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Displayed below are some selected recent viaLibri matches for books published in 1850

        La Cava.

      1850. Litografia eseguita su soggetto di F. de Mercey, stampata da Lemercier, colorata ad acquerello, 244x355. Bella veduta animata da popolani lungo la strada. Esemplare molto bello e marginoso, piccola mancanza all'angolo dx. in b.

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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        Album of 96 watercolor drawings of German heraldry and armor

      [Great Britain 1850 - Manuscript index on single leaf, recto and verso, 2 leaves of coats-of-arms in watercolor and pencil, and 94 full-page watercolor and pencil drawings of figures in armor with heraldic shields, each captioned in pencil (a small number uncolored). Folio (400 x 315 mm). An extensive watercolor study of medieval German armor and heraldry, many of the drawings quite accomplished. A manuscript index and marginal captions identify the 94 drawings by family and many by specific historical person, e.g. Prince of Latour Taxis, George Fugger, Georg Pfister, Anthon Haintzlin, Hans Feisch, David Baumgartner, Christopher Relinger, etc. Recent half crimson morocco over marbled boards, spine gilt, black morocco label with black title label, with marbled boards. One leaf torn horizontally across blank margin, but sheets fresh and fine Manuscript index on single leaf, recto and verso, 2 leaves of coats-of-arms in watercolor and pencil, and 94 full-page watercolor and pencil drawings of figures in armor with heraldic shields, each captioned in pencil (a small number uncolored). Folio (400 x 315 mm)

      [Bookseller: James Cummins Bookseller, ABAA]
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        Gesamtans.,.

      - Lithografie v. Waage b. Bermann Wien, 1850, 36 x 49,5 Nebehay-Wagner 892/3/7; aus der sehr seltenen bei J. Bermann erschienenen Serie "Ansichten der Oesterreichischen Monarchie, von den besten Meistern nach der Natur aufgenommen u. gestochen."; detailreiche und aufs äußerste genaue Darstellung von Mariazell, der Blick richtet sich von Süden auf die Stadt mit der Basilika in der Mitte, im Hintergrund der Ötscher; der Maler und Lithograf Carl Waage (1820 - nach 1885) wurde von seinen Zeitgenossen aufgrund seiner großen Genauigkeit in der topografischen Darstellung geschätzt und abgelehnt zugleich, so schreibt Wurzbach im Biographisches Lexikon des Kaiserthums, LII p. 39: "Was nun die Ansichten dieses Lithographen betrifft, so sind dieselben die trockenste Wiedergabe der Wirklichkeit, ohne eine Hauch idealen Anschauens" breitrandig und gut erhalten, selten!

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Souvenirblatt, Gesamtansicht umgeben von 20 Teilansichten, "Erinnerung an Neustrelitz".

      - getönte Lithographie ( Druck kön. lith. Inst. zu Berlin ) v. Tempeltey n. Stoll b. Bernasconi in Neutrelitz, um 1850, 36,5 x 49,5 Seltenes Souvenirblatt. Das Zentralbild zeigt Neustrelitz von der Nordwestseite. Die Randansichten zeigen Schützenhaus, Rathaus, Marstall, Schloß von der Gartenseite, Louisenstift, Gymnasium, Kaages Local, Kaserne, Karolinen Palais, Regierungsgebäude, Badehaus, Kornspeicher, Eingang zum Tiergarten, Schloß ( vordere Seite ), Apollotempel, Schauspielhaus, Orangenhaus, Sommerpalais, Stadtkirche, Kaserne.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Die Eis Rutschbahn bei Bellevue.

      - Lithographie n. u. v. Lütke ( Druck kön. lith. Institut z. Berlin ) b. Schröder in Berlin, um 1850, 25 x 37 Ernst, Berlin in der Druckgraphik, Lütke, Nr. 58. - Seltenes, zugleich sehr dek. Blatt, welches eine Winterbelustigung im Schloßgarten darstellt. Im Park zahlreiche Spaziergänger. Im Hintergrund das Schloß Bellevue.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Erinnerung an Berlin.

      - altgouachierte Lithographie n. u. v. Hülcker ( Druck L. Zoellner ) b. Zawitz in Berlin, um 1850, 36,5 x 53 Ernst, Hülcker, Nr. 1; Kiewitz 639. - Dek. und seltenes Souvenirblatt von Berlin. Mittig große Gesamtansicht von Kreuzberg ( 24 x 36 cm.) umgeben von 24 Teilansichten, darunter der Anhaltische Eisenbahnhof, Königspalais ( Kronprinzenpalais ), Prinz von Preussen's Palais ( Palais Kaiser Wilhelm ), Königl. Schloß, Palais Prinz Carl, Palais Prinz Albrecht, Potsdamer Eisenbahnhof, Königstädtisches Theater, Domkirche, Opernhaus, St. Hedwigskirche, Königl. Tierarznei - Schule, Stettiner Eisenbahnhof, Königl. Bauschule, Zeughaus, Brandenburger Tor, Königl. Bibliothek, Universität, Frankfurter Eisenbahnhof, Neue Wache, Deutscher Dom, Altes Museum, Friedrich Werdersche Kirche und Schauspielhaus. - Restaurierte Randeinrisse. Retouchierte Fehlstelle.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        [AUTOGRAPH LETTER, SIGNED, FROM SAM HOUSTON TO HIS COUSIN, NARCISSA B. HAMILTON, IN EARLY 1850, DISCUSSING HIS FAMILY AND WASHINGTON, D.C. SOCIAL EVENTS]

      Washington, D.C., 1850. [8]pp., on two bifolia. Previously folded. Light staining and several separations to first bifolium. About very good. In a blue morocco box. An effusive and chatty letter from Sam Houston to his cousin, Narcissa B. Hamilton, in January, 1850, from Washington, D.C., during his time as a U.S. Senator. Houston had first met Hamilton, who was from Virginia, when he was in Washington to drum up support for Texas independence in 1834, and his return as a member of Congress allowed him to renew the correspondence. The letter discusses the state of his recent health, describes their children, and gives a humorous appraisal of the capital's social scene. At the outset of the letter, he briefly addresses the continuing effects of the shoulder wounds he received at San Jacinto, saying that, "You will perceive from my hand writing, that the wound in my shoulder has affected my nerves. I thank kind Heaven it is not the effect of age, for in your recollection, you have not seen me in so fine health at this time." The letter goes on affectionately to describe his children: "We have Master Sam, a lad in his seventh year, and his Mother says, 'he is all just such as she would wish him to be.' From this, you will suppose he resembles me. I think he does, in mind & person! Well then we have Nancy, in her fourth year, pretty much Houston only, that she is esteemed beautiful! Next comes Margaret Lea, now in her second year, said to be pretty, but resembles Sam, very much! In short we are greatly blessed in our children! I wish you could see them. You could see them, as [?] wish, as young Highlanders!" After ruminating further on family and health matters, Houston ends his letter with a brief description of social life in Washington: "You will not loose [sic] much by joining in the gayieties of the city this season, as I suppose tho I am not a competent judge, for I do not go to Theatres or Balls. I have attended a few Levees, and have found them extremely crowded. Indeed, they are more crowded than I have seen them, since the days of General Jackson! The demeanor of Mr. Fillmore & his family is very becoming, and makes the Levees agreeable . I see (as the saying is in Texas,) 'the Ladies dress to Kill.' It does seem to me that they dress badly to live! Mrs. Houston don't wear corsetts!!!" A jovial, familial letter from one of the founding fathers of Texas, full of personal detail.

      [Bookseller: William Reese Company - Americana]
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        Souvenirblatt. Gesamtans. umgeben von 14 Teilansichten, "Erinnerung an Oldenburg.".

      - Lithographie m. 2 Tonplatten v. Tempeltey n. F.A. Borchel b. H.L.J. Kraus in Bremen, um 1850, 39 x 53,5 Oldenburger Ansichten des 19. Jahrhunderts, Nr. 10 und 5 Abbildungen . - Sehr seltene und dekorative Ansicht. um das Mittelbild (Oldenburg von der Dorfschaft Donnerschwee) Ansichten von Elsfleth, Grosserzogl. Schloss, Brake, Palais Sr. K.H. des Erb-Grossherz., H. Geist-Thor, Peter.Friedr.Ludw. Hospital, Die Hohe Brücke, Varel, Grossherzogliche Sommerresidenz Rastede, Jever, Blick auf den Stau, Bibliothek, H. Geistkirchhof und Rathaus. Oben und unten außerhalb der Darstellung gering wasserrandig, sonst tadellos.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        ALBUM OF 12 CHINESE GOUACHE PITH PAINTINGS OF CHINESE PUNISHMENTS

      No date, circa 1850.. Circa 1850, oblong red silk album still with original ties, approximately 360 x 250 mm, 14 x10 inches, 12 paintings of Chinese punishments with blue cloth borders and soft paper backing, 3 paintings have small damage to top inner corner and 1 to lower outer corner, not affecting images, 1 painting with a man holding a lantern has a closed split affecting image, running into his clothes, 60 mm (3 inches), cloth borders of some pictures creased, some corners creased, not affecting images, paintings slightly slipped from the cloth borders, binding has wear to spine with loss of silk, some small chips to covers touched up with matching colour, wear to edges of covers also touched up, silk lifting from boards, slight stain to lower cover, a few of the paper backing sheets have a few small repairs to edges and a few tiny chips, otherwise a good copy. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Costumi della Corte Pontificia.

      Roma, presso D'Atri, via del Corso N° 142, 1850 circa, cm. 7,8 x 11, legatura in mezza pelle verde con piatti in cartonato rigido con fregio e titolo dorato, leporello con frontespizio e 30 tavole colorate a mano.

      [Bookseller: Libreria Piani già  Naturalistica]
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        Specimens of Polytype Ornaments Cast by J. & R. M. Wood, (Late S. & T. Sharwood,) 89, West Smithfield, London

      London: J. & R. M. Wood, [c. 1850]. 4to (280 x 220 mm), over 2000 blocks on 198 leaves, including title and index leaf leaves, all printed on rectos only, 6 folding (one torn with minor loss to image), some occasional light spotting, orig. half morocco, spine tooled in gilt, a little rubbed but a very good copy, title stamped on upper cover in gilt. The blocks are arranged in subjects, which include coats of arms, animals and birds, wagons and coaches, a wide range of sailing ships, trades, baker's labels, horse racing and other sports, agricultural subjects, railway trains, printing presses, fists, views of the Crystal Palace, other London buildings, scenery at home and abroad, miniature scripture history illustrations, three picture alphabets, tea and tobacco labels, borders, and other ornaments. Signed blocks include examples by Ebenezer Landells, Orrin Smith, T. S. Adeney, and others. "This unique collection was commenced by Messrs. Vizetelly and Branston, and considerably improved and extended by the late Richard Mason Wood, founder of the firm of Wood and Sharwoods, and further added to by the late Thomas Sharwood, from the sale of Messrs. Alexander Wilson & Son's Foundry, and one hundred new sheets just printed by Wood and Company. The cost of the original Engravings have exceeded the sum of Fifteen Thousand Pounds. This is not only the largest and most varied assortment in the world, but for practical utility, unequalled."—Introduction. Richard Austin, a punch-cutter, founded the Imperial Letter Foundry some time before 1819. Later he was followed by his son George Austin (as Austin & Son in 1824) who succeeded to the business. On the death of George, the foundry was acquired by Richard Mason Wood, who subsequently, in 1833, in partnership with Samuel and Thomas Sharwood, moved to 120, Aldersgate Street, under the name of the Austin Letter Foundry. On Wood's death in 1845 the firm became S. and T. Sharwood. According to Bigmore & Wyman "after the death of the last surviving member of the Sharwoods, Thomas, the foundry was thrown into Chancery. It subsequently passed to two sons [James and Richard Mason] of R. M. Wood. They removed it from Aldergate-street to 89, West Smithfield, and thence to Farringdon-road, and here carried on business besides as printers' brokers, manufactures of materials, also publishing the Typographic Advertiser." Not listed on Copac or OCLC; however, there appears to be a copy at St. Brides Library. Bigmore & Wyman, III, p.98; Reed & Johnson, pp. 352-54; Gray, Nineteenth Century Ornamented Typefaces, p. 169.

      [Bookseller: Forest Books]
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        Gesamtansicht von Partenkirchen ('Partenkirchen im Baierschen Hochlande. - Pachtenkirchen dans la Baviere montagneuse. - Pachtkirchen in the High-Land of Bavaria.').

      - altkolorierte Lithographie b. A. Felgner in Berlin, um 1850, 30 x 37,5 Die lithographische Anstalt von A. Felgner war von 1844 bis ca. 1875 in Berlin tätig.

      [Bookseller: Antiquariat Norbert Haas]
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        Encyclopädie der gesammten theoretischen Naturwissenschaften in ihrer Anwendung auf die Landwirthschaft : umfassend Physik, anorganische Chemie, organische Chemie .; in drei Bänden komplett Bände 1-3 1: Physik, anorganische Chemie und Mineralogie 2: Organische Chemie, Meteorologie, Geognosie, Bodenkunde und Düngerlehre 3: Die Physiologie der Pflanzen und Thiere und Theorie der Pflanzencultur

      Vieweg Verlag, Braunschweig 1850 - 3 Leinenbände der Zeit, 8°, XVIII, 520 Seiten / XII, 557 Seiten / XII, 500 Seiten; mit zahlreichen Holzschnitten im Text; Zustand; Exemplar gestempelt, Einband mit Signaturetikett, Innengelenke teils mit Papierstreifen verstärkt, insg. guter Zustand de 2500 Buch [Attributes: Hard Cover]

      [Bookseller: ANTIQUARIAT.WIEN Fine Books & Prints]
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        Resumen Geográfico de España .

      Circa 1850. . - . . . 1 Vol. . 84 folios pp. Cuarto Apaisado. Plena Piel de época. . Atlas manuscrito original de España y de sus posesiones ultramarinas realizado hacia 1850. Contiene una primera parte introductoria de la geografía española. Los mapas estan dibujados y coloreados a tres y cuatro tintas con una minuciosa y rica información cartográfica. Cada demarcación contiene un texto explicativo bellamente caligrafiado en letra cursiva. Podria atribuirse a un original para ser impreso y estampado por la editoria madrileñal Gaspar y Roig, ya que los mapas de las Provincias Vascongadas estan duplicados con una estampación de dicha editorial. Bella encuadernación de época en plena piel con dorados en planos y cortes y bollones. Buen estado de conservación.

      [Bookseller: Librería Anticuaria Astarloa]
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        A collection documenting the early life of Samuel Clemens and his family in Iowa

      Various places, mainly Iowa, 1850 TWAIN IN LOVE IN IOWA. This unique collection of photographs, books, letters, and other objects is from the Creel family, Samuel Clemens's relations on his mother's side. One highlight of the collection is the charming ambrotype portrait of young Ella Creel, one of Sam's "favorite companions" and a "one-time sweetheart." The photograph dates to the time of that youthful flirtation, when Ella was in her teens and Sam was about twenty. In 1854 Sam Clemens's older brother Orion left Hannibal, Missouri and moved with his wife Mollie to her hometown, Keokuk, Iowa. They were accompanied by their widowed mother Jane, who had family in Iowa. Young Sam Clemens traveled east working as a printer and then came to Iowa. He worked on his brother's newspaper in Keokuk in 1855-56 before becoming an apprentice riverboat pilot. Later Orion and his wife moved away, but by 1874 they had returned, and their mother Jane moved to Keokuk as well. As a result, Twain had early and enduring ties to the area and its people. He referred to his Iowa relatives in his correspondence, and he visited Keokuk on a number of occasions throughout his life. The collection, which includes a number of otherwise unknown objects, comprises: 1. Mary Eleanor "Ella" Creel (1841-1894). Photograph portrait as a teenage girl. Ambrotype. Ella Creel was the daughter of Mary Ann Patterson and Robert Paxton Creel and thus was a distant cousin of Sam Clemens on his mother's side. In April 1859 Sam Clemens became a licensed riverboat pilot on the Mississippi between Keokuk, Iowa and New Orleans. He asked his mother and a friend to chaperone Ella Creel on a trip to New Orleans on a boat he piloted, proudly taking the three women on a tour of the city when they arrived. According to Twain's biographer Albert Bigelow Paine, Ella was one of Sam's "favorite companions" and a "one-time sweetheart." 2. Mary Eleanor "Ella" Creel (1841-1894). Photograph portrait as an adult. Ambrotype. 3. Mollie Clemens. Photograph portrait. Cabinet card albumen print. Mollie was the wife of Sam's brother Orion. 4. Charles Riffley. Photograph portrait. Cabinet card albumen print. Charles was the husband of Mollie Clemens's sister. 5. Robert Paxton Creel (1815-1883). Photograph portrait. Albumen print (6 x 8 in.). Inscribed by Creel on verso "For David C. Walker from his Grand Pa." Father of Sam Clemens's sweetheart Ella, Robert P. Creel was cousin of Samuel Clemens's mother Jane Lampton Clemens. Creel's father John married Polly Casey, a sister of Margaret Casey, who married Benjamin Lampton and was mother of Jane Lampton (later Clemens), the author's mother. Curiously, Robert Creel was succeeded in the Iowa state legislature in 1856 by a man named Tom Sawyer. It has been suggested that this is the source of the name of Twain's character. 6. Margaret Creel Scott. Photograph portrait. Cabinet card albumen print. Margaret was Ella Creel's sister. 7. Mark Twain, Innocents Abroad (1870). Signed by Ella Creel's brother Joseph. 8. Alfred, Lord Tennyson, Poetical Works (1867). Signed by Ella Creel's sister Abba. 9. Perrin, Fables (1839). Signed by Ella Creel's sister Abba. 10. Pamela Moffett (Sam Clemens's sister). Autograph letter signed to Jane Clemens (1877). In this chatty letter to their mother, Sam's sister discusses family matters, refers to Orion and Mollie (with whom Jane was living in Keokuk), and gives reading recommendations for her brother "Sammy." Pamela is said to have been the model for Tom's cousin Mary in Tom Sawyer and Huck Finn. 11. Jane Clemens (Samuel Clemens's mother), signed napkin. Linen napkin or handkerchief with the ink signature of Jane Clemens. Jane was a major influence in Sam's life, and she figures in several of his books, most notably as Tom Sawyer's Aunt Polly. Provenance: a fine Clemens.

      [Bookseller: 19th Century Rare Book and Photograph Sh]
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        The Scarlet Letter

      Ticknor, Reed & Fields 1850 - First edition, first issue with March, 1850 ads and "reduplicate" for "repudiate" on line 20 of page 21; "characterss" page 41, line 5; "Chatechism" page 132, line 29; and "known of it" page 199, line 4. In a lovely polished calf binding by Sangorski and Sutcliffe with gilt tooling to spine, skillfully rebacked and bound with an extra title page and preface for the Second Edition at rear. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books, ABAA]
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        Panorama von Berlin vom Kgl. Schlosse aus aufgenommen.

      - kol. Aquatinta v. Salathé n. Loeillot b. Reimans, um 1850, 20,5 x 108 Kiewitz 741; Ernst, Loeillot, Nr. 27. - Der Betrachter steht auf dem Dach des Schlosses. Der Blick reicht von der Jerusalemer Kirche bis zur Nikolaikirche, mittig der Lustgarten mit dem alten Museum. Im Hintergrund noch der Kreuzberg, Charlottenburg und andere "Vororte". Unter der Darstellung Erklärungen zu den wichtigen Gebäuden, teilweise mit Schriftverlust. - Alte Faltstellen restauriert.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Stadtplan, umgeben von 24 Teilansichten, "Erinnerung an Postdam".

      - Lithographie m. Tonplatte v. Loeillot, Druck b. L. Zöllner b. Zawitz in Berlin, um 1850, 36,5 x 52 Mittig der Stadtplan ( 24,5 x 36 cm. lithographiert von Huchtemann.) - Die Randansichten zeigen: Marmorpalais, Belvedere in Glienicke, Ruinenberg, Pfaueninsel, Sanssouci, Obelisk und Eingang in Sanssouci, Schloß auf dem Babertsberg, Schloß Glienicke, Russ. Kirche, Partie in Charlottenhof, Neues Palais, Charlottenhof, Civil Cabinat, Neue Kammer, Sanssouci, Freundschaftstempel, Chin. Haus, Cummuns, Neptunsgrotte, Königl. Schloß, Neue Palais, Gärtners Wohnung in Charlottenhof, Rathaus, Hof in Glienicke. - Es gibt dieses Blatt - mit gleichem Titel - auch mit einer Gesamtansicht von Potsdam als Mittelbild.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Die Statistik als selbständige Wissenschaft. Zur Lösung des Wirrsals in der Theorie und Praxis dieser Wissenschaft. Zugleich ein Beitrag zu einer kritischen Geschichte der Statistik seit Achenwall.

      Kassel, Verlag der J. Luckhardt'schen Buchhandlung, 1850. - VII (1) 175 S., HLn., tls. stockfl. -- Braeuer 150. HdSW VI, 27. New Palgrave III, 55. WWE 1986, 208. - ". Privatdocenten der Staatswissenschaften und der Geschichte an der Universität zu Marburg d. z. beauftragter Lehrer für Gesch. und Statistik an der polytechnischen Schule zu Kassel." - ". antihistorische Emanzipation der modernen Statistik von der 'Staatenkunde' der Aufklärung. ." (Carl Brinkmann). ". an outstanding contribution to statistics ." (B. Schefold).-- [Attributes: First Edition; Hard Cover]

      [Bookseller: oeconomie.de | Antiquariat Hohmann]
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        Panoramaansicht üb. d. Lahn, "Panorama von Ems".

      - Aquatinta v. Hürlimann n. Dielmann, um 1850, 16 x 81 Wohl eines der schönsten Panoramen von Bad Ems.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Atlas für Handel u. Industrie. Für Kaufleute, Fabrikanten u. Gewerbetreibende, Handlungs- u. Gewerbe-Schulen, polytechnische Lehr-Anstalten etc., entworfen, gezeichnet und mit erläuternden Notizen versehen. Mannheim, Friedrich Bassermann 1857. Quer Fol. (37,5 x 45,5 cm). 32 Bll., mit lithogr. Titel u. 22 kolor. lithograph. Karten, Halblederband der Zeit mit Buntpapierbezug.

      - Nicht in Tooley.- Erste Ausgabe.- Sehr seltener Spezialatlas der Handelsgeographie; wohl der erste deutsche Atlas dieser Thematik und Zielstellung (vgl. Espenhorst).- Enthält: Erdkarte; Großbritannien; Frankreich; Österreich; Russland; Der Preußisch Deutsche Zollverein; Schweiz; Rheinländer; Schweden und Norwegen; Mecklenburg, der Dänische Zollverein und die Hansestädte; Das Mittelländische Meer (2); Westindien; Südamerika; Die Vereinigten Staaten und Mexico; Iran und das Indobritische Reich; Das Chinesische Reich und Sibirien; Afrika; Ostindien; Australien; Verbreitung von Wein und Tabac; Verbreitung von Eisen und Kohle.- Innengelenke stabilisiert. Mitunter etwas gebräunt und fleckig, insges. ordentliches Exemplar.# First Edition.- Very rare special atlas of commercial geography; probably the first German atlas of this topic (see Espenhorst), but one of the first post-1850 atlases to focus exclusively on commercial and industrial development.- 64 pages, with 22 colored lithographed maps.- Inner hinges stabilized. Sometimes a little browned and stained, all in all a decent copy. [Attributes: First Edition]

      [Bookseller: Antiquariat Johannes Müller]
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        Sammlung der neuesten Ansichten von Carlsbad und der Umgegend. (Deckeltitel: Souvenir de Carlsbad).

      Karlsbad-Elbogen, Druck und Verlag der Gebr. Franieck, o. J. (um 1850). - Erste u. wohl einzige Ausgabe dieser äußerst seltenen Serie von lithographierten Ansichten (Blattgröße 9,2 x 13,4 cm, Ansichten ca. 5,8 x 10,4 cm) von Karlsbad und Umgebung. - Die von versch. Bordüren eingefassten Ansichten zeigen „Sprudel", „Neubrunn", „Theresienbrunn", „Marktbrunn", „Mühl- Neu- und Theresienbrunn", „Marktplatz und Schlossbrunn", „Wiese", „Posthof", „Freundschaftssaal", „Porzellan-Fabrik in Pirkenhammer", „Aich", „Dallwitz", „Joachimsthal", „Engelhaus", „Hans Heiling" u. „Elbogen". - Einige Ansichten mit dem Vermerk „Nach Daguerreotyp" bzw. „lith. v. Wage". - Einband etw. berieben u. bestoßen. Etw. stockfleckig. - Sehr selten, für mich weder bibliographisch noch über KVK nachweisbar. - Nicht bei Nebehay/W. ge Gewicht in Gramm: 350 Qu.-12°. Titelblatt u. 16 lithogr. Tafeln. OPpbd. m. mont. lithogr. Deckelschild. [Attributes: First Edition]

      [Bookseller: Antiquariat Wolfgang Friebes]
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        ALBUM OF 12 CHINESE GOUACHE PITH PAINTINGS OF CHINESE PUNISHMENTS.

      No date, circa 1850. Circa 1850, oblong red silk album still with original ties, approximately 360 x 250 mm, 14 x10 inches, 12 paintings of Chinese punishments with blue cloth borders and soft paper backing, 3 paintings have small damage to top inner corner and 1 to lower outer corner, not affecting images, 1 painting with a man holding a lantern has a closed split affecting image, running into his clothes, 60 mm (3 inches), cloth borders of some pictures creased, some corners creased, not affecting images, paintings slightly slipped from the cloth borders, binding has wear to spine with loss of silk, some small chips to covers touched up with matching colour, wear to edges of covers also touched up, silk lifting from boards, slight stain to lower cover, a few of the paper backing sheets have a few small repairs to edges and a few tiny chips, otherwise a good copy. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
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        The Scarlet Letter

      Boston: Ticknor, Reed & Fields, 1850. First Edition. Hardcover. Very Good. First edition, first issue with March, 1850 ads and "reduplicate" for "repudiate" on line 20 of page 21; "characterss" page 41, line 5; "Chatechism" page 132, line 29; and "known of it" page 199, line 4. In a lovely polished calf binding by Sangorski and Sutcliffe with gilt tooling to spine, skillfully rebacked and bound with an extra title page and preface for the Second Edition at rear.

      [Bookseller: Burnside Rare Books, ABAA]
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        \"München vom Gasteig\" und \"München von der Menterschweige\". Zwei Gesamtansichten (je ca. 8 x 10,5 cm) nebeneinander, darunter zwei Ansichten vom Wittelsbacher Palast und vom Königsbau der Residenz, umgeben von 12 weiteren Ansichten Münchner Sehenswürdigkeiten.

       Stahlstich bei F. Gypen, um 1850, 34 x 41 cm. Lentner 1130; Slg. Proebst 161. - Die fein in Stahl gestochenen Ansichten sind auf Chinapapier in lithographierte, ornamentale und figürliche Linienumrandungen gedruckt. Die Teilansichten zeigen: Hoftheater, Glyptothek, Alte Pinakothek, Residenz, Auer Kirche, Dom, Ludwigskirche, Theatinerkirche, Universität, Basilika, Allerheiligenhofkirche und Kunstausstellungsgebäude. - Rechts etwas knapprandig. - Sehr seltenes Souvenirblatt. Versand D: 6,00 EUR Bayern, München; Stahlstich

      [Bookseller: Franziska Bierl Antiquariat]
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        The Scarlet Letter: A Romance

      Boston: Ticknor, Reed and Fields, 1850. Second edition. Hardcover. Near Fine. Octavo in dark brown blindstamped cloth with spine lettered in gilt. (2, adverts--see below)+ 322 pp. The first issue of the second edition with Metcalf and Company on copyright page; "Preface To The Second Edition"; two pages of adverts dated October 1, 1849 inserted prior to the cream colored front free endpaper. BAL 7601, Clark A16.2, one of 2500 copies). A tight, near fine example, minor shallow wear foot edge of spine, light offsetting to the first page of adverts. Interior clean and bright, bit of margin foxing on only a few leaves.

      [Bookseller: The Old Book Shop of Bordentown (ABNJ)]
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        Gesamtansicht von der Anhöhe bei Leutstetten aus.

       Lithographie mit Tonplatte von Eberhard Emminger bei Ravizza, um 1850, 13 x 20 cm. Lentner 2226. - Auf Einfassungslinie beschnitten; alt auf Karton montiert und handschriftlich bezeichnet. Versand D: 6,00 EUR Bayern, Oberbayern; Starnberger See

      [Bookseller: Franziska Bierl Antiquariat]
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        GA aus der Vogelschau, Blick von Süden auf die heutige Innenstadt von Leipzig, links der Bahnhof. Im Himmel ein Ballon mit Personen.

      - Stahlstich n. u. v. Eltzner ( Druck Kuhlman ) b. Louis Rocca, um 1850, 28 x 43 Sehr seltene Vogelschauansicht. Nicht in der Sammlung Georg Müller. Sprache: Deutsch

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Don Pirlone a Roma. Memorie di un Italiano dal... M. Pinto Anno 1850 Completo

      Opera assai rara e ricercata "Don Pirlone a Roma. Memorie di un Italiano dal 1° settembre 1848 al 31 dicembre 1850"     Tre volumi in 4°, cm. 34,00 x cm. 26,00; pagine 216 + 100 tavole, 208 + 100 tavole e 220 + 106 tavole. Antiporta illustrata a ciascun volume. Opera completa di tutte le sue pagine e presenti tutte le meravigliose 306 tavole allegorico - caricaturali fuori testo. Legatura originale in cart. rigido a stampa con vignette impresse a ciascun piatto anteriore, dorsi rinforzati anticamente in carta. Presente timbro di una biblioteca dell'immigrazione alle antiporte, fioriture marginali. Complessivamente esemplare genuino e marginoso che possiede la particolarità di avere le tavole stampate su carta di Cina ed applicate, onde evitarne la fioritura, e di averle tutte presenti. Celebre opera di dissacrante satira politica, soprattutto contro il Papato, la Francia e l'Austria, le cui tavole provengono prevalentemente dal giornale romano Don Pirlone, quotidiano apparso nel 1848 e 1849. Autore: Michelangelo Pinto Editore: Alessandro Fontana Anno di pubblicazione: 1850, seconda edizione. Tre volumi in 4°, cm. 34,00 x cm. 26,00; pagine 216 + 100 tavole, 208 + 100 tavole e 220 + 106 tavole. Antiporta illustrata a ciascun volume. Opera completa di tutte le sue pagine e presenti tutte le meravigliose 306 tavole allegorico - caricaturali fuori testo. Legatura originale in cart. rigido a stampa con vignette impresse a ciascun piatto anteriore, dorsi rinforzati anticamente in carta. Presente timbro di una biblioteca dell'immigrazione alle antiporte, fioriture marginali. Complessivamente esemplare genuino e marginoso che possiede la particolarità di avere le tavole stampate su carta di Cina ed applicate, onde evitarne la fioritura, e di averle tutte presenti. Celebre opera di dissacrante satira politica, soprattutto contro il Papato, la Francia e l'Austria, le cui tavole provengono prevalentemente dal giornale romano Don Pirlone, quotidiano apparso nel 1848 e 1849. Autore: Michelangelo Pinto Editore: Alessandro Fontana Anno di pubblicazione: 1850, seconda edizione. Opera completa I moti del 1848, detti anche rivoluzione del '48 o Primavera dei popoli furono un'ondata di moti rivoluzionari borghesi che sconvolsero l'Europa nel 1848 e nel 1849. Scopo dei moti fu abbattere i governi della Restaurazione per sostituirli con governi liberali. Il loro impatto storico fu così profondo e violento che nel linguaggio corrente è entrata in uso l'espressione «fare un quarantotto» per sottintendere una improvvisa confusione e scompiglio. La prima agitazione europea del 1848 si verificò in Italia: la rivoluzione siciliana che esplose il 12 gennaio di quell'anno, che rappresentò la prima miccia dell'esplosione europea. L'insurrezione siciliana, infatti, spinse in un primo momento i Borbone a concedere il ritorno nell'Isola alla costituzione del 1812. Seguì una rivoluzione a Napoli, il 27, che costrinse, due giorni dopo, Ferdinando II a promettere una Costituzione, promulgata l'11 febbraio. Lo stesso 11 febbraio Leopoldo II di Toscana, cugino primo dell'imperatore Ferdinando I d'Austria, concesse la Costituzione, nella generale approvazione dei suoi sudditi. L'esempio borbonico fu seguito da Carlo Alberto di Savoia con lo Statuto Albertino e da Papa Pio IX con lo Statuto Fondamentale. Solo il re piemontese mantenne però lo Statuto. In Sicilia il parlamento proclamò in marzo l'indipendenza, che sarebbe durata fino al maggio 1849. Nel napoletano la concessione e la successiva repressione delle libertà costituzionali, portò dal maggio al settembre di quell'anno a una serie di moti. In tutto il Regno Lombardo-Veneto scoppiarono rivolte, come le Cinque giornate di Milano che sfociarono nella prima guerra di indipendenza. Nello Stato Pontificio una rivolta interna estromise papa Pio IX dai suoi poteri temporali e portò alla costituzione della Repubblica Romana. La rivoluzione delle Cinque giornate di Milano e altre proteste indussero il Re Carlo Alberto a dichiarare guerra all'Austria. Le truppe vennero presto sconfitte e solo quelle francesi poterono far retrocedere gli austriaci. La successiva ascesa al trono di Vittorio Emanuele II fece del Piemonte il motore propulsore del processo di unificazione italiana che tuttavia si sarebbe ottenuto solo nel 1861. Per quanto i Moti del '48 furono sedati abbastanza velocemente, le vittime furono decine di migliaia: il destino della democrazia europea ci è sfuggito di mano dichiarerà Pierre-Joseph Proudhon. Gli storici concordano che la Primavera dei popoli fu, alla fin fine, soprattutto un sanguinoso fallimento, se si eccettua la concessione dello Statuto Albertino nel Regno di Sardegna da parte di Carlo Alberto di Savoia, l'unica costituzione non revocata di quelle concesse o votate nel 1848-49. Vi furono tuttavia radicali e notevoli effetti a lungo termine: Germania e Italia sarebbero presto arrivate all'unificazione facendo leva anche sulla necessità di autodeterminazione dei popoli. Analogamente l'Ungheria sarebbe giunta ad un parziale riconoscimento della propria autonomia (a discapito della popolazione slava) grazie all'Ausgleich del 1867. In Prussia e Austria fu abolito il feudalesimo, mentre in Russia fu eliminata la servitù della gleba nel 1861. L'Opera vanta 306 tavole allegorico - caricaturali sullo stato dell'Italia del tempo, incisione su rame ricca di significato e rappresentazione mediante satirica dissacrante della condizione della nostra penisola oppressa. Le tavole furono in parte riprese dal giornale romano Don Pirlone, quotidiano, uscito dal 1settembre 1848 al 2 luglio 1849 (con una interruzione dl 29 aprile al 7 maggio 1849), ma in parte furono realizzate appositamente per questa opera. Tra gli incisori sono presenti anche i nomi di Ratti, Vaiani, Monneret, Gallucci, Pichi, Masutti. Il titolo Don Pirlone deriva quasi sicuramente da una maschera creata dallo scrittore satirico Girolamo Gigli (1660 - 1722). Si trattava di una specie di Tartufo molieresco, ispirato ad una figura reale, il canonico Feliciati di Sarteano. Nei tre volumi l'avvocato Michelangiolo Pinto raccolse tutto il pubblicato del giornale, che fu il più temuto e allo stesso tempo il più apprezzato tra i molteplici giornali satirici che si pubblicavano nella Roma di Pio IX all'epoca delle grandi riforme volute dal Papa. I romani gli dedicarono perfino una canzone (Davanti un numero di gran persone - che mi salutano Viva Pirlone!). Anche gli avversari politici ne riconobbero l'efficacia e la bellezza delle tavole. Il 22 marzo 1849 apparve con il cappello frigio per incitare alla resistenza contro i francesi. Il Pinto, nato a Roma nel 1818, spentosi nel 1910, già comproprietario ed articolista del celebre periodico satirico "DonPirlone", riparò a Torino dopo la caduta della Repubblica Romana; scrivendo la presente opera egli vi trasfuse lo stesso mordace spirito polemico che aveva animato il quasi omonimo periodico: "Edotti dall'esperienza, sappiamo quale profonda traccia lascino nell'animo umano gli incancellabili colpi del ridicolo". Bertarelli, 6395. Bibliogr. d. età del Risorgimento, II, 249.

      [Bookseller: Il Tempo Che Fu]
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        Der Ortles.

      Anstalt in München, 1850. Litografia di cm 42x30. Buono, ordinari segni d'uso e del tempo, qualche fioritura.

      [Bookseller: Studio Bibliografico Adige]
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        Naples, chateau de Oeuf.

      1850. Litografia eseguita su soggetto di F. de Mercey, stampata da Lemercier, 236x360. Bella veduta animata da popolani lungo la strada. Esemplare molto bello, a pieni margini, qualche leggera fioritura, una lieve macchia nel cielo.

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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        GA aus der Vogelschau, "Hamburg. Aus der Vogel Perspective".

      - kol. Stahlstich v. Gray n. Gottheil b. Berendsohn, um 1850, 41 x 67 Selten! Wohl eine der dekorativsten Vogelschauansichten von Hamburg. Blick von Norden auf Hamburg. Im Hintergrund die Elbe, im Vordergrund die Außenalster. Sprache: Deutsch

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Humoristische Seelenlehre / Fragmente aus einer humoristischen Seelenlehre". Eigenh. Manuskript mit U.

      O. O. u. D., [ca. 1850]. - 12 SS. auf Doppelblättern. Fadengeheftet. Kl.-4to. "Die seelenvollen Leserinnen und geistreichen Leser können im Voraus versichert sein, daß ihnen hier ein äußerst interessanter Gegenstand vorgeführt werde. Wir wollen unsere Seele bei der Toilette überraschen, und in dem Tagebuche unseres Geistes blättern. Wer sein Ich liebt, wird diese humoristische Seelenlehre mit Vergnügen lesen, denn sie wird das Ich aller Menschen beleuchten, und wer kann es uns verargen, wenn wir aus diesen Prämissen den Schluß ziehen, daß die ganze Menschheit unsere Seelenlehre mit Vergnügen lesen werde [.]" (aus der mit Rotstift gestrichenen "Einleitung"). - In sich abgeschlossenes, wohl aber als Teil einer Reihe von Kurztexten zu betrachtendes Manuskript in Tinte. Mit mehreren Korrekturen, Streichungen u. a. in Rotstift. - Schuselka zählt zu den bedeutendsten Publizisten des österreichischen Vormärz. Er war Mitglied im Frankfurter Parlament.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Eventyr.

      Kbhvn.: Reitzel 1850. Illustr. af V. Pedersen. [8] + 524 s. Enkelte blade svagt plettet ellers velholdt ubeskåret eksemplar indbundet med guldsnit i smukt nyere privat helskindsbind med guldtryk på ryggen, forgyldt stregdekoration på permer samt en stiliseret dekoration efter Vilh. Pedersen oprindelige dekoration "Højtlæsning for Familien" anvendt på det originale hellærredsbind. Bindet signeret Anker Kyster. * BFN 551.

      [Bookseller: Grosells Antikvariat]
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        Gedenkwaardige Levensbeschrijving van den wereldberoemden Johan Christophorus Ludeman, vermaard Philosoph, Medicinae Doctor en Astrologist te Amsterdam aldaar overleden den 22 van Lentemaand, 1757. Behelzende een beknopt en zaaklijk verhaal van zijne Afkomst, Geboorte, Studie, Reizen, Beroepen, wonderbaare wijze van Practizeren, en aartige Lotgevallen, zo te Amsterdam, als elders doorvlochten met het charakter, en de voornaamste Avantuuren van de alombekende Britta Beijer. Alles zamengesteld uit echte Gedenkstukken geloofwaardige Berichten, en naar eigene bevinding van zijne Vertrouwelingen. EA.

      VI, 160 S.. Kl.4. HLederband um 1850 mit etwas Rückenvergoldung. Einband etwas berieben, bestoßen und beschabt Kapitale mit kleinen Fehlstellen Deckelkanten mit kleinen Bezugspapierfehlstellen Bibliotheksschildchen auf dem Rücken Vorsätze etwas leimschattig gering stockfleckig und vereinzelt leicht fleckig bzw. fingerfleckig Titel etwas angestaubt Wappenexlibris "Mr. W.C. Baert de Waarde" auf dem vorderen Innendeckel. Biographie des Astrologen, Mediziners und Philosophen Johan Christophorus Ludeman (1683-1757) Ludeman (geb. in Harburg bzw. Haarburg bei Hamburg, gest. in Amsterdam) war als Astrologe in den Niederlanden sehr populär. Der Verfasser der Biographie Franciscus Lievens Kersteman (1728 - nach 1792) niederländischer Jurist, Militär und Schriftsteller er arbeitete auch als Ersteller von Horoskopen wegen Hochstaplerei und anderer Betrügerein verbrachte er insgesamt ca. 20 Jahre in verschiedenen Gefängnissen im Gefängnis begann er zu schreiben Sensationsschriftsteller sowie Verfasser von historischen Werken und Biographien bzw. Pseudobiographien einige seiner Werke verfasste er unter dem Namen der Person, dessen Lebensbeschreibung er im vorliegenden Titel vorlegt, Johan Christophorus Ludeman. Zur ungefähren Datierung des Titels vgl. Gruys/ Wolf: Thesaurus 1473-1800. Nederlandse Boekdrukkers en Boekverkopers.

      [Bookseller: Antiquariat am Moritzberg]
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        Gesamtans.,.

      - Lithographie n. u. v. ( Emminger b. Schreiber u. Schill ), um 1850, 38,5 x 58 Schefold 1553. Henning/Meier, Erberh. Emminger, S. 146, Variante 3 - Blick aus Weinbergen auf Esslingen, im Hintergrund der Neckar. - Das Blatt ist bis zur Bildkante allseitig beschnitten und angerändert Sprache: Deutsch

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Abbildungen aus der Naturgeschichte. Mit Text ... Lithographirt in der Kunstanstalt v. Fr(iedrich) Schulthess.

      (2. Aufl.). Folio. Illustr. lithogr. Titel, S. 1-20, S. 27-112 u. 41 (39 handkolorierte) lithogr. Tafeln. Blindgepr. OLn. mit goldgepr. Deckeltitel. Leemann-van Elck, Die zürcherische Buchillustration von den Anfängen bis um 1850, S. 207: "... ein prächtiges Werk". Nissen, ZBI 3669. - Eines der schönsten Werke zur Naturgeschichte des 19. Jahrhunderts. - Mit sorfältig kolorierten Darstellungen verschiedene Affenarten, Fledermäuse, Hunde, Raubkatzen, Kamel, Giraffe, Rotwild, Elefant, Nilpferd, Pferde, Wale u. Delphine, Vögel, Reptilien, Fische, Schlangen, Insekten, Schnecken u.v.a. sowie Pflanzen: Forst- und Obstbäume, Gartengewächse, Futter, Öl- und Färbepflanzen, Gewürzpflanzen und Blumen. - Heinrich Rudolf Schinz (1777-1861) kehrte nach seinem Studium der Medizin in Würzburg und Jena nach Zürich zurück. Er war Lehrer und auch Rektor der Industrieschule, Prof. für Zoologie an der neugegründeten Universität Zürich, Begründer und Konservator der Zürcher Zoologischen Sammlung, Oberrichter, Grossrat, Präsident der Naturfoschenden Gesellschaft Zürich, Initiant, Mitgründer und später Präsident der Schweiz. Naturfoschenden Gesllschaft. - Einband etwas bestoßen und berieben, Rücken an Kapital und Fuß mit kl. Fehlstellen, Innengelenke gebrochen, dadurch Heftung gelockert, 1 Tafel lose, Textteil etwas stockfl., sonst gut erhaltenes vollständiges Exemplar.

      [Bookseller: Antiquariat Haufe & Lutz]
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        Rosy-winged Finch

      An original lithograph with later hand-colour for Gould'sBirds of Asia, 1850-83 Vol V Hart after Gould Rosy-winged Finch An original lithograph with later hand-colour for Gould's 'Birds of Asia', 1850-83 530 x 360 mm approx £370

      [Bookseller: Henry Sotheran Ltd.]
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        An extraordinary collection of 26 photographic portraits of leading photographers

      Various places, 1850s-90s 26 photographs. Various processes. Many of the portraits were taken at the studios of the photographers themselves. This superb collection of photographs of photographers documents the spread of photography from its inventor Daguerre through the art's earliest practitioners in the United States and ultimately to the great photographers of the Civil War and the American West. The collection begins with a portrait of Louis Daguerre. Portraits of American photographic pioneers include Samuel Morse, who brought Daguerre's process to America, and John William Draper, the American scientist who helped to perfect it. Mathew Brady, greatest of all 19th-century American photographers, is represented by a fine CDV portrait and an image from the end of the war in which Brady inserts himself into a group portrait of U.S. Grant's staff. Brady trained photography giants Alexander Gardner and Timothy O'Sullivan, both of whom are represented with stunning portraits. Finally, the collection includes runs of portraits of photographers who made famous portraits of Lincoln, associates of Gardner, American regional photographers, some with their photographic equipment, and photographers of the American West including William Henry Jackson and Carleton Watkins. This remarkable assemblage of rare portraits, which would be impossible to duplicate at any price, vividly documents the lineage of photography from Daguerre through his leading heirs in the United States. Examples include: 1. Louis Daguerre. Inventor of photography 2. Samuel Morse. Artist and inventor who introduced the daguerreotype to America and trained the first generation of American photographers. 3. John William Draper. Pioneering photographer who made crucial improvements to the daguerreotype and who took the first successful pictures of the moon and of a woman's face. 4. Mathew Brady. Towering figure in 19th-century American photography. "More than any other American, Brady shaped the role of the photographer as a national historian" (Trachtenberg). 5. Alexander Gardner. Leading Civil War photographer and pioneer of photojournalism. 6. Timothy O'Sullivan. Major Civil War photographer who took the first 44 photos in Gardner's Photographic Sketch Book of the War, and later a major photographer of the American West. 7. Carleton Watkins. Giant of photography of the American West and "the greatest American photographer before Stieglitz" (Naef) 8. William Henry Jackson. Most famous photographer of the American West in his time. and others Please inquire for a full description.

      [Bookseller: 19th Century Rare Book and Photograph Sh]
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        Magnificent Beecher Family Photograph Collection

      Highly important ambrotype 1. The Beecher Family (Harriet Beecher Stowe, Lyman Beecher, Henry Ward Beecher, Catharine Beecher, and Thomas, William, Edward, Charles, Isabella, & Mary Beecher). Mathew Brady Studios, 1850s. Half plate ambrotype. Original coloring of cheeks. Contemporary case, lacking upper cover, mat with stamp of G.M. Howe, Portland and Upton, Maine. Small scratch, some spotting due to emulsion separation, but overall the emulsion is intact and the image is clear with good contrast. This splendid and rare Mathew Brady Studio group portrait de- picts ten members of the celebrated Beecher family. In this family portrait, Lyman Beecher is seated at center, flanked by his four daughters (Harriet, Catharine, Mary, and Isabella). Behind them stand the five of the seven brothers (William, Edward, Henry Ward, Charles, and Thomas--George had died in 1843 and James was a missionary in China). The Beechers were one of America's most famous families. Patri- arch Lyman Beecher, famed clergyman, abolitionist, and social reformer, was a central figure of the Second Great Awakening. Harriet is most famous as the author of Uncle Tom's Cabin. Rev. Henry Ward Beecher, one of the best-known men of his day, was an evangelist, abolitionist, advocate of women's suffrage, proponent of evolution, and social reformer. Catharine Beecher was one of the leading advocates of female education. Charles Beecher was a distinguished clergyman, author, and composer of hymns, and his brother Thomas K. Beecher, also a minister, is best remembered as a close friend of Samuel Clemens. Isabella Beecher was a major figure in the women's suffrage movement. This ambrotype precedes the other famous Brady photograph of the Beechers, the 1861 portrait of Harriet, Lyman, and Henry (albumen print, National Portrait Gallery). The case is stamped George M. Howe, listed as a Daguerreian at 112 Middle Street, Portland, Maine from 1853 to 1860. The use of a case from a gallery in Maine may be explained by Harriet's move to Brunswick, Maine in 1850 when her husband Calvin Ellis Stowe secured a teaching position at Bowdoin. A later albumen print at the Harriet Beecher Stowe Center in Hartford bears the Brady stamp. Colored Salt Print by Mathew Brady 2. Lyman Beecher. Mathew Brady Studios, ca. 1856. Hand-colored salted paper photograph (7 1⁄4 x 6 in.). Half plate daguerreotype case with brass mat and red velvet retainer in double- hinged, push-button plain leather case with "BRADY'S GALLERY, 205 & 359 BROADWAY NEW YORK" stamped in dark red velvet case lining. Case edges heavily worn; without glass. Clergyman, educator, and social reformer, Lyman Beecher embodied the shift from the harsh, demanding Puritan faith of the Second Great Awakening to a religion that found its expression in larger society. A leading figure in Calvinist churches in New York, Connecticut, and Massachusetts, Beecher played a key role in founding Yale Divinity School. In 1833, Beecher and his family moved west to Cincinnati, where he became president of the Lane Theological Seminary, a training ground for the religious leaders of the abolition movement. "Magnetic in personality, incisive and powerful in manner of expression, Beecher was in his prime one of the most eloquent of American pulpit orators" (NNDB). Exhibited: National Portrait Gallery, Smithsonian Institution, Fogg Art Museum (Harvard University), and International Center of Photography. Reference: featured in "A Gallery of Images," Mary Panzer, Mathew Brady and the Image of History (Smithsonian, 1997). Signed by Harriet Beecher Stowe 3. Harriet Beecher Stowe. George H. Hastings, ca. 1880s. Albumen print, cabinet card mount. Photographer's studio stamp on the verso: "Geo H. Hastings / Photographer. / 147 Tremont St. Cor. West St. / Boston, Mass / Elevator to Studio." Signed by Harriet Beecher Stowe. Daughter of Lyman Beecher, Harriet Beecher Stowe is most famous for her novel Uncle Tom's Cabin, serialized in 1851-2.

      [Bookseller: 19th Century Rare Book and Photograph Sh]
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        DESSIN D'ARCHITECTURE 1850 ORANGERIE DE BELLOMBRE

      - DESSIN D'ARCHITECTURE 1850 ORANGERIE DE BELLOMBRE

      [Bookseller: GEOFFRIAULT]
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        \"Vienne\". Gesamtansicht von der Spinnerin am Kreuz, im Vordergrund Spaziergänger, Trompeter und Kutschen.

       Altkol. Umrißradierung bei Artaria, um 1850, 28 x 41,5 cm. Nebehay-Wagner, 59,1. - Variante nur mit dem französischen Titel. Auf Bütten \"Van Gelder Zone\" und Wappen. Dekorative Vedute, in zarten Farben koloriert. Breitrandig und gut erhalten. Versand D: 6,00 EUR Europa, Österreich

      [Bookseller: Antiquariat Bierl]
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        Dipple's Handbooks No 5 Priced at One Penny Boxiana A Guide to and About The Pugilistic Ring Including Everything of Service Either to the Amateur or Finished Pugilist

      E Dipple, London 1850 - This is a Good Only Copy of this booklet in original small sofcover format that forms part of a series of titles published by Dipple in the mid 19th century.Some of the leaves are no longer attached.The front cover shows Caunt vs Bendigo in the ring and there is a couple more illustrated portraits of of John Gully and Thomas Belcher present.The pages run through to number 16,with the final 3 leaves devoted to new rules for the ring,other headings include 'Training' and 'Scientific Boxing' and Boxiana 'A Glance Backwards' All the leaves remain in good order with some mild spotting,remnants of the old stitched binding are still present.There are No previous names or inscriptions present.NO Author is mentioned and the booklet is note recorded in Copac (British Library) The front illustrated cover is followed by 'Boxiana A Glance Backwards not paginated and then it seems to follow with page 4 numbered through to page 16.I suspect that the booklet is complete but there is no numbering of pages 2/3,so we can't be entirely sure.It's certainly a rare item and at the time of writing there are no other copies available online.If you require any further pictures just let us know.Small 12mo measures 18cm by 11.5 cm 16pp Undated Circa 1850 [Attributes: First Edition; Soft Cover]

      [Bookseller: Richard Thornton Books PBFA]
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        Souvenirblatt. Gesamtans. umgeben von 14 Teilansichten, "Erinnerung an Oldenburg.".

      - Lithographie m. 2 Tonplatten v. Tempeltey n. F.A. Borchel b. H.L.J. Kraus in Bremen, um 1850, 39 x 53,5 Oldenburger Ansichten des 19. Jahrhunderts, Nr. 10 und 5 Abbildungen . - Sehr seltene und dekorative Ansicht. um das Mittelbild (Oldenburg von der Dorfschaft Donnerschwee) Ansichten von Elsfleth, Grosserzogl. Schloss, Brake, Palais Sr. K.H. des Erb-Grossherz., H. Geist-Thor, Peter.Friedr.Ludw. Hospital, Die Hohe Brücke, Varel, Grossherzogliche Sommerresidenz Rastede, Jever, Blick auf den Stau, Bibliothek, H. Geistkirchhof und Rathaus. Oben und unten außerhalb der Darstellung gering wasserrandig, sonst tadellos. Sprache: Deutsch

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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