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Displayed below are some selected recent viaLibri matches for books published in 1882

        Bevis. The Story of a Boy. Complete in three volumes.

      Sampson, Low, Marston, Searle & Rivington, London, 1882. First edition - complete in three volumes. Miller & Matthews' primary printing and binding. 8vo. 287pp, 294pp and 294pp. Green cloth, lettered in gold at spines with a black- and gold-stamped decoration to the upper boards. Decorated endpapers. The bindings of all three volumes shaken and quite tender, cracked at a number of gatherings but holding. Spine heads rubbed and with just a touch of light chafing to corner tips. Endpapers a little browned, with a touch of light spotting to edges, and preliminary and concluding leaves. Former owner name and date (1938) neatly inked to a blank flyleaf in each volume. Really quite a bright if tender set of Jefferies' boyhood classic, the sequel to 'Wood Magic' (1881): really quite uncommon in this primary green binding (there is some considerable debate over the priority between the green and brown bindings, and here I bow to George Miller's proven scholarship in deducing the green set over the brown see Miller & Matthews B15.1). Produced in a likely print run of between 750 and 1,000 copies. Only the second such set we have had in over a decade.. 1st Edition. Hardcover. Good.

      [Bookseller: Clearwater Books]
 1.   Check availability:     Biblio     Link/Print  


        An Exceedingly Rare Original Albumen Photograph of Oscar Wilde with His Original Signature.

      New York City: Napoleon Sarony, 1882. Rare Original Albumen Photograph Taken in New York City by Napoleon Sarony on 2 January 1882, during Wilde's Tour of America. Mounted on ivory paper, bordered and captioned in manuscript. Photograph measures approximately 5,75 cm x 8,75 cm. Leaf measures approximately 9,5 cm x 17 cm. John Cooper, historian and scholar, member of the Oscar Wilde Society in London, and founder of the Oscar Wilde Society of America, has compiled a most impressive collection of images, "the only online or print archive of all the known photographs of Oscar Wilde taken by Napoleon Sarony." While Oscar Wilde's pose in the present photograph is very similar to some of the images taken 2 January 1882, this image from the shoot is not present his collection. As such this may very well be the first public appearance of this particular photograph. Shortly after his arrival in New York City for his 1882 Lecture Tour of America, Oscar Wilde posed for a series of photographs taken by Napoleon Sarony, who was at the time the most famed portrait photographer in America. Taken at Sarony's studio at 37 Union Square, New York City, on 5 January 1882, Sarony's photographs of Oscar Wilde with his long wavy locks have become his most iconic images today. Wilde would revisit New York in August 1883; Sarony taking several more photographs, this time with Wilde's hair cut styled in a much shorter boy cut. Unknown to many today, the first ever production of an Oscar Wilde play was in fact in New York City, and many years before his great success on the London stage. In August 1883 Wilde's first, though unsuccessful, play "Vera, or The Nihilists," was staged for the first time; Wilde made his second visit to America for a month to oversee the production. Together with his Original Signature Penned in ink on white paper, clipped and mounted with the photograph Slightly age-toned from the Victorian mounting paste, mainly to mounting leaf and autograph clipping. Otherwise photograph and signature are in Good Condition.. Photo.

      [Bookseller: Voyager Press Rare Books & Manuscripts, ]
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        Oscar Wilde - Playwright - Novelist - Poet of Victorian Society

      Rare Original Albumen Photograph Taken in New York City by Napoleon Sarony on 2 January 1882 - During Wilde's Tour of America. Mounted on ivory paper, bordered and captioned in manuscript. Photograph measures approximately 5,75 x 8,75 cm. Leaf measures approximately 9,5 x 17 cm. Together with his Original Signature Penned in ink on white paper, clipped and mounted with the photograph. John Cooper, historian and scholar, member of the Oscar Wilde Society in London, and founder of the Oscar Wilde Society of America, has compiled a most impressive collection of images, "the only online or print archive of all the known photographs of Oscar Wilde taken by Napoleon Sarony." While Oscar Wilde's pose in the present photograph is very similar to some of the images taken 2 January 1882, this image from the shoot is not present his collection. As such this may very well be the first public appearance of this particular photograph. Shortly after his arrival in New York City for his 1882 Lecture Tour of America, Oscar Wilde posed for a series of photographs taken by Napoleon Sarony, who was at the time the most famed portrait photographer in America. Taken at Sarony's studio at 37 Union Square, New York City, on 5 January 1882, Sarony's photographs of Oscar Wilde with his long wavy locks have become his most iconic images today. Wilde would revisit New York in August 1883; Sarony taking several more photographs, this time with Wilde's hair cut styled in a much shorter boy cut. Unknown to many today, the first ever production of an Oscar Wilde play was in fact in New York City, and many years before his great success on the London stage. In August 1883 Wilde's first, though unsuccessful, play "Vera, or The Nihilists," was staged for the first time; Wilde made his second visit to America for a month to oversee the production. Oscar Fingal O'Flahertie Wills Wilde (1854-1900), renowned Irish playwright, novelist, essayist, and poet, needs no introduction. In his witty and dramatic style, he candidly exposed elements of humanity, and taboo subjects, and in doing so, earned enormous fame and success in entertaining Britain's late Victorian era citizens. At the same time he received harsh critiques from the conservation traditionalists. In the early 1890s he was one of London's most popular playwrights. On 24 December 1881, Oscar Wilde, aged 25, sailed for America from Liverpool aboard the S.S. Arizona bound for New York. The ship arrived late on 2 January 1882, and lay at quarantine overnight. The following morning, the Arizona pulled into its dock and passengers headed for the customs shed at Castle Garden. The reasons for his much-heralded visit was to promote Gilbert & Sullivan's latest operetta "Patience", and to make his debut as a lecturer on subjects of his own choosing as long as he enjoyed the line of work. He was most keen, however, to see if he could have his tragedy "Vera or, The Nihilists," written earlier in 1881, properly cast in America as he was not pleased with its production in Britain. It was further rumored that he intended to publish a new book of poems (his first) during his stay. At the time of his visit, the Statue of Liberty was not yet in the harbor; the Brooklyn Bridge was still being constructed; the tallest building was Trinity Church; New York City was gas-lit and its population approximately 1 million. After nearly one year, he departed for England on 27 December 1882. Oscar Wilde is remembered for his epigrams, his clever and controversial plays, his novel "The Picture of Dorian Gray", as well as the circumstances of his imprisonment and early death. His legacy continues with frequent performances of many of his works, including "The Importance of Being Earnest." Napoleon Sarony (1821-1896) was an American lithographer and photographer. He was a highly popular portrait photographer, best known for his portraits of the stars of late-19th-century American theater. Sarony established his own photography studio in 1867, situated at 37 Union Square, during a time when celebrity portraiture was immensely popular. Photographers would pay their famous subjects to sit for them, and then retain full rights to sell the pictures. Sarony reportedly paid famed stage actress Sarah Bernhardt $1,500 to pose for his camera, the equivalent of more than $20,000 today. Included among the thousands of people that came into Sarony's world were many distinguished people, such as American Civil War General, William T. Sherman, and literary figures Samuel Clemens (Mark Twain), Lew Wallace and Oscar Wilde. In 1894 he published his portfolio of prints titled, "Sarony's Living Pictures."Associations One of the photographs taken of Oscar Wilde on 2 January 1882 (photograph number 18), became the subject of a copyright infringement suit by Sarony against the Burrow-Giles Lithographic Company, which had marketed unauthorized lithograph trade cards containing the image. The courts awarded a $610 judgment payable to Sarony (approximately $13,000 today).

      [Bookseller: Voyager Press Rare Books & Manuscripts]
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        L'Art moderne. Album. 1882-1883. Nos. 1-8

      Paris: L'Art moderne, 1882. Couverture souple. Très bon. Monet, Renoir. 7 numéros in-4, 16 pages par numéro. Numéro 1(décembre 1882) au numéro 8 (juillet 1883). Manque le numéro 7 (juin 1883). Seuls numéros parus. Sans les planches hors-texte de Henri Boutet. Contient un dessin par Renoir et un dessin par Claude Monet. Les illustrations impressionnistes d'époque sont peu nombreuses. Exemplaires non coupés, annotations au plomb (de l'éditeur ?) aux illustrations. Ensemble peu courant offert dans un boîtier de conservation intégrant le portfolio d'origine.

      [Bookseller: Librairie Bonheur d'occasion]
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        LOUIS XII ET ANNE DE BRETAGNE. Chronique de l'Histoire de France.

      Hurtrel, 1882. (Codice EK/0341) In 4º (29 cm) VI-644 pp. Ouvrage illustré de 14 chromolithographies sous serpente, 15 grandes gravures hors texte et d'environ 200 dessins dans le texte d'après les originaux de l'époque. En-tete, initiales illustrées, vignettes. Portrait au frontispice. Belle reliure editoriale en demi-cuir rouge, dos lisse avec titre et riche dècor doré répété sur les plats, médaillons dorés, trois tranches dorées, gardes ornées noir/or, signet en soie verte. Très bel exemplaire, parfaitement conservé. Euro 490.00 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA

      [Bookseller: Bergoglio Libri d'Epoca]
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        Bulletin de la société géographique d'Anvers.

      Anvers, Guil. Van Merlen puis Vve de Backer, 1877 - 1882. - Tête de série comprenant les 7 premiers volumes. Nombreux plans et cartes. Intérieur frais. Plein chagrin rouge, dos à 4 nerfs, titres, filets et roulettes dorés, large roulette, filet doré et à froid d'encadrement sur les plats aux armes dorées de la famille De Robien (Bretagne), roulette dorée sur les coupes, tranches dorées. Reliure de l'époque. Traces blanches à certains plats, petit manque de cuir au Ier plat du T.I. Depuis sa création en 1876, la Société publie une revue, dénommée Bulletin de la Société Belge de Géographie les sept premières années, Bulletin de la Société Royale Belge de Géographie par la suite, et Revue belge de géographie à partir de 1962. Elle a soutenu plusieurs missions d’exploration dans diverses parties du monde. Elle a notamment donné des réceptions en faveur d’Henry-Morton Stanley en 1878 et en 1890, organisé une souscription publique pour l’expédition Belgica d’Adrien de Gerlache en Antartique de 1896, et attribué un prix à l’expédition scientifique belge au Ruwenzori en 1933. Importante et rare tête de collection de cette revue illustrée de nombreux plans et cartes géographiques à déplier sur les voyages et explorations. Bel exemplaire. [Attributes: Soft Cover]

      [Bookseller: Librairie BERTRAN]
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        The Prince and the Pauper.

      New York, James R. Osgood and Company 1882 - First edition, first issue with uncorrected text; p. 124, line 1 reading "estate"; p. 263 "do not"; p. 362 "reigned." Franklin Press imprint on verso of title page. Octavo, original publisher's green pictorial cloth. In near fine condition with only light shelfwear. BAL 3402; Johnson p. 39-41. The Prince and the Pauper is a treasured historical satire, played out in two very different socioeconomic worlds of 16th-century England, centers around the lives of two boys born in London on the same day: Edward, Prince of Wales, and Tom Canty, a street beggar. During a chance encounter, the two realize they are identical and, as a lark, decide to exchange clothes and roles -- a situation that briefly, but drastically, alters the lives of both youngsters. The Prince, dressed in rags, wanders about the city's boisterous neighborhoods among the lower classes and endures a series of hardships; poor Tom, now living with the royals, is constantly filled with the dread of being discovered for who and what he really is. Brimming with gentle humor and discerning social scrutiny, this timeless tale of transposed identities remains one of Twain's most popular and best-loved novels. [Attributes: First Edition; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Report of the director of the United States Geological Survey. Volume III

      GPO, Washington, DC 1882 - Second Usgs Report /Great Grand Canyon Plates. Report of the Secretary of the Interior; being part of the messages and documents communicated to the two houses of Congress at the beginning of the First session of the Forty-seventh Congress. (In four volumes).Large thick 8vo, lv,588 p. Fold. Grand Canyon views, double-page chromolith. geolgic maps, orig. legal calf. Endpapers foxed but inwardly extremely clean and bright. One of the best American geological surveys, especially of the Grand Canyon region. It is also the second annual USGS report and first large one by J.W. Powell. It contains the first segment of Clarence E. Dutton's geologic survey of the Grand Canyon which was published in folio. Very scarce in such nice condition.

      [Bookseller: Murray Hudson Maps, Globes & Books]
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        Genevieve Ward, A Biographical Sketch From Original Material Derived From Her Family And Friends (With Long Holograph Letter About Ward Written By Alfred Darbyshire To Samuel Bancroft, Jr.)

      Boston: James R. Osgood And Company, 1882. 1st Edition. Hardcover. Very Good. Frontispiece Portrait. (Xvii), 261 Pp. Brown Cloth, Gilt. Light Wear, Gilt Fairly Bright, A Little Bubbling Of Cloth, A Few Pinpoint Frays At Edges, Rear Hinge Cracked (Due To Bancroft's Personal Envelope With Thick Enclosures Tipped To Rear Endpaper), Pages Clean But A Little Aged. Ownership Signature Of Textile Manufacturer Samuel Bancroft, Jr., Of Rockford Mills, Delaware, Dated 11/22/81, And With His Large And Elaborate Heraldic Bookplate On Front Pastedown. Also With A Seven Page Holograph Letter From Alfred Darbyshire To His Cousin Bancroft, Dated September 11, 1881, Apparently In Response To Inquiries From Bancroft, Providing A Summary Of Everything Darbyshire Knew Of Mrs. Ward, Her Family And Background, And Her Current Activities. Also Included Is Bancroft's Copy Of A August 26, 1879 Cable From Ward To Derbyshire Accepting The Invitation To Speak At A Calvert Benefit; Also A Note From L. Wingfield To Darbyshire, "Good Lord! Genevieve's Biography,- All Of It? It Would Take From Here To New York" Etc., And Offering To Send Darbyshire A Copy Of This Book; Both Typed Out With An Attestation That The Originals Had Been Returned To Darbyshire. In 1880, Bancroft Was Introduced To Pre-Raphaelite English Artwork By His Cousin, Architect Alfred Darbyshire. He Fell In Love With The Art, And Once Bancroft Stepped Back From Directly Managing The Family Firm In 1889, He Began To Purchase Numerous Pieces Of Artwork. In 1880, He Was Introduced To Pre-Raphaelite English Artwork By His Cousin, Architect Alfred Darbyshire. He Fell In Love With The Art, And Once Bancroft Stepped Back From Directly Managing The Family Firm In 1889, He Began To Purchase Numerous Pieces Of Artwork. His Collection Began In 1890 With A Work By Dante Gabriel Rossetti, Whose Art And Poetry Featured Prominently In Bancroft's Further Collections Over The Next 25 Years. He Maintained Correspondence With Other Artists In The Movement, And Offered Financial Support To The Families Of Some Of Them. Bancroft Continued Adding To The Collection For The Remainder Of His Life, And Built It Into The Largest Such Collection Of Pre-Raphaelite Works Outside England. Alfred Darbyshire (20 June 1839 - 5 July 1908) Was An English Architect. He Was A Nephew Of George Bradshaw, The Compiler Of Railway Guides. Darbyshire Admired The Gothic Revival Style Of Alfred Waterhouse But Also Designed In The Neoclassical Style. Darbyshire Was A Man Of Many Talents Which Centered On The Theatre. As Well As Building Them, He Acted In Them And Became Famous For His Extravagant Stage Productions. In 1869 Charles Calvert, Actor-Manager Of The Prince's Theatre, Manchester, Employed Alfred To Redecorate The Theatre. They Became Good Friends And Alfred Assisted Calvert With The Staging Of Some Of His Great 'Revivals' Of Shakespeare's Plays. (Page 139/140, Where Ward's Productions With Calvert, Is Turned Down At A Corner By Bancroft.) In 1872 He Built A Spectacular Set For The Triumphal Entry Of The King Into London In Henry V. The Production Was Carried Through The United States And Into Australia. In New York More Than 100,000 People Visited Booth's Theatre To See The Play. As A Landscape Painter He Sketched And Painted In Italy, France, Belgium And Germany. Alfred Was An Art Critic For The Manchester Guardian, And From 1874 To 1905 He Was An Art Critic For The Courier. He Wrote A Number Of Books On Architecture, Heraldry And Art And Innumerable Pamphlets And Brochures.

      [Bookseller: Arroyo Seco Books]
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        Eigenh. Brief mit U. ("Scherzer"). Leipzig, 30. IV. 1882.

      1882. 2 SS. auf Doppelblatt. 8vo. An einen namentlich nicht genannten Adressaten: "Gesegnet sei der Buchbinder, denn er verschafft mir das Glück Sie wieder zu sehen. Wir speisen um 1 Uhr (5 Min. später) im Hotel Stadt Rom und werden uns sehr freuen Sie als unseren Gast begrüßen zu dürfen. Wir treffen uns dort. Ein Platz neben meiner Frau ist Ihnen bereits reserviert [...]".

      [Bookseller: Antiquariat Inlibris]
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        Livres des Recompense et des Peines; Traite de la Recompense des Bienfait Secrets

      Self Published, Oxford 1882 - In Chinese and English (not French, except titles). From the collection of Richard H. Geoghan (1886-1943), accomplished linguist and the first Esperantist in the English-speaking world. This appears to be a hand-made book assembled by Geoghan, his name and address hand written on and incorporated into the title page. It is a collection of Taoist tracts that have been drawn or typewritten on yellow paper that was then pasted into another book. It begins with The Tractate on Actions and their Retributions as Understood in the Highest Antiquity. Condition notes: unnumbered pp; HB. Pages: clean, ivory, tight, f.e. deckled, eps marbled; a.e. tanned. Cover: brown/beige marbled paper over boards w/ dark brown backstrip, blue characters front, tiny gilt titles in French to the spine; substantial shelfwear, extrems chipped and worn, front board disbound and part of spine covering detached, but present and laid in. Needs rebinding and some TLC, but an extraordinary item. [Attributes: First Edition; Hard Cover]

      [Bookseller: Independent Books]
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        Les Animaux chez eux.

      Paris, Librairie d'Art, Ludovic Baschet 1882 - Texte par : Th. de Banville (le chat) - G. de Chervillele (le chien) - Henri Dalivoy (le buffle) - Maurice Dehers (l'orang-outang) - René Delorme (les singes) - Fulbert Dumonteil (la chèvre, le tigre) - H. Demesse (Le lion) - Edouard Drumont (l'âne) - Louis Figuier (l'éléphant) - Jules Gros (le renne) - Bernard Prost (le cochon) - Jules Vallès (l'ours). Ouvrage comprenant 174 illustrations dont 16 hors-texte. Complet & Contrôlé. Édition originale sur papier courant non numérotée. Paris, Librairie d'Art, Ludovic Baschet (Tampon, Paul de Lacroix) - 1882 - 136 pages. Cartonnage éditeur toilé. Plats ornés, dos muet. Rares pales rousseurs. Petites taches à la reliure sans gravité. Bon état. Format in-folio (46x32). Note sur la biographie et les activités : AUGUSTE LANÇON, Peintre, aquarelliste, graveur et sculpteur français. Jusqu'en 1871 a exposé ses oeuvres sous le prénom d'André. Le maître animalier et l'aqua-fortiste bien connu, est venu nous proposer d'éditer ce livre. Pour cela il nous a ouvert tous ses cartons, fruit de plus de vingt années d'études. Nous n'avons eu qu'à choisir parmi les meilleures compositions du maître. Aussi pouvons-nous assurer à nos lecteurs qu'ils trouveront dans ce livre des croquis, des dessins, des eaux-fortes d'une valeur artistique considérable. 1ère Edition [Attributes: First Edition; Hard Cover]

      [Bookseller: Livres et Collections]
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        FIRST ANNUAL REPORT OF THE CHIEF EXECUTIVE OFFICER TO THE BOARD OF STATE VITICULTURAL COMMISSIONERS, FOR THE YEAR 1881.

      Sacramento State Officer, J. D. Young, Supt. State Printing 1882 xl, 174 pp., 2 folding plates, many engraved illustrations in the text; original printed wrappers, 8.75 x 6 inches. Chips to edges of wrappers, some loss to wrapper spine area, a few pencil markings to text, pencil notes and sketches to blank last leaf, still a presentable and stable copy of this scarce report

      [Bookseller: Chanticleer Books, ABAA]
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        Woordenboek der Nederlandsche Taal. (WNT). (Complete set A-Z, 40 volumes).

      's-Gravenhage, Martinus Nijhoff & Sdu, 1882 - 1998. 29 vols. and Supplement I. together in 40 bindings. (27 volumes in original half leather, rest in black cloth) Over 45.000 pages. Dutch text. (volumes 1 and 2 are loose in their bindings, few bindings sl. dam., some library markings, such as stamps or a ticket) Although still a very good set. See picture. ¶ A Dictionary of the Dutch language. One of the largest dictionaries in the world. It has over 400,000 entries of Dutch words from 1500 to 1976. The dictionary was almost 150 years in the making: the first fascicle (A-Aanhaling) was published in 1863 and the last (Zuid-Zythum) in 1998. (Three supplements (not present) to the original dictionary text containing modern-day Dutch words were published in 2001.).

      [Bookseller: Antiquariaat Emile Kerssemakers]
 14.   Check availability:     NVvA     Link/Print  


        Gounod, Charles - The Redemption - Signed First Edition Piano and Vocal Score 1882

      Novello 1882 - First English edition of the score, printed by Novello (1882), of this oratorio by Charles Gounod. Signed by Gounod on the first page, score book comes with a program from the Birmingham Choral Society for a performance of The Redemption in 1905-06. The Birmingham Choral Society world premiered this oratorio in Birmingham in 1882. Score is 7 x 9.9 inches, 174 pages, in excellent condition, playbill is 4.9 x 8.5 inches - see scans. [Attributes: Soft Cover]

      [Bookseller: Tamino Autographs]
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        The Variation of Animals and Plants under Domestication

      London: John Murray 1882 - Second edition, fifth thousand, two volumes, 8vo. 43 illustrations in the text. Original gilt titled green cloth, very mild rubbing to corners otherwise a lovely set. Freeman 883.

      [Bookseller: Bow Windows Bookshop (ABA, ILAB)]
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        Bilder aus dem russischen Volksleben nach Original-Gemälden von W. A. Beer.

      Frankfurt, H. Keller, 1882. - Quer Folio (Format ca. 35x51 cm). Titelblatt und 12 Tafeln jeweils mit montierten Original-Photographien nach Gemälden. Schwarz- und goldgeprägte Original-Ganzleinen-Flügelmappe. Schöne Tafeln nach Gemälden des Frankfurter Malers Wilhelm Amandus, jeweils montiert und bezeichnet (mit Angabe des Besitzers). Die Photos von. J. W. Schiller und J. Schäfer. Enthält: Jagdfahrt; Herrschaftl. Troika im Winter; Der lebend gefangene Wolf; Bauern auf dem Felde; Rastende Zigeuener / Fuhrwerk vor einem Dorfe anhaltend (Doppeltafel); Winterjahrmarkt in Yelna; Jüdische Familie auf der Reise in einer Herberge; Bährenführer auf dem Jahrmarkt; Auf der Höhe in Dorogobusch bei einem Volksfeste; Kirchenfest des heiligen Nicolai am Wolotschok; Jahrmarkt in Slednowa; Ueberfahrtsplatz am Dnieper bei Dorogobusch. Die Photographien etwas lichtgebleicht, die Ränder leicht gebräunt, die Mappe am Rücken und an den Ecken etwas bestoßen, insgesamt eine äußerst dekorative und gut erhaltene Ausgabe. Wilhelm Amandus Beer (1837 - 1907 beides in Frankfurt) wurde besonders durch seine volksnahen Gemälde der russischen Bevölkerung bekannt, was ihm den Beinamen Beinamen Russen-Beer eintrug. Während längerer Aufenthalte in den Jahren von 1867 bis 1870 und 1877 im Gouvernement Smolensk, vor allem auf dem Gut des Malers Sergej Andrjewitsch von Baryschnikoff, studierte Beer eingehend die Charakteristika von Land und Leuten. Besondere Beliebtheit erlangten die Bilder von Jahrmärkten (z. B. das Gemälde Bärenführer auf dem Jahrmarkt.) 1895 wurde der seit 1870 in Frankfurt ansässige Künstler Leiter eines Meisterateliers im Städelschen Kunstinstitut und zwei Jahre später, 1899, zum Professor ernannt. Beautiful plates according to paintings by the Frankfurt painter Wilhelm Amandus, each mounted and designated (with indication of the owner). The photos of. J. W. Schiller and J. Schäfer. The photographs slightly light-bleached, the margins slightly browned, on the back and the corners slightly bumped, in total an extremely decorative and well-preserved copy. Wilhelm Amandus Beer (1837 - 1907 both in Frankfurt) was particularly well-known for his popular paintings of the Russian population, which gave him the german nickname "Russen-Beer". During stays between the years 1867 and 1870 and 1877 in the Smolensk Governorate, especially on the estate of the painter Sergey Andrassy of Baryschnikoff, Beer studied the characteristics of the country and its people. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Thomas Mertens]
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        Mes souvenirs.

      Paris, G. Charpentier G. 1882. - In-12 de frontispice, [2] ff., 466 pp., demi-basane chagrinée prune à coins, dos à nerfs, tête dorée, couverture et dos conservés. (reliure milieu Xxè). Édition originale ornée d’un frontispice d’après Rochegrosse. L’auteur livre de piquants souvenirs sur V. Hugo, Balzac, Baudelaire, Gautier, etc. Tirage sur grand papier limité à 50 exemplaires sur Hollande et 10 sur Chine, EXEMPLAIRE DU TIRAGE DE TÊTE N° 1 SUR CHINE. [Attributes: First Edition]

      [Bookseller: Livres de A à Z]
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        Mountain Life in Algeria.

      London: Kegan, Paul, Trench, & Co.,, 1882. With Illustrations by the Author. Quarto (244 × 178 mm). Original blue-green cloth, gilt-lettered spine, black geometric border extending over spine and boards, titles and decoration to front in red and silver, publisher's device in black to rear, all edges gilt, black coated endpapers. Photo-engraved frontispiece, 7 similar and 7 wood-engraved plates, vignette chapter headings, all by Barclay. Recent owner's label to front pastedown. Spine sunned and lightly marked, extremities lightly rubbed and bumped, scattered pale markings and small portions of cockling to sides, faint tide-mark to top edge of frontispiece, title page and plates, the images never affected. A very good copy. First edition, scarce. Barclay (1842–1913), painter and etcher, was a member of the British circle of artists known as the "Etruscans" owing to their preference for Italian landscapes. He studied at Dresden with Carolsfeld, and then in Rome, where he became acquainted with Giovanni Costa. Between 1873 and 1880 he made several visits to Algeria, recording his observations on village life, local customs and dress, and antiquities. The Athenaeum considered Mountain Life in Algeria "a most interesting and charming work".

      [Bookseller: Peter Harrington]
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        Superb photo boldly signed and dated (Princess Alexandra Victoria, 1860-1917, Daughter of Prince Friedrich Karl of Prussia, Wife of Arthur, Duke of Connaught)

      1882 - showing her head and shoulders in profile, 5½" x 4", no place, in charming original Victorian embroidered velvet frame, 9½" x 8",

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Shakespeare's Works. 12 vols. Large paper edition.

      Kegan Paul, Trench & Co. 1882-83 Limitation leaves, half titles, engr. titles in red & black. Contemp. half brown crushed morocco by Morrell, raised bands, gilt compartments. Armorial bookplates of Michael Tomkinson. A fine set.Copy number 23 of only 50 printed; all volumes are signed Charles Whittingham & Co.

      [Bookseller: Jarndyce Rare Books]
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        Carta geologica dell'isola d'Elba alla scala di 1 a 25.000. Rilevata nel 1882 alla scala di 1 a 10.000.

      Roma, Stab. Lit. Virano, 1884, 1882. Monumentale carta geologica litografata a colori in due fogli da riunire. Dimensioni complessive cm. 133x91 più margini bianchi. In basso 7 profili a colori e a sinistra riquadri con informazioni. Carta magnifica e spettacolare, ovviamente estremamente dettagliata. Assai rara. 346.

      [Bookseller: Studio Bibliografico Vecchi Libri s.a.s.]
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        American medicinal plants; an illustrated and descriptive guide to the American plants used as homoeopathic remedies: their history, preparation, chemistry and physiological effects. Illustrated by the author.

      New York, NY and Philadephia, PA, Boericke & Tafel, 1882-1887. Three parts in two volumes. Large 4to (29.2 x 22.0 cm). Three title pages (two at the start of the second volume); xv, 67 pp; 180 fine chromolithographed plates, each with two or more pages of descriptive text (90 plates in each volume). Expert, twentieth century green, grained, uniform half calf over marbled boards; spines with red Morocco label with gilt title. Marbled endpapers. Mottled edges.l A classic reference work, widely regarded as the definitive study of American medicinal plants. 180 native and acculturated plants are discussed in terms of curative and adverse physiological effects, chemical constituents, along with nomenclature, description, history and habitat. This information is further completed with index, a glossary of botanical names, a bibliography, a therapeutic index, and an index of common names of the plants in French and German. Charles Frederick Millspaugh (1854-1923) was a head of the botany department at West Virginia University and curator of botany at the Field Museum in Chicago until his death in 1923. One of the best known illustrations from this work is the folded plate showing Cannabis sativa. This copy in a very nice recent binding in period style, using fine materials. Contents very good and clean without foxing, just the slightest hint of damp trace at the outermost margins on a few plates. Beautiful careful colouring. Nissen BBI, 1381; Stafleu & Cowan 6067.

      [Bookseller: Antiquariaat Schierenberg]
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        JOURNAL D'HISTOIRE NATURELLE EN 3 VOLUMES (1+2+3) CONTENANT 3 ANNEES COMPLETES.

      JOURNAL D'HISTOIRE NATURELLE 1882 - ROD0100401: 3 TOMES : 1+2+3 : 184+175+186 pages. Dos cuir avec titre et filets dorés. Quelques gravures noir et blanc dans texte. Coiffes, bords et dos un peu frottés. Epidermures. Contre-plats jaspés. Etiquette collée sur les coiffes en pied. 1er volume : Contient des numéros 1 à 12. (Laboratoire et aquarium d'Arcachon, Le Pic du Midi et son observatoire, Circulation des gaz dans les plantes, Histoire des progrès de la Géologie girondine, etc.) - 2ème volume de 1883 : Contient les numéros 1 à 11 (L'Anthropologie régionale au Congrès de la Rochelle, Naturalisation et culture des Eucalyptus dans le Sud-Ouest, Analyse des eaux minérales et des boues de Dax, La région botanique du Sud-Ouest, Note sur un crâne trouvé à St-Cyprie, etc). 3ème volume (de 1884) : Histoire naturelle de Bordeaux. Contient des numéros 1 à 12 de la troisième année (Le camp préhistorique de Thenac, Le tumulus de Savigné, Gisement de mammifères quaternaires à Eymet, Grotte sépulcrale de l'époque préhistorique à Dondas, Catalogue des champignons observés et récoltés dans le Sud-Ouest, etc.) - 5 PHOTOS DISPONIBLES. In-4 Relié demi-cuir. Etat d'usage. Coins frottés. Dos frotté. Rousseurs Classification Dewey : 90-Livres rares [Attributes: Hard Cover]

      [Bookseller: Le-Livre]
 24.   Check availability:     AbeBooks     Link/Print  


        The Poems Of Thomas Bailey Aldrich Illustrated By The Paint And Clay Club

      Boston: Houghton, Mifflin & Co.. Good+; Grease(?) stain on front card cover with show-thru to front . wrap also llight soiling to wraps.. 1882. Hardcover. 8vo; Paper vellum wraps with pictorial title on front cover, 228, [25]p., plates, text illustrations. **BAL #315: Jake Blanck, citing Merle Johnson, says "Also six copies on Japan vellum," not seen. With a four page autographed letter signed, tipped in, to J.M. Hopkins, date Oct. 20, '99. With the bookplate of Jacob Chester Chamberlain. .

      [Bookseller: Hurley Books]
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        The Prince and the Pauper: A Tale for Young People of All Ages

      Boston: James R. Osgood, 1882, 1882. FIRST EDITION SECOND STATE. 1 vol., with 192 illustrations, corrected text on pages 124, 263, & 362. Bound in the publisher's deluxe binding of 1/2 brown morocco, inner and outer hinges fine, head and foot of spine fine, some rubbing to edges of covers resulting in some loss to the marbled paper boards, otherwise an unusually bright fresh copy often found in somewhat sad condition. Mark Twain's first attempt at historical fiction.

      [Bookseller: D&D Galleries - ABAA]
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        THE HORSE IN MOTION AS SHOWN BY INSTANTANEOUS PHOTOGRAPHY WITH A STUDY ON ANIMAL MECHANICS FOUNDED ON ANATOMY AND THE REVELATIONS OF THE CAMERA IN WHICH IS DEMONSTRATED THE THEORY OF QUADRUPEDAL LOCOMOTION. EXECUTED AND PUBLISHED UNDER THE AUSPICES OF LELAND STANFORD

      Boston: James R. Osgood and Company, 1882..

      [Bookseller: BUCKINGHAM BOOKS]
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        The Horse in Motion as Shown by Instantaneous Photography ?

      Boston: James R. Osgood and Company, 1882. First edition, printed by John Wilson at the University Press, Cambridge. 100 lithographic plates (9 in color), 7 collotype plates, several photo-engravings in the text. 127 pp. 1 vols. Large 4to. Original brown cloth with gilt pictorial stamping, t.e.g. Recased, new endpapers. First edition, printed by John Wilson at the University Press, Cambridge. 100 lithographic plates (9 in color), 7 collotype plates, several photo-engravings in the text. 127 pp. 1 vols. Large 4to. Classic study and justly famous for its use of photography toward the understanding of the motion of the horse. The author employed the photographer E.J. Muybridge and a battery of 24 cameras taking successive shots at 1/5000th of a second. The remarkable results, painstakingly described and illustrated here, revolutionized the contemporary conception of the horse in motion. Podeschi 222; Well 7300.84; Boni, p. 175; Grimshaw, The Horse, no. 11; Casey Wood, p. 583

      [Bookseller: James Cummins Bookseller]
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        The Horse in Motion as Shown by Instantaneous Photography

      Boston, MA: James R. Osgood, 1882. First edition. Hardcover. Very Good +. First Edition. c.1882. Hardcover. Brown cloth, gilt titles and gilt decorations of horses on front cover, gilt edge. 4to. 127pp. 107 plates. Very Good+. Light rubbing to board edges and spine-ends, inner hinges expertly strengthened, light general wear. Eadweard Muybridge's photos of the horse in motion revolutionized the use of photography in science. A bright, lovely copy!

      [Bookseller: Caliban Books ABAA-ILAB]
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        The Horse in Motion As Shown by Instantaneous Photography with a Study on Animal Mechanics Founded on Anatomy and the Revelations of the Camera in Which is Demonstrated the Theory of Quadrupedal Locomotion

      Boston: James R. Osgood. Good with no dust jacket; Frontispiece and title page professionally . repaired at margins, gift inscription on front flyleaf, cup ring and white . paint stains on title page, pages toned.. 1882. Hardcover. Nicely rebound in brown cloth with gilt-stamped leather spine labels. Top edges gilt. 127 pages of text and 107 plates, including five heliotypes and 9 color plates illustrating equine anatomy. Preface by Leland Stanford. Photo of book before rebinding laid in. An important book in both the history of photography and equine literature with a fascinating back story about how it was researched and written. Railroad baron, California Governor, and horse racing mogul Leland Stanford (he also bankrolled the founding of Stanford University) had a wager with some of his horse racing buddies about whether all four hooves left the ground at a point during a horse's trot. Stanford hired antiquarian bookseller-turned-photographer Eadweard Muybridge to provide photographic evidence of this split-second event, which he did in 1872 with an elaborate set-up of multiple cameras and other equipment. In 1874, Muybridge shot and killed his wife's lover and was embroiled in a dramatic court battle (bankrolled by Stanford) in which he pleaded insanity based on severe head injuries received from an earlier stagecoach accident, but which the jury decided was deserving of an acquittal as a justifiable homicide. Muybridge continued his equine photography projects for his benefactor until the present volume was published, in which Muybridge's photographs were used as a basis for most of the illustrations, but which only briefly mentions his name in the preface and appendix. Muybridge later published his landmark and comprehensive Animal Locomotion series in eleven volumes (Parr and Badger, vol. 1, p. 52). This 1887 opus contained 781 plates of animals and humans in various actions and contributed greatly to scientific and artistic knowledge of anatomy and movement. ; Folio 13" - 23" tall .

      [Bookseller: Old Saratoga Books]
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        Memoires du Chevalier de Beaujeu. Contenant ses divers voyages, tant en Pologne, en Allemagne, qu'en Hongrie... Amsterdam, heirs of Antoine Schelte, 1700. With: (2) [LACERDA, Fernando Correa de (author) and Michel BLOUIN DE LA PIQUETIERRE (translator)]. Relation des troubles arrivez dans la cour de Portugal en l'année 1667. & en l'année 1668. Amsterdam, suivant la copie [= A Wolfgang?], 1674. 2 works in 1 volume. 12mo. Contemporary vellum.

      Ad 1: V. Gestel-Van het Schip, Maps in books of Russia and Poland 71; ad 2: Barbier IV, col. 223; Willems, Les Elzevier, "Annexes'"1882. Ad 1: First edition of the memoires of Chevalier de Beaujeu, pseudonym of François Paulin Dalairac (died 1691), a French Roman Catholic Capuchin priest, writer and translator. After having travelled in Poland, Germany, and Hungary, the author rectifies many mistakes in the maps as to distances of places; he gives a particular account of these countries, and most especially of Poland, and all things relating to it. Ad 2: French translation printed in Amsterdam of a work on the troubles in the court of Portugal during the years 1667-1668. Title-page of the second work waterstained. Good copies

      [Bookseller: Antiquariaat FORUM BV]
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        La forêt bleue EDITION ORIGINALE Tirage de tête ENVOI AUTOGRAPHE

      Paris: Alphonse Lemerre, 1882. Fine. Alphonse Lemerre, Paris 1882, 13x19,5cm, relié. - First Edition, one of the rare copies printed on Holland paper paper (We know of at least two) unknown bibliographies leading copy. Bound in black half morocco with corners, back with five nerves embellished with ornate golden dotted double gilded boxes inlaid with red leather inset, date tail, gilt fillet on covers, covers and spine preserved, golden head on witnesses binding signed Blanchetière. Beautiful autograph of the author (José-Maria de Heredia) "First flute player of the modern ancient times, the teacher friend of Pan and goat-feet, this humble and distant echo of an adorable syrinx ... Jean Lorrain "Our copy is enriched with an autograph letter signed by the current of 2 sheets sent to (Leon) Vanier connected volume header author. Exceptional copy superbly prepared. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des rarissimes exemplaires imprimés sur papier de Hollande (Nous en connaissons au moins deux) inconnus des bibliographies, tirage de tête. Reliure en demi maroquin noir à coins, dos à cinq nerfs rehaussés de pointillés dorés richement orné de double caissons dorés avec incrustation de maroquin rouge en médaillon, date en queue, filet doré sur les plats, couvertures et dos conservés, tête dorée sur témoins, reliure signée Blanchetière. Très bel envoi autographe de l'auteur à (José-Maria de Heredia) "Premier joueur flûte de ces modernes temps antiques, au maître ami de Pan et des chèvres-pieds, cet humble et lointain écho d'une syrinx adorable... Lorrain Jean" Notre exemplaire est enrichi d'une lettre autographe signée de l'auteur courant sur 2 feuillets adressée à (Léon) Vanier reliée en tête du volume. Exceptionnel exemplaire superbement établi.

      [Bookseller: Librairie Le Feu Follet]
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        Le Lion amoureux Nouvelle édition Avec Notice historique et littéraire pa Tirage de tête

      Paris: L. Conquet, 1882. Fine. L. Conquet, Paris 1882, 12x18,5cm, relié sous étui. - New edition printed in 500 copies, this one of 50 numbered copies on Japan, deluxe edition containing the reprint of Japan illustrations. The reprint of the figure that adorns the cover is on China. Binding the time of full red morocco, signed Thibaron-Joly, back with five nerves Jansenist, morocco green lining, interior framing formed of multiple threads and small golden jewel in the corners, double marbled paper guards, all edges gilt on witnesses , marbled paper bag lined with red leather. Pretty cartoon illustration by Sahib and engraved on steel by Adrien Nargeot including a figure on the cover, 18 thumbnails head and a small cul-de-lamp. Beautiful copy established in a full morocco binding signed, although the full prospectus (4 pp.), Doubled in binding Thibaron-Joly, in perfect condition. - [FRENCH VERSION FOLLOWS] Nouvelle édition tirée à 500 exemplaires, celui-ci un des 50 exemplaires numérotés sur Japon, tirage de tête contenant le tirage à part sur Japon des illustrations. Le tiré à part de la figure qui orne la couverture est sur chine. Reliure de l'époque en plein maroquin rouge, signée Thibaron-Joly, dos janséniste à cinq nerfs, doublure de maroquin vert, encadrement intérieur formé de multiples filets dorés et petit fleuron aux angles, doubles gardes de papier marbré, toutes tranches dorées sur témoins, étui de papier marbré bordé de maroquin rouge. Jolie illustration dessinée par Sahib et gravée sur acier par Adrien Nargeot, comprenant une figure sur la couverture, 18 vignettes en tête et un petit cul-de-lampe. Bel exemplaire établi dans une reliure en plein maroquin signée, bien complet du prospectus (4 pp.), en reliure doublée de Thibaron-Joly, en parfaite condition.  

      [Bookseller: Librairie Le Feu Follet]
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        THE GAMES OF LAWN TENNIS (with authorised laws) and BADMINTON

      London, Thomas De La Rue & Co, 1882.. FOURTH EDITION,1882. Slim 12mo, approximately, 165 x 105 mm, 6½ x 4¼ inches, 3 text illustrations, 30 pages plus 2 pages of adverts, publisher's green cloth with attractive gilt decoration and title to upper cover, all edges gilt, gilt floral endpapers. Pale foxing to endpapers, title page and adverts, otherwise a very good copy in very bright binding. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        The Horse in Motion as Shown by Instantaneous Photography

      Boston, MA: James R. Osgood, 1882. First edition. Hardcover. Very Good +. First Edition. c.1882. Hardcover. Brown cloth, gilt titles and gilt decorations of horses on front cover, gilt edge. 4to. 127pp. 107 plates. Very Good+. Light rubbing to board edges and spine-ends, inner hinges expertly strengthened, light general wear. Eadweard Muybridge's photos of the horse in motion revolutionized the use of photography in science. A bright, lovely copy!

      [Bookseller: Caliban Books ABAA-ILAB]
 35.   Check availability:     Biblio     Link/Print  


        Struggles And Triumphs; Or, Forty Years' Recollections [signed by Barnum]

      Buffalo:: Courier. Very Good with no dust jacket. 1882. 1st. Hardcover. 4to, original publisher's brown morocco, all edges gilt, joints and extremities heavily rubbed, covers scuffed. Frontispiece portrait, wood engraved plates. Scattered light to occasionally moderate foxing. In custom half brown morocco, gilt, and cloth slipcase and cloth chemise. Signed and inscribed in ink on front fly recto: "To / Mrs. Jerome Orcutt / with the author's best wishes / P T Barnum / ... / Bridgeport / New Years / 1882." Clean and clear inscription and signature, starting to brown. A solid unsophisticated copy. ; 0 .

      [Bookseller: poor mans books]
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        Blutplättchen und Blutgerinnung. Von Prof. G. Bizzozero in Turin.

      - Zbl. med. Wiss., 20/20. - Berlin, August Hirschwald, 20. Mai 1882, 8°, (2) pp.; mit Stempel von "Prof.Dr. Alexander Rollett". Extrem seltener Sonderdruck! - - "Schüttelt man einige Zwirnfasern mit soeben entzogenem Blute, so werden sie zuerst von großen Haufen Blutplättchen mit daran anhaftenden sparsamen weißen und roten Blutkörperchen überzogen. Nur in einer zweiten Periode schlägt sich um die Zwirnfasern und Blutplättchenhaufen das Fibrin nieder. - Wenn man nun die Zwirnfasern vor dem Beginn der zweiten Periode hervorzieht, sie schnell in einer indifferenten Chlornatriumlösung wäscht und sie dann in 3-4 Cc. einer nach A. Schmidt's Vorschriften bereiteten proplastischen Flüssigkeit taucht, so tritt constant in dieser letzteren eine bedeutende Gerinnung ein. - Wovon können solche Gerinnungen hergeleitet werden? Es ist leicht experimentell nachzuweisen, dass die Gerinnung weder durch die Zwirnfasern, noch durch die wenigen roten Blutkörperchen bedingt wird. Schwieriger ist es dagegen, den relativen Anteil der Leukocyten und der Blutplättchen an der coagulirenden Wirkung zu bestimmen. In der Tat kennen wir einerseits keine Methode, um die Blutplättchen ganz frei von Leukocyten zu sammeln und ihre Wirksamkeit zu prüfen. Andererseits kann auch von der Beschaffung und Prüfung von Flüssigkeiten, welche nur Leukocyten ." - - Rothschuh Nr. 97: "Bedeutung der Blutplättchen als Träger der Gerinnung"

      [Bookseller: Antiq. F.-D. Söhn - Medicusbooks.Com]
 37.   Check availability:     ZVAB     Link/Print  


        Eigenh. Brief mit U. Turin, 2. IX. 1882.

      1882. 3 SS. auf Doppelblatt. Gr.-8vo. In französischer Sprache an einen namentlich nicht genannten Adressaten.

      [Bookseller: Antiquariat Inlibris]
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        Index molluscorum maris japonici. Conscriptus et tabulis iconum xvi illustratus.

      - Casselis Cattorum [Kassel], Theodor Fischer, 1882. 4to (27.3 x 22.1 cm). vii, 301 pp., 16 finely lithographed plates of which 13 superbly hand-coloured. Near contemporary grained blue half cloth over grained burgundy cloth. Script title on the spine.l Rare, rather early, and extremely well-illustrated work on Japanese Mollusca, which includes new species. Wilhelm Bernard Rudolph [or Rudolf] Hadrian Dunker (1809-1885) was geology professor at the University of Marburg, and founder of Palaeontographica, the most important palaeontographical periodical of the 19th century. He was one of the most important malacologists of his time (Wikipedia). He was usually known as Wilhelm, a name sometimes Latinized to Guilielmo, as on the title page of this work. The plates are of great accuracy and beauty. Their quality was not reached again until more than 50 years later when the Japanese started to publish their own full colour shell books, printed in 6 to 12 colours. Binding a bit shaky, first three plates rather foxed, as usual; the other coloured plates quite clean. Nissen ZBI, 1208. [Attributes: Hard Cover]

      [Bookseller: Antiquariaat Schierenberg]
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        La Passion illustrée sinon illustre de N.-S. Gambetta

      first edition of this Rabelaisian style pamphlet directed against Gambetta, one of 300 numbered copies on Holland paper.Binding to open bradel ivory wove, smooth back, red mesh coaching boards and boards painted in watercolor compositions centers: a bookplate and a monogram on the first front cover and Léon Gambetta embodying Christ crucified, fragile parchment wrappers preserved and bound in, contemporary binding signed Dodé.Nadar handwritten signature under the justification of the draw.In addition, this copy is enriched with a handwritten correction Nadar pencil in The Passion, p. 45, to orveitan [sic].Book adorned the author of illustrations.Provenance: Library of Frederick Lachèvre, bibliographer, specialist in French poetry, with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume.Some light and light bites to bookbinding. chés l'auctheur Paris s.d. [1882] 14x19cm relié

      [Bookseller: Librairie Le Feu Follet]
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        Ode à la statue de Victor Hugo, par Algernon Charles Swinburne. Traduction de Tola Dorian.

      Lemerre, Paris 1882 - Grand in-8 de 20 pp., demi-maroquin rouge à coins, dos à nerfs, tête dorée, non rogné, couverture imprimée conservée (Canape). Première édition française. Un des 25 exemplaires numérotés sur Japon. Très bel exemplaire dans une reliure de Canape.

      [Bookseller: Bonnefoi Livres Anciens]
 41.   Check availability:     AbeBooks     Link/Print  


        View of the mountains around Guanabara Bay, Rio da Janeiro; View of a House on a Brazilian Plantation.

      1882 - Pair of original gouaches, the first signed and dated, lower left, . Dimensions: 30.4 x 43.5 cm. (12 x 17.25 inches). Henry Walder (fl. late 19th/early 20th century) participated in the 14th General Exhibition of the Academia Imperial de Belas Artes, Imperial Academy of Fine Arts, in Rio da Janeiro, held in 1907. [Attributes: Signed Copy]

      [Bookseller: Shapero Rare Books]
 42.   Check availability:     ZVAB     Link/Print  

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