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Displayed below are some selected recent viaLibri matches for books published in 1845

        CENNI SULLA NAVIGAZIONE AEREA DALL'EPOCA DELLA SUA SCOPERTA SINO AI NOSTRI GIORNI. Corredati dai nomi di tutti i piu' celebri aeronauti e particolarmente di quelli che perirono in simili viaggi. $1Memoria$2.

      In-8 (mm. 240x166), bross. orig. con un pallone silografato (al piatto e al frontesp.), pp. 24, arricchito da una grande ?carta aereo-grafica da servire per la nuova ascensione aerostatica di F. Arban?, più volte ripieg. ed inc. in rame. La "Memoria" contiene anche la: ?Relazione di un viaggio aerostatico eseguito da Francesco Arban, pirotecnico ed aeronauta della città di Lione, e Descrizione del pallone di seta di m. 25 di circonferenza col quale eseguirà una nuova ascensione in agosto corrente anno, partendo dall?Anfiteatro dell?Arena in Milano, la di cui relazione farà quindi seguito alla presente?. Rara "edizione originale". Cfr. Tissandier ?Bibl. Aéronautique?, p. 61 - Darmon ?Dictionn. livres illustrés sur les ballons & machines volantes?, p. 110 e p. 26 (di Arban precisa): ?Aéronaute plein de courage, exécuta plusieurs ascensions tant en France qu?à l?étranger, et il passe pour avoir évolué au-dessus des Alpes en ballon? - Cat. Hoepli,978. Con lievi fiorit. ma complessivam. esempl. ben conservato.

      [Bookseller: Libreria Antiquaria Malavasi]
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        Journals of Expeditions of Discovery into Central Australia and Overland from Adelaide to King Georges Sound in the Years 1840-1; sent by the Colonists of South Australia, with the Sanction and Support of the Government: including an Account of the Manners and Customs of the Aborigines and the State of Their Relations with Europeans

      T.W. Boone London:: T.W. Boone,. 1845.. First edition. Orig. green ribbed & embossed cloth, spines lettered & decorated in bright gilt. The Arrowsmith maps of Australia are crisp. Expertly recased with the original cloth. Portrait of Eyre loosely inserted in front. With an early sketch portrait of Eyre by P. Thomas, and a cut signature as Governor of Jamaica. Drawing upon his experiences overlanding sheep in the 1830's, Eyre applied for the job of establishing an overland route to the west. He was accepted & convinced the committee to open up the land to the north first. In June 1840 the expedition started out but failed. Sending back all but Baxter & Wylie, Eyre set out from Fowlers Bay to cross the Bight. After much hardship & losing Baxter, Eyre & Wylie were saved by a French whaler which gave them supplies to continue. They arrived in Albany July 7, 1841. Ferguson 4031 states "This account of Eyre's explorations contains also much valuable information about the aborigines." Wantrup 133A. Ferguson 4031. There was a secondary remainder edition of Eyre published without any maps that seems to turn up more frequently than this issue with the maps. 2 vols., royal 8vo. Pp (ixx) & (1 pp ad), 448pp, frontis & 10 litho plates (&) (iv) ads, vi, 512pp, frontis & 10 litho plates, 8pp ads (undated).Orig. green ribbed & embossed cloth, spines lettered & decorated in bright gilt. The Arrowsmith maps of Australia are crisp. Expertly recased with the original cloth. Portrait of Eyre loosely inserted in front. Volume 1 contains one page of advertisements, for Hodgkinsons' "Reminiscences of Australia" 1846, but not the 8pp of adverts called for in Wantrup 133A (4pp in the prelims, 4pp at the end).

      [Bookseller: Antipodean Books, Maps & Prints ]
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        The Proceedings of the Court Convened under the Third Canon of 1844, in the City of New York . . . for the Trial of the Right Rev. Benjamin T. Onderdonk, D.D. Bishop of New York [bound with twenty other works pertaining to the trial]

      An extensive collection of works on the scandalous trial for "immorality and impurity" (including drunkeness and familiarity with women), destroying Onderdonk's career, with the church law penalty agreed to proving impossible to revoke once imposed. Contemporary 3/4 calf over marbled boards, marbled endpapers, somewhat rubbed and scraped, occasional browning, but a very good, crisp copy. D. Appleton and Company [imprint varies], New York [and elsewhere], 1845-47.

      [Bookseller: Meyer Boswell Books, Inc.]
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        Commentaries on the Law of Promissory Notes, and Guaranties of Notes, and Checks and Banks and Bankers. With Occasional Illustrations from the Commercial Law of the Nations of Continental Europe. Cohen 2561

      First edition of Story's last Commentary, appearing two months before his death and completing his "grand effort to create an American commercial common law suitable both to the needs of the new capitalism and to the values of the old republicanism". Original polished sheep, lightly rubbed, a very good clean copy; with the contemporaneous ownership signature of N. Butler, Junior, dated August 1847. Charles C. Little & James Brown [and] A. Maxwell and Son [etc.], Boston [and] London, 1845.

      [Bookseller:  Meyer Boswell Books, Inc.]
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        The Improvisatore: or, Life in Italy. From the Danish translated by Mary Howitt. 2 vols.

      London: Richard Netley 1845. 316 + 331 p. Nice contp. halfleather with golddec. on spine, weakly marked of use; internally nice and clean except from light pencil-lines in margin. Pasted portraits (cut from some magazine of the time) of Mary Howitt and William Howitt on reverse of first free endpaper in each volume. Bookplate of Antoinette Brett.. First English edition. With annotatin in both vols.: "Caroline ... S Norton Her Book. Any one stealing it will be punished with unrelenting vengeance. 1845". And in vol. II is added: "My dear dead lady, I bought it: spare me. Mauri Hewlett (?) 1894"

      [Bookseller: Peter Grosell's Antikvariat]
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        An original design for porcelain

      [Paris: 1845 or later]. Pen, ink, and watercolour. Very good condition apart from some light foxing. 11 3/4 x 11 3/4 inches. A rare example of an original watercolour design for porcelain, by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work, using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson (b. Paris, 1810; d. Paris, 1891) at 7, Rue Vendôme (later Rue Béranger) in Paris. The intention of the firm was to reproduce ceramics from museums and private collections, and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864, the factory was moved to Montreuil by Samson's son, Emile Samson (1837-1913). The range of wares included copies of 18th- century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience." (Grove Dictionary of Art)

      [Bookseller: Donald Heald Rare Books ]
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        An original design for a porcelain urn

      [Paris: 1845 or later]. Pen, ink, and watercolour. Good condition apart from some light soiling, minor foxing, and two small losses in the lower right side of the image. A few small brown stains scattered in the margins. 11 3/8 x 19 1/2 inches. A rare example of an original watercolour design for porcelain, by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work, using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson (b. Paris, 1810; d. Paris, 1891) at 7, Rue Vendôme (later Rue Béranger) in Paris. The intention of the firm was to reproduce ceramics from museums and private collections, and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864, the factory was moved to Montreuil by Samson's son, Emile Samson (1837-1913). The range of wares included copies of 18th-century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience." (Grove Dictionary of Art)

      [Bookseller: Donald Heald Rare Books ]
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        An original design for a porcelain vase

      [Paris: 1845 or later]. Pen, ink, and watercolour. Very good condition apart from some overall light soiling, and mild staining. The sheet has an original central crease. 10 ¾ x 18 ½ inches. A rare example of an original watercolour design for porcelain, by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work, using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson (b. Paris, 1810; d. Paris, 1891) at 7, Rue Vendôme (later Rue Béranger) in Paris. The intention of the firm was to reproduce ceramics from museums and private collections, and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864, the factory was moved to Montreuil by Samson's son, Emile Samson (1837-1913). The range of wares included copies of 18th-century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience." (Grove Dictionary of Art)

      [Bookseller: Donald Heald Rare Books ]
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        An original design for a porcelain plate

      [Paris: 1845 or later]. Pen, ink, and watercolour. Very good condition apart from some overall light soiling and mild creasing. There is an original central crease. 12 ¾ x 12 ¾ inches. A rare example of an original watercolour design for porcelain, by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work, using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson (b. Paris, 1810; d. Paris, 1891) at 7, Rue Vendôme (later Rue Béranger) in Paris. The intention of the firm was to reproduce ceramics from museums and private collections, and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864, the factory was moved to Montreuil by Samson's son, Emile Samson (1837-1913). The range of wares included copies of 18th-century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience." (Grove Dictionary of Art)

      [Bookseller: Donald Heald Rare Books ]
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        An original design for a porcelain vase

      [Paris: 1845 or later]. Pen, ink, and watercolour. Very good condition apart from some overall light soiling and mild foxing. 10 x 11 ¾ inches. A rare example of an original watercolour design for porcelain, by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work, using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson (b. Paris, 1810; d. Paris, 1891) at 7, Rue Vendôme (later Rue Béranger) in Paris. The intention of the firm was to reproduce ceramics from museums and private collections, and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864, the factory was moved to Montreuil by Samson's son, Emile Samson (1837-1913). The range of wares included copies of 18th-century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience." (Grove Dictionary of Art)

      [Bookseller: Donald Heald Rare Books ]
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        An original design for porcelain

      [Paris: 1845 or later]. Pen, ink, and watercolour. Very good condition apart from some light soiling and a few small, barely visible foxing marks. 12 1/8 x 22 inches. A rare example of an original watercolour design for porcelain, by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work, using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson (b. Paris, 1810; d. Paris, 1891) at 7, Rue Vendôme (later Rue Béranger) in Paris. The intention of the firm was to reproduce ceramics from museums and private collections, and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864, the factory was moved to Montreuil by Samson's son, Emile Samson (1837-1913). The range of wares included copies of 18th-century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience." (Grove Dictionary of Art)

      [Bookseller: Donald Heald Rare Books ]
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        Wi-jun-jon

      [London: Henry Bohn, 1845]. Hand-coloured lithograph, deluxe issue cut to the edge of the image and mounted on card in imitation of an original watercolour, title label mounted beneath the image 'No. 25. / Wi - jun - jon. / an Assineboin chief. / (From Catlin's N.A. Indian Collection.)'. Sheet size: 17 1/2 x 12 1/8 inches. A fine image from the de luxe issue of Catlin's 'North American Indian Portfolio', one of the most important accounts of native-American life Wi-jun-jon, an Assiniboine chief and distinguished member of his tribe, was chosen as delegate to a Washington meeting in 1832. Travelling down the Missouri by boat, he first met Catlin in St. Louis, and his portrait was painted in his exceedingly beautiful native costume. When Catlin next saw Wi-jun-jon, it was upon the Chief's return trip from Washington, where he had exchanged his clothing for a military suit of blue broadcloth with epaulettes. So impressed was Catlin by the transformation that he painted this double portrait showing the Assiniboine chief going to Washington and returning to his home. In the image of Wi-jun-jon on his return trip he is wearing a top hat (where previously he wore a feathered headdress), smokes a cigarette (where previously he held a long pipe), leans on an umbrella and cools himself with a French-style fan. Cf. Abbey Travel 653; cf. Field Indian Bibliography 258; cf. Howes C-243; cf. McCracken 10; cf. Sabin 11532; cf. Wagner-Camp 105a:1.

      [Bookseller: Donald Heald Rare Books ]
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        Gran carta d'italia disegnata ed incisa colla scorta delle opere piu' recenti ed accreditate di geografia... dedicata all'illustre geografo italiano adriano balbi... milano, civelli, 1845.

      Volume in folio (cm. 43) contenente 28 carte a doppia pagina che formano la grande carta d'Italia le cui misure complessive sono di ca. cm. 2000 x 2500. Leg. coeva in mezza pelle. Esemplare genuino ed in buono stato di conservazione, fatto salvo per la legatura che presenta delle tracce d'uso. La carta geografica, incisa in rame e con confini colorati, raffigura l'intera penisola, è impreziosita da eleganti cartigli ed alla parte superiore riporta una bella sezione a colori con i profili delle Alpi. Prima edizione di questa carta non comune e considerata fra le più interessanti dell'800..

      [Bookseller: Studio Bibliografico Benacense]
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        Map of the World on Mercators Projection. New York 1845. Geographical Part engraved by John M. Atwood, NY

      Ensign New York:: Ensign,. 1845.. Interesting rolling map of the world on its original rollers. The map is very decorative, with 4 corner vignettes of the peoples and animals of four continents, a border of shells of the world & a border of flags of the world. The corner vignettes depict America, Asia, Europe & Africa. The shell border is composed of 46 different vignettes of shells of the world, which are not merely designs, but portrayals of different shells, making it quite interesting to a conchologist. The map is also surrounded by a border of flags, both country and ship flags, 91 in total. Some of the notable flags include Texas, New Zealand, American ensign, East India Company, China, Cochin China, Batavia, Japan, Birman Empire, Tunis, Morocco, Salee, Tetuan. The western United States has relatively early Western cartography. "Oregon" meets "Mexico" at the "1819 border", north of San Francisco. The western-most named states are Wisconsin, Iowa, Missouri, Arkansas & Louisiana, although the United States territory runs to the Rocky Mountains. Texas is recorded as separate from the United States & Mexico both by borders & color. Tracks of explorers include Columbus (1st-4th voyage), Cabot, Vasco de Gama, Drake, Anson, Cook (1st- 3rd voyage), LaPerouse, Vancouver & Wilkes' American Exploring Expedition. Arctic expeditions include Capt. John Ross, Capt. Parry (2 voyages), Franklin & Capt. Ross again. The Antarctic area is replete with voyages of discovery - three paragraphs describe voyages with dates & descriptions of Cook, Weddell, Crozier & Ross.The coastline is depicted with Wilkes' discoveries. The animals depicted in the "Asia" quadrant are largely Australian, including a kangaroo, joey, swan, spotted dasyure, wombat, platypus, flying squirrel & thylacine. Australia has many notations. Western Australia occupies the western half of the continent, and marked sites include Perth, Swan River, Canning River, Fremantle, Albany, Swan River Settlement. Southern Australia is denoted in a separate color with Adelaide marked. Tasmania & Hobart appear. Port Phillip, Port Jackson and Sydney are marked in New South Wales, which occupies the entire east coast. New Zealand has no settlements noted, but the Auckland & Campbell Islands are noted with discovery dates. Wilkes' 1840 route & landfalls are marked in red. Lithograph in black & tones of blue, red, yellow, pink & green. Modern linen backing restoring old cracks, with old varnish removed, a very professional job. Some brown spotting visible over the Pacific Ocean area. 45.5 x 31".

      [Bookseller: Antipodean Books, Maps & Prints ]
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        The Holy Bible, containing the Old and New Testaments, according to the Authorised Version. With explanatory notes, practical observations, and copious marginal references. A new edition with an introductory essay, and numerous additional notes, critical, explanatory, and practical by the Rev. William Symington, D.D. Glasgow. 3 vols. (complete)

      William Mackenzie Glasgow William Mackenzie nd (ca. 1845)g Large quarto. XXII, 708, 694, IV, 685, [2]pp. 3/4 leather over buckram, with gold lettering and decoration on spine, and gold-stamped borders on covers. Raised bands. All edges gilt. Engraved frontispiece portrait of Reverend Thomas Scott on first volume. All three title-pages are steel-engraved. This fascinating Bible with commentary edited by Rev. Thomas Scott had the largest circulation and sustained it through many years. As a commentary Dr. Scott's work was superior to any that had appeared before its time. Horne, usually a discriminating judge, speaks of it in high praise (cf. his Manual of Biblical Bibliography, London, 1839, p. 259). This work is profusely illustrated with numerous full-page steel-engravings, each one with its caption. Some edge wear on bindings with rubbing along joints, corners and head and tail of spines. Sporadic foxing/browning throughout. Bindings and interior in overall good+ to very good condition.

      [Bookseller: Eric Chaim Kline - Bookseller ]
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        American Scenery [deutsche Ausgabe, der Text semi-anonym bearbeitet von J.[oh.] v.[on] H-[or]n Die malerischen Partieen America's (I.Band), bzw. America in Bildern (II. Band)], by N. P. Willis, Esq: Illustrated in series of views by W.[illiam] H.[enry] Bartlett. London, published by George Virtue,26, Ivy Lane R. Martin& Co. New York [um 1845].

      1 (w) Bl; 1 Portrait (Bartlett von Holl nach Room, 1839); 1 gest. Titel (American Scenery ..., mit Vignette des Capitols in Washington); 2 Bll. (Inhalt u. Vorrede); 1 Bl. (gest. Karte der United States mit der Reiseroute in Rot); 148 S; 65 Bll. (Stahlstiche) + 1 (w) Bl; 1 Bl. (gest. Titel mit Vignette des "Entrance to the Hudson Highlands ..."); 121 S; 1 Bl. ("Inhalt und Stahlstiche des zweiten Bandes"); 52 Bll. (Stahlstiche). Zwei Ldbde.d.Zt. (27,5 x 22,5 cm) 4°. Sabin 3784 (unter Bartlett). Howes B 209. BAL 22755. Abbey (Travel) 651. Frühe deutsche Ausgabe der "American Scenery", des schönen Ansichtenwerkes mit den romantischen Stadt- und Landschaftsaufnahmen von W. H. Bartlett. Noch dekorative Ganzlederbände mit reicher Rücken-, Deckel- und Kantenvergoldung, sowie Ganzgoldschnitt. Goldgeprägter Rückentitel: "America. I. (bzw. II.) Band." Mit hübscher Romantikervergoldung, die Bände an den Rücken aufgehellt, etwas berieben und bestoßen, innen stellenweise stärker fleckig und/ oder gebräunt. Der Vorderdeckel des ersten Bandes wirkt unvollendet, die Vergoldung insgesamt etwas hastig ausgeführt, dementsprechend leicht unpräzise wirkend, dennoch eindrucksvolles, reich illustriertes Werk, mit den englischen Titelblättern und den deutschen Texten seltsam improvisiert wirkend, zeitlich ein Zwitter zwischen der englischen Originalausgabe von 1840 und der ersten deutschen von 1851 f. Aus der Vorrede: Das Werk ..."enthält 117 Stahlstiche, ausser zwei Vignetten und dem Portrait des berühmten Künstlers W. H. Bartlett, Esq., welcher eigens nach Nordamerica reisete[sic!] um dort interessante Landschaften, Monumente, Gebäude u.s.w. an Ort und Stelle zu zeichnen; seine nach der Natur entworfenen Zeichnungen malte er nachmals aus, und nach diesen wurden nun in London von geübter Hand die hier vorkommenden Stahlstiche gearbeitet. (...) Den auf die Correctur des Drucks dieses Werkes gewandten Fleiss kann man nur dann richtig würdigen, wenn man weiss, dass der Engl. Setzer desselben kein Wort Deutsch verstand." Mit Ansichten u.a. von Albany, Baltimore, Boston, New Haven, New York, Northampton, Norwich, Philadelphia, Saratoga, Staten Island, Utica, Washington. [Amerika, America, USA, Vereinigte Staaten] [8 Warenabbildungen bei antiquariat.de]

      [Bookseller: Heinrich Heine Antiquariat Lustenberger ]
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        Topographische und naturwissenschaftliche Reisen durch Java ... zum Druck befördert und bevorwortet durch E.G. Nees von Esenbeck.

      8°. X, 518 (2) S. Mit 37 lithogr. Tafeln (in Fig. zerlegt), 3 Höhenprofile auf 2 Tafeln und 3 Höhenprofile in Deckeltasche. Halbleinenband des 20. Jahrhunderts(berieben)., Henze II, 723. - Seltene erste Ausgabe mit Text und Bildmaterial. Die Tafeln des Atlasses in einzelne Abbildungen zerlegt und bei der entsprechenden Textstelle eingebunden. Franz Wilhelm Junghahn (1809-1864) Deutscher Forschungsreisender und Naturwissenschaftler war vorerst Barbier und Militärarzt, studierte gegen den Willen seines Vater eine Zeit lang Naturwissenschaften an der Universität in Halle, bewarb sich 1832 in Holland für eine wissenschaftliche Expedition nach Java, die er 1835 antritt. Er beschrieb u.a. den Vulkan Merapi und zahlreiche Pflanzen, er vermass die Landschaft und zeichnete einige Höhenprofile, dafür verwendete er ein selbst angefertigtes Barometer (S. 114). Seine Aufzeichnungen wurden in vorliegendem Band in Europa von E.G. Nees von Esenbeck (1776-1858) herausgebracht und fanden sofort grosse Beachtung in der Fachwelt. "Im erstgenannten (Top. u. naturw. Reisen durch Java) sehen wir die lehrreichste und anschaulichste geographische Reisebeschreibung von Java, die erste überhaupt, die die begriffliche und bildliche Vorstellung der Insel scharf hat prägen können" (Henze). - Durchgehend gebräunt und angestaubt. Bindung gelockert und einige Tafeln lose. Titelblatt mit Eckausschnitt. Zu Beginn mit Wurmgängen. Besitzerstempel auf dem ersten weissen Blatt und Prägestempel auf dem Titelblatt. Mit Exlibris auf dem festen Vorsatz.

      [Bookseller: EOS Buchantiquariat Benz]
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