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Displayed below are some selected recent viaLibri matches for books published in 1834

        A Treatise on the Diseases of the Chest and on Mediate Auscultation Translated from the Latest French Edition. with copious Notes and as Sketch of the Author's Life. Fourth Edition, considerably enlarged amd improved with many additional Notes and an extensive Bibliography of the different Diseases. With Plates.

      London: Henry Renshaw. Excellent condition of this beautifully bound volume. Former copy of the Glasgow University Library, with their Exlibris to the front pastedown. Very tiny damage to the upper spine only.. London, Henry Renshaw, 1834. Octavo. XLIV, 675 pages with both plates of Laennec's version of the Stethoscope. Original Hardcover with gilt lettering on spine (now in protective Mylar). Excellent condition of this beautifully bound volume. Former copy of the Glasgow University Library, with their Exlibris to the front pastedown. Very tiny damage to the upper spine only. [Bedford 458: "This edition contains Forbes' extensive bibliography of early works on the heart"] Bedford on the printing history of LAennec's Traite: "The first (1819) and second (1826) editions of "De l'Auscultation Mediate ou Traite du Diagnostic des Maladies des Poumons et du Coeur" were published during Laennec's lifetime, the third edition (1831) was published by his Cousin, Meriadec Laennec with his notes and the fourth edition (1837) by Andral (1797-1876) with his notes. Forbes's translation of Laennec's "Traite" was first published in 1821, the second edition, 1827, third edition 1829 and fourth edition, 1834. An American Edition of Forbes's translation was published in Philadelphia, 1823, and a second American Edition (of the third English edition) in New York, 1830 and a third in 1835 (fourth English edition). The first German Edition was published in Weimar, 1822.

      [Bookseller: The Time Traveller's Bookshop]
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        A SKETCH OF CHINESE HISTORY, ANCIENT AND MODERN: Comprising A Retrospect of the Foreign Intercourse and Trade with China Illlustrataed by a New and Corrected Map of the Empire.

      AN EARLY PARIMARY RESOURCE ON THE CHINA New York 1834, - Haven. Tan & green pebbled cloth, 2 vol. set,usual foxing, large 71 x 49 cm. folding map, 11 appendices,some foldout charts, statistics, 213+280p., complete set invariant binding colors. FIRST EDITION RARE Color scans available for this book on request. Description content 2015Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        St. Goar predigt am Rhein das Evangelium.

      - Bleistift, teilweise blau, grau und braun laviert, auf gelblichem Papier, verso betitelt „Der Erzähler". 29,2:36,4 cm; oben rundbogig geschlossen. In den Ecken leicht knitterfaltig, kleine Einrisse in den Rändern restauriert. Der oben rundbogige Abschluß der Darstellung läßt darauf schließen, daß das Bildmotiv ursprünglich als Wandmalerei ausgeführt werden sollte. Vorstudie zu dem Gemälde von 1834, das sich im Besitz des Museum Altona in Hamburg befindet. Vergleichsliteratur: Boetticher Bd. I, Tl. 1, S. 264, Nr. 6; Lexikon der Düsseldorfer Malerschule 1819-1918. München, Bruckmann, 1997, Bd. I, S. 307/308, Abb. 356. Ebers studierte seit 1829/30 an der Düsseldorfer Akademie; zwar sind in den Schülerlisten die Namen seiner Lehrer nicht genannt, doch dokumentierte A. Graf Raczynski, daß Ebers im 1. Halbjahr 1834 zu jenen Schülern zählte, die „unter der unmittelbaren Leitung des Direktors Schadow" arbeiteten (A. Raczynski, Geschichte der neueren deutschen Kunst. 3 Bde. Berlin 1836-41. Bd. I, S. 114). Nach einem dreijährigen Aufenthalt in seiner Heimat gehörte er 1837 der Meisterklasse der Düsseldorfer Akademie an. Von Beginn seiner künstlerischen Tätigkeit an wählte er Motive aus dem Milieu der Schmuggler, Fischer, Schiffer oder Soldaten, die teils dramatisch, teils humoristisch geschildert sind. Weiterhin beschäftigten ihn historische und romantisch-mittelalterliche Themen. In Komposition und Gebärden der Figuren läßt sich der Einfluß von C.F. Lessing (1808-1880) nachweisen. Durch Kontakte zu Düsseldorfer Malerkollegen wurde er in seiner Auffasssung der Genremalerei bestärkt. Ferner schuf er Porträts, Marine- und Landschaftsbilder. 1844 kehrte Ebers in seine Heimatstadt zurück und heiratete 1845 Lessings Schwester Fanny. Nach 1850 wechselte er häufig seinen Wohnort. Er lebte in Gaffron bei Lüben, in Dresden, Görlitz und nach 1869 in Beuthen an der Oder. Seit den 1860er Jahren war er kaum noch künstlerisch tätig, stellte aber doch 1881 und 1883 in Dresden aus.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Tirage sur papier albuminé (vers 1860), de forme ovale, monté sur carton

      - COLIGNY Charles de (1834-1874), critique d¿art. Tirage sur papier albuminé (vers 1860), de forme ovale, monté sur carton. Signature et timbre sec du photographe Pierre PETIT sur le montage. Mentions manuscrites au dos : « L¿Homme qui voulait dormir pour l¿éternité avec Nerval ». Dimensions avec carton de montage : H 42 x L 27,7 cm ; sans le carton : H 25 x L 18,5 cm.

      [Bookseller: Librairie SIGNATURES]
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        Science economique des manufactures. Traduit De L'Anglais De Ch. Babbage, sur la troisiéme edition, par M. Isoard, Ancien chef de division au Ministère du Commerce.

      Paris: Dondey-Dupre, 1834 - Octavo (203 × 131 mm). Contemporary quarter calf, marbled boards, spine lettered in gilt, marbled endpapers, edges speckled brown. Boards scuffed, contents slightly foxed. An excellent copy. First edition of Isoard's French translation of On the Economy of Machinery and Manufactures - Babbage's most successful lifetime publication, selling 3,000 copies. Prompted by the demands for precision in the construction of his first calculating engine, Babbage had made a conscientious and detailed survey of factories and workshops both in England and Europe. An encyclopaedic record of craft, manufacturing, and industrial processes, as well as an analysis of the domestic organization of factories, the work demonstrates Babbage's remarkable prescience. He proposed many scientific management techniques for the first time, including subdivided work, cost accounting, and merit pay systems. He advocated the decimalization of currency, foresaw the role of tidal power as an energy source, and predicted the exhaustion of coal reserves. "The book is at once a hymn to the machine, an analysis of the development of machine-based production in the factory, and a discussion of social relations in industry It was at once translated into French and German, both translations being published in 1833. Throughout the world the book had much effect, becoming the 'locus classicus' of the discussion of machinery and manufacturing" (Anthony Human, Charles Babbage, Pioneer of the Computer). "Economy was a turning point in economic writing and firmly established Babbage as a leading authority of the industrial movement" (ODNB). Goldsmiths' 28497

      [Bookseller: Peter Harrington. ABA member]
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        An Arabic grammar compiled for the use of Travellers

      1834 - Arabic for the use of travellers. 1834. [Bombay]. F. D. Ramos, Government Gazette Press. In folio (270 mm x 185 mm). 2 ff. + 43 pp. Possibly contemporary half calf over boards, spine simply tooled in gilt. A fine wide-margined copy; with very small and faint water stain to inner margin of title page. First edition. Exceedingly scarce grammar ´adapted to the dialects of Egypt and Syria´, made for the use of English travellers and printed in Bombay; as the own work states it is an ´attempt to facilitate the intercourse between Gentlemen proceeding overland to Europe, and the Natives of the countries through which they pass´. Its purpose is not to be a comprehensive survey of the language; it is rather intended for a more practical use, a vocabulary list (pp. 18 – 20) are taken from Mutti´s An Itinerary of the route from Suez to Alexandria (1830). What follows are sentences of possible interactions, with their literal and phonetic translations into Arabic. A rare book, with only 6 recorded institutional copies (COPAC and OCLC). [Attributes: First Edition; Hard Cover]

      [Bookseller: HS Rare Books]
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        Alois Senefelder, Erfinder der Lithographie.

      . Kreidelithographie auf aufgewalztem China 1834. 55:36 cm. Mit zugehörigem Spendenaufruf im Buchdruck, verfasst von Albrecht Adam 1846. Literatur: Aufseesser 1; C. Wagner, Senefelder, S. 167; Bild vom Stein 137; Von Senefelder bis Daumier 4 und Abb.- Tadellos frisch erhalten.. Kurz vor Senefelders Tod portraitierte Franz Hanfstaengel den Erfinder der Lithographie; mit dem Verkauf der Abzüge wollte er dann ein Grabdenkmal für Senefelder finanzieren. Dies aber übernahm König Ludwig I., sodaß der Stein ungedruckt blieb. Erst 1846 ließ ihn Albrecht Adam aus Anlaß des 50. Jubiläums der Erfindung der Lithographie abziehen und druckte dazu einen Spendenaufruf, die nahezu mittellosen Enkel Senefelders zu unterstützen, deren Taufpate und Vormund er war. Eine zweite spätere Auflage des Portraits diente dann der Finanzierung eines Senefelder-Denkmals.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Wanderungen durch Sicilien und die Levante (2 Bände).

      Berlin, Nicolai, 1834/40. - 5 Blatt, 458 Seiten, 32 Seiten Noten; X, 594 Seiten, rote Halbledereinbände der Zeit, Einbände leicht berieben, Buchblöcke unbeschnitten, innen teils etwas stockfleckig und gebräunt.

      [Bookseller: Antiquariat H. Carlsen]
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        Atlas zum Handgebrauche für die Gesammte Erdbeschreibung.

      (Hildburghausen), Bibliographisches Institut, (1834-1841).. Qu.-8°. Mit gest. Titel und 115 meist kolor. Stahlstich-Karten. 1 Bl. (Kartenverzeichnis). Hldr. d. Zt. mit Rvg. und goldgepr. Rtitel (Deckel beschabt, Kanten etw. bestoßen).. Sarkowski, Bibl. Institut, 5, 17.- Komplett mit allen Karten selten! - Der als "Meyer's Pfenning-Atlas" bekanntgewordene Taschenatlas ist in Lieferungen erschienen und daher häufig inkomplett. Trotz des kleinen Formats mit sehr detaillierten Karten, darunter viele deutsche Regionalkarten. Weiters auch Neu-Holland, Hindostan, La Plata und Chile, Südafrika, Nigerland, Senegambien, Land Moriah etc. Bemerkenswert die ungewöhnlichen Rundpläne (Karten 104-115) mit je zwei Umgebungsplänen von Städten auf einer Tafel, wie z. B.: Stockholm, Lissabon, Oporto, Karlsruhe, Mailand, Verona, Venedig, Mantua, Breslau, Strassburg, Basel, Marienbad, Frankfurt a.M etc.- Papier etw. gebräunt, unterschiedlich, teils stärker stockfleckig.

      [Bookseller: Antiquariat Meindl & Sulzmann OG]
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        NIPON O DAI ITSI RAN, OU ANNALES DES EMPEREURS DU JAPON.

      London 1834, - Parbury. Full calf, raised bands, gilt stampedspine decorations, text in French, 460p., index, chronologya bright copy, Japanese text characters, ca. 22 x 28 cm.FIRST & ONLY EDITION R A R E Color scans available for this book on request. Description content 2015Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        A Grammar of the Tibetan Language, in English. Prepared, under the Patronage of the Government and the Auspices of the Asiatic Society of Bengal

      Calcutta: Printed at the Baptist Mission Press, 1834. First edition, 4to, xii, 204pp., with half-title, 40 plates, final plate mounted on stub, new endpapers, recent cloth, spine lettered in gilt, a very good copy. First edition of this important Tibetan grammar, the 40 lithographed plates consist of "Syllabic scheme of the Tibetan language", 1-30 and "Tibetan alphabet", on 31-40. Cordier, 2930; Lust, 1071; Lowendahl, 1737.

      [Bookseller: Forest Books]
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        Oeuvres complètes de P.J. de Béranger, édition unique revue par l'auteur, ornée de vignettes en taille-douce dessinées par les peintres les plus célèbres

      Partly original illustrated edition of 104 vignettes from the drawings Daubigny, Johannot, Charlet, Raffet, Scheffer Devéria ... Binders half calf cherry, back with four nerves purposes adorned with gold striping and cold and cold typographical motifs and romantic golden arabesques, golden friezes head and tails, parts of title and volume number of black shagreen, boards of marbled boards guards and contreplats of handmade paper, marbled, romantic bindings of the time. The illustrations broken down as: Volume 1: 1 frontispiece and 25 figures Volume 2: 33 figures, Volume 3: 40 figures, Volume 4: 6, 1 plus 1 portrait facsimile. Our series is complete although the fifth volume consisting of musical songs of Beranger. Lovely group virtually free of freckles and set in a charming romantic contemporary binding. Perrotin Paris 1834 13,5x21,5cm 5 volumes reliés

      [Bookseller: Librairie Le Feu Follet]
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        WANDERINGS IN NEW SOUTH WALES, BATAVIA, PEDIR COAST, SINGAPORE, AND CHINA; Being The Journal of a Naturalist in those Countries, during 1832, 1833, and 1834.

      London ;- Richard Bentley 1834 - SUPERB FIRST EDITION PAIR IN STRIKING CONTEMPORARY, GILT-TOOLED, HALF CALF. 2 Volumes. 8vo. Hardback. Complete with 2 Aquatint Frontispieces and errata slip. Vol.1 - xv + 440pps. + note (i)pp. / Vol. 2 - vii + 428pps. Ferguson 1743 ; Abbey Travel 527. [Attributes: First Edition; Hard Cover]

      [Bookseller: Halewood & Sons ABA ILAB]
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        TARANTELLA Ballo napolitano disegnato da G. Dura. Diretto da Pasquale Chiodi.

      Napoli, Litografia Gatti, 1834. In-16 gr. oblungo (mm. 196 x 225), mz. pelle coeva, filetti e tit. oro al dorso, in astuccio mod. L?'album è così composto: frontespizio con dedica a ?"La Sig.ra Principessa d?'Ottajano, Duchessa di Mjranda?", 1 tav. di musica per i vari passi del ballo e una magnifica raccolta di 20 tavv. litografate e acquarellate a mano (compresa la tavola introduttiva popolata di figure che danzano), con interessanti note esplicative al margine inf. di ciascuna illustrazione. Cfr. Fera/Morlicchio, I, p. 210: ?"Rara documentazione "molto importante, per la ricostruzione storica della Tarantella napoletana", si compone di 20 incisioni colorate con gusto veramente eccezionale; costituiscono la più ricca e sicura fonte illustrativa del folkloristico ballo. Eseguite dal Dura con abile impegno, presentano atteggiamenti e posizioni varie in una dinamica di progressione di ritmo e grazia. Raccolta difficilmente reperibile completa?". Con fiorit. o lievi arross.; frontesp., pag. di musica e 4 tavv. restaur. per strappi (di cui 1 con tracce di nastro adesivo), ma complessivam. un buon esemplare.

      [Bookseller: Libreria Malavasi sas]
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        L'Antotrofia, ossia la coltivazione de'fiori

      1834 - Florencia, Batelli e Figli, 1834.2 tomos en un vol., 4º m., 240x140 mm, pleno perg., a la romana, doble tejuelo, hierros dorados, 798 p. + 1 h., 72 grabados a color y a toda plana de flores e insectos.Bello ejemplar, con buenos márgenes El autor fue el jardinero-botánico en el Jardín Botánico de Florencia, y su producción es bastante abundante pero sin duda su nombre permanece ligado a Antotrofia, un buen trabajo, dividido por el autor en doce partes, correspondientes a los meses del año. Cada capítulo incluye el nombre del mes, dentro de él se enumeran las flores que florecen en esta época del año, con una completa descripción de los distintos métodos para cultivar y propagar, así como el cuidado que deben adoptarse para evitar diversas enfermedades.Ref.: Brunet vi tab. 6487; Grandes Flor Books (ediz. ital.) 124, 320; Niccoli Nissen BBI, 1527n.; Plesch, 599; Saccardo ii, 84.  [Attributes: First Edition; Hard Cover]

      [Bookseller: ArteyGrafía. com / Elena Gallego]
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        Rosarum Monographia; or, A Botanical History of Roses . A new edition

      James Ridgway, London 1834 - (9 5/8 x 6 inches). Half-title. 19 engraved plates (18 handcoloured), by Watts after Lindley (18) and Curtis. Later three quarter red morocco over red cloth boards, spine with raised bands in six compartments, lettered in gilt in the second and third, the others with a repeat floral tool in gilt with crimson morocco inlay, marbled endpapers, top edge gilt Second edition of Lindley's monograph on roses. First published in 1820, Lindley's monograph describes nearly 80 natural species of roses and is beautifully illustrated with engravings after his own drawings. The son of a nurseryman, Lindley received an early education in his plants and gardening. One of his first important acquaintances was Sir Joseph Hooker, at whose house at Halesworth Lindley wrote his first work, Observations on the Structure of Fruits, published in 1819. Hooker introduced Lindley to Sir Joseph Banks, and the latter employed Lindley as a librarian. Through Banks's eminent circle of friends and colleagues Lindley came into contact with most of the major botanists and horticulturalists of his day. Nissen BBI 1204; cf. Great Flower Books (1990) p.114; Dunthorne 183; Stafleu TL2 4636; Johnston 832 (first edition). [Attributes: First Edition; Hard Cover]

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Almanach de la Cour, de la Ville et des Départements. Pour l'Année 1834

      Louis Janet, Paris 1834 - In-18 (115 x 72 mm), maroquin rouge, dos lisse orné en long, filet or et dentelle à froid entourant les plats, tranches dorées, étui maroquin rouge, dentelle en encadrement, titre au dos (reliure d'époque). Orné d'une vignette de titre et 4 gravures hors texte gravées sur acier (La Place Verte à Anvers, l'Hôtel de ville de Louvain, l'Eglise de Bron et la Croix de Pierre à Rouen). Ex-libris Camille Pauffin. Grand-Carteret, 1480. Bel exemplaire (quelques menus défauts, rares rousseurs). // 18o (115 x 72 mm), red morocco, smooth spine tooled, gilt fillet and blind dentelle border on covers, gilt edges, red morocco slipcase, dentelle border, title on spine (contemporary binding). Illustrated with a vignette on title, and 4 steel-engraved plates ("La Place Verte" in Anvers, "l'Hôtel de ville" of Louvain, Bron church and "la Croix de Pierre" in Rouen). Ex-libris Camille Pauffin. Grand-Carteret, 1480. Nice copy (some minor defects, rare spots).

      [Bookseller: H. PICARD ET FILS, founded 1860]
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        DESCRIPTION OF SOME OF THE MEDALS, STRUCK IN RELATION TO IMPORTANT EVENTS IN NORTH AMERICA, BEFORE AND SINCE THE DECLARATION OF INDEPENDENCE BY THE UNITED STATES. Collections of the Massachusetts Historical Society. Third Series, Vol. IV

      Charles Folsom, Cambridge 1834 - 8vo, modern tan and blue cloth, lettered in brown. v, (3), 336 pages. [Mease's article appears on pages 297-320.] A bit trimmed when bound, but unobtrusively so. Some spotting, else fine. A landmark of early U.S. numismatic literature, Mease's article in this volume of the Collections of the Massachusetts Historical Society is a revision and expansion of his 1821 article published in the Collections of the New-York Historical Society, the first article written on a strictly American numismatic subject for numismatists (the 1800 article by Kunze includes some American content, but in the main discusses foreign coins). The article is expanded from 18 to 24 pages, and adds material to Mease's descriptions of the medals from the War of 1812. [Attributes: Hard Cover]

      [Bookseller: Kolbe and Fanning Numismatic Booksellers]
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        A Treatise on the Diseases of the Chest and on Mediate Auscultation. Translated from the Latest French Edition. with copious Notes and as Sketch of the Author's Life. Fourth Edition, considerably enlarged amd improved with many additional Notes and an extensive Bibliography of the different Diseases. With Plates.

      London, Henry Renshaw, 1834.. Octavo. XLIV, 675 pages with both plates of Laennec's version of the Stethoscope. Original Hardcover with gilt lettering on spine (now in protective Mylar). Excellent condition of this beautifully bound volume. Former copy of the Glasgow University Library, with their Exlibris to the front pastedown. Very tiny damage to the upper spine only.. [Bedford 458: "This edition contains Forbes' extensive bibliography of early works on the heart"] Bedford on the printing history of LAennec's Traite: "The first (1819) and second (1826) editions of "De l'Auscultation Mediate ou Traite du Diagnostic des Maladies des Poumons et du Coeur" were published during Laennec's lifetime, the third edition (1831) was published by his Cousin, Meriadec Laennec with his notes and the fourth edition (1837) by Andral (1797-1876) with his notes. Forbes's translation of Laennec's "Traite" was first published in 1821, the second edition, 1827, third edition 1829 and fourth edition, 1834. An American Edition of Forbes's translation was published in Philadelphia, 1823, and a second American Edition (of the third English edition) in New York, 1830 and a third in 1835 (fourth English edition). The first German Edition was published in Weimar, 1822."

      [Bookseller: The Time Traveller's Bookshop Ltd.]
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        An introduction to heraldry: Containing the origin and use of arms; rules for blazoning and marshalling coat armours; the English and Scotch regalia; a of nearly five hundred different families

      H. Washbourne, 1834. Hardcover. Used; Good. Hardcover; English language; No jacket; 12mo - over 6.75" - 7.75" tall; good condition; half bound leather rebinding with new endpapers of the twelfth edition of 1834, original gilt title in heraldic shield used on the spine; pages are generally very clean with only an occasional light foxing mark. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail.

      [Bookseller: Sunrise Books Ltd]
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        Poems By Samuel Rogers

      London: T. Cadell and E. Moxon, 1834. viii, 295pp, [1]. Later crushed morocco, raised bands, spine in six panels, title in gilt to second panel, remaining panels with small central roundel surrounded by fleurons on a seme dot background within a dotted scalloped border, covers with single fillet border, large corner pieces with a roundel, fleurons and drawer handle tools on a seme dot background, gilt rule to edges, inner edges with corner decorations of a roundel and fleurons, t.e.g. Very slightly rubbed to extremities and covers, light foxing to endpapers and edges of text block, text fairly bright and clean. Previous owners bookplate to front pastedown. Engravings, apparently 'proofs', after drawings by Turner and Stothard. Binding is by H. Wood for Bumpus. First Thus. Full Morocco. Good+. 8vo.

      [Bookseller: Temple Rare Books]
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        POSSENHOFEN. "Ihrem hochverehrten Lehrer die Mitglieder des architektonischen Vereins. Zur Erinnerung an den 18. Juli 1833". Blick von einer Anhöhe auf Schloss Possenhofen, den Starnberger See und das jenseitige Ufer. Die Ansicht umgeben von 17 Porträts von Mitgliedern des architektonischen Vereins.

      - Lithographie von Schoen, dat. 1834, 45 x 56 cm. Lentner 16492; Pfister II, 2840; nicht bei Maillinger und Schober, Bilder aus dem Fünfseenland. - Gedenkblatt der Mitglieder des architektonischen Vereins in München zur Namenstagsfeier von Friedrich von Gärtner in Starnberg. Gärtner nimmt oben in der Mitte den Ehrenplatz ein. Dessen Schüler in folgender Reihenfolge von rechts: Klumpp, Reuss, Löwe, Solger, Lor. Hoffmann, Balzer, Schiemer, Jench, Benkhe, Discher, Merian, Bartels, Köppl, Becker, Fr. Bürklein und A. Mühe. - "Ausserordentlich seltenes Blatt, wertvoll durch seine wirklich hervorragend guten Portraits!" (Lentner). - Geglättete Faltspuren und mit kleinen hinterlegten Randeinrissen. Leicht angestaubt. Sehr rares Ereignisblatt.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Types principaux des differentes races humaines dans les cinq parties du monde. (Modeles sous la direction du Pr. Baer de St. Petersbourg. Medaille a Londres exposition de l'instruction publique 1862). 1. u. 2. Serie (= alles). (St. Petersburg um 1862). Fol. Mit 12 Originalfotografien (Albumin auf Karton mit typogr. Bildlegende) 26,5 x 23,5 cm bzw. 23,5 x 16,5 cm lose in Orig.-Lieferungs- Mappe.

      . . DSB I, 389.- Einzige Ausgabe, sehr selten.- Baer ging 1834 als Nachfolger seines Studienfreundes, des Embryologen Christian Heinrich Pander, an die St. Petersburger Akademie der Wissenschaften, wo er von 1834 bis 1846 als Zoologe und von 1846 bis 1862 als Anatom und Physiologe arbeitete. Er war Gründungspräsident der Russischen Entomologischen Gesellschaft.- Die Tafeln zeigen u. a. ethnologische Büsten: Mongole / Indianer / Arfaka / Kaukasier / Aethiopier.- Etw. fleckig u. angestaubt, Kart.-Bl. tls. mit kl. Randläsuren, Bibl.-St.-# Only edition.- Very rare portfolio with 12 Photographs (albumen print mounted on cardboard with printed title). Printed in Russia. Baer went in 1834 to succeed his student and friend , the embryologist Christian Heinrich Pander to the St. Petersburg Academy of Sciences where he worked from 1834 to 1846 as a zoologist and from 1846 to 1862 as an anatomist and physiologist. He was the founding president of the Russian Entomological Society.- Plates of Ceramic Models: Mongole / Indianer / Arfaka / Kaukasier / Aethiopier.

      [Bookseller: Antiquariat Johannes Müller]
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        Die heilige Elisabeth empfängt sterbend das heil. Abendmahl".

      - Radierung nach dem eigenen Gemälde: „pinx. & fec. af", auf Velin. 22,4:25 cm. Provenienz: Sammlung Friedrich August II. von Sachsen, Lugt 971. Literatur: Stoll 10, II (von II), mit der Schrift unter der Darstellung. - Guter Abdruck, etwas vergilbt. Vielfigurige Szene aus dem Leben der Heiligen, der Ahnin des hessischen Fürstenhauses, zu deren Lebenszyklus wir zahlreiche Zeichnungen und drei Radierungen kennen. Ein Gemälde gleicher Thematik entstand im Winter 1834/35 und wurde von der Kurfürstin Auguste von Hessen gekauft (Stoll, S. 487). Die vorliegende Radierung stammt aus der Zeit kurz danach und zeigt ebenfalls das Thema in Anlehnung an die Darstellungsform des Marien-Todes. Der vor allem als Radierer tätige Grimm war 1804-1808 Schüler der Kasseler Kunstakademie bei Gottlieb Kobold (1769-1809), Andreas Range (1762-1828) und Ernst Friedrich Ferdinand Robert (1763-1843). Durch seine Brüder Jacob und Wilhelm Grimm wurde er mit Clemens Brentano (1778-1842) und Achim von Arnim (1781-1831) bekannt, mit denen er zusammenarbeitete. Wohl 1807 lernte Grimm Bettine Brentano (1785-1859) kennen, von der er zahlreiche Porträts anfertigte. In November 1808 zog er nach Landshut zu Brentano und dessen Schwager Friedrich Carl von Savigny (1779-1861). Auf ihre Vermittlung ging er nach München und erlernte Kupferstechen bei Carl Ernst Christoph Heß (1755-1828). Zugleich studierte er an der Münchner Akademie unter Andreas Seidl (1760-1834). Unterbrechung des Studiums 1814 durch Teilnahme an den Freiheitskriegen. Mit Georg Brentano reiste er im Frühjahr 1816 nach Italien, wo er zwei Monate blieb. 1817 kehrte er nach Kassel zurück. 1824 reiste Grimm zum ersten Mal nach Willingshausen und wurde zum Mitbegründer der Willingshäuser Malerkolonie, eine der ersten Malerkolonien Deutschlands. 1832 wurde er an die Kasseler Kunstakademie als Lehrer berufen.

      [Bookseller: Galerie Joseph Fach GmbH]
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        "Die heilige Elisabeth empfängt sterbend das heil. Abendmahl".

      . Radierung nach dem eigenen Gemälde: "pinx. & fec. af", auf Velin. 22,4:25 cm. Provenienz: Sammlung Friedrich August II. von Sachsen, Lugt 971. Literatur: Stoll 10, II (von II), mit der Schrift unter der Darstellung. - Guter Abdruck, etwas vergilbt. Vielfigurige Szene aus dem Leben der Heiligen, der Ahnin des hessischen Fürstenhauses, zu deren Lebenszyklus wir zahlreiche Zeichnungen und drei Radierungen kennen. Ein Gemälde gleicher Thematik entstand im Winter 1834/35 und wurde von der Kurfürstin Auguste von Hessen gekauft (Stoll, S. 487). Die vorliegende Radierung stammt aus der Zeit kurz danach und zeigt ebenfalls das Thema in Anlehnung an die Darstellungsform des Marien-Todes.. Der vor allem als Radierer tätige Grimm war 1804-1808 Schüler der Kasseler Kunstakademie bei Gottlieb Kobold (1769-1809), Andreas Range (1762-1828) und Ernst Friedrich Ferdinand Robert (1763-1843). Durch seine Brüder Jacob und Wilhelm Grimm wurde er mit Clemens Brentano (1778-1842) und Achim von Arnim (1781-1831) bekannt, mit denen er zusammenarbeitete. Wohl 1807 lernte Grimm Bettine Brentano (1785-1859) kennen, von der er zahlreiche Porträts anfertigte. In November 1808 zog er nach Landshut zu Brentano und dessen Schwager Friedrich Carl von Savigny (1779-1861). Auf ihre Vermittlung ging er nach München und erlernte Kupferstechen bei Carl Ernst Christoph Heß (1755-1828). Zugleich studierte er an der Münchner Akademie unter Andreas Seidl (1760-1834). Unterbrechung des Studiums 1814 durch Teilnahme an den Freiheitskriegen. Mit Georg Brentano reiste er im Frühjahr 1816 nach Italien, wo er zwei Monate blieb. 1817 kehrte er nach Kassel zurück. 1824 reiste Grimm zum ersten Mal nach Willingshausen und wurde zum Mitbegründer der Willingshäuser Malerkolonie, eine der ersten Malerkolonien Deutschlands. 1832 wurde er an die Kasseler Kunstakademie als Lehrer berufen.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Dai Nihon Yochi Benran. ???????

      Tenpo 5. 1834.. TWO VOLUMES, 76 double page color woodblock maps (41+35), 10 1/8 x 7 inches (26 x 18 cm), Japanese accordion style binding with decorative embossed paper covers. There is worming to many, but not all, of the pages, occasional light soiling to margins, covers quite worn. This beautiful woodblock atlas begins with a map of Japan, which is followed by maps of the individual provinces, and finally a map of the world. This map emphasises the effects on geographic knowledge of Japan's closure to outside influence, featuring California as an island, and a mapping of Australia (marked "megaranika" presumably relating to the color of the inhabitants and joined to New Guinea to the north and to Antarctica at the south) which was profoundly out of date. New Zealand does not appear on the map. .

      [Bookseller: oldimprints.com]
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        PARNASO STRANIERO

      Giuseppe Antonelli 1834 - 1844, Venezia - Opera in 9 voll. in 8° grande, leg. in m. pelle coeva con titoli in oro al dorso con filetti, piatti spruzzati. Ordinari segni del tempo, opera nell'insieme fresca e in buonissime condizioni. Mirabile opera sulla poesia. Vol. I, 1834, Poesie Strutturali: Il libro di Giobbe tradotto da Francesco Rezzano; Salmi di Davidde tradotti da varii; Il Cantico de' Cantici di Salomone tradotto da Evasio Leone; frontespizio ill. con incisione allegorica della poesia sacra, 3 ill. raffig. incisioni dei ritratti di Giobbe, Davide, Isaia ad opera di Viviani. Vol. II, 1836, Greci, frontespizio ill. con ill. con incisione allegorica della poesia epica, 1 ill. raffig. incisione del ritratto di Omero ad opera di Zuliani. (piccolo strappo al dorso superiore) Vol. III, 1837, Greci: La Iliade d'Omero versione di Vincenzo Monti col testo a fronte letteralmente tradotto da Melchior Cesarotti. Vol. IV, 1838, Greci: Esiodo, Esopo, Eschilo, Sofocle, Euripide. Dorso superiore leggermente scollato. Vol. V, 1840, Greci: Vita di Aristofane, Frammenti di Menandro, La tavola di Cibete, La Cassandra di Licofrone, I pronostici di Arato, Componimenti scelti di Luciano, Gli oracoli sibillini, Vita di Teognide Megarese etc. Vol. VI, in 2 tomi, 1841, 4 ill. raffig. incisioni dei ritratti di Callimaco, Saffo, Lino e Pitagora. Greci: primo tomo, frontespizio ill. con incisione allegorica della Poesia erotica ad opera di B. Conte. Le odi di Pindaro, Anacreonte, Idilii di Teocrito. Secondo tomo: Callimaco, Saffo, Lino, Tirteo, Alceo, Callino, Pitagora etc. Vol. VII, 1844, ill. raffig. incisione del ritratto di Plauto. Latini: Teatro Latino, Plauto. Vol.VIII, 1845, frontespizio ill. con incisione raffig. la Poesia Lirica, ill. raffig. ritratto di Ovidio. Latini: Ovidio. (piccola menda al dorso) Vol. IX, 1846, ill. raffig. ritratto di Virgilio. Latini: L'Eneide. [Attributes: Hard Cover]

      [Bookseller: Invito alla lettura]
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        A large illuminated Qur'an manuscript.

      Horasan, 1250 AH [1834 AD].. Folio (190 x 280 mm). Modern morocco binding with gilt decoration, marbled endpapers.. Illuminated Arabic manuscript on paper, signed and dated by the scribe "Mollo Muhammed Bakir". 333 leaves plus 2 flyleaves, complete. 12 lines per page, written in a formalised Naskhi script in black, margins ruled in green and red. Red and gold discs between verses, sura headings on white ground within gold panels, opening double-page frontispiece richly illuminated in gold and colours with floral decoration, the text within cloud bands in gold. - Very well preserved manuscript; the illumination of the opening pages is immaculate and of extraordinary quality.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Bracebridge Hall ; or the humorists [Suivi de] Tales of a traveller. By Geoffrey Crayon, Gent.

      Rare Parisian edition. A specific title page for Tales of a traveler.Binding romantic contemporary in full red glossy calf. Smooth spine richly decorated. Flat cold hit a large central medallion, Toulette golden framing. Gilt edges. Light rubbing, especially the lower flat, the corners ... Baudry, booseller in foreign languages Paris 1834 2 parties en un Vol. In-12 (9,5x14,6cm) relié

      [Bookseller: Librairie Le Feu Follet]
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        LETTERA AUTOGRAFA FIRMATA + UN RITRATTO (INC. IN RAME DA AMBROISE TARDIEU). 4 pp. (mm. 257x201), datata: Paris, 5 8bre, 1834, diretta a M. Hippolyte Roger - chef de la troizième division au ministère de l?instruction publique, hotel du ministère, rue de grenelle St. germain, à Paris (indirizzo riportato al verso della 4a pag.).=

      ?Monsieur / il se pourrait que Monsieur le Ministre de l?instruction publique auquel je dois déja tant de reconnaissance pour l?acquisition qu?il a daigné faire de cent exemplaires de mon dernier ouvrage, voulut bien, à ma prière, comprendre dans la distribution qu?il fera de ces exemplaires quelques savants ou littérateurs auxquels je me proposais d?en offrir sur le petit nombre d?exemplaires que je m?étais rservé en vendant le reste de l?édition à M. Bachelier, ce que je ne peux faire parcerqu?il ne m?en reste plus qu?un seul pour moi - meme. / Dans le cas ou M. le Ministre serait disposé a m?accorder encore cette faveur, je vous prie, Monsieur, de me permettre de vous adresser la petite note ci - jointe des noms et des adresses des personnes dont je viens de parler, et qui me paraissent d?ailleurs, par leur ouvrages scientifiques ou littéraires, pouvoir etre compris dans une distribution d?ouvrages acquis par le ministère. / Il n?y a dans le nombre que 4 étrangers, je crois qu?il suffirait que l?on adressat ces 4 exemplaires aux ambassadeurs.. à Paris pour qu?ils parvinssent à ceux qui sont adressés, vu le rang de ces personnes: Mr. de Humboldt à Berlin, Mr. Quételet à l?Observatoire de Bruxelles et M. de Candolle et Auguste de la Rive à Genève. / J?ai eu de telles relations avec ceux dont j?ai les noms dans cette note, que je ne peux guère me dispenser de leur procurer mon ourage. Mais j?éprouverais quelque peine a racheter de M. Bachelier des exemplaires plus de deux fois plus chers que je ne les lui ai vendus en masse.....? / Je vous prie d?agréer...Monsieur, votre très humble.. serviteur. Con picc. mancanze (non di testo) ma complessivam. un buon esemplare. L?opera della quale Ampère parla è ?Littérature et voyages?, Paris, 1834, in 2 voll. Quest?opera era già apparsa in articoli nella ?Revue des deux Mondes?.

      [Bookseller: Livres anciens et modernes Gilles Hassan]
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        The Writings [Works] of George Washington. Being his Correspondence, Addresses, Messages, and other Papers, Official and Private, selected and published from the Original Manuscripts. With A Life of the Author, Notes and Illustrations by Jared Sparks

      Boston: American Stationer's Company (and others), 1834-1837., 39. First Sparks Edition, also The First Collected Edition; large paper copies. 12 volumes. All first issues except vols. 2 and 10 which are second. Finely bound in recent half speckled calf with twin, burgundy and black, title labels and gilt to spines, marbled boards, top edges gilt. Illustrated with engraved portraits, maps, plans and other plates. Very occasional, mostly light foxing. The uncommon large paper edition with untrimmed edges leaving wide margins. Sabin [101765]

      [Bookseller: Adrian Harrington Rare Books]
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        Narrative Of An Expedition Through The Upper Mississippi To Itasca Lake The Actual Source Of The River; Embracing An Exploratory Trip Through The St Croix And Burntwood (Or Broule) Rivers In 1832

      New York: Harper & Brothers, 1834. First Edition. Very good- in the publisher's original light tan cloth covered boards with a printed paper label on the spine. An octavo measuring 8 3/4" by 5 1/2" with the cloth splitting at the joints, but with the binding still holding and with heavy foxing to the preliminaries and end sheets. There are two early prior owner's names in pencil on the first free end page. The fold-out map preceding the title page has a 4 inch closed tear which has been professionally repaired. 307 pages of text including an extensive appendix which is followed by a page of errata. Illustrated with the fold-out map mentioned above, a second fold-out map page [121] and three single page maps. Considered by Howes to be "quite scarce". Sabin states of this title: "Most of this narrative is occupied with interesting incidents of Indian life and character, extracts from manuscript journals of the fur-traders, and traditions of the aboriginies. Pages 169 to 210 of the Appendix, are devoted to an analysis and vocabulary of the Chippewa language." (Howes, S187; Sabin, 77878; Graff, 3698

      [Bookseller: Town's End Books]
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        The Angler In Ireland; or An Englishman's Rambles Through Connaught and Munster During The Summer of 1833

      London: Richard Bentley, New Burlington Street, 1834. First edition. Aquatint frontispieces, folding map. xii, 315; v, 312 pp. 2 vols. 8vo. Bound in quarter contemporary morocco and marbled boards. Some foxing, else very good.

      [Bookseller: James Cummins Bookseller]
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        The Prose Works of Sir Walter Scott, Bart. 28 Volume Set

      Edinburgh Robert Cadell 1834 - 1840. G + : in Good [plus] condition. Light rubbing and edgewear. Several title panels absent or peeling away. Heraldic bookplates (Fothergill) on front pastedowns. Foxing to prelims, impacting on plates. Aeg Reprint Grey leather hardback 170mm x 110mm (7" x 4"). [10000pp]. Frontis portraits and illustrated title pages. Includes Scott's biographies of Dryden and Napoleon; Periodical Criticism; Tales of a Grandfather; etc. NB this is a heavy set. Extra shipping charges may be requested.

      [Bookseller: Barter Books]
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        Amalfi, Ansicht einer am abschüssigen Ufer gelegenen Villa.

      - Aquarell und Pinsel in Grau, über leichter Bleistiftskizze, auf Bütten, auf grauen Büttenkarton aufgezogen, dort verso signiert und nummeriert „Frommel 3" sowie mit Bezeichnungen von Vorbesitzern. 31,7:24,5 cm. Provenienz: 1. Sammlung E. Fuhrer, Essen, nicht bei Lugt; 2. Galerie Joseph Fach, Frankfurt a.M., Kat. 57, Nr. 70; 3. Sammlung Helmut Märkt, Reutlingen, nicht bei Lugt. Frommel hielt sich mehrmals in Italien auf. Durch eine Zeichnung im Besitz der Staatlichen Kunsthalle, Karlsruhe ist ein Besuch in Sorrent Ende August / Anfang September 1834 belegt (Inv. Nr. P.K. 1524-36). Ein Abstecher nach Amalfi ist deshalb mehr als wahrscheinlich. Luftiges Aquarell in lichten Grau-, Grün-, Braun- und Gelbtönen.

      [Bookseller: Galerie Joseph Fach GmbH]
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        L'Antotrofia Ossia La Coltivazione De Fiori. Two Volumes

      1834. PICCIOLI, Antonio. L'Antotrofia Ossia La Coltivazione De Fiori. Two volumes. 798 pp., 1. f. (errata). Illustrated with 72 hand-coloured lithographs. 8vo., 226 x 145 mm, bound in contemporary Italian quarter morocco, brown cloth sides, spines gilt. Florence: V. Batelli e Figli, 1834.|~| |~||~||~||~||~| First Edition, an excellent copy of this Italian florilegium in original, unsophisticated condition, featuring 72 hand-coloured botanical lithographs of high quality. The work is divided into the twelve months of the year, and documents the most beautiful flowers that bloom during each. For each flower there is information on its origin, its cultivation and care, the etymological origin of the name and a short literary text, anecdote, or 'Emblema' (e.g., a sonnet by Petrarch). Antonio Piccioli (1794-1842) was gardener of the Casa Panciatichi; he succeeded his father Giuseppe as gardener to the Museum of Natural History in Florence. Publication of L'Antotrofia, ossia la coltivazione dei fiori secured his reputation as a botanist of merit; preserved in the Biblioteca Nazionale Centrale di Firenze are 968 botanical drawings and plates by him. Piccioli was an Associate of the Horticultural Societies of London and Berlin. Sitwell & Blunt, Great Flower Books, p. 125. Stafleu 7884. Plesch p. 361. Not in Pritzel.

      [Bookseller: Ursus Rare Books]
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        The Rising Village, with Other Poems. ByOliver Goldsmith, a Descendant of the Author of "The Deserted Village".

      Saint John, New Brunswick. Published for the Author by John McMillan.1834. - 16mo. 14cm, first Canadian edition, 144p., complete with halftitle, in the original green watered silk, gilt spine titles, expertlyrestored, all edges gilt, a fine copy thus, rare. (cgc) T.P.L. 1834.Lande 1798. Sabin 27720. Watters p77. - The Canadian edition of a workfirst published in London in 1825. Oliver Goldsmith was born in St.Andrew's, New Brunswick in 1794 and was the great nephew of OliverGoldsmith, the English poet. The Rising Village is written in imitationof The Deserted Village. He was Canada's first native-born poet. Exceptfor some time spent travelling, he spent most of his working life inHalifax, where he wrote The Rising Village. Rhodenizer states that hisverse is ". noticeably reminiscent of that of his great-uncle, theIrish born English poet". An expanded collection over the London 1825edition of the title poem. A work of some note in the history of Canadianpoetry. Described by Klinck et al (LITERARY HISTORY OF CANADA) as "thefirst volume of verse ever published in Canada by a native-born Canadianto receive serious attention at the hands of critics and literaryhistorians. The author was the grand nephew of his more famous nam-esake.When the title poem was published in London, he was battered by theinevitable comparisons made by reviewers. This augmented collection washis farewell to versifying. Except for some time spent travelling, mostof his working life was spent in Halifax, Hong Kon and Newfoundland, aswell as New Brunswick. It was in Halifax that he wrote the The RisingVillage Rhodenzier states that his verse is ". noticeably reminiscentof that of his great-uncle." A new edition, edited by MichaelGnarowski, Mont-real. Delta. 1968. 47p., Incorporates textual differencesbetween the London, 1825 edition and the first Canadian edition publishedin Canada, in 1834. [Attributes: First Edition; Hard Cover]

      [Bookseller: Patrick McGahern Books, Inc. (ABAC)]
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        Storia pittorica della Italia dal risorgimento delle belle arti fin presso al fine del XVIII secolo dell'Abate Luigi Lanzi antiquario I. e R. in Firenze. Edizione quinta.

      Firenze, Marchini, 1834. SEI tomi in due volumi in 8vo (cm. 23,2); legature coeve in mezza pergamena con tit. ms. ai dorsi; 6 frontespizi; pp. XXX, 324 (2); 307 (1); 243 (1); 214 (2); 330 (2); 239 (1). Il tomo sesto sono 240 pagine d'indici generali dell'opera. Con un indice dei libri d'istoria e di critica citati per l?opera.

      [Bookseller: Libreria Bongiorno Paolo]
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        Poems

      London: T. Cadell and E. Moxon, 1834. One engraved plate and 32 vignettes after Turner, 35 vignettes after Stothard, and 4 other vignettes, all in proof state. viii, 295, [1] pp. 1 vols. 8vo. Full red morocco, a.e.g. by J. Wright. Binding lightly rubbed, else fine. Engravings by Turner and Stothard in Proof State

      [Bookseller: James Cummins Bookseller]
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        Memorials of Oxford. 3 volume set.

      J H Parker (et al), Oxford. 1834 - Vol 1. [6] + 64 + 32 + 16 + 16 + 32 + 16 + 16 + 16 + 16 + 16 + 16 + 32 plates as called for.Vol 2. [4] + 16 + 32 + 16 + 32 + 16 + 16 + 16 + 16 + 16 + 16 + 16 + 16 + 16 + 16 + 32 plates as called for. Vol 3.[4] + 16 + 16 + 16 + 16 + 16 + 16 + 16 + 16 + 16 + 16 + 32 + 16 + 16 + 16 + 16 + 32 + 36 plates + foldg map/plan as called for. Contemporary inscription on verso of ffep in volume 1. Scattered foxing, mainly to margins. A beautifully bound set in contemporary, dark green, full morocco with elaborate blind and gilt decoration to boards and spine. [Attributes: First Edition; Hard Cover]

      [Bookseller: Elaine Beardsell (PBFA )]
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        MINIATURA, EL BRAVO, NOVELA VENECIANA, JAMES FENIMORE COOPER 1834

      Imp. de A. Bergnes y Cia. 1834 - Barcelona.1834. Miniatura, 11X7. Biblioteca de Damas. Holandesa con puntas. 4 T. 283p+272p+243p+238p. Raro ejemplar. Muy buen estado. Ref 9.7 Biblioteca AS. [Attributes: First Edition; Hard Cover]

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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        The Bibliographer's Manual of English Literature

      London: William Pickering 1834 - 2 volume set, 8.75 inches tall. A stunning full morocco binding by HAYDAY, one of the great binders of the Victorian era. Gilt raised bands, dense gilt tooling of the highest order to the panels and gilt tooling in the design of a Cambridge panel to the boards. Gilt dentelles and all edges. Bookplate. Some foxing to the preliminaries. A mark to the joint of the upper board of volume 2 of no structural significance. This famous manual is a fascinating "account of rare, curious, and useful books, published in or relating to Great Britain and Ireland, from the invention of printing; with biographical and critical notices, collations of the rarer articles, and the prices at which they have been sold in the present century." [Attributes: Hard Cover]

      [Bookseller: McConnell Fine Books ABA & ILAB]
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        Opp. 24, 25, 27 nos. 1, 81, and 85 no. 12]. A collection of early editions of lieder and excerpts from the opera Genoveva

      - From the collection of Jenny Meyer, possibly the singer (1834-94) and sister-in-law of Julius Stern, director of the Stern Conservatory of Music in Berlin from 1883-94. Folio. Half dark green textured cloth with black textured cloth boards.Op. 24Liederkreis von H. Heine für eine Singstimme und Pianoforte componirt und Mademoiselle Pauline Garcia zugeeignet. Op. 24. Pr. 1 Thlr. Leipzig: Breitkopf & Härtel [PN 6343], [after 1840]. 1f. (title), 3-23, [i] (blank) pp. Engraved. Publisher's handstamp to foot of title; title and final leaf professionally repaired at edges; lower right corners creased; handstamp slightly trimmed. Various annotations in pencil (including instructions in German for transposition). First Edition, later (unrecorded) issue, lacking printer's note to lower left corner of p. 3, "Stich und Druck von Breitkopf & Härtel in Leipzig." Hofmann p. 61. McCorkle pp. 100-10.Op. 25Myrthen Liederkreis Göthe, Rückert, Byron, Th. Moore, Heine, Burns & J. Mosen für Gesang und Pianoforte. Op. 25. Heft I. Heft II. Heft III. Heft IV, à 20 Ngr. Leipzig, Fr. Kistner [PNs 1290, 1291, 1293, 1294], [ca. 1842]. First Edition, later issue, lacking credits to Krätzschmer to illustrated title. Hofmann pp. 63/65. McCorkle p. 111.Heft I: 1f. (title within decorative border printed in green), [i] (dedication), 5-17, [i] (blank) pp. Heft II: [i] (title), 2-14 pp. Heft III: [i] (title), 2-15, [i] (blank) pp. Heft IV: 1f. (title), 3- 13, [i] (blank) pp. Lacking pp. 11-12 (lieder no. 25). Title and dedication pages lithographed, music engraved. Signature "Jenny Meyer" in pencil to upper right corner of all titles. Uniformly browned; title of Heft III detached; tear to foot of final page. With additional pagination to some pieces at lower corners.Op. 81 Gesangstücke mit Pianoforte- Begleitung aus der Oper Genoveva. op. 81. Leipzig u. Berlin: Bureau de Musique von C. F. Peters [PNs 4405-4414], [?1860]. Der vollständige Klavier-Auszug mit Text, sowie für Piano à 4 ms. ist gleichfalls erschienen. No. 1. Vierstimmiger Choral: Erhebet Herz und Hände (mit Stimmen). 7 1/2 Ngr. [i] (title), 2-3, [i] (blank) pp.No. 2. Lied des Golo: Frieden zieh in meine Brust. 7 1/2 Ngr. [i] (title), 2-5, [i] (blank) pp.Nr. 3. Lied: O weh des Scheidens 5 Ngr. [i] (title), 2-3, [i] (blank) pp. No. 4. Duettino für Sopran und Tenor: Wenn ich ein Vöglein wär. 10 Ngr. 1f. (title), 3-7, [i] (blank) pp.No. 5. Gebet der Genoveva: O Du, der über alle wacht .7 1/2 Ngr. [i] (title), 2-5, [i] (blank) pp.No. 6. Lied des Siegfried: Bald blick ich dich wieder mein Heimathschloss. 10 Ngr. 1f. (title), 3-7, [i] (blank) pp.No. 7. Lied der Margarethe: Jch sah ein Kind im Traum. 10 Ngr. [i] (title), 2-6, [i] (blank) pp.No. 8. Duettino für Sopran u. Alt: Abendlüfte kühle wehn. 10 Ngr. [i], (title), 3-7 (no. 8), [i] (blank) pp.No. 9. Quartettino für 2 Soprane u. 2 Tonore [!Tenöre]: Wann die Lichter der Erde verglühn. 7 1/2 Ngr. [i] (title), 2-5, [i] (blank) pp.No. 10. Gebet der Genoveva: Mich geb ich hier in Deine Hand. 7 1/2 Ngr. [i] (title), 2-5, [i] (blank) pp.Engraved. Signature "Jenny Meyer" in pencil to lower right corner of all ten volume titles. First Edition of excerpts. Very rare. Only one complete set in WorldCat (University of Oxford). Not in Hofmann or McCorkle. Bound with:- 3 songs in manuscript in a professional copyist's hand: [Op. 25, no. 1]. Widmung. [i] (title), [2]-[5], [i] (blank) pp. (transposed down to G-flat major). Handstamp of Jenny Meyer to head of title. Occasional annotations in pencil[Op. 25, no. 3]. Der Nussbaum. [i] (title), [2]-[6] pp. (transposed down to F major)[Op. 27, no. 1]. "Sag an, o lieber Vogel mein." [i] (title), [2]-[3], [i] (blank) pp. (transposed down to A major)- Abend-Lied. Aus Op. 85 Nr. 12 apart, ist in folgenden Editionen erschienen. Für Sopran oder Tenor mit Piano 5 Sgr. J. Schuberth & Co. Leipzig und New-York [PN 3613], [ca. 1870]. [i] (series title), 14-15, [i] (publisher's catalogue listing publications up to ca. 1857 and prices in Th [Attributes: First Edition; Soft Cover]

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        An Historical Description Of Westminster Abbey

      1834, Hardcover, Book Condition: Fair, Dust Jacket Condition: No JacketThe boards are worn and marked.Previous ownership inscription.Foxing.Well bound.Fair copy.[R.K] Quantity Available: 1. Inventory No: ym13.

      [Bookseller: Chapter 1 Books]
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        Oeuvres complètes. Edition unique revue par l'auteur, ornée de 104 vignettes en taille - douce dessinées par les peintres les plus célèbres

      Perrotin 1834 Cinq volumes (220 x 140 mm), demi - veau fauve, dos lisse orné, bandes de veau beige en guise de nerfs, pièces de maroquin noir, tranches mouchetées (reliure d'époque). Illustré de 104 vignettes gravées en taille - douce d'après Johannot, Raffet, Scheffer, Devéria, etc. Le tome cinq, Supplément contenant les Oeuvres érotiques, est relié différemment, bradel demi - percaline saumon, coins, pièce marron, non rogné (reliure postérieure). Brivois, 50. (frottements sur les charnières, quelques défauts aux coiffes, rousseurs). / / Five octavo volumes (220 x 140 mm), fawn half - calf, smooth spine tooled, beige calf bands, black morocco labels, sprinkled edges (contemporary binding). Illustrated with 104 engraved vignettes, by Johannot, Raffet, Scheffer, Devéria, etc. Volume 5 is a "Supplement", containing erotic works ; it is bound differently, bradel salmon three - quarter cloth, brown label, uncut (bound later). Brivois, 50. (rubbings on hinges, some defects on top and bottom of spine, brownings).

      [Bookseller: Librairie Henri Picard & Fils]
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        Küstenstrich bei Nauplia.

      - Aquarell über Bleistift, auf Velin, rechts unten bezeichnet und datiert „Nauplia im Juni 1834.". 17,7:29 cm. Graf Spreti war Offizier und 1833f. mit den bayerischen Truppen in Griechenland. Er malte griechische Veduten und radierte Pferde- und Militärdarstellungen. Zeichnungen von ihm befinden sich in der Maillinger-Sammlung in München.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Autograph letter signed "Bellini" to Francesco Florimo (1800-1888)

      1 page of a bifolium. Dated Paris, December 19, 1834. In ink on lightweight paper. With integral autograph address panel. In Italian (with translation). Bellini informs Florimo that French composer [Antoine] Elwart (1808-1877), Bellini's protégé, will be coming to Naples from the Paris Conservatoire and asks that Florimo introduce him to the composer Niccolò Zingarelli (1752-1827) and other important musicians in the city, and "be useful to him if you can."Browned; creased at folds; small pinholes to corners and near central fold not affecting text; remains of former hinging to blank upper margin. With early printed French dealer or auction catalogue description to blank lower right corner of verso. . A leading figure in early 19th-century opera, Bellini was especially noted for his expressive melodies and sensitive approach to text-setting. Francesco Florimo was his fellow-student at the Conservatory and closest friend. "... [His] attachment to Florimo never wavered, and his long and frequent letters to his friend are by far our fullest source of information about his professional and personal life. Florimo remained in Naples as librarian at the conservatory until his death in 1888, but his true calling was as chronicler and guardian of Bellini's fame. In 1882 he published a biography and edition of Bellini's letters; although Florimo's desire to protect and enhance his friend's reputation sometimes led him to censor or even substantially falsify the content of the letters, his portrait of the composer remains valuable and influential." Mary Ann Smart et al in Grove onlineElward won the Prix de Rome shortly after this letter was written with his "Omaggio alla memoria di Vincenzo Bellini," performed at the Teatro Valle in 1835.

      [Bookseller: J & J Lubrano Music Antiquarians LLC ]
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