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Displayed below are some selected recent viaLibri matches for books published in 1835

        "Ansicht der Stadt Scheer". Gesamtansicht über die Donau, im Vordergrund elegante Kutsche.

      . Aquatinta von R. Bodmer nach H. Locher bei Locher, Zürich, um 1835, 17 x 25 cm.. Nebehay-Wagner 371, 14; Schefold 6859. - Aus der seltenen Folge "Malerische Reise der Donau" von J.H. Locher, um 1830. - Breitrandig.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        "Ansicht von Ulm". Gesamtansicht die Donau entlang, auf dem Fluß Ulmer Schachtel und Boot.

      . Aquatinta von R. Bodmer nach H. Neukom bei Locher, Zürich, um 1835, 17 x 25 cm.. Nebehay-Wagner 371, 12; Schefold 9815. - Aus der seltenen Folge "Malerische Reise der Donau" von J.H. Locher, um 1830. - Breitrandig.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Memoires de Luther, Ecrits par Lui-Meme

      Paris - LibrairieClassique de L. Hachette, 1835. Paris - LibrairieClassique de L. Hachette, 1835 Book. Very Good. Hardcover. The fascinating memoirs of Martin Luther, translated and put in order by the eminent French historian Jules Michelet. Preceeded byan essay on thehistory of religion. Followed by biographies of Wicleff, Jean Huss, Erasme, Melanchton, Hutten and other predecessors and contemporaries of Luther. Complete in two volumes. Jules Michelet (1798-1874) was a French historian. When the revolution broke out, Michelet, unlike many other men of letters, did not attempt to enter active political life, and merely devoted himself more strenuously to his literary work. Uncompromisingly hostile as Michelet was to the empire, its downfall and the accompanying disasters of the country spurred him into activity. Not only did he write letters and pamphlets during the struggle but when it was over he set himself to complete the vast taks of his two great histories, which he accompanied with numerous other books, chiefly of erudition, such as the uvres choisies de Vico, the Mmoires de Luther crits par lui-mme, the Origines du droit franais, and somewhat later the le Procs des Templiers. Condition: In half calf bindings with marbled boards. Externally sound although somewhat rubbed. The hinges are slightly strained but holding firm. Internally, firmly bound. Bright throughout with light scattered foxing, particularly to first and last few pages as usual. Copperplate ink signatures to front free-endpapers. Overall: GOOD..

      [Bookseller: Rooke Books]
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        Elements of Political Economy

      Andover : Gould And Newman 1835 - Physical desc. : xi, [13]-324 p. ; 19 cm. Subject: Economics. Referenced by: OCLC 18674245. Full contemporary analine calf, recased. Gilt cross-bands with the original, contrasting gilt-blocked Morocco lable laid back. An exceptional copy - scans and additional bibliographic detail on request. 1 Kg. 324 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: MW Books Ltd]
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        Norges Dæmring. Et polemisk Digt. Anden Udgave. MEDBUNDET bl. a. 3 skrifter av Nicolai og Henrik Wergeland.

      Chra., Johan Dahl. 1835. 8vo. Samtidig shirtingryggbind med marmorerte dekler. 81, (3 blanke) s. MEDBUNDET : (N. Wergeland :) Forsvar for det norske Folk og udførlig Kritik over Det berygtede Skrift Norges Dæmring af Forfatteren til Retfærdig Bedømmelse af Henr. Ws. Charakteer og Poesie. Chra. Trykt i H. T. Winthers Officin af C. Christophersen. 1835. 131, (1) s. MEDBUNDET : (Andr. Stenersen :) Motiveret Protest imod Skriftet : "Forsvar for det Norske Folk" etc. Chra. Johan Dahl. 1836. (2), 108 s. MEDBUNDET : (N. Wergeland :) Tillæg til "Forsvar for det Norske Folk og Kritik over Norges Dæmring" eller Svar paa "Motiveret Protest imod Forsvaret for det Norske Folk" af Førstnævnte Skrifts Forfatter. Chra. Paa J. W. Cappelens Forlag. 1836. 104 s. (1), (1 blank) s. MEDBUNDET : (Henrik Wergeland :) Papegöien, et Fastelavnsriis af Siful Sifadda. Chra. Trykt hos Frederik L. Steen. 1835. 43 , (1 blank) s.. Et interessant samlebind. Slitt ved kapitélene og hjørnene

      [Bookseller: Damms Antikvariat]
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        Vue de La Ville de Pizzighitone / A l'approche des troupes Francaises, cette place se rend a discretion / 12 Mai 1796

      Pizzighettone (CR) 1835 - Grande veduta a volo d'uccello della cittadina con l'avanzata dei francesi che entrano in Pizzighettone mm 495x790

      [Bookseller: Sergio Trippini]
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        Histoire naturelle des animaux sans vertèbres, présentant les caractères généraux et particuliers de ces animaux, leur distribution, leurs classes, leurs familles, leurs genres, et la citation des principales espèces qui s'y rapportent.

      Paris, Baillière 1835 - 11 volumes in-8. Collation : Demi-basane bleue, dos orné. (Reliure de l'époque.) Le premier tableau complet qui ait jamais été donné des invertébrés. C'est une version beaucoup plus étendue du "Système des animaux sans vertèbres" (1801), qui avait paru en un seul volume. Cette "Histoire naturelle des animaux sans vertèbres" a été publiée une première fois (1815-1822) en 7 volumes. C'est donc une version plus étendue, revue et augmentée de notes par Deshayes et Milne Edwards et le concours de Dujardin pour les radiaires et les tuniciers, et de Nordmann pour les vers. Dans l'introduction, qui occupe presque tout le premier volume, Lamarck expose les quatre lois de sa théorie de l'évolution. En systématique, Lamarck a séparé les araignées et les crustacés, des insectes. Il est avant tout l'inventeur de la distinction entre vertébrés et invertébrés. Cet ouvrage a conservé jusqu'à aujourd'hui une certaine valeur comme point de départ pour des recherches en systématique. Landrieu, Lamarck pp. 239 et suivantes. Reliures légèrement usées aux coiffes et aux charnières, papier un peu roussi, mais assez bel exemplaire. // You can browse all my books on [Attributes: Soft Cover]

      [Bookseller: Hugues de Latude]
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        Le livre des récompenses et des peines, en chinois et en français, accompagné de quatre cent légendes, anecdotes et histoires qui font connaitre les doctrines, les croyances et les mœurs de la secte des Tao-ssé,

      P. et London, Orientl Translation Fund 1835, - in-8, XVI-531 pp., reliure bradel papier, dos orné de filets dorés, pièce de titre (reliure moderne). A chaque sentence en chinois, est associé la traduction française, des commentaires et une ou plusieurs histoires tirées de la littérature chinoise et en donnant une illustration. Quelques pâles rousseurs sans gravité.

      [Bookseller: LIBRAIRIE L'OPIOMANE]
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        Treatises on the High Veneration Man?s

      London - John Hatchard & Son, 1835. London - John Hatchard & Son, 1835 Book. Very Good. Hardcover. A re-bound copy of this 1835 edition of Treatises by Robert Boyle. With an introductory essay by Henry Rogers. Robert Boyle published a number of treatises in which he sought to reconcile Christian belief with current thought, especially in relation to the sciences. (David Arthur Pailin). Condition: This has been re-bound in a modern blue cloth binding with faded 'Treatises' on the spine. Externally, smart with some shelfwear and handling marks only. Internally, firmly bound. Front and end pages browned and stained. Pages generally bright and clean. Damp stained portrait of Boyle facing title-page; two faded inky fingerprints on p. 87. Overall: VERY GOOD..

      [Bookseller: Rooke Books]
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        Essays of Elia, to Which are Added: Letters, and Rosamund, a Tale

      Paris - Baudry's European Library, 1835. Paris - Baudry's European Library, 1835 Book. Very Good. Hardcover. First edition. A first edition of Lamb's famous essays, in acontemporary leather binding. First Edition. Essays of Elia is a collection of essays written by Charles Lamb; it was first published in book form in 1823, with a second volume, Last Essays of Elia, issued in 1833 by the publisher Edward Moxon. The essays in the collection first began appearing in The London Magazine in 1820 and continued to 1825. Lamb's essays were highly popular and were printed in many subsequent editions throughout the nineteenth century. The personal and conversational tone of the essays proved to be a big hit. Lamb himself is the Elia of the collection, and his sister Mary is 'Cousin Bridget'. Condition: In a half calf binding with marbled boards. Externally, a trifle rubbed. Front joints cracked but firm. Internally, firmly bound although front free endpaper detached but present. Foxing throughout as usual due to the paper used in the first. Tidemarks to the top margin of the first and last few pages. Overall: GOOD ONLY..

      [Bookseller: Rooke Books]
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        in Baiern. Mit besonderer Rücksicht auf die Vaterlandsgeschichte. Bearbeitet von Mehreren.

      Landshut, Manz, 1835.. 21 x 13 cm. IV, 414 S., 1 Bl. Mit gestoch. Frontispiz, Titelvignette und 5 mehrf. gefalt. Kupfertafeln von Heinrich Adam bei Ph. Krüll. HLwd. d. Zt. mit Rsch.. Lentner 15650: "Äusserst selten; fehlt bei Pfister! Das Werk ist die erste und am meisten geschätzte Geschichte der Stadt Landshut, eine verdienstvolle Zusammenfassung u. Vollendung der von Meidinger, Reithofer u. Staudenraus schon früher hrsg. Chroniken und Aufsätze". - Das Frontispiz zeigt die Martinskirche, die Titelvignette eine Ansicht der Burg Trausnitz. Die gefalteten Tafeln (ca. 19 x 32 cm) von Heinrich Adam zeigen drei Gesamtansichten (von der Morgen- und Mittagseite und von der Höhe des Hofgartens aus), jeweils mit reizender Personenstaffage im Vordergrund, sowie die Bergschlucht mit der Aussicht gegen Altdorf und das Universitätsgebäude. - Einband etwas berieben. Titel gestempelt. Textseiten teils gering gebräunt. Die Tafeln sehr sauber. Prächtig ausgestattete, seltene Chronik, die ein eindrucksvolles Bild der historischen Entwicklung Landshuts gibt.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Oeuvres de Mirabeau

      Paris - Lecointe et Pougin, 1835. Paris - Lecointe et Pougin, 1835 Book. Very Good. Hardcover. The eighth volume of the works of Honor Gabriel Riqueti, comte de Mirabeau. Mirabeau (9 March 1749 2 April 1791) was a French revolutionary, as well as a writer, diplomat, journalist and French politician. He was a popular orator and statesman. During the French Revolution, he was a moderate, favouring a constitutional monarchy built on the model of Great Britain. He unsuccessfully conducted secret negotiations with the French monarchy in an effort to reconcile it with the Revolution. Includes his first literary work, the bombastic but eloquent Essai sur le despotisme; or 'Essay on Depotism'. A very scarceexample of this work. Condition: In a quarter crushed morocco binding with cloth covered boards. Externally, sound with some slight wear tothe extremities and to thebackstrip in places. Hinges have been neatly repaired. Internally, firmly bound. Some very occasional patches of spotting, otherwise clean and bright. Library labelfrom Nottingham Public Librariesto front free endpaper, blind stamp and ink stampto title page with occasional further stamps throughout. Overall: GOOD..

      [Bookseller: Rooke Books]
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        Praktische Anweisung zur Feldmeßkunst mit der Kette, dem Meßtische und Winkelspiegel zur Selbstbelehrung für alle, welche mit den ersten Lehren der Arithmetik und Geometrie nicht ganz unbekannt sind.

      Leipzig, J. C. Hinrichs, 1835.. VI, (2), 80 SS. Mit 9 mehrf. gefalt. lithogr. Tafeln. Rehbrauner Lederband der Zeit mit goldgepr. Rückenschildchen und Rücken- sowie prächtiger Deckelvergoldung mit Wappensupralibros (bayerisches Wappen). Stehkantenvergoldung; dreiseitiger Goldschnitt. Buntpapiervorsätze. 8vo.. Außerordentlich attraktiver Schulpreisband; am Vorsatz hs. Widmung für Ludwig von Bar, "Schüler des II. Kursus der Landwirthschafts- und Gewerbsschule Freysing" (dat. 7. IX. 1839), unterzeichnet vom Rektor Dr. Kinderen und mit Schulstempel. - Text etwas gebräunt (die Tafeln stärker und mit kl. Feuchtigkeitsspur). - Nicht bei Engelmann (Bibl. mech.-tech.).

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        An Historical Essay on Architecture and Illustrations to Hope's Essay on Architecture

      London - John Murray, 1835. London - John Murray, 1835 Book. Very Good. Hardcover. The second edition of Hope's eminent essay on Architecture, scarce with the essay and illustrations together. Complete in Two Volumes. Volume One contains the essay and Volume Two contains the illustrations. Illustrated from Drawings made by him in Italy and Germany. With Ninety-Seven Plates, collated, complete. Hope mastered the vast knowledge of classical art and architecture accumulated in the eighteenth century in order to interpret and publicize it. He did as much as anyone in England to promote neo-classicism but his interests were wider and more complex; he was equally a proponent of the English picturesque and linked both as valid components of a wider Romantic movement -ODNB. Condition: In a cloth binding, with gilt reference numbers to the spine. Externally, slightly bumped, with slight soiling. The joints are juststarting but still firm. The hinges arestarting with the front hinge of volume two strained. Internally, volume one is generally firmly bound, andin volume two, the bindingis slightly strained in places, with the first two plates only partially attached. There is light browning to thepage edges of volume one, with occasional light spots or marks. In volume two, there is scattered foxing to the plates. There are tidemarks to the fore-edge margin of the first few plates in volume two, that slightly affect the illustrations. There are library blindstamps to several pages in volume one, and to each plate of volume two, with lending bookplates and some ink marksto the pastedowns. Overall: GOOD ONLY..

      [Bookseller: Rooke Books]
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        Ideen-Magazin für Architecten, Künstler und Handwerker die mit der Baukunst zu thun haben (...). In englischen, italienischen, gothischen, türkischen persischen, indischen und sinesischen Geschmack. Neue vermehrte Auflage. Band 1, Hefte 1-12; Bd. 2, H. 1-12.; Bd. 3, H. 1-3. Zus. 27 Hefte in 1 Band.

      Leipzig, Baumgärtner, 1835-, 1836.. 4°, circa 27 x 23 cm. Mit gestochenem Titel und 162 Kupfertafeln Neuerer Halblederband mit Rückenvergoldung (Original-Lieferungsumschläge mit eingebunden). Nicht im Ornamentstichkat. Berlin. - Grohmanns erfolgreiches "Ideenmagazin für Liebhaber von Gärten" (1796-1806) veranlasste den Leipziger Verlag Baumgärtner eine neue Ausgabe herauszugeben, die etwas weniger luxuriös, was Papier und Kolorierung angeht, einem breiteren Publikum zugänglich gemacht werden sollte. Weitestgehend wurden neue Entwürfe abgebildet und aus der Urfassung nur Entwürfe übernommen, die um 1835 noch für 'zeitgemäß' gehalten wurden. - Die Kupfer zeigen Landhäuser, Badehäuser, Tempel, Fischerhütte, Gartenhäuser, Gärtner- oder Jägerwohnung, Gartenbänke u. Gartenmöbel, Vasen, Pavillons, Zäune, Tore, Säulen, Spaliere, Bootshäuser, Brücken etc., häufig mit Grundrissen. - Insgesamt erschienen bis 1845 fünf Bände mit jeweils 12 Heften. - Wie meist etwas gebräunt oder braunfleckig, sonst schönes Exemplar in einem dekorativen Einband.

      [Bookseller: Antiquariat Thomas Rezek]
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      Imp de Tomas Nuñez Amor - Madrid 1835. 476 pág mas un desplegable al final de la Obra. 23x17. Primer tratado y primera edición de los proyectos y estudios de todos los ferrocarriles de España.Rarisimo y difícil en comercio. Una autentica Obra historica. Ref 8.5 Biblioteca A. Buen estado de la Obra. [Attributes: Hard Cover]

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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        A Winter in the Far West

      London - Richard Bentley, 1835. London - Richard Bentley, 1835 Book. Very Good. Hardcover. First edition. A relatively scarce set of A Winter in the Far West by C. F. Hoffman written in a series of fifty letters. First edition. In two volumes complete. With a preface to front and an Appendix to rear of first volume and with a further Appendix to rear of second volume. 'In preparing these letters for publications, the author has thought it proper to illustrated some of the facts contained in them by observations derived from other sources, or made subsequent to their date. These additions the writer has preferred to place in an Appendix, rather than embody them with the original matter. . . 'An detailed account of C. F. Hoffman's travels across America, and in particular his observations of the West during wintertime. Condition: In half calf binding with marbled paper covered boards. Externally, sound but with some bumping and wear to extremities, loss to backstrip to volume one, backstrip also lifting and spine label absent, slight rubbing, marks and stainsto boards. Two hinges strained. Internally, text blocks firmly bound. Bright but with foxing to endpapers and occasional spots to pages, otherwise clean. Overall: Externally: GOOD ONLY, Internally, VERY GOOD.

      [Bookseller: Rooke Books]
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        Les Ornemens de la Memoire

      Paris - Corbert Aine, 1835. Paris - Corbert Aine, 1835 Book. Very Good. Hardcover. The scarce fifth edition of this collection of poetry from celebrated French authors. With engraved frontispiece. In French. Including poems by Horace, Racine, La Fontaine and many more. Condition: In a decorative blind-stamped morocco binding. Externally sound, though with some rubbing and wear to the head and tail of the spine. Internally, generally firmly bound although slightly strained in places. Front endpapers have been previously removed. Pages are bright, though with some tidemarks to the first few pages and patches of foxing throughout. Overall: GOOD ONLY..

      [Bookseller: Rooke Books]
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        The Poetical Works of Thomas Gray

      53 - London - William Pickering, 1835. 53 - London - William Pickering, 1835 Book. Very Good. Hardcover. An elegant set of The Poetical Works of Thomas Gray. Complete in five volumes. There is an engraved portrait of Gray to the verso of front free-end paper in volume I. Volume I also contains an essay on the life of Thomas Gray by John Mitford, followed by poems, posthumous poems and fragments, extracts and poemata. Volume II contains an essay on the poetry of Gray by John Mitford, followed by Gray's letters. Volume III contains more of Gray's letters. Volume IV contains more letters, an appendix andcriticisms on architecture and painting. Volume V finally contains reminiscences and correspondence of Gray, notes by the editor, extracts from a poem on the aphabet by Gray and observations on English metre by Gray. Thomas Gray (26 December 1716 30 July 1771) was an English poet, letter-writer, classical scholar and professor at Cambridge University. He is widely known for his Elegy Written in a Country Churchyard, published in 1751. Gray began seriously writing poems in 1742, mainly after his close friend Richard West died. He moved to Cambridge and began a self-imposed programme of literary study, becoming one of the most learned men of his time, though he claimed to be lazy by inclination. Gray was a brilliant bookworm, a quiet, abstracted, dreaming scholar, often afraid of the shadows of his own fame. He became a Fellow first of Peterhouse, and later of Pembroke College, Cambridge. Gray spent most of his life as a scholar in Cambridge, and only later in his life did he begin travelling again. Although he was one of the least productive poets (his collected works published during his lifetime amount to fewer than 1,000 lines), he is regarded as the foremost English-language poet of the mid-18th century. In 1757, he was offered the post of Poet Laureate, which he refused. Gray was so self-critical and fearful of failure that he published only thirteen poems during his lifetime. He once wrote that he feared his collected works would be mistaken for the works of a flea. Gray came to be known as one of the Graveyard poets of the late 18th century, along with Oliver Goldsmith, William Cowper, and Christopher Smart. Gray perhaps knew these men, sharing ideas about death, mortality, and the finality and sublimity of death. Condition: In green crushed Morocco leather bindings with gilt embellishment to the spine and triple gilt ruled edges to the boards. The edges of the leaves are gilt. Externally, sound with slight rubbing. Corners are worn on all volumes. There is some damage to the leather on the spines on all volumes. Front boards are detached on volumes I and II. Internally, generally firmly bound. Front hinge is tender on volume V. Pages are generally bright with some scattered light foxing. End-papers are marbled on all volumes. There are two bookplates to the front pastedown and recto of front free-end paper on all volumes, and to the rear pastedown on volumeV. Overall: GOOD ONLY..

      [Bookseller: Rooke Books]
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        [Opera]. Accurantibus D. A. B. Caillau [...] Tomus primus (-quartus).

      Paris, Parent-Desbarres, 1835-1840.. 4 Bde. Rote Halblederbände der Zeit mit goldgepr. Rückentitel. 8vo.. In sich abgeschlossene lateinische Werkausgabe des Hl. Gregor v. Nazianz. Erschienen innerhalb der Pariser "Collectio selecta SS. Ecclesiae Patrum" (Bd. 49-52). - Einbände an Ecken und Kanten minimal bestoßen; innen papierbedingt teils etwas braunfleckig. Titel verso mit alten Stempeln der "Paters Assumptionisten Heide Huis Nijmegen". Insgesamt ansprechende Reihe.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        France Pittoresque ou Description Pittoresque, Topographique et Statistique des Departements et Colonies de la France Offrant en Resume pour Chaque Departement et Colonie

      Paris - Delloye, 1835. Paris - Delloye, 1835 Book. Very Good. Hardcover. France Pittoresque ou Description Pittoresque, Topographique et Statistique des Departements et Colonies de la France Offrant en Resume pour Chaque Departement et Colonie Tome Premierby A. Hugo. Illustrated with plates and maps some of which fold out. Volume one of three. In French. L'histoire, les antiquities, la topographie, la mtorologie, l'histoire naturelle, la division politique et administrative, la description particulaire des villes, bourgs, communes et chateaux, celle des moeurs, coutumes et costumes, etc. ; avec des notes sur les langues, idiomes et patois, sur l'instruction publique et la bibliographie locale, sur les hommes clebres etc,; et des renseignments statistiques sur la populations, l'industrie, le commerce, l'agriculture, la richesse territoriale, les imputs, etc. etc. ; accompagne de la statistiquegnrale de la France sous la repport politique, militaire, judiciaire, financier, moral, mdical, agricole, industriel et commercial. Condition: In a cloth binding. Externally, smart but with slight wear to extremities, odd marks and slight rubbing to boards. Internally, generally firmly bound but with slight straining in places and the odd plate detached. Bright but with occasional scattered foxing and handling marks and marginal fading to endpapers. Overall: VERY GOOD.

      [Bookseller: Rooke Books]
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        The Complete Angler of Izaak Walton and Charles Cotton

      London - J. Major, 1835. London - J. Major, 1835 Book. Very Good. Hardcover. First edition. A fantastic seventeenth-century literary ode to fishing, reprinted by J. Major in the early 1800s. Rare in the publisher's original boards. Housed in a custom cloth case. Third Edition thus. With a frontispiece and numerous further plates, as well as illustrations in the text: 'extensively embellished with engravings on copper and wood, from original paintings and drawings by first-rate artists'. To which are added an introductory essay; the linnaean arrangement of the various river fish delineated in the work, and illustrative notes. The Compleat Angler was first published in 1653, but Walton continued to add to it for a quarter of a century. It is a celebration of the art and spirit of fishing in prose and verse; 6 verses were quoted from John Dennys's 1613 work Secrets of Angling. It was dedicated to John Offley, his most honoured friend. There was a second edition in 1655, a third in 1661 (identical with that of 1664), a fourth in 1668 and a fifth in 1676. In this last edition the thirteen chapters of the original have grown to twenty-one, and a second part was added by his friend and brother angler Charles Cotton, who took up Venator where Walton had left him and completed his instruction in fly fishing and the making of flies. Walton did not profess to be an expert with the fly; the fly fishing in his first edition was contributed by Thomas Barker, a retired cook and humorist, who produced a treatise of his own in 1659; but in the use of the live worm, the grasshopper and the frog Piscator himself could speak as a master. The famous passage about the frog, often misquoted as being about the wormuse him as though you loved him, that is, harm him as little as you may possibly, that he may live the longerappears in the original edition. The additions made as the work grew did not affect the technical part alone; happy quotations, new turns of phrase, songs, poems and anecdotes were introduced as if the leisurely author, who wrote it as a recreation, had kept it constantly in his mind and talked it over point by point with his numerous brethren. The best-known old edition of the Angler is J Major's (2nd ed. , 1824). Condition: Rebacked in cloth with original paper boards and spine and paper spine label. In a folding clothcase. Externally, the case is sound, two joints just starting. The book itself is very sound, some rubbing and loss to the original paper. Front hinge held firmly but by cords only. Internally, firmly bound. Pages are bright and clean, just the odd spot, the plates are bright but with heavier spotting. Dusting to the top textblockedge. Off-setting from the frontis to the title, and from the plates. Ownership label of Ainslie (Rolls) Heirloom, and copperplate ink signature dated 1842, to front pastedown. Overall: VERY GOOD with a VERY GOOD cloth case..

      [Bookseller: Rooke Books]
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        Posthumous Works of

      Printed by W. B. for A. and J. Churchill Printed by W. B. for A. and J. Churchill. First edition.. Edges a little rubbed; hinges starting, but cords holding; one leaf with a clean tear, but no loss of text; fine, clean copy with generous margins.. Yolton 299; NCBEL II, 1835; Pforzheimer 609. 8vo, contemporary Cambridge style sprinkled calf, gilt decorated and lettered spine. Six substantial pieces compiled by Lockeâ??s literary executors, Peter King and Anthony Collins, with Lockeâ??s instructions, viz: (1) The Conduct of Understanding, (2) An Examination of P. Malebrancheâ??s Opinion . . ., (3) A Discourse on Miracles, (4) Part of a Fourth Letter on Toleration, (5) Memoirs Relating to the Life of Anthony, First Earl of Shaftesbury, and (6) Locke's ingenious New Method of a Common-Place-Book. The latter first appeared in French in 1686 in the Bibliothèque Universelle, and Shaftesbury's memoirs also first appeared in French (1705 in Bibliothèque Choisie). Those two make their first English appearance here, and it is the first appearances in print for the other four. The Conduct of Understanding became very popular and was separately reprinted numerous times.

      [Bookseller: The Brick Row Book Shop ]
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        "Ansicht des Schlosses Wildenstein". Blick über die Donau auf Fachwerkhaus, rechts auf hohem Fels das Schloss.

      . Aquatinta von J. Sperli nach H. Neukom bei Locher, Zürich, um 1835, 16,5 x 24,5 cm.. Nebehay-Wagner 371, 4; Schefold S. 814. - Aus der seltenen Folge "Malerische Reise der Donau" von J.H. Locher, um 1835. - Breitrandig.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        The American Anti-Slavery Almanac, for 1836 - Volume 1, Number 1

      Boston: Webster & Southard, 1835. The very first issue of the Anti-Slavery Almanac. Complete with 48 unnumbered pages including the covers. Cover illustration of "An Emancipated Family" plus two other illustrations: one shows a "Negro Hunt" and the other shows happy African children playing outside their hut just before being captured by slavers. Sound string binding. Clean pages with occasional, very light toning/spoting in the margins. Light wear. This is the first issue of the American Anti-Slavery Almanac. As noted in advertisement in The Liberator, the almanac's purpose was to provide "facts and information concering slavery which cannot fail to render it interesting to friends of Abolition, and a terror to slaveholders." The illustrations published in these almanacs were just as important. As noted by Angelina Grimke, "Until the pictures of the slave's sufferings were drawn and held up to the public gaze, no Northerner had any idea of the cruelty of the system, it never entered their minds that such abominations could exist in Christian, Republican America.". First Printing. Pamphlet. Very Good. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Read 'Em Again Books, ABAA]
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        Memorias dos estabelecimentos portuguezes a l'este do Cabo da Boa Esperanca.

      Lisboa, Nery, 1835.. Broschur der Zeit, fadengeheftet, 8°, (III)-VII, 469 (2) Seiten mit 4 gefalteten Tabellen. Broschur am Rücken eingerissen und mit kleinen Randläsuren, innen sauber, unbeschnittenes Exemplar. Gomes Loureiro diente als portugiesischer Beamter in Mozambique (1798) und ab 1801 in Goa, Indien. Der Großteil des Buches beschäftigt sich mit Goa und dem portugiesischen Indien, ein Teil mit Timor und Mozambique. Themen sind u.a. Kolonialverwaltung, Bevölkerung und Handel..

      [Bookseller: Afrika- und Kolonialantiquariat Welwitsc]
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      [Bookseller: im perraud]
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        seder Haggadah shel Pesach [Passover Hagada,]

      Saul Meyerhoffer, Zolkiew 1835 - 30 leaves. OCLC: Libraries worldwide that own a copy: 2, Yudlov 743. Yaari 537 [Attributes: Hard Cover]

      [Bookseller: Meir Turner]
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        Miss P. Horton as April [Souvenir print]

      London: G. Madeley. London: G. Madeley, [ca. 1835]. How Quickly We Forget the Past [Horton, Priscilla; also known as Priscilla Reed]. Miss P. Horton as April [Souvenir print]. Lithograph by G.E. Madeley. London: G. Madeley, [ca. 1835]. Octagonal lithograph on paper, nicely hand colored. 7 1/2 x 9 1/2", window mounted on matboard. Slight soiling, 1 1/2" closed tear on bottom margin, repaired. This print pictures Horton in the musical opera at the Strand in 1834 called The Twelve Months probably after the text of Gilbert Abbott a Beckett (1811-1856). Figaro in London review of the Twelve Month performance on December 20, 1834: "The third novelty [of the evening] was the piece so long in preparation, called The Twelve Months, which (owing to the excellence of the acting, the extraordinary beauty of the original and selected music, the correctness and splendour of the costume, as well as the excellence of the scenery and the liberal style of all the minor appointments), was eminently successful. . . . Miss P. Horton as April, executed her share of the music admirably, having evidently studied it with great care, and sang a very sweet song, called The Curfew Bell with much taste and sweetness" (p. 204). A popular singer and agile dancer, Priscilla Horton (1818-1895) should be remembered for her Shakespearean acting and for her role--together with her husband--in establishing the German Reed Entertainments. These productions were important in overcoming Victorian attitudes against theatre-going with their reputable and delightful "family entertainment." These productions also produced some of the first operas of Gilbert and Sullivan. Born in Birmingham, Horton began acting at age 10. In London, she sang and danced from an early age at Vauxhall Garden. She attracted notice in 1834 when she played Kate in Sheridan Knowles' The Beggar of Bethnal Green. She acted a brilliant Ariel in W.C. Macready's Twelfth Night in 1839 and again in 1847 for a benefit to buy and preserve Shakespeare's house at Stratford. From 1840 to 1847, Horton joined Benjamin Nottingham Webster's company at the Haymarket Theatre, where she first played Ophelia in 1840. With her beautiful contralto voice she sang as Philadel in Henry Purcell's King Arthur in 1842 and also the role of Acis in Handel's Acis and Galatea. At the Haymarket Theatre from 1843-47, she appeared in many of the Planche Christmas and Easter pieces. During these years, she also created the girl/boy roles of Myrtina/Fortunio in Planche's Fortunio and His Seven Gifted Servants (1843). Paul Buczkowski writes, "Horton brought a lively intelligence to her roles, and was almost as highly lauded in tragedy (for instance, as Ophelia in Hamlet and the Fool in King Lear) as in comedy. She would appear in most of Planche's later works, substantially enriching them." A contemporary publication, The Athenaeum (March 21, 1840) carried the following review of a production of Hamlet: "The only striking novelty in the performance is the Ophelia of Miss P. Horton, which approaches very nearly to the wild pathos of the original in one scene, and is touching and beautiful in all" (p. 238). In 1855, after she had married the composer Thomas German Reed, Horton and her husband began to present "Mr. and Mrs. German Reed's Entertainments," which consisted of brief, small scale, family friendly comic operas. In the early and mid-Victorian era, the respectable middle classes regarded the theatre in general as sinful. Therefore, the Reeds shrewdly called their establishment the "Gallery of Illustration" and their productions "entertainments" to emphasize their refined propriety. From 1869 through 1875, William S. Gilbert wrote six works which were produced for Thomas German Reed's "Gallery of Illustration." References: Buczkowski, Paul, "J. R. Planche, Frederick Robson, and the Fairy Extravaganza," Marvels and Tales: Journal of Fairy Tale Studies 15, no. 1 (2001): 42B65; Figaro in London, vols. 3 4 (1834). A rare print. Not located at the Shakespeare Folger Library, Harvard Theatre College, or the British Museum. A portrait by Daniel Maclies featuring Priscilla Horton as Ariel in The Tempest (oil on panel; 67.5 x 54.5 cm.) can be found in the collection of the Royal Shakespeare Company (see

      [Bookseller: Golden Legend, Inc.]
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        Improvisatoren. Original Roman i to Dele.

      . Orig. udgave. Kbhvn. 1835. [6] + 228 + [4] + 266 + [1] s. Eksemplar med helt guldsnit indbundet i smukt samtidigt helskind af rödt saffian rigt dekoreret med guld pa ryg og permer. Gammelt navn pa friblad, enkelte sider svagt brunplettet. Bindet smukt restaureret. * BFN 264. "Pa baggrund af en raekke glimrende Italienbilleder, det förste vidnesbyrd om hans (Andersens) mesterskab i pittoresk deskription, har digteren i hovedpersonen Antonio givet en let maskeret selvskildring der former sig som et opgör og et selvforsvar af betydelig virkning." (H. Topsöe-Jensen i DBL(3),1,173)..

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        Nytaarsgave fra danske Digtere.

      . Förste-Fierde Aargang. Kbhvn. 1835-38. Med nodebilag samt tre portraetter: Christian Winther, C. Hauch og Henrik Hertz. Orig. papbind i kassetter. Mangler portraet af Heiberg. Gl.n.p.fbl. De förste blade af Anden Aargang plettede. Bind og kassetter med sma brugsspor. * Med bidrag af guldaldertidens kendteste navne, bl.a. H.C. Andersen, St. St. Blicher, B.S. Ingemann, Chr. Winther og Emil Aarestrup..

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        ATLAS, designed to illustrate the Geography of th Heavens.

      - New York, Huntington and Savage, 1835, 37x42cm. Élégante reliure en pleine toile moderne. Couverture collée sur les plats. Ouvrage complet des 8 planches : Plan (exhibiting the relative magnitudes, distances and positions of the different bodies which compose the olar system.), The visible Heavens : January-March, October-December, April-June and July-September, The Heavens in the South Polar regions, The heavens in the North Polar regions. Magnifiques cartes du ciel, dont sept sont en couleurs. Très bel ouvrage, bien relié (moderne). Envoi de photographies sur demande. [Attributes: Hard Cover]

      [Bookseller: Librairie de l'Univers]
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        Atlas, designed to illustrate Geography of the Heavens

      Francis J. Huntington and Co, New York 1835 - comprising the followig maps or plates. .[8]. By Elijah H. Burritt, A.M. New edition.Imperial 4to. 8 engr. plates. Green printed wrappers. Professionally restored. One cover edge tear but otherwise fine. Rare survival with finely hand-colored engraved plates (6 single page; one double-page "Celestial Planisphere, or Map of the Heavens", plus pair of Northern and Southern Circumpolar celestial charts). Very good condition

      [Bookseller: Murray Hudson]
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        Souvenirblatt, "Rippoldsau".

      . Lithographie v. Küstner in Stuttgart n. Straub / Stichler, um 1835, 44 x 54. Schefold, Nr. 32553. - Das Mittelbild zeigt eine Innenstadtansicht mit dem Gasthof. An den Rändern 4 weitere Ansichten zwischen Allegorischen bzw, symbolischen Darstellungen. In den Ecken eine Analyse zur Zusammensetzung der Wasserqualität in deutscher, engl., franz.und ital. Sprache.

      [Bookseller: Antiquariat Nikolaus Struck]
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        De Leidsman der Jeugd. Vaderlandsche historie (Band 1, 3-15, 17-18, es fehlen Band 2 und 16)

      Amsterdam, M. Westerman & Zoon, 1. Auflage, 1835-1841, 408, 407, 408, 405, 403, 404, 406, 406, 405, 408, 408, 407, 326 Seiten, 67 Seiten Inhaltsverzeichnis, XVI Seiten Anweisungen für den Buchbinder., 13 cm, Halbleder gebunden, fadengeheftet, Wachspapierbezug, Rückenprägung (Leinenecken), Sprache: niederländisch. . gut erhaltene Exemplare mit geringen Gebrauchsspuren, mit zahlreichen Abbildungen, zwei der Bändchen weisen eine Eintragung von Kinderhand auf, ein Band zeigt Feuchtigkeitsspuren, der Zustand der Bände ist durchgängig sehr ähnlich, die Farbgebung des Einbandes schwankt etwas, auch das benutzte Wachsbatikpapier ist leicht unterschiedlich je nach Jahrgang, insgesamt sehr ansehnlich erhalten

      [Bookseller: Antiquariat Bernhard]
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        Peder Paars, Et comisk Heltedigt. Paa ny udgivet af J.G. Lange.

      . Kbhvn. 1835. Med litograferet frontispice og 14 litografier. XXIX + 283 s. Smukt priv. helskindsbd. med forgyldte bordurer, rigt forgyldte permer og ryg, tresidet guldsnit, i kassette. Bindet sign. Jakob Baden. * Bd. 19 i serien Gallerie for danske Classikere..

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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      London, 1835-43: Longman. London, 1835-43: Longman FIRST EDITION. Complete, 4 vols. Folio. 313 color plates of British birds and their eggs across four volumes. Each vol. has a title-page and contents page. Vols 1 and 2 deal with "Land Birds" and comprise 151 color plates between them (78 & 73); Vols 3 and 4 cover "Water Birds" with 162 plates across the two vols (80 & 82). Scattered foxing throughout especially to plates at the beginning and towards the end of each volume. The foxing is never heavy and mainly affects the first 2 volumes and in particular the first half-dozens plates in each. However, it is mainly restricted to the background of each plates and thus does not encroach the subject. Half-calf over blue marbled booards, spine broken on each volume (with backstrip completely missing on vol 1) and the boards detached. Original emerald green endpapers. All edges gilt. A clean and complete set of "one of our most valuable illustrated works on ornithology" (Mullens & Swan). No two copies of this work are alike as different issues were published simultaneously, with the result that the plates were frequently interchanged or duplicated. While a total of 313 plates was generally issued in the folio first edition, the whole subject of the printing history, exact dates of publication, number of plates, etc. is fraught with uncertainty as virtually no two two copies of the folio editions of the Illustrations are alike. Originally issued in 79 monthly parts; two subsequent issues of the first edition were published 1837-1844 and 1838-1844. . Half Calf.

      [Bookseller: Worlds End Bookshop (ABA, PBFA, ILAB)]
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        "Grundsteinlegung zum Russ(ischen) Monument bey Culm den 29 Septbr. 1835." Ganzfigur nach halblinks des österreichischen Kanzlers, stehend neben den drei Monarchen der Heiligen Allianz, dazu zahlreiche Ehrengäste aus Adel, Politik und Militär in naturgetreuen Porträts, rechts das Monument für die 1813 bei Kulm gefallenen Russen, unten Inschrift.

      . Lithographie auf China von und bei Th. Driendl, München, dat. 1835, 49 x 65 cm.. Die Inschrift mit Widmung an zwei der drei anwesenden Monarchen: Zar Nikolaus I. von Rußland und König Friedrich Wilhelm III. von Preußen. Zwischen ihnen steht Kaiser Ferdinand I. von Österreich. Das von Peter Nobile entworfene Denkmal steht bei Priesten bzw. Arbesau.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Rare Japanese Map of Asia & Alaska

      Rare Japanese Map of Asia & Alaska Translation by Charles Sulpice Jules Chanoine (1835-1915), Captain of the First French military mission to Japan. Map of Russia, Asia and Alaska. [Published by the Japanese Army, 1867.] Woodblock print hand-colored in blue, red and brown. (32.6 x 51.2" / 83 x130cm.) The map charts Russia from the Arctic Ocean in the North to the Caspian Sea and the Urals in the West; it maps China from the Sea of Japan and the Pacific Ocean in the East to the North Indian and Afghani border along the South. The silk roads are identified, as are cities, rivers and the length of the Great Wall. Importantly, this map minutely shows Alaska and the Aleutians as well as detailed views of Japan and Korea. Very good condition, folds, with some worm holes, repaired. First printed in Russia in 1860, this the 1867 edition has place names translated into Japanese by Charles Sulpice Jules Chanoine (1835-1915), captain of the First French military mission to Japan. The French military mission, which Chanoine led, arrived on January 13, 1867 near Yokohama and was responsible for the training of the Japanese military, but was forced to leave after only about 18 months with the growing threat of revolution in the Tokogawa government. During that short time, Chanoine translated the map for tactical purposes and also initiated a military penal code for the Japanese infantry based on the French code. Earlier in his career, Chanoine served as chief of the French troops in China during the Second Opium War. At the time, he wrote an important account of the French military expedition to China in 1859-60, Examen critique et re'futation d'une relation de l'expe'dition de Chine en 1860. He was later posted to Japan as part of the military mission sent to that country by Napoleon III at the request of the last shogun Iemochi Tokugawa. Later in life as General Chanoine he was involved in the Dreyfus affair as Brisson's new Minister of War (following Cavaignac). Chanoine's anti-Semitic stance against irrefutable evidence that Dreyfus was innocent helped topple his own Ministry.

      [Bookseller: Golden Legend, Inc.]
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        Wiener Zeitschrift für Kunst, Literatur, Theater und Mode. Jahrgang 1835. 1. - 4. Quartal in 2 Bänden.

      Wien, A. Strauß, 1835,. Schöne, umfangreiche Reihe dieser Wiener Zeitschrift mit Biedermeiermoden für Damen, auch Herren u. Kinder, die insgesamt 1816/17 bis 1844 erschien. OHPrgt., mit Rückengoldprägung und farb. goldgepr. Rückenschild. 1268 Seiten. 15 x 22,5 cm. Mit 52 kolor. Modekupfertafeln, 8 schwarz-weiss (Möbel, Kutsche) und eine vielgefalt. Notentafel. Ecke, Deckel und Rücken abgerieben, innen zuweilen braunfleckig, sonst gut erhalten..

      [Bookseller: Antikvariát Valentinská]
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        Abhandlungen aus dem Gebiethe der Staatswirthschaftslehre.

      Heidelberg, August Osswald's Universitäts-Buchhandlung, 1835.. VIII, 216 S., goldgeprägter Halbleder-Band der Zeit mit goldgepr. Rückenschild, marmorierten Decken und gesprenkeltem Schnitt (Rücken berieben, Rückenschild mit Fehlstellen), 20,3 x 12,6 cm. Erste Ausgabe.. "Unter denjenigen deutschen Juristen, welche zugleich an der Entwicklung deutscher Volkswirthschaftslehre mit Erfolg teilgenommen haben, ist einer der vornehmsten Karl Salomo Zachariä (von Lingenthal, geb. 1769 in Meißen, gest. 1843in Heidelberg). ... Er war entschieden der Ansicht, daß nicht allein bei der Civilgesetzgebung, sondern auch bei der Auslegung der Civilgesetze immer Nationalökonomen zugezogen werden sollten (Abhandlungen, S. 133). ... In volkswirthschaftlichen Fragen steht Zachariä der Hauptsache nach auf dem Boden der Ad. Smith'schen Lehre. ... Indessen besteht sein Hauptverdienst um die Nationalökonomik darin, daß er die volkswirthschaftlichen Fragen regelmäßig als Seiten des Volkslebens, oder wenigstens Staatslebens auffaßt. Seine Abhandlung 'Ueber die demokratische Tendenz der heutigen europäischen Staatswirthschaft' (das ist das erste Kapitel der hier vorliegenden 'Abhandlungen') ... War damals ein nicht unbedeutender Fortschritt der Wissenschaft. ... In der Gesammtheit der Staatsgläubiger findet er ein Analogon der Demokratie (S. 20). Die Staatsschuld verknüpft das Interesse der Regierung, der Kapitalisten und des Volkes zur höchsten Einheit. ... Eine bedeutende Staatsschuld befördert die Herrschaft der öffentlichen Meinung, die internationale Handelsfreiheit und das Durchdringen der Geldwirthschaft im Staatshaushalte." (Roscher, Geschichte der National-Oekonomik, S. 930 ff.). Die weiteren hier vorliegenden Aufsätze behandeln die 'Besoldungssteuern', 'Gelddarlehen', die 'Regeneration der bürgerlichen Gesellschaft durch eine Umgestaltung des Eigenthumsrechts', 'Credit-Gesetze' und den 'Preussischen Mauthverein' : "Das Schutzzollsystem nennt Zachariä eine Vorstufe des Communismus (S. 100), schon darum, weil es fast immer zur Ueberbevölkerung, und diese wieder zu communistischen Theorien führt." (Roscher, S. 931). Die sechste Abhandlung 'Wirthschafts-Politik oder das Büchlein vom Reichwerden' nennt Roscher "genial" und auch Mohl lobt "das von Wahrheit und gesundem Menschenverstande strotzende Büchlein von der Kunst reich zu werden, in welchem er die Erfahrungen eines gerade in dieser Beziehung sehr wohl angewendeten Lebens und die Ergebnisse einer scharfen Beobachtung von Menschen und Dingen in gedrängten Sätzen und in oft höchst geistreicher kurzer Begründung mittheilt." (Mohl, Gesch. und Literatur der Staatswissenschaften, S. 525). Selten : weder die Library of Congress, noch die British Library, noch der Französische Verbundskatalog, noch die Staatsbibliothek Berlin besitzen ein Exemplar. - Innendeckel mit kl. Buchhandelsetikett, Titelblatt mit Nummerierung und dem Stempel der 'Gräflich von Landsberg'schen Bibliothek in Gemen', nur stellenweise minimal gebräunt.

      [Bookseller: Antiquariat Elvira Tasbach]
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        Die Geschichte der Bundes-Festung Mainz, historisch und militärisch nach den Quellen bearbeitet

      Mainz, 1835. Mainz, 1835. 22 cm. (4), 606 Seiten mit lithographiertem Frontispiz. Festeinband, Pappband der Zeit mit Rückenschild - Engelmann, Geogr. 661 - Im Selbstverlag des Verfassers erschienen. Von der Römerzeit bis zum Jahr 1834. Mit Zeittafel und Register. Schaab (geb. 1761) war Vizepräsident des Kriegsgerichts zu Mainz. Das Frontispiz zeigt einen Plan von Mainz, darüber Medaillonporträts von Kaiser Franz I. und König Friedrich Wilhelm III. von Preußen, denen das Werk gewidmet ist. Stempel auf Titelblatt -

      [Bookseller: Wenner Antiquariat]
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        'Panorama von Coblenz'.

      . Aquatinta v. Ruf(f) n. Anton Ditzler b. F.C. Eisen in Köln, um 1835, 8,5 x 54 (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request). (Schmitt, Die illustrierten Rhein-Beschreibungen, 59, 11)

      [Bookseller: Antiquariat Norbert Haas]
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        Das alte Kapuzinerkloster in Amalfi

      . Aquarell in Braun über Bleistiftzeichnung auf Bütten: Wasserzeichen: "PM", unten links bezeichnet und datiert: "Altes Kapuziner Kloster in Amalfi den 7 April 1835"; 41,2 x 55,2 cm. Auf einem Felshang bei Amalfi liegt der alte Kapuzinerkonvent, dessen Kreuzgang der Maler-Architekt Anton Hallmann auf seiner ersten Reise nach Rom und Süditalien 1835 hier festgehalten hat. Das Kloster, das heute ein Hotel beherbergt, wurde 1899 durch einen Erdrutsch teilweise zerstört, der Kreuzgang aus dem 13. Jahrhundert blieb jedoch weitgehend unbeschädigt. Die im romanisch-amalfitanischen Stil erbauten Arkaden formen sich aus dünnen Säulenpaaren, die auf einer flachen massiven Brüstung stehen und senkrecht zur Fassade ausgerichtet sind. Den Abschluß bilden schlichte Doppelkapitelle, die als liegende Halbzylinder gestaltet wurden. Lediglich die sich aus der Überlagerung dreier oberhalb der halbzylindrischen Kapitelle entspringenden Bögen ergebenden kleineren Spitzbögen zwischen den einzelnen Säulenpaaren sind durchbrochen. Die Ansicht des arkadenumstandenen Hofes läßt eine Auffassung von Licht und Schatten erkennen, die bereits sechs Jahre zuvor bei Carl Blechen in seinen berühmten "Amalfiskizzen" (1829, Berlin, Akademie der Künste) zu finden ist. So setzt Hallmann bewußt in beinahe rhythmischer Abfolge dunkle und helle Flächen direkt nebeneinander, wobei die Dunkelheiten, wenn sie nicht Tür- oder Fensteröffnungen beschreiben, dem Gleichgewicht der Komposition dienen. Hierdurch erzielt der Künstler auch den Effekt des gleißenden Lichts des südlichen Italiens in solcher Intensität, daß der Betrachter mit Leichtigkeit die sengende Hitze nachzuspüren vermag. Doch dient diese Rhythmisierung der Komposition im Gegensatz zu Blechens Intention nicht in erster Linie der Wiedergabe der Stimmung. Hallmann gibt uns hier ein sachlich erfaßtes Bild der mittelalterlichen Bauformen wieder, denn er war nicht zuletzt wegen seiner Tätigkeit als Architekt vor allem der naturgetreuen Dokumentation der Bauform verpflichtet. Zudem hatte Hallmann sich auf eben dieser ersten Italienreise mit Heinrich Wilhelm Schulz aus Dresden zusammen getan, um in Kalabrien und Sizilien für dessen Werk "Denkmäler der Kunst des Mittelalters in Unteritalien" Ansichten und Pläne zu zeichnen, das jedoch erst 15 Jahre nach Hallmanns frühem Tod am römischen Fieber erschien.

      [Bookseller: H. W. Fichter Kunsthandel e.K.]
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        Systematische Darstellung aller bis jetzt gekannten homöopatischen Arzneien, in ihren reinen Wirkungen auf den gesunden menschlichen Körper. 2 Bände.

      Leipzig, Schumann, 1835.. 8°. XVIII, 826 SS.; X, 710 SS. Halb-Leder d. Zt. mit Rückenvergoldung. Zweite, durchaus umgearbeitete und vermehrte Auflage dieses zuerst 1830-32 erschienenen Hauptwerks des Hahnemann-Schülers und zeitweiligen Assistenten Ernst Ferdinand Rückert (1795-1843). - Komplett in zwei Bänden, jedoch, wie meist, ohne das Inhaltsverzeichnis, das am Ende des zweiten Bandes manchen Bänden beigegeben wurde, offenbar bei Abschluss des Druckes aber noch nicht vollständig vorlag und bei vielen Exemplaren (vgl. KVK, bzw. alte Auktionsergebnisse) nicht eingebunden ist. - Etwas berieben und bestoßen, Kanten beschabt, papierbedingt leicht gebräunt (wenige Lagen stärker) und stellenweise etwas stockig, sonst gutes, sauberes Exemplar.

      [Bookseller: Antiquariat Thomas Rezek]
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        Schloss Pirmont an der Elz.

      1835. Lithographie von Lasisky/Brandmeyer, ca. 1835. Ca. 19,7 x 26 cm (nur Darstellung).. Blick vom Ufer der Eltz zur Burg Pyrmont. Unterhalb der Darstellung mit folgenden Künstler-/Druckervermerken "gem. v. Lasinsky" "ged. bei I.B. Hützer in Cöln" und "gez. v. Brandmyer".

      [Bookseller: Antiquariat Peter Fritzen]
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        Schloßansicht - "Die Burg Hohenzollern, Stammhaus Preussens erlauchter Regenten".

      . Lithographie v. Lütke ( Druck im Königl. Lith. Institut ), um 1835, 35 x 50,5. Sehr seltenes Blatt. Blick über den bewaldeten Burgberg zur Burg Hohenzollern, rechts ein Schäfer mit seinen Ziegen.

      [Bookseller: Antiquariat Nikolaus Struck]
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        "Sigmaringen. Residenz S.D. des Fürsten von Hohenzollern-Sigmaringen". Gesamtansicht.

      . Aquatinta von J. Sperli nach L. Bleuler bei Locher, Zürich, um 1835, 16,5 x 24,5 cm.. Nebehay-Wagner 371, 10. - Aus der seltenen Folge "Malerische Reise der Donau" von J.H. Locher, um 1835. - Breitrandig.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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