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Displayed below are some selected recent viaLibri matches for books published in 1881

        Un bacio ed altri racconti milano giuseppe ottino, editore 1881

      In-16° (cm 18,6x11,6), pp. (2), XXI, (1), 167, (1), copertina editoriale. In ottimo stato. Rara edizione originale. (Prima edizione). Indice: A Fasma; Un bacio; Contrasto; L'ideale di Pìula; Storia fosca; Un caso di sonnambulismo; Il dottor Cymbalus.

      [Bookseller: Libreria Antiquaria Mazzei]
 1.   Check availability:     Link/Print  

        Complete Works of Goethe

      Stuttgart. J.G. Gottafchen. 1881. Extravagently bound in half paneled red morocco and marbled boards. Gilt ruled spine compartments with extremely ornate gilt tooled motifs in the Art Nouveau fashion. Gilt titles. Marbled edges. Decorative Nouveau endsheets. 8vo (5" x 7.25"). Occasionally illustrated with full page monochrome plates. Text in high German. The slightest of occasional wear to spine and covers. A Fine, bright, brilliantly bound set.

      [Bookseller: Heldfond Book Gallery, ABAA-ILAB]
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        La reliure francaise commerciale et industrielle depuis l'invention de l'imprimerie jusqu'a' nos jours. paris, morgard et fatout, 1881.

      Cm. 32,5, pp. (8) 137 (3). Con molte incisioni (anche a piena pagina) e 4 tavole fuori testo di cui due ripiegate e due (splendide) in cromolitografia. Solida ed elegante legatura coeva in piena pelle, dorso a nervi con titoli su tassello, piatti inquadrati da filetti concentrici e con armi centrali in oro. Taglio di testa dorato, dentelles interne e brossura originale conservata. Dorso abilmente e quasi impercettibilmente rifatto; esemplare a pieni margini ed in ottimo stato di conservazione, stampato su carta di ottima qualità. Edizione originale ed unica.

      [Bookseller: Studio Bibliografico Benacense]
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        Marcel Vertès. Manuscript

      n.p., n.y. [Paris]: Salmon, Andre Salmon, Andre. [1881-1969]. French poet, art critic & writer. He was one of the defenders of cubism, with Apollinaire and Maurice Raynal; an authentic member of the 'Avant-Garde'. In 1904, lived in Bateau-Lavoir with Picasso, Max Jacob and Apollinaire. In 1964 he was awarded the Grand Prix for poetry by the French Academy. Autographed Manuscript Signed. N.p., n.d.. 4to, full page in green fountain pen on pad paper stock. Several corrections. Lovely content - the entire text in French about the artist & illustrator, Marcel Vertès. [Wasn't it Pierre MacOrlan who discovered Vertès?] "N'est-est pas Pierre MaCorlan qui découvrit Vertès?... Acte de foi ou placement de père de famille? Altruism ou traite des noirs? Freveur de l'esprit? Simplicite du coeur?... Que sais-je! Comme disait l'autre, le grand autre... Mais si Vertès ne se peut abondonner, non sans fièvre, qu'a l'exceptionnel du plus aigu modernisme, ce sera donc que, venu de loin, excepté de la petite peur des façon del la vielle pour être entré en bolide dans le present, l'etranger sensible se voit attribuer la mission de renouer les fils de tradition". A beautiful 'Hommage' to Budapest born Vertès [1895 - 1961], an outstanding 20th century painter, printmaker & illustrator, who moved to Paris during the First World War. Living and working in the famous Latin Quarter, Vertes quickly established himself as one of the most important artists of the Paris scene, thus continuing in the footsteps of Boutet, Forain, Toulouse-Lautrec & others. The art of Marcel Vertes was at its peak during the vibrant & somewhat wild decade of the 1920’s. Concentrating upon scenes of Paris street life, portrayals of women & depictions of circus & cabaret acts, Vertès left a legacy of original lithographs & drawings that superbly capture the spirit of 1920’s Paris. Vertes would be also be noted for his stunning line of Schiaparelli perfume advertisements.. Signed by Author. 1st Edition. Illus. by Marcel Vertès.

      [Bookseller: TBCL The Book Collector's Library]
 4.   Check availability:     IOBABooks     Link/Print  

        The Common Law, First Edition, Sir Henry Maine's Copy

      1881. Holmes, Oliver Wendell, Jr. [1841-1935]. [Maine, Sir Henry Sumner (1822-1888)]. The Common Law. Boston: Little, Brown, and Company, 1881. [i]-xvi, 422 pp. Octavo (8" x 5-1/4"). Original maroon pebbled cloth, blind double frames to boards, gilt title to spine, triple gilt rules at spine ends. Light rubbing to extremities, minor fraying to head of spine, corners bumped, some fading to spine, some staining and fading to boards, front hinge cracked but secure, large armorial bookplate of Sir Henry Maine to front pastedown. Light toning to text, internally clean. * First edition. As Friedman points out, "The Common Law was easily the most distinguished book on law by an American published between 1850 and 1900." In contrast to earlier Anglo-American jurists, and the reigning positivist ethos of the nineteenth century, Holmes proposed that the law was not a science founded on abstract principles but a body of practices that responded to particular situations. This functionalist interpretation led to his radical conclusion that law was not discovered, but invented. This radical theme is announced at the beginning of Lecture I: "The life of the law has not been logic: it has been experience" (1). Winfield observes that Holmes's "brilliant exposition, as effective on English scholarship and legal thinking as on American, of the true nature of law both as a development from the past and an organism of the present, blew fresh air into lawyer's minds encrusted with Blackstone and Kent." It went on to become a decisive influence on sociological jurisprudence, legal realism and the general development of Anglo-American law in the twentieth century. One of the greatest legal scholars of the nineteenth century, Maine's pathbreaking works, most notably Ancient Law, were the first to apply historical and evolutionary ideas to legal studies. More broadly, his work helped to establish the sociology of law. Maine was Corpus Professor of Jurisprudence at Oxford from 1869 to 1878, Master of Trinity Hall, Cambridge from 1877 to 1887 and became Whewell Professor of International Law at Cambridge from 1887 to his death the following year. Friedman, A History of American Law 544. W

      [Bookseller: The Lawbook Exchange, Ltd.]
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        Handbook of the Bombay Presidency. With an Account of Bombay City.

      London: John Murray, 1881.. Second edition, but first thus. (4, advertisements), viii, 405, (1), 50 (advertisements) pp. Publisher's red cloth, gilt lettered to spine and upper cover, publisher's catalogue of titles to the endpapers, contemporary pencilled inscription to half title and notes to opposing page. Three smaller folding plans bound in and a larger folding map inserted in pocket at the rear. Volume neatly recased, some marking and mottling to the cloth, a very good copy overall. Lister, 221. The work was first published as the second part of the "Handbook for India" in 1859. This is the first separately published edition, with revisions and "for the most part rewritten". The additional four pages of advertisements at the front of the volume show a printed list of maps offered by Edward Stanford.

      [Bookseller: Bow Windows Bookshop, ABA, ILAB]
 6.   Check availability:     UKBookworld     Link/Print  


      1881. hardcover. Twain, Mark (Samuel L. Clemens). THE PRINCE AND THE PAUPER. A Tale for Young People of All Ages. With One Hundred and Ninety Illustrations. London: Chatto & Windus, 1881. 32 pp ads dated Nov 1881. Original red cloth pictorially decorated in black. <p>First Edition of Twain&#39;s historical tale for the young. During the last years of Henry VIII&#39;s reign, a prince finds a pauper who looks exactly like him and persuades him to exchange clothes -- at which time the prince is chased from the palace, is forced to live as a pauper, and experiences first-hand the wretchedness of the poor and the cruelty of the law. The London edition was intentionally published before the American edition, for copyright purposes; it was published in late November 1881, followed quickly by (or perhaps simultaneous with) the Montreal edition, and then the (1882-dated) Boston edition in mid-to-late December.</p> <p>This copy has the primary ad catalogue dated November 1881, and is in near fine condition (spine slightly faded, but less so than usual). This English edition is W Wto do the job miserably, so binders reverted to using string). <i></i>McBride pp 70-72; Blanck 3396. Housed in a morocco-backed clamshell case.</p> CHILDREN&#39;S / JUVENILE (Sumner & Stillman Code:9305)

      [Bookseller: Sumner & Stillman]
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        Fine Original Manuscript Hunting Manuals: "Traps and Snares"; "Rod and Gun"; "Fur and Feather"

      New York: E. Pritchard, 1881; 1882, 1883. 3 volumes. Small 8vo., (5 x 3 4/8 inches). Original water-color drawing frontispiece to each volume and each illustrated throughout with exquisite pen and ink drawings of hunting scenes, equipment, prey and scenery; folding lithographic map of the New York and Ontario Western Railway at the front of "Fur and Feather". Original hand-made cloth bindings each front cover decorated with original pen and ink drawings and titles. A charming set of outdoor sporting manuals set mainly in New York State and Canada, perhaps written by a father for his son, as a number of the humorous and informative sketches feature such a scenario. In short space, Pritchard gives detailed descriptions on all aspects of 19th-Century hunting, shooting, fishing, skiing, camping, and outdoor survival. We learn everything from how to make a tent, a canoe, and snowshoes. He also tells how to set all kinds of traps, how to catch various types of fish, how to work a rifle, and hints on hunting everything from snipe to buffalo. One has the impression upon leafing the pages that Pritchard was no slouch of an outdoorsman himself. The practical information is concise and direct and his illustrations (there are over 60) combine an artistic beauty and graphic realism that makes them irresistible and informative. A truly unique and charming collection of books for any sporting enthusiast.. Book.

      [Bookseller: Arader Galleries]
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        The First of May: A Fairy Masque Presented in a Series of 52 Designs

      London: Henry Sotheran & Co., 1881. First edition. Elephant Folio (16 x 18 inches). Bound in lavish red crushed morocco with ornate gilt-tooled geometric borders surrounding front and back covers, six raised bands with elaborate gilt-tooled panels, gilt dentelles, marbled endpapers by Henry Sotheran. SIGNED BY WALTER CRANE, No. 7 of a Limted Edition of 300 Copies on India Proof paper. 57 sheets (and one limitation sheet), numbered I to LVI, each with magnificent drawing by Crane comprising illustrated panels with decorative borders. Many consider this to be Crane&#39;s crowning achievement, and surely the sheer number and quality of design bears this out. The book is boldly dedicated to Charles Darwin in a preliminary sheet. Most of these illustrations were done in 1878 and 1879 while Crane was visiting the Sherwood Forest, the setting in which Wise chose for his fairy tale adventure in a Mayday variation on "A Midsumer Night&#39;s Dream." The drawings appear in the book as high quality photogravure by Goupil and Company, a process Crane found to be highly successful. Edward Burne-Jones . "Burne-Jones greatly admired this gift book... Many other details reflect the influence of the older artist&#39;s work [Burne-Jones&#39;] such as the flowing bands of drapery fo the raibow Guardian in the &#39;Procession of Spring&#39;, Cranes androgynous nudes and various perpendicular compositions which echo the gentle sprial of &#39;They Golden stairs&#39;, one of th Burne-Joes&#39;s major works of the decade. The sumptuous binding is ivery tight and in excellent conditon with only minor rubbing to edges and corners and a few scuffs on the wide cover surface. Internally, the book is in near fine condition, with foxing as is nearly always found with this book owing to the acid quality of the thick India Paper. The foxing is heavier to preliminary sheets and the last few pages, but quite light internally and many plates are without foxing. (See Item #320, original mockup for Plate IX by Walter Crane).

      [Bookseller: Nudelman Rare Books]
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      London: George Routledge & Sons, 1881.  First edition, 42.5 x 34cm [folio], in publisher's vellum w/gilt brown & red designs to covers & spine, gilt & red decorative title to fr. cover & spine, bevelled edges, cream ep.s, 67 unpaginated card-stock leaves w/72 proof wood engravings by the Dalziels printed on tinted India paper laid on rectos.  Stated Limited Edition (374/1000) printed at the Camden Press, London. By 1862 the Dalziel Brothers were making preparations for an illustrated edition of the Bible, & over several years commissioned drawings from many of the finest illustrators of the period.  However, for various reasons the project never reached fruition, & 72 of the 90 accumulated engravings were finally published without biblical text in 2 sizes, a bound regular edition of 1000 numbered copies & a large De Luxe issue of 100 vellum-backed portfolios w/the loose-leaf sheets laid in.  Because the regular issue was priced at 5 guineas, "our Bible commercially speaking, was a dead failure,... some 200 copies being all that were sold. The balance of the number printed were disposed of at prices which we will not here record" ("Brothers Dalziel" 1901, p.256).  In any case all evidence points to 4 separate issues: 1) a pre-publication issue w/the Dalziels's undated Camden Press imprint; 2) the trade issue w/Routledge's 1881 imprint, limited to 1000 copies; 3) the special large paper issue in portfolios, also w/Routledge's 1881 imprint, limited to 100 copies; & 4) the American issue w/the 1881 imprint of Scribner & Welford, New York, who sold them in "[port]folio, vellum, & calf" for US$35.00 each.  While Ray suggests (p.96) that the portfolios were for presentation only, at least 3 copies of the regular issue were also presented; for example, Harvard's is a "Press Copy" inscr. by the Dalziels to R.H. Hutton, Editor of the "Spectator."  And while some copies of the regular issue have only 60 leaves of plates, all known portfolios (as in the copy described here) have the full complement of 62.  Binding Very Good (some rubbing to vellum, & moderate foxing to ep.s); contents Very Good (moderate foxing to 1st & final leaves not affecting the plates).  White 146 ("the praise lavished on these designs is amply justified;... the book is monumental") & passim, Dalziels passim, Reid 49 ("the most sumptuous of all our books") & passim, Fredeman 90.12, Ray 158 ("the artistic level ... is surely higher than that in any other of the Dalziels' collaborative volumes"), de Beaumont 21, Goldman 50 & passim.

      [Bookseller: Leonard Roberts, Bookseller]
 10.   Check availability:     Biblio     Link/Print  


      London: J. C. Nimmo and Bain, 1881. Extra-Illustrated with 100 Hand-Colored Plates 191 x 121 mm (7 1/2 x 4 3/4"). Three volumes. Reddish-brown crushed morocco, gilt, by Bayntun (stamp-signed on front turn-in), covers with gilt French fillet border and circlet cornerpieces, raised bands, spine compartments similarly decorated, gilt-ruled turn-ins, marbled endpapers, all edges gilt. With 12 original etchings by de Los Rios, as called for, and EXTRA-ILLUSTRATED WITH 95 HAND-COLORED PLATES by Warner, Tomlinson, and others. One board detached, other joints rather worn, a couple with older cracks repaired by glue, spines a bit scuffed, other general wear, a couple of tiny fore edge tears to one plate, otherwise the text and inserted plates in especially fine condition. Printed on high quality laid paper, this is a desirable extra-illustrated copy of Le Sage's great satirical picaresque romance, originally appearing in 1715-35 and first translated by Smollett in an edition printed in 1749. Le Sage (1668-1747) began his literary career translating Spanish works and thus came to appreciate the form, pioneered in Spain, of the picaresque novel, recounting the adventures of a likable rogue and satirizing the foibles of the times. In middle age, he turned to creating his own theatrical works and novels, and his acknowledged masterpiece is "Gil Blas." The story is set in Spain, and the feckless hero suffers many adventures and essays several careers (physician, courtier) before he learns compassion and achieves tranquility in a countrified life. Smollett's translation appeared at a time when he had written his own picaresque "Roderick Ransom," and, according to Tytler, "the English author is true to the sense, manner, and spirit of the original, and is often extremely happy in the interchange of particular idioms." The charming additional plates come from Richard Phillips' 1807 edition, and were carefully mounted and inserted with paper guards, thereby avoiding the offsetting almost inevitably found in extra-illustrated sets.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        The Poems of Lord Edward Herbert of Cherbury. Edited with an Introduction by John Churton Collins

      London: Chatto & Windus, 1881. First edition. Hardcover. Good +. London: Chatto & Windus, 1881. First edition. xl,136pp. Original parchment, red and black lettering and decoration, edges untrimmed. Endpapers foxed. Covers somewhat darkened and discoloured, as often with this binding-style, in other respects a very good copy. §§The 1890&#39;s poet and aesthete JOHN GRAY&#39;S COPY, with his handsome bookplate to front pastedown. Discreet and attractive twentieth-century bookplate above that of Gray. On page 77, the poem &#39;To His Mistress For Her True Picture&#39; bears a pencil mark to the outer margin and two short pencilled underlinings that draw attention to the lines "a fair outside, / Within which worms and rottenness abide" (lines that might have appealed to the earlier Gray - the pencillings are possibly in his hand). Gray, the supposed original of the &#39;Dorian Gray&#39; of Oscar Wilde, had a lifelong interest in Renaissance poetry and contributed editions of Campion, Constable, Drayton and Sidney. His copy of a volume of Phineas Fletcher, bearing an identical bookplate, is in private hands.

      [Bookseller: JAMES HAWKES]
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      Kobenhavn: F. Hegel and Son, 1881. 164pp, original decorative cloth, title in gilt to spine and upper cover, decorative endpapers, a.e.g. Rubbed to outer joints and corners, spine very slightly faded. Previous owners name to head of half-title, otherwise internally quite bright and clean. Text is Norwegian. First Edition. Original Cloth. Good+. 12mo.

      [Bookseller: Temple Rare Books]
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        Ballads and Sonnets

      London: Ellis and White, 1881. First edition. 8vo. 335, [1], [1, ad] pp. Original blue cloth, stamped in gold Rossetti design, fine. Cloth open-faced slipcase . Inscribed to Algernon Charles Swinburne&#39;s mother, Lady Jane Henrietta Swinburne (1809-1896): "To The Lady Jane Swinburne With the most sincere and heart-felt regards of Theodore Watts." Watts was the dedicatee of this book and Algernon Charles Swinburne&#39;s companion. GREAT ASSOCIATION

      [Bookseller: James Cummins Bookseller]
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        Bartolozzi and His Works, A Biographical and Descriptive Account of the Life and Career of Francesco Bartolozzi, R.A.; 2 Vols

      London / New York: Field & Tuer / Scribner & Welford. 1881. First printing. Hardcover. Very Good. Limited Printing. Two volumes, complete. Large quarto, full vellum with gilt titles, gilt top edge, clean unmarked texts, 211 + 152 pp., illustrated (including some plates on silk), Very Good set, some foxing/soil/discoloration to the outer edges of some pages, light soil to the covers, some wear to the tips and edges of the covers and to the spines of both volumes (some expert repair-work has been done to the lower portion of the spine of the first volume), two small bookplates to the front pastedowns of both volumes. No statement of limitation, but we assume 1/100 of this Limited Printing. Digital images sent upon request.

      [Bookseller: Caliban Books ABAA-ILAB]
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        POEMS: A NEW EDITION (Large Paper Copy)

      London: Ellis & White, 1881.  First edition thus, 22.5 x 14cm (8vo), in publisher's cream paper spine over slate blue boards, paper title-label to spine, deckle edges, [i-ix] x-xi [xii], [1-3] 4-294, [1-2 publ. adverts] mostly unopened pp.  Limited Edition Large Paper Copy printed on watermarked Whatman handmade paper by Strangeways & Sons, London.  With the small blindstamp of American International to titlepage, & traces of their markings to spine & fr. pastedown.  Binding Fair (spine darkened w/loss to extremities & label, corner tips sl. worn, & fr. joint cracked); contents Near-Fine.  Slater p.218, Rossetti 34 ("there were also 31 copies printed on large paper"), Vaughan 11, Ashley IV 148, Fredeman 23.11, Fennell 22 ("contains most of the poems first seen in ['Poems' 1870], except that the 'House of Life' has been removed ... and a few sonnets have been eliminated.  Four new poems and three new translations are added"), Colbeck 23.

      [Bookseller: Leonard Roberts, Bookseller]
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        The Works of Charles Dickens

      London: Chapman and Hall, 1881. Limited. hardcover. near fine. 120 volumes. Tall slim 8vos, 3/4 green morocco over marbled boards, gilt-stamped spines with raised bands; marbled endpapers, all edges gilt. London: Chapman and Hall, 1881-82. "Edition de Luxe. Profusely illustrated with over 700 mounted plates on India paper, and facsimiles of original printed wrappers. The 2 volumes which contain "A Christmas Carol" have four hand-colored plates. Number 537 of 1000 copies printed. Some were bound in either 30 or 60 volumes. This set has a title page in each volume stating that it consists of 120 volumes, (a more manageable size for reading). The set is is fine condition except for serious insect damage on 3 leaves in volume 77 and a small hole on one leaf in volume 8.

      [Bookseller: Argosy Book Store]
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        The Giant Raft. Part I (Eight Hundred Leagues on the Amazon) and Part II (The Cryptogram) Translated by W. J. Gordon.

      London: Sampson Low, Marston, Searle and Rivington, 1881/1882. First English edition.. Rebound in half calf with raised bands and gilt titling.. Each a very good copy.. Two Volumes. Octavo. The first English edition in two volumes of the author&#39;s famous work, "The Giant Raft," including "Part 1: Eight Hundred Leagues on the Amazon" and "Part II: The Cryptogram." Translated by W. J. Gordon. Printed by Gilbert and Rivington Limited. All plates present. Part I is 244 pages, with 43 illustrations and 32 pages of advertisements at rear. Part II is 254 pages, with 37 illustrations (not including the frontispiece) and 32 pages of advertisements at rear. ~The book is bound in a half calf binding with floral design, which appears contemporary to the age of the book, with five raised bands on spine and gilt-stamped titling. All edges gilt. The binding has some rubbing but is in overall very nice condition. The interior is clean with only a hint of soiling and light finger soiling on a few pages. ~Published in French in 1881 as "La Jangada," the Brazilian word for large river raft, this Sampson Low first English edition was published in November 1881 and May 1882 (Part&#39;s I and II, respectively). It preceded Scribner&#39;s first American hardbound edition, which was published in December 1881 and September 1882. ~A beautiful first English edition set of this timeless Verne classic, handsomely rebound.

      [Bookseller: Bloody Rare Books, LLC]
 18.   Check availability:     Biblio     Link/Print  


      1881. hardcover. <center><b>a FINE set</b></center> Verne, Jules. THE STEAM HOUSE. Part I. THE DEMON OF CAWNPORE. <u>With:</u> Part II. TIGERS AND TRAITORS. [Together, two volumes.] Translated from the French by A. D. Kingston. Illustrated. London: Sampson Low, Marston, Searle, & Rivington, 1881. 32 pp ads in each volume, dated April 1880 in Part I and January 1881 in Part II. Original brown cloth pictorially decorated in black and gilt, all edges gilt. 2 vols. <p>First British Edition (and first illustrated edition in English) of this tale taking place in India.</p> <p><?ms_indent>Nana Sahib is wanted for the atrocities he committed during the Sepoy revolt in india in 1857. Ten years later, an engineer named Banks invites Colonel Munro, Captain Hood, a Frenchman named Maucler and their associates to accompany him on a tour of the northern parts of India in a unique conveyance. The conveyance&#39;s engine resembles a huge elephant; only this elephant is powered by steam. As the adventurers head north it becomes obvious to them that Colonel Munro (whose wife was reported killed at Cawnpore) has plans for revenge. Unknown to him, Nana Sahib has similar intentions. [Kytasaari] </?ms_indent></p> <p>THE DEMON OF CAWNPORE has on its front cover an illustration of the "steam elephant" pulling the passenger car; TIGERS AND TRAITORS shows Maucler and Captain Hood taking refuge inside a tiger cage as tigers circle around them.</p> <p>George Munro of New York published the first (unillustrated) edition in English of Part I in August 1880, and Part II in January 1881, in his self-wrappered "Seaside Library." Sampson Low published this first illustrated edition (and first British edition) of Part I in December 1880, followed by Part II in April 1881. Then Scribner published American illustrated editions, of Part I in February 1881, and of Part II in May 1881.</p> <p>Both volumes are remarkably fine and bright, with essentially no wear at all (the marginal corner of one ad leaf is chipped away); even the original endpapers remain uncracked. A few gatherings standing slightly proud, but this is due to the early-80s ill-conceived experiment of binding with staples rather than with string. These English volumes are considerably scarcer than their Scribner counterparts, and are downright rare as a matched pair in this condition. Taves & Michaluk V021; Myers 46.</p> FANTASY / SCIENCE FICTION / SUPERNATURAL (Sumner & Stillman Code:12159)

      [Bookseller: Sumner & Stillman]
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        Keramic Art of Japan

      Henry Sotheran and Co. London: Henry Sotheran and Co., 1881. Leather Boards. 4to. This is the second edition of an important work first published by Audsley and Bowes in 1875. George Audsley and his brother William were noted architects and decorative arts experts. Audsley was also an early British authority on Japanese art publishing. The second edition incorporates information from relevant reports published after the first edition. The first section is an introductory essay of 111 pages, followed by chapters discussing different Keramic manufactures and provinces. The text is accompanied by 32 beautiful black and white and chromolithographic plates. Bound in a lovely signed binding by Root and Son in full green morocco with five raised bands and six compartments with elaborate floral devices and title to the spine, and with gilt lines and decoration to boards along interior and exterior edges. There is browning to spine and to top edge of front board, though gilt remains bright. Marbled end pages and full gilt edges. The interior is very clean with some browning to margins of pages not affecting the text and illustrations. Includes a detailed index and a glossary of marks and monograms. 304 pages. ART/071907. Near Fine.

      [Bookseller: The Kelmscott Bookshop ]
 20.   Check availability:     ABAA     Link/Print  


      1881. PYLE,HOWARD. YANKEE DOODLE: AN OLD FRIEND IN A NEW DRESS. NY: Dodd Mead 1881. Square 4to, (9 1/4 x 10 1/2"), pictorial boards, tips and edges worn as is common else, tight, clean and unusually nice copy. First edition of Pyle's 1st commissioned book. There are 8 full page color illustrations (an early example of color printing for children's books) plus extensive blue illustrations on every page of text. Very scarce and when found, usually in wretched condition, this being a nice copy.

      [Bookseller: Aleph-Bet Books, Inc. ]
 21.   Check availability:     ABAA     Link/Print  

        Yankee Doodle, An Old Friend in a New Dress

      Dodd Mead and Company New York: Dodd, Mead and Company, 1881. First printing. 4to. Cloth backed, paper covered boards with pictorial covers. Eight delightful full-page color plates, eight in light blue, numerous others, all by Pyle in distinctive early style reminiscent of Walter Crane toybooks. Among Pyle's earliest color illustrations, these portray the style that influenced the Brandywine illustrators. Expertly rebacked, original endpapers. Corners scuffed, hinges cracked, lacking rear free fly, very good.

      [Bookseller: Nudelman Rare Books ]
 22.   Check availability:     ABAA     Link/Print  

        A HISTORY OF THE ST.LOUIS BRIDGE; Containing a Full Account of Every Step in its Construction and Erection, and including the Theory of the Ribbed Arch and the Tests of Materials.

      St. Louis. G.I.Jones 1881 First Edition.. A Unique Inscribed Presentation Copy from the bridges designer and builder James Buchan Eads, to John Bridge Aspinall. QC. London April 1884" [ Mayor of Liverpool 1804]When completed in 1874, the Eads Bridge was the longest arch bridge in the world, with an overall length of 6,442 feet. The ribbed steel arch spans, inspired by Telford's London Bridge were considered daring, as was the use of steel as a primary structural material: it was the first such use of true steel in a major bridge project. [ A "Test Elephant "was led across to an appreciative crowd to prove it was safe ] Folio 14½"x11" Original full black morrocco elaborately blocked in blind & gilt.Gilt dentelles and marbled endpapers. AEG Superbly illustrated with a mixture of Collotypes[Here called Artotypes] Lithographs wood cuts and a steel engraved portrait of Eads.Together with his glowing recomendation of the book. Rubbing to joints but still sound. A splendid association copy.NB: Additional images of the book can be provided on request.

      [Bookseller: John L Capes]
 23.   Check availability:     UKBookworld     Link/Print  

        Servii Grammatici Qui Fernuntur in Vergilii Carmini Commentarii. Recensuerunt Georgius Thilo et Hermannus Hagen.

      3 volumes in four. B.G. Teubner, Leipzig 1881-1902. Large 8vo. Bound in 4 near uniform brown halfleather bindings of calf. First two volumes with a slightly dry and scratched spine. Otherwise a nice set. Name on flyleaf (the Danish classical scholar Holger Friis Johansen).. I. Aeneidos librorum I-V commentarii, recensuit Georgius Thilo. II. Aeneidos librorum VI-XII commentarii, recensuit Georgius Thilo. III, 1. In Bucolica et Georgica commentarii, recensuit Georgius Thilo. III, 2 Appendix Serviana ceteros preater Servium et Scholia Bernensia Vergilii commentatores continens, recensuit Hermannus Hagen.** Maurus Servius Honoratus was a late 4th-century grammarian from Italy and he wrote a series of commentaries on the works of Virgil

      [Bookseller: Vangsgaards Antikvariat]
 24.   Check availability:     Antikvariat     Link/Print  

        Uplands herregårdar med beskrifvande text.

      Stockholm, 1881. Oblong 4:o. 26 X 37 cm. Coloured lithographed extra title leaf, 60 coloured lithographed plates (all, a few textleaves browned from the plates). Well preserved goldtooled original cloth, goldtooled spine

      [Bookseller: Antikvariat Röda Rummet AB]
 25.   Check availability:     Antikvariat     Link/Print  


      Kolteckning. Signerad »Bruno Liljefors» och daterad 1881, då Liljefors endast var 21 år gammal. 25?×?30 cm (dagermått). Fäst på kartong. Inramad. Utförd under Liljefors korta elevtid på Konstakademien. Efter förberedande studier för ritmästare C.?G.?Holmgren i Uppsala började Liljefors vid akademien 1879, men 1882 hade hans ursprungliga entusiasm övergått i besvikelse. Han fick en uppsträckning för bristande närvaro, men ansåg sig inte ha mer att lära i Stockholm och anträdde i stället på hösten 1882 sin första utrikes studieresa.I Nationalmuseum finns åtskilliga teckningar av Liljefors som föreställer tigrar, men bara ett blad som visar lejon (NMH 75/1941)

      [Bookseller: Lorenz B. Hatt]
 26.   Check availability:     Antikvariat     Link/Print  


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