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Displayed below are some selected recent viaLibri matches for books published in 1820

        Lamia, Isabella, The Eve Of St Agnes, And Other Poems (First Edition, 1820, With Half Title And Near Fine Spine Label Bound In Riviere Binding)

      London: Taylor And Hessey, 1820. 1st Edition 1st Printing. Hardcover. Very Good. [200] Pp. First Edition, Half Title Present, Original Paper Spine Label Bound In. Keats' Last Book, Of Modest Success When Published, Later Found To Have Some Of The Finest Poems In The English Language. When Shelley's Body Was Recovered In The Bay Of Spezia In 1822, Identification Was Made Possible By Two Books He Carried In His Pocket, A Sophocles, And A Copy Of "Lamia" Doubled Back At "The Eve Of St. Agnes". Binding By Riviere, In Late 19Th Or Early 20Th Century Full Calf, Five Bands, Gilt In All Compartments, Gilt Rules On Boards With Small Devices At Corners. Binding Re-Backed Preserving The Riviere Spine, Boards And Green Endpapers.17.2 X 10.7 Cm [The Uncut Leaves Were 7" X 4", Thus These Leaves Trimmed At Top And Bottom, Presumably When Bound]. Complete, Including The Half Title, And The "Advertisement" Leaf After The Title Page. With The Correct "London: Printed By Thomas Davison, Whitefriars." On The Verso Of The Half-Title. The Ads At Rear, Found In Some Copies But Not Required, Are Not Present Here. The Entire Original Spine Label From The Original 1820 Publication In Boards Has Been Attached By The Binder To A Final Blank. Elaborate And Artistically Engraved Decorative Bookplate Of Author Maurice Baring [Of The Banking Family], Bookplate (Dated June 1897 In The Plate). Slight Chipping To Edges Of Endpapers, Contents Otherwise Clean And Complete, No Foxing To Pages, Touch Of Wear At Corners Of Page Block.

      [Bookseller: Arroyo Seco Books]
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        Institutes of natural philosophy, theoretical and practical ... with some corrections: change in the order of the branches: and the addition to the astronomical part, selected from Mr. Ewing's Practical Astronomy. By Samuel Webber ... late President of Harvard College. Third American edition, with improvements

      Boston: Cummings and Hilliard, 1820. 4to, pp. xv, [1], 395; 16 folding engraved plates at the back, each professionally reinforced at the folds with Japanese tissue; full contemporary tree calf, red morocco label and gilt fillets on spine; very good, handsome copy. Earlier Boston editions appeared in 1802 and 1811. American Imprints 1104.

      [Bookseller: Rulon-Miller Books]
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        Travels in the Interior of Africa, to the Sources of the Senegal and Gambia; Performed by Command of the French Government, in the year 1818. Edited by T.E. Bowdich.

      London, Henry Colburn & Co., 1820 - FIRST ENGLISH EDITION, folding map, portrait of Diai-Boukari who accompanied the author and 6 aquatint plates, 4to, original boards and printed letter-piece, edges uncut, rebacked with the old back laid down, Abbey, Travel, 273. Gay 2910.The appendices describes an examination of the iron forged by the people of Fouta Diallon and of the ores from which they procure it. Also a vocabulary of the Joloff, Poula and Serrere language.Mollien was the first European to cross Senegambia from north to south. He explored the upper course of the Senegal and Gambia rivers and succeeded in discovering the sources of those rivers as well as those of the Rio Grande. [Attributes: First Edition; Hard Cover]

      [Bookseller: Reg & Philip Remington ABA ILAB]
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        ENSAIO DERMOSOGRAPHICO

      - OU SUCCINTA E SYSTEMATICA DESCRIPÇÃO DAS DOENÇAS CUTANEAS, CONFORME OS PRINCIPIOS E OBSERVAÇÕES DOS DOUTORES WILLAN, E BATEMAN, COM INDICAÇÃO DOS RESPECTIVOS REMEDIOS ACONSELHADOS POR ESTES CELEBRES AUTHORES, E ALGUNS OUTROS. POR BERNARDINO ANTONIO GOMES, Cavalleiro Professo na Ordem de Christo, Fidalgo Cavalleiro da Casa de Sua Magestade Fidelissima, Medico de Sua Real Camara, Membro da Junta de Saude Publica, e Socio da Academia Real das Sciencias de Lisboa. [Vinheta da Academia das Ciências de Lisboa]. LISBOA, Na Typografia da mesma Academia. 1820. In 4º (de 20x14 cm) com xxv, i, 171 pags. Encadernação da época inteira em pele marroquin vermelho, com ferros a ouro rolados nas esquadrias das pastas, e na lombada. Corte das folhas burilado e dourado. Folhas de guarda em papel decorativo da época. Ilustrado com 2 cromolitografias em extratexto abertas em Paris por Van den Berghe; e segundo denhos de Armand Julien Palliere, realizadas no Rio de Janeiro, nomeadamente uma gravura com 13 microscopias (intitulada «As 8 ordens de doenças cutaneas») e uma gravura de um negro com pustulas de herpes cutaneo (e as respectivas 5 micrscopias das das lesões vesicobolhosas no pé da gravura). Portuguese work mostly based in the observations and medical classifications of Med. Doctors Wilan and Bateman, and illustrated with 2 superb etchings depicting medical samples collected in Brasil. Vide U. S. National Library of Medicine [in] The History of Lupus Skin Disease: «At the beginning of the 19th century, Robert Wilan (1757?1812) of London and his student William Bateman (1778?1821) published his Manual of Skin Diseases, which provided an orderly classification of skin diseases based on appearance. The term lupus was reserved for diseases with destructive or ulcerative characteristics that appeared on the face This system thus included what would later be called lupus vulgaris and lupus erythematosus. Distinguishing these entities awaited Pierre Cazenave (1795?1877) and Henri Schedel (1804?1856), in Paris at the Saint Louis Hospital for skin diseases, who reported their own work as well as that of Laurent Biett (1781?1840), their mentor and a student of Bateman. In several articles and especially in the textbook Abrégé Pratique Des Maladies De La Peau, Cazenave and Schedel divided lupus into three types based on the type of visible destruction. In 1833, Cazenave reported Biett?s work in what is now regarded as the first description of what would become known as lupus erythematosus. Location/localizacao: M-9-B-15

      [Bookseller: Livraria Castro e Silva]
 4.   Check availability:     IberLibro     Link/Print  


        Botanical Studies in pencil and watercolour

      A bound volume of original botanic illustrations including flowers plants and funghi Initials on the front free end paper look like E J [no further information on whether that is the owner or artist] 83/87 [lacking 4] pencil sketches finished in watercolour - the stubbs of those absent illustrations remains. [not all illustrated] each illustration is on one side of each page only - Many of the illustrations appear to have a reference code? in the top left hand corner, two letters followed by numbers for example E.B. 538, B.B. 45 [European Botany? & most likely Sowerby's British Botany?] each illustration is neatly titled in ink - most with Latin and common names. measures 192mm 230mm - the paper watermarks vary some as early as 1810 others 1820/21 - the end papers bear a partial watermark of 23 [1823]a fascinating selection of original artwork c1820 and before - it is not quite clear whether the volume was made up from the loose sketches or the volume of sheets was bound and subsequently used - the ink manuscript text along the bottom margin of one early sketch appears to have been closely cropped; most likely when bound, one or two sketches have an ink number in the top right hand corner and appear in no particular logical order - which lends weight to the fact they were once all loose pages, bound up together c1823.

      [Bookseller: Michael Moon's Bookshop]
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        Otello ossia L'Africano di Venezia Dramma Tragico in tre Atti. Ridotto per il Piano Forte. Les Epreuves ont été revues et corrigées, pour les Paroles, par M. Louis Balochi, et pour la Musique, par plusieurs Compositeurs, Prix: 36 f. [Piano-vocal score]

      Chez Boieldieu jeune [PN 988], Paris 1820 - Folio. Half dark red morocco with marbled boards, decorative bands gilt on spine in compartments gilt, titling gilt. 1f. (title), [1] (cast list and table of contents), 2-235, [i] (blank) pp. Engraved.With "chez Hanry Editeur de Musique Rue neuve des Petits Champs No. 17." overpaste to lower margin of title.Binding slightly worn, rubbed, and bumped. Minor offsetting; very light staining or creasing to upper blank margins of some leaves; small stab hole to upper inner margins; slight loss to edges of pp. 11-12, not affecting music. A very good copy overall. First French Edition (with supplement for the added recitative and cavatina to pp. 225-235). Gossett p. 312. OCLC no. 19132048. Otello, to a libretto by Francesco Berio di Salsa after William Shakespeare's play, was first performed at the Teatro del Fondo in Naples on December 4, 1816."Rossini's choice of Shakespeare's Othello, complete with its tragic denouement, was a bold and original one at the time. In the 19th century the opera's huge popularity owed much to the final act. Meyerbeer wrote: 'The third act of Otello established its reputation so firmly that a thousand errors could not shake it. This third act is really godlike, and what is so extraordinary is that its beauties are quite un-Rossini-like. First-rate declamation, continuously impassioned recitative, mysterious accompaniments full of local colour, and, in particular, the style of the old romances brought to highest perfection'." Richard Osborne in Grove Music Online. [Attributes: Hard Cover]

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        Picturesque Tour From Geneva to Milan, by Way of the Simplon: Illustrated with Thirty Six Coloured Views of the Most Striking Scenes and of the Principal Works Belonging to the New Road Constructed Over that Mountain. Engraved From Designs by J. and J. Lory, of Neufchatel [Neuchâtel]; and Accompanied With Particulars Historical and Descpriptive by Frederic Schoberl.

      London, R. Ackermann, 1820 4°, gestochenes Frontispiz (Karte «Plan of the Road of the Simplon. Constructed by the French between 1800 & 1807»), 3 Bl. Vorw., 1 Bl. Tafelverz., 136 S., 36 handkolorierte Taf. in Aquatinta, Priv.-HLdr. d. Zt. m. gold. Rückenpräg., Rundum-Marmorschnitt, Rückenkanten berieben, Kapitale u. Deckelkanten tlw. beschabt, Exlibris a. Innendeckel, Karte. u. Titelbl. stockfl., selten etw. finger- u. stockfl., einige Taf. m. braunem Abklatsch; gutes Ex. EA. Prächtige Tafeln nach Zeichnungen von G. Lory sen. und jun. zu der «connected Tour from Geneva through the Valais. over the new roard constructed by command of the late ruler of France across the SImplon. to Lago Maggiore. and by the Lake of Como to Milan». Tafeln: 1.) Lake of Geneva / 2.) Banks of the Lake of Geneva near St. Gingoulp / 3.) Extremity of the Lake near Boveret / 4.) The Bridge of St. Maurice / 5.) Waterfall of Pissevache / 6.) West View of Sion / 7.) East View of Sion / 8.) Brieg / 9.) Gallery and Bridge of the Ganther / 10.) View on quitting the Gallery of Schalbet / 11.) Gallery of Schalbet from the Italian Side / 12.) Gallery of the Glaciers / 13.) Monastery of the Simplon / 14.) Village of Simplon / 15.) View of the Gallery of Algaby / 16.) View from the Gallery of Algaby / 17.) Ponto Alto. or Alto Bridge / 18.) New Road near the Grand Gallery / 19.) Interior of the Grand Gallery / 20.) End of the Grand Gallery towards Italy / 21.) View near Gondo / 22.) Gallery of Isella or Issel / 23.) Entrance of the Valley of Dovedro / 24.) Bridge of Cherasca / 25.) Entrance of the Gallery of Crevola / 26.) Bridge of Crevola and Vally of Domo d´Ossola / 27.) The Bridge of Crevola / 28.) Villa / 29.) The Bridge of Baveno and Isola Madre / 30.) Lago Maggiore and Boromean Islands / 31.) Isola Bella or the Beautiful Island / 32.) Isola Bella taken from Stresa / 33.) Arona / 34.) Sesto / 35.) Pliniana and Lake of Como / 36.) Milan. Versand D: 20,00 EUR Helvetica - Allgemein Reisen - vor 1900

      [Bookseller: Antiquariat Peter Petrej]
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        Autograph Letter Signed to Theophilus Pierson mentioning Adultery

      Good. One page letter. Approximately 8" x 7.75". Old folds with tears, a few chips affecting only one letter, good, but stable, clear and readable. Mooney writes from Rahway, New Jersey on 6 April 1820 about a potential land deal caused by strange circumstances (original spelling retained):"We got home veriwell and Aby has gone to the Scotch Planes to try her luck at hir trade. The same nite I got home from York there broak out a Mutiny at John Rodens. Roden had been to York, came home and found his man Pierson and his wife both in Pierson's bed. He had provided a good club for them but Pierson made his escape. Roden says that he means to sell..."The rest of the letter deals with details about possibly buying Roden's property, Roden was hesitant to hold a mortgage and Mooney asks Pierson to come out and fix it with Roden. It is unclear whether the manservant Pierson was related to the Pierson who is the recipient of the letter, forced to guess we'd say not and that it was a coincidence. The recipient, Theofilius Pierson (1792-1853), was a prosperous sawyer and landowner. We could find little about Mooney (1763-1834) beyond his dates. Both were from Westfield, a few miles away from Rahway.At any event a livelier than usual letter that belies the staid reputations of our predecessors.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Ivanhoe : A Romance. In three volumes

      Edinburgh: Printed for Archibald Constable and Co. 1820. In 3 volumes. xxxiii, 298; 327; 371, 3 pp. Brown half calf over marbled boards. Raised bands to spines with gilt lines and olive-green leather title labels. Boards faintly rubbed and with slight nick to calf. Scattered light foxing. First edition, first issue with all Worthington points except p. v. line 12. 2nd & 4th lines say 'which,' not 3rd as noted by Worthington. Two half-titles in each volume as called for. Three pages of adverts at rear of volume 3. All bindings firm. A VG set. . Very Good. Half Calf. First Edition, First Issue. 1820. 8vo..

      [Bookseller: Fosters' Bookshop]
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        Les Petites Familles

      Le Fuel, Paris 1820 - Scarce, with a single copy found on OCLC at the Staatsbibliothek zu Berlin. (We believe the BNF has a copy as well.) Anomalous is that this copy is shown as issued in 1819 yet our copy has the calendar for 1821, which suggests strongly an issuance in 1820. Either the OCLC listing is in error, or the same book was issued with eight new pages in its back. 18mo. 11.5 by 7.5 cm. 180, [8] pp. Hand-colored frontis, title page vignette, and ten other hand-colored plates of birds and mammals, all done exquisitely, and in this copy, with exceptional brightness. Indeed, the sharpness of the plates and their level of preservation compares extremely well to other almanacs issued by Le Fuel, Macilly and Janet during this period. The text is a mix of brief scientific exegeses intended for children and non-scientists and sentimental verse. The binding is the original pink silk moire, which is like the plates, very bright and well-preserved. The matching slipcase has some soiling and fading, with fraying along the edges, but it is easily in very good condition for such a thing. Internally, the book is fresh and clean, with only the most occasional light fox marks on the edges. Hardcover. Cartonnage. Slipcase. [Attributes: Hard Cover]

      [Bookseller: White Fox Rare Books, ABAA/ILAB]
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        Chirurgische Kupfertafeln. Eine auserlesene Sammlung der nöthigsten Abbildungen von äußerlich sichtbaren Krankheitsformen, anatomischen Präparaten, sowie von Instrumenten und Bandagen, welche auf die Chirurgie Bezug haben, zum Gebrauch für praktische Chirurgen

      Weimar, Landes-Industrie-Comptoir, 1820-1847 (96 Hefte in 5 Bänden). 26,5 x 22cm, zeitgen. Halblederbände, Rückenschild mit goldgeprägtem Titel, 483 (v. 487) teils kolorierte und teils gefaltete Tafeln, Deckel der Originalbroschuren und Inhaltsverzeichnisse der Hefte 94-96 mit eingebunden Ludwig Friedrich Froriep (1779-1847) war Ordinarius für Geburtshilfe, dann auch Anatomie und Chirurgie und hatte die Leitung des Weimarer Landes-Industrie.Comptoirs von seinem Schwiegervater Bertuch übernommen. Er begann 1820 mit der Herausgabe der Chirurgischen Kupfertafeln, ab 1833 übernahm der Sohn Robert (1804-1861) die weitere Leitung (HIRSCH/H. II, 634-5). Die Tafeln wurden zwischen 1820 und 1847 in 96 Heften ausgeliefert. In den vorliegenden 5 Bänden sind thematisch zusammengehörige Tafeln, die zuvor über viele Hefte und Jahre verstreut waren, zusammengefaßt worden, was auch an unterschiedlicher Papierqualität erkennbar wird. Band 1 enthält beispielsweise die Tafeln mit Aneurysmen, Gefäßkrankheiten, Hautkrankheiten incl. Syphilis, Band 5 alle Operationsverfahren. Von den insgesamt 487 römisch num. Tafeln sind hier 483 enthalten, wobei mehrere auch 2 oder 3 Nummern tragen. Zu jeder Tafel gehören 1 bis 4 nicht numm. Blätter mit Texterläuterungen. 2 Tafeln mit Bildverlust: Bei Tafel CLIX wurden die Abb. 3 (von 6), bei Tafel CCCCIX die Abbn. 1, 2 u. 7 (von 10) sauber ausgeschnitten, hier fachfraulich durch hinterlegte Kopie ergänzt. 12 Tafeln mit sauberen Marginalien und/oder Unterstreichungen in Rot bzw. Blau von alter Hand. Innen durchgehend etwas gebräunt und stockfleckig (einzelne Blätter und Tafeln, vor allem aber die kolor. Tafeln teils stärker gebräunt) sowie ganz vereinzelt mit leichtem Wasserrand. Wenige Blätter mit leichten Randläsuren (Text- und Bildteil stets unversehrt, da es sich um ein recht breitrandiges Exemplar handelt). Einbände leicht berieben und beschabt. Insgesamt schön erhaltenes Exemplar dieser umfangreichen Sammlung. Die Bücher waren im Vorbesitz u.a. von Paul Vogt (1844-1885), Direktor der Chirurgischen Klinik in Greifswald, mit dessen Namenszug auf allen Vorsatzblättern , geprägtem Namensstempel auf den ersten Seiten von Bd. 2 und handschriftlichem Inhaltsverzeichnis der einzelnen Bände. Beiliegt zudem ein handschriftlicher 4-seitiger Brief eines Arztes aus Swinemünde an ihn mit der Bitte um Aufnahme eines Jungen mit großer Hydrocele des Hodens sowie eine Bleistiftskizze wahrscheinlich von Vogt eines Knies eines Mannes aus Rügen mit Hygroma cysticum und dem Datum der Aufnahme und der Operation. Versand D: 7,00 EUR Medizin, Rarität, signiert

      [Bookseller: Versandantiquariat Am Osning]
 11.   Check availability:     buchfreund.de     Link/Print  


        Eigenh. Brief mit U.

      Hamburg, 11. XI. 1820. - 1 S. 4to. Mit eh. Adresse (Faltbrief). An den Verleger Adolph Martin Schlesinger in Paris: "Ich nehme mir die Freiheit Ihnen Herrn Professor Passi aus Stockholm, Virtuosen auf dem Piano, zu empfehlen, der auf seiner Reise nach Paris die Hauptstädte Deutschlands besucht. Herr Pr[ofessor] Passi hat hier mit sehr großem Beifall Concert gegeben und nimmt das seltene Lob eines bescheidenen und talentvollen Mannes mit [.]". - Der schwedische Pianist und Komponist Ludvig Anton Edmund Passy (1789-1870) wurde 1840 Professor an der Stockholmer Musikakademie; zu seinen Schülern gehörten u. a. Wilhelm Bauck, Otto Daniel Winge und Ivar Hallström. - Etwas angestaubt und gebräunt und mit kleinem Ausriß durch Siegelbruch (keine Textberührung).

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Otello ossia L'Africano di Venezia Dramma Tragico in tre Atti... Ridotto per il Piano Forte... Les Epreuves ont été revues et corrigées, pour les Paroles, par M. Louis Balochi, et pour la Musique, par plusieurs Compositeurs, Prix: 36 f. [Piano-vocal score]

      Paris: Chez Boieldieu jeune [PN 988], 1820. First French Edition (with supplement for the added recitative and cavatina to pp. 225-235). Gossett p. 312. OCLC no. 19132048. Otello, to a libretto by Francesco Berio di Salsa after William Shakespeare's play, was first performed at the Teatro del Fondo in Naples on December 4, 1816. "Rossini's choice of Shakespeare's Othello, complete with its tragic denouement, was a bold and original one at the time... In the 19th century the opera's huge popularity owed much to the final act. Meyerbeer wrote: 'The third act of Otello established its reputation so firmly that a thousand errors could not shake it. This third act is really godlike, and what is so extraordinary is that its beauties are quite un-Rossini-like. First-rate declamation, continuously impassioned recitative, mysterious accompaniments full of local colour, and, in particular, the style of the old romances brought to highest perfection'." Richard Osborne in Grove Music Online.. Folio. Half dark red morocco with marbled boards, decorative bands gilt on spine in compartments gilt, titling gilt. 1f. (title), [1] (cast list and table of contents), 2-235, [i] (blank) pp. Engraved. With "chez Hanry Editeur de Musique Rue neuve des Petits Champs No. 17." overpaste to lower margin of title. Binding slightly worn, rubbed, and bumped. Minor offsetting; very light staining or creasing to upper blank margins of some leaves; small stab hole to upper inner margins; slight loss to edges of pp. 11-12, not affecting music. A very good copy overall.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
 13.   Check availability:     Biblio     Link/Print  


        Liberation of Kossuth from Kutahya, September 1st 1851

      Artist: Gildemeister C; issued in: New York; date: ca 1820 - - technic: Lithography; - colorit: colored; - condition: Stains; - size (in cm): 39 x 49; - description: View of the liberation of Lajos (Louis) Kossuth de Udvard et Kossuthfalva (1802 ? 1894). He was a Hungarian lawyer, journalist, politician and Governor-President of the Kingdom of Hungary during the revolution of 1848?49. He was widely honored during his lifetime, including in the United Kingdom and the United States, as a freedom fighter and bellwether of democracy in Europe. Kossuth's bronze bust can be found in the United States Capitol with the inscription: ;Father of Hungarian Democracy, Hungarian Statesman, Freedom Fighter, 1848?1849; Kossuth followed the ideas of the French nation state ideology, which was a ruling liberal idea of his era. Accordingly he considered and regarded everybody as ;Hungarian; -regardless of their mother tongue and ethnic ancestry - who lived in the territory of Hungary. He even quoted King Stephen I of Hungary's admonition: ;A nation of one language and the same customs is weak and fragile;_. Kossuth's ideas stand on the enlightened Western European type liberal nationalism. He watched with anxiety every opportunity of freeing his country from Austria. An attempt to organize a Hungarian legion during the Crimean War was stopped; but in 1859 he entered into negotiations with Napoleon III, left England for Italy and began the organization of a Hungarian legion, which was to make a descent on the coast of Dalmatia. The Peace of Villafranca made this impossible. Now there is a Kossuth Museum in Kütahya, Turkey.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Voyage pittoresque et historique de l'Espagne

      Paris, Pierre Didot l'ainé, 1806, 1820. 4 volumes grand in-folio, demi chagrin fauve, dos à nerfs ornés de filets dorés (reliure fin XIXe s.), faux titre gravé, 1 portrait de SAS le Prince de la Paix d'après Steven, XLVI pp. dont le titre, 72 pp., 1 f. n. ch. et LXXXVIII planches - Faux-titre, titre, pp. de 73 à 132, planches de LXXXIX à CLXXXIX - Faux-titre, titre, XLV pp., 36 pp. et XC planches - Faux-titre, titre, XCI pp., 38 pp. et LXX planches, 2 cartes doubles de l'Espagne et du Portugal. Soit 272 planches hors texte. Première édition d'un des ouvrages les plus complets et précis publiés sur l'Espagne. Elle est illustrée d'un frontispice, d'un portrait, de 2 cartes de l'Espagne sur double page, et de 349 figures gravées sur 272 planches (vues, scènes, plans, détails architecturaux, tableaux). Bel exemplaire à l'intérieur très frais, à grandes marges et bien complet de toutes les planches requises.

      [Bookseller: Librairie de L' Avenue]
 15.   Check availability:     maremagnum.com     Link/Print  


        Autograph letter signed Nov 24 1820

      Single leaf, recto only. Manuscript in ink. Slightly soiled and chipped at edges. 3 Downing St [London], Friday Nov 24,

      [Bookseller: Maggs Bros. Ltd.]
 16.   Check availability:     Direct From Seller     Link/Print  


        British Novelists

      London - F C & J Rivington, W Lowndes, Scatcherd and Letterman et al., 1820 Book. VERY GOOD INDEED. Hardcover. A selection of novels by British authors. In charming red morocco bindings and in a pocket-sized format. The new edition of these works. Forty-nine of the original fifty volume set only. Lacking volume XXII which contains The Old English Baron, a Gothic Story by Clara Reeve and The Old English Baron by Horace Walpole. Edited by Anna Laetitia Barbauld, a prominent English poet, essayist, literary critic and editor. Her British Novelists series was first published in1810 with a large introductory essayby Barbauld. This work has been regarded as a canon making enterprise by McCarthy and Kraft. Novels to this series include, but are not limited to,Samuel Richardson's Clarissa, Henry Fielding's The History of Tom Jones,and Cecila by Fanny Burney. Condition: In full straight grained morocco bindings. Gilt stamping to the spine and board edges. All edges are gilt. Externally, smart. All volumes have a small amount of light rubbing to the head and tail of spines and to the extremities. Spines have faded slightly. Occasional marks to boards. Front hinge to volume I is slightly strained but firm. Internally, all volumes are firmly bound. Pages are slightly age toned to edges. Endpapers and title page to volume 25 are very slightly creased. Instances of spotting to the first and last few pages. The occasional spots throughout. Spotting is slightly heavier to volume 20. Overall: VERY GOOD INDEED..

      [Bookseller: Rooke Books]
 17.   Check availability:     Biblio     Link/Print  


        A Manual of Lithography or Memoir on the Lithographical Experiments Made in Paris, at the Royal School of the Roads and Bridges

      London: printed for Rodwell and Martin,, 1820. Clearly Explaining the Whole Art, as well as all the Accidents that may Happen in Printing, and the Different Methods of Avoiding Them. Octavo (215 x 137 mm). Contemporary half calf, paper-covered sides, smooth spine with flat gilt in compartments. 2 folding plates. Light wear on extremities, internally fresh, some marks on endpapers. First edition. Charles Hullmandel (1789-1850) was a printer and lithographer. A major figure in British lithography, Hullmandel refined the process and "managed to inspire confidence among artists in a process that up until then had been regarded in Britain as unreliable" (ODNB). In the present work, Hullmandel presents a translation of Mémoire sur les expériences lithographiques by Colonel Antoine Raucourt (1799-1841), published in 1819, as a means to publicize lithography by describing the ways of making and printing lithographs. The last three quires and pastedown contain manuscript notes in ink and pencil, dating to 1833, which indicates that this copy was used as a practical guide.

      [Bookseller: Peter Harrington]
 18.   Check availability:     Biblio     Link/Print  


        Otello ossia L'Africano di Venezia Dramma Tragico in tre Atti... Ridotto per il Piano Forte... Les Epreuves ont été revues et corrigées, pour les Paroles, par M. Louis Balochi, et pour la Musique, par plusieurs Compositeurs, Prix: 36 f. [Piano-vocal score]

      Paris: Chez Boieldieu jeune [PN 988], 1820. First French Edition (with supplement for the added recitative and cavatina to pp. 225-235). Gossett p. 312. OCLC no. 19132048. Otello, to a libretto by Francesco Berio di Salsa after William Shakespeare's play, was first performed at the Teatro del Fondo in Naples on December 4, 1816. "Rossini's choice of Shakespeare's Othello, complete with its tragic denouement, was a bold and original one at the time... In the 19th century the opera's huge popularity owed much to the final act. Meyerbeer wrote: 'The third act of Otello established its reputation so firmly that a thousand errors could not shake it. This third act is really godlike, and what is so extraordinary is that its beauties are quite un-Rossini-like. First-rate declamation, continuously impassioned recitative, mysterious accompaniments full of local colour, and, in particular, the style of the old romances brought to highest perfection'." Richard Osborne in Grove Music Online.. Folio. Half dark red morocco with marbled boards, decorative bands gilt on spine in compartments gilt, titling gilt. 1f. (title), [1] (cast list and table of contents), 2-235, [i] (blank) pp. Engraved. With "chez Hanry Editeur de Musique Rue neuve des Petits Champs No. 17." overpaste to lower margin of title. Binding slightly worn, rubbed, and bumped. Minor offsetting; very light staining or creasing to upper blank margins of some leaves; small stab hole to upper inner margins; slight loss to edges of pp. 11-12, not affecting music. A very good copy overall.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Typed Letter Signed, Rochester, New York, October 17, 1902, on the letterhead of the National American Woman Suffrage Association

      one page, typed, signed in ink by Susan B. AnthonyAnthony sends a printed circular promoting the fourth volume of the History of Woman Suffrage, her letter reads:"Dear Sir:- You will see by the enclosed circular that Volume IV of the History of woman suffrage is ready to look for its mates. Have you the three first volumes? If so, you will certainly need this one. If not, you need it all the more. Should your order be received at an early date, the volume will be sent you direct from the publishers. Hoping to hear from you at once, I am, Very truly yours, Susan B. Anthony"Formerly folded, some toning to paper, else in very good condition, see scans:Susan Brownell Anthony (February 15, 1820 - March 13, 1906) was an American social reformer and women's rights activist who played a pivotal role in the women's suffrage movement. Born into a Quaker family committed to social equality, she collected anti-slavery petitions at the age of 17. In 1856, she became the New York state agent for the American Anti-Slavery Society.In 1851, she met Elizabeth Cady Stanton, who became her lifelong friend and co-worker in social reform activities, primarily in the field of women's rights. In 1852, they founded the New York Women's State Temperance Society after Anthony was prevented from speaking at a temperance conference because she was female. In 1863, they founded the Women's Loyal National League, which conducted the largest petition drive in United States history up to that time, collecting nearly 400,000 signatures in support of the abolition of slavery. In 1866, they initiated the American Equal Rights Association, which campaigned for equal rights for both women and African Americans. In 1868, they began publishing a women's rights newspaper called The Revolution. In 1869, they founded the National Woman Suffrage Association as part of a split in the women's movement. In 1890, the split was formally healed when their organization merged with the rival American Woman Suffrage Association to form the National American Woman Suffrage Association, with Anthony the key leader. In 1876, Anthony and Stanton began working with Matilda Joslyn Gage on what eventually grew into the six-volume History of Woman Suffrage. The interests of Anthony and Stanton diverged somewhat in later years, but the two remained close friends. In 1872, Anthony was arrested for voting in her hometown of Rochester, New York, and convicted in a widely publicized trial. Although she refused to pay the fine, the authorities declined to take further action. In 1878, Anthony and Stanton arranged for Congress to be presented with an amendment giving women the right to vote. Popularly known as the Anthony Amendment and introduced by Sen. Aaron A. Sargent (R-CA), it became the Nineteenth Amendment to the U.S. Constitution in 1920.Anthony traveled extensively in support of women's suffrage, giving as many as 75 to 100 speeches per year and working on many state campaigns. She worked internationally for women's rights, playing a key role in creating the International Council of Women, which is still active. She also helped to bring about the World's Congress of Representative Women at the World's Columbian Exposition in Chicago in 1893.When she first began campaigning for women's rights, Anthony was harshly ridiculed and accused of trying to destroy the institution of marriage. Public perception of her changed radically during her lifetime, however. He 80th birthday was celebrated in the White House at the invitation of President William McKinley. She became the first actual woman to be depicted on U.S. coinage when her portrait appeared on the 1979 dollar coin.

      [Bookseller: Michael Brown Rare Books, LLC]
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        Architectura Ecclesiastica Londini, or graphical survey of the Cathedral, Collegiate and Parochial Churches, in London, Southwark, and Westminster, with the Adjoining Parishes.

      London John Booth Duke Street Portland Place 1820 - First edition, second issue, ONE OF A FEW PROOF COPIES PRINTED ON AN EXTRA LARGE SIZE ON IMPERIAL PAPER, folio, 57.5 x 39cm, 36, 8 pp., one hundred and twenty-three plates from original drawings by John Coney, George Shepherd &c. etched by J. Skelton, W. Wise &c. , uncut, contemporary half calf, marbled boards, original paper label to upper cover, rebacked and recornered to style, red morocco lettering piece, an excellent copy. "The first artistically competent and exhaustive illustration of the golden age of London church building and, as it turned out, the last possible one before the demolitions of the nineteenth and twentieth centuries, the destruction wrought by the second World War and the overshadowings, dwarfings and obliterations by office blocks since then . No fewer than 52 Wren churches, apparently still in good fettle, are represented, with four by Hawksmoor, three by Gibbbs . Moreover they are not depicted in the traditional way by an approximate outline quite divorced from its neighbourhood as in Maitland's History, but they stand three-dimensinal and four-square in their streets, or churchyards, sometimes even animated with staffage of Regency Londoners." (Adams). The book was issued in various sizes of which this is the largest, and with two diffrent title pages, one dated 1819, and one 1820 as in the present copy. Adams, Londo Illustrated, 129. [Attributes: First Edition; Soft Cover]

      [Bookseller: Shapero Rare Books]
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        Veduta del Ponte di Vaprio sull'Adda

      1820. Veduta della cittadina vista dal fiume Adda con il ponte in primo piano, stampata in seppia, pubblicata a Milano da Francesco Bernucca

      [Bookseller: Libreria Trippini Sergio]
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        Barème des couleurs, ou, Les teintes faites au nombre de 616 :comprenant presque toutes les couleurs qui existent dans la nature avec indication de le composer sans maître : ouvrage utile et presque indispensable à ceux qui colorient ou peignent à l'aqua

      1820. JARLE. Barème des couleurs, ou, Les teintes faites au nombre de 616: comprenant presque toutes les couleurs qui existent dans la nature avec indication de le composer sans maître : ouvrage utile et presque indispensable à ceux qui colorient ou peignent à l'aquarelle. 8 pp. Illustrated with hand-coloured engraved title-page and 22 leaves of plates featuring 28 colour samples on each for a total of 616 samples. Oblong 4to., 204 x 262 mm, bound in publisher's decorated printed boards, preserved in a new grey cloth folding box. À Paris: Chez Pierre Blanchard, Libraire, et Chez l'auteur, [ca. 1820]. |~||~||~||~||~||~||~| First Edition. A rare book on the art of water colouring featuring, as stated in the title, watercolour samples of almost every colour that exists in nature. Arranged in vertical columns of four hues apiece per colour and seven columns per page, turning through the 22 plates results in a visual feast for the eyes. The text provides instructions for mixing the different colours to achieve other colours. Signed by the author at the end of the text. Text and covers a bit foxed, the plates and lovely title-page remain in fine, bright condition. Rare Book Hub finds only a copy of the third edition sold in 2017. World Cat locates copies at Yale, NGA, University of Wisconsin as well as BN and CNAM.

      [Bookseller: Ursus Rare Books]
 23.   Check availability:     Biblio     Link/Print  


        Vue de St. Pierre de Rome

      Firenze 1820 - Rara veduta prospettica di piazza San Pietro, pubblicata a Firenze dall'editore Alessandro Bernardini. Sia all'interno che all'esterno del porticato, si scorgono solo poche persone, isolate o in piccoli gruppi, in abiti laici e clericali. Il cromatismo del cielo, con le sfumature rosate, riferisce la scena alle ore pomeridiane immediatamente prima del tramonto. La profondità è ottenuta sfumando progressivamente lo sfondo, su cui si scorge il paesaggio collinare e alcune abitazioni. Incisione su rame all'acquatinta e finemente acquarellata. Rare view of Piazza San Pietro, published in Florence by Alessandro Bernardini. Aquatint and watercolor, in very good condition Dimensioni 335 280mm [Attributes: Soft Cover]

      [Bookseller: Libreria Antiquarius]
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        Dissertation on the treatment of morbid local affections of nerves : To which The Jackson Price was adjudged by the Royal College of Surgeons.

      London : Printed for J. Drury Taylor and Hessy Drury and Son, 1820, 8, XV, 196 pp., 1 Hozschnitt, 1 Farbkupferstichtafel in 4, 2 Kupferstichtafeln, Halbledereinband die beiden Oktav Tafeln etwas fleckig, ansonsten frisches, Exemplar. Rare - First Edition of this "Landmark of study on peripheral nerve injury"!Joseph Swan (1791-1874) "in his pioneering work 'Dissertation on the Treatment of Morbid Local Affections of Nerves', Swan discusses a number of the pathological conditions that can occur in a peripheral nerve (Swan. 1820). These conditions include traumatic injury, tumors, and inflammation of the nerve. One of the most common traumatic nerve injuries that Swan reports is damage due to venesection or bleeding, an extremely common practice for many medical diseases. During the venesection. the bleeding fleam (a handheld sharpened knife-like device to open a vein) often injured a nearby peripheral nerve. Following up on earlier surgical views. Swan argues only the rare case of venesection-related injury requires surgery. Like Swan, other contemporary surgeons continued to argue that a surgeon had to either take the nerve with the lesion or amputate the limb-the other Option (Swan. 1820). Swan includes in his discussion the issues of pain and, more importantly, the principles of healing of injured nerves. Swan also provides an early clinical findings to what we now call the Tinel sign (Jules Tinel 1879-1952) (Tinel, 1917). Swan reported the following clinical description:'When a tumour is forming in the substance of a nerve it causes very violent pain, which sometimes affects the whole nerve in which it is contained. The pain is very much aggravated by any pressure made on it, and when it is moved. It is generally moveable from side to side only, as the upper and lower extremities are confined by the nerve.' Swan (1820)Swan was among the first of the nineteenth-century surgeons to argue that divided nerves that are surgical by repaired heal the best. Swan interestingly proffered a surgical opinion that surgery actually provided better results than no surgery at all (Swan, 1834). Part of Swan's surgical treatment included the application of leeches and evaporating lotions to the injured parts, while placing those parts at rest (Swan, 1820).Swan comments on divided nerves and their ability to heal:'Many experiments have been made by physiologist, to prove that when a nerve is divided, all sensation and motion are lost in the parts to which it was distributed, and that after the reunion of the divided parts it performs its functions as well as before the division.' Swan (1820)One of the earliest illustrations of a partial by divided nerve appears in Swan's 1820 monograph. Swan comments that, in experimental studies, when a nerve is divided. the ends retract. If the nerve is only partially divided, the intact fascicles hold the nerve in position, but the cut portions still retract. This concept is illustrated on page. 110.Swan's book can be considered one of the pioneer monographs on peripheral nerve injury and treatment. In addition to the 25 clinical case studies contained in the book, Swan provides an additional 22 experimental studies on rabbit nerve injuries and repairs, clearly making the monograph an early landmark study on peripheral nerve injury." Tubbs, R. Shane, et al. (Ed.): Nerves and Nerve Injuries: Vol 1: History, Embryology, Anatomy, Imaging, and ... (2015), pp. 8-11" In addition to his clinical work, he carried out what were probably the first animal experiments on nerve injuries." Barton, N.J. & Smith, B.D.: Joseph Swan (1791-1874): pioneer of research on peripheral nerves. J Hand Surg Eur, 33/3(Jun. 2008): pp.252-259.

      [Bookseller: MedicusBooks.Com]
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        La Divina Commedia

      Luigi Fantoni, Roveta, negli Occhi Santi di Bice (Bergamo) 1820 - 3 volumi in 4-picc, pp XXXII, 612, (8), legatura del tempo in mezza pergamena, duplice tassello in pelle con titolo e fregi oro al dorso, antiporta incisa da disegno di Gius. Bossi (ritratti di Dante, Petrarca, Boccaccio), al terzo vol. incisione col testo d’inizio del II canto Inferno ed al verso indicazione anno e stampatore, edizione importante e rara, copia del Codice Vaticano, stampata in numero ristretto esemplari, con impiego di carta e inchiostro inusuali nella tipografia privata di L.Fantoni a Rovetta, interessante anche dal punto di vita filologico poichè introduce lezioni differenti del testo, esempare su carta velina vergata a pieni margini, in perfetto stato. 3 volumes in 4°-small, pp XXXII, 612, (8), contemporary half-parchment, double leather label with gilt title and ornaments on the back, frontispiece engraved by Giuseppe Bossi (portraits of Dante, Petrarca, Boccaccio), engraving with the beginning of the second chant of Inferno in the third volume , year and bookprinter, important and rare edition, copy of the Vatican Code printed in limited number of copies, using unusual paper and ink of the private typography L.Fantoni in Rovetta , interesting also from the philological point of view, copy on tissue- paper written to full margins, in perfect condition. [Attributes: Hard Cover]

      [Bookseller: Redaelli Alberto]
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        Blumenstrauß-Ziehkarte]: "Die schönste Blum` zerknikt die Zeit - Doch diese währt in Ewigkeit - [Ziehstreifen:] Die Freundschaft ists, Die uns in diesem Leben den Himel [sic] gibt, Zufrieden sind wir doppelt dan in unserm Streben, wen Liebe uns beglückt".

      Wien, G. Gruber, ohne Nummerierung (um 1820). - Hübsche Biedermeier-Glückwunschkarte. Das Hauptbild zeigt einen Blumenstrauß. Nach Herausziehen des Zugstreifens zeigt sich in einem kleinen Oval ein sich umarmendes Liebespaar und als Symbol für Freundschaft, reicht der Mann einem anderen die Hand. Streifenzugkarte. 7,5 x 9,2 cm; Ausziehstreifen: 2,2 x 5,7 cm. Handkolorierte Radierung. Papierbedingt etw. gebräunt, etwas fingerfleckig, verso m. Einriss.

      [Bookseller: Antiquariat Löcker]
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        OBERAMMERGAU., "Die Baerenhöhle bei Ober-Ammergau". Blick aus der Höhle auf Bergkegel mit Gipfelkreuz, vorne drei Wanderer.

      Lithographie von Carl Friedrich Heinzmann, 1820, 31,5 x 40 cm. Dreyer 45 Winkler 315,23 Lentner 9576: "Seltene Lithographie - Incunabel". - Knapp au die äußere Begrenzungslinie geschnitten. - Schöner Druck. BAYERN, Oberbayern

      [Bookseller: Buch- und Kunstantiquariat]
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        OBERAMMERGAU. "Die Baerenhöhle bei Ober-Ammergau". Blick aus der Höhle auf Bergkegel mit Gipfelkreuz, vorne drei Wanderer.

      - Lithographie von Carl Friedrich Heinzmann, 1820, 31,5 x 40 cm. Dreyer 45; Winkler 315,23; Lentner 9576: "Seltene Lithographie - Incunabel". - Knapp au die äußere Begrenzungslinie geschnitten. - Schöner Druck.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        MEMOIRES ET ANECDOTES SUR LA DYNASTIE REGNANTE DES DJOGOUNS, SOUVERAINS DU JAPON

      - Paris 1820, Nepveu. Full new leather, very good, 301p., with 6 large fold-out copper etched plates, a folding chronology table, ca.12 x 20.5 cm., exceptionally bright clean paper. Cordier 449. FIRST FRENCH EDITION VERY RARE SUBTITLE: Avec la Description des Fetes et Ceremonies Obser- vees aux Differentes Epoques de l'Annee a la Cour de ces Princes, et un Appendice Contenant des Details sur la Poesie des Japonais, Leur Maniere de Diviser l'anee, &c. Ouvrage orne de planches gravees et coloriees, tire des originaux Japonais par M. Titsingh. A superb and early primary resour- ce on Japan. Magnificently engraved plates, showing illustr- ations of early 19th century Japan which, at that time, was still closed to foreigners.Titsingh was chief agent for the Dutch East India Company stationed in Nagasaki. He described feasts & ceremonies of the Japanese court, marriages, funer- als, law, poetry, chronology, furniture, earthquakes &c. He also gave valuable and new first-hand information on Japan, based on his personal observations, which otherwise were not available elsewhere. One of the most important books of time period because Japan was essentially closed to the world. A treasure and superb addition to any collection & library. By and large the most important and most valuable primary resource on Japan of that time. A marvelous resource and historic work ! Titsingh was the chief for the Dutch East India Company, and was stationed in at Deshima, a tiny isl- land reserved for the Dutch in the Nagasaki harbour. Deshima was closed off of to the rest of Japan. See H. Cordier: JAP- ONICA Japonica 449; Abbey Travel 557; Tooley 489 for more details. ALWAYS RARE. Color scans can be sent by email.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Portrait of the German painter Peter (von) Cornelius (1783-1867).

      "Black chalk and white heightening on brown paper, 100 x 85 mm (oval). Several annotations in pencil on verso: 'Peter von Cornelius' and 'C. Barth del., 1820'. Evenly age-toned, very small oil spot in the background, otherwise in good condition. Lit.: Thieme Becker II, p. 545: Barth was in Rome in the period 1817-1821 and took part in the new Romantic movement of Johann Friedich Overbeck and Peter Cornelius.; Neue Deutsche Biographie I, p. 604."

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
 31.   Check availability:     NVvA     Link/Print  


        Tableau historique, politique, physique et moral de MALTE et de ses habitans, depuis les temps les plus reculés jusqu'à la paix générale de Paris de 1814, avec des notes critiques et littéraires.

      Dentu 1820 - 2 vol. in-8 de 2 ff.n.ch. XVII 300 pp. 20 pp. et 2 ff.n.ch. 331 pp., veau marbré de l'époque, dos lisse richement orné, pièces de titre et de tomaison, guirlande dorée en encadrement sur les plats, tranches jaunes (petties épidermures sur les plats). Seconde édition revue et augmentée (Chadenat 5165). Reliè à la suite du tome I : - CORBEAU de VAULSERRE (François Marie de). Relation de la prise de Malte en 1798 par un témoin oculaire. Grenoble, impr. de J. Baratier, 1820. In-8 de 20 pp. Edition originale rare. "Chevalier de Malte, l'auteur raconte la lutte contre l'envahisseur français, il sera rayé en 1800 de la liste des émigrés et rentrera en France" (Fierro 352). Bel exemplaire. [Attributes: First Edition; Hard Cover]

      [Bookseller: Dimitri KRONIS]
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        The Excursion, Being a Portion of The Recluse, a Poem

      Longman, Hurst, London 1820 - ~FULL PUBLISHER: Longman, Hurst, Rees, Orme, and Brown ~Original full smooth tan calf, triple blind ruled frames to boards. Gilt compartments and intricate gilt tooling to spine, gilt decor to board edges. Original red gilt label and raised bands to spine. Blind stamped decor to turn-ins. Very slight wear to boards and spine. All edges speckled red. Original grey-green endpapers. Two attractive armorial bookplates, of Richard Perry and Ernest Day respectively, to front endpapers. Signature of Richard Perry, in old hand, to title page. Silk ribbon, which has left faint marks on adjacent pages. A little light foxing to some margins, bookplates and early and late pages. Hinges sound. A very attractive copy in excellent conditon. Size: xx, 452pp [Attributes: Hard Cover]

      [Bookseller: St Philip's Books, P.B.F.A., B.A.]
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        (Unterhaltungen aus der Naturgeschichte. [Das Pflanzenreich] Des Pflanzenreichs achter [8. und neunter; 9.] Theil): Beschreibung, Anwendung und Abbildung der vorzüglichsten, gegenwärtig gebräuchlichen Arzneypflanzen [Arzneipflanzen].

      Augsburg, Verlag der Martin Engelbrecht`schen Kunsthandlung 1820; (EA); 2 Bände; ca 17x11 cm; (8) 512, (4) 384 (40) Seiten mit 106 kolorierte Kupfertafeln; Kartoneinbände d. Zt. mit farbigem Rückenschild (Einbände berieben und bestoßen, Seiten und Tafeln meist am äußeren Rand durchgehend leicht stockfleckig; OHNE den gestochenen Reihentitel; sonst guter Zustand)Versand D: 5,00 EUR Botanik; Medizin; Naturheilkunde

      [Bookseller: Antiquariat Hilbert Kadgien]
 34.   Check availability:     buchfreund.de     Link/Print  


        Unterhaltungen aus der Naturgeschichte. [Das Pflanzenreich] Des Pflanzenreichs achter [8. und neunter; 9.] Theil): Beschreibung, Anwendung und Abbildung der vorzüglichsten, gegenwärtig gebräuchlichen Arzneypflanzen [Arzneipflanzen].

      Augsburg Verlag der Martin Engelbrecht'schen Kunsthandlung 1820 - (EA); 2 Bände; ca 17x11 cm; (8) 512, (4) 384 (40) Seiten mit 106 kolorierte Kupfertafeln; Kartoneinbände d. Zt. mit farbigem Rückenschild (Einbände berieben und bestoßen, Seiten und Tafeln meist am äußeren Rand durchgehend leicht stockfleckig; OHNE den gestochenen Reihentitel; sonst guter Zustand) 0,000 gr. Botanik; Medizin; Naturheilkunde [Attributes: First Edition]

      [Bookseller: Antiquariat Hilbert Kadgien]
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        A STUNNING CHINESE PERIOD COLOR-PAINTING, SHOWING WOMEN AT LEISURE AND PAINTING

      - [Canton? 1820-30's]. A framed and glazed hand-painted color ainting, frame:53.3 x 43.5 cm., matted painting: ca. 42.5 x 32.5 cm., very clean, superb example,faux bamboo wood frame, cryptomeria wood mat. A METICULOUS PAINTING IN FULL COLOR *** *** *** . . . A STUNNING PAINTING SHOWING CHINESE CONCUBINES . . . DRESSED IN ELABORATE SILK COSTUMES . . . WITH INTERIOR VIEWS OF THEIR APARTMENTS . . . PAINTED IN THE TYPICAL MING PERIOD STYLE *** THE PAINTING EPOCH: . This is a superb example of later Qing dynasty painting. The work was most likely done during either the reigns of Emperor Jiaqing [1796-1820], or Emperor Daoguang [1820-1850. . The delicacy of the lines, willow-like Chinese women and the background captures the essence of Chinese painting of this period. Though the scene most likely depicts and earlier period, the work was done in the early to mid-19th century. . The hand-coloring is exquisite, reflecting high-skill, with superb composition. Clearly these artistic skills are by a famous painter of the period. Sadly, this work is not signed. It is most likely one of a series of twelve scenes telling a classic story of concubine life in the Imperial palace, Beijing. . *** THE SCENE: The central scene shows the inner apartment of beautiful Chinese women in elaborate & elegant costumes. Because of their refined surroundings, furniture, decorations, screen, ceramics, lighting and the presence of hand-maids, these most likely Imperial Concubines. . Three women sit at a large table. The central woman is painting a large tree. Her companion to the right points a delicate finger at the painting. The woman to the left is seated on a ceramic stool and engages in conversation with the artist. . There two hand-maids at the left, who look at each other, one holds a tray with two tea cups. . In the background is a very tall and wide folding screen illustrating tenderly painted bamboo sprigs, with a superb border at the top and bottom edges. . The room has a beautiful stone table with a lovely flower in full blossom to the background. . The furniture is the typical "Ming" period style, There is a lovely table in the right front foreground with three flower vases. . The floor tile are drawn in "Western" perspective, showing the lines diminish in size showing the depth of the room. . In the left background is a round door, leading to another room. In this room, is an elaborately furnished table, with comb, brush and mirror. Before the mirror is a young & beautiful Chinese women arranging her coiffure. The room is decorated with flower vases, ceramic stool, wooden table, a table cloth and a screened window. . *** From the activities of the artist, its clear that some of the Imperial Concubines were gifted and talented painters. . *** CONDITION: The Painting: This work is painted in fine laid paper. The painting is in excellent condition, there are no marks or defects of any consequence. There is a small lift of the paper in the upper left approximately x cm.xxxxxxxxxxx, else the work is immaculate. . The Frame: The wood frame is in excellent condition, the cryptomeria wood mat is excellent with a beveled edge in red, as issued. . *** A NOTE ABOUT THE PHOTOS POSTED TO OUR WEBSITE: We post several photos of this painting, as the camera, light and colors vary in the photos. There are some unavoidable reflections from the lighting above. All discoloration, marks and bright spots are reflections on the glass only, they are NOT on the actual painting. . *** REFERENCES: . BERTHOLET, Ferry M.: CONCUBINES AND COURTESANS WOMEN IN CHINESE EROTIC ART * [YIMEN, Rev.].: DREAMS OF SPRING: EROTIC ART IN CHINA. The Bertholet Collection. * VAN GULIK, R.H.: SEXUAL LIFE IN ANCIENT CHINA: A Preliminary Survey of Chinese Sex and Society from ca. 1500 B.C. Till 1644 A.D. . --. EROTIC COLOUR PRINTS OF THE MING PERIOD: With An Essay on Chinese Sex Life From the Han to The Ch'ing Dyansty B.C. 206 Chinese Title [Ahead of Title] PI-HSI TIU KIAO. * FRANZBLAU, Abraham

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Principles of Political Economy considered with a view to their practical application.

      London John Murray 1820 - First edition. 8vo., vi, 601 pp., small ownership stamp to lower outside corner of title-page, small, early 20th century bookseller's label to lower outside corner of verso of upper free endpaper, a little age-toning and small ink smudge to title, otherwise near-fine, nineteenth century half calf over marbled boards, rubbed at extremities, spine faded, a very good copy. The book was conceived as a series of tracts rather than a comprehensive and systematic treatise, though Malthus published it to establish his own position against that of Ricardo, with whom he had been having an ongoing debate about the nature of labour, demand and profit. "In his 'Principles of Political Economy', Malthus was proposing investment in public work and private luxury as a means of increasing effective demand, and hence as a palliative to economic distress. The nation, he thought, must balance the power to produce and the will to consume" (DSB). "The Principles had only a limited impact at the time, and was severely criticized by J. R. McCulloch and Ricardo; the latter prepared extensive critical notes. But more recently it has received greater recognition, largely as a result of the comments by J. M. Keynes in the 1930s. Keynes argued that Malthus's theory of effective demand provided a scientific explanation of unemployment, and that the hundred-year domination of Ricardo over Malthus had been a disaster for the progress of economics. Keynes believed that if economics had followed Malthus instead of being constrained by Ricardo in an artificial groove, the world would be a much wiser and richer place" (ODNB). Goldsmiths' 22767; Kress C.577. [Attributes: First Edition; Hard Cover]

      [Bookseller: Shapero Rare Books]
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        FUZHOU CHINESE ACUPUNCTURE ALBUM OF 23 HAND-DRAWN & COLORED GOUACHE PAINTINGS.

      [Fuzhou ca.1820's]. Black painted wood covers, accordion folded album, ca. 12.5 x 18.5 cm., each single page:12.5 cm. wide, double-page illustrations 25 cm. wide, restored verso 23 nicely hand-colored gouache drawings. RARE PERIOD BOOK ! *** *** *** . . AN EARLY HAND-DRAWN, GOUACHE-COLORED ACUPUNCTURE MANUAL . . . SHOWING TRADITIONAL CHINESE HERBALISTS & MEDICINES . . . THE ACUPUNCTURE "CHI" OR "POINTS & CHANNELS" . . . EXAMPLES OF, HERBS AND PHYSICIANS . *** This album contains 23 very nicely hand-drawn and gouache colored depictions in black outline of traditional Chinese and physicians & medicine. It also shows a traditional pharmacist with his herbs, packaged medicine, and various herbal remedies. . Depictions of a traditional a Chinese physician, his various male and female patients with illness. Clear identification of the illness, specific acupuncture "Chi" points where to insert needles and treat patients. . From the context, the work was either done in Fuzhou or written about medical practice & herbs of that area. . Good illustrations of many acupuncture points used to treat specific maladies, the locations and names of the energy [Qing] channels & 'points.' . The work still conveys its original intent to teach, instruct and edify readers by conveying the story about traditional Chinese medicine, acupuncture and how to identify and cure various illness. . *** THE ILLUSTRATIONS: Like other traditional Chinese period books, this one begins from right and progresses left. It is a folded scroll, viewed in a series of 'scenes.' A scene can be no more than one or two pages. The story flows along, with a space, and continues with the next part or 'scene.' The work is not divided by page numbers or clear marks, but by a small break in the rhythm of the previous scene and subject. This format is charming and appealing, as the continued 'scenes" move along. . THE FIRST SCENE: The work begins with a lantern showing the road directions: North & South and a small frog. This is lovely drawing of five Arhats and sages, who embark on a journey to bring traditional Chinese herbal-medicine to a physician Wang Shi, and a pharmacist. . The Chinese texts reads: "Fu he yidai hedao bu tong chang hou shang ren ting zu bu qian." Meaning "Because the Fu cheng [a Fuzhou river channel is blocked, the travelers can not cross the river, until the bridge is repaired." Further notes state about journey: "Zao lue zhi hai fu shou liu nan zhi ku." "On journeys travelers suffer from harm and plunder [of pirates] and other difficult obstacles." Covers two and a half pages. . THE SECOND SCENE: A merchant sees a vision of his mentor, and recalls his teachings, thus bringing the physician brings five large cakes of medicine and a scale. The physicians buys the medicine. The physician tells the merchant: "Yi shi fa da shou zai de ren zhong." Meaning "Success is granted to those loyal to the Tao & medical teachings" or something to that Covers two pages. . THE THIRD SCENE: The physician visits a traditional Chinese pharmacist and doctor. The pharmacist and the physician sit down and discuss traditional Chinese medicine. The pharmacist has a large table, with many packages of Chinese potent and herbal medicines. There is a sign on his table reading Medicine "Yao Wang" or "Medicine Wang" meaning medicine herbalist Dr. Wang. There is also a small Chinese framed medicine name on the table: "BAO zhi ke shou sheng" meaning "Guaranteed to stop your disease cough syndromes." One page. . THE FOURTH SCENE: Consists of seventeen pages, showing several individuals who suffering from various illness or maladies. Each drawing has a small box with the Chinese name of the sickness, and the associated acupuncture points noted. . There are some references to Fuzhou [Fujian] and the Fucheng river. And other references to treatment using "Tanzhi Bing" [cream of 'ji-shi'] provides relief from maladies sold at the herbal doctor's stall in scene two. The use of "qi xia fan jiang xian gao" [a kind of grease] to relieve skin maladies. . *** RARITY OF CHINESE ACUPUNCTURE, MEDICINE & PHARMACOEPIA BOOKS . Hand-drawn, gauche color-illustrated books of this subject and period are seldom found on the market, and are quite RARE. . If found the condition is typically less that excellent. Such items suffer from the climatic and usual attrition rate taking its toll on paper goods. Sultry and damp Chinese weather, insects, mice, and other predators have commonly damaged native items. . We always try our utmost to bring into our inventory, items in the best of condition, we make exceptions when it comes to early Chinese medical works of this nature. . This subject is RARE, genuine period items remain quite difficult to find items meeting our high quality & condition standards. This current item regardless of its less than excellent condition is worthy of addition to our collection due to the uniqueness. Items showing traditional Chinese medicine, pharmacopoeia, herbs remain elusive and important. graphic examples. . *** THE BINDING: The accordion-folded work is solidly bound adhered to its period wooden boards. These board appear to have been roughly black painted perhaps 80-90years ago. There is some of the usual and minor warping to one the boards. . *** CONDITION: The accordion folded pages: The Verso [back]: . This work has been re-backed perhaps 100 or so years ago using a firm buff-color rough Chinese paper. Two pages of that have been re-backed again over that paper with different period hand-made Chinese paper with brushed character text. The top and lower edges were trimmed at some old time in the past. . The re-backing reinforced several old mended tears, tiny holes, minor surface soiling, mis-folds, minor & occasional feint stains, a bit loss of text at the top edge due to old trimming, feint damp stain, and the like from improper past storage. . The Recto [front]: The recto remains impressive with the original drawn and colored illustrations, conveying the essence of the work. It showing its age, by and large fairly clean, solid and firm. The past restoration has left some old tears visible, this does not greatly detracting from the overall impression of the whole work, It is obvious to us, former owners have made efforts to protect, preserve and restore this work in an effort to insure its continued survival. Per the above, some parts of the work remarkably remains quite clean on white paper. The attrition rate has definitely influenced this work. Nevertheless, it is still worthy of acquisition and preservation, research and study. . We tend to be overly critical of condition, preferring to over rather than under described. By and large, it is in very good preserved condition. . *** REFERENCES: . BEIJING COLLEGE OF TRADITIONAL CHINESE MEDICINE. comp. et al ESSENTIALS OF CHINESE ACUPUNCTURE. * VEITH, Ilza. HUANG TI NEI CHING SU WEN: THE YELLOW EMPEROR'S CLASSIC OF INTERNAL MEDICINE. * WALLNOFER, Heinrich. et al.: CHINESE FOLK MEDICINE AND ACUPUNCTURE. * KAEMPFER, Engelbert.: KIU SIU KAGAMI: UVENDORUM LOCORUM SPECLUM: A PICTURE OF ACUPUNCTURE POINTS. London 1728. * CHINESE ANATOMICAL AND ACUPUNCTURE CHARTS.: CHENG-JEN MING- T'ANG T'U. ANATOMICAL CHART OF VENTRAL AND DORSAL VIEWS OF ACUPUNCTURE & MOXIBUSTION LOCI OR "POINTS:" Together with TS'E-JEN MING-T'ANG T'U. FU-JEN MING-T'ANG T'U INTERNAL ORGANS & PROFILE ANATOMICAL ACPUNCTURE CHARTS. Shanghai 1906. * HUARD, Pierre. et al.: CHINESE MEDICINE. . WELLCOME HISTORICAL MEDICAL MUSEUM & LIBRARY.: CHINESE MEDICINE: An Exhibition Illustrating the Traditional System of Medicine of the Chinese People. * MORSE, William R.: CHINESE MEDICINE. * NEEDHAM, Joseph. et al.: SCIENCE AND CIVILIZATION IN CHINA, vol. 6: medicine. * HOIZEY, Dominique. et al.: A HISTORY OF CHINESE MEDICINE. * Clients interested in the above references are invited to inquire with us, as we may have them in stock. *** Color scans of this & other items are posted to our website. .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB -]
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        Raccolta di pitture antiche intagliate da Paolo Lasinio, disegnate da Giuseppe Rossi.

      Pise, Niccolo Capurro 1820 - in-folio, [4] ff. de texte, et 14 planches gravées au trait, montées sur onglets, demi-veau brique, dos lisse orné de filets dorés (reliure de l'époque). Dos uniformément insolé. Reproduction de peintures de Niccolo Petri, disciple de Giotto, et conservées dans le chapitre de Saint-François de Pise (San Francesco de' Ferri). Cette ancienne église franciscaine est célèbre pour son ancien décor de fresques, dont il ne reste malheureusement que des fragments. Seulement deux exemplaires au CCF (Montpellier et Strasbourg).

      [Bookseller: Librairie Historique F. Teissèdre]
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        Travels in Sicily Greece and Albania.

      London Mawman 1820 - First edition. 2 vols, 4to, xii, viii, 1-393, 1-393pp, engraved maps, one folding, one double page, 12 engraved plates, of which two aquatinted by F.C. Lewis, light spotting to plates, offsetting from plates to text, contemporary calf, neatly rebacked, a very good set. Hughes travelled in the Mediterranean and Greece in 1813-14 as tutor to Richard Townley Parker. They visited Spain, Italy, Sicily, Greece and Albania. Hughes and Parker arrived in Preveza late in 1813; they were joined on their Albanian tour by C.R. Cockerell, who spent about two months with them. Most of the book is in fact devoted to a description of this part of their travels, and 10 of the 12 engravings are after drawings by Cockerell illustrating sites in Epirus. This work is one of the major sources of information about Ali Pasha. Hughes was a confirmed philhellene. Atabey 599, Blackmer 842; Weber 86; Abbey 203. [Attributes: First Edition]

      [Bookseller: Shapero Rare Books]
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        Privates Wirtschafts- und Schuldenbuch

      Butjadingen, Johann Koch, 1820-1849. des Pächters Johann (Dietrich) Koch, Wardenburg/Landkreis Oldenburg: \"Annalen und Buch für mich Johann Koch Pächter zum Gute in Butjadingen (auch Kirchspiel Langwarden Amt Burhafe (Burhave) März 1820\". Einträge von 1820-1849 - Holzeinband, papierbezogen, ca. 144 handbeschriebene Seiten in Kurrentschrift (Tinte/Bleistift), diverse Aufstellungen zu Abzahlungen, Berechnungen, Additionen, längere Notizen, Rezepte, dazwischen etliche Leerseiten, wenige Einträge auf dem Kopf. Mit einem Gedicht in Gebetsform und einem theologischen Text am Ende des Bandes. Johann Dietrich Koch, geb. 13.1.1807 zu Süllwardenburg, gest. 1837. 1847 heiratete seine Witwe Gesine Dorothee Wilhelmine Holthusen den um 17 Jahre jüngeren Lehrer Bischoff, der eine Heringsflotte und eine Baumwollmanufaktur besaß. (Quelle: private Familienunterlagen, Hannover). \"Die industrielle Entwicklung verlief langsam. Es dominierten die Textilbranche, vor allem Warpsspinnereien (Herstellung von Baumwolle) und der Maschinenbau in Verbindung mit Eisengießereien. Hier zeigten sich allerdings auch die dunklen Seiten der Industrialisierung, da stellenweise sogar Kinder unter Aufsicht ihrer Eltern arbeiten mußten. Erst der Anstieg der Reallöhne seit den 90er Jahren machte die Mitarbeit von Kindern nicht mehr unbedingt nötig.\" (Quelle: Peter Hoffmann. Niedersächsische Geschichte kurz gefaßt. Herausgegeben von der Niedersächsischen Landeszentrale für politische Bildung, Hannover, 2004) - Einband und Rücken teils größere Bezugspapierfehlstellen, sonst sehr gut erhalten. Versand D: 5,95 EUR Geschichte, Landes, Niedersachsen/ Background studies, Lower Saxony | Originaldokument/ Original Document | Wirtschaft, Geschichte/ History of economy

      [Bookseller: HESPERUS Buchhandlung & VersandAntiquari]
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        Oeuvres complètes mises en ordre et précédées de la vie de l'auteur par L. Aimé-Martin

      Méquignon, 1820. 19 volumes in-18 pleine basane rouge, dos lisse orné, tranches marbrées, triple filet doré sur les plats. Roulettes en contreplats. Portrait frontispice gravé par F. Lignon d'après Girodet-Trioson et 25 planches hors-texte. Rares rousseurs. Dos lég. passés. Infimes défauts d'usage sinon très bon exemplaire. Seconde édition collective. I. Essai sur la vie et les ouvrages de Bernardin de Saint-Pierre. VIII-304 pp. - I bis-II. Voyage à l'Ile-de-France. 321 - 444 pp. - III-VII. Etudes de la nature. - VIII-X. Paul et Virginie, Arcadie, etc. - XI-XV. Harmonies de la nature. - XVI. Voeux d'un solitaire. - XVII. Dialogues philosophiques. - XVIII. Mélanges.

      [Bookseller: Librairie de L' Avenue]
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        Roma antica. Edizione quarta Romana riscontrata, ed accresciuta delle ultime scoperte, con note ed osservazioni critico-antiquarie di Antonio Nibby (.). E con disegni rappresentanti la faccia attuale dell' antica topografia di Antonio de Romanis.

      Rome, De Romanis, 1818-1820, - 4 vol. in-8, XXXVI-331, 358, 416 et 59-52-140 pp., avec quelques illustrations dans le texte, et 45 planches gravées (dont un portrait-frontispice sous serpente, 15 vues ou planches, 30 cartes et plans), index, demi-veau blond, dos lisses ornés de filets dorés et de fleurons à froid, pièces de titre et de tomaison prune, tranches mouchetées de bleu (rel. un peu postérieure). Accrocs à plusieurs coiffes, rousseurs. Bon exemplaire. Dernière édition de cet ouvrage qui a été considéré pendant deux siècles comme le meilleur guide des antiquités de Rome : la première était parue en 1665 (de façon posthume, par Ottavio Falconieri) et fut reprise dès l'année suivante, la seconde sortit en 1704 (les trois en un volume in-4), et la troisième en 1771 (trois volumes in-8, la première avec des notes et observations de Nibby). Famiano Nardini (1600-1661) ne publia de son vivant qu'une Descrizione dell' antica Veio (1647). Brunet, IV, 12 (exactement notre édition).

      [Bookseller: Librairie Historique F. Teissèdre]
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