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Displayed below are some selected recent viaLibri matches for books published in 1842

        Opere. Vol. I - Filosofia della politica Vol. II-V - Ideologia e logica Vol. VI-VIII - Prose ecclesiastice Vol. IX-XII - Opere di filosofia morale

      Batelli 1842-1844, Napoli - Tasselli di collocazione alla base dei dorsi n.d. p. 12 voll in-8 m.pelle coeva titoli e fregi oro ai dorsi

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        Uebersicht-Tabelle des Grundrisses der freyen Hansestadt Hamburg in alphabetischer Ordnung. Die Namen, mit rothen Strichen bezeichnet, sind theils ganz, theils halb durch den grossen Brand vom 3. bis 8. May 1842 zerstört worden. Lithographie.

      - Großformatiges Blatt ohne nähere Angaben zum Lithographen oder Verlag, um 1842 erschienen. Am linken und rechten Außenrand mit 22 Vignetten der zerstörten Gebäude, mittig die minutiöse Aufzählung von ( bei roter Unterstreichung dem Hamburger Brand zum Opfer gefallen ): Strassen, Brücken, ehemaligen Bastionen, Tore / Haupt- und Nebenkirchen / Öffentliche Gebäude / Wohltätige Stiftungen / Bildungsanstalten / Mühlen / Wasserkünste / Badeanstalten / Spritzenhäuser / Posthäuser / Fußpost / Gasthöfe / Vergnügungsorte / Militärgebäude. Die Vignetten am Bildaußenrand zeigen 20 kleine Ansichten der wichtigsten zerstörten Gebäude wie der Petrikirche, Börse, Zucht- Werk und Armenhaus, Nicolaikirche, Gertrudenkapelle, Börse, Eimbeck`sche Haus, Die Bank, Portugiesisch-Israelitische Synagoge, Detentionshaus, Smith`s Trinkwasserleitung, Spinnhaus - aber auch handelnde Personen wie: Tambour ( Feueralarm ) - Wagen mit Munition zum Sprengen - Feuerbeamte - Patrouillen - Rohrleiter - Spritzenleute - Bürgergardist. Blattgröße: 43 x 55,5 cm, mittig gefalzt. Das Blatt leicht gebräunt, leicht fleckig bzw. gering finger- und stockfleckig, etwas angeknickt ( Ecken teils stärker angeknickt ) ( Pic erhältlich // webimage available )

      [Bookseller: Antiquariat Friederichsen]
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        La Guienne historique et monumentale,

      Imprimerie de P. Coudert, Bordeaux, 1842 - -1844, 4 tomes reliés en 2 forts volumes in-4, reliure demi-chagrin vert foncé, plats percaline, dos lisse orné de filets dorés et à froid, bon état, à l' intérieur quelques rousseurs sur les gravures et les serpentes, une mouillure marginale atteignant les 10 derniers feuillets des deux volumes. Ouvrage illustré de 286 gravures en hors-texte, lithographiées, dont 5 en couleurs, représentant des hommes célèbres, ainsi que les principaux monuments, paysages et châteaux de la Gironde, Dordogne, Lot-et-Garonne, Gers, Landes. Bon exemplaire, Edition originale.

      [Bookseller: Nicole Perray]
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        Natural History of the Insects of India, containing upwards of two hundred and twenty figures and descriptions.

      - A new edition by J.O. Westwood. London, Henry G. Bohn, 1842. 4to (300 x 240mm). pp. vi, 102, with 58 fine handcoloured engraved plates. Contemporary red half morocco, spine in 6 compartments with gilt insect ornaments (skilful repair to hinges). A fine copy of the most beautiful work on the insects of India. The first edition was published in 1800. The superb handcoloured plates capture the metallic brilliance and iridescence of the exotic insects. Most of the plates depict butterflies together with exotic plants. Edward Donovan (1768-1837) published various zoological and entomological works. He owned one of the most extensive natural history collections of his time, housed in his private museum, the well-known London Museum and Institute of Natural History." . the paint is laid on so thickly that it is frequently impossible to see the engraved lines underneath. The already rich colouring is heightened by the addition of burnished highlights, albumen overglazes and metallic paints to give an overall effect reminiscent of the work of a miniaturist. Surprisingly, these techniques often combined to produce a very pleasing and delicate effect: the multiple ruses of the colourist triumph over the draughtsman's numerous failures. Donovan overreached himself and died penniless ." (Dance, 'Art of Natural History' p. 87). One plate with small marginal repair.The 'Insects of India' is the first illustrated publication dealing with the entomology of India.Nissen ZBI, 1143. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariaat Junk]
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        Autograph letter signed.

      Dresden, 20. IX. 1842. - Large 4to. 1 p. To an undisclosed recipient, i. e. Karl Theodor von Küstner (1784-1864), director of the court theatre at Berlin, on the proposed world premiere of "Der Fliegende Holländer" ("The Flying Dutchman"), which was accepted for staging by Küstner's predecessor Count Redern by recommendation of Giacomo Meyerbeer. Since Redern and Küstner had both omitted to give a concrete date for staging, Wagner is now asking Küstner to tell him the current state of affairs. Moreover, he informs him that his "Rienzi" will be staged at Dresden within the next month, and invites him to visit the performance in case that he stays at Dresden at that time. - One month after this letter, Wagner was celebrating the premiere of "Rienzi" at the Dresden Court Theatre (20 October), one of his first major successful premieres. The "Flying Dutchman" was also first staged in Dresden (January 2, 1843) under his direction. - Stromger damage to edges. WBV 271. Sämtliche Briefe Vol. 2, No. 23.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        The Waverley Novels.

      Edinburgh: Robert Cadell and London: Houlston & Stoneman. -47 1842 - 12 vols. Large 8vo. (25.5 x 17.5 cm.). Contemporary half green morocco, spines richly gilt, marbled boards, endpapers and edges. Minor crack to upper joint of Vol.6, generally a very good set. Profusely illustrated throughout with full page steel engraved illustrations after Stanfield et al. plus numerous woodcut illustrations. [Attributes: Hard Cover]

      [Bookseller: Robert Frew Ltd. ABA ILAB]
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        PEHRISKA-RUHPA. MOENNITARRI WARRIOR IN THE COSTUME OF THE DOG DANSE. [Tab. 23]

      Paris, Coblenz & London, 1842. Sheet size: 23 1/2 x 17 1/2 inches. Very good. Perhaps the greatest image to emerge from the picturing of the American West, and certainly Bodmer's most famous, this highly-charged portrait of Péhriska-Rúhpa ("Two Ravens") presents the warrior and chief of the Hidatsa in way that encapsulates the vanished era of the Plains Indian. A very rare example with original hand coloring. The portrait has a great sense of immediacy, intensity, of noise and movement; a moment in time is captured, when we look away the Dog Dance continues. Péhriska-Rúhpa dances in his regalia as a principal leader of the Dog Society of his village. The white tips on the glossy black feathers of the headdress indicate the attachment of a tiny down feather to the point of each plume, the central vertical plume is painted red. Dyed horse hair floats from colored sticks attached to the shafts of the turkey feathers. All this will shortly be in motion again as the dancer resumes his movement to the cadence of drum and the rattle (made of small hooves or dewclaws attached to a beaded stick) held in his right hand. The Dog Society was one of seven such societies amongst the men of the Mandan and Hidatsa Tribes. They were one of the main tenets by which Hidatsa society was lived: as an individual progressed through life it was necessary for him to purchase his entry into successive societies, starting with "the foolish dogs" at about ten to fifteen years of age and graduating to the society of the black- tailed deer for men over fifty. The Dog Society was the fourth of these progressions. Each society had a set number of members, so that an individual from a lower society could only buy entry to the higher society if there was a member of that society who was himself ready to move to the society above his. They all had individual rules, rituals, dances, and regalia. All this information was carefully recorded by Prince Maximilian during the travellers' winter stop-over at Fort Clark in 1833-34. This portrait, Bodmer's masterpiece, was painted in March 1834 towards the end of this stay. Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian's servant and hunting companion), their travels in North America were to last from 1832 to 1834. Well-armed with information and advice, the party finally left St. Louis, on the most important stage of their travels, aboard the steamer Yellow Stone on April 10, 1833. They proceeded up the treacherous Missouri River along the line of forts established by the American Fur Company. At Bellevue they encountered their first Indians, then went on to make contact with the Sioux tribe, learning of and recording their little known ceremonial dances and powerful pride and dignity. Transferring from the Yellow Stone to another steamer, the Assiniboin, they continued to Fort Clark, visiting there the Mandan, Mintari and Crow tribes, then the Assiniboins at Fort Union, the main base of the American Fur Company. On a necessarily much smaller vessel they journeyed through the extraordinary geological scenery of that section of the Missouri to Fort Mackenzie in Montana, establishing a cautious friendship with the fearsome Blackfeet. From this, the westernmost point reached, it was considered too dangerous to continue and the return journey downstream began. The winter brought its own difficulties and discomforts, but Bodmer was still able to execute numerous studies of villages, dances and especially the people, who were often both intrigued and delighted by his work. Bodmer's portraits are particularly notable for their capturing of individual personalities, as well as forming a primary account of what was to become virtually lost cultures.

      [Bookseller: William Reese Company - Americana]
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        HISTORY OF THE ORDERS OF KNIGHTHOOD OF THE BRITISH EMPIRE

      London: John Hunter 1842 1st ed., 1842. Complete four-volume set. Illustrated with 26 color chromo-lithographic plates depicting various awards of chivalry. Folio: each volume measures 11x14 inches and is one-inch thick. Bound in half leather and pebbled cloth boards. Ex-libris with shelf numbers inked on spine and oval library stamp on interior blank prelims; books did not circulate and they show little shelf wear. Books also contain siganture and name stamp of a former owner prior to the library. Plates are clean and bright without foxing. Slight chipping to crown of spine on Vol. IV; bindings firm and tight. Overall a nice clean set in very good condition.

      [Bookseller: Kubik Fine Books Ltd, ABAA]
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        A Series of Original Portraits and Caricature Etchings. With Biographical Sketches and Anecdotes. Two volumes bound in four

      Edinburgh: Hugh Paton 1842. In four volumes. Second printing. 216; 217-430, iv, ix; 276; 277-472, viii, iv, xi pp. Original publisher's blind and gilt-stamped cloth. Spines uniformly faded but gilt bright. Minor marks and rubbing to boards. Occasional light foxing. Numerous full page etchings, some folding, by John Kay, caricaturist, engraver and miniature painter. With 357 of 358 etchings (lacks CXI in volume 1). Bindings firm. Uncommon in original cloth. A Very Good set. . Very Good. Blind-stamped Cloth. Second Printing. 1842. Tall 8vo..

      [Bookseller: Fosters' Bookshop]
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        Handbuch der pathologischen Anatomie. 3 Bde.

      - Wien, Wilhelm Braumüller, 1842-46, 8°, (8), 572; XIV, (2), 882; XIV, (2), 632 pp; 2 Halblederbände der Zeit und 1 Halblederband im Stil der Zeit; minimal fleckig, feines Exempplar. First Edition - Vol.1 (first Issue); Vol. 2 (first issue) and Vol. 3 (second issue "Zweiter unveränderter Abdruck")! - - Carl, Freiherr von Rokitansky (1804-1878) "ranks with Morgagni as among the greatest of all writers on gross pathology. He is said to have performed over 30.000 autopsies himself. His "Handbuch' was for many years pre-eminent among its contemporaries." '"Vol. 1 of the first edition was published last; vol. 3 was published first." - - "Vol. 3 (1842), p.313: Rokitansky's classic description of the pathological picture of acute yellow atrophy of the Liver. Rokitansky named the disease; it has also been called 'Rokitansky's diseases'." - - Seltene Erste Ausgabe, der dritte Band "Zweiter unver?nderter Abdruck" aus dem Jahr der Erstausgabe, dieses klassischen Werkes, von dem Virchow am Jahrhundertende schrieben sollte "daß es sich als das eigentliche Fundament der praktischen Medizin" erwies. 1842 erschien als erster Band der 3.Bd. "Handbuch der speciellen pathologischen Anatomie, II: Enthaltend : Die Abnormitäten des Respirations-, des Digestions-, des Harn- und Geschlechts-Apparates", 1844 folgte der 2.Bd. "Handbuch der speciellen pathologischen Anatomie, I: Enthaltend : Die Abnormitäten des Zellgewebes, der serösen und Schleim-Häute im Allgemeinen, der äusseren Haut, des fibrösen, des Knochen-, Muskel-, Gefässe- und Nerven-Systemes", und 1846 erschien der 1.Bd. "Handbuch der allgemeinen pathologischen Anatomie". - - Garrison & Morton No.2293,3618; Norman Libr. 1845; Heirs of Hippocrates 1658. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiq. F.-D. Söhn - Medicusbooks.Com]
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        The Customs House.

      London 1842 - Tinted Lithograph. Dimensions: 52.5 x 36 cm. Abbey Scenery 239 From 'London as it is'.

      [Bookseller: Shapero Rare Books]
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        THE PORTS, HARBOURS, WATERING-PLACES, AND COAST SCENERY OF GREAT BRITAIN.

      THE PORTS, HARBOURS, WATERING-PLACES, AND COAST SCENERY OF GREAT BRITAIN.  William Beattie.  Lon:  George Virtue, 1842, two volumes, 190/155 pp.***  The sub-title is as follows ?" Illustrated by Views taken on the Spot, by W. H. Bartlett. ***  With extensive historical and descriptive commentaries on landscapes, architectural wonders, engineering marvels, lighthouses, ships, etc.  An excellent source of information on what a traveller saw who toured Great Britain in the mid 19th. century. *** Volume 1 has an engraved frontis. portrait of Queen Victoria, an illustrated title page, and sixty-four engraved plates.  Volume 2 has an engraved frontis. scene of Mary-Port Pier, an illustrated title page, and fifty-five engraved plates. ***  Bound in ¾ black calf and marbled paper boards.  Each spine has four raised bands, blind stamped decoration in compartments, two labels with gilt lettering.  The covers have wear on edges, moderate soil, joints partially cracked.  Marbled page edges and end papers.  The contents are clean and complete in a good binding. ***  11 inches tall by 8.5 inches

      [Bookseller: The Sangre Book Company]
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        CHOJU RYAKUGA SHIKI: CURSIVE METHODS OF DRAWING OF BIRDS ANDANIMALS. Alternate title: "SIMPLE WAY OF SKETCHING ANIMALS & BIRDS"

      A NAIVE AND INNOCENT WORK, DRAWN WITH TENDERNESS AND CARE [Edo 1842 - Suwaraya]. Stitched brown wrs., very good example,48 double leaves + collophon page, ie 95 pages of color woodcut illustrations, 25.5 x 18 cm., replacement covers & titleslip, minor thumbing on lower corner, else clean, solid.RARE Color scans available for this book on request. Description content 2015Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Souvenirblatt.

      - Lithographie n. u. v. Hermann Rudolph b. Kersting in Hann.- Münden, um 1842, 42 x 55,5 Fiedler, Münden im Bild der Jahrhunderte, S.102 ff. Dort als Quodlibet 1 bezeichnet. Das Mittelbild zeigt "Münden von der Ostseite" (23 x 33 cm.) und ist umgeben von 16 Randansichten. Sie zeigen die St. Blasiuskirche, Werrabrücke, Andrees Berggarten, Unteres Tor, Meyers Werder, Schützenhaus, Oberes Tor, Moosgrotte, Lagerhäuser, Borkenhaus, Altes Schloß, Innenansicht der St. Blasiuskirche, Willmann's Garten, Garnisionskirche, Rathaus, Kattenbühl. - Restauriert. - Sehr seltenes Blatt, laut Fiedler das 1. von 3 Souvenirblättern der Stadt Hannoversch-Münden.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Sih-Chid? & Mahchsi-Karehde. Mandan Indians

      Paris, Coblenz and London, 1842. Hand-coloured aquatint engraving by H?rlimann after Bodmer, blindstamp. A fine full-length double portrait by Bodmer, composed from sketches made during the winter of 1833-1834 during the travelers sojourn at Fort Clark, on the banks of the upper Missouri River. On the left stands Sih-Chid? (`Yellow Feather') a young warrior who was fascinated by the work of the two foreigners. His portrait was carried out over three days in early December 1833. In it, he wears the beaded hair brows with long strings of dentalium shells and beads, a member of the Dog Society, the cluster of feathers at the back of his head may be an insignia of that group. Around his neck is draped a tippet of otter fur, the ends fringed with quill-wrapped leather. His heel-trailers are made of otter fur lined with red cloth and represent battle exploits. On the right is Mahchsi-Karehde (`Flying War Eagle'), who at just over six feet was the tallest of the Mandan. He also showed much interest in Bodmer's work, and over the winter was a frequent visitor, often bringing friends to look at Bodmer's drawings. He was a member of band of warriors that regulated the important affairs of the tribe. The wolf tail on his heels and painted eagle feather in his hair denote battle coup. His rich clothing and general demeanor all denote a proud and successful man.Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian's servant and hunting companion), their travels in North America were to last from 1832 to 1834. Well-armed with information and advice, the party finally left St.Louis, on the most important stage of their travels, aboard the steamer Yellow Stone on April 10 1833. They proceeded up the treacherous Missouri River along the line of forts established by the American Fur Company. At Bellevue they encountered their first Indians, then went on to make contact with the Sioux tribe, learning of and recording their little known ceremonial dances and powerful pride and dignity. Transferring from the Yellow Stone to another steamer, the Assiniboin, they continued to Fort Clark, visiting there the Mandan, Mintari and Crow tribes, then the Assiniboins at Fort Union, the main base of the American Fur Company. On a necessarily much smaller vessel they journeyed through the extraordinary geological scenery of that section of the Missouri to Fort Mackenzie in Montana, establishing a cautious friendship with the fearsome Blackfeet. From this, the westernmost point reached, it was considered too dangerous to continue and the return journey downstream began. The winter brought its own difficulties and discomforts, but Bodmer was still able to execute numerous studies of villages, dances and especially the people, who were often both intrigued and delighted by his work. The portraits are particularly notable for their capturing of individual personalities, as well as forming a primary account of what were to become virtually lost cultures. Graff 4648; Howes M443a; Pilling 2521; Sabin 47014; Wagner-Camp 76:1.

      [Bookseller: Donald Heald Rare Books ]
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        Map of Afghanistan, and the adjacent countries.: Published by Authority of The Honble Court of Directors of the East India Company. Drawn and engraved by J. & C. Walker.

      London Wm.H. Allen & Co. 1842 - A slightly dusty but very good copy lacking the original cloth covers. Folding map measuring 80 x 64 cm, on a scale of 1 inch to 32 miles. Linen backed.

      [Bookseller: John Randall (Books of Asia), ABA, ILAB]
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        Metallic, paper and credit currency, and the means of regulating their Quantity and Value.

      London, Pelham Richardson, 1842. - (1) w. Bl., (4), 155 S., (1) w. Bl., neuerer marmorierter Pappband mit rotem, goldgeprägtem Rückenschild (schönes Exemplar). Erste Ausgabe. James Whatman Bosanquet (1804-1877) was an English banker and known as a writer on biblical and Assyrian chronology. His earliest publications, related to finance, were Metallic, Paper, and Credit Currency, 1842, and a Letter to the Right Hon. G. Cornewall Lewis on the Bank Charter Act of 1844, 1857. Vorsatz mit dem handschriftl. Vermerk 'Ex libris J. Katzenellenbaum London 5. 9. 1924'; verso 'The Library of the Bank of England from the author'; dem folgt ein eingebundenes Bl. Mit den 'Library Regulations' der Bank of England und ein gedrucktes Widmungsblatt mit dem handschriftl. Namenszug des Autors. - Die ersten vier Blatt mit leichten Randläsuren, S. 5 u. 23 mit Stempel, innen minimal gebräunt. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Elvira Tasbach]
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        AUTREFOIS ou le bon vieux temps, types français du dix - huitième siècle

      Challamel et Cie. s.d. (1842) AUTREFOIS ou le bon vieux temps, types français du dix - huitième siècle. Texte par MM. Audebrand, Roger de Beauvoir, E. de La Bédollière, etc. etc. Vignettes par MM. Tony Johannot, Th. Fragonard, Gavarni, Ch. Jacques, Ch. Marville, et Emile Wattier. Paris, Challamel et Cie., s.d. (1842). In - 8° grande, tela coeva, dorso decorato in oro. (4), 316 pp. con numerose figure n.t. e 40 tavole a colori f.t. raffiguranti costumi settecenteschi entro cornice decorativa e ricoperte da veline. Bell' esemplare malgrado lievissime rifioriture n.t. Tiratura originale. Carteret, III, p. 40. Vicaire, I, 157. Colas, 185. Lipperheide, 1136.

      [Bookseller: Brighenti libri esauriti e rari]
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        Sketches in Afghaunistan

      London: Henry Graves & Company; J.W. Allen & Co.; and Day & Haghe,, 1842. Large folio (540 × 367 mm) Original green morocco-backed green moiré boards, title gilt to the spine and upper board, French fillet in blind and double gilt rule, thick and thin at the spine edges, cream endpapers. Single-tint lithographic title page, and 25 similar plates, lithographic dedication leaf, and letterpress leaf of descriptions, printed in blue in double column. All original guard-sheets in place. Just a little rubbed, almost imperceptibly recased where shaken loose from the gutta-percha, some foxing as usual, but a very good copy indeed. First edition. Without doubt one of the finest illustrated books on Afghanistan, the plates depicting a selection of superb views on the march - Bolan Pass, Quetta, Khojak Pass, Kandahar, and Kabul. James Atkinson, (1780-1852), a surgeon in the Bengal service, attracted Lord Minto's attention for his linguistic skills and was "given the appointment of assistant assay master at the mint, which he retained until 1828. In 1818 he also filled the deputy chair of Persian in Fort William College … In addition to his appointment at the mint, he held the post of superintendent of the Government Gazette from 1817 to 1828. When the official connection of the government with that journal was discontinued in 1823, the proprietors, in view of his previous success, invited Atkinson to take sole charge of both the Gazette and the Press" (DNB). In 1833, after a furlough in England, he returned to his original profession as surgeon to the 55th NI, and in 1838 was chosen as Superintending Surgeon to the Army of the Indus during the First Afghan War. He was "relieved in the ordinary course of routine shortly after the surrender of Dost Mohammad" and returned to Bengal in 1841 "and thus escaped the fate which awaited the army of occupation". Atkinson retired in 1847, and died in London in 1852. He is perhaps best remembered for his translations from Persian, of these his selections from the Shâh Nâmeh of Firdausi being the most notable, but he evidently possessed considerable, if amateur, artistic abilities. The highly detailed, yet skilfully composed and sensitively coloured, originals for these plates, 16 of which are now in the British Museum, show clearly that the lithographer, probably Louis Haghe, had little "working up" or "improving" to do, to create highly attractive and effective images. This work is often encountered loose, ragged and heavily foxed, this is a really superior copy, largely clean and bright, carefully restored. Elaborate armorial bookplate of Hugh, 2nd Duke of Westminster to the front pastedown.

      [Bookseller: Peter Harrington]
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        Neuestes Dresdner Kochbuch oder gründliche Anweisung zu Erlernung dessen, was von einer guten Köchin verlangt und worin die Zubereitung von 1390 Speisen in fünf Hauptabteilungen für Fleisch- und Fastage, ingleichen aller Arten von Bäckerein, Mehlspeisen, Sülzen, Glacé's, Creme's, Gefrorenem und verschiedener zur Gesundheit dienlicher Getränke gelehrt wird; nebst einem Anhange und Speisenzetteln zum beliebigen Gebrauch für alle Tage des Jahres.

      Dresden Hrsg Grimmer in Comm 1842 - 8". XXIV, 544 S. HLwd. d. Zt. mit goldgepr. RTitel (berieben, Kapitale etw. bestoßen). ERSTAUSGABE: Weiss 3275 (mit einer Vermischung der Verlagsangaben für die hier vorliegende erste und die 2 Jahre später erschienene zweite Ausgabe, die auch zu einer Angabe von nicht existenten Parallelausgaben geführt hat. Desweiteren ist die Angabe eines Frontispizes für uns nicht belegbar, weder Bibliotheksexemplare noch Vergleichsexemplare aus dem Handel sind mit einem Frontispiz ausgestattet). - Gebräunt. Deutsch; 0,501 gr. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Kochkunst Bibliothek]
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        Garantien Der Harmonie Und Freiheit

      For the Author, Vivis (Vevey) 1842 - xii, [2], 264pp, contemporary marbled paper over boards. Ex-library copy, with stamp to reverse of title and number stamp to foot of reverse of title. Spine and corners heavily worn, marbled paper chipped with small amounts of loss, extremities rubbed. Internally the ffep is browned, otherwise fairly bright and clean. Lacks the half-title. Weitling's uncommon first major work, his philosophy is described by Hunt as a "highly emotional mix of Babouvist communism, chiliastic Christianity and millenarian populism" (Hunt, Marx's General, page 131). German text. Stammhammer I:261:3 Size: 8vo [Attributes: First Edition; Hard Cover]

      [Bookseller: Zetetic Books]
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        GUIA DEL VIAJERO EN ESPAÑA,D.FRANCISCO DE P.MELLADO,1842

      El Gabinete Literario 1842 - Madrid.El Gabinete Literario.466pág + Apendice a la guia del viajero 58 pág.15,5x11.Segunda Edición.Contiene una noticia geografica, estadistica, histórica y administrativa del Reino. La descripcion de Madrid y de las principales poblaciones de España. Noticia de los caminos generales y trasversales que conducen de un punto á otro, espresando la distancia de la Córte á las capitales, costas, fronteras y pueblos importantes y de estos entre sí, con un cuadro estadístico de las provincias, partidos en que se dividen, número de pueblos, de vecinos y de almas de que constan, y un apéndice que reune todas las noticias relativas á comunicacion y trasporte, diligencias, mensagerias, carros, galeras, correos, aguas minerales, ferias.Tratado de aguas minerales pág 39(apendice).Ref 5.4 Biblioteca A [Attributes: Hard Cover]

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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        Recollections of a first visit to the Alps, in August and September 1841

      London : For private circulation [1842?], 1842, Hardback, Book Condition: Very Good, First Edition. Chetham library stamp to the title. Very good copy in the original gilt-blocked, elaborately blind-tooled cloth. Professionally recased with a gilt-blocked matching spine; very impressively finished. Remains particularly well-preserved overall; tight, bright, clean and strong.; 8vo 8" - 9" tall; Physical description; ix, 193 p. ; 8vo. Subjects; Europe - Description and travel - 1800-1918. Europe - Description and travel. Alps - Description and travel.

      [Bookseller: MW Books Ltd.]
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        Istoria della sollevazione della guerra e della rivoluzione di Spagna . Arricchita di osservazioni storiche e politiche da D.S. e di note ricavate dalla storia delle campagne e degli assedi degl'italiani in Ispagna del Cav. Camillo Vacani

      s.e. 1842-1843, Napoli - Perfetto stato generale di conservazione belle carte marmorizzate piatti lavorati a secco Contenente le tavole di Piano di Palamos in Catalogna relativo alle campagne degli italiani in Spagna Carta geografica di Spagna e Portogallo incisa da Vincenzo Russo Piano di Peniscola del Reg. di Valenza relativo all'assedio del 1812. 384 336 472 390 290 con 3 tavv.f.t.ripiegate p. 5 voll in-8 pregevole legatura in m.pelle cordonata coeva con doppio tassello e ricchi fregi oro ai dorsi

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        THE LOCAL HISTORIAN'S TABLE BOOK, OF REMARKABLE OCCURENCES, HISTORICAL FACTS, TRADITIONS, LEGENDARY AND DESCRIPTIVE BALLADS & C.

      M A Richardson, Newcastle Upon Tyne 1842 - Full set, complete in eight matching volumes. Tan half calf with four raised bands, dark tan leather title and volume labels with gilt titles and gilt & blindstamped foliate decoration. All edges marbled to match marbled paper-covered boards. Each volume separately paginated, with 3 volumes of Legendary and 5 of Historical subjects. Edges & boards a little scuffed otherwise a superb set. Each volume bears the bookplate of W H Welford of Newcastle upon Tyne to front pastedown; W H was the brother of local historian Richard Welford & printer of the History of Gosforth. ; Large 8vo 9" - 10" tall [Attributes: Hard Cover]

      [Bookseller: The Keel Row Bookshop Ltd ABA/ILAB/PBFA]
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        Scènes de la Vie Privée et Publique des Animaux. Études de Moeurs Contemporaines publiées sous la direction de M. P.-J. Stahl

      Paris: J. Hetzel, 1842. 2 volumes. First edition. 201 engraved plates plus illustrations in text by Grandville, engreved by his preferred engraver Brévière. 4to., bound by Plow of Boston, Lincolnshire in half maroon morocco with marbled paper boards, edges and endpapers, spines decorated in gilt. Worn with repairs to upper joints, but still good strong copies. Booklabel of James Lloyd and Plow binder's tickets. Stahl was a pseudonym for the publisher Hetzel who edited texts by Balzac Jules Janin, George Sand and others to go with Grandville's superb engravings. It was seen as a great satire on French manners of the the middle nineteenth century

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS]
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        Anleitung zur genauen Bestimmung des Ganges und Standes der Uhren.

      Leipzig, Reichenbach, 1842.. (20 x 12,5 cm). XVI, 239 S. Mit 11 Tabellen und 2 gefalteten lithographierten Tafeln. Leinwandband der Zeit mit neuem Rückenschild.. Erste Ausgabe dieses Handbuchs für Uhrmacher und Freunde der Astronomie. U.a. mit Kapitel über Sonnenuhren, Gnomone, Räderuhren, Pendeluhren, Chronometer, Spiegelsextanten, Mittagsfernrohre sowie verschiedene Methoden zur Bestimmung der Uhrzeit. - Jahn (1804-1857), Schüler von Littrow, arbeitete einige Zeit an der Wiener Sternwarte und ließ sich danach als Privatgelehrter in Leipzig nieder. Seine schriftstellerische Tätigkeit war sehr fruchtbar. - Name auf Vorsatz. Stellenweise etwas stockfleckig. Zwei Seiten und eine Tafel verso etwas angeschmutzt, sonst wohlerhalten

      [Bookseller: Antiquariat Gerhard Gruber]
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        CONSTABLE'S / SALE. / IN VIRTUE AND BY AUTHORITY OF EIGHT ORDERS OF SALE, SIX OF WHICH / WERE ISSUED BY GEO. A. HYDE, AND TWO BY Du BOUFFAY FREMON, TWO / JUSTICES OF THE PEACE WITHIN AND FOR ST. LOUIS COUNTY, AND TO ME / DIRECTED... / AND ALL AGAINST THE STEAM BOAT / MARMION; / I WILL, ON MONDAY, THE 9TH DAY OF MAY, 1842, BETWEEN THE HOURS / OF 9 AND 5 O'CLOCK OF SAID DAY, AT THE WHARF, NEAR THE FOOT OF CHERRY STREET, IN THE CITY OF ST. / LOUIS, SELL FOR CASH, TO THE HIGHEST BIDDER, THE SAID STEAM BOAT MARMION, WITH HER RIGGING, / TACKLE AND APPAREL

      St. Louis, April 28, 1842. Broadside, 10 3/4 x 13 1/2 in., printed in various sizes and styles of type, some faint old staining. Splits, chips and minor loss to a few letters (archivally repaired, deacidified, and lined with Japanese paper). The judgment which resulted in the sale of the steam boat "Marmion" was brought by Robert P. Clark, H.F. Given & Co., John R. Hammond, Jonas Newman, Sarah Mason, and the city of St. Louis. The "Marmion," built in 1835, plied the Mississippi River between St. Louis and New Orleans.

      [Bookseller: Bartlebys Books]
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        The Regal and Ecclesiastical Antiquities of England; containing the Representations of all the English Monarchs, from Edward the Confessor to Henry the Eighth; and of many persons that were eminent under their several reigns; on sixty copper plates, engraved by the author; with a supplement, containing twelve plates. The whole carefully collected from ancient illuminated manuscripts. A new and improved edition with critical and explanatory notes by J. R. Planche.

      London: Henry G. Bohn 1842 - (33 x 25 cm). pp. [2]+title+[iii-]iv+152+[2]. Three-quarter red morocco over red marbled boards. Gilt rules to upper and lower covers. Spine with raised bands, gilt titles and gilt decoration to compartments. Red marbled endpapers. Top edge gilt, all other edges uncut. Engraved book plate of Mary Macmillin Norton to front paste-down. Engraved book plate of Thomas Bell by illustrator Nancy Barnhart to front paste downs. Edges of binding a little rubbed. Crease to first blank. Contents clean and fresh. Complete with 72 hand-coloured plates, 60 in the main work and 12 in the supplement. Each plate with a guard and explanatory text. [Attributes: Hard Cover]

      [Bookseller: Robert Frew Ltd. ABA ILAB]
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        The Danube, its History, Scenery, and Topography

      Published by George Virtue, London 1842. FIRST EDITION. Overall condition: Very Good. Pages - Lighto to moderate foxing. Spine - very good. Splendidly Illustrated, from Sketches Taken on the Spot by Abresch, and Drawn by W. H. Bartlett. Engraved by J. Cousen, J. C. Bentley, R. Brandard, and other eminent artists - around 140 illustrations and engravings. Map of Danube and the cities.William Beattie MD (1793 ?" 17 March 1875) was a Scottish physician, and poet. In 1827, Dr. Beattie was admitted a licentiate of the Royal College of Physicians, London, and established himself in Hampstead, where for eighteen years he enjoyed an extensive practice. In 1836 and 1836 he travelled in Switzerland and in the land of the Waldenses, and in the former year was in Paris at the time of Fieschi's attempt upon the life of Louis-Philippe, and in the immediate vicinity of the explosion. He was too a frequent contributor to the periodicals, and he published during this period two poems ?" John Huss and "Polynesia" ?" Ports and Harbours of the Danube, and a series of descriptive and historical works, beautifully illustrated by his friend and fellow traveller, the well-knownW. H. Bartlett, on "Switzerland", "Scotland", "The Waldenses", Castles and Abbeys of England, and The Danube.

      [Bookseller: Bookman]
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        Journal of an exploring tour beyond the Rocky Mountains, under the direction of the A.B.C.F.M. in the years 1835, '36, and '37

      Ithaca, NY: Mack, Andrus, & Woodruff. 12vo (20 cm, 7.9"). 408 pp.; 1 map, 1 plt.. 1842 Third edition: "A description of the geography, geology, climate, productions of the country, and the numbers, manners, and customs of the natives." The Rev. Samuel Parker (1779?-1866) accompanied a fur-trading party west into what was then known as either Oregon Country or the Columbia District, under the sponsorship of the American Board of Commissioners for Foreign Missions. Here he describes the voyage (including a brief mention of the Mormons in Missouri), the region's natural history, and the degrees of interest in Christianity expressed by the Native Americans his party encountered — which last was his primary focus. The volume opens with an => oversized, folding map, engraved by M.M. Peabody, which Graff describes as "the earliest map of the Oregon interior with a pretense to accuracy"; includes an account of Parker's => voyage to Hawaii and Tahiti; and closes with a => vocabulary of Indian languages (Nez Perce, Klicatat, Calapooa, and Chenook). The plate depicts "Basaltic Formations on the Columbia River. Publisher's charcoal-colored ribbed cloth, covers with blind-stamped arabesque frame, spine with gilt-stamped title; cloth chipped at spine extremities and front joint, corners rubbed. Mild to moderate foxing. Map with faint spotting, a pinpoint hole at one corner, and one very short tear from inner edge; foxing and soiling, never dark/nasty but present throughout. A comfortably solid copy.

      [Bookseller: SessaBks, A Division of the Philadelphia]
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        Fitzroy Township , Province of Canada. THISINDENTURE, Made the Second day of March in the year of our Lord onethousand eight Hundred and Forty Two at Kemptville in the District ofJohnstown in the Province of Canada: - Between: Bethiah White, widow ofthe l

      Kemptville. 1842.. Largeprinted and manuscript paper document, 40x 50cm. (16" x 20"), printedwith handwritten entries, folded in sixths, worn along creases with somesmall wholes with some slight text loss, ink entries browned but stilllegible, fragile , expertly clean and restored, fine thus. (cgc) FitzroyTownship was first settled around 1824. A "Jno. McDermott" is noted inthe Belden Atlas of 1879 as having 200 acres east of the Village ofFitzroy Harbor. On the verso of the document is a hand-written codicildated 1852: "County of Carleton Registry Office. I do hereby certifythat a Memorial of the written deed of bargain and sale attested beforeme by John McDermott of the Township of Litchfield formerly of Fitzroy,Yeoman, was duly recorded in this office .". .

      [Bookseller: Patrick McGahern Books, Inc. (ABAC)]
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        CIRCULAR REGARDING ABOLITION OF SLAVE TRADE SIGNED BY GEORGE HAMILTON GORDON (LORD ABERDEEN) and AUTOGRAPH LETTER SIGNED (ALS) BY LORD ABERDEEN REGARDING CONDITIONS UNDER WHICH "COLOURED PEOPLE" AND ADMITTED TO TRINIDAD

      1842. Very Good++. TWO ITEMS. CIRCULAR AND AUTOGRAPH LETTER SIGNED BY GEORGE HAMILTON GORDON (LORD ABERDEEN). Offered is a circular with one partially-printed page measuring 8 x 12.75 inches dated July 14, 1842. Headed "Slave Trade No. 3." Reads in part "I herewith . . . a copy of a Treaty concluded at Sucre on the 23rd September 1840 between Her Majesty and the Republic of Bolivia for the Abolition of the Traffic in Slaves." Docketing on the verso. 3 horizontal fold creases, minimal stains. Also offered is one page of a bifolium measuring 8 x 12.5 inches from the "Foreign Office" dated April 26, 1844 to E. Molyneux who requested "a Copy of the order in Council of January 4, 1843, on the conditions on which coloured persons are admitted into the Island of Trinidad." Ink from another documents "ghosting" across text. 3 horizontal fold creases. Docketed on the integral blank.

      [Bookseller: By The Book, LC ABAA-ILAB]
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        Objections to the project of His Excellency Sir George Gipps, for raising a Loan to be secured on the ordinary Revenue of the Colony; submitted by His Excellency to the Legislative Council of New South Wales, 1841

      James Tegg, George Street, Sydney 1842 - Octavo, 20 pp.; a very good copy in plain brown wrappers. Scarce attack on Gipps: the final ten pages comprise a protest regarding the New South Wales Legislative Council signed by both John Jamison and John Blaxland. Having unsuccessfully sought English aid in cancelling immigration orders after the expensive rush of bounty immigrants, and after being severely censured for issuing orders in excess of land revenue, Gipps submitted a plan to the Local Legislature 'for raising by Debentures the sum of £200,000, to be secured on, and paid out of the Ordinary Revenue of the Colony, if not satisfied within three years, out of the Land Fund, and bearing interest not exceeding the rate of six per cent. per annum, payable out of the Ordinary Revenue of the Colony?'. This pamphlet sets out the objections to the plan, which was not accepted. Gipps was then forced to draw on the military chest, and when that was exhausted, withdrew government deposits from the banks to meet the deficits already incurred for bounty payments. When all these measures proved inadequate, he finally borrowed £50,000 in debentures, "a daring innovation" (ADB). [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Hordern House Rare Books]
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        The Private Correspondence 1613-1644

      London: S. and J. Bentley, Wilson, and Fley. 1842., 1842. Only Printing. Octavo, pp. l, 314. Collection of letters by an ancestor of General Charles Cornwallis of Yorktown fame. Bound in contemporary textured brown cloth with paper title square to spine. Very slight lean to the the bookblock, some spotting and dustiness to edges. Some bumping to extremities of the covers, some rubbing with the spine slightly tanned.

      [Bookseller: Adrian Harrington Rare Books]
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        Les aventures du chevalier de Faublas

      Paris: J. Mallet & Cie, 1842. Fine. J. Mallet & Cie, Paris 1842, 16x24cm, 2 volumes reliés. - Illustrated edition of 300 vignettes on wood in-text, first edition, by Nanteuil, Baron, French ... Binders half morocco grain head negro along with corners, back on four bands romantic ornate decorative golden and cold, slight traces of minor friction on the upper shrouds, marbled paper plates, guards and contreplats of handmade paper, gold, slight traces of rubbing on the corners, elegant binding romantic pastiche not signée.Quelques foxing small slices without too gravité.Ex-engraved bookplate of an Armenian book-sized next to contreplats.Bel copy pleasantly set in a beautiful romantic pastiche binding. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition illustrée de 300 vignettes sur bois in-texte, en premier tirage, par Nanteuil, Baron, Français... Reliures en demi maroquin à grain long tête de nègre à coins, dos à quatre nerfs richement ornés de motifs décoratifs romantiques dorés et à froid, légères traces de frottements sans gravité sur les coiffes supérieures, plats de papier marbré, gardes et contreplats de papier à la cuve, tranches dorées, légères traces de frottements sur les coins, élégante reliure pastiche romantique non signée. Quelques petites rousseurs sans trop de gravité. Ex-libris gravés d'un bibliophile arménien encollés en regard des contreplats. Bel exemplaire agréablement établi dans une superbe reliure pastiche romantique.

      [Bookseller: Librairie Le Feu Follet]
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        Holy Land, Syria, Idumea, Arabia, Egypt & Nubia—Volume III (only)

      1842. ROBERTS, David.The Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia… Volume 3.London: F.G. Moon, 1849.First edition of Volume III (Idumea) of one of the greatest lithographic works ever printed, complete with lithographed title page and 34 (of 36) beautiful tinted lithographic plates in excellent condition featuring the fabulous ruins at Petra, the Convent of St. Catherine at Mount Sinai, Mount Horeb and Suez, all finely hand-colored. Very handsomely bound in contemporary morocco-gilt by Riviere.The mysteries of Egypt and the Middle East were first revealed to inquiring Western minds through David Roberts' folio-sized Holy Land and his subsequent Egypt & Nubia. Originally issued in three volumes from 1842 to 1849, the monumental Holy Land contained 123 tinted lithographs produced from Roberts' magnificent on-site drawings of temples, land- and cityscapes, and other sights throughout the Holy Land. Roberts was the first Westerner to be granted permission to enter whichever sacred mosque or monument he desired, and his images of these holy places established what many people even today envision as the aura of Egypt and the Holy Land. He departed on his 11-month journey in August 1838, initially traveling to Alexandria. In February 1839, he set out for the Holy Land, stopping on the way at Suez, Mount Sinai, and Petra. He then visited Gaza and Jerusalem and spent the remaining months of his journey visiting biblical sites. "Roberts' Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it" (Ran, 6). "These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained" (Abbey).See Abbey Travel 385; Tooley 401.Plates and text fine, hand-coloring vivid and skillfully executed. Handsome Riviere morocco-gilt binding lightly rubbed at extremities, with a bit of discoloration to the front cloth cover. An excellent copy of this lovely illustrated folio.

      [Bookseller: Bauman Rare Books]
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        Trio [No. 3 in A major] for Piano, Violin and Violoncello. Op. 124. Autograph musical manuscript full score

      2 pp. Oblong folio. The first 27 bars of the Scherzo on one page and the final 7 bars of the Andante on the other. With a sketch of the opening 5 bars of the violin part to the Scherzo at the conclusion of the second movement. Headed in another hand: "Manuscript von Louis Spohr. Bruchstück aus dem dritten Trio für Piano, Violine und Cello componiert 1842." Somewhat browned, a bit heavier to edges and folds; creased and very slightly abriaded along folds; several small edge tears and very small holes, just touching notation. . Göthel locates autograph manuscripts of sections of this work in Kassel and Braunschweig. The first edition was published in 1843 by Schuberth. Spohr, a friend and contemporary of Beethoven and Weber, was a successful composer, conductor and violinist. He held various notable posts, including that of Kapellmeister in Kassel. His works were performed extensively throughout Europe and he was second only to Mendelssohn in popularity in England. His method for violin is still highly regarded and his chamber music remains very much a part of the standard repertoire. Spohr was "regarded by many contemporaries as worthy of a place beside Haydn, Mozart and Beethoven in the pantheon of the greatest composers... Mozart's Figaro and Wagner's Tristan were both composed during [his] lifetime; his own work looks, Janus-like, towards both the formalism and clarity of the Classical tradition, and the structural and harmonic experimentation associated with 19th-century Romanticism..." "... In 1836 Spohr married Carl Pfeiffer's 28-year-old sister Marianne, a gifted amateur pianist who stimulated him to compose a series of chamber works with piano, for which he had written little up to that time; these included the three duos concertants for violin and piano (1836?-7), the five piano trios (1841?-9), the Piano Quintet (1845) and the Septet (1853)." Clive Brown in Grove online

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        [Op. 48]. Deux Nocturnes pour le Piano composées et dédiées À Mademoiselle Laure Duperré... Op. 48. Pr. 27 Ngr

      Leipzig: Breitkopf & Härtel... Paris: M. Schlesinger: [PN 6653]. [January 1842]. Folio. Unbound. 1f. (title), 3-16, [ii] (blank). Title lithographed, music engraved. Publisher's handstamp to foot of title. "13me Nocturne" printed to head of page 3 and "14me Nocturne" to head of page 10. Former owner's signature to head of title: "Zichy Ilona." Somewhat worn and soiled; minor offsetting; some small tears and fraying to edges and spine; lower right corner bumped. . First German edition. Grabowski-Rink 48–1-B&H and plate 140. Chomi ski-Tur o p. 146. Kobyla ska p. 109. Hoboken 4, 383. Ilona Zichy (1849-1878) was a Hungarian noblewoman.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        [Op. 48]. Deux Nocturnes pour le Piano composées et dédiées À Mademoiselle Laure Duperré... Op. 48. Pr. 27 Ngr

      Leipzig: Breitkopf & Härtel... Paris: M. Schlesinger: [PN 6653]. [January 1842]. Folio. Unbound. 1f. (title), 3-16, [ii] (blank). Title lithographed, music engraved. Publisher's handstamp to foot of title. "13me Nocturne" printed to head of page 3 and "14me Nocturne" to head of page 10. Former owner's signature to head of title: "Zichy Ilona." Somewhat worn and soiled; minor offsetting; some small tears and fraying to edges and spine; lower right corner bumped. . First German edition. Grabowski-Rink 48?-1-B&H and plate 140. Chomi ski-Tur o p. 146. Kobyla ska p. 109. Hoboken 4, 383. Ilona Zichy (1849-1878) was a Hungarian noblewoman.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        [Op. 48]. Deux Nocturnes pour le Piano composees et dediees A Mademoiselle Laure Duperre... Op. 48. Pr. 27 Ngr.

      Leipzig: Breitkopf & Härtel... Paris: M. Schlesinger [PN 6653] [January 1842]. Folio. Unbound. 1f. (title), 3-16, [ii] (blank). Title lithographed, music engraved. Publisher's handstamp to foot of title. "13me Nocturne" printed to head of page 3 and "14me Nocturne" to head of page 10. Former owner's signature to head of title: "Zichy Ilona." Somewhat worn and soiled; minor offsetting; some small tears and fraying to edges and spine; lower right corner bumped.. First German edition. Grabowski-Rink 48-1-B&H and plate 140. Chomi ski-Tur o p. 146. Kobyla ska p. 109. Hoboken 4, 383. Ilona Zichy (1849-1878) was a Hungarian noblewoman.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Blick auf den großen Rundturm des Castello Vecchio bei Castellamare am Golf von Neapel.

      . Bleistift, auf Velin, links unten bezeichnet und datiert "liebes Akatien (sic!) Castello vecchio Castel a mare. 27. August"., verso Nachlaßstempel. 29,7:44,5 cm. Verso: Bleistiftskizze einer südlichen Landschaft. - Mit einigen kleinen Braunflecken. Während des Italienaufenthaltes von 1842/45 entstandene Studie vor der Natur.. Nach erstem Unterricht 1829-1834 bei seinem Vater, dem Landschafts- und Dekorationsmaler Ludwig Pose (geb. 1786), besuchte Eduard Wilhelm 1830 die Düsseldorfer Kunstakademie und war seit 1832 Schüler des Landschafts- und Historienmalers Carl Friedrich Lessing (1808-1880) und seit 1832 des Landschaftsmalers Johann Wilhelm Schirmer (1807-1863). Von Düsseldorf aus unternahm er zahlreiche Wanderungen in die nähere Umgebung, um die Natur vor Ort zu studieren. Zusammen mit Andreas Achenbach (1815-1910) wechselte er 1836 nach München und nahm dort Verbindung zu Carl Rottmann (1797-1850) auf, dessen Mitarbeiter er an dem gerade begonnenen Zyklus griechischer Landschaften wurde. Vorübergehend ging er, wegen der in München ausbrechenden Cholera, nach Frankfurt am Main. Er unternahm Studienreisen ins Salzburger Land, 1838 nach Tirol, 1839 nach Paris und Brüssel. Zwischen 1838 und 1842 lebte er überwiegend in Düsseldorf. 1842 reiste er nach Rom. Von hier aus unternahm er zahlreiche Wanderungen nach Unteritalien und Sizilien. Nach seiner Rückkehr 1845 ließ er sich endgültig in Frankfurt am Main nieder und reiste 1849 nochmals nach Italien, nach Florenz. In seinen späteren Jahren gehörte er dem in Kronberg im Taunus aktiven Malerkreis an.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Handbuch der pathologischen Anatomie. 3 Bde.

      . Wien, Wilhelm Braumüller, 1842-46, 8°, (8), 572; XIV, (2), 882; XIV, (2), 632 pp; 2 Halblederband der Zeit, 1 Halblederband im Stil der Zeit; minimal fleckig, feines Exempplar.. First Edition - Vol.1 (first Issue); Vol. 2 (first issue) and Vol. 3 (second issue "Zweiter unveränderter Abdruck")! - - Carl, Freiherr von Rokitansky (1804-1878) "ranks with Morgagni as among the greatest of all writers on gross pathology. He is said to have performed over 30.000 autopsies himself. His "Handbuch' was for many years pre-eminent among its contemporaries." '"Vol. 1 of the first edition was published last; vol. 3 was published first." - - "Vol. 3 (1842), p.313: Rokitansky's classic description of the pathological picture of acute yellow atrophy of the Liver. Rokitansky named the disease; it has also been called 'Rokitansky's diseases'." - - Seltene Erste Ausgabe, der dritte Band "Zweiter unver?nderter Abdruck" aus dem Jahr der Erstausgabe, dieses klassischen Werkes, von dem Virchow am Jahrhundertende schrieben sollte "daß es sich als das eigentliche Fundament der praktischen Medizin" erwies. 1842 erschien als erster Band der 3.Bd. "Handbuch der speciellen pathologischen Anatomie, II: Enthaltend : Die Abnormitäten des Respirations-, des Digestions-, des Harn- und Geschlechts-Apparates", 1844 folgte der 2.Bd. "Handbuch der speciellen pathologischen Anatomie, I: Enthaltend : Die Abnormitäten des Zellgewebes, der serösen und Schleim-Häute im Allgemeinen, der äusseren Haut, des fibrösen, des Knochen-, Muskel-, Gefässe- und Nerven-Systemes", und 1846 erschien der 1.Bd. "Handbuch der allgemeinen pathologischen Anatomie". - - Garrison & Morton No.2293,3618; Norman Libr. 1845; Heirs of Hippocrates 1658.

      [Bookseller: Antiquariat für Medizin - Fritz-Dieter S]
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        LE MAITRE D?HOTEL FRANCAIS. Traité des menus à servir à Paris, à Saint - Pétersbourg, à Londres et à Vienne. Nouvelle édition revue, corrigée et augmentée.

      au dépot principal, rue Thérèse 11; et chez J. Renouard, Mansut, Tresse, Dentu, ecc. 1842 In - 8 p. (mm. 228x136), 2 voll., mz. pelle mod. con ang., dorso a cordoni con decoraz. e tit. oro. Vol. 1°: pp. XI (occhietto, frontespizio, dedica a Messieurs Robert Frères, ?notice sur Careme par M. le Marquis de Cussy?, il celebre gastronomo),352, con bella antiporta incisa, disegnata da Carème per la prima ediz. del 1822, 12 ?tableaux? di menus, più volte ripieg., e 2 lunghe (più e più volte ripieg.) tavole con la disposizione dei ?coperti? per un considerevole numero di persone. - Vol. 2°: pp. 4 (occhietto, frontesp.), 282, con 12 ?tableaux? di menus, più volte ripieg., e 5 tavole di cui 3 (più e più volte ripieg.) con la disposizione dei ?coperti? e 2 grandi tavole con la raffigurazione del ?grand buffet de la cuisine moderne?, tutte inc. in rame. "Seconda edizione" di questa importante opera, con un totale di 24 ?tableaux?, una antiporta allegorica e 7 tavv. più volte ripieg. Nella prefazione l?A. spiega la divisione del suo studio in 5 trattati. - I traité: Remarques et considération sur l?ordonnance des menus de l?ancienne cuisine. - II traité: Considération et développements sur l?ordonnance des menus de la cuisine moderne, selon les 4 saisons, pour le service des tables opulentes depuis le premier janvier jusqu?à la fin de décembre inclusivement. - III traité: Des menus servis à la russe par l?auteur à S. M. I. l?empereur Alexandre, pendant son séjour à Paris, en 1814 et 1815. - IV traité: Des menus servis par l?auteur à S.A.R. le prince régent d?Angleterre, depuis George IV, pendant le grand voyage de la cour au pavillon de Brighton, en 1816 et 1817. - V traité: Des menus servis à Vienne par l?auteur à S. Exc. lord Stewart, ambassadeur extraordinaire de S.M.B. près la cour d?Autriche, en 1821. Suivis de considérations et remarques curieuses sur les productions en comestibles de Londres, Vienne et Saint - Pétersbourg, comparées à celles de la capitale de France, relativement à la cuisine; enrichi de planches représentant le service des tables et buffets pour les grandes réunions de famille et les fetes civiles et militaires?. Cfr. Vicaire, p. 146 che specifica per questa ediz.: 1 antiporta, 24 ?tableaux? e 10 tavv. - Bitting, p. 75: 8 tavv. (di cui 7 ripieg.) e 24 ?tableaux?. ?Il grande chef francese Marie Antoine Careme (1784 - 1833), fu cuoco di Talleyrand e poi degli imperatori di Russia e d?Austria. Il suo nome è divenuto quasi proverbiale per indicare l?ideale del cuoco perfetto. Scrisse varie opere fra cui "Il cuoco parigino o L?arte della cucina nel secolo XIX"?. Così Diz. Larousse,III, p. 405. Pagine ingiallite per la qualità della carta e con qualche fiorit. ma complessivam. buon esemplare.

      [Bookseller: Libreria Antiquaria Malavasi]
 44.   Check availability:     maremagnum.com     Link/Print  


        Neapel, Blick in die Straße Vico Santa Maria della Neve.

      1842 1842 - Bleistift, auf Velin, links unten bezeichnet und datiert "Neapel f. 3/3 42. Vico S.M. della Neve", rechts oben mit brauner Feder numieriert "6.". 21,9:29,7 cm. Provenienz: Sammlung ACCN, Inv. 393, nicht bei Lugt. Möglicherweise handelt es sich um eine Vorzeichnung, die für eine Ansichtenfolge gedacht war. Die Nummer „6." rechts oben könnte ein Hinweis darauf sein.

      [Bookseller: Galerie Joseph Fach GmbH]
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        [Op. 48]. 13e. et 14e. Nocturne pour Piano dedies a Mademoiselle Laure Duperre... Op: 48 Chaque 6f. No. [blank] En deux Livres... 3487. [Nos. 1 and 2]

      Paris Maurice Schlesinger [PNs M.S. 3487, 3488] [1842]. Folio. Disbound. Two volumes with identical titles and page count: 1f. (title within decorative border by A. V[ialon]), [i] (blank), 2-9, [i] (blank) pp. Engraved. Caption title to no. 1: "F. Chopin. Op. 48. 13.e et 14.e Nocturnes."; to no. 2: the same but without the period after "Chopin." Brandus et Cie facsimile signature handstamp to lower right corner of title. The plate number of no. 2, 3488, does not appear on either title. Dampstaining to upper outer and lower inner corners; Vol. 1 slightly foxed; handstamp to Vol. 2 trimmed.. First French edition. No. 1: second issue. Grabowski-Rink 48/1-1a-Sm. No. 2: unrecorded (third) issue, between Grabowski-Rink 48/2-1a-Sm (caption title without period between "Chopin" and "Op. 48" but continued "Deux Nocturnes") and 48/2-1b-Sm (caption title as in no. 1 of present copy). Chomi ski-Tur o pp. 146 (erroneously described as first issue). Kobyla ska p. 109. Hoboken 4, 387 and 388.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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