. Reprint of the first book entitled "economie politique" [Attributes: Soft Cover]

      [Bookseller: Far Eastern Booksellers / Kyokuto Shoten]
 22.   Check availability:     AbeBooks     Link/Print  


        Revue de l'Exposition Universelle de 1889

      2 vols., 424, 380 pp. text edited by F.G. Dumas and L. de Fourcaud discussing various aspects of the Parisian exposition, including contemporary art, a retrospective of French art, the decorative arts, modern industry and the organization of the event, emphasizing its layout and the ceremonies held throughout, indices, heavily illustrated, 53 plates (some in color). 4to. 1/2 leather and boards. Some minor leather loss along spines, some rubbing especially to edges and corners. Paris (Motteroz/Ludovic Baschet) n.d. (circa 1889). The most iconic symbol of the 1889 Paris Exposition was the Eiffel Tower, which served as an entrance to the Fair. The elevators were not yet completed, so visitors to the Tower had to walk up to the platform on the second floor. Also constructed for the fair was the Galerie des Machines, which at 111 meters long was the longest interior space in the world at the time, using iron hinged arches to support the structure. The Galerie was reused at the 1900 exposition and then destroyed in 1910.

      [Bookseller: F.A. Bernett Books]
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        SPOKANE FALLS WASHINGTON TERRITORY, AND ITS TRIBUTARY COUNTRY, COMPRISING ALL OF EASTERN WASHINGTON AND THE IDAHO PANHANDLE, THEIR MINERAL, AGRICULTURAL AND COMMERCIAL RESOURCES, WITH A DESCRIPTION OF THE SPOKANE FALLS WATER-POWER.

      [Chicago]: Published by the City Council and Board of Trade, 1889. - 40pp. Illus. Original printed wrappers. Light wear and soiling. Very good plus. An exceedingly rare pamphlet concentrated on the Spokane Falls area of Washington Territory and Idaho. The frontispiece engraving is a dynamic representation of the falls, with a burgeoning city situated behind them. A George D. Smith catalog in 1921 cited but one known copy, but more have surfaced in the intervening years. Still, a scarce item printed the same year that the Washington Territory became Washington State. STREETER SALE 3289. DECKER 25:145. SMITH (1921) 602. GOODSPEED 546:602.

      [Bookseller: William Reese Company - Americana]
 24.   Check availability:     IberLibro     Link/Print  


        Priapeia or the sportive epigrams of divers poets on Priapus now first completely done into English prose from the original Latin with introduction notes explanatory and illustrative and excursus: to which is appended the Latin text.

      Athens [London]: imprinted by the Erotika Biblion Society [H. S. Nichols and Leonard Smithers] for private distribution only, 1888 [1889] - Octavo (211 x 132 mm). Near contemporary dark purple morocco, spine gilt in compartments with titles direct, boards bordered with gilt rules, board edges gilt-ruled, turn-ins with gilt rolls and tooling, dark red silk endpapers, top edge gilt, others untrimmed. Ends and corners a little rubbed, a few other minor scratches to covers, superficial split at front hinge but all holding firm, internally fresh, an excellent copy. 28 near-contemporary original watercolour illustrations. First edition, unique erotically extra-illustrated copy with 28 original watercolours explicitly depicting a range of sex acts, number 54 of 250 copies of the first issue, of Richard Burton's anonymous translation (the first literal and complete into English) of the notorious Priapeia, which was a collection of mostly erotic or ribald Latin poems and epigrams, many drawn from inscriptions found on surviving statues of the god Priapus, the Roman God of fertility and erections. Though all were anonymous, the Introduction here postulates that some must have been authored by the likes of Ovid, Petronius, Catullus, Martial, and other such notably salacious Roman authors who lived around the time of the birth of Christ. This is one of 250 copies only of the very scarce first issue (dated 1888 but in fact issued in 1889 - a second issue of 500 copies was put out in 1890), and was the first publication of the Erotika Biblion Society set up by decadent publisher Leonard Smithers. Although Burton dissociated himself from the book, letters between him and Smithers show that they were both fully involved with this translation, and were planning other similar unexpurgated translation projects, before Burton died in 1890. This unique extra-illustrated copy has Burton's name added in pencil to the title page in an early hand, and has the ex-libris of an A. J. Cox, whose took for his library motto: "Vita sine literis mors est" ("Life without literature is death"). [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 25.   Check availability:     ZVAB     Link/Print  


        Daddy Jake the Runaway and Short Stories Told After Dark by Uncle Remus

      (NY) The Century Co. (1889)., 1889. First printing. BAL 7117. Tall 4to. 145 pp. 19 B & W illustrations by Edward. W. Kemble. Original pictorial yellow paper over boards (illustrated front and rear covers and spine), printed in red and black. One of Harris' southern masterpieces. The book has some light spinal darkening, but is completely readable, with light wear at the extremities; the hinges are tight. A very good plus book. In the very RARE original fragile dust jacket. The jacket has been archivally backed, with some edge restoration, and is visually quite stunning. Housed in period custom slipcase. A true rarity in jacket.. 1st Edition. Hardcover. Very Good/Dust Jacket Included.

      [Bookseller: Thomas Dorn ABAA]
 26.   Check availability:     Biblio     Link/Print  


        Late Nineteenth Century American Folk Art Portrait of a Boy and Girl

      1889. Very Good. Two color printed papercut portraits of a young boy and girl; both fully dressed by hand in original contemporary clothing (including buttons and beads), and with what appears to be actual curled locks of human hair. Each dressed portrait measures about 17" high and is neatly laid-down on a background color landscape print measuring about 14.5" x 19.5". In a near-contemporary wood frame, glazed (16.5" x 21.5"). The wood frame is darkened and rubbed at the edges, very good; not examined out of the frame.The papercut portraits are printed in four colors (black, blue, green, yellow); the boy with green eyes and the girl with blue eyes. The children's curled locks, likely taken from a boy and girl, are each distinct: the boy with more tightly curled auburn-colored hair; and the girl with loosely curled lighter-colored hair. The boy is dressed in a black linen jacket with white trim and mother of pearl buttons; the girl is dressed in a white dress with fine woven silk and white lace trims. She also is wearing a bracelet of tiny glass beads. The three dimensionality of the boy and girl is enhanced by their forward looking gaze and the way in which both are positioned upon the background print (also printed in multiple colors): as standing in a garden with flowers in full bloom and mountain scenery in the distance.An unusual custom-made American portrait, featuring fine contemporary cloth and lace work, and contemporary locks of hair skillfully styled in both tight and loose curls.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 27.   Check availability:     IOBABooks     Link/Print  


        [Extra-Illustrated With 287 Mounted Photographs- Bound by McNamee] Rogers and His Contemporaries

      [London]: [Smith, Elder and Co.], [1889]. Four Volumes. A magnificent extra-illustrated copy of the 1889 two volume edition by Clayden, expanded to four volumes finely bound by MacNamee of Cambridge containing 287 mounted plates, about half of which are orginal and contemporary photographs, some of important authors and figures that Samuel Rogers knew and promoted, such as Longfellow and Ruskin. Full brown morocco, ornate spines and large dentelles elaboratedly tooled, all edges gilt. A one-of-a-kind compendium of Samuel Rogers lore and information, chronicled in word, picture and photograph. SLight surface wear, a very good, tight set. Most scarce.

      [Bookseller: Nudelman Rare Books ]
 28.   Check availability:     ABAA     Link/Print  


        Le Vendomois. Epigraphie et Iconographie.

      P., Honoré Champion, 1889. - 2 vol. In-8, rel. moderne demi-chagrin bordeaux à coins, dos à 5 nerfs, titre doré, plats et gardes de papier marbrés, couv. conservées, 480 & 799pp., 231 gravures in et hors-texte. Tables des noms de personnes et de lieux in-fine. Édition originale. Ouvrage rare car tiré à seulement 200 exemplaires. Bel exemplaire, très bien relié. Réf. bibliographiques : Important recueil contenant un certain nombre de généalogies de familles vendômoises " (Saffroy, n° 31004). [Attributes: Hard Cover]

      [Bookseller: Librairie Le Trait d'Union sarl.]
 29.   Check availability:     AbeBooks     Link/Print  


        Déclaration passionnée à la comtesse Potocka "Je ne dis pas que je vous ai aimé - je dis que j'ai été atteint, comme d'autres, par votre pouvoir"

      1889 - - Paris 11 mars 1889, 10x15,5cm, 7 pages sur deux feuillets rempliés. - « Je ne dis pas que je vous ai aimé - je dis que j'ai été atteint, comme d'autres, par votre pouvoir » Exceptionnelle lettre autographe signée de Guy de Maupassant, 123 lignes à l'encre noire sur deux feuillets. Jointe, une enveloppe à l'adresse de la comtesse au 14 bis rue Chateaubriand. Cette remarquable missive, probablement inédite, résume les années d'attente et de souffrance amoureuse de Maupassant passées aux côtés de la comtesse Potocka. L'écrivain s'expose enfin dans une ultime et amère lettre d'aveux et dévoile les combats intérieurs acharnés auxquels il s'est livré depuis sa rencontre avec cet être au charme irrésistible. Cette déclaration, longuement repoussée par Maupassant qui se contentait jusqu'alors de civilités et de quelques discrets épanchements dans sa correspondance, trahit les violents sentiments de l'écrivain envers la comtesse Potocka. L'écrivain séducteur resté célèbre pour ses nombreuses conquêtes féminines ploie cette fois sous la domination de son amie ; ces lignes douloureuses et libératrices sont donc le témoignage unique et sublime d'une immédiate passion que l'écrivain avait dissimulé depuis leur rencontre dans le salon de la comtesse, et qu'il confesse enfin : « Aucune femme ne m'a plu dès l'abord, comme vous ». Emmanuela Pignatelli di Cergharia fut l'épouse du très riche comte polonais Nicolas Potocki, qui lui laissait une grande liberté. Son salon parisien avenue Friedland fut dès 1882 l'extravagant rendez-vous d'une élite d'écrivains, hommes du monde, et de lettrés, et recevait chaque vendredi un aréopage de prétendants « morts d'amour », ironiquement appelés « Macchabées ». Egérie de Guerlain qui crée pour elle un parfum intitulé Shore's caprice et des écrivains du Tout-Paris, elle inspira en premier lieu Maupassant, qui donne ses traits à Christiane Andermatt dans Mont-Oriol, et à Michèle de Burne dans Notre cœur. Leur splendide correspondance s'étend sur plusieurs années jusqu'à l'internement de Maupassant. A la date de l'écriture de cette lettre, le 11 mars 1889, la comtesse tenait encore salon chez sa mère rue de Chateaubriand. Maupassant est un fidèle de ses soirées depuis de nombreuses années comme le fera remarquer Proust dans une chronique du Figaro de 1904 : « Maupassant allait tous les jours chez elle » ; il fut même ironiquement élevé au rang de « secrétaire perpétuel du Conseil permanent du club des Macchabées ». La confession furieuse de Maupassant débute sur un ton éminemment dramatique (« je vais ici vous faire un aveu que je suis peut-être le seul homme capable de vous faire »). Il s'agit avant tout pour Maupassant de se démarquer d'une foule de prétendants dans la même position que lui, auxquels la comtesse réserve un égal traitement : une « influence dominatrice » insupportable pour l'esprit libre de l'écrivain, qui se targue d'être « méfiant, très dissimulé, très observateur et très maître de [lui] ». Averti dès le début du cruel manège qu'elle menait dans son cénacle de soupirants, il lui déclare : « On m'avait dit de vous beaucoup de mal [.] Je me suis d'autant plus méfié, d'autant plus roidi que je subissais terriblement votre charme. » L'écrivain se livre à une amère confession et s'avoue vaincu devant le charme manipulateur de la comtesse. La question de l'honnêteté semble un leitmotiv cher à Maupassant tout au long de la lettre. La comtesse et lui évoluent dans les sphères mondaines (l'écrivain organise de nombreux dîners à Paris et en province), et leur relation a dès son commencement mêlé amour et amitié, dans un subliminal jeu de séduction. La comtesse semble donc douter de la sincérité de son ami « Vous prétendez que vous ne me comprenez pas, vous pensez que j'ai toujours eu vis-à-vis de vous l'attitude d'un finaud » ; il lui rétorque : « Si vous dites encore que je ne suis pas franc c'est que la tour Eiffel n'est pas en fer ». Cette mention du monument rappelle la véhémente opposition de M [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Die indischen Miniaturen des Haemzae-Romanes im österreichischen Museum für Kunst und Industrie in Wien und in anderen Sammlungen mit einer Wiederherstellung des Romantextes.

      Glück (1889-1930)

      [Bookseller: Wissenschaftliches Antiquariat Köln]
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        The New Review: A Complete Run in 17 Volumes (1889-97)

      London: (Longmans, Green and Co. / William Heinemann, 1889. Very Good. Magazine. 17 volumes. Large octavos. Edited by Archibald Grove and William Ernest Henley. A complete set of The New Review consisting of all of the monthly issues published from June, 1889 (issue no. 1) through December 1897, when it ceased publication. Bound in full cloth over boards, dark red spine labels stamped in gold, edges sprinkled red. An ex-library set with intermittent small ink stamps and bookplates on the front pastedowns. Modest overall soiling and some scattered light staining to the cloth bindings, two folded plates in volume 17 are split along the fold, very good.A complete run of this influential avant-garde magazine that features the first published appearances of many important literary works, mostly notably H.G. Wells' The Time Machine, a landmark science fiction novel that popularized time travel stories and coined the term "time machine," and Joseph Conrad's The Nigger of the "Narcissus," which was completed in the magazine's final issue, along with the author's famous postscript: "Any work that aspires, however humbly, to the condition of art should carry its justification in every line."The magazine was unusually because it appealed both to conservative MPs and literary intellectuals, and championed 'uncommercial' writers. Modern critics describe it as an early modernist 'little magazine' in mid-Victorian clothing. A sampling of its content includes The Solution by Henry James, and The World's Desire by H. Rider Haggard and Andrew Lang. Also included are four stories by Kenneth Grahame (later published in The Golden Age and Dream Days), three more stories by Wells, poems by Alfred Tennyson, Rudyard Kipling, Robert Louis Stevenson, and Paul Verlaine, and both poems and stories by W.B. Yeats. The magazine under both Grove and Henley also published multiple contributions by several leading women writers, including: Vernon Lee [Violet Page], Olive Schreiner, Ellen Terry, Katharine Tynan, and Sarah Grand; along with multiple essays and reviews by Thomas Hardy, Henry James, Edmund Gosse, George Saintsbury, Walter Pater, and others. Starting in February 1897 the magazine also serialized a revised version of What Maisie Knew by Henry James, in direct competition with the version that had commenced publication just two weeks earlier in The Chap Book. And all throughout 1897 Henley published seven color woodcut portraits (all folded plates): "a gallery representative of the most unique and influential personalities of our time" by the avant-garde artist William Nicholson.Sir Herbert Stephen, one of the magazine's co-owners, blamed The New Review's eventual demise in 1897 on Henley's stridently avant-garde literary tastes, and for the publication of a story in which the seduction of a housemaid was described too explicitly.A scarce compete set of this important literary journal which was at the forefront of the radical transformation of British literary culture during the 1890s. Edel and Laurence, A49 and D480 (Henry James); Hammond, p. 46 (H.G. Wells); McDonald, p. 49 (British Literary Culture and Publishing Practice, 1880-1914).A detailed list of notable contributions follows:Vol. I (June -- December, 1889)G. Eiffel. The Eiffel Tower (July, pp. 172-81).Bret Harte. The Station-Master of Lone Prairie (December, pp. 601-03).Henry James. After the Play (June, pp. 30-46).Henry James. The Solution (In three parts: December, pp. 666-90).Andrew Lang. Mythology and the Old Testament (August, pp. 278-86).Lord Tennyson. [Poem] The Throstle (October, 1889).Vol. II (January -- June, 1890)R. Rider Haggard. The Fate of Swaziland (January, pp. 64-75).R. Rider Haggard and Andrew Lang. The World's Desire (In nine installments: April, pp. 369-84; May, pp. 466-80; June, pp. 558-68).Thomas Hardy. Candour in English Fiction (January, pp. 15-21). Part 3 of a series: Walter Besant, Eliza Lynn Linton, Thomas Hardy. Candour in English Fiction (January, pp. 6-21): Part 1 by Walter Besant (pp. 6-9); Part 2 by Eliza Lynn Linton (pp. 10-14); Part 3 by Thomas Hardy (pp. 15-21).Henry James. The Solution (Part II: January, pp. 76-90; Part III: February, pp. 161-71).Vernon Lee (pseud. of Violet Paget). Sketches in Tangier (March, pp. 221-28).Olive Schreiner. The Sunlight Lay Across My Bed (In two parts: Part I.--Hell: April, pp. 300-09; Part II.---Heaven: May, pp. 423-31).Vol. III (July -- December, 1890)R. Rider Haggard and Andrew Lang. The World's Desire (July, pp. 86-96; August, pp. 168-92; September, pp. 270-88; October, pp. 370-84; November, pp. 464-80; December, pp. 553-68).Vol. IV (January -- June, 1891)Thomas Hardy. The Science of Fiction (April, pp. 315-19). Part 3 of a series: Paul Bourget, Walter Besant, Thomas Hardy. The Science of Fiction (April, pp. 304-19): Part 1 by Paul Bourget (pp. 304-09); Part 2 by Walter Besant (pp. 310-15); Part 3 by Thomas Hardy (pp. 315-19).W. Holman Hunt. The Ideals of Art (May, pp. 420-31).Henry James. On The Occasion of "Hedda Gabler" (June, pp. 519-30).Henry James. The Science of Criticism (May, pp. 398-402). Part 1 of a series: Henry James, Andrew Lang, Edmund Gosse. The Science of Criticism (May, pp. 398-411): Part 1 by Henry James (pp. 398-02); Part 2 by Andrew Lang (pp. 403-08); Part 3 by Edmund Gosse (pp. 408-11).William Morris. The Socialist Ideal -- Art (January, pp. 1-8). Part 1 of a series: William Morris, George Bernard Shaw, H.S. Salt. The Socialist Ideal (January, pp. 1-28): I.---Art (by Morris, 1-8), II.--Politics (by Shaw, 9-18), III.--Literature (by Salt, 19-28).Olive Schreiner. The Woman's Rose (June, pp. 540-43).Lord Tennyson. [Poem] A Song (March, p. 193).Ellen Terry (Dame Alice). Stray Memories (In three installments: April, pp. 332-41; May, pp. 444-49; June, pp. 499-507).Vol. V (July -- December, 1891)Clementina Black. Women and Work (September, pp. 213-21).Thomas Carlyle. Excursion (Futile Enough) to Paris; Autumn 1851: Thrown on paper, when galloping, from Saturday to Tuesday, 4-7, 1851 (In three installments: October, pp. 298-307; November, pp. 385-94; December, pp. 481-90). First appearance, posthumously published.Bret Harte A Few Words About Mr. Lowell (September, pp. 193-201).Vernon Lee. Of Writers and Readers (December, pp. 528-36).Leo Tolstoy. On the Right of Revolution (July, pp. 57-62).Vol. VI (January -- June, 1892)Thomas Carlyle. Wotton Reinfred (In three installments: January, pp. 1-30; February, pp. 141-65; March, pp. 285-313). First appearance, posthumously published.Thomas Carlyle. Letters of Carlyle to Varnhagen von Ense (April).Emile Zola. Three Wars: Personal Recollections (In three installments: February, pp. 210-17; March, pp 314-19; April, pp. 455-59).Vol. VII (July -- December, 1892)Olive Schreiner. Was It Right? -- Was It Wrong? (October, pp. 397-404).Leo Tolstoy. The First Step (July, pp. 22-41).Vol. VIII (January -- June, 1893)Henrik Ibsen. The Master-Builder. Scene from Act II (January, pp. 32-39).Leslie Stephen. William Cobbett (In two installments).Emile Zola. Life and Labour (January).Vol. IX (July -- December, 1893)Bjornstjerne Bjornson. Mother's Hands (In three parts: March, pp. 281-89; April, pp. 408-18; May, 517-26).Vol. X (January -- June, 1894)Marie Adelaide Belloc (Lowndes). The Theater Libre of Paris (illustrated).Walter Crane. Some Impressions of America (In two installments, illustrated).Leo Tolstoy. The Preaching of Christ and the Practice of His Churches.Paul Verlaine. Anniversaire. A Will Rothenstein.Vol. XI (July -- December, 1894)Aubrey Beardsley. The Art of the Hoarding (July, pp. 53-55). Part 3 of a series. Jules Cheret, Dudley Hardy, Aubrey Beardsley. The Art of the Hoarding (July, pp. 47-55). Part 1 by Jules Cheret (47-50); Part 2 by Dudley Hardy (50-53); Part 3 by Aubrey Beardsley (53-55).Sarah Grand. The Undefinable. A Fantasia (In two installments).Vernon Lee. The Craft of Words.Gilbert Parker. Women in the Colonies.George Bernard Shaw. A Dramatic Realist to his Critics (July, pp. 56-73).Vol. XII (January -- June, 1895)H.G. Wells. The Time Machine (In five installments: January-May, pp. 98-112, 207-21, 329-43, 453-72, 577-88). Note: The first appearance in complete form under this title. The story that would eventually become The Time Machine as serialized in The New Review, originated as "The Chronic Argonauts" published in three parts in The Science Schools Journal (founded and edited by Wells) in 1888. It was subsequently revised and rewritten, and serialized in 1894 in Henley's The National Observer under the title: "The Time Traveller's Story". The conclusion was not published, however, because Henley moved to The New Review and arranged for Wells to rewrite the story as a continuous narrative under a new title, instead of loosely connected instalments as they had appeared in the National Observer. According to John Hammond: "This version represents a considerable expansion of the National Observer articles, and while the previous version contained the basic idea and the skeleton of the story, the New Review version brought The Time Machine into a shape very much nearer its final form." (Hammond p. 46).Kenneth Grahame. In Arcady. I.--A Holiday; II.--Lusisti Satis (March 1895, pp. 225-35). Both later published in The Golden Age.Rudyard Kipling. The Song of the Banjo (June 1895, pp. 602-04).Robert Louis Stevenson. Two Poems. I.---The Woodman; II.---Mater Triumphans (January).Robert Louis Stevenson and William Ernest Henley. Macaire: Melodramatic Farce in Three Acts. (June, pp. 685-706).Gilbert Parker. There was a Little City. (June, pp. 589-601).Katharine Tynan. [Two poems] The Gardener; Chanticleer.Paul Verlaine. [Two poems] A Eugenie; A une Femme.Vol. XIII (July -- December, 1895)Coleridge, Samuel Taylor. Ex Anima Poetae (October, pp. 353-58).Kenneth Grahame. The Twenty-First of October (October, pp. 359-66). Later published in Dream Days.W. B. Yeats. Wisdom (September, pp. 285-89).Vol. XIV (January -- June, 1896)Stephen Crane. Horses (February, pp. 140-51). Note: First British appearance.Kenneth Grahame. Saturnia Regna (March, pp. 248-52).Kenneth Grahame. Mutabile Semper (April, pp. 436-44). Later published in Dream Days.Katharine Tynan. An Irish Peasant-Woman and The Sheepfold.Henry James. On the Death of Dumas the Younger (March, pp. 288-302). Note: this is a second appearance (by two months).H.G. Wells. Under the Knife (January, pp. 1-13). Later published in The Plattner Story and Others.H.G. Wells. The Plattner Story (April, pp. 349-66). Later published in The Plattner Story and Others.George Wyndham. A Remarkable Book (January, pp. 30-40). An important review of Stephen Crane's The Red Badge of Courage.W.B. Yeats. Everlasting Voices (January, p. 13).W.B. Yeats. The Vision of O'Sullivan the Red (April, pp. 404-07). Later published as Hanrahan's Vision.Vol. XV (July -- December, 1896)H.L. Stephens. Cobbett's English Grammar (pp. 292-98).W.B. Yeats. The Death of O'Sullivan the Red (December, pp. 677-81). Later published as The Death of Hanrahan.Vol. XVI (January -- June, 1897)Henry James. What Maisie Knew (In eight installments: February, pp. 113-28; March, pp. 241-63; April, pp. 353-72; May, pp. 469-90; June, pp. 581-602). Note: This story was serialized in The Chap Book (15 January -- 1 August, 1897) and The New Review (revised and abridged, February -- September, 1897): "There are variations between the two serial sets, the last three parts of the New Review text being considerably abridged. Edel and Laurence, A49 and D480.W.N.P. Nicholson. A Portrait of H.M. The Queen facing p. 580. Folded plate with slip: "Copies of the Portrait of Her Majesty the Queen, presented with this number of The New Review, printed direct from the wood-block on fine paper and hand-coloured by the Artist, can be ordered from the Publisher of The New Review, who will send price on application."Paul Valery. La Conquete Allemande (January, pp. 99-112).H.G. Wells. The Crystal Egg (May, pp. 556-71). Later published in The Country of the Blind and Other Stories.Vol. XVII (July -- December, 1897)Joseph Conrad. The Nigger of the "Narcissus" A Tale of the Forecastle. August, pp. 125-50; September, pp. 241-64; October, pp. 361-81; November, pp. 485-510; December, pp. 605-31. With postscript "Author's Note" (pp. 628-31): "Any work that aspires, however humbly, to the condition of art should carry its justification in every line ..."Henry James. What Maise Knew. July, pp. 1-20; August, pp. 216-40; September, pp. 334-56.W.N.P. Nicholson (6 folded color woodcut plates): Portrait of Sarah Bernhardt facing p. 1.Portrait of Lord Roberts facing p. 125 (split along the fold).Portrait of J. McNeill Whistler facing p. 241 (split along the fold).Portrait of Rudyard Kipling facing p. 261.Portrait of Cecil Rhodes facing p. 485.Portrait of Prince Bismarck facing p. 605.W.B. Yeats. [Poem:] O'Sullivan the Red upon His Wanderings. August, p. 162.W.B. Yeats. The Tribes of Danu. November, pp. 549-63.Also included are contributions by: Grant Allen, William Archer, Alfred Austin, L. F. Austin, Lady Isabel Burton, Hall Caine, Max Muller, Algernon Charles Swinburne, John Addington Symonds, Arthur Symons, Arthur Waugh, et al.; and with additional contributions (not noted above) by Paul Bourget, Edmund Gosse, Andrew Lang, E. Lynn Linton, George Moore, Walter Pater, George Saintsbury, George Bernard Shaw, et al.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 32.   Check availability:     ABAA     Link/Print  


        THE MOUSE-TRAP AND OTHER FARCES

      Harper and Brothers, New York 1889 - Original red cloth. BAL 9642. Illustrated with eight plates. A fine presentation copy INSCRIBED and SIGNED by the author to "Joanna/from her brother,/W.D. Howells." Slight hinge crack. Spine sunned and a little soiled. Very Good [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        The New Review: A Complete Run in 17 Volumes (1889-97)

      (Longmans, Green and Co. / William Heinemann, London 1889 - Magazine. 17 volumes. Large octavos. Edited by Archibald Grove and William Ernest Henley. A complete set of The New Review consisting of all of the monthly issues published from June, 1889 (issue no. 1) through December 1897, when it ceased publication. Bound in full cloth over boards, dark red spine labels stamped in gold, edges sprinkled red. An ex-library set with intermittent small ink stamps and bookplates on the front pastedowns. Modest overall soiling and some scattered light staining to the cloth bindings, two folded plates in volume 17 are split along the fold, very good.A complete run of this influential avant-garde magazine that features the first published appearances of many important literary works, mostly notably H.G. Wells' The Time Machine, a landmark science fiction novel that popularized time travel stories and coined the term "time machine," and Joseph Conrad's The Nigger of the "Narcissus," which was completed in the magazine's final issue, along with the author's famous postscript: "Any work that aspires, however humbly, to the condition of art should carry its justification in every line."The magazine was unusually because it appealed both to conservative MPs and literary intellectuals, and championed 'uncommercial' writers. Modern critics describe it as an early modernist 'little magazine' in mid-Victorian clothing. A sampling of its content includes The Solution by Henry James, and The World's Desire by H. Rider Haggard and Andrew Lang. Also included are four stories by Kenneth Grahame (later published in The Golden Age and Dream Days), three more stories by Wells, poems by Alfred Tennyson, Rudyard Kipling, Robert Louis Stevenson, and Paul Verlaine, and both poems and stories by W.B. Yeats. The magazine under both Grove and Henley also published multiple contributions by several leading women writers, including: Vernon Lee [Violet Page], Olive Schreiner, Ellen Terry, Katharine Tynan, and Sarah Grand; along with multiple essays and reviews by Thomas Hardy, Henry James, Edmund Gosse, George Saintsbury, Walter Pater, and others. Starting in February 1897 the magazine also serialized a revised version of What Maisie Knew by Henry James, in direct competition with the version that had commenced publication just two weeks earlier in The Chap Book. And all throughout 1897 Henley published seven color woodcut portraits (all folded plates): "a gallery representative of the most unique and influential personalities of our time" by the avant-garde artist William Nicholson.Sir Herbert Stephen, one of the magazine's co-owners, blamed The New Review's eventual demise in 1897 on Henley's stridently avant-garde literary tastes, and for the publication of a story in which the seduction of a housemaid was described too explicitly.A scarce compete set of this important literary journal which was at the forefront of the radical transformation of British literary culture during the 1890s. Edel and Laurence, A49 and D480 (Henry James); Hammond, p. 46 (H.G. Wells); McDonald, p. 49 (British Literary Culture and Publishing Practice, 1880-1914).A detailed list of notable contributions follows:Vol. I (June -- December, 1889)G. Eiffel. The Eiffel Tower (July, pp. 172-81).Bret Harte. The Station-Master of Lone Prairie (December, pp. 601-03).Henry James. After the Play (June, pp. 30-46).Henry James. The Solution (In three parts: December, pp. 666-90).Andrew Lang. Mythology and the Old Testament (August, pp. 278-86).Lord Tennyson. [Poem] The Throstle (October, 1889).Vol. II (January -- June, 1890)R. Rider Haggard. The Fate of Swaziland (January, pp. 64-75).R. Rider Haggard and Andrew Lang. The World's Desire (In nine installments: April, pp. 369-84; May, pp. 466-80; June, pp. 558-68).Thomas Hardy. Candour in English Fiction (January, pp. 15-21). Part 3 of a series: Walter Besant, Eliza Lynn Linton, Thomas Hardy. Candour in English Fiction (January, pp. 6-21): Part 1 by Walter Besant (pp. 6-9); Part 2 by Eliza Lynn Linton (pp. 10-14)

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Poèmes. Léone - Allégories - La Crucifixion - Neiges

      157 (1) Seiten 8, Broschiert mit leicht gebräuntem Pergaminumschlag, der Buchblock durchgängig leicht gebräunt und nur am Kopf beschnitten, Druck der Normalausgabe auf Alfa-Papier, auf dem Vortitel mit Widmung in violetter Tinte: aFrans Hellens / souvenir de / toujours / Jean / kleine Vignette (umgedrehtes Herz). Jean Cocteau (* 5. Juli 1889 in Maisons-Laffitte bei Paris - + 11. Oktober 1963 in Milly-la-Forêt bei Paris) war ein französischer Schriftsteller, Regisseur und Maler.

      [Bookseller: Bührnheims Literatursalon GmbH]
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        Furniture and Decoration in England during the Eighteenth Century: Facsimile Reproductions of the Choicest Examples from the Works of Chippendale, Adam, Richardson, Heppelwhite, Sheraton, Pergolesi, and others . [ Complete in 4 Volumes ]

      London: John Bumpus , 1889. Published between 1889-1892. Complete in 4 volumes. Volume 1, parts 1 & 2. Volume 2, parts 1 & 2. Books measures 19 1/4 x 14 1/2 inches. Collation, 21,vii, 200 black & white plates. Bound in original publishers maroon cloth, with gilt lettering, blind stamp design on top baords. Cloth rubbed on edges, with some wear loss, cloth faded on spine, stained on one board, some nicks or abrasion wear marks. Generally bindings in good firm condition. Internally, pages and plates clean throughout. A very nice clean set, bindings are showing some wear, but are good and solid. . Large Folio.

      [Bookseller: George Jeffery Books]
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        Binding, Fine- Miss Florence Leicester] Essays of Elia (Large Paper)

      David Stott, London 1889 - 12mo. Two Volumes. Attractive Arts & Crafts style binding by Miss Florence Leicester (inscribed in pencil at back of volume 1, "bound by Miss Florence Leicester) and signed in gilt pallet on rear dentelle: "19- F-M-L- 02, in crushed tan morocco with shamrock and petal design, flowers and vines on both covers (i.e. repeated four times), gilt-ruled dentelles and spines with similar motif. Large paper edition; one of one hundred copies [unnumbered]. White endpapers with ruled dentelles, featuring shamrocks in each corner. All edges gilt. With the bookplate of Alonzo Weston Kimball, noted collector of rare books and fine art. Little is known abou Florence Leicester, except to say that she was very accomplished and no doubt studied under one of the major bookbinders in London at the turn of the century. Some light rubbing and spine slightly faded. Very small closed crack to the top of the front hinge on vol. II. Only 100 Copies Printed. Both volumes and contents near fine.

      [Bookseller: Nudelman Rare Books]
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        Déclaration passionnée à la comtesse Potocka "Je ne dis pas que je vous ai aimé - je dis que j'ai été atteint, comme d'autres, par votre pouvoir"

      Paris 11 mars 1889 10x15,5cm 7 pages sur deux feuillets rempliés

      [Bookseller: Librairie Le Feu Follet]
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        Wee Willie Winkie, and other child stories

      Allahabad: Published by Messrs. A.H. Wheeler & Co., [1889]. 8vo (22 cm, 8.625"). [1 (ad)] f., [1 (title)] f., 104 pp., [4 (ads)] ff. First edition, or as Richards says "First (Indian) Edition," in the => first state of the wrappers. These stories, with the exception of "The Drums of the Fore and Aft," are "Reprinted in chief from the 'Week's news'" (title-page) and include "Wee Willie Winkie," "Baa, Baa Black Sheep," and "His Majesty the King." This is vol. 6 in => "A.H. Wheeler & Co.'s Indian Railway Library" series.    A good deal has been written about "Wee Willie Winkie" and the other short stories here, much of it negative-revisionary in nature, but we would call one's attention to John McGivering's evenhanded (but perhaps partisan) observations on the Kipling Society website: "Looking at this story of a spoilt and precocious child in the cold light of the 21st Century, it seems at first sight most unlikely, even in a work of fiction, that such a child could so confront and outface a gang of wild armed men. However, considering the status of the British in India in that era, and looking at Kipling's account of his own childhood in Bombay reflected in the first part of 'Baa Baa, Black Sheep' . . . it is perhaps not as implausible as it seems."    The illustrations on the wrappers are by Kipling's father, John L. Kipling, and were engraved on wood at the Mayo Art School in Lahore where he was the principal.         Richards A19; Stewart 54; Martindell 34; Livingston 43. Never bound, in original green wrappers lightly soiled; light discoloration to lower corners of wrappers, front one with an old crease, short tear at base of spine. Advertisement leaf before title-leaf (not called for in any bibliography) torn and detached but present. A fragile publication, housed for protection in a red cloth chemise.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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