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Displayed below are some selected recent viaLibri matches for books published in 1883

        Fire Fountains The Kingdom of Hawaii its Volcanoes , and the History of its Missions

      Edinburgh: William Blackwood and Sons, 1883. Two volumes, octavo, each volume with four black & white plates and a map at the rear. Handsome set in full polished calf, ornate gilt spine with title labels, marbled endpapers and edges. Attractive set of this well-illustrated work on the volcanoes of Hawaii. Constance Gordon Cumming (1837-1924) was a popular Victorian travel writer and artist, the twelfth child and youngest daughter of Sir William Gordon Gordon-Cumming of Altyre; her brother was Roualeyn Gordon-Cumming, the lion hunter of African fame. In 1867 she was invited to spend a year with a married sister in India and this proved to be the start of twelve years of travel and a longer period of travel writing. A good note in Forbes describes her visit to Hawaii in October and November 1879, where her arrival was reported in the Hawaiian Gazette ('Distinguished stranger Miss Gordon Cumming is now here for the purposes of making observations and sketches etc… She is an accomplished artist, and will make sketches of the scenery of these Islands to enrich a forthcoming book of her travels'). Not long after arriving in Hilo in October she visited Kilaueau volcano where she spent several days sketching the geologic wonders that provided the title of her narrative. In the first volume she goes into some detail on the thriving sugar industry, Chinese rice growers and the wonders of a new telephone system just established at Haiku. Seven pages of chapter five describe in some detail the locals surfing on their "planks" of wood following a storm that had produced tremendous surf all along the bay. Constance describes "A good surf-board is about an inch and a half in thickness, about eighteen inches wide, and eight feet long, and should be slightly hollowed down the centre, and rounded at one end. It is stained black, frequently rubbed with cocoa-nut oil, and preserved with the greatest care, being wrapped up in cloth and hung up in some safe corner of the house." The second volume commences with the author's departure from Maui for Honolulu, and she ultimately sailed for San Francisco on board the Australia on November 24. Constance Gordon Cumming is best remembered today for the distances she travelled and the locations she reached. These included Australia, New Zealand, America, China, Japan as well as Hawaii. In later years she settled in Scotland, where she worked on her travel books and articles and arranged for exhibitions of the many watercolours she had produced in her travels.

      [Bookseller: Hordern House Rare Books]
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        Felis Pardina [Eurasian Lynx]

      Daniel Giraud Elliot for the subscribers, [London 1883 - A very fine image from 'the best animal painter who ever lived' (Sir Edwin Landseer). `The Lynx is one of the major predators of the colder regions of Europe and Asia, feeding on deer, hares and rabbits. They inhabit coniferous forests from Scandinavia and Eastern Europe across Siberia to Northern China, and are also found in Tibet and the mountains of Central Asia. There are more isolated populations in the Iberian Peninsula, Greece, The Balkans, Turkey, northern Iran and the Caucasus; there have also been attempted reintroductions to the Alps in Central Europe. General colouration is light or reddish brown, often with a frosting of white hairs particularly in the winter coat. The coat may be spotted although this is variable; animals from the southern parts of the range are particularly heavily marked, often more brightly coloured, and smaller. Length up to 50" overall; weight from 10 to 55lb. The Spanish Lynx Felis (Lynx) lynx pardina is sometimes classified as a separate species. It is a heavily spotted form which once occurred throughout the Iberian Peninsula, now rare and restricted to a few scattered mountainous areas and the scrubland and thickets of the Guadalquivir Delta' ( The Natural History Museum Library Big Cats A selection of magnificent illustrations by Joseph Wolf London: 1991, pp.40-42). One of the most striking images from Elliot's magnificent work A Monograph of the Felidae or Family of Cats (London: 1878-1883) which described and pictured all the species of cats then known, and is still the most beautiful work on the subject. The work was prompted by a perceived need to resolve the confusion that had built up around the naming of the various species of Felidae , particularly amongst the smaller cats. Wolf worked from specimens provided by Elliot, who visited all the great museums and zoological societies on both sides of the Atlantic. This allowed Elliot to make a comparative study of skeletons and skins and reduce the number of apparently separate species by nearly a third. Joseph Wolf served an apprenticeship with a Koblentz firm of lithographers, and spent some time working in Leiden and Darmstadt, before moving to London in 1848. The quality of his images was recognized immediately and he was rarely without work, producing natural history pictures of the highest quality for the Zoological Society of London, Henry Dresser, George Gray and John Gould, amongst many others. Wolf's work for Elliot marks the high-point of his illustrative work and his images of the cats are considered by many to be his masterpieces. Cf. Nissen ZBI 1279; cf. Wood p.332. Hand-coloured lithograph by J.Smit after Joseph Wolf, printed by M. & N.Hanhart.

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Tropische Landschaft mit zwei Frauenakten.

      . Aquarell und Feder in Schwarz, auf dünnem Papier, auf Karton aufgezogen, links unten monogrammiert und datiert "HB. 23.". 19,5:25 cm.. Das Thema der arkadischen Landschaft mit nackten Frauenakten bzw. nackten Badenden fand gerade zu Beginn des 20. Jahrhunderts bei den Expressionisten große Aufmerksamkeit. Zu nennen ist hier etwa E. Heckel (1883-1970), dessen typische Naturmotive badende oder ruhende Menschen am Strand wiedergeben. Auch unser Blatt zeigt ein solches Motiv und verrät damit die Orientierung an progressiven Kunstauffassungen der Zeit. Hansl Bock war Tochter der Blumen- und Landschaftsmalerin Johanna H. Merre (1867-1940), die seit 1911 in zweiter Ehe mit dem Maler Franz Hienl-Merre (1869-1943) verheiratet war. Durch ihren Stiefvater bekam sie Zugang zum "Scholle-Kreis". Künstlerisch war sie ausgebildet durch ihren Ehemann L. Bock (1886-1971) und Schülerin von J. Seyler (1873-1958). Studienreisen führten sie nach Italien und Spanien. Längere Aufenthalte führten sie nach Straßburg und Paris, wo sie ein Atelier hatte. Nach 1935 hatte sie keine Ausstellung mehr und wird heute der "Verschollenen Generation" zugerechnet. Bevorzugte Themen waren Landschaften, Stilleben und figurative Darstellungen. Als Mitglied der Vereinigung der "Juryfreien" beteiligte sie sich an den Ausstellungen im Münchner Glaspalast.

      [Bookseller: Galerie Joseph Fach GmbH]
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        ?The Father of Modern Baseball,? Hall of Famer Alexander J. Cartwright, signs a lease for land in Honolulu as attorney for Hawaiian Queen Emma, owner of the land ? she also signs!

      Rare Manuscript Document Signed ?Emma Kaleleonalani,? ?by Her Atty in fact / Alxr J. Cartwright,? and in Chinese characters ?Tuck Yee,? ?Pat Ngu,? and ?Ing Chun,? 3p, 8? x 12.5?, front & verso on two lined sheets. Witnessed by ?Cecil Brown.? [Honolulu], September 4, 1883. Docketed on blank verso of second sheet ?Lease / Dated Sept 1883 / Emma Kaleleonalani / to / Tuck Yee et al.? Docket page stained. Offset on second page from three red labels next to signatures on third page. Creases at folds, splits at ends of folds expertly mended. Fine condition.In part, ?This Indenture made this 4 day of September 1883 between Emma Kaleleonalani of Honolulu Island of Oahu of the first part and Tuck Yee, Pat Ngu and Ing Chun of the same place of the second part Witnesseth That the said party of the first part doth hereby demise and lease unto the said parties of the second part and their executors, administrators and assigns that certain piece or parcel of land situate at

      [Bookseller: University Archives]
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        A May 30, 1883 letter by Charles G. "Chinese" Gordon, written to a comrade from Jerusalem mentions landmarks of the Holy Land including the site of the crucifixion of Jesus and where Noah built his Ark

      Jerusalem: , May 30, 1883. The 6-page autograph letter signed "C. G. Gordon", written from Jerusalem to a Mr. Button reads in part: "Jerusalem is very interesting and I have found out a deal more about the four rivers. Are people interested in this subject. I have found out that the flood went out at the Dead Sea. Also saw the place Noah built his ark. It was only in 776 AD it was placed at Ararat. Also I have found the Skull Hill where the crucifixion was, it is shaped just like a skull. "About a century ago, a 2,000-year-old tomb was discovered near a cliff called Skull Hill. Since the days when Constantinople legalized Christianity, and the Church of the Holy Sepulchre was erected to honor the crucifixion and burial of Jesus, it has been assumed that it was built over the correct location of where it happened. But interesting parallels between the garden tomb at Skull Hill and the descriptions in the Bible make one wonder if this might be the actual location. The Romans used this intersection for crucif

      [Bookseller: University Archives ]
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        DAS NEUE UNIVERSUM.- Die interessantesten Erfindungen und Entdeckungen auf allen Gebieten, sowie Reiseschilderungen, Erzählungen, Jagden und Abenteuer.

      Stuttgart (Spemann), 1883.. Gr. 8°. 310 (6) S. mit farblithogr. Frontispiz + 169 Abb. ill. OLn. vorderes Gelenk gelockert, sonst annähernd tadellos. = Bd. 4.. Enthält u.a. die Karl MAY- Erzählung "Ein Oelbrand" in Heft 1, S. 1-17 (1.Teil) ; Heft 6, S. 161-180 (2.Teil). Die Erzählung "Ölbrand" ist entstehungs-chronologisch Mays dritte oder vierte Winnetou-Erzählung (Hartmut Kühne in K-M-Jahrb.1970, S.258) Das Neue Universum war eine Jugendbuchreihe. Ab 1880 erschien jährlich ein Band mit Themen aus den Bereichen Wissen, Forschung, Abenteuer, Unterhaltung. In den Jahren 1943 sowie 1945 bis 1947 wurden keine Bände veröffentlicht. 1958 erschien der Jubiläumsband 75. Im Jahr 2002 erschien nach 122 Jahren der letzte Band mit Nummer 119. Die Bände 1 bis 11 erschienen im W. Spemann Verlag, Stuttgart; die Bände 12 bis 90 im Union Verlag Deutsche Verlagsgesellschaft, Stuttgart-Berlin-Leipzig; die Bände 91 bis 119 im Südwest-Verlag, München. Außer Sachthemen druckte das Neue Universum auch fiktionale Texte. Bekannte Autoren wie Isaac Asimov und Hans Dominik und viele andere veröffentlichten so ihre Science-Fiction-Kurzgeschichten im Neuen Universum. Dabei zeichnen sich Themenwahl und inhaltliche Gestaltung durch einen starken Zukunfts-, Wissenschafts- und Machbarkeitsoptimismus aus. In den Jugendstilbänden hieß es im Untertitel: Ein Jahrbuch für Haus und Familie, besonders für die reifere Jugend, mit einem Anhang zur Selbstbeschäftigung "häusliche Werkstatt". Später lautete der Untertitel des Jahrbuches "Ein Jahrbuch des Wissens und Fortschritts", ab 1970 wurde es umbenannt in "Forschung, Wissen, Unterhaltung. Ein Jahrbuch", ab 1985 hieß es "Ein Jahrbuch für Forschung, Wissen, Unterhaltung". (Wikepedia)

      [Bookseller: Versand-Antiquariat Bebuquin]
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        Der Missions- und Heidenbote. Begründet von Pastor Ludwig Doll, 13 Jahrgänge: 5 (1883) bis 17 (1895). [Missionsberichte des 19. Jh, u.a. aus Ostafrika, Java und Tibet.],

      Neukirchen bei Moers : Stursberg, 1883 - 1895. - 13 Jahrgänge in 4 Bänden, insgesamt ca. 2500 S., mit vielen Abbildungen 13 Jahrgänge in 4 Bänden!!! Aus ehemaligem Bibliotheksbestand, mit entsprechenden Kennzeichnungen. Einbände stark berieben und angestaubt. Seiten an wenigen Stellen stockfleckig, bzw. mit Anstreichungen. 3. Sammelband (1894-1895) mit einer losen Seite. Bindungen sonst fest. Guter, teils mäßiger Zustand. Dennoch schöne und spannende Leseexemplare! jqx Sprache: de Gewicht in Gramm: 3850

      [Bookseller: Antiq. Bookfarm/ Sebastian Seckfort]
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        Paris pittoresque. Ouvrage illustré de nombreuses gravures dans le texte et de dix grandes eaux-fortes originales par Lucien Gautier, Paris et London, Rouam et Remington, 1883.

      - 1 volume in-folio relié plein cartonnage de percaline bleu-vert estampée d?un décor noir et or, tranches dorées, 10 eaux-fortes sous serpentes, 80 p. + 38 gravures, rousseurs éparses parfois développées, petites taches sans gravité sur le cartonnage, une déchirure avec petit manque de papier en marge de la page de titre sinon très bel état. [Attributes: Hard Cover]

      [Bookseller: Mesnard - Comptoir du Livre Ancien]
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        Diardigallus praelatus [Siamese Fireback (Lophura diardi)]

      by the Author, [London 1883 - A fine image from John Gould's magnificent folio work 'The Birds of Asia'. 'These birds are quite common in Laos, Annam and south-west China. They live almost exclusively in woods and bamboo forests in the plains of the low hill-country. Family parties or solitary cocks are sometimes seen at the forest edges or on the road particularly in the morning and evening: they are not at all shy. The cock has a loud repeated cry: "pee-yoo-pee-yoo". He also has a piping call and can make a rustling noise with his wings.' (A.Rutgers Birds of Asia 1969, p.33). The intended geographical range of "The Birds of Asia" was enormous, and very much in keeping with the seemingly limitless self-belief of the 19th-century's best known ornithologist. In his all-encompassing work John Gould includes species from all corners of the eastern world, as Richard Bowdler Sharpe noted the work covers "Species from Palestine to the eastward, and from the Moluccas to the west". Gould chose to record the bird life from an area which, with the exception of the tropical areas of the American continent, includes the widest, and most colourful variety of bird life to be found anywhere in the world. The present plate is from a large number of images documenting the pheasants of the region, one of the most beautiful and varied of all bird families. Cf. Anker 178; cf. Fine Bird Books (1990), p.102; cf. Nissen IVB 368; cf. Sauer 17; cf. Wood p. 365; cf. Zimmer p.258. Hand-coloured lithograph by John Gould and H.C.Richter, printed by Hullmandel & Walton. Wove paper.

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Mademoiselle de Maupin. Double amour -

      Conquet et Charpentier 1883 -, Paris - 2 Grand in-8 Tome 1: XVI + 374 pp. Tome 2: 373 pp. Sous étuis bordés (bords des étuis un peu frottés avec petites fentes). Reliure plein maroquin rouge. Dos à nerfs orné de tirets dorés. Plats décorés de filets dorés dans le style art déco. Trois tranches dorées. Reliure signée CHAMBOLLE-DURU. Intérieur propre avec infimes rousseurs claires sur beau papier japon. Edition illustrée de 18 compositions de TOUDOUZE. MAGNIFIQUE EXEMPLAIRE, magistralement relié TIRAGE LIMITE. Un des 150 exemplaires numérotés de tête sur Japon contenant les illustrations en deux états et enrichi d'une très belle aquarelle originale signée H. de STA. Ex-libris du docteur Durosier. [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
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        Taschenbuch für Eglisau und Umgebung. I. Theil: Eglisau in der Gegenwart und Vergangenheit. II. Theil: Die Umgebung von Eglisau. (2 Bde. , compl.). Am Zürcher Rheine. Taschenbuch für Eglisau und Umgebung. Unter Mitwirkung von Gelehrten und Freunden der Heimatkunde.

      Zürich, S. Höhr, 1883, 84 - Kl.-8°, photogr. Fronti., 390s., 5 statt 6 Abb.(ohne die Umschlagsillustr.) 1 doppleblattgrosse Karte; lithogr. Faltfronti., 324 S., 1 doppleblattgrosse Karte., Bibl.-HLwd. mit handschriftl. Rückenschild, Klebspuren eines Bibl.-Schildes a. Rücken. Stemp. a. Vors.,Bibl.-Stemp. auf Titelbl.,min. stockfleckig - trotzdem gutes Exemplar. Ausführliche seltene Ortsgeschichte. Ansichten: I Theil: 1. Photogr. Gesamtansicht von Eglisau im Jahr 1882 (Lichtdruck). 2. Denkmal des Freiherrn Bernhard Gradner (Lithographie). 3. Das alte Schloss(Kupferstich). 4. Die alten Strassen (Kupferstich nach Denzler). 5. Zollhaus mit Eingang zur Rheinbrücke (Kupferstich). II. Theil: 1. 3-fach gefaltete lithogr. Uebersichtsbild von Eglisau und Rafzerfeld vom Laubberge aus. 2. Karte von Eglisau und Umgebung. 1200 gr. [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        Diccionario Enciclopédico de la Masonería ( 3 Vols.) Tomo I. A-O . Tomo II. P-Z . Tomo III . Suplemento - Historia - Taller ( Diccionario Enciclopédico de la Masonería con un suplemento seguido de la Historia General de la Orden Masónica desde los tiempos más remotos hasta la época actual. Incluye un Taller General de la Francmasonería. Guía de dignatarios y oficiales de las logias, capítulos y grandes cámaras, para el desempeño de sus cargos)

      La Propaganda Literaria, La Habana 1883 - Tres Volúmenes.Idioma español. Encuadernación de tapa dura de la editorial en plena tela estampada con dorados. Primer Tomo: Incluye diccionario de personajes y conceptos de la letra A -0 , incluye un frontis en color y 24 láminas grabadas y/o cromolitografiadas (687 pp.). Segundo Tomo: Incluye diccionario de personajes y conceptos desde la letra P - Z, incluye 10 láminas grabadas y/o cromolitografiadas ( 761 pp.). Tercer Tomo: Incluye Suplemento al Diccionario con índices ( 40 pp.) Historia de la Francmasonería (374 pp + índices) - Taller General de la Francmasonería con emblemas de los diversos grados cromolitografiados. Incluye 39 láminas grabadas y/o cromolitografiadas [Attributes: Hard Cover]

      [Bookseller: Librería Antonio Azorín]
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        The millionaire. In three volumes

      Edinburgh & London: William Blackwood and Sons. 1883. "First edition, 3 volumes, 12mo, original orange cloth lettered in black on upper covers, and in gilt on spines; minor rubbing, spines a little darkened; near fine. Inscribed in volume I: ""From the author"" in ink at the top of the first flyleaf. Sadleir 1325: ""A novel based on the life of Jay Gould, by the father of this catalogue's dedicatee"" [i.e. Richard Jennings]. Wolff 3650."

      [Bookseller: Rulon-Miller Books ]
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        Histoire des quatre fils Aymon. Très nobles et très Vaillans chevaliers.

      Paris, H. Launette, 1883 - 4°, 8 bl., 224 S., 8 Bl., Privat-Ldr. mit beigebundene Deckel und Rücken, Etwas berieben, min angeschmutzt, innen sauber Text franz. Illustré de compositions en couleur par Eugène Grasset. Gravure et impression par Charles Gillot. - Es ist eine wirkungsmächtige Erzählung von den Abenteuern der vier Haimonskinder aus dem Bereich der Geschichten um Karl den Großen. Die Erzählung hat eine internationale Verbreitung gefunden, bei der Texte aus Frankreich, den Niederlanden, England, Skandinavien, Italien, Spanien, Flandern und Portugal in vielen Varianten und Sprachen entstanden, und die den jeweiligen Umständen, besonders auch in der Renaissance bis weit in das 19. Jahrhundert, angepasst wurden. Diese Literatur des Hochmittelalters wurde entscheidend durch die Erfindung des Buchdruckes gefördert und ihre ritterlichen Helden sind vergleichbar mit jenen aus der Artustradition. Zu Beginn dieser lange überlieferten Tradition steht der altfranzösische Versroman (Heldenlied) Renaut de Montauban aus dem späten 12. Jahrhundert, bzw. einer der wenigen identifizierten französischen Chanson de geste (La Chanson de Quatre Fils Aymons; im 15. Jahrhundert entstanden Prosafassungen; erste frz. Drucke: Lyon um 1480; Paris 1506). Geschildert wird mit epischen Motiven des Mittelalters eine Auseinandersetzung zwischen dem Kaiser und seinem Vasall, der Widerstand mächtiger Adelsgeschlechter des Karolingerreiches ? hier Haimon von Dordogne und seiner Familie, die dem König Karl Vasallentreue geschworen haben ? gegen die Zentralisierungsbestrebungen Karls des Großen, der die karolingische Reichsbildung im 8. Jahrhundert initiierte, und sein Herrschergeschlecht. 1200 gr. [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        Histoire des quatre fils Aymon. Tres nobles et tres Vaillans chevaliers.

      Paris, H. Launette, 1883. 4°, 8 bl., 224 S., 8 Bl., Privat-Ldr. mit beigebundene Deckel und Rücken, Etwas berieben, min angeschmutzt, innen sauber Preis in CHF: 990. Text franz. Illustre de compositions en couleur par Eugene Grasset. Gravure et impression par Charles Gillot. - Es ist eine wirkungsmächtige Erzählung von den Abenteuern der vier Haimonskinder aus dem Bereich der Geschichten um Karl den Großen. Die Erzählung hat eine internationale Verbreitung gefunden, bei der Texte aus Frankreich, den Niederlanden, England, Skandinavien, Italien, Spanien, Flandern und Portugal in vielen Varianten und Sprachen entstanden, und die den jeweiligen Umständen, besonders auch in der Renaissance bis weit in das 19. Jahrhundert, angepasst wurden. Diese Literatur des Hochmittelalters wurde entscheidend durch die Erfindung des Buchdruckes gefördert und ihre ritterlichen Helden sind vergleichbar mit jenen aus der Artustradition. Zu Beginn dieser lange überlieferten Tradition steht der altfranzösische Versroman (Heldenlied) Renaut de Montauban aus dem späten 12. Jahrhundert, bzw. einer der wenigen identifizierten französischen Chanson de geste (La Chanson de Quatre Fils Aymons; im 15. Jahrhundert entstanden Prosafassungen; erste frz. Drucke: Lyon um 1480; Paris 1506). Geschildert wird mit epischen Motiven des Mittelalters eine Auseinandersetzung zwischen dem Kaiser und seinem Vasall, der Widerstand mächtiger Adelsgeschlechter des Karolingerreiches - hier Haimon von Dordogne und seiner Familie, die dem König Karl Vasallentreue geschworen haben - gegen die Zentralisierungsbestrebungen Karls des Großen, der die karolingische Reichsbildung im 8. Jahrhundert initiierte, und sein Herrschergeschlecht.

      [Bookseller: Antiquariat Peter Petrej]
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        Die deutsche Kaiserstadt nebst Potsdam und Charlottenburg mit ihren schönsten Bauwerken und hervorragendsten Monumenten. Eine malerische Wanderung in Buch und Bild. 2. Auflage. Frankfurt/M., Bokelmann, 1883. Gr.-8vo. (ca. 26 : 18 cm). Mit gest. Titel mit Vignette und 47 Ansichten in Stahlstich. 4 Bl., 247 S. Hellbrauner Orig.-Leinenband mit reicher Gold- u. Schwarzprägung; Vorderdeckel mit kl. Fleck (Aufhellung).

      . . Vielleicht eine der schönsten Darstellungen Berlins zur Kaiserzeit. Dies liegt nicht nur an der Vielzahl der beeindruckenden Illustrationen, die in schönen, nach Photographien angefertigten Stahlstichen die baulichen und landschaftlichen Vorzüge Berlins vorstellen. Es liegt besonders auch am Text, der nicht, wie man es hätte vermuten können, laut und protzend daherkommt, sondern sich eher liebevoll und in fontanescher Manier seines Themas annimmt. Springer erläutert beispielsweise die Veränderungen Berlins im Wechsel der Jahreszeiten, streift in Spaziergängen durch die Stadt, führt das "kaiserliche", repräsentative Berlin vor und beschreibt, offensichtlich selbst beeindruckt, Verkehr und Infrastruktur der ständig wachsenden Millionenstadt. - Papier leicht gebräunt, sonst schönes, nur vereinzelt etwas stockfleckiges Exemplar mit allen Stichen in kräftigen Abzügen. ** Bestellungen bis 14 Uhr versenden wir am selben Tag. - Schweizer Postkonto vorhanden. **

      [Bookseller: Antiquariat Patzer & Trenkle]
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        Life on the Mississippi

      Osgood, 1883-01-01. Hardcover. Good. FIRST EDITION. New York: James R. Osgood and Company, 1883. 593 pp. + 30 page appendix. Brown cloth with black and gilt lettering and illustrations. First edition, first printing, mixed state. (States "The St. Louis Hotel" on pg. 443, which was changed to "St. Charles" in later printings, but no head of Twain on fire on pg. 441. Steambot on title page. Sold by subscription only.)Condition notes: Good+ condition. Clean pages. Gilt on covers bright. Cloth torn at head, wear at edges. Hinge beginning to split near the middle, loose at front; book should be handled with care. Small stains to pg. 367; small faint stain on front cover cloth. Pencil drawing on ffep with names of former owners. Corners lightly bumped. Nice condition overall.A nice copy of one of Twain's greatest works.

      [Bookseller: Burnside Rare Books]
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        W. F. EDWARDS' TOURISTS' GUIDE And DIRECTORY Of The TRUCKEE BASIN.

      W. F. Edwards, Publisher. "Republican" Job Print,, Truckee, Cal., 1883 - Frontis & 12 inserted wood-engraved plates ("Logging Train" present in duplicate). Quebedeaux notes "First book on the region; first separate directories of Boca and Truckee, preceded only by the Nevada County Directory for 1871- 72; and one of the first two guides to a section of the High Sierra outside of Yosemite. Very Scarce". ABPC & AmEx show 3 copies to auction since the 1968 Streeter sale; the last, in 2009, was defective, lacking 2 plates. Some modest shelfwear. Period ownership signature, "George Buxton / Randolph / Cal" [quite probably the propriertor of Randolph Hotel from that era]. Pp 133/134 with old cellophane 1.5" tape repair. Withal, a VG+ copy. Publisher's original terra-cotta pebbled cloth binding with gilt stamped title lettering to front board. Red edgestain. Grey paper eps. 7-1/4" x 4-3/4". 1st edition (Cowan II, p. 192; Howes E73; Norris 1046; Paher 539; Quebedeaux 38; Rocq 5983; Streeter 2982). 1 - 60, 57 - 137, [43] pp. 36 pages of adverts at rear. NB. In this copy, pp. 57-60 are duplicated. [Attributes: First Edition; Hard Cover]

      [Bookseller: Tavistock Books, ABAA]
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        Golden Mirror of Surgery (Yu Zuan Wai Ke Jin Jian)

      Imperial Court of Qing Dynasty 1883 - The book was published and printed in the Ninth Year of Guangxu Reign(1883), Qing Dynasty. Original copy of this title is in 16 volumes set. This copy has 15 volumes, the volume 6 lost. Text language in Chinese, good condition. It is a rare and precious medicine book and hard to get. [Attributes: Soft Cover]

      [Bookseller: CHINASCIBOOK]
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        ALMANACK FOR 1883.

      London, Routledge, 1883.FIRST EDITION PUBLISHER'S DELUXE BINDING 1883, 102 x 76 mm, 4 x 3 inches, pink cloth, 4 line gilt ruled border, titled gilt, gilt illustration of 11 children holding hands in a ring, dark green and deep pink floral spray above and below illustration, both covers identical, all edges gilt, bright yellow endpapers, (24) pages. Colour frontispiece, title vignette and 28 small colour illustrations (2 per page for each month). In addition there are 5 lovely colour plates, 1 for the old year and 1 each for the seasons. Minute touch of rubbing to head and tail of spine and corners, no inscriptions, half - title and final page with printer's name lightly browned. A Fine clean bright copy in the rare full cloth binding gilt. The first Almanack in the series, Schuster 3,1e. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
 20.   Check availability:     maremagnum.com     Link/Print  


        Afrikanische Landschaft mit Pavianen.

      . Pinsel in Grau, grau laviert, über Bleistift, mit schwarzer Tuschlinie umrandet, auf chamoisfarbenem Zeichenkarton, rechts unten signiert "W. Kuhnert". Darstellungsgröße 19,5:31,4 cm, Blattgröße 24,7:36,5 cm. Vorzeichnung für eine Buchillustration.. Kuhnert, der als Maler, Illustrator und Autor tätig war, zählt zu den bedeutendsten deutschen Tiermalern seiner Zeit. Nach einem Studium 1883-1887 an der Kunstakademie in Berlin als Schüler von F. Bellermann (1814-1889) und P. Meyerheim (1842-1915) unternahm er von dort aus Reisen nach Ägypten, Ostafrika und Indien, um vor Ort Tier- und Landschaftsstudien zu betreiben.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Portrait medallion by Frederic Vernon

      , 1883. 1883. <p>Charcot, Jean Martin (1825-93). Docteur J. M. Charcot. Cast bronze medallion by Frédéric Vernon (1858-1912), together with smaller medallion of the Salpetrière. Charcot medallion signed "F. Vernon 1883" in the metal. Charcot medallion measures 75 mm. in diameter, Salpetrière medallion measures 54 mm. in diameter. Both medallions mounted on velvet-covered board, velvet a little worn.</p><p>Rare medallion by the noted French sculptor, the obverse showing Charcot&#39;s head in profile looking to the right (the reverse is blank). This is the first of two medallions by Vernon commemorating Charcot; the second medallion, made after Charcot&#39;s death, is of gilt bronze and is slightly smaller. Jacobs, in his forward to M. E. Abbott&#39;s Classified and Annotated Bibliography of Sir William Osler&#39;s Publications (2nd ed. 1939), notes that Sir William Osler was persuaded to sit for Vernon in 1905 after being shown a medal of Charcot&#39;s likeness-possibly a copy of this 1883 medallion.</p><p>Charcot, known as the "founder of modern neurology," taught at the Salpetrière Hospital in Paris for 33 years. He is associated with at least 15 medical eponyms, including Charcot-Marie-Tooth disease (peroneal muscular atrophy) and amyotrophic lateral sclerosis. Charcot had a great influence on the developing fields of neurology and psychology, both through his own work and through that of his students, among whom were Sigmund Freud, Pierre Janet, William James, Georges Gilles de la Tourette and Alfred Binet. Storer, Medicina in nummis, 603.</p>

      [Bookseller: Jeremy Norman's Historyofscience.com]
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        The Green Ray

      London: Sampson Low, Marston & Co., 1883. London: Sampson Low, Marston & Co., 1883. First Edition. Hardcover. First Printing of the First English Edition. Mauve-grey and green pictorial cloth with gilt titles. Decorative endpapers. 312 pp. plus advertisment supplement (dated September 1883) at rear pages. B/w illustrations. Superb condition. No inscriptions. One very light area of rubbing to the top corner of blank flyleaf page (where a prev. inscription had been erased). Pages beautifully clean throughout. Pictorial cloth is in stunning condition with no noticeable wear. Gilt is still bright and cloth still has its lustrous sheen. Has come from a very well looked-after collection. One of Verne's scarcest works (particularly in this the mauve-grey cloth variant) which we are thrilled to be able to offer here. NEAR FINE

      [Bookseller: Wheeler's Bookshop]
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        The Collective Edition [The Portrait of A Lady; Roderick Hudson; The American; Washington Square; The Euopeans; Daisy Miller; An International Episode; The Siege of London; The Madonna of the Future; Confidence.]

      London: Macmillan and Co., 1883. London: Macmillan and Co.,, 1883. 14 volumes, octavo (160 × 105 mm). Original blue cloth, spine lettered in gilt, front board double ruled in gilt, rear board double ruled in blind, edges untrimmed. Spines faded, contents slightly toned, extremities rubbed, ownership signature to the front free endpaper of Portrait of A Lady. An excellent set. First collective edition, first impression, primary binding state. Suggested to James by Frederick Macmillan in 1882, this was envisioned as a nice, inexpensive set of six of his novels, and four volumes of his tales. All the titles were reset for this edition, and are not impressions of prior editions. A very attractive set.

      [Bookseller: Peter Harrington]
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        Histoire des Quartre Fils Aymon: Tres Nobles et Tres Vaillans Chevaliers

      Paris: H. Launette, 1883 Paris: H. Launette, 1883. Limited First Edition. Hardcover. Very Good Plus. Grasset, Eugene. Book. 4to - over 9¾ - 12" tall. One of 200 unnumbered copies on Papier de Chine. Georgeous color illustrations by Grasset and printed in chromotypography by Charles Grillot. A retelling of the "Chanson de Geste" of Charlemagne and his barons, this is one of the most important and influential illustrated books of the Art Nouveau era. Ray, in the Art of French Illustration, describes the book as epochal! Gillot persuaded Grasset to furnish "Merovingian" style designs to showcase chromolithographic book illustration. As stunning as the illustrations proper is how they were woven in and incorporated into borders and set on the page. See Ray, The Art of French Illustrated Book 357, 464, 465. Ironically, Grasset himself was ambivalent about the whole process of book illustration, which he found onerous in how it forced him to confine his visual ideas to the spatial limitations of the page. His splendid results, though, were surely the product of how he approached the project. He allegedly began with the borders and worked in, sometimes augmenting these with further decoration, and others, with full illustration, and generally, elements of both.The illustrations track the story very well and indeed, the book can be read using the illustrations alone, and ignoring the text. As far as influence, one sees it clearly in the wonderful series of young adult biographies issued by Librairie Furne (the Louis', Richelieu, Napoleon, etc.), many works of Job, etc. etc. Joints rubbed. A few minor spots on brown morocco. Original wrappers bound in.

      [Bookseller: White Fox Rare Books and Antiques ]
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        Griechische Keramik: a Set of Four Greek Ceramics.

      Ernst Wasmuth Berlin 1883 - Set of four double-page chromolithograph plates, by Ernst Wasmuth. (sheet size: 36 by 27 inches). Overall size: 103 by 79cm - framed and glazed. Rare set of these impressive plates with decorative colour lithographs depicting Greek pottery, such as amphorae, vases, bowls, and other storage and decorative vessels The large, finely executed prints were created in the studio Hein & Mosler in Berlin. The revival of interest in Greek ceramics was led by the travellers and cogniscenti who visited Greece and southern Italy in the mid to late 18th century. The Greek vase as an art form was first brought to the attention of an appreciative wider audience with the publication of a number or well-illustrated works on the collections of these dilletants. The most notable of this group was Sir William Hamilton (1730-1803), whose collection catalogue was published over a number of years starting in 1769. However, these early pioneers, working with a relatively small number of examples and using primitive techniques, were only able to begin to piece together the intricate story of this unique art form. It was not until a century later that art historians felt that they understood the full scope and history of ancient Greek ceramics in general and the superb work produced using red-figure technique in particular. The red-figure technique first came into use in about 500 B.C. and was the dominant type by about 530 B.C. With this technique, images are traced in outline and the background filled in with black glaze. Details are then drawn in by the painter with a black or brownish glaze. Genick (d. 1906) was one of the leading authorities of his day on the red-figure vases: an architect by training, he had a passionate love for and deep understanding of this great Athenian pottery. His study brought to realisation by Wasmuth's superb ffchromolithographs, illustrates for the first time these masterpieces of the potter's life-size art.chromolithographs, illustrates for the first time these masterpieces of the potter's life-size art.

      [Bookseller: Shapero Rare Books]
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        Kannen (XXXIV) [XXXIV]

      - Berlin: Ernst Wasmuth, 1883. Colour-printed lithograph by Ernst Wasmuth. Very good condition apart from a few surface abrasions in the corners and faint remnants of an ink stamp in the top left corner of the sheet. 26 1/8 x 17 inches. From "Griechische Keramik", Genick's superb work on Greek ceramics. The revival of interest in Greek ceramics was led by the travellers and cognoscenti who visited Greece and southern Italy in the mid to late-18th century. The Greek vase as an art form was first brought to the attention of an appreciative wider audience with the publication of a number of well-illustrated works on the collections of these dilettantes. The most notable of this group was Sir William Hamilton (1730- 1803), whose collection catalogue was published over a number of years starting in 1769. However, it was not until a century later that art historians felt they understood the full scope and history of ancient Greek ceramics in general and the superb work produced using the red- figure technique in particular. Genick was one of the leading authorities of his day on the red-figure vases: an architect by training, he had a passionate love for and deep understanding of this great Athenian pottery. His study, brought to realization by Wasmuth's superb chromolithographs, illustrates for the first time these masterpieces of the potter's life- size art.

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        MUSEO MILITAR, HISTORIA DEL EJERCITO ESPANOL (1883-87)

      . Zustand: Excelente Einband: Encuadernacion de tapa dura. Barcelona. Imp. Manuel Soler. Barcelona, s.a. (c. 1883-87). 38X30,5. 3 vol.: (I) 1 h., 631 pag+2 h. y 22 laminas (19 pautadas). (II) 666 pag., 1 h. y 17 laminas (III) 741 pag., 3 h. y 43 laminas (37 pautadas). Texto en orla. Todos los vol. ilustr. con grabados, en el texto, con la anteportada y la portada a dos tintas. Tres vol. enc. en tela edit. estampada, lomera cuajada. Completa. Ref 15.1 Biblioteca A.

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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        EL INGENIOSO HIDALGO DE DON QUIJOTE DE LA MANCHA

      . Zustand: Excelente Einband: Encuadernacion de tapa dura. Barcelona. 1883. 4Vol. 39x29. LXXII + 566 Pag + II + 651 Pag. Pergamino con dorados. Espectacular edicion del Quijote anotada por Don Nicolas Diaz de Benjumea e ilustrada por Don Ricardo Balaca y Don J. Luis Pellicer. Esta Obra esta en 4 Tomos y normalmente son 2 Tomos, Curiosidad. Bella Obra.

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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        The survey of western Palestine. Memoirs of the topography, orography, hydrography, and archæology. Volume III. Sheets XVII. - XXVI., Judaea

      London, The Committee of the Palestine Exploration Fund 1883 - 4to. burgundy cloth with the gilt Jerusalem cross. 450pp fronts. (1 fold.) illus., plates. maps (part fold.) plans. 30 cm. frontis is loose. some foxing to endpapers. with special edition plate (no. 158) [Attributes: First Edition; Hard Cover]

      [Bookseller: Arthur Probsthain]
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        Wangen im Allgäu: 3 Original-Zeichnungen (eine Tusch-Feder-, 2 Bleistift-Zeichnungen) von Ludwig Walther.

      . 3 Original-Zeichnungen, 1883; Blätter: ca.: 1. : 24,8 x 15,7; 2.: 21 x 13,8; 3.: 13,5 x 13 cm. 1. Original-Feder-Zeichnung: Unter Darstellung bez.: 'Thor in Wangen', oben am Rand in Blei bez.: 'Ravensburgher Thor in Wangen', links unten im Bild signiert, nicht datiert; 2. O-Bleistift-Zchng: Links u. bez.: No 61Wangen, Stadtmauertheil, unten rechts monogr. 'LW' u. dat. '83'; 3. O-Bleistift-Zchng: Links u. bez.: No 56 Wangen, Mansarde mit Heuaufzug, unten rechts monogr. 'LW' u. dat. '83'.; mit rotbraunem Stift Anmerkung oben rechts außerhalb der Darstellung.'VII 6'. - Zeichnungen tls. etwas unegal beschnitten, fleckig, bzw. fingerfleckig, Fedezeichnung mit 2 Montagedurchstichen an Ecken; rückseitig Montagespuren. - Walther, Ludwig; Maler, Autodidakt, geb. 02.11.1855 in Donaueschingen, gest. 11.7.1895, ebenda; aus Thieme-Becker. - Walther war einer der maßgeblichen Illustratoren von: Baumann, F. L.: Geschichte des Allgäus (von den ältesten Zeiten bis zum Beginne des neunzehnten Jahrhunderts). Bände 1 bis 3, Kempten, Kösel,1881-89; und: Dr. Karl Reiser: Sagen und Gebräuche, Sprichwörter des Allgäus, Kempten, Kösel, 1895. - Aus dem Vorwort des Baumann: ... Außerdem machte der Maler Ludwig Walther von Donaueschingen im Herbste 1882 auf Kosten des Verlegers eine mehrwöchentliche Reise in das Allgäu, um an Ort und Stelle passende Ansichten aufzunehmen ... - Die hier vorliegenden Zeichnungen wurden im Baumann abgebildet, wobei die Federzeichnung wohl als Druckvorlage diente, die Bleistift-Zeichnungen als Entwürfe für die Druckvorlagen. - Fundstellen: Nr. 1: Baumann II, S. 78; dort bezeichnet: 'Ravensburger Thor in Wangen, Nr. 54'; Nr. 2: Baumann II, S. 96; dort bezeichnet: 'Stadtmauerreste in Wangen Nr. 71'; Nr. 3: Baumann II, S. 257; dort bezeichnet: 'Alter Aufzug in Wangen Nr. 188'. - Preis nur zusammen. - Wangen im Allgäu (7988)..

      [Bookseller: Internet-Antiquariat Harald Holder (Vers]
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        THE WONDERUL CITY OF TOKIO OR FURTHER ADVENTURES OF THE JEWETT FAMILY AND THEIR FRIEND OTO NAMBO

      Boston & New York: Lee and Shepard / Charles T. Dillingham, 1883.. Boston & New York: Lee and Shepard / Charles T. Dillingham, 1883.. xiii,[1],301,[3]pp. Large, thick octavo. Half gilt calf and marbled boards, pictorial panels of original binding bound in. Frontis and illustrations. A few incidents of marginal spotting, otherwise a very good copy. First edition. A superb pre-publication association copy, inscribed by the author to American Orientalist and modernist literary influence, Ernest Fenollosa, utilizing Fenollosa&#39;s Japanese honorific: "To Mast. Kano Fenollosa In this wonderful city of Tokio from his affec. friend Edward Greey New York Oct. 23 1882 [sic]." After serving with the British military during the Second Opium War, Greey (1835-1888) traveled to Japan in the diplomatic service and immersed himself in the country&#39;s language, culture and art. In 1868, he settled in New York, opening a shop specializing in Japanese art and antiquities, and subsidizing that income as a writer. In addition to formal works such as the present, which afford a valuable insight into aspects of Japanese history and culture from a Westerner&#39;s point of view, Greey was a prolific contributor to the pulp press and boy&#39;s papers, often under pseudonyms. He took his own life in 1888 under mysterious circumstances. As a somewhat older contemporary of Fenollosa, he would no doubt had ample reason and opportunity to make his acquaintance, either in the U.S. or during travels back to Japan on business. Beyond his considerable importance as one of the preeminent Orientalists of the last quarter of the 19th century, Fenollosa left an indelible influence on Ezra Pound and W.B. Yeats, who worked mightily to edit his unpublished manuscripts and notes and disseminate his ideas.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Life On The Mississippi

      Boston: James R. Osgood, 1883 Boston: James R. Osgood, 1883. First American Edition; probably issued a few days earlier in London; first state, with the â??St. Louis Hotelâ? caption and the illustration of Mark Twain â??in flames,â? which was dropped due to Mrs. Clemensâ??s objections to its morbidity. Small name stamp on the front free endpaper; a little fraying at the extremities; very good plus.

      [Bookseller: Peter L. Stern & Company, Inc. ]
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        Life on the Mississippi

      Boston: James R. Osgood and Company, 1883. Boston: James R. Osgood and Company. Very Good with no dust jacket. 1883. Second Printing. Hard Cover. First edition, second intermediate issue, with no illustration on Page 441 and an illustration of the St. Louis Hotel (captioned "The St. Charles Hotel") on page 443. Publisher&#39;s full brown cloth, gilt lettering and medallion on spine, gilt medallion and black and reverse black lettering on cover. Illustrated with over 300 B&W drawings and reproductions. [McBride 85][BAL 3411] . Expertly refurbished by Kellar, unmarked, tight, square and clean; spine and covers remarkably bright and clean. NEAR FINE. . B&W Illustrations. 8vo 8" - 9" tall. 624 pp .

      [Bookseller: Round Table Books]
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        LIFE ON THE MISSISSIPPI

      Boston: James R. Osgood and Company, 1883. Boston: James R. Osgood and Company, 1883. First American edition. about Fine. First State, intermediate B (BAL): lacking the image of Twain in flames on p. 441, but with "The St. Louis Hotel" caption on p. 443. An excellent copy in the publisher&#39;s half-morocco. Never rebacked, but it appears that the inner hinges have been closed and that small cracks at the head and foot of the spine have been repaired. With most leather-bound copies crumbling to bits, this one is decidedly above average.& & The author&#39;s first-hand look at navigating the Mississippi by riverboat and the changes to that area many years after the Civil War. Written concurrently with "Huckleberry Finn" and sharing several themes and even a few passages with that masterpiece. "The material offered by observations on the journey is various beyond enumeration, and much of it is extremely amusing. Hoaxes and exaggerations palmed off by pilots and other natives along the way upon supposed ignorant strangers; stories of gamblers and obsolete robbers; glimpses of character and manners; descriptions of scenery and places; statistics of trade; Indian legends; extracts from the comments of foreign travelers, -- all these occur, interspersed with two or three stories of either humorous or tragic import, or of both together." ("The Atlantic Monthly," September 1883). about Fine.

      [Bookseller: Whitmore Rare Books]
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        Life On The Mississippi

      James R. Osgood, Boston 1883 - Original available by subscription publisher's brown leather (see page 46 First's July/August 1998), gilt edges, marbled end papers. Spine shows wear with bumping to corners. Front free end paper detached, otherwise text block clean and tight. Intermediate state B with no head in flames on page 441, but St. Louis Hotel on page 443. [Attributes: First Edition; Hard Cover]

      [Bookseller: Liberty Book Store FABA]
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        History of Punch, The

      , 1883. 1883. Marvelously Extra-IllustratedAnd With Two Original Color Drawings by George Cruikshank and John LeechSPIELMANN, M.H. The History of Punch. Special Copy With Additional Illustrations. Vol. 1 [Vol. 2]. London: [Cassell And Co Ltd], 1883. First edition, extra-illustrated. Two octavo volumes (8 5/8 x 5 3/4 in; 218 x 144 mm). xvi, 246; 247-592 pp. 138 black and white illustrations, some full-page, as published. With Special Title pages, extra engravings and woodcuts by G. Cruikshank, John Leech, John Tenniel, and Charles Keane, twelve hand-colored; portraits, autograph letters, autographs. Bound c 1900 by the Guild of Women Binders (stamp-signed) in full crimson crushed morocco. Raised bands, gilt-lettered spine, broad turn-ins. With the bookplate of B. d&#39;Alté Welch engraved by Joseph Winfred Spenceley. All edges gilt. With bookseller&#39;s original autograph list of extra-illustrations laid in. Portion of upper joints expertly and almost invisibly repaired. A fine copy.Punch, or the London Charivari was the celebrated British weekly magazine of humor and satire established in 1841 by Henry Mayhew and engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration. It became a British institution, but after the 1940s, when its circulation peaked, it went into a long decline, finally closing in 1992. Its artist contributors constituted a who&#39;s-who of British caricaturists, including, Tenniel, Leech, R. Doyle, George du Maurier, and many more.Extra-Illustrations include:&#149; An original color drawing by George Cruikshank (facing page 186 in volume one).&#149; An original color drawing by John Leech (facing title of volume two).&#149; 130 engravings and woodcuts by George Cruikshank, John Leech, John Tenniel, Charles Keane and Robert Seymour, including twelve hand-colored.&#149; Thirty-five portraits of literary and artistic celebrities.&#149; Twenty-two autograph letters signed.&#149; An envelope addressed by John Ruskin.&#149; Eight autographs, including: Lord Beaconsfield (i.e. Benjamin Disraeli); Gladstone; Charles Spurgeon; Dante Rossetti; John Brighton; Sir Robert Peel; Geo. Bonne; &#149; A telegram from Alfred Lord Tennyson to his publisher.The Guild of Women Binders, established by bookseller Frank Karslake, marketed bindings 1898-1904.

      [Bookseller: David Brass Rare Books, Inc.]
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        LE MIRLITON PRIAPIQUE. 69 quatrains contre le spleen avec un culispice folâtre.

      1883 - [Bruxelles], Au Mont Caramel, en la Sacrée Confiserie [Kistemaeckers], sans date [1883]. Grand in-12 (120 X 191) demi-maroquin poli rouge vif, double filet doré sur les plats, dos cinq nerfs, fleuron doré dans les compartiments, auteur et titre dorés, tête dorée, plats de la couverture conservés (reliure de l'époque); frontispice, (3) ff., 69 pages, (1) page d'achevé d'imprimer. ÉDITION ORIGINALE RARISSIME de ces quatrains satiriques et libres, attribués à Théodore Hannon. Elle est ornée en frontispice d'une pointe-sèche et d'un "culispice" folâtre par Amédée LYNEN. Cette édition hors-commerce a été publiée à Bruxelles par Henry Kistemaeckers le 23 février 1883, et imprimée par A. Lefèvre sur papier vélin fort, chaque quatrain étant imprimé à pleine page dans un encadrement de mince filet rouge. Bien que le tirage ne soit pas annoncé, on peut supposer qu'il a été tiré à très petit nombre, vraisemblablement à 69 EXEMPLAIRES, comme ce fut le cas en 1882 pour le recueil Treize sonnets du doigt dedans, du même Hannon, également édité à Bruxelles par Henry Kistemaeckers et imprimée par A. Lefèvre.Théodore HANNON (1851-1916), poète et peintre belge, ami de Joris-Karl Huysmans et de Félicien Rops, est surtout connu pour son recueil de poésies sensuelles, d'inspiration baudelairienne, "Rimes de joie", publié en 1881. Ses publications obscènes étaient néanmoins très attendues et appréciées, comme le prouve cette correspondance de Huysmans adressée en 1883 à son ami: «Mon cher Hannon, êtes-vous vivant ou mort? Est-ce une ombre érotique qui a fait paraître Le Mirliton priapique qui ne m'est point parvenu? Quid? Le culte phallique vous absorbe-t-il tellement le doigt sans ongle, que les cinq autres doigts ne peuvent plus tenir une plume [?]» (Arsenal, Fonds Lambert MS/62). BEL EXEMPLAIRE, bien relié à l'époque en demi-maroquin. (Pia, 939 - Gay, III, 233 - Vrain, "Les Délassements du boudoir", n°17 - Pas dans Dutel). FINE COPY. PICTURES AND MORE DETAILS ON REQUEST. [Attributes: First Edition; Hard Cover]

      [Bookseller: LIBRAIRIE ERIC CASTERAN]
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        Geschichte der Bischöfe von Regensburg.

      Regensburg [u.a.] Pustet 1883 - 1886.. 3 Bände. [komplett] VIII, 655 / 584 / 653 S. 21 cm, HLn der Zeit mit Rückenvergoldung, außen wie innen völlig frisch, mit geringfügigen Gebrauchsspuren, sehr guter Zustand.. Einzige Ausgabe; Sehr selten. - LThK VIII, 717; Lentner 2295. - Umfassende Chronik der Regensburger Bischöfe bis zum Jahr 1507. Mit gedruckter Widmung für Bischof Ignatius von Senestrey (1818-1906) - Zur Bistumsgründung beginnt 739 mit Gaubald (ca. 700-761), dem ersten Bischof des Bistums Regensburg, eine geschlossene Bischofsreihe. Bis 975 waren die Bischöfe zugleich als Abtbischöfe Vorsteher des Klosters Sankt Emmeram, erst der Hl. Wolfgang trennte mit der Einsetzung eines eigenen Abtes (Ramwold) Bischofs- und Abtwürde voneinander. Im Spätmittelalter gingen die Regensburger Bischöfe häufig aus bayerischen Adelsgeschlechtern hervor. Phasenweise dominierten auch die benachbarten bayerischen Herzöge und Pfalzgrafen aus dem Hause Wittelsbach. Nach der Säkularisation stand die Bischofswürde auch bürgerlichen Geistlichen offen, diesen sprach man in einer Übergangsphase in Bayern den Personaladel zu. -- Ferdinand Janner (geb. 1836 in Hirschau; gest. 1895 in Regensburg) war ein deutscher römisch-katholischer Theologe und Pädagoge. Nach seiner Schulzeit in Amberg studierte er Katholische Theologie in Würzburg und wechselte später nach Regensburg, wo er 1858 zum Priester geweiht wurde. Wieder zurück in Würzburg wurde Janner zum Doctor Theologiae promoviert und wirkte anschließend bis 1863 als Kaplan in Weiden, ehe er zum Präfekten an das Priesterseminar in Regensburg berufen wurde. 1865 wurde er zum Professor für Religion und Geschichte ernannt und ging - nach einem kurzen Zwischenspiel am Gymnasium in Speyer - 1867 an das Königl. Lyceum Regensburg, wo er Kirchengeschichte, christliche Archäologie und Kunstgeschichte unterrichtete. 1888 legte Janner alle seine Ämter nieder und zog sich aus dem öffentlichen Leben zurück. Im Alter von 58 Jahren starb er am 1. November 1895 in Regensburg und fand dort auch seine letzte Ruhestätte. - Beiliegend: Kommentierte hanschriftl. Liste (2 Bl.) der Bischöfe von Regensburg bis 1927 (endend mit Bischof Michael Buchberger).

      [Bookseller: Antiquariat Redivivus]
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