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Displayed below are some selected recent viaLibri matches for books published in 1873

        Vignettes: Alpine and Eastern . In Two Series. Eastern Series.

      1873 - London, W.M. Thompson, 1873. Folio. Original maroon cloth over bevelled boards by Leighton, Son and Hodge, upper board blocked with design in gilt, lower board blocked in blind, spine lettered in gilt, lemon-yellow endpapers, all edges gilt; pp. [viii, 24, advertisements ]; 12 mounted chromolithographic plates after Walton, printed by M. & N. Hanhart, each with tissue guard; binding with wear and a little faded, front hinge re-inforced, occasional light spotting on card mounts, text a little browned, else very good. First edition, the second series only (the first series was devoted to the Alps and is thus wholly non-Middle-Eastern in subject), devoted to Sinai, the Nile, Baalbek, Constantinople and the Bosphorus and with one view of the Acropolis in Athens. The Birmingham-born artist Elija Walton discovered early on in his career that he had talent for mountain landscape painting. After a sojourn in Switzerland he moved to Egypt (where his wife died), and then on to Syria, Lebanon and Istanbul. After two years abroad he returned for a short period to London, only to work for for five more years abroad. This rare volume is the only published outcome of his love for Middle Eastern scenery and landscape, apart fom a work on The Camel, its Anatomy, Proportions, and Paces, both written and illustrated by Walton. Similar to David Roberts, the artist produced the designs specifically for publication, not to be hand-coloured, but to be printed in superior chromolithography by W. M. Thompson, who distributed prints in his Burlington Gallery in Piccadilly. [Attributes: First Edition; Hard Cover]

      [Bookseller: Henry Sotheran Ltd]
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        SACRAMENTAIRU AD USUM AECCLESIAE NIVERNENSIS - NIVERNI EX TYPIS FAY 1873

      Niverni ex typis PAULINI FAY 1873 - - 1873 Sans nom d’Auteur en fin d’ouvrage P. 395, Anonyme probablement Crosnier. - Imprimé par FAYE de Nevers Impressum Niverni ex typis PAULINI FAY, sumptibus et impensis Gymnasii Antiquitatum, cura et opere A. J. CROSNIER .cooperantibus sociis R. de LESPINASSE, M. FOUCHE et C. MORIZOT, absolutum. Anno Domini MDCCCLXXIII. - In-quarto demi maroquin dos à cinq nerfs, titre aux fers dorés. Sans défaut. Non rogné. Ouvrage monté sur onglets. - Garde, 1 f., Premier Plat conservé p. de fx titre, p. de titre couleurs 8 Lithographie pleine page hors texte de T. Barillet et Fay de Nevers XLVI P. dont Préface signée de CROSNIER Président de la Société Nivernaise, avec lettrine aquarellée. 1 f. vierge, 405 pages, 1 f. Second Plat conservé. Garde. - RARISSIME et BEL EXEMPLAIRE - Orné de 8 Lithographies Hors Texte de Barillet, Diverses Lettrines Aquarellées. - Premier Ouvrage consacré au Sacramentaire à l’Usage de l’Eglise de Nevers de Hugues Le GRAND et qui fit l’objet d’une polémique quand à la datation du IX° au XIIe Siècle, Ce Sacramentaire fut acheté en Vente Publique le 13 février 1865 par la Bibliothèque Impériale au grand dam des collectionneurs et érudits locaux. Notre ouvrage à tirage confidentiel est le premier consacré à cet exceptionnel document du IX° S. La BNF le présente comme étant un copie du XIIe. Un seul exemplaire de notre ouvrage connu à la BNF. Aucun autre exemplaire répertorié dans les autres bibliothèques de province cf. gallica (sous réserve). Mots clés : [Attributes: First Edition; Hard Cover]

      [Bookseller: LIBRAIRIE ANCIENNE BERNARD MARIE ROLIN]
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        THE ATLANTIC A PRELIMINARY ACCOUNT OF THE GENERAL RESULTS OF THE EXPLORING VOYAG

      London 1873, Macmillan. Green pictorial cloth, gold stamped, 2 vol. set, 424+396p., index, 168 woodcuts, 8 vignettes, 42 plates & charts; chart/map count:v. 1=3; v. 2=6, 9 maps in all, corners bumped, else solid, clean, teg. FIRST EDITION Gold-stamped pictorial cloth, gold-stamped pictorial spines, and top edges gilt. *** EDITION: This is the FIRST BRITISH EDITION, it preceeded the American edition by a year. *** .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB -]
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        From The Earth To The Moon (First English Publication, Anonymous, Of The Louis Mercier-Eleanor King Translation)

      London: St. James Magazine, 1873. First Edition Thus 1st Printing. Hardcover. Near Fine. Illustrations By Henri De Montaut, Signed As "Adolphe-Francois Pannemaker. The Complete Text Of The Louis Mercier-Eleanor King Translation, Extracted From The St. James Magazine Issues Of July Through December 1873, Published Anonymously In 28 Chapters With All Illustrations, Predating The October 1873 First English Hardcover Edition Published By Sampson, Low, Marston & Co. In October ( Reported In The Atheneum #2398 Of October 11, 1873 As A New Book From Them). Pages Have No Titles To Identify The Source, But Page Numbers At Top And Codes At Bottom Of Pages Match Those For The St. James Issues Held At The University Of Illinois At Urbana- Champaign And Reported Thru Hathitrust. Pages Bound In Quarter Leather With All But First Four Chapters Of Verne's "Three Englishmen And Three Russians In South Africa" And All Of "The Fatal Inheritance" And "The Two Brothers" By Other Authors. Binding Worn, Spine Mostly Perished (Spine Label And Some Leather Laid In Loosely), But All Pages Clean, No Damage, And Illustrations Are Very Strong, Clean Impressions Rivaling Those In The Hardcover Edition.

      [Bookseller: Arroyo Seco Books]
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        Carta geognostica e viticola del Trentino.

      Scotoni e Vitti, Trento, 1873. 1 c. geogr., su foglio 100x100 cm Buono stato di conservazione, piccolo strappo ma senza mancanze. Risale al 1950 l'idea del Comitato vitivinicolo provinciale di elaborare una Carta viticola del Trentino allo scopo di acquisire gli elementi necessari a programmare lo sviluppo del settore.\rIn quegli anni l'agricoltura continua a rappresentare il settore principale dell'economia provinciale, nonostante la perdurante arretratezza che la caratterizza e la difficoltà di affrontare i nuovi mercati sempre più aperti e competitivi. Pesano ancora le conseguenze dell'evento bellico e il mancato completamento della riconversione post-fillosserica avviata tra le due guerre, troppo presto interrotta a causa della crisi degli anni Trenta e del secondo conflitto mondiale.\rGià nel 1919 l'annessione del Trentino all'Italia aveva costituito un momento critico, in particolare per il settore vitivinicolo; venuti a mancare i tradizionali sbocchi commerciali sulle grandi piazze dell'impero, Germania e Svizzera in particolare, la situazione era divenuta più complessa, mentre i nuovi mercati erano tutti da conquistare.\rInoltre, in molte zone, gli impianti dovevano essere rinnovati o perchè gravemente danneggiati dalla guerra o perchè infestati dalla fillossera (leggi l'approfondimento), che aveva ripreso vigore durante gli anni della prima guerra mondiale.\rAlla fine della guerra l'agricoltura trentina iniziava lentamente a riorganizzarsi, seppur in assenza di indirizzi coerenti. Se in alcune zone meno vocate per la vite, come la Val di Non e la Valsugana, si avviava la conversione alla frutticoltura, altrove le incerte condizioni generali riproponevano tradizionali pratiche di coltivazione promiscua (frutta, vite, cereali), lontane dalla specializzazione colturale richiesta dagli indirizzi più moderni.\r\rLaddove invece la vocazione viticola del territorio era confermata, prese avvio un grosso sforzo di ricostruzione dei vigneti e di riassortimento varietale, con un deciso orientamento verso nuove varietà in grado di garantire il miglioramento qualitativo della produzione.\rQuesto sforzo fu accompagnato e sostenuto dall'azione dei diversi organismi: il Consiglio provinciale dell'economia di Trento, che nel 1926 sostituì il Consiglio provinciale per l'agricoltura del Tirolo (1881) con funzioni di indirizzo del settore, le Associazioni agrarie, subentrate ai vecchi Consorzi distrettuali nell'acquisto delle scorte agrarie e degli strumenti di lavoro, l'Osservatorio fitopatologico per i controlli fitosanitari e i vivai viticoli-pomologici che fornivano le piante delle varietà selezionate per i nuovi impianti. A questi si aggiunse la Cattedra ambulante d'agricoltura, insediata anche in Trentino come nel resto d'Italia nel 1929, a dare continuità all'azione delle vecchie cattedre ambulanti già presenti nel Tirolo meridionale per merito della Società agraria di Rovereto prima (1872) e dell'Istituto agrario poi a partire dagli anni Ottanta dell'Ottocento, iniziative tutte nate per fornire un'istruzione di base ai contadini e divulgare i risultati delle prove sperimentali condotte dalla Stazione spermentale dell'Istituto.\rIl processo di reimpianto di varietà su portinnesto americano resistenti alla fillossera proseguì, seppur tra alterne vicende ed episodi di resistenza al cambiamento, fino agli anni Trenta.\rIl Congresso viticolo del 1930 potè così rilevare una situazione varietale decisamente modificata rispetto a quella iniziale, anche se perduravano zone in cui la viticoltura era di scarsa qualità e che quindi richiedevano urgenti interventi di rinnovo varietale.\rSoprattutto nelle zone a maggior vocazione viticola, il rinnovato processo di sostituzione delle varietà meno pregiate con altre più adatte alle varie zone viticole cominciava a dare i primi frutti: nella bassa Vallagarina trovarono la loro zona di elezione i Lambruschi, il Marzemino nei dintorni di Rovereto e Isera, il Merlot più a nord, fin sopra Trento e in Valle del Sarca, le Schiave in Val di Cembra, il Teroldego in Piana Rotaliana. Tra le varietà a uva bianche la Nosiola dalla Valle dei laghi si diffuse anche lungo l'asta dell'Adige, dalle colline lavisane fino alla Vallagarine e in Val di Cembra, mentre i Pinot bianco e grigio si insediarono in Valle dell'Adige. Resistevano ancora varietà più scadenti ma più produttive come la Negrara, la Vernaccia Bianca o la Rossara e uve comuni per vini da pasto o da taglio.\rLa grande depressione degli anni Trenta interruppe bruscamente questo processo di rinnovamento; l'eccessiva esposizione finanziaria dovuta agli investimenti sostenuti a fronte dei mancati ricavi dalle vendite di vino a prezzi stracciati determinarono il fallimento di alcune aziende private e cantine sociali, in altre zone si tornò alla coltura promiscua, le zone a più bassa vocazione furono completamente abbandonate. La guerra poi fece il resto, con i danni e la difficoltà di mantenere le pratiche di contenimento della fillossera.\rPer questi motivi all'indomani della seconda guerra mondiale la situazione della viticoltura trentina presentava alcuni elementi di problematicità che attendevano di essere affrontati.

      [Bookseller: Studio Bibliografico Adige]
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        Lacerda's Journey to Cazembe in 1798.

      1873 - First (only) edition. 8vo. Unbound, title page detached, incomplete, review of the work pasted on verso of title page, an autograph ms slip loosely inserted, with a modern morocco drop back box, gilt. [1]-56, 71-2, 87-8, 103-4pp. London, John Murray for the Royal Geographic Society, Signed by Burton on the title page with his annotations throughout the text. This appears to be a working copy, on which Burton has made typographic and factual corrections, notes misprints and other observations. The autograph slip enclosed lists ?Dr de Lacerda's observations 1797-1798?, a small table denoting the latitude and longitude of eight separate places included on page 123 of the published text. In addition to their annual volume of transactions, the Royal Geographical Society occasionally published works of geography. Prompted by Livingstone's explorations, this was a particularly important example, including nearly everything known of the interior of Africa to that time. Burton's piece occupied the first 164 pages of the work and included two controversial appendicies that were later rejected by the Royal Geographic Society. Penzer, pp89-90; Casada, 85. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
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        Lehrbuch der schönen Gartenkunst. Mit besonderer Rücksicht auf die praktische Ausführung von Gärten und Parkanlagen.

      Berlin, Ernst & Korn 1873. - Fol., Mit Titelholzstichvign., 96 Textholzstichen und 23 (2 doppelblattgr., 13 getönten bzw. farb.) lithogr. Tafeln. VIII SS., 252 Spalten, 2. vermehrte und verbesserte Auflage, Halbleder der Zeit mit vergoldetem Rückentitel, Rückenvergoldung, Die Tafeln meist braunfleckig, gut erhaltenes Exemplar, Die Tafeln zeigen die klassischen Gärten Italiens (Villa Aldobrandini, Villa d'Este etc.), aber auch Phantasiegärten verschiedener Stilrichtungen sowie die Anlagen von Versailles und Sanssouci., [Attributes: Hard Cover]

      [Bookseller: Antiquariat Werner Steinbeiß]
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        The Life of James Williams, Better Known as Professor Jim, For Half a Century Janitor of Trinity College

      Hartford: Case, Lockwood & Brainard, Printers. 1873. First. First edition. 12mo. 79pp., frontispiece portrait. Publisher's purple cloth titled in gilt. Slight rubbing on spine, a trifle foxed, else a lovely fine copy. Also issued in wrappers, and reprinted in 1889. An exceptional copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Histoire militaire des femmes.

      Paris: De l'Auteur, 1873 First edition. 8vo (22,5 x 14,5 cm). (8), 295, (5) pp. Modern binding with part of the original wrapper mountend on cover. Fine copy. Numbered "53" in manuscript and signed by the author. Very rare and interesting study on the subject of women in military history. Including a Dutch article on this subject from: Het Belgisch Tijdschrift voor Militaire Geschiedenis, nr. XXIV-7, sept. 1982 loosely inserted in the back. .

      [Bookseller: Zaal Books]
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        Lettera autografa firmata intestazione Hotel Knickerboker New York datata 16/11/912

      CARUSO Enrico 1873 - 1921. Lettera autografa firmata cm.16x25 intestazione Hotel Knickerboker New York datata 16/11/912 e indirizzata all'amico Giovanni Mascia. "Caro Giovanni" rammaricandosi di dover chiedere la restituzione di un prestito "...e cerca di non farmi andare in bestia"

      [Bookseller: Studio Bibliografico Casella]
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        La madeja politica. El lio, semanario humoristico ilustrado. La madeja

      - Trilla y Serra editorial. La madeja politica año 1873 y 1874. Del nº 1 del 1 de Noviembre de 1873 al 31 de Enero de 1874, número 14. Le sigue El lio, semanario humoristico ilustrado. Del 7 de Febrero de 1874 número 1 al número 7 del 18 de Abril de 1874. Le sigue La madeja politica del nº 22 del 2 de Mayo de 1874 al número 50 del 19 de Diciembre de 1874. La madeja del 2 de Enero de 1875, número 1 al 3 de Marzo de 1876 número 22. Consta de 4 páginas cada número. Con ilustraciones, algunas a doble página y en color. Buen estado de conservación. Encuadernados en media piel con nervios y dorados. 44x32 cm. Ref: 2026 [LS/011757-2026]

      [Bookseller: Libreria Sanchez]
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        TA, Rotunde "Das Haupt-Portal des Jndustrie-Palastes der Wiener Weltausstellung im Jahre 1873.".

      - Farblithographie b. A. Planck & Sohn Wien, 1873, 34 x 46,5 Nicht bei Nebehay-Wagner, nicht bei Paulusch, Ikonografie von Österreich. Sehr seltene und äußerst dekorative Ansicht der für die Weltausstellung 1873 errichteten Rotunde im Wiener Prater, mit reicher figürlicher Staffage; Sammlungsstempel unterhalb der Darstellung, ein kleiner Einriss oberhalb der Darstellung alt hinterlegt, gering fleckig, sonst tadellos.

      [Bookseller: Antiquariat Nikolaus Struck]
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        THE WORKS OF SHAKSPERE

      New York: Virtue & Yorston, 1873. Imperial Edition. A very fine copy of this massive work as brilliant as when new. Imperial Edition" Two volumes. Tall folio (15 1/8" tall). (vi), 94p; (vi). Edited by Charles Knight. Illustrated by Cope, Lelsie, Maclise, Ward, W.P. Firth, Marks, and others with 57 fine full-page steel engravings, including frontispieces and vignette title pages. Bound in publisher's binding by E. Walker's Son, 14 Dey St., NY in full brown embossed pebbled morocco over beveled boards with marbled endpapers, a.e.g., the spines in six panels with raised bands, the panels with gilt titles and panel ornaments in gilt and black with decorative rules on the bands, the covers with a series of frames in black with cornerpieces containing portraits of characters in gilt roundels, the centers with large illustrated frame containing the titles and surmounted by a bust of Shakespeare, fancy dentelles. Jaggard. p. 542. This copy with both volumes titled in gilt on the upper covers: "Presented to George Munn Lilburn By His Father, On His Graduation From Rutgers College June 20th 1883

      [Bookseller: First Folio]
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        Leaves of Grass (ONE OF 500 COPIES OF THE FIRST BRITISH (PIRATED) EDITION, THIS BEING THE COPY OF M.P. FERDINAND FAITHFULL BEGG)

      No publisher stated (John Camden Hotten), Washington D.C. (but actually London) 1873 - States "Washington, D.C., 1872," no publisher named, but actually published by John Camden Hotten, London, 1873. Publisher's original blue cloth (more commonly found in red, occasionally in green) stamped in black to the front board and in blind to rear, with gilt spine titles and flower device (the gilt a bit dulled but still easily read), stating "Complete" to foot of spine. The notorious John Camden Hotten took a copy of the (Washington, 1871) fifth edition of "Leaves of Grass" and from it produced this convincing British facsimile, an edition of 500 copies and thus the first British edition, distinguishable from the original by the addition at the end of Whitman's separately paginated, 14-page address to the Managers American Institute on the opening of their 40th annual Exhibition in New York Sept. 7, 1871, "After All, Not to Create Only" -- a piracy crafted "no doubt due to British censorship laws, which (Hotten) probably thought he could avoid more easily by posing as the distributor of the book rather than as the publisher of it" -- Myerson, "Walt Whitman a Descriptive Bibliography." Myerson A2.6; BAL 21623 Sixth edition, but the first British, an anonymously issued English piracy claiming to be an American edition. This particular volume was the copy of Scottish stockbroker and Unionist politician Ferdinand Faithfull Begg (1847-1926), with his 1917-dated bookplate to front pastedown and also including his bookmark. Begg served as Chairman of the Edinburgh Stock Exchange 1885-1887 and Chairman of the London Chamber of Commerce 1912-1915. He was senior partner of Faithfull Begg & Co., Stockbrokers of London, 1887-1913 and served as a Member of Parliament for Glasgow St. Rollox, 1895-1900. Condition of this copy is "good" with rub to edges and the board corners worn through the cloth. American Poetry. [Attributes: Hard Cover]

      [Bookseller: Cat's Curiosities]
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        An Investigation of the Orbit of Uranus with General Tables of its Motion

      Washington, Smithsonian Institution, 1873, in-4, VII, (1) et 288 pages, demi-toile verte de l'éditeur, Première édition. Newcomb, après avoir publié son calcul de l'orbite de Neptune en 1866 (découverte seulement 20 ans plus tôt, en 1846, par Le Verrier), se décida en 1867 à recalculer celle d'Uranus puisque la planète nouvellement découverte exerçait une action sur Uranus et rendait caduque tous les almanachs astronomiques antérieurs. Ainsi, avec le présent travail Newcomb propose une discussion des précédents calculs de l'orbite d'Uranus, une représentation de son mouvement au sein du système solaire, mais aussi et surtout une table générale des ses positions depuis le début de l'ère chrétienne jusqu'en 2300. Intérieur propre, grand de marges. Cartonnage sali et abîmé.

      [Bookseller: Librairie Alain Brieux]
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        Album with Outstanding Pen-and-Ink Artwork Worked Around Albumen Prints of Artworks

      , 1873. 1873. Full Morocco. Very Good Plus. 4to. 25 by 21 cm. 41 leaves of heavy card, with content entirely on rectos. Of these, 28 have have finished pen-and-ink work.Generally the original artwork is intended to carry forward the theme of the print, or complement it in some way. Some of this original artwork is a highly developed pictorial image which dominates the page, while in other instances it is more a servant to the print, or meant merely to be ornamental, as when the penwork is directed to framing the print, with the ornamentation very precise but not having any particular pertinence to the print image per se. The albumen prints are themselves unexciting reproductions of artwork -- paintings and sculpture -- as was the common form of such reproduction at the time, and the ancestor of today's museum postcards. It is the additional artwork, by Miss Dickinson, which brings the album alive.Especially appealing are her drawings of foxhunting scenes, above and below the albumen print of a fox painting, her scene of the Nile, above a print of a bedouin and camel, her drawings of three seraphs to frame the print of a painting of a pretty boy, her drawing of a small catastrophe with a toppled farm cart, her other bucolic landscapes, which include ruins, church steeples and the like, her raging snake to enhance the painting of an exotic woman, her Venetian atmospheric drawing. But one should not short shrift the appeal of the more purely ornamental drawings of frames, some of which are quite clever and all of which are intricate in their detailing.Light wear to the red morocco.

      [Bookseller: White Fox Rare Books and Antiques ]
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        Recueil d'exercices sur le calcul infinitésimal

      Paris, Gauthier-Villars, 1873, , XIII-410 pp, demi-chagrin prune à coins, Papillon d'errata contrecollé au verso de la page XIII. Troisième édition, revue et augmentée, de cet "ouvrage destiné aux candidats à l'école Polytechnique et à l'école Normale, aux élèves de ces écoles, et aux personnes qui se préparent à la licence ès Sciences Mathématiques". Pédagogue avant tout, Jean Frédéric Frenet (1816-1900) mis en recueil ces exercices corrigés de calcul infinitésimal à l'intention des étudiants en mathématiques désireux de compléter leurs acquis théoriques par la pratique. Ce type de manuel existait déjà en Angleterre et en Allemagne. Par ailleurs, l'auteur y introduit de nombreuses annotations historiques. Ce volume est donc précieux pour l'étudiant mais aussi pour l'enseignant et l'historien des sciences Fonds de l'institut catholique de Paris, avec cachet ex-libris et étiquette en pied du dos. Provenant de la bibliothèque Henri Vieillard. Bon état, quelques rousseurs très pâles, dos insolé.

      [Bookseller: Librairie Alain Brieux]
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        Palmitos. A Novel

      London: T. Cautley Newby, Publisher. 30, Welbeck Street, 1873. First edition. 3 vols. 8vo. Purple cloth, traces of paper label on spine, rubbed, some hinges weak. Rare. First edition. 3 vols. 8vo. Slavery in Brazil. Written in English by a Portuguese nobleman and set in Brazil, on a slave owning plantation. Homeopathy, Brazilian Independence, the Emancipation of the Slaves and the conditions of the blacks are all subjects touched upon. Wolff 2240; Not in Sadleir

      [Bookseller: James Cummins Bookseller ]
 18.   Check availability:     ABAA     Link/Print  


        The Traditions of the Overlook Mountain

      Islip, L.I.: Herald Power Press Print.. 1873. First. First edition. 12mo; 22 pp. (16cm). Very good in a full golden brown Levant morocco fine binding; with the title, author, and fillet borders with corner fleurons in gilt on the front cover, floral lilies in six panels with half bands in gilt on the spine; all edges gilt. From the library of book seller Charles E. Goodspeed, with his bookplate of Paul Revere's engraving of the Boston Massacre laid in. Dexter Hawkings was a distinguished lawyer and advocate for education. This presentation copy of his best known literary work is inscribed on the front flyleaf (the first of five binder's blanks) to the author Francis W. Upham, "Whose book 'The Magi' evinces the care and study of the scholar, the wisdom of the philosopher and the faith of the Christian--" Moderate wear to the spine head and foot, and to the corners, with some darkening to the extremities. The front free endpaper is detached; the text pages and the five binder's blanks at the front and back are clean and tight. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Reise in Mittelasien : von Teheran durch die Turkmanische Wüste an der Ostküste des Kaspischen Meeres nach Chiwa, Bochara und Samarkand

      Leipzig Brockhaus Verlag 1873 Deutsche Originalausgabe, 2., verm u. verb. Aufl., origila Leinenband, 8°, XIV, 384 Seiten; mit 12 Abb. in Holzschn. u. 1 lithogr. Kt.; Exemplar gstempelt; Zustand: gut, Landkarte mit Papierstreifen unterlegtVersand D: 9,00 EUR Reise Asien

      [Bookseller: ANTIQUARIAT.WIEN Fine Books & Prints- Fl]
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        Wild Turkey Shooting

      Currier & Ives, 125 Nassau Street, New York 1873 - Hand-colored lithograph. Small folio. Framed. Classic small folio Currier & Ives shooting print Wild Turkey Shooting, probably drawn and lithographed by Fanny Palmer, was on the original "Currier & Ives Best Fifty Small Folio" list of 1933. It was # 14. It is a wonderful moment, prior to the actual shooting, when the two hunters very quietly and cautiously prepare. Wild turkeys are notoriously hard to shoot. Fanny Palmer (1812-1876) was the first woman in the United States to work as a professional artist, and to make a living with her art. She produced more Currier and Ives' prints than any other artist, and she was the only female in a business that was dominated by men. Painting was not considered a suitable occupation for a woman, nor was lithography. She is responsible for many of the popular shooting scenes, though there was no artist's attribution on small folio prints. Gale 7219.

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        The Depths of the Sea. An account of the general results of the dredging cruises of H.M.SS. ‘Porcupine' and ‘Lightning['] during the summers of 1868, 1869, and 1870.

      London:: Macmillan, 1873.. 8vo. xx, [4], 527, [1] pp. Half-title, 84 figures, 8 double-page plates (1 folding, 7 in full color), 11 vignettes, index. Original full tan blind- and gilt-stamped calf, raised bands, dark green leather spine label, all edges gilt; a bit rubbed. Prize binding from Wesley College, Melbourne, with bookplate to T. Murray, 1875. Near fine. With a spectacular fore-edge painting by Margaret Costa, depicting a ship wreck under the sea, with a very large threatening shark swimming about, and an octopus with his many tentacles on the right side, next to the octopus is a mermaid (another mermaid in the distance), smaller fish abound. Painted in 2017 and signed with the initials of the artist. ¶ Sir C. Wyville Thomson, FRSE FRS FLS FGS FZS, Scottish natural historian and marine zoologist, served as the chief scientist on the Challenger expedition. His work on that expedition revolutionized oceanography and led to his knighthood.

      [Bookseller: Jeff Weber Rare Books]
 22.   Check availability:     Biblio     Link/Print  


        Eigenh. Brief mit U.

      Cliff House, Greenhithe, 5. X. 1873. - 2 SS. auf Doppelblatt. 8vo. An die "Wiener Photographische Gesellschaft", in technischen Fragen und zu seinen ausländischen Patenten: "Gentlemen. You are mistaken about the 'Debardeur', it is not a cabinet but a 12 x 10 size. We printed you all the smaller sized ones but could not do the layer in consequence of the accident to our large Hydraulic press. We have not yet received it back & cannot hope for it before the end of the month. I think it would be awkward for me to have shares in a company so far away & would rather dispose of my patents for Austria - either altogether or for half cash & half an interest in the Company. I enclose you a print from a negative of Luckhardts [.]". - Woodbury entwickelte 1864 die "Woodburytypie" (Photoglyptie), einen photochemischen Prozess, der zwischen ca. 1870 und 1900 vor allem in der qualitativ hochwertigen Buchillustration verbreitet war. Es handelte sich um die einzige kommerziell erfolgreiche Methode, feinste Abstufungen von Fotografien im Druck wiederzugeben. In den Jahren 1864-85 meldete Woodbury in England wie auch im Ausland über 30 Patente an, darunter solche zur Stereoskopie, Ballonphotographie, zu Dias, Filmen, und Projektoren.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        The gentleman's table guide and table companion to the art of dining & drinking, with tabel habits and curious dishes of the various nations, &c &c with practical recipes for wine cups, American drinks, punches, cordials, recerche bills of fare 3rd ed

      London: Frederick Warne & Co, 1873 x, 167 pages + 30 pages of adverts at the rear. End papers also have adverts. With frontispiece which is titled - Infant bacchanals and fauns. Amorial bookplate of Leo O'Connor to the front pastedown, some glue adhesion from this has caused some minor damage to the end papers. Red ink name to the front free end paper dated 1875. Ink inititials of a previous owner are stamped at the head of page i. Occasional light spotting. In the original green cloth which has just some light wear to the edges. An uncommon title, even though this is the third edition. Contains recipes for Wine and other cups; Punches and liqueurs + American drinks.. Hard Cover. Very Good.

      [Bookseller: Stephen Rench]
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        Slave Trade.] Class B. - East Coast of Africa. Correspondence respecting the Slave Trade and other matters. From January 1 to December 31, 1872. Presented to both Houses of Parliament by command of Her Majesty. 1873. [C.-867-I].

      London, Harrison and Sons, 1873. - Folio. IV, 69, (1) pp. Sewn, with remains of former spine. Rare British parliamentary papers and correspondence with local agents and officers on the slave trade, especially in Madagascar and off the south coast of Arabia. One item discusses the reported landing in Arabia of slaves from a French dhow, noting that "few French dhows go to Arabia without a few slaves who are sold" (p. 69). Comprises the sections "Zanzibar" (pp. 1-43); "Reports from Naval Officers - East Coast of Africa Station" (pp. 45-59); and "Appendix [Zanzibar]" (pp. 61-69). - A good copy. Bennett 495.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        John Wisden's Cricketers' Almanack for 1873 : 1873 Wisden : Rebound without Covers, Excellent Condition

      1873. Hi, This is a Wisden from the Adrian Ellis Collection. 1873 : Rebound without Covers in exceptional condition. This Wisden is bound in dark brown with gilt to the spine, this book is in exceptional condition, very clean pages and hardly a mark inside, one that would be hard to beat. Close trimming to just pages 11-14.

      [Bookseller: Wisdenshop.com]
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        Autograph Manuscript, signed, fair copy, of the lyrics to "Silver Threads among the Gold"

      N.p. 1873 - 4 stanzas of six lines each, one page written in ink sheet of blank stationery. 4to. Rexford's "Silver Threads among the Gold", with music by H.P. Danks, was first published in 1873; it has been a perennial favorite ever since, and has been covered by John McCormack, Bing Crosby, Jo Stafford - and is still a staple of barbarshop quartets. 4 stanzas of six lines each, one page written in ink sheet of blank stationery. 4to

      [Bookseller: James Cummins Bookseller, ABAA]
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        Hints to Young Painters and the Process of Portrait Painting

      Philadelphia: J. M. Stoddart & Co.. Hardcover. 8vo. 205 x 148 mm. 55 pp, fold-out diagram, hand colored plate. Blue cloth, gilt. Edgewear to the base of the spine, soiling to the front board. Contemporary gift inscription to the title page partially obscuring text. . Very Good. 1873. First Edition.

      [Bookseller: Auger Down Books]
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        Illuminated presentation address from the German citizens of Sandhurst (present-day Bendigo) to Prince Otto von Bismarck. Titled at head of address and in large gilt capitals on front cover: "Sr. Durchlaucht dem Fürsten Otto von Bismark Schönhausen. Varzin, Pommern" [His Excellency the Prince Otto von Bismark Schönhausen. Warcino, Pomerania].

      Melbourne: Entw. u. ausgeführt v. Ludwig Lang [Designed and executed by Ludwig Lang], 18 April 1873. Large folio-sized presentation volume framing a hand-painted manuscript address, 514 x 397 mm, in watercolour, ink and gouache, with highly coloured design incorporating ten vignettes (six of them illustrative scenes of Sandhurst life, a larger scenic depiction of a Bendigo mine, an emblematic figure, and two coats-of-arms); in a superb binding by W. Detmold of Melbourne: dark blue-black grained morocco, complex multiple gilt borders to both sides with an inscription in gilt on the front cover, internal gilt borders framing on one side a doublure of beige moiré. ? Provenance: From the Estate of Otto von Bismarck (the "Iron Chancellor", 1815-1898). Light spotting to the moiré.

      [Bookseller: Hordern House]
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        Ocean Highways: The Geographical Review. New Series Volume I - 1873 === Geographical Magazine.Voll. I, II, III, IV, V. (1874 - 1878).

      London, - 1878 1873 - Sei volumi in 4° (cm. 29 x 21); pagg. VIII, 520 con 30 carte geografiche - 394 con 21 carte geog. - VI, 384 con 20 carte geog. - VI, 340 con 25 carte geog. - VI, 334 con 22 carte geog. - VI, 318 con 14 carte geog. Le carte sono quasi tutte a colori e ripiegate, anche grandi. Ottime legature uniformi in piena tela dell'epoca con titoli impressi ai dorsi. Qualche fioritura, ma insieme ottimo. VG. ** Superba raccolta delle riviste geografiche promosse e dirette da Clements Robert Markham. Non è presente la prima serie di "Ocean Highways" del 1872. Nel 1878 il "Geographical Magazine" si fuse con i "Proceedings of the Royal Geographical Society" e la direzione restò di Markham che, dal 1893 al 1905 fu presidente della RGS. Segnaliamo, tra le infinite notizie, relazioni, lettere, ecc.: "Dr. Beccari" di H.H. Giglioli, "Cartography. Indian Maps" di E.G. Ravenstein, che curava un’ampia rassegna della cartografia di ogni angolo del mondo, "Two trips on the Golden Coast: the Beaulah gardens and the Ajumanti hills - along the shore to the Volta river." Richard F. Burton, "Doctor Livingstone and the Cameron relief expedition", "The indian territory and its inhabitants" (Indiani d’America) E.C. Boudinet, "The Artic Campaign of 1874" Markam, "Travels in Northern Persia" W.J. Gill, "The great African discovery. Survey of Lake Tanganyka by Lieutenant Cameron R.N.", "Trade routes to Western Chine" H. Yule, "Recent journeys in Paraguay" K. Johnston, "The voyage of the Challenger" J.E. Davis, "Stanley’s exploration of the Victoria Nyanza": sulla base di tre lettere di Stanley "of fragmentary nature" e di una sua mappa schizzata – le prime informazioni giunte dall’Africa- Ravenstein disegna due carte del Victoria Nyanza e dell’upper Nile, "The navigation of Smith Sound as a route towards the Pole" G.S. Nares. "

      [Bookseller: S.B. Il Piacere e il Dovere]
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        HUGO ECKENER (1868-1954) Dr., dt. Luftschiffer seit 1905, 1924 Vorsitz Zeppelin GmbH, auch Schriftsteller

      - ORIGINAL-VERTRAG (4 SS. 4°, Luftpostpapier, leichte Gebrauchsspuren, kl. Wasserfleck) mit 3 eigenhändigen Unterschriften in Tinte signiert von Prof.Dr. HUGO ECKENER für die Luftschiffbau Zeppelin GmbH (neben Stempel der Gesellschaft), 3 eigenhändigen Unterschriften von ALFRED COLSMANN (1873-1955, deutscher Ingenieur und Manager , der als Generaldirektor und Architekt des Zeppelin-Konzerns die Entwicklung im Namen Ferdinand Graf von Zeppelin , die Luftschifffahrt wesentlich mitprägte), 2 eigenhändigen Unterschriften des ALEXANDER GRAF VON BRANDENSTEIN-ZEPPELIN (1881-1949), einer Unterschrift von Dr. HUGO HERGESELL (1859-1938, deutscher Meteorologe und Geophysiker . Er zählt zu den Begründern der Aerologie als dem Teilgebiet der Meteorologie, das sich mit dem Studium der freien Atmosphäre beschäftigt) und 2 Vertretern (u.a. Dr. Schütte, Justiziar der HAPAG, in Hamburg) der HAMBURG-AMERIKA LINIE (d ie Hamburg-Amerikanische Packetfahrt-Actien-Gesellschaft ( HAPAG , auch Hamburg-Amerika-Linie) Oktober / November 1925 --- Vertrag zwischer der Gräfin Brandenstein-Zeppelin vertreten durch ihren Ehemann und Professor Hergesell und der Luftschiffbau-Zeppelin GmbH über die Beauftragung von Landkauf in Norwegen und den entsprechenden Nutzungsrechten für die Zeppelin-AG 24. 10.1925 nachgesetzt Vertragserweiterungen 30.10.1925 und 28.11.1925 mit entsprechenden Signaturen, ein einzigartigs Zeitdokument der Zeppelingeschichte!! Beigefügt Abschriften des Vertrages zwischen Brandenstein-Zeppelin und der Norwegischen Regienung aus 1927 [Attributes: Signed Copy]

      [Bookseller: Herbst-Auktionen]
 31.   Check availability:     IberLibro     Link/Print  


        Illuminated presentation address from the German citizens of Sandhurst (present-day Bendigo) to Prince Otto von Bismarck. Titled at head of address and in large gilt capitals on front cover: "Sr. Durchlaucht dem Fürsten Otto von Bismark Schönhausen. Varzin, Pommern" [His Excellency the Prince Otto von Bismark Schönhausen. Warcino, Pomerania]

      Melbourne: Entw. u. ausgeführt v. Ludwig Lang [Designed and executed by Ludwig Lang], 1873. Light spotting to the moiré. Large folio-sized presentation volume framing a hand-painted manuscript address, 514 x 397 mm, in watercolour, ink and gouache, with highly coloured design incorporating ten vignettes (six of them illustrative scenes of Sandhurst life, a larger scenic depiction of a Bendigo mine, an emblematic figure, and two coats-of-arms); in a superb binding by W. Detmold of Melbourne: dark blue-black grained morocco, complex multiple gilt borders to both sides with an inscription in gilt on the front cover, internal gilt borders framing on one side a doublure of beige moiré. ? Provenance: From the Estate of Otto von Bismarck (the "Iron Chancellor", 1815-1898).

      [Bookseller: Hordern House Rare Books]
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        Old and New London:

      London: Cassell, Petter, & Galpin,, [c.1873–1883]. A Narrative of its History, its People, and its Places. Illustrated with numerous engravings from the most authentic sources; [together with] Greater London: a Narrative of its History, its People, and its Places. Illustrated with numerous engravings; [and] Old and New London Illustrated. Together 2 works in 9 volumes, quarto (256 x 182 mm). Old and New London: near-contemporary brown half calf, blue pebble-grain cloth sides, titles to spine gilt in compartments, orange coated endpapers, edges sprinkled red. Greater London: near-contemporary blue half calf, blue straight-grain cloth sides, titles gilt to brown and green labels to spine in compartments, raised bands decorated gilt, edges and endpapers marbled. Map portfolio: original brown pebble-grain cloth, titles to spine gilt and on gilt ground to front cover, elaborate decoration in black and gilt to front cover, white and red armorial design to front cover, decoration blocked in blind to rear cover, green coated pastedowns. Frontispieces, 2 with tissue-guards, and numerous black and white illustrations in the text; 3 large folding maps laid into portfolio. Pencil ownership inscription to title page versos of Old and New London. Ownership stamp of J Berry to front binder's blanks of Greater London. Ownership stamp to front pastedown of map portfolio. Minor rubbing to extremities, minor professional repair work to covers, light foxing to prelims and endmatter; an excellent set. First editions. Originally published in monthly parts from 1873 to 1878, this lavishly illustrated series was first undertaken by Walter Thornbury (1828–1876), a frequent contributor to Household Words, and one of the group who were popularly referred to as Dickens's "young men". Upon his death, aged 48, at Camberwell House Lunatic Asylum of "exhaustion from acute mania", which occurred just after the publication of the second volume in this series, the work was continued by Edward Walford (1823–1897). Walford had recently finished editing Charles Knight's six-volume work London. This work, as well as Walford's separate two volume addition, Greater London, "became the standard popular work describing the history and growth of the metropolis", and were frequently updated and reissued (ODNB). Uncommon together, with four copies traced at auction featuring both sets together. The map portfolio is especially uncommon in the original cloth; they are most commonly found bound in a pocket to the rear of the final volume.

      [Bookseller: Peter Harrington]
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        [PHOTOGRAPH ALBUM] Tasmanian scenes.

      [Hobart : Samuel Clifford, circa 1873]. Quarto (300 x 245 mm), original tan coloured cloth with gilt stamped title and decoration to front board (rubbed, upper corners worn, spine softened at head and tail), front free-endpaper with contemporary inscription in brown ink S. Clifford Photo.,containing 24 albumen print photographs (format 105 x 180 mm) laid down rectoonly of [12] leaves of thick card, contemporary manuscript captions beneath each image, and a large format (210 x 260 mm) view of the Fern Bower near Hobart (uncaptioned) to the verso of the rear endpaper; the leaves with slight buckling, some mild scattered foxing, the prints overall in good condition but several with fading, silverfishing to fore-edge margin of first leaf, verso of penultimate leaf and margins of final leaf. Several variants of Samuel Clifford's commercially produced Tasmanian scenes photograph albums are recorded in Australian collections (five in Tasmanian collections and one in the State Library of New South Wales). Four of these recorded albums contain only 12 prints; one holds 24 prints; and the largest has 144 prints. There appears to be so much variety in the content of these albums that it appears likely that they were made to order, with the prints being selected by the client and mounted within Clifford's ready-made bindings, making each album unique. The full list of captions in the album is as follows: Government House near Hobart Town The Derwent from the Royal Society Gardens (2 views) The Drawing Room, Government House Hobart Town from Lime Kiln Hill panoramic no. 1 Hobart Town from Lime Kiln Hill panoramic no. 2 Macquarie Street from the Town Hall From the Franklin Wharf Mount Wellington in snow from Fitzroy Crescent Mount Wellington in snow from the Huon Road The Salmon Ponds above New Norfolk At New Norfolk, from Sir. R. Officer's Grounds The Derwent on the road to the Salmon Ponds The Derwent above New NorfolkThe Fern Tree Bower near Hobart Town Fern scenery near the Huon Road On the track to the Fern Tree Bower From the Huon Road Iron Pot Lighthouse, entrance to the Derwent Launceston from the South Esk

      [Bookseller: Douglas Stewart Fine Books]
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        A history of the birds of New Zealand.

      Scarce first edition of an acclaimed ornithological work, illustrated by J.G. Keulemans. London : John Van Voorst, 1873. First edition, printed in an edition of 500 copies. Quarto, contemporary full crushed blue morocco by Leighton of London (edges a little rubbed) with armorial crest of the house of Dutton, spine in compartments, lettered in gilt; all edges gilt, marbled endpapers with the bookplate of the Shelborne Library, lithographed frontispiece of a moa with Maori chief (remounted on a stub), previous owner's name of E.L. Dutton (one of the original subscribers) inscribed to title page, with date of 1877; pp xxiii, 384; publisher's prospectus dated March 1872 (two leaves, one printed on blue paper) bound in at rear, 35 fine hand-coloured lithographed plates by John Gerrard Keulemans; occasional light foxing, a very good copy. Sir Walter Lawry Buller was born at the Wesleyan mission, Newark, at Pakanae in the Hokianga in 1838, the son of Methodist missionary Rev. James Buller. In 1854 the family moved to Wellington where he was befriended by naturalist William Swainson. Buller trained as a lawyer but is best known for his contribution to ornithology in New Zealand. A history of the birds of New Zealand won Buller much critical acclaim, including from Charles Darwin, and for it he was awarded the CMG in 1875. A second edition was published in 1887-88. 'It has been remarked by a celebrated naturalist that "New Zealand is the most interesting ornithological province in the world ... It has been the author's desire to collect and place on record a complete life-history of these birds before their final extirpation' (prospectus). Bagnall, 755;  Nissen IVB, 163; Nissen SVB, 83; Casey Wood, p. 269; Zimmer, p. 115.

      [Bookseller: Douglas Stewart Fine Books]
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        Newport, Rhode Island.

      New York. Harper's Weekly. 08-30- 1873. Wood engraving, 9 1/2 x 30 3/4 inches on sheet 11 1/2 x 32 1/2 inches, multiple folds, now professionally mounted to linen backing. This was published as a Supplement to Harper's Weekly of August 30 1873. Very good condition; a couple of creases near folds minimized by linen backing. Expansive bird's eye view of the town and harbor of Newport, with ships of all kinds. Buildings are identified in small text above and below the image.

      [Bookseller: oldimprints.com]
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        ARCHIVE OF CIVIL WAR LETTERS WRITTEN BY LIEUT. SHELDON C. TREAT OF THE 4th IOWA INFANTRY].

      [Various locations, including Missouri, Iowa, and Arkansas]. 1860-1864, 1873. - Twenty-two letters and one brief biographical sketch. Quarto and octavo sheets. Old folds. Some light wear and soiling. Very good. Born in West Haven, Connecticut, Sheldon Treat emigrated to Missouri in 1859 to find work as a carpenter. Along with gainful employment, Treat soon found himself on the front lines of what would become the Civil War. This fine collection documents the transformation of a young easterner looking for work into a Civil War soldier. His service included marching with General Sherman from Atlanta to the sea. The archive is comprised of four letters written before Treat's enlistment; fifteen letters from the war, including one from Treat's commanding officer; three letters written in the years after the war; and a brief autobiographical sketch. In some ways the three pre-war letters are the most interesting of the lot. Written from Forest City, Missouri, a troubled outpost near the Kansas border, the letters provide a glimpse into the drama as war fever rose in an area already engulfed by violence. On Jan. 24, 1861, Treat described an incident with border ruffians: "You tell me to be careful about [getting] into scrapes like the one we had about the boat, no law of this state could molest them fellows at all for they had got my on the Kansas side and the onely way [to] get it was by force. A fellow from Ohio was with me on the river at the time of the fuss. There was 6 of them they all drawed their knives and one his revolver, we had no arms but one knife to defend ourself with but we got the boat and got back safe. When we got up town 30 men was redy to go after them. Had we had our revolvers there would have been some shooting done." He briefly toys with the idea of joining a wagon train headed up the Oregon Trail: "There is not much going on here at the present, I think of going across the plains this spring, to Oregon with a company of 50 families from Ioway to form a colony on Trinity Bay, we [shall] send one of our numbers up this week or next to make the arrangement for the trip." Whatever the case, Treat was not headed back to the staid life of New England. "As for me coming back to the New England states there is no such thing in the book. I like this country to well for that, if I go anywhere from hear this summer it will be fa[r]ther west or up into Iowa. I have got a job there if I wish to go, if the Union stands there will be plenty of work here for all. The yong men of this place are having their hair cut short for the spring fights, they commenced election day to fight and have been at it ever scince [sic]." He moved on to Des Moines some months later, enlisting and enjoying the benefit of a steady paycheck. There, he wasted little time before enlisting in the 4th Iowa Infantry, where he proved himself a capable soldier, earning promotion to second lieutenant by October 1862 and to first lieutenant in January 1863. Serving mostly in the western theatre, Treat saw action in seventeen battles and took part in Sherman's March to the Sea, reenlisting after a furlough for the duration. His letters reveal a strong pro-unionist as he became accustomed to military life in Missouri, culminating in his first major battle, at Pea Ridge. On Aug. 18, 1862 he writes home to describe the devastation he experienced during one of the year's most decisive battles, and the way in which his commitment to the cause was growing stronger as he grew from new recruit into a veteran: "Martha says it almost makes her sick to see them poor fellows in the hospital at New Haven. She ought to go over one battle field and see the sights it would make her sick for certain. I should liked to had you seen the field at Pea Ridg for I know it would not made you sick but you would not have forgotten it very soon. Man is a curious thing in a fight. People will say fight for honor and glory but I tell you that they fight because they are mad and because they love to fight. You put a company into action and watch them the first 2

      [Bookseller: William Reese Company - Americana]
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        The Gilded Age: A Tale of To-day

      Hartford: American Publishing Company, 1873. First edition. 574pp. Octavo [23 cm] Brown cloth with blind stamped borders to front boards. Title decoratively gilt stamped on the front board and backstrip. Floral endsheets and pastedowns. Very good. Corners of the boards are bumped and rubbed. Head and foot of the backstrip starting to fray. Internally clean. Bookseller's blind stamp on the floral front free endsheet and on the following blank. BAL title page 1. Header for chapter V "Eschol Sellers." Final illustration listed as on page 212. On page 246 there is no comma following 'Hallelujah.' There is a period following 'Dr. Jackson' on page 280. Page 351 does not have the repeated line at the foot. The last two line of 352 are uncorrected. Page 353 has had the first two lines removed. Page 403 contains an illustration. Large fold-out plate at page 246-247, titled: "Map of the Salt Lick Branch of the Pacific R.R." Plate measures 75cm x 15cm. Plate has a small chip at the foot that effects "Branch" and the area immediately above. BAL 3557

      [Bookseller: Ken Sanders Rare Books, ABAA]
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        Mission scientifique au Mexique et dans l'Amérique Centrale, ouvrage publié par ordre de S. M. l'Empereur et par les soins du Ministre de l'Instruction publique. Recherches zoologiques pour servir à l'histoire de la faune d'Amérique Centrale et du Mexique publiées sous la direction de M. Milne Edwards. Cinquième Partie. Tome premier. Études sur les xiphosures et les crustacés de la région Mexicaine.

      Paris, Imprimerie Nationale, 1873-1880. Large 4to and matching folio (36 x 28 cm). 368 pp., 61 lithographed (several tinted or chromolithographed) plates, all with explanatory text leaves. Contemporary olive half calf with gilt-lined borders over marbled boards. Spine with five raised, gilt-stippled bands; compartments with gilt triple cadres, and two (red and light brown) morocco labels with gilt titles. Marbled endpapers.= The first and rarest work to deal extensively with the marine crustaceans of Mexico, and with the horseshoe crabs of the same region. A complete copy such as this one is extremely rare. There are no auction records. In 1864, two years after the start of a military campaign in Mexico, Napoleon III ordered an additional scientific expedition, modelled after the famous scientific expedition initiated by Napoleon I, to Egypt, following the military campaign in that country. In contrast to the latter, the Mexican expedition" only produced some haphazard results, mainly because the French lost interest after the end of the war. Nevertheless, a few superb monographs were among the published results. This includes this work by the French crustaceologist and ornithologist Alphonse Milne-Edwards (1835-1900), who set, as supervisor of the zoological results, a standard for the quality of this series with this fine monograph. Many species are new. Scattered, mostly marginal foxing, a bit stronger on some explanatory leaves. The plates mostly in a good to very good condition. Nissen ZBI, 1371; 4694.

      [Bookseller: Antiquariaat Schierenberg]
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        BIRD'S EYE VIEW OF THE CITY OF SAN ANTONIO BEXAR COUNTY TEXAS. 1873 [caption title]

      [Madison, Wi.]: [J.J. Stoner], 1873. Color lithograph map, 23 1/2 x 29 1/4 inches, viewable area. Matted and framed. A clean image with excellent color. A fine copy. A large and attractive "bird's eye view" of San Antonio, Texas, as it appeared in 1873. The plan takes a vantage of the city from the northwest, and denotes forty-one different points of interest on the map including the Alamo, the Menger Hotel, the BEXAR County Courthouse, and the San Fernando Church on the Main Plaza. The convoluted course of the San Antonio River and the city's many plazas and churches are readily apparent in this depiction. Although San Antonio was the second largest population center in the state, it nevertheless lacked a railroad connection and therefore had not yet begun industrial-scale development at this date. The result, as depicted, is a view of a fairly open and pastoral town, but a painstaking sense of detail is still palpable, with even the shadows cast by houses and individual trees being included. The lithographer, Augustus Koch made similar views of other Texas towns in 1873, including Austin, Houston, Victoria, and Waco. Indeed, Koch traveled throughout the West executing commissions to create views of developing towns, and returned to Texas in the 1880s to create new city views. His first efforts in Texas, however, are particularly rare. Reps locates only three copies of this beautiful plan of San Antonio, at the University of Texas, the Witte Museum, and the Daughters of the Texas Revolution Library. REPS, VIEWS AND VIEWMAKERS, 3996.

      [Bookseller: William Reese Company - Americana]
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        La libération du territoire

      first edition sold for the benefit of the Alsatian-Lorraine, mention of second edition. Bradel binding in full marbled paper, smooth back, black morocco title piece, blankets with preserved stings, golden head, signed binding by Thomas Boichot. Autographed autograph dedication of the author from Victor Hugo to Léon Bienvenu. Some foxinges affecting mainly the first and last sheets. Provenance: from the library of Léon Bienvenu with the printed stamp of his library and numbered with his hand on the title page. Calmann Lévy Paris 1873 15,5x23,5cm relié

      [Bookseller: Librairie Le Feu Follet]
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        Jottings during the cruise of H. M. S. Curaçoa among the South Sea Islands in 1865

      Naturalist Julius Brenchley's account of one of the most significant scientific expeditions to the Western Pacific of the nineteenth century. London : Longmans, Green, and Co., 1873. Octavo, gilt-illustrated green cloth (rebacked, a little edge worn), endpapers replaced, folding chromolithograph frontispiece; pp xxviii, 487; colour map; 8 full page wood engravings; 36 text vignettes; chromolithographs; 50 hand-coloured lithographs; a very good copy. 'This voyage was especially significant for the natural history data collected, described here in "Natural History notices" (pp.[353]-474). The ship sailed from Sydney under the command of Sir William Wiseman to display the British flag in the different archipelagoes of the western Pacific. Visits were made to Lord Howe Island, Norfolk Island, and Niue or Savage Island; Samoa, Tonga, and Fiji; the New Hebrides, Santa Cruz and Solomon Islands; New Caledonia; and the Loyalty Islands.' - Hill catalogue. Many of the objects collected on the Curaçoa expedition are held in the Macleay Museum, University of Sydney. Ferguson, 7376; Hill, 181; Troelstra, p. 80.

      [Bookseller: Douglas Stewart Fine Books]
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        The Stones of Venice

      London: Smith, Elder and Co, 1873. New Edition. Hardcover. Good. Signed. New edition, limited to 1,500 copies signed by John Ruskin at the end of the preface. Three volumes bound in vellum with elaborate gilt stamping to spine and edges, decorative leather title labels to spine. Vellum is toned, soiled and marked, spines darkened. Inner hinges slightly tender. Previous owner ex-libris label to front end sheet of the first volume. Pages toned and with occasional foxing. Small repaired crack in vellum at bottom spine joint of Volume III and short tear across spine. Headband worn on one volume. Signed by the author.

      [Bookseller: Burnside Rare Books]
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        [NEW ZEALAND] Commonplace album of Frederick Standish O'Grady, 6th Viscount Guillamore, 1860s - circa 1900.

      A fascinating treasure trove that constitutes a time capsule of four decades -  one of them spent in New Zealand - in the life of an Irish aristocrat of the late nineteenth century. Nineteenth century commonplace album. Folio, original marbled papered boards (heavily worn, lacking most of the leather backstrip), containing 160 pages completely filled with original manuscript material, ink and wash and pencil sketches, newspaper cuttings and printed ephemera, much of it relating to the compiler's time in New Zealand from the beginning of 1873 to the end of 1880; most of the non-manuscript material is laid down on the pages, some is "window-mounted" (i.e. is removable), and a small amount is loose; a number of pages have become disbound, but the album appears complete and there is very little foxing evident. Frederick Standish O'Grady, 6th Viscount Guillamore (1847-1927), a member of the Irish peerage from Cahir Guillamore, County Limerick, later of Derbyshire, was educated at Charterhouse and Oxford (the album contains his graduation certificate), where he gained a reputation as an outstanding athlete and cricketer. O'Grady's great passion, however, was the theatre. In October 1872 he travelled to Canterbury, New Zealand on the Crusader, via Albany and Melbourne (the album contains his Shaw Savill cabin ticket for the passage). In New Zealand he initially stayed with his cousin Thomas O'Grady, "Father of the New Zealand Police Force", at Leithfield, a small township north of Christchurch. He later resided for a number of years in Wanganui, where he performed on the stage and became honorary secretary of the Princess's Theatre. The album contains a great deal of material relating to his long sojourn in New Zealand. There is a large amount of Wanganui and Christchurch theatre ephemera, including numerous printed and handwritten programmes, and a spectacular folded poster for an Irish Famine Fund concert in Wanganui on March 4 1880, organised by O'Grady himself. The album pages often feature O'Grady's own comments regarding these productions and events. A number of ink and wash sketches, all highly competent and charming, depict O'Grady's experiences in the New Zealand bush. O'Grady eventually returned to England, via Hawaii, late in 1880. There are sketches and photographs of Hawaii, including dramatic albumen print views of Kilauea volcano; and small sketches depicting scenes in Melbourne, Albany and other locations on the outward and homeward voyages. The album also contains material from the 1860s, much of which relates to his family history and the world of the theatre, including programmes for productions in which he took part in England; and from the 1880s and 1890s, mostly relating to the theatre, cricket and news from New Zealand. Time and space does not permit a fully itemised list of the album's contents; please view the images we have uploaded, which provide a good representational sample of the wide range of subject matter and format of the material, as well as an idea of the typical layout of the album pages.

      [Bookseller: Douglas Stewart Fine Books]
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