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Displayed below are some selected recent viaLibri matches for books published in 1838

        Beiträge zur Schmetterlingskunde oder Abbildungen und Beschreibungen neuer Sicilianischer Schmetterlinge.

      Wien, J.P. Sollinger, 1838. 4to (280 x 220mm). pp. 7, with 1 hand-coloured lithographed plate. Publisher's printed wrappers. All published. Plate with marginal paper repair not affecting the illustration.//Horn-Schenkling 9961.

      [Bookseller: Antiquariaat JUNK B.V. (Natural History]
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        Lights and Shadows of Irish Life. By Mrs. S. C. Hall

      London: Henry Colburn, 1838, 1838. First edition. Wolff 2913: NCBEL III, 932; Loeber, Guide to Irish Fiction, H18. Edges a little rubbed; very good copy.. 3 vols, 8vo, contemporary red half calf, marbled paper sides, green morocco label, gilt lettering and decorations. Sketches about the life of the Irish "humbler classes" intended to "make their character more extensively known and better understood." Mrs. Hall acknowledges the very popular Lights and Shadows of Scottish Life (1822) by John Wilson (Christopher North) as her model.

      [Bookseller: The Brick Row Book Shop]
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        Nueva Cronica de Barcelona: Historia de la Civdad a Través de sus Calles y de sus Tradiciones.

      1838 pp. work in 3 vols. presenting a virtual panorama of the city of Barcelona, including discussions of its history, art, architecture, monuments, streets, customs, geography, politics, literature, etc., heavily illustrated throughout (incl. many full-page plates, some in color) with vast amounts of ephemeral visual information on the city, ranging from views of buildings to 19th century caricatures of political figures. 4to. 1/2 leather with raised and gilt-decorated spine. Barcelona (Casa Editorial Segui) n.d. (circa 1910?).

      [Bookseller: F.A. Bernett Books]
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        Ischl e Venezia: Memoria

      Venezia (Venice), 1838. Full leather. Very Good +. The 1838 original printing of this memoir by the great Italian physician and researcher Valeriano-Luigi Brera. Lovely in its rich red, full leather binding, with elaborate, decorative blindstamping and gilt-rule and design at the panels. Bright gilt-lettering and intricate gilt-tooling along the spine. 3 beautiful hand-colored plates of Venice (executed by Gio. Pividor) complement the text. Octavo, all edges gilt. Clean and VG+, with light wear at the spine base, occasional foxing internally and a tiny armorial bookplate to the first blank endpaper. Brera (1772-1840) here focuses on the spas of Bad Ischl and Venice and their curative powers.

      [Bookseller: Appledore Books, ABAA]
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        L'Assedio di Calais Melodramma lirico in tre Atti Poesia di Salvatore Cammarano... Riduzione del Mo. L. Gervasi... Prezzo Fr. 30. Fl. 11.30.cm. [Piano-vocal score]

      Milano: Gio Ricordi [PNs 9678-9689; 9692; 9697; 9697 1/2; 9960-9961], 1838. First Edition. Scarce. OCLC no. 229882955. Giuseppe Angeloni et al., Gaetano Donizetti, p. 178. Laterza: Il Catalogo numerico Ricordi 1857, pp. 326, 335. L'assedio di Calais, to a libretto by Cammarano after Pierre Du Belloy, was first performed at the Teatro San Carlo in Naples on November 19, 1836. "In the 19th century L';assedio di Calais had no more than a single run of performances at the S Carlo between 1836 and 1840. An enterprising recording by Opera Rara in 1989 opened the public';s eyes to the work';s many merits. Originally designed by Donizetti as a passport to the Paris Opéra, it contains an integral divertissement (in which however only two of the four dances are Donizetti';s). This was then an unusual feature as almost all Italian operas of the period were performed as double bills along with full-length ballets. The first two acts of L';assedio contain some excellent ensembles, particularly the prayer at the close of Act 2 (?O sacro polve';), sung as the hostages leave the city hall." William Ashbrook in Grove Music Online.. Oblong folio. Half contemporary brown morocco with marbled boards, light brown printed title label, most probably from publisher's original wrappers, laid down to upper. 1f. (title), [i] (named cast list), [i] (table of contents, with separate plate numbers for each piece), 235, [i] (blank) pp. Engraved. Cast list includes the names of the singers for the first performance. Each piece with a separate price and secondary pagination. Binding considerably worn; detached; spine lacking and reinforced brown tape; tender at joints; free front endpaper detached. Title partially detached; initial leaves slightly soiled and foxed; occasional lsmall tears and creases to blank margins; final leaf reinforced with heavy paper.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        L'architettura legale

      Vincenzo Batelli e Figli, 1838. Parte Prima che comprende le nozioni geometriche e le sue applicazioni, all'agrimensura, livellazione, divisione de' terreni, alluvioni, letti di fiumi abbandonati ec. Opera particolarmente destinata all'istruzione dei legali, non meno utile agl'ingegneri agrimensori, periti, ed a tutti quelli che imprendono professioni a cui è necessaria una discreta cognizione della geometria. Con XXIV tavole in rame. Segue: Modo di dividere le isole, le alluvioni e gli alveoli abbandonati dai fiumi, trattato dell'ingegnere Giuseppe Romanenghi. Con 3 tavole ripiegate. Appendice con una tavola. Parte Seconda. Le servitù prediali sanzionate dal Codice Napoleone ridotte in casi pratici, e con annotazioni desunte dalle leggi romane e da classici autori. Opera divisa in V libri già pubblicati dall'Avv. Luigi Piccoli in Brescia l'anno 1808. Corredata in questa edizione di nuovi rami e di note addizionali per far conoscere la concordanza colle leggi romane e con le vigenti in Toscana. Con CXLIV figure su 72 tavole in rame che illustrano le diverse servitù. Parte Terza. Casi pratici cin ispiegazioni e osservazioni dell'avvocato Luigi Piccoli che servono di appendice all'opera Della condotta delle acque del prof. Romagnosi. Con 4 tavole ripiegate. Parte Quarta. Del diritto di erigere fabbriche e del diritto di vietarle. Dell'uso e non uso delle servitù, non che delle singole specie e dell'usucapione e prescrizione delle medesime. 4 volumi. 8vo. pp. IV - 346 - tavole + 112 - tavole + 448 - tavole + 578. Molto Buono (Very Good). Sottolineature a matita rossa e blu al frontespizio dei volumi I e IV. Piccolo strappo ad una tavola del volume III. Pagine bianche, in ottimo stato, con rare fioriture (Some underlined passages in coloured pencil). .

      [Bookseller: Studio Bibliografico Marini]
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        Itinéraire de Rome et de ses environs rédigé par A. Nibby... d'aprés celui de feu M. Vasi.

      Valentini, 1838 - 39. Due volumi legati in uno di cm. 17,5, pp. (4) xl, 266 (2); (4) 324. Con due piante ripiegate e 40 tavole di vedute e spaccati d'edifici. Il tutto inciso in rame su tavole fuori testo. Bella legatura coeva in piena pelle verde, dorso liscio con titoli e ricchi fregi in oro, piatti inquadrati da cornici in oro e con fregi a secco centrali. Sguardie e tagli marmorizzati. Bell'esemplare, in perfetto stato di conservazione ed impreziosito da una legatura molto elegante.

      [Bookseller: Studio Bibliografico Benacense]
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        Nuovo prospetto delle scienze economiche. Ossia Somma totale delle idee teoriche e pratiche in ogni ramo d'amministrazione privata e pubblica, divise in altrettanti classi, unite in sistema ragionato e generale da Melchiorre Gioja. Tomo Primo [-Sesto].

      presso Gius. Ruggia, 1838 [-1839]. Sei voll. in-8°, pp. XXVII-382 con 1 tav. rip. in fine + pp. 399 + pp. 422 e 4 tabelle rip. f.t. + pp. 415 con 1 tav. rip. in fine + pp. 482 + pp. 475 (ma 575) con 1 tav. rip. in fine. Leg. post. mz. pelle con tit. e num. dei voll. in oro impressi entro scomparti, fregi filettati oro impressi al ds., fregi a motivi geometrici impressi a secco agli scomparti, nervi, piatti in carta telata arancio, sguardie in carta verde, segnapagina in seta blu, bross. orig. non conservate. Fioriture diffuse in esemplari in barbe, al vol. 3 da p. 186 si salta a p. 189 senza interruzione di testo, al vol. 5 da p. 345 si salta a p. 348 senza interruzione di testo, mancanza al margine inf. delle pp. 425-426 senza perdita di testo. Rara edizione che aggiorna la 1a uscita nel 1815 che figura anche nella celebre biblioteca di Monaldo Leopardi. Available on request description in English / La description des livres en français est à disposition sur demande / Se envían descripciones de libros a pedida.

      [Bookseller: Libreria La Fenice]
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        Siti pittoreschi e prospettivi delle lagune venete disegnati, intagliati e descritti

      Co' Tipi del Gondoliere, 1838. In 8, pp. 136 con 14 tavole f.t. incise. Br. ed. Edizione originale di quest'opera sulle lagune venete con 14 belle tavole con vedute (Isola di San Giorgio maggiore; isola di San Clemente; di Santo Spirito; San Vito di Pelestrina; del Lazzaretto vecchio; Isola di San Lazzaro; Isola di San Servolo; Santa Fosca di Torcello...). Ciascuna isla e' descritta da un autore diverso fra i quali: Giovanni Bernardini, Giovanni Veludo, Giustina Renier Michiel, Leopoldo Cicognara, Tommaso Locatelli, Andrea Mustoxidi e altri... Conservata la bella brossura editoriale con carta al piatto anteriore. Lichtenthal, p.146. ITA

      [Bookseller: Libreria Antiquaria Coenobium]
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        Manuscript - Primary Source Document of Appraisal for Compensation Claim of Slaves of Du Piail Estate

      St. Lucia, 1838. Saint Lucia, 1 May 1838. Original manuscript document pertaining to the slave compensation claims made for the little-known Du Piail Estate in the Borough (parish) of Laborie, Saint Lucia, being a contemporary true copy extracted and translated from the French appraisement made in 1831, and used to determine the slave compensation to be paid to Marie Rose H. Roudier, widow of a planter and senior commissioner Pierre Antoine Joseph Roudier, and also to counterclaimants, two Forsyth brothers. Docketed to verso is dated one week prior to the claim decision date. Qto. 13 pages on four double-leafs watermarked J Morbey & Co 1834. Leafs measure approximately 20,5 x 32 cm. Very good, original condition, conceivably the only surviving record of this little-known plantation and of its slaves. Not found in the authoritative UCL database 'Legacies of Slave Ownership,' there is little to no documentation about Du Piail estate and its operations, however the present document provides its ownership history, a register of slaves, and general indications of its whereabouts. This may be the only surviving record of the plantation and its slaves. Although the plantations are not named, Mrs. Marie Rose (Haurie) Roudier does appear in the UCL database as having been awarded 3 compensations in Saint Lucia, all of which were granted on 7 May 1838, six days after the present document was signed by a filing clerk. "St Lucia Claims 755 and 756 in Laborie Parish" as they are recorded, are most likely for the Du Piail and La Vallée Estates described herein. Mrs. Roudier received £310 for one, £385 for the other. As owner-in-fee Mrs. Roudier further received nearly £2100 for Saphir estate, which is also mentioned in the present document, and which was situated in what the 'Fourth District'. At the same time, counterclaimants appeared to stake a monetary award from the Saphir Estate, merchant George Forsyth and Reverend Morris Forsyth, brothers and executors of James Forsyth as judgment creditors. They are mentioned in the final paragraph of these pages. The present primary source document was made at the request of a post-emancipation claimant, and successful awardee of compensation for former slave-ownership income, from a little-known Saint Lucia estate belonging to the claimant's late husband, a senior commissioner of the Laborie district, and to her brother who were co-proprietors, both of whom had since passed away. The claimant is Ms. Marie Rose Roudier (née Haudier), widow of a planter and senior commissioner Pierre Antoine Joseph Roudier who died in his estate home on 7 May 1831, sister of Mr. Jean Pierre Haurie who died from an illness on 22 March 1831, and the sole heiress both estates. Drawing from an appraisement of the land and the slaves, made in 1831 following the deaths of Mrs. Roudier's husband and her brother, the rather complex task ensues, of attributing "ownership right" of specific previously-enslaved persons to one of four parties (the co-proprietors and each of their wives), in order to then to allot a credit amount payable for the financial loss incurred by freeing the said slave. Over and above those appraised, Mrs. Roudier claims that there were twenty-eight (28) additional slaves connected to the estate, two of which were her personal slaves purchased for her by her husband. All 28 individuals are named, several being children born into slavery. Each woman, man, and child, has been assigned a European name, their age estimated, and, an individual monetary value to the owner. Some of the slaves are described as the "private property of - " illustrating the genuine and misguided eighteenth and nineteenth belief that is was morally acceptable for one human to claim ownership of another. The appraisal is presented in the island's obsolete currency, the Saint Lucia Livre, which would be replaced by the British Pound in 1851. Evidently an early estate established by the French, according to this document, Plantation Du Piail, District of Laborie, Saint Lucia originally belonged to Jean Baptiste Cherpy [a priest from Avranches, born circa 1679], who is an ancestor of the Roudiers. It is connected to Plantation La Vallée through co-ownership between his descendants. As the buildings at Du Piail became derelict they were abandoned by commissioner Roudier who instead used new buildings constructed in 1808 on the plantation La Vallée, then his father's estate. Details of hereditary ownership is further outlined in the manuscript. Neighbouring estates were owned by families Lestrade and Stier. Excerpts from the manuscript: "Extract from the Inventory of the Property belonging to the Successions or Estate and Partnership of the late Messieurs Roudier and Haurie... which inventory was drawn up through the Ministry... on the sixteenth of June one thousand eight hundred and thirty-one." "16 June 1831... At the Request and in the presence of Mrs. Marie Rose Haurie widow of Pierre Antoine Joseph Roudier late Planter and Senior Civil Commissary in the District of Laborie where he died the seventh of May last past.... The said Lady being a Proprietress of real Estate and residing in the same District... sole and only heiress of Mr. Jean Pierre Haurie her late Brother who died being... on the twenty-second of March last past... having been in community of Property with the said Mr. Roudier her late husband deceased..." "... It must also be observed that the plantation or estate Du Piail which the said Lady Requirant and Mr Haurie had inherited in the Right of the minor Cherpy their nephew consisted of several plantations of different origins wit Le Piail properly so called whereon Mr. Cherpy the father had all his buildings - Le Vallée which had been by the grandmother of the minor Cherpy subsequent to the decease of her first husband Mr. Gabriel Cherpy and fifteen squares which arose from the succession or estate of Mr. Devezien the grand maternal uncle of the said minor." "... the estate of Mr. Haurie her Brother and also... the community of property established between her and her late Husband... partnership hereinafter mentioned created between Messieurs Roudier and Haurie... the state of Indivision or New Distribution... the said Lady Requirant making all Protestations and Reservations for the preservation of her Rights as well against the Estate of her Brother as against the Estate of her Husband. "The Lady Requirant and the Misses Roudier [her two daughters] declared that independently of the abovementioned slaves there are twenty-eight others who were employed in cultivating the Plantations remaining undivided between the said Mrs. Roudier and her late Brother but which did not however belong to the tacit Partnership... two of the said Slaves named Calixle and Amelie or Emilie were the private Property of Mr. Haurie. That two others the Negro François Joseph otherwise called Papatou and the negress Sophie were the private property of Mrs. Roudier... the twenty-four other slaves were purchased by Mr. Roudier with his own private monies or have since been born of negresses purchased by him... the Slaves in Question who were thenceforth declared to be employed on the Plantation Dur Saphir as having been let on hire to Messieurs Poudrier and Haurie..." "Nina surnamed Bonda an African Negress thirty five years old valued at the sum of three thousand Livres say..." "Alfred surnamed Le Grand son of the same a negro Boy five years old valued at the sum of Twelve Hundred Livres" "Aneville Surnamed Cilé... eleven years old... 2500" "Nota - this young female slave does not appear on the Copy of numerical statements delivered to the undersigned notaries which can only arise from mere omission for she must be included in the same class as her mother." "Bruno surnamed Rat... creole negro... 4000" "Land and House in the Borough of Laborie: A House made up of wood. Double roofed measuring twenty nine feet and half in front...by thirty feet and half depth containing on the Ground Floor a Parlour and two small rooms with a Gallery fronting the yard... two bedrooms... pretty good but in want of many great repairs... altogether valued... Livres say... 3150." "... a short time before his decease Mr. Haurie her Brother manifested a wish to emancipate the said negro Emilie... which has been granted to her..." "The present collated extract has been delivered to ... attorney of Messieurs Morris and George Forsyth the Testament executors of the late Mr. James Forsyth... a Judgment of the Royal Court of this Island [Saint Lucia] bearing date the third of February one thousand eight-hundred and thirty-five." [Docketing annotation to Verso, part II] "May 1, 1938. Orig. left with Mrs. Hurie [Marie Rose Roudier née Haurie?] on award of Compensation for 2 slaves of Mr. Haurie to Messrs Forsyths heirs Judgment Creditors." End excerpts. [Sugar being the principal production for export, in 1817, the slave population in the District of Laborie alone, was 1,874 including Africans and Creoles, the latter being the majority.] In 1832, before the abolition of slavery, there were 653 sugar estates in cultivation and over 500 coffee plantations in the British West Indies. The British Slavery Abolition Act provided grant totalling £20 million to compensate the slave-owners for the loss of their "human property"! Almost all the men and women awarded compensation under the 1833 Abolition Act are listed in what is called a Parliamentary Return, an official reply by a government body to a request from an MP. The return is often referred to as the Slavery Abolition Act: An account of all sums of money awarded by the Commissioners of Slave Compensation while its full title is Accounts of slave compensation claims; for the colonies of Jamaica. Antigua. Honduras. St. Christopher's. Grenada. Dominica. Nevis. Virgin Islands. St. Lucia. British Guiana. Montserrat. Bermuda. Bahamas. Tobago. St. Vincent's. Trinidad. Barbadoes. Mauritius. Cape of Good Hope. It can be found in House of Commons Parliamentary Papers 1837-1838 (215) vol. 48 and is 365 pages long. Laborie, Saint Lucia: Prior to 1758 the village now known as Laborie was referred to as "Islet a Caret" or "Turtle Island" based on the view of a small islet visible from the shore, where sea turtles nested. In 1758 a devastating hurricane destroyed most of the churches on the island including the parish church. The Baron de Laborie, who was Governor of Saint Lucia from 1784 to 1789, actively pursued the reestablishment of the original parishes. The village became known as Laborie in his honour, and the church was the first to be rebuilt with a contribution from the Baron. Today the village of Laborie arguably features the most scenic waterfront on the island with a tree lined beach that extends its entire breadth. An active fishing industry primarily supports the village. In the 1780's the main crop cultivated in St. Lucia was cotton, which was being grown by nearly half of the island's estates. Coffee and cocoa production was also slightly higher than sugar production. By 1815, Soufriere, Vieux-Fort and Laborie were the dominant districts of cotton, coffee and cocoa crops, superseding the previously prolific Anse La Raye. As sugar production replaced cotton and coffee as the dominant crop, the dominant district changed. Soufriere became the dominant district producer of sugar; it was also the main producer of coffee. In Laborie, cassava was also a principle crop. St. Lucia also exported rum, molasses and logwood but the period 1826-1834 there was a decline in quantity of the products exported. It has been stated that the number of enslaved labour and livestock needed on sugar plantations exceeds three times that needed on any other crop plantation. Therefore, the majority of labour entering the island of Saint Lucia was employed at the production of sugar as oppose to coffee or cotton. In 1817, the slave population of the district or parish of Laborie alone, was 1,874 including Africans and Creoles, the latter being the majority. Additionally, seventy-four slaves worked in the town of Laborie. (The same number of slaves were registered in the year 1815.) . Very Good.

      [Bookseller: Voyager Press Rare Books & Manuscripts, ]
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        Forstflora [oder Abbildungen und Beschreibung der für den Forstmann sichtigen Bäume und Sträucher, welche in Deutschland wild wachsen]. NUR: Tafelband.

      (Jena, Schmidt 1838-40); 2. Aufl.; ca 25x20 cm; 287 kolorierte Kupfertafeln; Halbledereinband d. Zt. (Einband leicht bestoßen und berieben, sonst gut)Versand D: 5,00 EUR

      [Bookseller: Antiquariat Hilbert Kadgien]
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        Handbuch der Cameralchemie zum Gebrauche bei seinen Vorlesungen und zum Selbstunterricht für Cameralisten, Ökonomen, Technolgen, Forstmänner, Fabrikanten und Kaufleute.

      Winters , Heidelberg, 1838. 1029 Seiten 8° , Halbleder Handbuch der Cameralchemie zum Gebrauche bei seinen Vorlesungen und zum Selbstunterricht für Cameralisten, Ökonomen, Technolgen, Forstmänner, Fabrikanten und Kaufleute. Erster Band - Ausgabe in 6 Lieferungen ( Vermutlich einzigster erschienener Band ) Schöner Halblederband der Zeit mit Rückentitel. Lederrücken leicht brüchig. Deckel leicht berieben. Vorderdeckel an 2 Stellen auf die darunterliegende Pappe zerrieben ( 50 Centstück und 5 Centstückgröße) Gelenke intakt, Block fest, Vorätze üblich leimfleckig, textsauber ordentlich bei einigen i.d. R. seitlichen Bleistiftanstrichen. Wenige Seiten ( ca. 3 ) stärker fleckig. 050 B Versand D: 5,00 EUR

      [Bookseller: Versandhandel R. Wassmann]
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        Paul et virginie - La chaumière indienne

      Curmer, 1838. - Curmer, Paris 1838, 17x26,5cm, LVI pp., 458 pp., (7) ff.,, relié. - Prima edizione nel Curmer. Bound in metà zigrino rosso, dorso con quattro nervi riccamente decorato con scatole dorate, in pieno centro, diversi ferri da incasso oro, piatto di vitello rosso, di coaching dorata con angoli cuneo d'oro nel margine esterno ammiraglia netto, affettato GILT vincolante siglato Lardière Illustrated prenotare una mappa a colori della "Ile de France", 29 tavole incise stampate sul legno della Cina e di circa 450 vignette nel testo incise su legno, da Tony Johannot, Meissonier, francese, Isabey, Paul Huet, ecc da Lavoignat, Brévière, Porret, Smith, Hart, ecc, e 7 ritratti incisi stampate su Cina dopo Tony Johannot, Laffitte e Meissonier in acciaio da Cugino, Pelee Pigeot e Revel. Record storico e letterario edizione Sainte-Beuve Famoso considerata una delle più belle produzioni di epoca romantica, bella copia in un elegante raccoglitore a tempo pieno. - [FRENCH VERSION FOLLOWS] Première édition chez Curmer. Reliure en demi chagrin rouge, dos à quatre nerfs richement orné de caissons dorés avec, en leur centre, différents fers dorés en médaillon, plats de veau rouge, filet doré en encadrement avec un fleuron doré en écoinçon des angles de la marge extérieure, tranches dorées, reliure signée Lardière. Ouvrage illustré d'une carte en couleurs de "l'Ile de France", de 29 planches gravées sur bois imprimées sur Chine et d'environ 450 vignettes dans le texte gravées sur bois, d'après Tony Johannot, Meissonnier, Français, Isabey, Paul Huet, etc, par Lavoignat, Brévière, Porret, Smith, Hart, etc, et de 7 portraits gravés sur acier imprimés sur Chine d'après Tony Johannot, Laffitte et Meissonier, par Cousin, Pelée, Pigeot et Revel. Notice historique et littéraire par Sainte-Beuve. Célèbre édition considérée comme l'une des plus belles productions de l'époque romantique, bel exemplaire dans une élégante pleine reliure du temps.

      [Bookseller: Librairie Le Feu Follet]
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        Histoire de la Vie et de la Mort de M. de Talleyrand - Périgord, Prince de Bénévent. Avec un grand nombre de documents et de notes historiques.

      A la Librairie de la Société de St - Nicolas, 1838. 1 vol. in - 8 reliure d'époque demi - basane marron, A la Librairie de la Société de St - Nicolas, Paris, s.d. [ 1838 ], 2 ff. (faux - titre et titre), 332 pp. Rare exemplaire de cette biographie de Talleyrand. Etat très satisfaisant (dos frotté avec petit mq. en queue, coupes frottées, anc. mouill. marginales aux premiers ff.) Français

      [Bookseller: Librairie Du Cardinal]
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        El Pendolista universal. Obra original que contiene el arte de escribir.

      New York, Don Jorge W. Halsey, y Hermanos, 1838. Mit 35 gest. Tafeln. 14 S. HLdr. d. Zt. mit goldgepr. Deckeltitel. 20 x 24 cm. Nash, American Penmanship, p. 277; Rico y Sinobas, Diccionario de calígrafos españoles 233. - Frühes amerikanisches Schreibmeisterbuch, in spanischer Sprache. - Hintere Decke fleckig und lose, Rücken lädiert. Vorsätze stark knittirg. Durchgehend stark gebräunt, tls. auch etwas feuchtfleckig. Mit Erhaltungsmängeln. Bücher es

      [Bookseller: Antiquariat Turszynski]
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        Oliver Twist

      Richard Bentley, 1838. Dickens, Charles. Oliver Twist. London, Richard Bentley, 1838. 3 volumi in - 8°, legati in piena pelle rossa, dorsi a nervi con tassello e fregi in oro, piani con riquadro e una grande bordura aurea. Vol. I: (4), 331, (5) pp. e 9 tavole f.t. Vol. II: (4), 307, (1) pp. e 7 tavole f.t. Vol. III: (2), 313, (1) pp. e 8 tavole f.t. Tutte le tavole sono incise in litografia da George Cruikshank (1792 - 1878), famoso artista inglese. Bellissimo esemplare della rara edizione originale. Houfe, Diction. of British book illustrators, p. 273. Manca al Lowndes.

      [Bookseller: Brighenti libri esauriti e rari]
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        Lecco

      1838 - 39. Particolare edizione della famosa serie di vedute disegnate ed incise dal Falkeisen. La veduta è rifilata ed applicata entro una semplice e decorativa cornice, anch'essa incisa all'acquatinta. Vivace ed affascinante coloritura coeva. mm 158x212

      [Bookseller: Libreria Trippini Sergio]
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        A Geological Map of England & Wales, and Part of Scotland, Showing also the Inland Navigation by Means of Rivers and Canals, with their Elevation in Feet Above the Sea Together with the Rail Roads & Principal Roads

      London: J. & C. Walker, Dec. 15th, 1838. Map dimensions 136 x 98.5 cm, overall 144 x 100.5 cm. Large folding geological map with a cross-section of southern England from Land's End to the German Ocean across the lower margin and a further cross-section of the region between St. George's Channel and the North Sea, all vividly coloured according to the strata. Divided into 36 sections and mounted on linen, textured paper to the folded end sections with a later typed title label to one side, recent dark green quarter morocco clamshell box, spine with raised bands, gilt lettered direct to one panel. Slight darkening to one panel, else very good. First published in 1835 and frequently updated and reissued using fresh evidence gathered from fieldwork. This is the fourth state with Knipe's name excised from the title and with the Walkers' address given as No. 9 Castle Street, Holborn.

      [Bookseller: Bow Windows Bookshop]
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        An Epitome of County History. Vol 1- County of Kent (All published).

      London: The Office of the Author 1838 - Original green cloth, 13 inches tall. A tall copy in the original published binding with gilt titles and fine blind tooling. With the hand coloured engraved map and 82 lithographic views of the County's Country homes. An important record of many of the houses, many long lost, whose printed image exists nowhere else. Some foxing and slight rubbing to the binding but overall a remarkable copy. [Attributes: Hard Cover]

      [Bookseller: McConnell Fine Books ABA & ILAB]
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        JOURNAL OF AN EXPLORING TOUR BEYOND THE ROCKY MOUNTAINS, UNDER THE DIRECTION OF THE A. B. C. F. M. PERFORMED IN THE YEARS 1835, '36, AND '37; CONTAINING A DESCRIPTION OF THE GEOGRAPHY, GEOLOGY, CLIMATE, AND PRODUCTIONS; AND THE NUMBER, MANNERS, AND CUSTOMS OF THE NATIVES. WITH A MAP OF THE OREGON TERRITORY

      Ithaca, N.Y.: Published by the author. Mack, Andrus, & Woodruff, Printers, 1838. First Edition. Hardcover. Very good. 12mo. 371 pp. plus engraved plate and large folding map. Modern blue cloth, front free endpaper renewed, original printed paper spine label laid down. Pencil ownership inscription, "Tho. M. Rogers 1840," on title page, later ownership ink stamp of L. D. Oliphant on first leaf of text. Text and plate foxed and toned. Map virtually unfoxed, clean, and bright. Overall very good. Complete first edition of a major early Pacific Northwest travel narrative. The Rev. Samuel Parker (1779-1866) was a Massachusetts-born Presbyterian missionary, joining a party of the American Fur Company on an expedition west from Council Bluffs to Walla Walla in 1835, himself under the direction of the American Board of Commissioners for Foreign Missions. Howes describes his map of the Oregon Territory as the "earliest showing accurately the Oregon interior." With early vocabularies of the Nez Percé, "Klicatat," "Calapooa," and "Chenook." Howes P-89 "aa," Wagner-Camp 70.

      [Bookseller: W. C. Baker Rare Books & Ephemera]
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        Paul et Virginie

      L. Curmer, 1838. - L. Curmer, Paris 1838, 16,5x26cm, relié. - Famosa edizione illustrata di quasi 450 etichette incise su legno, 29 tavole incastonati nei dalla Cina e 7 ritratti incisi sull'acciaio da T. Johannot, Meissonier, Iasbey, P. Huet. Bound in pieno marocchino ciliegio, spina dorsale liscio lieve colorazione con una cartuccia d'oro completo con arabeschi dorati romantici, ruote d'oro per le acconciature, un po 'la testa po' spaccata, incorniciano una serie di reti dorate quadrupla e fredda piatti arricchiti con vetri sottofinestra dorati typograpiques motivi, lobate arricchite angoli d'oro a forma di cartiglio centrali ferri dorati romantici, che incorniciano un pizzo d'oro su contreplats, guardie e contreplats bianco seta marezzata, doppie reti dorate sui tagli, tutte le sezioni d'oro, alcuni piccoli graffi sulle tagli, romantico elegante contemporaneo legame firmati da Lawrence. La nostra copia è completare la sua mappa della regione Ile - de - France da Dyonnet e due ritratti chiamato "inglese". Il titolo è al secondo pareggio per l'indirizzo 49 rue de Richelieu, il ritratto del "Good Woman" non è impostata a pagina 418. Alcuni foxing minore. Bellissimo esemplare di questo libro punto di riferimento, una delle più belle realizzazioni di illustrazione romantico, disegnato in un perfetto romantico Lawrence vincolante. - [FRENCH VERSION FOLLOWS] Célèbre édition illustrée de près de 450 vignettes gravées sur bois, de 29 planches hors - texte tirées sur Chine ainsi que de 7 portraits gravés sur acier d'après T. Johannot, Meissonnier, Iasbey, P. Huet. Reliure en plein chagrin vert bouteille, dos lisse orné d'un filet à froid en encadrement, d'arabesques à motif rocaille dorées et de fers dorés à l'oiseau et au papillon; roulettes dorées sur les coiffes; plats ornés en encardement d'un quadruple jeu de filets, dorés et à froid, d'arabesques dorées à motif rocaille et de petits fers dorés à la branche de rose appliqués en écoinçons; roulette dorée en encadrement des contreplats, cartouche central doré de forme bilobée enrichi en angles de fers romantiques dorés, encadrement d'une dentelle dorée sur les contreplats, gardes et contreplats de soie moirée blanche, filet doré sur les coupes, toutes tranches dorées, quelques éraflures sans gravité sur les coupes, élégante reliure romantique de l'époque signée de Rivage. Notre exemplaire est bien complet de sa carte de l'Ile - de - France par Dyonnet et des deux portraits dits "anglais". Le titre est en premier tirage à l'adresse du 25 rue Sainte - Anne, le portrait de la "Bonne femme" n'est pas gravé à la page 418. Quelques rousseurs. Bel exemplaire de ce livre phare, l'un des plus belles réalisations de l'illustration romantique, établi dans une parfaite reliure romantique de Laurent. 

      [Bookseller: Librairie Le Feu Follet]
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        Paul et Virginie. La Chaumière indienne. Flore de Paul et Virginie et de La Chaumière indienne.

      L. Curmer,, Paris, 1838 - Grand in-8°, LII-458 pp. Édition célèbre, considérée comme l’une des plus belles productions typographiques de l’époque romantique due à l'éditeur Léon Curmer (1801-1870). Préface de Sainte-Beuve.Elle est illustrée d’une carte en couleurs de l'île de France (Ile Maurice) gravée par Dyonnet d'après A.H. Dufour, de 29 bois hors-texte sur chine appliqué dont certaines avant la lettre, sous serpente légendée, de sept gravures sur acier, et de 450 vignettes gravées sur bois par les plus célèbres dessinateurs de l’époque : Tony Johannot, Français, Ernest Meissonier, Paul Huet, Eugène Isabey, Charles Marville, Adolphe Steinheil. L'exemplaire présente les caractèristiques du second tirage décrites par Carteret : adresse de la rue de Richelieu, portrait de Bernardin de Saint-Pierre à la sphère et celui de la jeune bramine ne comporte pas l'étoile ; page 418, la vignette dite de La bonne femme ne figure pas ; à la fin de la table des gravures, le portrait d'O. Smith en médaillon est accompagné des instruments du graveur, etc. (Carteret, III, p. 532).Rousseurs habituelles. Dos légèrement passé et minimes frottements aux coins. Bon exemplaire dans une reliure signée de Bruyère, relieur lyonnais de l'époque. Français [Attributes: Signed Copy]

      [Bookseller: LIBRAIRIE BLOMET]
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        Le roman de Richard fils de Robert le diable qui fut duc de normandie

      Paris, Crapelet, 1838. 3 ff. bl., 3 pp., 2 ff. bl reliure en veau brun moucheté et grainé signée de Bauzonnet; triple filets dorés d'encadrement sur les plats, triple filets dorés d'encadrement central surmontés aux quatre coins de fleurons dorés sur les plats, dos à nerfs ornés de motifs dorés, titre doré, roulette intérieure dorée, tranches dorées 1838, 1838, in - 12, 3 ff. bl, 3 pp, 2 ff. bl, reliure en veau brun moucheté et grainé signée de Bauzonnet; triple filets dorés d'encadrement sur les plats, triple filets dorés d'encadrement central surmontés aux quatre coins de fleurons dorés sur les plats, dos à nerfs ornés de motifs dorés, titre doré, roulette intérieure dorée, tranches dorées, Réédition à l'identique, en caractères gothiques du rare exemplaire provenant du fond de M Chastre de Cangé, datant du début du seizième siècle. Belle impression du célèbre roman de Richard, héros de ses aventures merveilleuses. Désirable exemplaire très finement relié par Bauzonnet

      [Bookseller: Librairie Alain Brieux]
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        NOTES D'UN VOYAGE EN AUVERGNE

      1838. Librairie de H. Fournier, Paris. 1838. In-8.Carré. Broché. A relier. Plats abîmés. Dos abîmé. Quelques rousseurs. 414 pages. Gravure en noir et blanc sur planche dépliable en frontispice. Etiquette de code sur le dos. Tampons et annotation de bibliothèque sur le 1er plat et en page de titre. Dos fendu avec manques, et cahiers se détachant. (Très rare) Extrait d'un Rapport adressé à M. le Ministre de l'Intérieur. Bourges, Maison de Jacques Coeur. Mehun, La Celle Bruyères. Limoges, Collections particulières. Tulle, Dolmen de Clairfage. Rodez, Cathédrale. Conques, Sainte-Foy. Le Puy, Cathédrale...

      [Bookseller: Le-Livre.Com]
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        Sartor Resartus; The Life and opinions of

      London - Saunders and Otley, 1838 Book. Good. Hardcover. First edition.. A first edition in book form of this novel by Thomas Carlyle, originally serialised in Fraser's magazine. Very scarce and lovely to see in the original binding. The novel takes the form of supposed commentary and reflections by a German philosopher called Diogenes Teufelsdrckh (which, incidentally, means God-born devil-dung). The philosophical thoughts are iterwoven with commentary by an English 'editor', who could be characterised as sceptical. The work can be seen as a parody of Hegel and other German idealists. However, Carlyle does not shrink from expressing truths of his own. The novel was unusual and innovative in the same vein as one of its principal inspirations: Tristram Shandy. It is meta in the sense that it passes ironic judgement on its own structures, and is ambiguous as to its presentation of the truth. The book was extremely influential within literary culture. According to Roger L. Tarr The influence of Sartor Resartus upon American literature is so vast, so pervasive, that it is difficult to overstate. Jorges Luis Borges also credited it with inspiring some of his own fascintating short stories. He said I discovered, and was overwhelmed by, Thomas Carlyle. I read Sartor Resartus, and I can recall many of its pages; I know them by heart. The influence of the work can be seen in stories such as Pierre Menard, Author of the Quixote, The Garden of Forking Paths, and Tlon, Uqbar, Orbis Tertius. The work is organised into two books within the one volume. A scarcefirst edition of this unique and seminal work, beloved by some of the best authors who came to read it. This copy is from a library, though with none of the usual plates or marks. There is only one small library stamp to the front pastedown. Direct from the library of the late Hugh Selbourne MD (1906-1973) a noted book collector and diarist. Collated: complete. Condition: In the original cloth with paper covered boards. Externally a little worn, with general wear to the extremities, boards, and spine. The spine label is defective, and damaged with minor loss. The text is affected. The front joint is starting, but still reasonably firm. There is a library stamp to the front pastedown. There is a contemporary ink inscription to the front free endpaper, and another to the title page. Very slightly worn at the foredge, otherwise generally clean and bright. Generally firmly bound. Overall: GOOD.

      [Bookseller: Rooke Books]
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        LO INFERNO DELLA COMMEDIA DI DANTE ALIGHIERI, CON COMMENTO

      1838. Leopoldo Mossy, Marsilia - Giuseppe Molini, Firenze. 1838. In - 4.Carré. Relié demi - cuir. Etat d'usage. Coins frottés. Dos à nerfs. Quelques rousseurs. 766 pages. Gravures en noir et blanc en frontispice (portrait) et en page de titre. Illustré de nombreuses gravures en noir et blanc sur planches hors texte. Bandeaux, lettrines et culs - de - lampe ornés en noir et blanc. Titre et filets dorés sur le dos. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. Epidermures sur le dos (légèrement insolé). Col Commento di Guiniforto delli BARGIGI tratto da due Manoscritti inediti del secolo Decimo Quinto con Introduzione e Note dell'Avv° G. ZACHERONI. Introuvable.

      [Bookseller: Le-Livre.Com]
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        Disegni d?alcune opere eseguite in occasione della fausta venuta in Lombardia di S. M. l?imperatore e re Ferdinando Primo. Milano, Tipografia e libreria Pirotta, 1838

      Pirotta, 1838. in - folio (mm 461x330). Il volume è costituito, complessivamente, da 9 carte non numerate, di cui 5 di testo (comprendenti il frontespizio) inquadrate da una bordura e 4 di tavole litografiche ? la prima in nero e le altre tre recanti una coloritura strettamente coeva ? incise da P. Bertelli su disegni di G. Bignami, tratti dai progetti di Chiappa. Le tavole sono protette da un foglio di carta velina. Legatura coeva in percallina rossa decorata, ai piatti, da una cornice a ferri in stile neoclassico. Al piatto superiore la scritta: ?Al Chiarissimo | Sig. Ignazio Lucini | I. R. Segretario di Governo | ec. ec. ec. | L'architetto Chiappa umilia questo tenue suo lavoro'. Esemplare in ottimo stato di conservazione, alcune lievi fioriture. Il volume contiene 6 fogli sciolti, di cui tre con dei disegni di piante coevi e tre con annotazioni in inchiostro marrone, sempre di mano coeva. Rarissima edizione originale di questo elegante album, con tre delle tavole recanti una pregevole coloritura a tempera coeva, e copia di presentazione, donata dall'autore, l'architetto Giambattista Chiappa, al segretario del Governo Ignazio Lucini. L'opera venne realizzata per celebrare ? e immortalare ? l'ingresso a Milano dell'imperatore Ferdinando I d'Austria che si era recato nella città meneghina per venire incoronato re del Regno Lombardo - Veneto il 6 settembre 1838. Le tavole litografiche raffigurano infatti l'ingresso dell'imperatore nell'atrio della porta S. Ambrogio e i vari monumenti ? due archi di trionfo e un obelisco di granito ? progettati dal Chiappa per l'occasione. Nell'Avvertenza che apre il volume l'architetto ci informa infatti che si trattava di «disegni per opere da esguirsi in occasione sì auspicata e sì lieta» e che nelle tavole «sono delineate le dette opere una delle quali (l'obelisco) già eseguita in granito, le altre in modo temporaneo e decorativo». Beautiful presentation copy of the original edition of this album. Illustrated by 4 finely hand - coloured lithographed plates by Bertelli after Chiappa, showing the temporary monuments built to celebrate the entrance in Milan of the emperor Ferdinand I, that will be crowned king of the Lombardo - Veneto on September 6th 1838 in this city. Contemporary red limp roan, gilt border round sides; on the front cover gilt lettering addressed to Mr. Ignazio Lucini, Government's secretary. Beautiful copy, some minor foxing throughout. Inside the volume 6 flying leaves with manuscript notes and contemporary architectural drawings.

      [Bookseller: Libreria Antiquaria Pregliasco]
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        L'Ecosse pittoresque, ou suite de vues prises expressement pour cet ouvrage par MM. T. Allom, W.H. Bartlett, et H. M'Culloch.

      Virtue et Ferrier, 1838. - Virtue et Ferrier, Londres & Paris 1838, 2 tomes en 2 Vol. in 4 (21x27,5cm), relié. - Prima edizione, illustrata con due titoli incise (in inglese), un piatto colorato e 117 inserto in acciaio (con Serpentes) da Allom, Bartlett, e M'Culloch, incisa da Griffiths, Varrall, Priore, ecc . Splendida opera d'arte, scrittori inglesi erano presenti a questo momento particolarmente apprezzati per la loro qualità di lavorazione e gli editori francesi hanno speso ampie ordini in Inghilterra per illustrare i loro libri. Completo editor vincolante. Mezza marocchino rosso decorato con un grande piatto dorato speciali (armi e simboli della Scozia) con pelle di pecora piatto bordeaux timbrato un grande piatto decorativo floreale freddo. Bordi dorati. Magnifico, rare editore inglese vincolante, nonostante alcuni difetti: una leggera mancanza in capo del Volume I; coperchio della testa del Volume II fortemente logoro; angoli urtato e alcuni sfregamento ai bordi. Macchie rari sparsi pallido (quasi inesistente sul testo), principalmente causata dai margini e Serpentes ma forte su 2 tracce. Storia della Scozia, le sue particolarità, i suoi monumenti ... - [FRENCH VERSION FOLLOWS] Edition originale, illustrée de deux titres gravés (en anglais), d'une planche coloriée et de 117 hors - texte sur acier (avec les serpentes) par Allom, Bartlett, et M'Culloch, gravées par Griffiths, Varrall, Prior, etc. Superbe illustration, les graveurs anglais étaient à cette période particulièrement prisés pour leur finesse d'exécution, et les éditeurs français passaient d'amples commandes en Angleterre pour l'illustration de leurs livres. Pleine reliure d'éditeur. Demi maroquin rouge orné d'une grande plaque spéciale doré (armes et symboles de l'Ecosse) aux plats de basane lie de vin estampés d'une grande plaque florale décorative à froid. Tranches dorées. Magnifique et rare reliure d'éditeur anglaise, malgré quelques défauts : un léger manque en tête du tome I ; coiffe de tête du tome II fortement élimée ; certains coins émoussés et frottements aux bordures. Rares rousseurs pâles éparses (quasi inexistantes sur le texte), principalement en marges et provoquées par les serpentes, mais fortes sur les 2 titres.Histoire de l'Ecosse, de ses particularités, de ses monuments...

      [Bookseller: Librairie Le Feu Follet]
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        Die zwölf Apostel. Originale Tuschzeichnung mit Feder und Pinsel auf braunem Papier eines Künstlers aus Flandern im Stil von Raphael.

      17. Jahrhundert. 1 Blatt. Ca. 19,5 x 29,5 cm (kleine Randläsuren, dezente Feuchtigkeitsspur am linken Rand, leichte Knitterspuren, verso mit kleinem, unleserlichem Stempel, im Ganzen ordentlich erhalten) Sehr fein ausgeführte Tuschskizze mit detaillierten Gesichtern und großer Plastizität der Gewänder. - Laut Katalogeintrag eines renommierten Berliner Buch- und Kunstauktionshauses stammt diese Zeichnung aus der Sammlung des Dr. Hugo Toman (1838 - Prag - 1898). Herr Holm Bevers, Hauptkustos für niederländische und englische Kunst, Kupferstichkabinett der staatlichen Museen zu Berlin, Preußischer Kulturbesitz (SMPK) gab den Hinweis, dass der Künstler möglicherweise durch einen Italienaufenthalt beeinflusst worden sei. Auf der Rückseite der Zeichnung findet sich eine Zuschreibung von alter Hand \"Seb. Vrancx / Anvers 1573 +1647\". Diese handschriftliche Zuschreibung wird vom Auktionshaus nicht erwähnt. Sebastian Vrancx (getauft 22. Januar 1573 in Antwerpen; gest. 19. Mai 1647 ebenda; auch Franks oder Franck) war ein flämischer Schlachten- und Genremaler. Seine für flämische Maler seiner Zeit obligate Italienreise zur Vertiefung der Ausbildung fand 1597 statt. (vgl. wikipedia). - Thieme-Becker XXXIV, Seite 567 f. (für Vrancx). Versandkostenfreie Lieferung [Kunst;Zeichnungen;Renaissance;Geschichte;Niederlande;Bibliophilie;Originalgrafik;Beautiful, Rare and Special;Schönes;Seltenes]

      [Bookseller: Versandantiquariat Bürck]
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        Georgius Cedrenus Ioannis Scylitzae Ope (2 Tomes - Complet). ab Immanuele Bekkero suppletus et emendatus [ Synopsis historion - Compendium historiarum ]

      Impensis Ed. Weberi [ E. Weber ], 1838. 2 vol. très fort in - 8 reliure de l'époque demi - basane blonde, Corpus Scriptorum Historiae Byzantinae, consilio B. G. Niebhurii [ Niebuhr ], Impensis Ed. Weberi [ E. Weber ], Bonnae [ Bonn ], 1838, 2 ff. xviii - 802 ; 2 ff., 1008 pp. Bon état (dos un peu frotté, qq. rouss.) pour ce titre rare, réunissant les oeuvres de Georges Cédrène, ici bien complet dans les vol. 16 et 17 de la Byzantine de Bonn. On trouve dans le second tome la chronique de Jean Skylitzès recopiée par Cédrène, ainsi que les commentaires de Xylander, et les ajouts de Goar. Texte grec avec traduction latine, notes en latin Grec

      [Bookseller: Librairie Du Cardinal]
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        Congrès de Vérone. Guerre d'Espagne. Négociations : colonies espagnoles

      Delloye & Acquéreur & Brockhaus & Avenarius, 1838. - Delloye & Acquéreur & Brockhaus & Avenarius, Paris & Leipzig 1838, 13x21,5cm, 2 volumes reliés. - Prima edizione di questo testo, l'importanza di apparire alla fine, perché è una parte significativa del "Mémoires d'Outre tomba" (vedi Clouzot). Leganti metà navy vitello, spine piatte decorate con catene d'oro romantiche, oro in testa e croce nastri, tappi superiori leggermente strofinato e con uno di loro per due perdite minori, piatti di carta marmorizzata, guardie e carta contreplats serbatoio, due lacrime in una fetta, romantico contemporaneo vincolante. Piuttosto completare l'elenco di abbonati alla fine del secondo volume. - [FRENCH VERSION FOLLOWS] Edition originale de ce texte dont l'importance a fini par apparaître car c'est une partie non négligeable des "Mémoires d'Outre tombe" (cf Clouzot). Reliures en demi veau marine, dos lisses ornés de fers romantiques dorés, frises dorées en têtes et en queues, coiffes supérieures légèrement frottées et comportant pour l'une d'elles deux petits manques, plats de papier marbré, gardes et contreplats de papier à la cuve, deux accrocs sur une tranche, reliure romantique de l'époque. Exemplaire bien complet  de la liste des souscripteurs à la fin du second volume.  

      [Bookseller: Librairie Le Feu Follet]
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        Musée Moderne. Tableaux, Sculptures et Dessins choisis des artistes belges contemporains [ Edition originale ]

      Charles Billoin, 1838. Lithographiés par Paul Lauters, Professeur de dessin à l'Ecole Royale de Gravure, et Charles Billoin, Editeurs, 1 vol. in - folio (format 26,5 x 34,7 cm en marges) reliure de l'époque demi - chagrin à petits coins noir, dos lisse orné en long, 229 Rue de l'Arbré Béni, Faubourg de Namur, Bruxelles, Etablissement Lithographique de P. Degobert, Bruxelles, s.d. [1838 à 1840 ], 1 f. de titre et 60 lithographies sur chine monté, sous serpentes Rare exemplaire bien relié de l'édition originale, bien complet des 60 lithographies qui parurent en 12 livraisons de 5 planches (rouss. parfois fortes sur les supports mais toujours plus réduites sur les lithographies, ex - libris armorié de la bibliothèque du château de Grenade). Imprimée à Bruxelles par Pierre Degobert, l'édition originale ainsi complète est quasi introuvable. Français

      [Bookseller: Librairie Du Cardinal]
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        Voyages de Gulliver dans des contrées lointaines

      1838. - 1838, in 8 (12,5x21cm), reliés. - Edizione prima edizione di Grandville illustrazione. Cina volare su un frontespizio e di 450 vignette su legno in testo dell'inserzione e 5, i quattro titoli dei quattro viaggi e letterario allegoria frontespizio del record. Nuova traduzione, biografia e letterario Jonathan Swift da Walter Scott. Metà tempo lucido vitello biondo. Torna con false nervi decorati con tre ferri freddo romantico, fili d'oro e le ruote. Parte del titolo e il numero del volume cioccolato dolore. Lievi tracce di attrito. A pochi punti sparsi. Alcuni notebook un po 'più grigio. Buon esemplare generale. "Tutto di questa illustrazione occupa uno dei primi posti nel lavoro di Grandville." (Carteret, III, 578). - [FRENCH VERSION FOLLOWS] Edition en premier tirage de l'illustration de Grandville. Un frontispice sur chine volant et 450 vignettes sur bois in - texte, et 5 hors texte, les quatre titres des quatre voyages et l'allégorie littéraire en frontispice de la notice. Traduction nouvelle, notice biographique et littéraire sur Jonathan Swift par Walter Scott. Demi Veau glacé blond d'époque. Dos à faux - nerfs orné de trois fers à froid romantiques, filets et roulettes dorés. Pièce de titre et de tomaison en chagrin vert. Légères traces de frottements. Rousseurs éparses, principalement marginales. Bel exemplaire dans l'ensemble. "L'ensemble de cette illustration occupe l'un des premiers rangs dans l'oeuvre de Grandville." (Carteret, III, 578).

      [Bookseller: Librairie Le Feu Follet]
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        Galerie des femmes de Shakspeare

      H. Delloye, 1838. - H. Delloye, Paris s.d. (1838), 17x26cm, relié. - Edizione illustrato con ritratti 45 inserto incisi su acciaio e realizzati da i primi artisti a Londra. Legatura in pieno zigrino nero, torna liscia decorata con arabeschi dorati romantiche, piatti decorati una grande scena centrale raffigurante romantici arabeschi dorati che incorniciano catene d'oro romantico, e le guardie contreplats carta giallo paglierino, sezioni dorati, il grande romantico Binding tempo firmato Boutigny. Altri contributi letterari di Madame Amable tastu, Filaret Chasles, Jules Rességuier Evariste Boulay - Paty ... Alcuni foxing minore. Copia superbamente preparato da Boutigny. - [FRENCH VERSION FOLLOWS] Edition originale illustrée de 45 portraits hors - texte gravés sur acier et réalisés par les premiers artistes de Londres. Reliure en plein chagrin noir, dos lisse orné d'arabesques romantiques dorées, plats ornementés d'un grand décor central figurant des arabesques romantiques dorées encadrant des fers romantiques dorés, gardes et contreplats de papier jaune paille, tranches dorées, superbe reliure romantique de l'époque signée de Boutigny. Autres contributions littéraires de madame Amable Tastu, Philarète Chasles, Jules de Rességuier, Evariste Boulay - Paty... Quelques petites rousseurs. Exemplaire superbement établi par Boutigny.

      [Bookseller: Librairie Le Feu Follet]
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        Stello

      1838. H. Delloye & V. Lecou, Paris 1838, 13,5x22cm, relié sous étui. - H. Delloye & V. Lecou, Paris 1838, 13,5x22cm, relié sous étui. - Nuova edizione pubblicata nelle opere complete dell'autore. Bound in marocco pieno fiore lunghi limone, marrone torna a otto nervi per motivi ornato decorativo romantico aver portato fuori, pezzo di marocchino rosso, nome dell'autore del Marocco oliva, dorate tappi, cornici ricche ruote di bordi, ghirlande e dorata sulle copertine, gilt taglio in testa e le zampe dei tagli, con cornici dorate sulle guardie, guardie e contreplats di carta marrone, tutti dorati, moderno astuccio di marocchino foderato con piatti limone ghirlanda carta fatta a mano - covered, romantico contemporaneo vincolante. Precious dedica autografa firmata dall'autore: "... la prova di dedizione e di rispetto / nipote / Alfred de Vigny." Macchie rara che colpisce soprattutto le prime e le ultime pagine. Copia piacevolmente situato in un elegante romantico contemporaneo vincolante. [FRENCH VERSION FOLLOWS] Nouvelle édition parue dans les oeuvres complètes de l'auteur. Reliure en plein maroquin à grain long citron, dos bruni à huit fins nerfs richement orné de motifs décoratifs romantiques s'étant estompés, pièce de titre de maroquin rouge, nom de l'auteur de maroquin olive, roulettes dorées sur les coiffes, riches encadrements de lisérés, guirlandes et filets dorés sur les plats, lisérés dorés en têtes et en pieds des coupes, encadrements d'une guirlande dorée sur les gardes, gardes et contreplats de papier marron, toutes tranches dorées, étui moderne bordé de maroquin citron, plats de recouverts de papier à la cuve, reliure romantique de l'époque. Précieux envoi autographe signé de Alfred de Vigny : "... témoignage de dévouement et de respect / son neveu / Alfred de Vigny." Rares piqûres affectant essentiellement les toutes premières et toutes dernières pages.Exemplaire agréablement établi dans une élégante reliure romantique de l'époque.

      [Bookseller: Librairie Le Feu Follet]
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        La peau de chagrin

      Delloye et Lecou, 1838. - Delloye et Lecou, Paris 1838, In 8 (16x26cm), relié. - Prima edizione illustrata, prima stampa, 100 vignette su acciaio Gavarni, Barone, Lange ... L'edizione contiene alcune buone caratteristiche prima bozza stipulati da Clouzot: Miniatura scheletrico che tira un uomo torna nella pagina del titolo, giardiniere miniatura è in p. Con 303 contro. Ritratti e Pauline Foedora sono stati sparati in più su montato porcellana; si trovano solo in alcune copie, senza essere specifiche rara Clouzot. Bound in metà vitello marrone epoca romantica. Smooth posteriore ornata con catene e un ferro lungo. Coda Roulette e la testa. Una fessura nella mascella superiore nel primo terzo di 6 cm. una fessura nella mandibola in testa di 1 cm. Una coda intoppo con mancante. Copia particolarmente fresco con pochissime rousserus margini pallidi, su una carta molto bianca, molto bello. Clouzot osserva: "Lavoro spesso dive, difficile da incontrare in belle condizioni." L'opera è nota molto bello e piccante e ben inchiostrata che si trattava di una prodezza quindi inserire incisioni su acciaio nel testo e che questa edizione è stata particolarmente accurata. Una delle opere più iconiche di romanzi di Balzac, nel quale illustra la sua teoria con forza di volontà e desiderio, dove un uomo consuma la propria vita per la potenza dei suoi desideri. - [FRENCH VERSION FOLLOWS] Première édition illustrée, en premier tirage, de 100 vignettes sur acier de Gavarni, Baron, Lange... L'édition contient bien certaines caractéristiques du tout premier tirage stipulées par Clouzot : Vignette du squelette tirant un homme en arrière en page de titre, la vignette du jardinier se trouve en p. 303 par contre. Les portraits de Pauline et Foedora ont été tirés en sus sur chine monté ; ils ne se trouvent que dans certains exemplaires, sans être rares précise Clouzot. Reliure en demi veau brun romantique d'époque. Dos lisse orné de fers et d'un fer en long. Roulette en queue et tête. Une fente au mors supérieur dans le premier tiers sur 6 cm. une fente au mors inférieur en tête sur 1 cm. Un accroc en queue avec manque. Exemplaire particulièrement frais, avec quelques très rares pâles rousserus en marge, sur un papier bien blanc, très appréciable. Clouzot note : "Ouvrage assez souvent piqué, difficile à rencontrer en belle condition." L'illustration est fort belle et piquante et fort bien encrée, on notera que ce fut un exploit alors d'insérer des gravures sur acier dans le texte et que cette édition fut particulièrement soignée. Un des romans les plus emblématiques de l'oeuvre de Balzac, dans lequel celui - ci illustre avec force sa théorie de la volonté et du désir, où un homme consume sa propre vie par la puissance de ses désirs.

      [Bookseller: Librairie Le Feu Follet]
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        Ruy Blas - Les Burgraves

      1838. Delloye , Paris 1838 - 1843, 14x21,5cm, 2 volumes in - 8 reliés en 1. - Delloye , Paris 1838 - 1843, 14x21,5cm, 2 volumes in - 8 reliés en 1. - Prima edizione di Ruy Blas con il titolo a Parigi e Lipsia, edizione originale primo stato senza menzione per The Burgravi. Il legame di tempo biondo metà polpaccio, torna con quattro nervi decorate con reti dorate reti tratteggiate e freddo, con un fregio d'oro greca Lunghezza di contreplats posteriori guardie e reso carta. Alcuni foxing. L'invio autografo firmato da Victor Hugo a Madame Mareuil che ha creato il personaggio di Casilda a Ruy Blas. Firma del comico M. Montdidier (che ha creato il conte di Camporeal) nella prima pagina del testo. Provenienza: Biblioteca di Madame Mareuil. Copia preziosa e bella elegante tempo vincolante e con una dedica autografa di Victor Hugo per la sua attrice entourage [FRENCH VERSION FOLLOWS] Edition originale de Ruy Blas avec le titre à l'adresse de Paris et Leipzig, édition originale en premier état sans mention pour Les Burgraves. Reliure de l'époque en demi veau blond, dos à quatre nerfs orné de filets, pointillés dorés et de filets à froid, frise à la grecque dorée en pied des dos, contreplats et gardes de papier à la cuve. Quelques rousseurs. Envoi autographe signé de Victor Hugo à Madame Mareuil qui a créé le personnage de Casilda dans Ruy Blas. Signature du comédien M. Montdidier (qui créa le Comte de Camporeal) sur la première page de texte. Provenance: de la bibliothèque de Madame Mareuil. Précieux et très bel exemplaire en élégante reliure du temps et comportant une dédicace autographe de Victor Hugo à une comédienne de son entourage  

      [Bookseller: Librairie Le Feu Follet]
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        (Oeuvres:) Du Pape. 2 volumi - Considérations sur la France. - Principe générateur de Constitutions Politiques. - Les Soirées de St.Petersbourg. - Examen de la Philosophie de Bacon. - De l'Eglise Gallicane. - Les Délais de la Justice Divine. - Lettres sur l'Inquisition Espagnole. - LYON, Pélagaud, 1830 a 1838

      1838. 9 volumi in - 8, bella legatura coeva piena pelle marbrée, dorsi ornati e con titoli oro, tagli mamorizzati. In edizione originale l'Examen de la Philosophie de Bacon. Importante raccolta postuma che permette una visione d'insieme della teorizzazione del pensiero controrivoluzionario del De Maistre, celebre scrittore e filosofo savoiardo (1745 - 1821). Come afferma nella sua opera Del Papa, edita per la prima volta nel 1819, solo la Chiesa cattolica e la figura papale sono in grado di poter garantire l'ordine sociale. Per le sue riflessioni è considerato il massimo teorico del pensiero politico e filosofico della Restaurazione. Ottimo esemplare.

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Bella oleografia originale raffigurante una scena dell'opera "Tosca" di Giacomo Puccini. inizi XX secolo.

      1838. Oleografia originale in formato cm.53x78, raffigurante la scena della morte di Scarpia per mano di Floria Tosca alla fine del secondo atto dell'opera pucciniana. Gradevole policromia, in cornice coeva lavorata a mano, in formato cm.74x99, con cimasa. Insieme di notevole impatto visivo. L'oleografia è una stampa eseguita da matrici di pietra litografica, generalmente marna calcarea, mediante l'utilizzo di inchiostri grassi che, una volta asciutti, mantengono una lucidità tipica del colore a olio. Il procedimento consiste nella sovrapposizione di più immagini di diversi colori tracciate su lastre di pietra diverse: il prodotto finito può dare quindi l'illusione di essere un vero dipinto. Nata nel 1838, la tecnica oleografica permetterà un'ampia diffusione di immagini religiose, storiche, operistiche o popolari, grazie ad una capillare distribuzione casa per casa, svolta principalmente da venditori ambulanti, soprattutto trentini. Codice libreria 127270.

      [Bookseller: Studio Bibliografico Pera]
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        Oliver Twist; or, the Parish Boy's Progress. By "Boz.

      London: Richard Bentley,, 1838. 3 volumes, octavo (186 × 116 mm). Bound in late 19th-century red half calf, marbled sides, black morocco labels to spines lettered gilt, decoration to spines gilt. 24 etched plates by George Cruikshank including the "Fireside" plate (facing p. 313 in vol. III). Half-titles to Vols. I and II, as issued; initial advert leaf to Vol. III. Ownership signature to title page of each volume. Spines faded, board edges bumped, extremities lightly rubbed and worn, sides a little scuffed, contents lightly foxed, repair to inner margin of first gathering of Vol. I. A very good set. First edition, first issue, with Boz title pages and the "Fireside" plate. Bentley rushed Oliver Twist out in book form before serialization was complete, forcing Cruikshank to hurry the last few plates. Dickens disliked the final "Fireside" plate and asked Cruikshank for a new design, the "Church" plate. He also decided that he no longer wished to be styled "Boz". The first issue, as here, was published on 9 November; the second, with cancel titles, omitting the sub-title and giving Dickens's name as the author, and with the "Church" plate at the end, was issued on 16 November.

      [Bookseller: Peter Harrington]
 40.   Check availability:     Biblio     Link/Print  


        Memoirs of Joseph Grimaldi

      London: Richard Bentley, 1838. FIRST EDITION FIRST ISSUE. 2 vols., no border around the last plate in Vol 2 and 36 pp. of adverts, illustrated by George Cruikshank. Bound in the publisher's original pink floral patterned cloth, inner and outer hinges fine, head and foot of spine fine, spines slightly sunned, mild general handling, still a VERY GOOD copy.

      [Bookseller: D&D Galleries - ABAA]
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        China: its State and Prospects,

      London: John Snow,, 1838. With especial reference to the spread of the Gospel: containing allusions to the antiquity, extent, population, civilization, literature, and religion of the Chinese. Octavo (225 x 140 mm). Original vertically-ribbed green cloth, rolled bands to spine in blind, second and fourth compartments gilt-lettered direct, covers decoratively panel-stamped in blind, yellow surface-paper endpapers. Colour frontispiece, vignette title page, 5 wood-engraved plates, all by G. Baxter; folding area map. Contemporary bookseller's ticket of W. H. Dalton, Charing Cross to front pastedown. Tips lightly bumped, frontispiece and final plate supplied from a shorter copy, the images entirely retained, very occasional mild foxing, slightly stronger towards rear. A very good copy. First edition. Medhurst (1796-1857) left Britain for Malacca in September 1816, intending to work as a missionary at the Anglo-Chinese College. "Medhurst proved an efficient if independently minded missionary. He was too energetic to be confined to the college and, after a disagreement, left in September 1820 for Penang, and began his own mission station. At the end of 1821 he moved to Batavia, where his only surviving son, [noted consul] Walter Henry Medhurst, was born in 1822 ? In 1829?30 Medhurst journeyed in Java and Bali, and in 1835 along the Chinese coast and even to Shanghai, then still a closed port. In 1836 he returned to Britain, where he wrote China, its State and Prospects, published in 1838, with a view to stimulating interest in Chinese missions, and especially in a new translation of the Bible into Chinese, later known as the Delegates' Version, a work he accomplished with the co-operation of friends between 1847 and 1850" (ODNB). Provenance: inscribed to "T. J. Knowlys, from his affection friend, ?HS" on the front pastedown, and with the ownership inscription of H. B. Knowlys, dated 1886 to the front free endpaper. Thomas John Knowlys (b. 1803) was born to a minor London family and in married 1828 married Anna Hesketh, whose brother, the future Sir Peter Hesketh-Fleetwood (1801-1866) he had probably met while a student at Trinity College, Oxford. They settled at the Heskeths' Heysham Hall in Lancashire, and Knowlys seems to have thereafter led the life of unremarkable country squire, serving as a local magistrate, contributing to gardening journals and winning county archery competitions. One of their daughters was Florence Everilda Goodreve (1861-1915), who became a noted composer and lyricist.

      [Bookseller: Peter Harrington]
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        THE MILITARY CODE OF THE STATE OF ALABAMA, WITH AN APPENDIX...

      Tuscaloosa: Ferguson & Eaton, 1838. 136pp. Modern half morocco and marbled boards, spine gilt with leather label. Ownership inscription on titlepage. Light foxing and soiling. Very good. The rare military code for the state of Alabama. The text includes constitutional provisions, organizational guidelines, training and exercises, regulations for war, duties and privileges, penalties and fines, information on courts martial, as well as oaths against dueling. Scarce, with about ten copies in OCLC, but none recorded in commerce. AII (ALBAMA) 271.

      [Bookseller: William Reese Company - Americana]
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        The Military Code of the State of Alabama, with an Appendix.

      Ferguson & Eaton, Tuscaloosa 1838 - 136pp. Modern half morocco and marbled boards, spine gilt with leather label. Ownership inscription on titlepage. Light foxing and soiling. Military Code of Alabama in 1838 The rare military code for the state of Alabama. The text includes constitutional provisions, organizational guidelines, training and exercises, regulations for war, duties and privileges, penalties and fines, information on courts martial, as well as oaths against dueling. Scarce, with about ten copies in OCLC, but none recorded in commerce. American Imprints Inventory (Alabama) 271. [Attributes: Hard Cover]

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        THE MILITARY CODE OF THE STATE OF ALABAMA, WITH AN APPENDIX.

      Tuscaloosa: Ferguson & Eaton, 1838. - 136pp. Modern half morocco and marbled boards, spine gilt with leather label. Ownership inscription on titlepage. Light foxing and soiling. Very good. The rare military code for the state of Alabama. The text includes constitutional provisions, organizational guidelines, training and exercises, regulations for war, duties and privileges, penalties and fines, information on courts martial, as well as oaths against dueling. Scarce, with about ten copies in OCLC, but none recorded in commerce. AII (ALBAMA) 271.

      [Bookseller: William Reese Company - Americana]
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        Neueste topographisch-statistische Beschreibung des Tegern- und Schlier-Sees; des Wildbades Kreuth und dessen Umgebungen.

      Mchn., Lindauer, 1838. 2. Ausgabe. 20,5 x 12,5 cm. 4 Bl., IV, 104 S. Mit 1 lithographierten gefalt. Tafel und 1 gefalt. gestoch. Karte. Pp. d. Zt. mit Rsch. Lentner 10749 und 16624: \"Selten u. gesucht!\". - Es gab \"bisher durchaus keine specielle Beschreibung des ... Tegern- und Schlier-Sees aufzuweisen\", deshalb ließ sich der Verfasser \"um so mehr sehr in`s Detail\" ein (Vorwort). - Die Lithographie von Gustav Kraus zeigt eine Gesamtansicht von Tegernsee. Die Kupferstichkarte von C. Schleich umgeben von 17 kleinen Ansichten. - Einband berieben. Titel mehrfach gestempelt, die Karte auf Leinen aufgezogen. Versand D: 6,00 EUR BAYERN, Oberbayern, Reisebeschreibungen, Volkskunde

      [Bookseller: Antiquariat Bierl]
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