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Displayed below are some selected recent viaLibri matches for books published in 1830

        FIRST COINAGE OF THE UNITED STATES. In The Casket, Flowers of Literature, Wit & Sentiment

      Philadelphia, 1830. Entire volume of 12 issues present [title article appears on page 235 of the May issue]. 8vo, later brown library buckram lettered in white. Engraved title; (4), 572 pages; occasional text illustrations including woodcut depictions of the obverse and reverse of both Washington pieces; 18 additional woodcut or engraved plates. Tape repairs to engraved title and one other plate. Ex University of Pittsburgh Library, with their discard stamp and with their perforated stamp on the first several leaves. Minor foxing. Very good or nearly so. A highly interesting article featuring what are likely the first illustrations of two Washington pieces: the silver Getz pattern (often regarded as a half dollar) and the 1791 small eagle cent. The tale of Washington forbidding the use of his image on the U.S. coinage is rehashed in the usual inaccurate manner by a "Mr. Frailey" of Baltimore, who writes: "History is ominously silent on the subject of this coinage, and out of this city there are not perhaps a hundred persons who possess any knowledge of the fact; but tradition, handed down by a respectable and well-informed citizen, now deceased, (who owned the silver coin, and held it in great estimation,) informs us that very few in number were struck; that specimens were transmitted to President Washington, for his inspection and approbation, and that he promptly directed the dies to be destroyed." Inaccuracies aside, these depictions of 18th-century Washington pieces are well-executed and remarkably early--probably the earliest. The first copy we have handled.

      [Bookseller: Kolbe & Fanning]
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        Harmonies poétiques et religieuses

      Gosselin, 1830. - Gosselin, Paris 1830, 13,5x21,5cm, 2 volumes reliés. - Prima edizione, rara copia senza menzione. Legatoria vitello metà tan, colonna vertebrale buia con cinque nervi decorato con reti, rulli e punteggiate monete d'oro titolo e numero volume di rosso e verde data marocco coda, alcuni graffi, triplo filetto dorato sulle copertine, angoli urtato, tagli strofinato, strofinato tappi, attacchi un po 'più tardi. Foxing come spesso, altrimenti buona copia. - [FRENCH VERSION FOLLOWS] Edition originale, rare exemplaire sans mention. Reliures en demi veau havane, dos assombris à cinq nerfs ornés de filets, roulettes et pointillés dorés, pièces de titre et de tomaison de maroquin rouge et vert, date en queue, quelques épidermures, triple filet doré sur les plats, coins émoussés, coupes frottées, coiffes frottées, reliures légèrement postérieures. Rousseurs comme souvent, sinon bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        MÜNCHEN. - Tracht. "Kellnerinnen von München". (Im Freien). Vor einem barocken Tor zwei Kellnerinnen im Sonntagsstaat in Vorder- und Rückenansicht, mit Riegelhaube, das Mieder mit Silberketten geschnürt und neben dem Brusttuch noch ein Umschlagtuch tragend, im Hintergrund die Frauentürme.

      - Altkolorierte Lithographie von Albrecht Adam bei Hermann, um 1830, 25 x 20 cm. Maillinger I, 1890/3; Pfister II, 2769/1; Lentner 12021; Lipperheide 755. - Aus Lipowsky, "Sammlung bayerischer National - Costüme".

      [Bookseller: Franziska Bierl Antiquariat]
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        Wintergezicht - Frédéric Théodore Lix.

      WINTERVERMAAKTekening met potlood, pen en waterverf van de hand van Frédéric Théodore Lix (1830-1897). Gesigneerd "F. Lix"' linksonder. Afm.: 15 x 19 cm.Lix staat bekend om zijn boekillustraties en tekende voor verschillende Franse tijdschriften zoals Le Magazin Pittoresque en L"Illustration. Hij werd beloond met een 3e prijs op de Parijse Salon van 1880 en kreeg een bronzen medaille voor zijn werk tijdens de wereldtentoonstelling van 1889.In zijn Camera Obscura (1840) verhaalt Hildebrand over sneeuwpret: "Daar stijgt de vrolijkheid ten top en het kleine grut glijdt, scharrelt, en zwiert, en draait door elkander, en valt op een hoop en poeiert elkaar met sneeuw".Dichter en tijdgenoot J.P. Heije zong:Sneeuw bedekt de landen, Wascht de kille handen Dat ze tintlend branden, Kneedt den sneeuwbal vast; Krachtig de arm geheven: Ha! Dat is een leven, Dat aan jongens past!Op de voorstelling van Lix voeren kameraadjes een compleet sneeuwballengevecht uit. Geen treffender indruk van zo"n speelse, maar met vurigheid gestreden confrontatie dan deze tekening, waar zelfs tromgeroffel niet ontbreekt en de overwinnaars de vlag hijsen.Prijs: € 1.250,- (incl. lijst, BTW margeregeling).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Biographische Denkmale. 5 Bände. Halbpergamentbde d. Z. mit handschriftl. Rückentitel.

      Berlin, Reimer, 1824-1830. - Erste Ausgabe der äußerst seltenen Sammlung. Enthält u. a. Biographien der Grafen zur Lippe und Schulenburg, von Derfflinger, Blücher, Paul Fleming, Canitz, Besser und Zinzendorf. Seine „Sammelleidenschaft ließ Varnhagen auf publizistischem Gebiet durch seine ‚Biographischen Denkmale‘ zum Begründer der auf nachweisbare Quellen gestützten Biographie in Deutschland werden und trug ihm von Goethe den Beinamen eines ‚deutschen Plutarch‘ ein, sie bildete aber auch die Grundlage für seine ‚Denkwürdigkeiten‘" (KNLL). – Ein Blatt in Band 3 mit leicht verdruckter Knautschfalte. Titel mit Stempel der Fürstenbergischen Bibliothek. Gutes, sauberes und breitrandiges Exemplar. – Goed. VI 179, 24. Nicht bei Borst. [Attributes: First Edition]

      [Bookseller: Antiquariat Wolfgang Braecklein]
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        Endimion. Ein Taschenbuch für Jäger und Jagdliebhaber für das Jahr 1831. Nach den besten und neuesten Hilfsmitteln bearbeitet.

      Graz, Jos. Fr. Kaiser, o. J. (1830). - Erste Ausgabe. - Der Verfasser, „(geb. 14. 5. 1785) war Kreiskassierer und Rechnungsprüfer, wanderte wegen Unterschlagung ins Gefängnis, lebte als freier Schriftsteller, war zweimal verheiratet und starb nach 1849". - Die Tafeln zeigen versch. Wildtiere (Hirsch, Reh, Gemse, Hase, Steinhuhn), Hunde, Fährten usw. Die Illustrationen auf Einband u. Schuber zeigen einen Bären, Hirsche (2) sowie einen Jäger mit Schneeschuhen. - Schuber stärker bestoßen u. fleckig. Einband etw. berieben bzw. fleckig u. an den Rückenkanten etw. eingerissen. Titel m. kl. Namensstempel. Unterschiedlich gebräunt u. braunfleckig. - Sehr selten. - Lindner 11.1637.01. ge Gewicht in Gramm: 500 12°. Mit lithogr. Frontispiz, lithogr. Titel, 3 mehrf. gefalt. lithogr. Tabellen, 3 gefalt. Musikbeilagen, einer 16-seitigen lithogr. Beilage („Alphabetisches Verzeichnis der deutschen Wildarten und der zur Jagd anwendbaren Thiere [.]") sowie 14 (dav. 2 doppelblattgr. u. eine gefalt.) lithogr. Tafeln. 234 S., 3 Bll. (das letzte weiß), Beids. illustr. lithogr. OPpbd. in beids. illustr. lithogr. OKart.-Schuber. [Attributes: First Edition]

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Full-length aquatint engraving by Franz Hegi (1774-1850) after the sculpture by Louis François Roubillac in Westminster Abbey

      [?Paris] 1830 - 207 x 167 mm. Hinged at upper corners of verso. A fine impression on wove paper with good margins.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        Dizionario Piemontese, Italiano, Latino e Francese. Edizione seconda riordinata e di nuovi vocaboli arricchita. Carmagnola, P. Barbié, 1830

      1830. 2 vol. in - 4, pp. VIII, 498, 115; pp.620, 38, XI, ben leg, m. pergamena coeva, titolo a secco su tassello ai dorsi. La migliore edizione, estesa, rivista e corretta di questo importante repertorio dialettale. Ottimo esemplare.

      [Bookseller: Libreria Antiquaria Pregliasco]
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        [Vues de la Suisse]. 15 handcolored aquatints chiefly by Birman, heightened with gum arabic. Raccolta di 15 tavole di vari editori, tra cui 8 di ?Basle, chez Birman et fils?, 5 di ?Zürich, chez F.Sal. Füssli?. 1830 ca.

      1830. in - 4, 15 splendide tavole a colori, leg. m. marocchino rosso, titolo in oro al piatto anteriore. Vedute di San Gottardo, del Ghiacciaio del Rodano, di Grimsel, Oberhasli, Rosenlaui, Wetterhorn, Grindewald, Jungfrau, Lauterbrunen..Otto delle quindici tavole sono state realizzate da Samuel Birman e pubblicate in "Basle, chez Birman et fils". L'artista è noto soprattutto per l'album ''Souvenirs de la Vallée de Chamonix'', pubblicato nel 1826. Cinque tavole sono state impresse a "Zürich, chez F.Sal. Füssli". In fine, una rara veduta di Fribourg, disegnata da Winterlin ed incisa da Vogel.

      [Bookseller: Libreria Antiquaria Pregliasco]
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        SCHWABEN. - Tracht. "Ein Bauer und ein Bauer=Maedchen aus der Gegend zwischen Augsburg und Ulm". Junger Mann in Sonntagstracht auf einer Bank sitzend und Pfeife rauchend, davor ein Mädchen mit Korb; im Hintergrund Dorfkirche.

      - Altkol. Lithographie aus Lipowski bei Hermann, München, um 1830, 24,5 x 20,5 cm. Lipperheide Dfc 6; Lentner 11274. - Aus F.J. Lipowski, "Sammlung Bayerischer National-Costume". - Farbfrisch und tadellos erhalten.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Talamone

      1830. Veduta panoramica della baia e dellla città di Talamone. Acquatinta, finemente colorata a mano, in ottimo stato di conservazione. Rarissima. ? ? 460 305

      [Bookseller: Libreria Antiquarius]
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        Die LÃ winn mit ihren Jungen. [Lioness with her cubs]

      1830 - BRODTMANN, Carl Joseph. Die Là winn mit ihren Jungen. [Lioness with her cubs] Original hand-coloured lithograph for the Naturhistorische Bilder Gallerie Aus Dem Theirreiche, c.1830. 350 x 420 mm. 350 x 420 mm. £795

      [Bookseller: Henry Sotheran Ltd]
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        Beautiful, exhibitable Francis Scott Key ALS

      Georgetown, October 4, 1830. 8" x 9.75". "Autograph Letter Signed ""F S Key,"" 1 page, 8"" x 9.75"". G.T. [Georgetown, D.C.], October 4, 1830. Integral leaf addressed by Key to ""Mr. Alexr M. Peltz / Sheriff's Office / Philadelphia,"" postmarked ""GEORGETN. DC OCT 5."" Partially separated at folds. Fine condition.In part, ""Your cause was decided against us in the Circuit Court - not on the merits, but on a question of law incidentally arising in the case. - I took an exception to the Court's opinion & intended to remove the case to the Supreme Court - But a proposition was made by Clarke's counsel for a compromise, & I thought we might come to terms. I wished to avoid the expence of the appeal and any further litigation, & I have from time been encouraged by Clarke's Counsel assisting me they would advise their Client to agree to what I proposed. But they have either been unable to overcome his obstinacy, or else have neglected it -- He has two Lawyers both of whom horrified me to advise him - He would see one, & then he waited to see the other…"""

      [Bookseller: University Archives]
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        Carta geometrica della Toscana ricavata dal vero nella proporzione di 1 a 200000 e dedicata a S. A. I. e R. Leopoldo II. [...] dal suo ossequiosissimo servo e suddito Giovanni Inghirami delle Scuole Pie; Stucchi diresse l'incisione.

      1830. Firenze, [s.n.t.], 1830, grande carta geografica in 4 fogli incisi in rame, intelati e ripiegati dentro custodia coeva in cartone marmorizzato. La carta distesa misura mm 1480x1140. I due fogli settentrionali recano in alto l´elenco delle principali quote calcolate in piedi francesi. I due fogli meridionali contengono numerose piantine di città alla scala di 1:35000, il titolo, la legenda dei segni convenzionali, le scale grafiche. Opera di estrema importanza nella storia della cartografia toscana: con essa e con la formazione del "Catasto Geometrico - Particellare Lorenese" si attuava per il paese la nuova era della "cartografia scientifica"; il progetto di Giovanni Inghirami segnò un assoluto primato europeo nella realizzazione coordinata di cartografia a fini catastali e cartografia corografica per finalità amministrative e scientifiche. Esemplare in condizioni di conservazione più che buone.

      [Bookseller: Libreria Antiquaria Gozzini]
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        Veduta del giardino e villa Sant'Angelo in Moscazzano

      1830 ca.. Bucolica veduta della seicentesca Villa Griffoni Sant'Angelo, costruita sul terreno ove sorgeva una fortificazione e di cui conserva due torrette, dedicata al Conte Angelo Griffoni, famiglia che ne divenne proprietaria nel 1776. Coloritura coeva mm 210x357

      [Bookseller: Libreria Trippini Sergio]
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        ATLAS DE GEOGRAPHIE ANCIENNE, DU MOYEN AGE, ET MODERNE, adopté par le Conseil Royal de l'Instruction Publique, à l'usage des Collèges Royaux et des Maisons d'Education, pour suivre les Cours de Géoghraphie et d'Histoire.

      Delamarche, 1830. (Codice AN/2870) In 4º (33,5x25,5 cm) 4 pp. (texte) et 36 planches dont 35 acquarellées. Mesure de la cuvette cm 38x32; mesure de la gravure cm 33x28 environ. Mince tache d'encre en marge de la carte 18 (Afrique), très légères jaunissures plus remarquables à la carte 13 seulement (Espagne et Portugal) tandis que la carte 27 "Espagne Antique" est en parfait état. Ex-libris héraldique: monogramme "C D" à sec contrecollé à l'intérieur du plat. Reliure du temps demi basane muette un peu frottée, coins emoussés, etiquette au plat. Euro 700.00 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA

      [Bookseller: Bergoglio Libri d'Epoca]
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        La Calcografia propriamente detta, ossia l'Arte d'Incidere in rame coll'Acqua-forte, col Bulino e colla Punta.

      Ragionamenti letti nell'adunanze dell'I. R. Istituto di Scienze, Lettere ed Arti del Regno Lombardo-Veneto. Vol. I (solo pubblicato) concernente la teorica dell'arte. Milano, Stamperia Reale, 1830 (ma 1831), - in-8gr., pp. XXXII, 385 (4), 392-43 (3 tavole in calcografia, compreso il front.). Leg. coeva in cartonato decorato, titolo su tassello al dorso. Le tre tavole in calcografia sono: il frontespizio inciso in rame da Prada; l'ultima incisione a bulino a cui lavorò lo stesso Longhi, raffigurante uno studio sui profili umani, a cui è agggiunta una didascalia postuma che reca la data di morte dell'A. (2 gennaio 1831); un ritratto di Giuseppe Longhi entro medaglione, disegnato e inciso da Francesco Anderloni. A partire da pp. (386) segue, con occhietto prporio: ''Notizie biografiche di Giuseppe Longhi raccolte da Francesco Longhena''. Edizione originale dell'unico volume pubblicato poiché la morte dell'A. sopraggiunse nel gennaio dell'1831 e l'opera venne affidata dai suoi eredi a Francesco Longhena, che aggiunse l'ultima parte dedicata alla biografia del Longhi. Ottimo esemplare di importante trattato sull'incisione in rame, fresco e marginoso. [Attributes: Hard Cover]

      [Bookseller: Libreria Antiquaria Pregliasco]
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        MEMOIRES POUR SERVIE A L'HISTOIRE DE FRANCE SOUS LE REGNE DE NAPOLEON - 9 TOMES

      1830. BOSSANGE FRERES - 2° EDITION. 1830. In-8.Carré. Broché. Etat d'usage. Couv. convenable. Dos satisfaisant. Quelques rousseurs. Tome 1 : 474 pages : état d'usage : dos manquant, remplacé par du papier. Tome 2 : 466 pages, frontispice : portrait gravé en noir et blanc de Augereau, état d'usage, papier collé sur le dos. Tome 3 : 414 pages, frontispice : portrait gravé de Marmont, duc de Raguse, état d'usage : papier blanc collé sur le dos. Tome 4 : 456 pages, frontispice : portrait gravé en noir et blanc de Maréchal Lannes, état d'usage, papier blanc collé sur le dos. Tome 5 : 470 pages, frontispice : portrait gravé en noir et blanc de Moreau, état d'usage : passage de vers sur les premières pages en marge du haut, papier blanc collé sur le dos. Tome 6 : 437 pages, frontispice : portrait gravé en noir et blanc de Louis Bonaparte, état d'usage : papier blanc collé sur le dos. Tome 7 : 504 pages, frontispice : portrait gravé en noir et blanc de CH. M. Talleyrand-Périgord, état d'usage : papier blanc collé sur le dos. Tome 8 : 438 pages, frontispice : portrait gravé en noir et blanc du Maréchal Brune, état d'usage : papier blanc collé sur le dos. Tome 9 : 573 pages, frontispice : portrait gravé en noir et blanc de Ponitawski, état d'usage : papier blanc collé sur le dos. Par les généraux qui ont partagé sa captivité.

      [Bookseller: Le-Livre.Com]
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        Les Vignobles de France Vins d'Algerie

      London: The French Government. unbound. Original poster. Color lithograph. 26.75" x 33.5". This stunning art deco style original wine poster issued by The French Government depicts the wine map of Algeria, on the Barbary Coast of North Africa. The map portrays the French colony of Algeria and identifies the various vineyards of the regions with illustrations of grapes. The map is further surrounded by various wine motifs and emblems from the different regions. Some of these include illustrations of grapes, barrels, vineyards, vines, etc.<br><br>This poster by Remy Hetreau was one in the series of 11 map posters. Each poster featured a different wine region, promoting the French wine industry as well as tourism. This particular poster was the only French colony featured in the series, the rest being the regions of Normandie, Champagne, Alsace, Bordeaux, Bourgogne, Provence, Loire, Roussillon, and others.<br><br>The region of Algeria has a rich viticultural history dating back to Phoenician and Roman times. For a time of the Arab conquests, winemaking was limited in the region until Algeria came under French rule in 1830. By the mid-20th century Algerian wine accounted for two thirds of the total international wine trade. Post independence however, the wine industry in Algeria has suffered and today very little Algerian wine can be found in the international market.<br><br>This poster was printed in France by Publi-Mab and was commissioned by the government agency that promoted the French wine industry 'Comité National de Propagande en Faveur du Vin'. The poster is in good condition with some staining and wear along the edges. Minor foxing.<br><br>Remy Hetreau (1913 - 2001) was a French artist, illustrator and printmaker born in Patay, in the Loiret region of France. Famous for his engravings and for illustrating several books, he also designed international exhibitions, and painted murals. This is a fine example of his work.

      [Bookseller: Argosy Book Store]
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        Les costumes Suisses les plus origineaux et les plus intéressants déssinés d'apres nature.

      Publiés par Keller et Füssli, marchands d'estampes vis à vis de l'épée à Zürich (ca 1830), - in-8, frontespizio illustr. e 29 tavole su 30. raffiguranti costumi locali svizzeri. 5 di Berna, 2 di Lucerna, 1 di Schwyz, 1 di Unterwalden, Glarus, Zoug, Fribourg e Scaffouse, 2 di Appenzell, 1 di Tessin, Neuchatel, Ginevra ed altri. Legatura moderna in cioio rosso, ricchi fregi in oro ai piatti ed al dorso. Bellissima coloritura d'epoca, qualche arrossatura. Colas 1142. Lonchamp 235. [Attributes: Hard Cover]

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Collection des Costumes de la Suisse et de les pays limitrophes

      Zürich: Keller et Fussli. Full Morocco. Very Good. N.d., circa 1830. 32mo. 11 by 9.5 cm. 23 hand-colored plates, including title page, with its wreath of alpenrose. Costumes from the cantons and major cities plus the Black Forest. Each illustration features two or three men and women, usually performing some typical craft or activity associated with the area, or ready to do so. In other words, the portraits have some dynamism to them, and with their bright hand-coloring and diminutive scale, richly deserve the adjective of "exquisite". Scarce, with the only copies showing on OCLC First Search at the Koninklijke Bibliotheek of the Netherlands and the Zentralbibliothek of Zurich. Crack along rear joint, with possible partial repair done. Other rubbing along the edges. Plates generally clean. Original tissue guards intact. A neat inked inscription in English on the FFEP dated 1831 and sited to Lucerne.

      [Bookseller: White Fox Rare Books and Antiques]
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        The Beauties of the Isle of Thanet and the Cinque Ports

      London: W. Marshall. 1830 - London: W. Marshall, 1830. First and Sole edition. Small 8vo. (iv), 147, (5); (iv), 192, (4) pp. Two volumes in full red leather with gilt decorated spines. Folding map, 2 engraved title pages and 104 engraved plates (at the rear of both volumes - not in the correct order but collated and complete). Engraved title page and &#145;normal&#146; title page. Uncommon. Condition Report Externally Two volumes in full red leather &#150; recent binding in very good condition Some marks and scratches but minor See photos Internally Internally good New cream endpapers Foxed to a few pages See photos [Attributes: First Edition; Hard Cover]

      [Bookseller: Louis88Books]
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        Gesamtansi. üb. d. Rh., rechts die Schiffbrücke, "Vue de la Ville de Manheim et de ses environs.".

      - gouachierte Aquatinta ( a.a. China ) v. Salathé n. Federle b. Bleuler, um 1830, 18,8 x 28,4 Blatt 48 der berühmten ( mittleren ) Rheinserie bei L. Bleuler.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Hotel Royal à Stresa L'une des plus belles cituations du Lac Majeur, Route du Simplon, vis - à - vis des Jles Borromées

      1830 ca.. Curiosa incisione pubblicitaria dell'Hotel Royal à Stresa di proprietà di Barthelemi Bolongaro che sorgeva proprio lungo la strada del Sempione di fronte alle Isole Borromee. Sotto la veduta è accompagnata da una parte di testo in cui sono raccolte informazioni in merito agli alloggiamenti ed alla possibilità di spostamento verso Milano, Torino o la Svizzera. Non menzionata nella bibliografia di riferimento. mm 146x188

      [Bookseller: Libreria Trippini Sergio]
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        Veduta di Baveno sul Lago Maggiore

      1830 ca.. Veduta delle isole Borromee viste dal lungo lago di Baveno. Coloritura coeva alla gouache ed acquerello. Ridimensionata ai margini. mm 154x215

      [Bookseller: Libreria Trippini Sergio]
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        Hotel de la Poste à Baveno

      1830 ca. Rara ed interessante raffigurazione dell'Hotel de la Poste a Baveno di proprietà dei Fratelli Adami. La bella veduta, animata in primo piano dal diporto di varie imbarcazioni, è accompagnata da una parte di testo in cui sono raccolte informazioni in merito agli alloggiamenti ed alla possibilità di spostamento con il battello a vapore. Riferimenti: Zipoli, "Elogio del Lago Maggiore", pag. 287, n° 124 mm 141x176 - 282x205 il foglio

      [Bookseller: Libreria Trippini Sergio]
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        La Forteresse.

      Artist: Anonymous; Issued in: unknown; date: c 1830 - Artist: Anonymous; Issued in: unknown; date: c. 1830; - Condition: Perfect condition; View depicts the Saint Peter and Paul Fort in St. Petersburg. Saint Petersburg was founded by Tsar Peter the Great on May 27, 1703. Between 1713 and 1728 and 1732 and 1918, Saint Petersburg was the imperial capital of Russia. In 1918, the central government bodies moved from Saint Petersburg to Moscow. It is Russias 2nd largest city after Moscow with 5 million inhabitants and the fourth most populated federal subject. Saint Petersburg is a major European cultural center, and also an important Russian port on the Baltic Sea.

      [Bookseller: Antique Sommer KG]
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        ALBUM OF WATERCOLOR DRAWINGS OF BUTTERFLIES AND MOTHS AFTER ABBOT, TITLED IN MANUSCRIPT:] HISTOIRE NATURELLE DES LÉPIDOPTÈRES LES PLUS RARES DE GÉORGIE D'APRÈS LES OBSERVATIONS DE M. JEAN ABBOT. IMPRIMÉ À LONDRES EN 1797.

      [France. 1800-1830]. - Manuscript title within a red ruled border, 2pp. manuscript index in rear. Forty pen-and-ink and watercolor drawings, each captioned in red ink, recto only on 40 sheets of wove paper (watermarked Horne). Oblong octavo. Contemporary half black morocco and blue boards, yellow endpapers. Lacks front free endpaper. Very good. John Abbot was one of the most important American natural history artists and his illustrations are amongst the finest ever made. Born in London in 1751, Abbot sailed for Virginia in July 1773, with orders for both actual specimens and drawings of the local insects. For the next two years he continued to collect and paint, sending home three insect collections, although only one arrived safely. The loss of these two valuable collections at sea together with the worry over political unrest in Virginia led Abbot to move to Georgia. He settled in St. George Parish (later Burke County), Georgia in December 1775. Abbot traveled widely throughout Georgia devoting his time to the study of the natural flora and fauna. The flow of specimen collections and watercolors of insects ensured that his name became known to many of the foremost natural scientists and collectors of the day, both in America and Europe. Abbot's NATURAL HISTORY OF THE RARER LEPIDOPTEROUS INSECTS OF GEORGIA was first published in London in 1797. The present French manuscript includes forty watercolors based on the plates from that edition. The images comprise fifty-three depictions of butterflies and moths on the forty sheets, with eleven of the images including depictions of the lepidoptera in caterpillar form and several with depictions of flora and/or chrysalis. Each image is captioned in French above or below the image and numbered 1to 40 in the upper right corner; the alphabetical index corresponds to each watercolor ensuring that no images have been removed from the album. Between 1829 and 1837 interest in Abbot in France was greatly elevated due to the publication of a new work based on Abbot watercolors commissioned by lepidopterists Jean Baptiste Boisduval and John Eatton LeConte. It would seem possible that this album was related in some way to lepidopterist Jean Baptiste Boisduval. Vivian Rogers-Price, JOHN ABBOT IN GEORGIA: THE VISION OF A NATURALIST ARTIST (Madison, Ga.: Madison-Morgan Cultural Center, 1983). John V. Calhoun, "A Glimpse into a Flora et Entomologia" in JOURNAL OF THE LEPIDOPTERISTS' SOCIETY 60:1 (2006).

      [Bookseller: William Reese Company - Americana]
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        Mit hoher Obrigkeitlicher Bewilligung wird in dem großen Circus des Joseph Liebhard ... Eine große Vorstellung, in Kunstübungen zu Pferd bestehen ausgeführt, wozu ein hoher Adel, ein achtbares Königl. Militär und ein verehrliches Publikum ergebenst eingeladen wird. - Zum Beschlusse: Der feurige Hirsch, Dlle. Ring wird sich mit dem Hirsch im Brilland-Feuerwerk zeigen. (Unterzeichner:) Ring und Venuto.

      München, 21.August 1830.. Plakat mit sehr gr. Holzschnitt und typograph. Text. Blattgr.: 53 x 45 cm. Frühes Plakat aus der kurzen Selbständigkeit des Kunstreiters Joseph Liebhard, der aus dem Unternehmen von Laura de Bach hervorging, sich aber auch kurzfristig u. a. als Ballonfahrer auf Jahrmärkten versuchte. - Hier eine Benefizvorstellung für die "Dllen. Ring und Venuto"; der eindrucksvolle Holzschnitt zeigt einen römischen Kampfwagen gezogen von 2 vorgespannten Hirschen, der gerüstete Lenker umgeben von einem explodierenden Feuerwerk.

      [Bookseller: Antiquariat Turszynski]
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        Mit hoher Obrigkeitlicher Bewilligung wird in dem großen Circus des Joseph Liebhard ... Zum Vorletztenmale Eine große überraschende Vorstellung in der edlen Reitkunst und Herkulesstärke gegeben, wozu ein hoher Adel, ein achtbares Königl. Militär und ein verehrliches Publikum ergebenst eingeladen wird. - Zum Beschlusse: Der feurige Hirsch, Dlle. Ring wird sich mit dem Hirsch im Brilland-Feuerwerk zeigen.

      München, 29.August 1830.. Plakat mit 2 Holzschnitten und typograph. Text. Blattgr.: 53 x 44 cm. Frühes Plakat aus der kurzen Selbständigkeit des Kunstreiters Joseph Liebhard, der aus dem Unternehmen von Laura de Bach hervorging, sich aber auch kurzfristig u. a. als Ballonfahrer auf Jahrmärkten versuchte. - Die beiden Holzschnitte zeigen eine Vorführung von Kunstreitern und einen Hirsch, der über zwei Pferde springt. - Etwas knittrig, oberer Rand mit Hinterlegung. Am rechten Rand etwas stockfleckig.

      [Bookseller: Antiquariat Turszynski]
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        Bäuerliches Gehöft in einer alpenländischen Seenlandschaft. Bleistiftzeichnung, unsigniert und undatiert

      1830 (ca.) 1830 - Die fein ausgeführte Zeichnung zeigt zwei Bauerngehöfte am waldigen Abhang mit Sicht auf einen See und Ortschaft, dahinter Alpengipfel. - Auf Malkarton. In sehr schöner sauberer Erhaltung, nur im Himmel ein schwacher Stockfleck

      [Bookseller: Buch & Kunst Antiquariat Flotow GmbH]
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        Lettres à Eucharite sur l'arithmétique, ou l'esprit et la logique de la science des nombres, puisés dans l'histoire et la fable

      Paris, Tétot frères, 1830. de (4), 379 et (3) pages demi-basane rouge de l'époque, dos lisse orné 1830, 1830, in-8, de (4), 379 et (3) pages, demi-basane rouge de l'époque, dos lisse orné, Unique édition de cette introduction pédagogique à l'arithmétique. L'auteur se sert de plusieurs moyens rhétoriques et narratifs pour donner à cette science aride "une face riante" et une "forme aimable". Il utilise la forme épistolaire et un ton personnel, et surtout il crée, à partir de fables antiques ou d'événements historiques, un discours enseignant les base des mathématiques, la sciences des nombres. L'ouvrage se divise en 40 lettres et se clôt par un vocabulaires des termes arithmétiques. Martin jeune fit paraitre la même année, chez le même libraire, un autre ouvrage servant à l'enseignement des mathématiques : "Cartes des élèves à l'usage de l'un et l'autre sexe, ou Jeu pour apprendre l'arithmétique en s'amusant. Qui saura jouer saura calculer". Louis-Aimé Martin (1787-1841), ami et élève de Bernardin de Saint-Pierre, brillant littérateur est surtout connu pour ses Lettres à Sophie sur la physique (dont il reprend ici la canevas), ses éditions critiques d'auteurs classiques, et ses prises de positions féministes au lendemain de la loi de 1833 sur l'enseignement primaire qui ne prenait pas en compte l'enseignement des jeunes filles, pour avoir été conservateur de la bibliothèque Sainte-Geneviève. Bel exemplaire de prix, décerné le 29 août 1831 pour le second prix de mathématique au Collège Royal de Nancy

      [Bookseller: Librairie Alain Brieux]
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        Fiume Latte prés Varenna (scritto a mano)

      1830. Affascinante acquerello raffigurante il famoso Fiume Latte nei pressi di Varenna. L'acquerello, preparatorio per la veduta incisa all'acquatinta inserita nell'opera "Voyage Pittoresque sur la Nouvelle Route ...... (Passo di Stelvio) par la Valtelline, le long lac Como jusq'à Milan", pubblicata a Zurigo nel 1831, permette di apprezzare in prima persona l'abilità dell'artista nell'uso del mezzo pittorico. La luce del primo mattino illumina le fronde degli alberi, si insinua tra le abitazioni e dà risalto allo spumeggiare candido del fiume. I rivoli d'acqua sono resi ancor più candidi dall'abilità del Meyer di scalfire con maestria la carta, come solo i grandi usavano fare, utilizzando probabilmente uno stilo d'acciaio. mm 155x234

      [Bookseller: Libreria Trippini Sergio]
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        Theater ('Vue De La Salle De Spectacle A Aix-La Chapelle').

      - gouachierte u. eiweißgehöhte Lithographie v. Jean Nicolas Ponsart, um 1830, 30,5 x 38,5

      [Bookseller: Antiquariat Norbert Haas]
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        TEGERNSEE. - Tracht. "Sennerinnen von der Kreutz Alpe". Zwei Mädchen in Tracht vor ihrer Almhütte, die Linke sitzend beim Buttern.

      - Altkolorierte Lithographie aus F.J. Lipowski bei Hermann, München, um 1830, 25 x 20 cm. Lipperheide Dfc 6; Lentner 11274. - Aus F.J. Lipowski, "Sammlung Bayerischer National-Costume". - Variante zu voriger Nummer. - Sehr feines Altkolorit.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Mit hoher Obrigkeitlicher Bewilligung wird in dem großen Circus des Joseph Liebhard ... Eine große Vorstellung, in Kunstübungen zu Pferd bestehen ausgeführt, wozu ein hoher Adel, ein achtbares Königl. Militär und ein verehrliches Publikum ergebenst eingeladen wird. - Zum Beschlusse: Der feurige Hirsch, Dlle. Ring wird sich mit dem Hirsch im Brilland-Feuerwerk zeigen. (Unterzeichner:) Ring und Venuto.

      München, 21.August 1830. Plakat mit sehr gr. Holzschnitt und typograph. Text. Blattgr.: 53 x 45 cm. Frühes Plakat aus der kurzen Selbständigkeit des Kunstreiters Joseph Liebhard, der aus dem Unternehmen von Laura de Bach hervorging, sich aber auch kurzfristig u. a. als Ballonfahrer auf Jahrmärkten versuchte. - Hier eine Benefizvorstellung für die \"Dllen. Ring und Venuto\"; der eindrucksvolle Holzschnitt zeigt einen römischen Kampfwagen gezogen von 2 vorgespannten Hirschen, der gerüstete Lenker umgeben von einem explodierenden Feuerwerk. Versand D: 5,00 EUR

      [Bookseller: Antiquariat Uwe Turszynski]
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        Gentleman's Valentine Writer, The [and] The Lady's Valentine Writer

      London: Thomas Richardson, 1830. - With Twenty-Four Highly Amusing Hand-Colored 'Valentine Plates'[Mock Valentine Caricatures]. The New London Fashionable Gentleman's Valentine Writer [and] Richardon's New Fashionable Lady's Valentine Writer; or, Cupid's Festival of Love. Derby: Thomas Richardson, circa 1830. Octavo (7 1/4 x 4 3/4 inches; 185 x 121 mm.). [xii], [xii] pp. Title-page "Collection of Mock Valentines London, circa, 1830" printed in brown and yellow with a hand drawn head within the lower part of the "C". Extra-illustrated with twenty-four amusing hand-colored engraved plates. Original green paper wrapper for The Gentleman's Valentine Writer, original blue paper wrapper for The Gentleman's Valentine Writer, original green paper wrapper for The Lady's Valentine Writer, original blue paper wrapper for The Lady's Valentine Writer.Bound ca. 1880 in half citron morocco over marbled boards ruled in blind, spine with five raised bands decoratively stamped with gilt fleur-de-lis and lettered in gilt in compartments, matching marbled end-papers. Spine ends a little worn.The twenty-four hand-colored plates feature illustrated poems in varying typefaces, including calligraphic script. A wonderful opportunity to relish the rude, these address the less attractive walks of life &#150; fat ladies, people who won&#146;t shut up, shrews, dandies, peeping toms, hen-peckers, conceited little barbers, knaves, brutes, bad singers, and more. It&#146;s mysterious in its variations (one wonders at the authorship, the differing poetic styles, the differing types), and a delightful celebration of how much Valentine&#146;s Day can be a let down.A curious and most likely unique collection, seemingly culled from three rather scarce sources: "The New London Fashionable Gentleman&#146;s Valentine Writer" and "Richardson&#146;s New Fashionable Lady&#146;s Valentine Writer; or, Cupid&#146;s Festival of Love," both published in Derby by Thomas Richardson and Son, and "Collection of Mock Valentines" from an unknown publisher &#150; all published circa 1830-1840. The original wraps for the Richardson publications are bound in, with different cover illustrations for the Ladies and the Gents, and in different colors (a green and a blue Gents, a green and a blue Ladies), and all with different ads printed on the verso - so possibly coming from multiple different copies of the Richardson&#146;s publications (which ran from 1828 to 1843, and sold for a penny). The "Collection of Mock Valentines" is identified only by its illustrated title-page, relaying no more information than the title and "circa 1830." All three sources are bound shuffled together in a random, though coherent, order.The Richardson&#146;s publications, which were published without illustrations &#150; on different and slightly smaller paper than the mock collection &#150; offer a selection of Valentines and answers. Valentine poems from a tradesman, a person of rank, a gentleman, or from "any one in great or humble circumstances" (and more) are addressed to a clerk, a lady that is fond of singing, a milliner, "a gentleman not remarkable for erudition" (and more) &#150; and all are met with answers of compliance or rejection. They range from the sweet to the silly, they are sometimes blunt, sometimes rude, sometimes careful, always witty.Valentine's Dayhas been associated with romantic messages and gifts sincethe MiddleAges, but once the pre-paid penny post began in Britain inthe 1840s, the craze for sending anonymous cards became enormously popular. However, alongside the hearts and flowers, there were less pleasant sentiments to be found in cards of a much darker variety.The intention of these &#145;mock&#146; or &#145;vinegar&#146; valentines was to make fun of the recipient or even worse, to hurl abuse. No stone was left unturned: personality flaws, drunkenness, ugliness, philandering, vanity, laziness, hypocrisy.These valentines were,in fact, not &#145;cards&#146; at all but thin, single sheets of paper with a printed caricature, some including spiteful comments or a mocking verse. Although few of these survive toda

      [Bookseller: David Brass Rare Books, Inc.]
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        Scutari. Pointe du S&#142;rail, Constantinople & Calata

      Artist: Sabatier; Issued in: unknown; date: c 1830 - Artist: Sabatier; Issued in: unknown; date: c. 1830; - Condition: Very good; View of Constantinopel

      [Bookseller: Antique Sommer KG]
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        La Calcografia propriamente detta, ossia l'Arte d'Incidere in rame coll'Acqua - forte, col Bulino e colla Punta. Ragionamenti letti nell'adunanze dell'I. R. Istituto di Scienze, Lettere ed Arti del Regno Lombardo - Veneto. Vol. I (solo pubblicato) concernente la teorica dell'arte. Milano, Stamperia Reale, 1830 (ma 1831)

      Stamperia Reale, 1830. in - 8gr., pp. XXXII, 385 (4), 392 - 43 (3 tavole in calcografia, compreso il front.). Leg. coeva in cartonato decorato, titolo su tassello al dorso. Le tre tavole in calcografia sono: il frontespizio inciso in rame da Prada; l'ultima incisione a bulino a cui lavorò lo stesso Longhi, raffigurante uno studio sui profili umani, a cui è agggiunta una didascalia postuma che reca la data di morte dell'A. (2 gennaio 1831); un ritratto di Giuseppe Longhi entro medaglione, disegnato e inciso da Francesco Anderloni. A partire da pp. (386) segue, con occhietto prporio: ''Notizie biografiche di Giuseppe Longhi raccolte da Francesco Longhena''. Edizione originale dell'unico volume pubblicato poiché la morte dell'A. sopraggiunse nel gennaio dell'1831 e l'opera venne affidata dai suoi eredi a Francesco Longhena, che aggiunse l'ultima parte dedicata alla biografia del Longhi. Ottimo esemplare di importante trattato sull'incisione in rame, fresco e marginoso.

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Italy

      Cadell, Moxon, 1830. Rilegato pelle (leather binding) A Poem. 56 vignette incise nel testo. 8vo. pp. VIII - 284. Ottimo (Fine). Ex libris. .

      [Bookseller: Studio Bibliografico Marini]
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        Braunschweig. - Teilansicht. - "Der Martinikirchhof zu Braunschweig".

      - Historische Ortsansicht. kolorierte Lithografie, um 1830. 28,9 x 42,2 cm (Darstellung) / 45,2 x 59,7 cm (Blatt). Unterhalb der Darstellung betitelt "Der Martinikirchhof zu Braunschweig". Sowie mit den Künstlerangaben "N. d. Natur a. Stein gez. (d.h. Nach der Natur auf Stein gezeichnet) von G. Fr. v. Bernewitz" und dem Druckervermerk "Stdr. v. R. Zückler in Zwickau". - Seltene Ansicht der Kirche, die auf Initiative von Heinrich dem Löwen ab 1195 erbaut wurde. Insgesamt mit einer aufwendigen gouachierten und eiweißgehöhten Kolorierung versehen. In dieser Form mit Unikatcharakter. - Bugfalte. Im Rand leicht faltspurig. Im Ganzen gut erhalten.

      [Bookseller: Graphikantiquariat Koenitz]
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        Vue du Mont Blanc / pirse de Salenches

      1830 ca.. Bella e rara veduta del Monte Bianco visto dalle alture di Sallanche, edita a Ginevra da J Freydig mm 261x350

      [Bookseller: Libreria Trippini Sergio]
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        La Danza Mille volte o mio tesoro Duetto con Recvo. Musical manuscript full score

      - Oblong folio (290 x 220 mm). Sewn. Notated in brown ink on 12-stave paper. 1f. (decorative title with text within a carefully executed oval floral watercolor border signed Luisa Ottoboni), [44, ii (blank)] pp. Unpaginated. Watermark: [?]"AMasso." Ascription to title: "Del Sig. Duca Capece Scondito Dilettante Napolitano." A recitative ("Ah non più mia speranza"; 14 pp.) and duet ("Mille volte o mio tesoro"; 30 pp.) for the characters of Nice (soprano) and Tirsi (tenor). Recitative accompanied by 2 Violini, Viole, 2 Clarini, 2 Oboè, 2 Fagotti, and Basso; duet accompanied by 2 Violini, Viole, 2 Flauti, 2 Oboè, 2 Clarinetti, 2 Cor[ni] in Effaut [=F], 2 Fagotti, and Basso.With "Partiture B.a II." in purple pencil to lower left corner of title. An attractive and well-preserved manuscript written and notated in an accomplished calligraphic hand.The composer is a rather obscure figure. Northwestern University holds manuscripts of two of his works:- La corona di rose cantata a tre voci. Unpublished cantata for bass and two sopranos with orchestra (2 flutes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, harp and strings). 'Composita espressamente, e dedicata alla Sigra. Contessa Pappafava, nata Ottoboni.' 286 pp., 22 x 29 cm., "dal Duca Capece Scondito, dilettante Napoletano." In brown ink with watercolor border of flowers and musical instruments to title. Tentatively dated 1830-1839. The first page of music, in the same hand as the present manuscript, is accessible online. The description of the artwork to the title further supports the notion that both manuscripts were created at the same time and by the same team.- "Soffra in pace il dio dell' armi: terzetto [nell' opera] Briseide / musica del diletante Duca Capece Scondito. [27] pp., 23 x 29 cm. In brown ink. Vocal trio opera excerpt for the characters Briseide, Agamemnon and Achille, with orchestral accompaniment. Tentatively dated 1810. No scans available online. [Attributes: Signed Copy]

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        \"Kirchberg\". Blick von Osten über Felder auf die Stadt, rechts das Schloß. Im Vordergrund auf der alten Strasse nach Gaggstadt eine Kalesche.

       Lithographie von F. Hering, um 1830, 26 x 38 cm. Schefold 3851. - Nach dieser Ansicht wurde eine Porzellantasse bemalt. - Links winzige, nicht störende Randeinrisse. Sehr selten. Versand D: 6,00 EUR Baden-Württemberg

      [Bookseller: Antiquariat Bierl]
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        Passage du Pont de Lody par l'armée francaise

      1830 ca.. Raffigurazione della battaglia di Lodi durante l'assedio decisivo. La composizione della stampa, con la foga della carica e i continui colpi di cannone, accentra l'attenzione sul personaggio in groppa al cavallo, al centro del ponte, in cui è facilmente riconoscibile Napoleone. Questa stampa ha sicuramente un più alto valore celebrativo. Applicata su antico supporto cartaceo mm 340x484

      [Bookseller: Libreria Trippini Sergio]
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        Gallerie alla Acque rose en venant d'Jsola

      1830 ca. Pregevole acquerello non firmato ma facilmente attribuibile alla mano di J. J. Meyer, uno dei più importanti illustratori svizzeri del XIX secolo. La veduta ritrae la galleria sulla strada dello Spluga, animata in primo piano da alcuni viandanti. Acquerello di straordinaria rarità in quanto opera preparatoria all'incisione, inserita nel "Meyer's Bergstrassen durch Graubunden nach dem Langen und Comer See ...." Osservando l'acquerello ci si rende conto dell'abilità e facilità di disegno del Meyer, maestro nell'uso del colore e nella capacità di riproporre le atmosfere vissute in prima persona; allo stesso tempo si rileva l'abilità dell'incisore, di riproporre su lastra, quel gioco di luce ed ombra che dona alla raffigurazione un'incredibile profondità. Riferimenti: Sceffer, Scaramellini, Stampe di Valchiavenna vedute dal XVI al XIX secolo, pag. 203, n°185. mm 80x122

      [Bookseller: Libreria Trippini Sergio]
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        Dizionario delle scienze naturali nel quale si tratta metodicamente dei differenti esseri della natura... accompagnato da una biografia de' più celebri naturalisti... Redatta da varj professori del giardino del Re, e delle principali scuole di Parigi. Prima traduzione dal francese con aggiunte e correzioni.

      per V. Battelli e figli, 1830 - 51. Trenta volumi di cm. 22 (cm. 24 per i volumi di tavole), pp. 15.000 circa complessive. Con varie tavole in nero e tabelle ripiegate nei volumi di testo e le 1200 belle tavole incise e colorate raccolte negli ultimi quattro volumi (in realtà le tavole sono 1247 in quanto sono presenti molte numerazioni bis). Solida legatura coeva in mezza pergamena con piccole punte, dorsi lisci con titoli in oro su tasselli. Esemplare genuino ed in ottimo stato di conservazione con pochi segni d'uso. Opera interessante ed eccezionalmente rara quando completa di tutti i volumi e nella parte iconografica come nel presente esemplare. Decisamente una delle più ampie compilazioni scientifiche pubblicate in Italia nell'800.

      [Bookseller: Studio Bibliografico Benacense]
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        Vues et coupes principales formations géologiques du Puy-de-Dôme accompagnées de la description et des échantillons des roches qui les composent. Atlas seul

      F.G. Levrault|& Bouillet, 1830. - F.G. Levrault & Bouillet, Strasbourg & Clermont-Ferrand 1830, 28x22cm, reliure de l'éditeur. - Edizione originale. Il legame con l'editor bradel di cartone aperta, liscio indietro con un graffio in piedi, piatti sporchi, angoli urtato. libro illustrato - [FRENCH VERSION FOLLOWS] Edition originale. Reliure à la bradel de l'éditeur en plein cartonnage, dos lisse comportant un accroc en pied, plats salis, coins émoussés. Notre volume d'atlas, que nous proposons seul à la vente, est illustré de 31 planches lithographiées hors-texte, parfois à double-page et pour certaines contrecollées, et rehaussées à l'aquarelle. Une mouillure angulaire en têtes des pages de garde et de titre, quelques petites rousseurs intérieures. Rare mais incomplet du texte.  

      [Bookseller: Librairie Le Feu Follet]
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        Vue de Lecco

      1830 ca.. Bella e rara veduta della città, piccoli restuauri ai margini mm 189x272

      [Bookseller: Libreria Trippini Sergio]
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______________________________________________________________________________


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