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Displayed below are some selected recent viaLibri matches for books published in 1845

        Scotland Illustrated in a Series of Eighty Views From Drawings by John C. Brown, William Brown, Andrew Donaldson, John Fleming, David M. Mackenzie, W. B. Scott, T. Stewart and other Scottish artists.

      . With Letter-press Descriptions and an Essay on the Scenery of the Highlands by Professor Wilson. London, Dublin, and Edinburgh: A. Fullarton 1845. With 80 steel-engraved full-page plates. 4to. 158 pp. Contemporary half calf..

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        O romanceiro portuguez, ou collecção dos romances de historia portugueza.

      Lisbon, Typographia do Panorama, 1841 and Porto: Typographia Commercial, 1845. - Wood-engraved architectural title pages. Lithographic frontispiece portrait, viii pp., (1 l.), 270 pp., (3 ll.), 4 lithographic plates; vi pp., (1 l.), 260 pp., (2 ll., 10 ll. list of subscribers), 5 lithographic plates. All 10 plates with tissue-paper guards. 2 volumes bound in 1. 8°, contemporary green morocco (only the slightest wear), flat spine gilt, gilt letter, covers with elaborate gilt borders in romantic style within ruled gilt single fillets, milled at head and foot of spine, edges of covers with gilt filets, inner dentelles gilt, pink endleaves with damask pattern, all text-block edges gilt. Occasional light foxing. In fine condition. "F.P.S, V.B" stamped in gilt on spine. 2 volumes bound in 1. ---- FIRST and ONLY EDITIONS in book form of the author's most important work. Some parts had appeared in the @Revista litteraria do Porto. The first volume of these narrative poems on events in Portuguese history includes @trovas about the tragic loves of Madalena de Vilhena and Manuel de Sousa Coutinho, which were sources of inspiration for Almeida Garrett in writing @Frei Luís de Sousa.Romantic poet, playwright, and author of fiction, Morais Sarmento (Bóbeda, Chaves, 1807-Chaves, 1870), was also a pioneer of the humorous @folhetim. He was a deputy to the Côrtes from 1837 to 1838.@Provenance: Our best guess as to the initials stamped in gilt on the spine is that they belong to Francisco de Paula e Sousa Villas-Boas. See Innocêncio III, 27; IX, 358.---- Innocêncio III, 214-5 (calling for only 3 lithograph plates in the first volume). See Camilo Castelo Branco, "Inácio Pizarro de Morais Sarmento," in @Espoços de apreciações literárias (Porto, 1865), which also appears in Camilo's @Obras completas, XVI (Porto 1993), 1237-44; Álvaro Manuel Machado in @Dicionário de literatura portuguesa, pp. 442-3; J.J. Dias Marques in @Biblos, IV, 1154-6; @Dicionário cronológico de autores portugueses, II, 54-5. Porbase locates the first volume only, in two copies, one in the Biblioteca Nacional de Portugal, the other in the Biblioteca Geral da Universidade de Coimbra. [Attributes: First Edition; Hard Cover]

      [Bookseller: Richard C. Ramer Old and Rare Books]
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        The United Order Of Free Gardeners' Magazine. Volume I.

      Printed & Published by Br. T. Stubbs 1845 & 1849, Macclesfield - Extremeties worn, crown of spine incomplete.; 8vo 8" - 9" tall; Contemporary cloth, iv, 384, 8p. **Final pagination is "A sermon preached at the Old Church, Leek, before the members of the Moss Rose Lodge of Ancient Free Gardeners, of the Macclesfield District, on Friday, the 29th of August, 1845." **This periodical is not listed in the Union List of Serials. **Robert Cooper, in his "A History of the Ancient Order of Free Gardeners," wrote that this fraternal order is "the only one which seems to pre-date Freemasonry, and one of the most difficult to gain information about." WorldCat does not list this organization or title. The earliest publication of this organization listed by COPAC is an 1861 edition of "Rules." [Attributes: First Edition; Hard Cover]

      [Bookseller: Hurley Books Inc.]
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        Sporting Architecture

      London: Henry G. Bohn, ca. 1845. Hardcover. Very good. 4to. 97pp. 44 illustrations on full page plates as well as vignettes in text, plus engraved title page and frontispiece. Nicely bound in quarter green morocco, gilt spine title, pebble-grain green cloth. Plates have varying degrees of light spotting and soiling else this is a very good copy in a fine binding.

      [Bookseller: Thorn Books]
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        FABBRICHE E I DISEGNI DI ANDREA PALLADIO E LE TERME. Nuova Ed. Italiana Foggiata Sulla Vicentinese di Bertotti Scamozzi Ampliata e Fornita di Note da Celestino Foppiani

      Genova G. Decamilii 1845 - Five volumes bound in three. A beautiful 19th Century edition of the monumental critical "Opera" of Palladio of Ottavio Bertotti Scamozzi, expanded with the commentary and notes of Celestino Foppiani. With a total of 233 impressive folio copper engraved plates. Large folio, finely bound in morocco backed boards with titles and numbers on the handsomely decorated spine in gilt. 3 cc., 135; 3 cc., 88; 3 cc., 72; 3 cc., 92; xiv, 28. Engraved Plates: LII, LI, LI, LIV, XXV. A very handsome and pleasing copy of this important and beautiful book, with some expected evidence of wear and use, some typical or occasional staining to some leaves because of use. SCARCE AND BEAUTIFUL PRINTING of the magnificent "Scamozzi Palladio" with the commentary Ottavio Scamozzi first written between 1776 and 1785. Containing full commentary and notes on each building and the commentary and notes of architect Celestino Foppiani. Palladio's designs and work to this day remain the central pillar of classical architecture and all architecture which followed. ‘Palladio’s lasting influence on architectural style in many parts of the world was exercised less through his actual buildings than through this, his textbook. The book is divided into four sections: orders and elementary problems, domestic building, public building and town planning and temples. Palladio’s style was directly inspired by Roman classical models through the writings of Vitruvius and Alberti. Its characteristics are those of classicism: symmetry, order, fixed mathematical relations of the parts to each other and to the whole, logic and monumentality. Palladio followed the rules of classical Roman architecture more closely than any other architect.In spite of the vogue for the baroque and the fact that Palladio left no immediate successors, his book exerted a powerful influence on contemporary architecture and classical ideals until the end of the eighteenth century. As a practicing architect Palladio worked mainly in Vicenza, Venice and the Venetian countryside, especially along the Brenta River. His Villa Capra (known as La Rotonda) near Vicenza became virtually a prototype of the Palladian style, and it was widely and faithfully copied. At the end of his life he left plans for the tour de force of trompe l’oeil, the Teatro Olimpico in Vicenza, which was finished by his pupil Vincenzo Scamozzi.’ [Attributes: Hard Cover]

      [Bookseller: Buddenbrooks, Inc. ABAA]
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        Plate 67 - Black American Wolf

      1845 - John James Audubon (1785-1851) Plate 67 - Black American Wolf Viviparous Quadrupeds of North America New York: 1845-1848 Hand colored lithograph Paper size 27 ¾” x 21 ½” ; 35” x 41” framed In the 1830s, as the final plates were being completed for John James Audubon’s monumental Birds of America series, the artist began to gather material for his second and equally ambitious undertaking. Planning to complete the definitive study of American wildlife, Audubon set out to document the animals of North America, and to present them in a format as impressive and sweeping as that he used for his birds. The result of the artist/naturalist’s years of field research, travel, and seemingly endless study was the Viviparous Quadrupeds of North America, the outstanding work on American animals produced in the 19th century. The Quadrupeds, as Audubon envisioned, would complete his record of the animal life of North America. The artist’s enthusiasm at the start of the Quadrupeds was unbounded. In 1840, Audubon wrote to his friend and collaborator John Bachman, “I am growing old, but what of this? My spirits are as enthusiastical as ever, my legs fully able to carry my body for ten years to come Only think of the quadrupeds of America being presented to the World of Science by Audubon and Bachman.” Despite his newly acquired wealth and celebrity, Audubon insisted on executing many of the preparatory drawings and watercolors personally, enlisting a select few to help. The contributors to the project included Bachman, a Lutheran minister who had been the artist’s closest friend and supporter for many years, who wrote all of the descriptions and acted as a scientific editor for the work. Audubon’s two sons, John Woodhouse and Victor, also took critical roles. With his sons, Audubon traveled through the Eastern woodlands, and through Missouri to the Rocky Mountains. Together they collected and drew specimens along the Mississippi, as well as in coastal regions of Florida and the East Coast. As Audubon’s health and eyesight began to fail, the help of John Woodhouse and Victor became increasingly crucial to the Quadrupeds, now a family project. Audubon managed to complete seventy seven drawings before failing health kept him from his work. Before he died in 1851, Audubon’s sons managed to solicit some three hundred subscriptions for the Quadrupeds. Together, the three men, along with John Bachman, produced an unequaled record of American wildlife, matching the great combination of art and science attained in the Birds of America. Like that series, the Quadrupeds are wonderfully animated, superbly rendered, and beautifully printed in large format.

      [Bookseller: Arader Galleries San Francisco]
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        PORTRAIT GALLERY OF DISTINGUISHED AMERICAN CITIZENS, WITH BIOGRAPHICAL SKETCHES.

      Hartford. 1845. - 111pp. plus twenty-seven plates and twenty-six facsimiles. Folio. Original half calf and cloth covered boards, gilt pictorial cover, gilt-stamped spine, expertly recased, t.e.g. Slight foxing, but mostly clean and bright. A good copy, lacking the last page of text. An interesting piece of visual biography. This impressively large-scale work is significant for its lithographs of notable Americans of the 1820s, '30s, and '40s, showing the subjects in full-length silhouette profile, standing, against a tinted background, resulting in effective and evocative portraits. Included (after the necessary eulogistic frontispiece dedicated to Washington) are John Marshall, John Q. Adams, Richard C. Moore, Andrew Jackson, John Forsyth, William Henry Harrison, John C. Calhoun, De Witt Clinton, Richard M. Johnson, Joel Poinsett, Alexander Macomb, Martin Van Buren, Samuel Southard, Henry Clay, Henry Wise, Thomas Hart Benton, John Tyler, Levi Woodbury, Thomas Cooper, Daniel Webster, William White, Silas Wright, Nathaniel Tallmadge, Felix Grundy, Dixon Lewis, and John Randolph. Each portrait is accompanied by another plate displaying a facsimile of the subject's handwriting, usually in a piece of correspondence. All are based on sketches made from life by Brown. HOWES B871, "b."

      [Bookseller: William Reese Company - Americana]
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        HISTOIRE GENERALE DE LA MARINE comprenant les naufrages célèbres, les voyages autour du monde, les découvertes et colonisations. L'histoire des pirates, corsaires et négriers. Exploits des marins illustres. Voyages dans les mers glaciales. Guerres et batailles navales, jusqu'au bombardement de Tanger et la prise de Mogador par le prince de Joinville.

      - Paris, Eugène et Victor Penaud frères, (1845-1853), 17x26, quatre volumes. Ouvages contenants un frontispice en couleur et 35 hors-texte dont 9 rehaussés en couleurs. Reliure en demi percaline verte. Dos à nerfs, rehaussés de filets dorés, titre et tomaison en lettres dorées. Reliures fatiguées et coins légèrement émoussés (envoi de photos sur demande), l'intérieur des volumes est relativement bon, à l'exception de taches de rousseur. [Attributes: Hard Cover]

      [Bookseller: Librairie de l'Univers]
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        Histoire générale de la Marine comprenant les naufrages célèbres, les voyages autour du monde, les découvertes et colonisations, l'histoire des pirates, corsaires et négriers, exploits des marins illustres, voyages dans les mers glaciales, guerres et batailles navales jusqu'au bombardement de Tanger et la prise de Mogador par le Prince de Joinville

      - Eugène et Victor Penaud à Paris, . Quatre tomes grand in-8° reliés, 400, 400, 400 et 398 pages. Le coin du bas du premier plat de la seconde reliure est cassé et absent ( 1cm2) . Nombreuses gravures dont certaines (les uniformes) en couleurs. Non daté, cet ensemble finit par un plaidoyé pour la marine à vapeur, qui date de 1845, les bombardements de Tanger et prise de Mogador sont de l'annee precedente, il est tres probable que l'ensemble date de ce moment-là.Bon état. [Attributes: Hard Cover]

      [Bookseller: Frederic Delbos]
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        Inner-Krain. Zirknitz

      ca 1845. Getönte Lithographie, Platte: 43 x 37 cm. Hübsche Ansicht von dem Zirknitzer See in Slowenien mit Figuren im Vordergrund. Sehr leicht knittrig, kleine Risse im weissen Rand. Zwei winzige Würmlöcher in der Darstellung. Seltene Ansicht! Rare beautiful view of the Lake Cerknica in Slovenia, with Cerknica on the left and figures in the front. Paper very slightly waved, small tears in white margins, two tiny hardly noticeable worm holes in the image.

      [Bookseller: Antiquariat Dasa Pahor]
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        The Royal South Australian Almanack and General Directory for 1845

      James Allen, Adelaide 1845 - Octavo, 210, (ii - short title), xxiv (advertisements, last blank) pp., ink stain to fore-edge (not encroaching into margins), overall a good copy in a simple early binding of quarter cloth over marbled boards. Rare early South Australian almanac. This copy has the early owner's inscription for Skinner of H.M. Customs in Adelaide, and he may have been responsible for the ink annotations to the list of Justices of the Peace (p. 55). Notable is the by now standard section on the "Progress of Discovery" which includes the early report of "Captain Sturt's Expedition to the North" of 1844 (pp. 179-185). [Attributes: Hard Cover]

      [Bookseller: Hordern House Rare Books]
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        Brustbild einer Heroine mit Lorbeerkranz im Haar.

      . Aquarell, mit Deckweiß gehöht, über Bleistift, auf bräunlichem Zeichenkarton, links oben signiert und datiert "S. v. Strechine 4. 93.". 22:15,3 cm. Recto im Rand links und verso am Oberrand Reste alter Verklebung. Ein für das Werk der Künstlerin ungewöhnliches Motiv, das jedoch beweist, daß sie auch auf dem Gebiet der figürlichen Malerei Qualitätvolles leistete.. Die Tochter eines höheren Beamten im Zarenreich war Schülerin von L. Willroider (1845-1910) in München und dort anschließend vor allem als Landschaftsmalerin tätig. Von München aus unternahm sie Reisen in ihre Heimat und nach Georgien (Tiflis). Seit 1891 beteiligte sie sich alljährlich an den Ausstellungen im Münchner Glaspalast. Weitere Ausstellungen folgten in Nürnberg, Dresden, Wien, Bremen, Danzig und Berlin. Kurz vor dem Ausbruch des Ersten Weltkrieges zog sie nach Bad Tölz, wo eine Straße nach ihr benannt wurde. Spätestens hier dürfte sie die Maler-Freundin Gertrud Trefftz (1859 - nach 1930) kennengelernt haben. Sie war Mitglied mehrerer Künstlervereinigungen, wie etwa der Allgemeinen Deutschen Kunstgenossenschaft und der Münchner Künstlergenossenschaft. Prinzregent Luitpold besaß eine mit "Tiflis" betitelte Arbeit der Künstlerin.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Ã‰tudes de Chiffres Arabes,

      Paris: Librairie Dezobry, E. Madeleine et Cie.,, 1845. avec des Examples et un Grand Tableau Autographiés par l'Auteur. Quarto. Original blue paper wraps, typographic title label to the upper panel. 19 lithographed plates, 10 of them with hand-colour. A little rubbed, some splitting at the spine, light browning, a very good copy. First and only edition, uncommon, OCLC locates copies at BnF, Oxford, Tel Aviv, University of California, Swiss National Library, and Kunstbibliothek - Staatliche Museen zu Berlin. Interesting study of the morphology of Arab numerals with reference to calligraphy, illustrated with a series of elegant proportional studies lithographed by Villain, and hand-coloured.

      [Bookseller: Peter Harrington]
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        Études de Chiffres Arabes, avec des Examples et un Grand Tableau Autographiés par l'Auteur.

      Paris: Librairie Dezobry, E. Madeleine et Cie., 1845 - Quarto. Original blue paper wraps, typographic title label to the upper panel. A little rubbed, some splitting at the spine, light browning, a very good copy. 19 lithographed plates, 10 of them with hand-colour. First and only edition, uncommon, OCLC locates copies at BnF, Oxford, Tel Aviv, University of California, Swiss National Library, and Kunstbibliothek - Staatliche Museen zu Berlin. Interesting study of the morphology of Arab numerals with reference to calligraphy, illustrated with a series of elegant proportional studies lithographed by Villain, and hand-coloured. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Travels in North America; with Geological Observations on the United States, Canada, and Nova Scotia

      London: John Murray,, 1845 & 1849. [together with;] A Second Visit to the United states of North America. 4 volumes octavo (197 × 122 mm) The first in red half morocco, charcoal grey boards, matching endpapers, title gilt direct to the spine, top edges gilt, others uncut; the second in similar style dark brown morocco, moss green boards and endpapers, silk page-markers to all. Both by sometime Roycroft binder John Grabau with his blind stamps. Travels … with large hand-coloured folding engraved birds-eye view of Niagara Falls as frontispiece in volume I, and a large folding hand-coloured map in volume II, together with a colour map of Niagara district, 3 folding lithographic plates, and one engraved plate, diagrams and illustrations to the text; Second Visit … with half-titles bound in. A little rubbed, light browning, but overall very good. First editions, the set of Second Visit, inscribed on the half-title of the first volume; "R. Owen Esq. from the author, June 2nd 1849". Richard Owen (1804-1892), noted English biologist, comparative anatomist, and palaeontologist, who coined the term "dinosaur," and before the 1859 publication of the Origin of Species was a friend to Lyell and Darwin, although opposed to their theories of evolution and uniformitarianism. Records of Lyell's visits to North America in 1841-2, and 1845-6 to deliver the Lowell Lectures in Boston. While there Lyell travelled widely throughout the United States east of the Mississippi and much of Canada, seeing all of the important geological sites, including Niagara Falls, spectacularly represented in the frontispiece to volume I of Travels …. He studied the fossil deposits and posited that the Great Lakes were the remnant of a vast prehistoric sea, travelled extensively through the South, observing the social classes and commenting upon slavery. These volumes followed his groundbreaking work, the Principles of Geology which was an important influence on Darwin in developing his theory of evolution.

      [Bookseller: Peter Harrington]
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        THE CHIMES: A GOBLIN STORY OF SOME BELLS THAT RANG AN OLD YEAR OUT AND A NEW YEAR IN

      London: Chapman & Hall, 1845. First Edition; First State. Embossed Cloth. 12mo. D. Maclise, R. Doyle, John Leech, and C. Stanfield. Bound as issued in scarlet cloth embossed in blind with title vignette stamped in gold on the front cover and the spine; light soiling to the covers and the spine is a trifle sunned; this remains a very bright and attractive copy; all edges gold; previous owner bookplate on the front pastedown else contents clean and bright; uncommon First State engraved title page. Eckel 116-8.

      [Bookseller: Michael Pyron, Bookseller]
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        Poetry and Music of The Book of Beauty for the Queen's Boudoir, 1845

      London: C. Jefferys, 1845. Second Edition. Hardcover. Fair. Second Edition. Hardcover. Folio. 108pp. Front colored gift illustration page left blank, 2 color lithographs and 3 black and white engravings all protected by tissue. Green publishers decorated boards with title on front. Black leather backstrip. Gilt edges. Front hinge loose. Edge wear to boards. Black leather spine is chipped and missing large portions. String attached to spine with old tab and a penciled number 1144 (auction lot?). The 2 color lithographs in front are loose/detached. There are 20 music compositions including songs, ballads, polkas, waltzes, air's, divertisement, and quadrilles. The illustrations are printed in gold and colors, designed and executed in Chromo-Lithography by J. Brandard. Light scattered foxing to music.

      [Bookseller: Americana Books ABAA]
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        Scenery of the Devonshire Rivers. With Introductory Remarks. Illustrated by a Series of Sketches and Studies from Pictures in Various Collections, Painted and Engraved by F.C.Lewis. Engraver of Drawings to the Queen.

      Folio, 420x280mm, etched title-page, verso blank, List of Subscribers, verso blank, and 26 full-page etchings on thick paper, half black morocco, pebble-grain black cloth, rebacked and corners renewed, a fine copy.

      [Bookseller: H. M. Fletcher]
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        Buffalo Hunt from Catlin's North American Indian Portfolio

      New York: James Ackerman, 1845. A VIVID IMAGE OF A BUFFALO HUNT FROM THE FIRST ILLUSTRATED BOOK DEVOTED TO THE NATIVE AMERICAN TRIBES OF THE UPPER PLAINS Lithograph with original hand-color In 1827, George Catlin, an illustrator from Philadelphia, became the first artist to attempt the perilous journey up the Missouri River, and the first to create visual records of his experiences traveling among the Plains Indians of North America. His motivation was entirely unselfish and idealistic, and he labored unceasingly to persuade his contemporaries that Native American culture should be honored and preserved. The artist himself best expressed his goal in the preface to the first edition of his North American Indian Portfolio: "The history and customs of such a people, preserved by pictorial illustrations, are themes worthy the lifetime of one man, and nothing short of the loss of my life shall prevent me from visiting their country and becoming their historian." Catlin's project filled a great need. After Lewis & Clark's celebrated expedition up the Missouri River into the Pacific Northwest, Europeans read avidly of the sights and experiences of the voyage. They traced the route followed by the explorers, using the map that accompanied the wildly popular printed volumes on the journey. But a crucial aspect was missing from the accounts of the expedition of Lewis and Clark. Without pictorial documentation, Europeans (and Americans) were unable to visualize the unbelievable journey. This lack meant that the people, landscape, and customs of the vast American frontier remained abstract ideas-and much less vividly imaginable-to anyone who had not personally experienced the voyage. When Catlin first issued his volume in 1844, his animated, colorful, sympathetic views of Native Americans finally filled the void of imagery. Suddenly, Europeans and Americans were able to visualize the people and customs of whom they had read so extensively, and to gain a level of respect for the Native Americans, so often feared, misunderstood or misrepresented. The artist's stunning lithographs ranged from portraits to depictions of tribal ceremonies, from the anecdotal to the idealized. Catlin appealed to his readers with the thrill of the hunt and the mystery of ritual, and conveyed his respect for his subjects masterfully. The immediacy of his images is irresistible, drawing viewers into the scenes and portraits with unprecedented intimacy. But even when Catlin issued the North American Indian Portfolio, just fifteen years after his expedition, his crusade to preserve America's "Noble Savage" was failing. The Indians were beginning to give way to the expansion of the American frontier and to European disease. Because most of Catlin's paintings and collections were destroyed by fire and neglect, his lithographs remain the principal medium by which his message was conveyed, and they have come to hold even greater significance today than when they were first published. This striking lithograph captures the thrill and action of the hunt, as well as the rolling hills and grassy expanses of the Great Plains. "Buffalo Hunt, Chase" represents not only a valuable historical record of the customs of the Plains Indians, but is an engaging and splendid work of art.. Book.

      [Bookseller: Arader Galleries]
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        Le Jésuitisme vaincu ou anéanti par le socialisme ou les Constitutions des Jésuites et leurs instructions secrètes en parallèle avec un projet d'organisation du travail

      Plon Frères 1845 - In-8 relié, 220pp. Bel exemplaire ayant appartenu à Pierre Janet avec le cachet gras de sa bibliothèque sur la page de faux-titre. Considéré comme un précurseur du marxisme, Théodore Dézamy (1808-1850) écrit dans le journal Le Populaire, d’Etienne Cabet dont il est devenu le secrétaire. Il se démarquera de Cabet qui cherche à concilier la bourgeoisie aux intérêts des ouvriers, pour appeler le prolétariat à se libérer lui-même. Il va développer les idées matérialistes d’un communisme unitaire. En 1848, il fonde avec Blanqui la Société Républicaine Centrale. Au communisme pacifique de Cabet et au socialisme chrétien de Lamennais, il oppose une doctrine matérialiste et athée qui le porte en grande estime par Marx. L'ouvrage sur le jésuitisme vaincu et anéanti a reçu le suffrage d'Eugène Sue. Belle reliure demi-chagrin de l'époque. [Attributes: First Edition; Hard Cover]

      [Bookseller: PRISCA]
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        Souveniransicht, "Deutsche Buchhändler Börse in Leipzig".

      . Lithographie v. C.C. Böhme u. Fr. Kr ( = Krätzschmer ) n. Liebner, um 1845, 43,5 x 54. Das Mittelbild zeigt die deutsche Buchhändlerbörse. An den Rändern dann weitere 16 Detailansichten ( je 5,5 x 8,5 ) aus Leipzig.: Theater, Augusteum, Rathaus, Paulium, Handelsbörse, Thomaskirche, Hofrath Keil's sonst Löhr's Garten, Johanneskirche, Schützenhaus, Bürgerschule, Waagegebäude, Georgenhaus, Gruners Haus, Schloß Pleissenburg, Härtels Haus und Nikolaikirche. - An der rechten Seite fehlt das schmale Rändchen sowie ca. 1 cm des grauen Hintergrundbereiches ohne den Gesamteindruck des Blattes zu beeinträchtigen. - Sehr selten !

      [Bookseller: Antiquariat Nikolaus Struck]
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        VIAJE Á LA ISLA DE MALLORCA EN EL ESTIO DE 1845.

      Imp. A. Brusi. Barcelona, 1845 - . 21 cm. 286 pág. Enc. en pasta española, cortes pintados. Marca de caucho. * En esta obra el autor exalta la belleza de los parajes y las personas que ha conocido en su viaje a la isla de Mallorca. Palau 62937. Viajes, Mallorca. Illes Balears Libros modernos a partir de 1830 español [Attributes: Hard Cover]

      [Bookseller: Libreria anticuaria Farré]
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        Description méthodique du Musée Céramique de la manufacture royale de porcelaine de Sévres, 2 part. en 1 vol. (texte - planches)

      1845 Paris A. Leleux 1845 - 35 x 28 cm - (4)+XV+(1)+456+(4)+8 pgs, 80 planches lithogr. (55 planches en couleur, 6 planches n/bl, 1 planche couleur, 6 planches n/bl, 1 planche couleur, 1 planche n/bl et 10 planches en couleurs figurants des vitraux - table des monogrammes - demi-chagrin à coins - dos à 5 faux nerfs, mors, coiffes et coins frottés - beaucoup de rousseur - mais en tout très acceptable - édition originale de ce catalogue - très lourd! [Attributes: First Edition]

      [Bookseller: A. Van Zaelen antiquariaat]
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        [ILLUSTRATED JOURNALS OF AMERICAN SAILOR DAVID E. MARSHALL, WHO ALSO REFERRED TO HIMSELF AS "WICKED NED," INCLUDING SCORES OF ILLUSTRATIONS OF HIS TRAVELS AROUND THE WORLD, AS WELL AS POETRY, SAILING INSTRUCTIONS, PRACTICAL ADVICE, AND MUCH MORE]

      [Various places. ca. 1845-1865].. Collection includes three folio volumes, a lengthy manuscript on folio sheets, and two smaller sketchbooks. Hundreds of pages of text. More than 200 total ink and watercolor, ink and wash, or pencil illustrations (see details below). Three bound volumes in contemporary bindings of half leather and marbled boards, one binding covered with sailcloth. Bindings with expected wear, but quite clean internally. Smaller sketchbooks unbound and with wear to outer leaves, but clean internally. Very good overall. In a cloth clamshell case, leather label. A truly remarkable collection of illustrated journals created by an American sailor, David E. Marshall of Connecticut, filled with outstanding colored illustrations of his voyages and adventures. Marshall had an incredibly creative mind, and developed an alternate persona for himself, "Ned Cleaveland," a.k.a. "Wicked Ned," who becomes the protagonist of some of Marshall's more outlandish deeds, as recounted in these volumes. Marshall was also a very talented draftsman, and this collection is a marvelous illustrated journal of an American sailor's life at sea in the mid-19th century. The illustrations in these volumes are simply splendid, the work of an accomplished amateur artist. Marshall's drawings are wonderful depictions of his service in the American Navy, on privateering vessels, and on whaleships, and also of his adventures around New England. There are well over two hundred illustrations in all, the majority of them full-page and in color. Heavily represented are views of Marshall's travels as a sailor, with illustrations and views of ports and cities in South America, the Pacific (including Tahiti and Hawaii) the Arctic, the British Isles, and scenes around the American Northeast, including his native Connecticut. Several of the illustrations show Marshall's whaling adventures, including vibrant scenes of whale hunting, while many others are beautiful depictions of sailing vessels. Taken as a whole, Marshall's wide-ranging text becomes a series of interlinked stories recounting his adventures over a span of some twenty years, and ultimately explaining what he considers to be his repeated failure to make a success of himself. Included are narratives and poems regarding Marshall's life aboard military vessels and a whaler; a description of an incident involving the privateer, America, at Rio de Janeiro; experiences in Hawaii; recipes for paint and brightwork cleaning; instructions on how to keep a log; thoughts on the Civil War, missionaries, temperance, and hypocrisy; and thousands of lines of poetry, from mini-epics to brief fragments. There is also a manuscript of some 10,000 words, written aboard a Union gunboat on the Mississippi River during the Civil War. Of special note are two versions of a 600-line poem about Marshall's whaling voyage around the world on the ship, Henry. Among the most interesting aspects of Marshall's prose and poetry is his creation of the "Wicked Ned" alter ego, a sort of "evil twin" of Marshall, who spills blood as a privateersman, romances and abandons women, causes chaos ashore, swears to mend his ways, but ultimately returns to his rough and rowdy life. Little is known of David E. Marshall beyond the information he gives us in these volumes. He seems to have been born around 1807 in Milford, Connecticut, and in another volume he copies what appears to be his will, dated 1865, writing that he was born in Milford, and that he still resides there. Marshall continues his double identity in this document, asserting that he is also the "Edward Cleaveland herewith subscribed." Marshall served in the United States Navy aboard the U.S.S. Raritan and the U.S.S. Savannah, and also on a Union gunboat on the Mississippi during the Civil War. He was also a sailor on the whaleship, Henry, which sailed out of Sag Harbor, and served aboard a privateer and various merchant vessels. In his 1881 book, RECOLLECTIONS OF CURIOUS CHARACTERS AND PLEASANT PLACES, author and traveller Charles Lanman includes a chapter called "A Story of a Modern Mariner," which is a first-person account of the life of Lanman's friend, David Marshall, though in the book he refers to himself as "Tom Cleaveland." Lanman concludes the chapter by writing that "'Cleaveland' was himself his worst enemy." Adding another dimension to this curious life story, a published print is located at Princeton University, entitled "U.S. Frigate Savannah. struck by a heavy Squall when entering the Harbor of Rio de Janeiro, between the hours of 7 & 8, on the evening of July 5th 1856." The illustration was published by Endicott and Company of New York, and is identified as being "drawn by Wicked Ned." Marshall was, in fact, a sailor aboard the Savannah and was on the ship when it visited Rio in 1856. The contents of the various volumes are as follow: 1) Bound folio volume, titled in manuscript, "David E. Marshall of Milford Conn." [205]pp. total, including 101 illustrations, most of them full-page and almost all of them colored. A second manuscript titlepage reads: "Works of Ned Cleaveland." The illustration on the first titlepage is of Poseidon sitting upon a rock, while an American eagle, arrows and olive branches in its talons, flies past in the background. The second illustration in the volume shows a woman, perhaps Columbia, atop a sea serpent. This volume includes a version of Marshall's long poem of his whaling adventures, entitled "Whaleing [sic] Voyage on the 'North West' in the Henry of Sag Harbor in 1846, 46 & 47 by 'Wicked Ned.'" The tone of the poem varies, from elegiac to wistful to enthusiastic. Marshall writes: "And now farewell my dear Sag Harbor girls, for I must bid you all a long adieu as I am bound, a cruise around the world in the Ship Henry. She's a whaleman too. I've had enough of shore. This weary bout I've frollicked very hard indeed likewise so let old women loudly rant and rout about the man who madly drinks, and dies. The times are hard and money very scarce good folks on shore all seem so wondrous sad; To stay on shore would be a foolish farce while on the North West right whale may be had." The text of the poem gives details of the voyage, occurrences on board, ship, and the hunt for whales. Other texts in this volume include sailing instructions, a poem written on board the Raritan and another entitled "Farewell to Cape Horn," as well as verses regarding military battles, including that at Churubusco during the Mexican-American War. The illustrations in this volume include scenes of Marshall's whaling voyage, including a striking illustration of "Monganuea" (i.e. Mount Maunganui, New Zealand), and views of whale hunting. There is also a color illustration of "Lobos Island" (apparently in the Galapagos), done while Marshall was a crew member of the U.S.S. Raritan in 1852. There are a number of riverside and seaside views, including views of Tobago, Panama, Puna, Callao, San Lorenzo at Chagres, Table Mountain on the Cape of Good Hope, and a lovely view of St. Thomas. Several of the views are in and around New England, including a view of the coast of Milford, Connecticut, another along the Housatonic River, near Milford, and a political cartoon entitled "The Present Days of New England." There are also several portraits of figures Marshall encountered, and much more. 2) Bound folio volume, titled in manuscript “Sketchbook of David E. Marshall.” [256]pp. total, including ninety- nine illustrations, most of them colored and many of them full-page. This volume also begins with allegorical watercolors of the United States, represented by the figure of Columbia. As with the previous volume, it is filled with text and illustrations describing and depicting Marshall's travels. The texts in this volume are as wide-ranging as in the previous, and include another version of Marshall's poem about his whaling voyage aboard the Henry. In one stanza he describes a stop in the Pacific to refill their stores: "Now we arrived at Wy-ta-taks fair isle to get our fruit and pumpkins and sour lime, while oranges and lemons made our crew to smile and then we fill'd away for far Northwestern climes, on Mellus banks our sail took in by night stood quarter watches through the darkened gloom hoping next day to see a fish and fight and kill a whale amidst the white sea foam." Another poem is entitled "Last words to the Dead" and was written in Valparaiso in 1851. A long essay entitled "Reminiscences of By- Gone Times" gives a history of Marshall's life through approximately his first forty years. He writes: "As at present I have nothing more profitable to do I shall endeavour to give a description of some parts of my life which otherwise might roll away into oblivion when I am forgotten myself. I am now at the noontide of life and full three quarters of that time have been spent in the service of daddy Neptune. And one half at least has been expended in ploughing up his blue and poetic fields; on board of different ships under different commanders and different employs. And to sum the whole in a small space I can say I have served in vessels from a clam boat to a seventy-four, have been in all capacities in the merchant service, from cook to Captain...." Marshall follows with a lengthy narration, some thirty- seven folio pages long, recounting his adventures at sea. This volume is also filled with marvelous and accomplished illustrations, most of them colored. Foremost is a dramatic colored illustration of a whale hunt, with blood spurting from the whale's blowhole. There is also a dramatic colored illustration of the wreck of the Steamer Independence at Margarita Island off the coast of Venezuela on February 16, 1853. Other views include Sugar Loaf Mountain at Rio de Janeiro, Praya Grande in Brazil, a view of the east side of Maunganui Bay in New Zealand, Payta in Peru, Capetown, three views of Tahiti, three views of Valparaiso, as well as views of Madagascar, Marshall's island, Callao, and illustrations of naval flags of various nations. In the United States there are illustrations of Niagara Falls, Connecticut and Long Island, sailing ships, the Bunker Hill Monument, Stratford Harbor, a view of Sutter's Fort in California, and a drawing of "Culloma" showing the area near Sutter's Fort where James Marshall discovered gold in January 1848. 3) Bound folio volume, including sailing rules and regulations, poetry, journals, and tales. [135]pp. total, including twenty-eight illustrations, most of them full- page. The text of this volume includes directions for keeping a sailing log, instructions on how to polish brightwork, an essay written "At Sea" in October 1856 describing a near- violent encounter between the "suspected privateer America" and a British ship, and another essay regarding life on board a privateer. Twelve pages of manuscript (accompanied by several illustrations) give an account of a few weeks of Marshall's experiences in the summer of 1856 on board the U.S.S. Savannah at Rio de Janeiro. There is also an essay on the Sandwich Islands and the missionaries there, and Marshall's assessment of what he sees as their hypocritical views. Illustrations include Arctic scenes, a view of Trinidad, illustrations off the coast of Brazil, views around Connecticut, and more. 4) Manuscript on loose folio sheets of ruled paper. 47pp. Plus a full-page colored illustrations of a sailor. The first page of the manuscript is datelined: "On board U.S. Ship 'Lampero' River Mississippi Nov. 19, 1862." Other entries are dated February 9th and 25th, 1863. Marshall's essay is a long, rambling disquisition on American history up to that point, the causes of the outbreak of the Civil War and the morality of the argument on both sides of the conflict. While not espousing particular pro-slavery views, he heaps scorn on Northern Abolitionists for bringing the Union to a state of Civil War. For Marshall, the abolitionists are of a piece with temperance advocates and other moralists, and he holds no sympathy for them: "The determination of the Abolitionists, Temperance, and other fanatics to prosecute the present contest to extermination of all who oppose them, the tremendous debt which they have imposed upon the country and suicidal and foolish transactions in Army & Navy have at length aroused the Sons of the States west of the Mississippi, and ere long we shall without doubt hear that they too have seceded and left poor Yankeedom in possession of all the glory." 5) Small sketchbook of tied-together leaves (not bound), containing text and pencil illustrations on a total of [117]pp. 6) Small sketchbook of tied-together leaves (not bound), containing text and pencil illustrations on a total of [22]pp. This sketchbook and the one before it include manuscript text and pencil illustrations, including sketches and details of faces, architectural ornaments, ships, cannons and weapons, navigational tools, landscapes, etc. The text is mostly comprised of poetry and anonymous letters. An outstanding collection of illustrated travel manuscripts from an American sailor who was a talented artist, and who was also possessed of a fertile and imaginative mind. Through his art, prose, and poetry, David Marshall, a.k.a. "Wicked Ned," provides us with an enthralling view of his life and the world. http://blogs.princeton.edu/graphicarts/2009/07/drawn_by_wic ked_ned.html

      [Bookseller: William Reese Company - Americana]
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        Die kaiserlich königliche österreichische Marine im Oriente. Geschichtlicher Rückblick auf das Jahr 1840.

      Wien, P. P. Mechitaristen, 1845.. 64 pp. Original printed wrappers. 8vo.. Caesar Vimercati describes his experiences on board of "La Guerriera" during the year 1840 and provides descriptions of Constantinople, Alexandria, Beirut, Saida, Acre, etc. Austrian warships had their first military encounters during the Oriental Crisis of 1840 as a part of a British-led fleet which ousted the Viceroy of Egypt, Muhammad Ali, from Ottoman Syria. Archduke Friedrich took part in the campaign personally and was awarded the Military Order of Maria Theresa for his exceptional leadership: "Es ist allgemein bekannt, daß um diese Zeit, und zwar genau am 15. Juli zu London eine Uebereinkunft zwischen den Repräsentanten der vier Großmächte England, Rußland, Preußen und Oesterreich geschlossen worden war, welche die Bezwingung der maßlosen Eroberungssucht Mehemed Ali's zum Zwecke hatte [ ] ". - Wrappers slightly dust-soiled, brownstaining to paper throughout, otherwise a good copy. - OCLC 797734900.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Album von Kissingen, Bocklet und Brückenau. In Stahlstichen nach Original-Zeichnungen.

      Kissingen und Frankfurt, Jügel, 1845.. Querformat 20 x 28 cm. Farbiges Titelblatt und 29 Stahlstichtafeln (vollständig). Orig.-Halbleinenband mit Deckeltitel.. *Schönes Album mit malerischen Ansichten von Bad Kissingen, seinen Quellen und Thermaleinrichtungen sowie seiner Umgebung Brückenau Bocklet, Frimberg, Aschach, Saline etc. Die Anzahl der enthaltenen Tafeln variiert: Engelmann (No. 613) verzeichnet 26 Ansichten; im Handel sind Exemplare mit 24 bis 30 Tafeln bekannt. - Das Glanzpapier der Einbanddeckel ist fleckig und berieben, innen gut erhalten, die Tafeln meist nur an den Rändern etwas gebräunt.

      [Bookseller: Antiquariat Braun]
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        THE TRADITIONAL TALES OF LITTLE RED RIDING HOOD BEAUTY AND THE BEAST & JACK AND THE BEAN STALK. Illustrated by eminent Modern Artists, & Edited by Felix Summerly.

      23; iv, 35; 32pp. Illustrated with 12 finely hand-coloured lithographs. Original blind-stamped decorative cloth, gilt. All edges gilt.Small quarto. First edition thus. Front endpaper badly water-stained, and some water-staining to the blank recto of the frontispiece and lower blank margins here & there throughout. Hinges cracked; extremities a little worn. Else a very good copy of an extremely scarce Cundall title. This collection only known by an advert to McLean. See page 56.

      [Bookseller: David Miles]
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        FOLK ART FRIENDSHIP ALBUM. Contains 14 Woven Hair Mementos with Many Paper Cut Hearts. This album belonged to Miss Olive Rigby of Chenango River Valley of New York

      ca. 1845. CHENANGO RIVER VALLEY. A wonderful little handmade book with FOLK ART AND BRAIDED HAIR SAMPLES collected by Miss Olive Rigby with love and gratitude from her friends and relatives. These include Betsy A. Rigby, David Rigby, Jay Rigby, Eliza Leach, Susan Dayton, Altal M. Hodge, Martha A. Chapin, Susan E. Hollenbeck, Lucretia Leach, Chalets Leach, Mary E. Chapman, Jane Adelia Robinson and David Hodge. 34 leaves, circa 1845, some loose pages, 16mo. [4" x 3"]. Good condition. . 16mo., (34 leaves) .

      [Bookseller: Riverow Bookshop, INC ABAA]
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        The Dominions of the Pope and the Sultan; or, impressions of travel, and observations of character, in the Roman states and Turkey.

      London Madden and Malcolm n.d - 8vo., 2 volumes in 1, engraved frontispiece, 4 engraved plates, original blindstamped blue cloth gilt, all edges gilt, rebacked preserving spine, new endpapers. Originally published as "The Tiara and the Turban" in 1845. Hill was a professional travel writer who produced accounts of Mexico, Peru, the Islands of the South Pacific, the Baltic, Egypt, Syria, etc. [Attributes: Hard Cover]

      [Bookseller: Shapero Rare Books]
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        Prisons and Prisoners

      London, 1845. First Edition. Orig. publisher's cloth. A near fine copy. 8vo., There is a frontis., tinted plate, fldg. plan. A important early Victorian survey of the British prison system written during a period of upheavel with regard to prison reform in the UK and in America. The author had travelled extensively in America and is well informed about the reform movement and realities of American penology. He includes a chapter that is severely critical of the Dickens' views of the American model prison experiment he visited in Philadelphia. The balance of the book is given over to discussing criminality (with constant reference to insanity) and the architecture and construction of model prisons (the fldg. plan is of Pentonville). The frontis. to the book is a humorous view of Newgate rendered by Cruikshank. Cumming, p. 32; Cohen, Cruikshank, # 6.

      [Bookseller: Palinurus Antiquarian Books ]
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        Narrative of the United States Exploring Expedition. During the Years 1838, 1839, 1840, 1841, 1842.

      Philadelphia: Lea & Blanchard, 1845. - 5 text volumes and 1 atlas volume. Imperial 8vo., signed in 4's, (11 ½ x 7 ¾ inches). Half titles. 5 fine folding lithographed maps on banknote paper, one with original hand color (some separation along folds, one or two short marginal tears, some browning and offsetting); frontispiece maps in volumes IV and V, 7 double-page engraved maps, engraved frontispieces, 61 engraved plates, numerous in-text illustrations (pale staining to upper margin of a few plates). Original brown publisher's cloth, decorated in blind and lettered in gilt, the smooth spines with gilt vignettes (rebacked to style, preserving most of the original spines, a few pale stains). Provenance: Christie's Sale 1820: The Frank S. Streeter Library: Important Navigation, Pacific Voyages, Cartography, Science; 16 - 17 April 2007. First trade edition. "THE UNITED STATES EQUIVALENT TO THE VOYAGES OF JAMES COOK, JEAN FRANCOIS GALAUP DE LAPEROUSE, ALEJANDRO MALASPINA, AND IVAN FEDOROVICH KRUZENSHTERN FOR ENGLAND, FRANCE, SPAIN, AND RUSSIA, AND THE MARITIME EQUIVALENT OF LEWIS AND CLARK" (W. Michael Mathes). The third overall edition: Haskell's "unofficial issue" 2B, limited to 1,000 copies. Preceded only by the official government edition, published in 1844 and limited to 100 copies, and the unofficial edition, published by Lea and Blanchard in 1845 and limited to 150 copies. The large maps in the atlas are: "Chart of the World Shewing the Tracks of the U.S. Exploring Expedition in 1838, 39, 40, 41 & 42. Charles Wilkes Esq. Commander," engraved by Sherman & Smith N.Y. A fine map following Mercator's projection, showing winds and currents, the tracks of the ships Vincennes, Peacock, Porpoise, Flying Fish, Oregon, and Relief. "Chart of the Antarctic Continent Shewing the Icy Barrier Attached to it. Discovered by the U.S. Ex. Ex. Charles Wilkes. Esq, Commander 1840," engraved by Sherman & Smith, N.Y. A fine map with Victoria (Australia) and Van Dieman's Land shaded in, showing the tracks of the ships Vincennes, Peacock, Porpoise, and Flying Fish along the coast of Antarctica, with five profile views of the Antarctic continent. "Chart of the Viti Group or Feejee Islands by the U.S. Ex. Ex. Charles Wilkes Esq. Commander 1840," engraved by Sherman & Smith, N.Y. A very detailed chart of the islands. "Map of the Oregon Territory by the U.S. Ex. Ex. Charles Wilkes Esqr. Commander. 1841," engraved by J. H. Young & Sherman & Smith, N.Y. A magnificent map (reduced in size for the later editions) with an inset of the "Columbia River Reduced from a Survey Made by the U.S. Ex. Ex. 1841" showing the area of Oregon Territory as claimed by the United States, extending well north of Vancouver, west from the Black Hills, north to just above the fifty-third parallel, and south to Cape Mendocino. This is the "first official [U.S.] chart of any portion of the West Coast and covers the coast from Cape Mendocino to Queen Charlotte Islands. The inset of the Columbia River includes geography extending as far as Walla Walla. It is a handsome map printed on imported paper from copperplates purchased in France from the Depot de la Marine. The engravers themselves were European craftsmen who not only executed the work, but also trained the American apprentices, including the artist James McNeill Whistler, who served as an engraver on the Coast Survey and learned his craft from those who engraved the Wilkes charts" (Cohen, Mapping the West, pp. 120-122). "Map of Part of the Island of Hawaii Sandwich Islands Shewing the Craters and Eruption of May and June 1840. By the U.S. Ex. Ex. 1841," engraved by Sherman & Smith, Sc. N.Y. Showing the area from Hilo to the top of Mauna Loa. Wilke's celebrated circumnavigation explored extensively the coast of South America, the South Seas, Antarctica, California and the Northwest. Departing in August 1838, Wilkes rounded Cape Horn; crossed the Pacific surveying, charting, and exploring the Tuamotus, Tahiti, and Samoa; and reached Sydney, Australia, in November 18 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Arader Galleries]
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        GRANDMAMMA EASY'S WONDERS OF A TOY - SHOP.

      London, Dean & Co., Theadneedle Street, circa 1845.Dated from imprint circa 1845, 240 x 165 mm, 9¼ x 6½ inches, cream paper wraps, illustrated and decorated black, publisher's adverts to lower cover. 7 pages only of 8 including insides of covers, LACKING IS PAGE 5, pages 2 to 7 printed one side only, pages 1 and 8 pasted as issued to insides of covers. Page 5 supplied in coloured facsimile printed on mid 19th century paper. of 8 very good large bold striking illustrations, each with original partial hand colouring. The first shows the outside of the London Toy Warehouse, children looking in the window and the owner calling them in; the rest show the the inside of the shop,with a huge array of wonderful toys, books by Dean & Co, and the children having great fun. Above and below each illustration is a 4 line verse on the toys. The book which is well used has been restored long ago by a careful parent, the spine neatly rebacked with blue cloth, upper cover has tiny chips to part of fore - edge and part of upper edge, no loss of print, small tear to lower inner margins neatly repaired, margins lightly soiled, small neat repair to background of image 6 on verso, a few large tears to final page now with neat modern repairs, a little untidy looking on lower cover where the repairs are more obvious, loss of only 2 words in the adverts. A defective copy of a delightful ephemeral scarce children's book (1 page in facsimile as noted). See Osborne Volume II, page 641, (second leaf missing, 3 leaves mutilated). Two copies only located in UK both in the Opie collection, 1 of which appears to lack upper cover. MORE IMAGES ATTACHED TO THIS LISTING.

      [Bookseller: Roger Middleton P.B.F.A.]
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        Set of 5 volumes of ?History of the Great Reformation? from Millard Fillmore?s Library ? each signed and dated by Fillmore ? adding the date he had all five books rebound!

      Collection of Volumes I, II, III, IV, and V of ?History of the Great Reformation of the Sixteenth Century in Germany, Switzerland &c.? by J.H. Merle D?Aubigné. 299pp, 400pp, 504pp, 480pp, and 518pp respectively, each 4.25? x 7?. New York: Robert Carter & Brothers, 1845, 1843, 1843, 1846, and 1853 respectively. Three title pages are foxed. The joint on Volume III, split at the front inside hinge, has been repaired at the spine. Various foxing. Good condition.Fillmore has penned on each title page ?Millard Fillmore / March 26, 1857 / J-5 / Rebound April 16, 1860.? He has crossed out the location of each book on his book shelf in pencil, replacing J-5 with ?G-1?. Fillmore had each book attractively rebound in black morocco over olive green boards, spines in compartments with four raised tooled bands, lettered in gilt ?D?Aubigne?s / Reformation? and volume number in Roman numerals in two compartments. Spine and cover edges and corners rubbed. Each book has feather-pattern mar

      [Bookseller: University Archives]
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        Le Diable à Paris. Paris et les Parisiens.

      First edition. 2 vols. Paris: J. Hetzel 1845-1846. With 212 illustr. and numerous vignettes. XXXII + 380; LXXX + 363 pp. Contp. green half morocco over marbled boards, spines richly gilt in compartments, top edge gilt; internally clean

      [Bookseller: Peter Grosells Antikvariat]
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        Theologische Ethik. Von Richard Rothe. Erste Auflage, alle 3 Bände ( 1845/1845/1848) Zimmermannsche Buchhandlung Wittenberg,

      Zimmermann'sche Buchhandlung, 1845 - 1848. - XVI, 430 Seiten, IV, 485 Seiten, 3 Blatt Berichtigungen, VIII 1125 Seiten Zustand : Bd.1 - Rückenbezug ( oberflächlich) stärker berieben, der hintere Deckel unten beschabt, Buchblock fest, Gelenke intakt, die überwiegend ersten und letzten Seiten teils altersfleckig, selten stärker altersfleckig ohne Textverlust. Sonst schön textsauber, gelegentlich altersfleckig, altersübliche Bräunungen , gelegentlich sehr feine Bleistiftunterstreichungen. Bd. 2 - Ecken Kanten bestoßen, leicht a. Rücken berieben, Deckel geringf. beschabt, Block und Gelenke intakt, gelegentlich Altersbräunungen - selten stärker - ohne Textverlust o.ä. Band 3 : etwas bestoßen berieben, gelegentlich meist am Blattrand etwas altersfleckig. Gelenke und Block intakt. Selten sehr schwache Bleistiftunterstreichungen 176 International shipping air mail: 3.50 euros to 500 grams. 7 Euros to 1000 grams. Books about 1000 grams individually Sprache: de Gewicht in Gramm: 2500 Orig. Pappbände der Zeit mit Rückentitel [Attributes: First Edition]

      [Bookseller: Versandhandel Rosemarie Wassmann]
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        Le Diable a Paris. Paris et les Parisiens.

      . First edition. 2 vols. Paris: J. Hetzel 1845-1846. With 212 illustr. and numerous vignettes. XXXII + 380; LXXX + 363 pp. Contp. green half morocco over marbled boards, spines richly gilt in compartments, top edge gilt; internally clean..

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        Report of the Exploring Expedition to the Rocky Mountains in the Year 1842, and to Oregon and North California in the Years 1843-'44. 28th Congress, 2d Session, [174].

      Washington: Gales and Seaton, 1845. - 8vo., (9 ¼ x 6 inches). (A bit spotted throughout). Large folding lithographed "Map of an Exploring Expedition to the Rocky Mountains in the year 1842 and to Oregon & North California in the years 1843-1844" by Charles Preuss, hand-colored in outline, in rear pocket (evenly browned, one or two short tears at folds); 2 folding lithographed maps; 2 full-page lithographed maps; 22 lithographed plates (a bit spotted). Original publisher's brown cloth, decorated in blind to both covers, the smooth spine in five blind-ruled compartments, gilt-lettered in one and the rest stamped in blind (rebacked, preserving most of the original spine). Provenance: Contemporary manuscript ownership inscription of William L. C. Pennington, a private in the Union Army during the Civil War, to rear pastedown; bookplate of Willard S. Morse (1856-1935) to front pastedown. First edition. Senate issue, with the astronomical and meteorological observations omitted from the House issue and subsequent editions. Fremont's report, written with the help of his wife Jessie Benton, and map "changed the entire picture of the West [and] represented as important a step forward from the earlier western maps of the period as did those of Pike, Long, and Lewis and Clark in their day. [Fremont's map] represented trustworthy direct observation, a new, welcome, and long overdue development in the myth-encrusted cartography of the West. To Fremont and his magnificent map of his Second Expedition all praise. An altogether memorable document in the cartographic history of the West, and for it alone Fremont would deserve to be remembered in history. This map marked not only the end but the beginning of an era" (Wheat). In 1842 Fremont was commissioned to head "a 25-man, four-month expedition to survey and map the region of the emerging Oregon Trail through South Pass on the Continental Divide. A Report of an Exploration . . . between the Missouri River and the Rocky Mountains . . . (1843), the lively, factually detailed government report that Frémont and his wife produced after the journey caught the public imagination: images of Frémont's guide, the then little-known Christopher 'Kit' Carson, riding bareback across the prairie, and Frémont himself, raising a flag on a Rocky Mountain peak, entered the national mythology. "In 1843 Frémont set out on a far more ambitious journey to the Oregon region. Disregarding government orders to return by the same route, he went south to Nevada and, in a dangerous midwinter journey, over the snow-covered Sierra Nevada into Mexican-held California. By the time the expedition returned east across the southern rim of what Frémont defined as the Great Basin, they had completed a bold fourteen-month circuit of the West, traveling 6,475 miles by their own calculations. The Frémonts' account of the journey, A Report of the Exploring Expedition to Oregon and California . . . (1845), enthralled the nation. Skillfully combining adventure, scientific data, and detailed practical information for emigrants, supplemented by a valuable map prepared by expedition cartographer Charles Preuss, it was "monumental in its breadth - a classic of exploring literature" (William H. Goetzmann, Exploration and Empire [1966], p. 248). Powerful propaganda, it stirred Americans to head west, guided, as pioneer Sarah Royce stated, "only by the light of Frémont's Travels" (Pamela Herr for ANB online). Cohen Mapping the West pp.130-133; Field 565; Graff 1436; Howes F-370; Sabin 25845; Streeter sale VI:3131; Wagner-Camp-Becker 115. For more information about this book, or a warm welcome to see it and other books in our library at 72nd Street, NYC, please contact Megan Scauri, M.A., M.L.S., in the Rare Book Department. Bookseller Inventory #72MMS124. [Attributes: First Edition; Hard Cover]

      [Bookseller: Arader Galleries]
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        LE DIABLE A PARIS - PARIS ET LES PARISIENS - MOEURS ET COSTUMES, CARACTERES ET PORTRAITS DES HABITANTS DE PARIS, TABLEAU COMPLET DE LEUR VIE PRIVEE, PUBLIQUE, POLITIQUE, ARTISTIQUE, LITTERAIRE, INDUSTRIELLE, ETC. ETC

      Paris: Publie par J. Hetzel, 1845-6.. Two volumes. Thick quarto. 19th century three quarter crimson morocco, raised bands, spines gilt extra, t.e.g. Profusely illustrated with plates and vignettes in text, the large majority being after drawings by Gavarni. Very shallow snag at crown of one spine, light occasional rubbing at edges, otherwise a large, generally clean, largely untrimmed set. First editions of this ambitious undertaking, featuring contributions by Balzac, Sue, Sand, Stendahl, Musset, Nodier, Gautier, Nerval, and many others, preceded by a general history of the city by Theophile Lavallee. The over two hundred wood-engraved plates are based on Gavarni's drawings, and Ray lauds them as being "of even greater interest than the 320 wood engravings of his OEUVRES CHOISIES...The engraving is superior for the most part, and they are new conceptions, not versions of his lithographs...His designs make LE DIABLE A PARIS the culmination of the Romantic tradition of DIABLERIE, which began with the lithographic albums of the 1820s. It is also the last of the big books of collaborative illustration." RAY 236. CARTERET III:203-7.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Collected volume of 4 titles: 1. Lykkens Blomst. Eventyr-Comedie i to Acter, Musiken af Syngmester Rung. 2. Kunstens Dannevirke. Forspil ved det kongelige danske Theaters hundredeaars Fest 1848. 3. Den nye Berselstue. Originalt Lystspil i een Act. 4. Hyldemoer. Phantasiespil i een Act

      Kjöbenhavn, C.A. Reitzel, 1845, 1848, 1850, 1851.. 79/22/46/90 pages 16,5 cm, half leather, edges a little bit foxy, bumbed corners, stamps on title pages: "C.A. Reitzel", ex libris "Marius Nielsen" gest v. Johannes Britze, well bound and good condition overall. BR19F3

      [Bookseller: Versandantiquariat Karl Heinz Schmitz]
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        An original design for porcelain

      [Paris 1845 - Pen, ink, and watercolour. Very good condition apart from some overall light soiling. A rare example of an original watercolour design for porcelain, by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work, using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson (b. Paris, 1810; d. Paris, 1891) at 7, Rue Vendôme (later Rue Béranger) in Paris. The intention of the firm was to reproduce ceramics from museums and private collections, and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864, the factory was moved to Montreuil by Samson's son, Emile Samson (1837-1913). The range of wares included copies of 18th-century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience." ( Grove Dictionary of Art ).

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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