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Displayed below are some selected recent viaLibri matches for books published in 1817

        The Club; In A Dialogue Between Father And Son. In Vino Veritas

      Longman Rees Orme and Brown London: Longman, Rees, Orme and Brown, 1817. leather_bound. Full maroon morocco.Aeg. Very good/No Dust Jacket. 96 pages. 26.5 x 19 cm. First published 1711. Limited ediiton, Large Paper Copy [Imperial Edition], one of 200. With three ALS laid-in -- two from James Rimell & Son Ltd, a London Bookseller to Edgar H. Wells, rare book dealer in New York from 1921 to 1938 on Madison Ave., discussing the authenticity of the Imperial Edition, and one from Philip Hofer [to Wells] on New York Public Library letterhead, verifying this copy as an Imperial Edition together with bibliographical details for the various editions of this work. All letters dated 1932. Hofer also invites Wells to tea, offering to show him copies of the three issue described in his letter. With a series of engravings drawn by John Thurston. First few leaves toned, mostly marginal; infrequent additional and minor text spotting. Bookplate, half centimeter nick spine head with loss, slight joint rubbing, raised bands, spine panels richly gilt, cover border fillets encase gilt arabesques and corner florets, inner dentelles, marbled endpapers. From the Library of Jacques Levy.

      [Bookseller: Royoung bookseller, Inc. ]
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        THEATRE Des DAMES ou Choix de Jolies Scenes tirees du Repertoire du Vaudeville

      Chez Le Fuel Paris:: Chez Le Fuel,. (n. d.).. 18mo, in 6s. 4-5/8" x 3" [11.8 cm x 7.7 cm]. 1st edition. Ca 1817. [4], 209, [5] pp. Printed by Didot.. Bound in beautiful color printed silk onlays [same design to front & back], affixed to gold boards, with floral motif panel affixed to spine. AEG. Slipcase, also with color printed silk onlays.. General wear to silk panels. One engraving protrudes slightly. A. Very Good copy, in a rubbed slipcase, with 1 cm seam splits at. slipcase opening.. Quite scarce work compiling divers French theatrical pieces from 1792- 1815. OCLC locates 4 cc worldwide, with KVK adding a 5th. . Engraved title, with vignette. Illustrated with 8 full-page copperplate engravings. 1817 calendar at rear, with engraved headpieces by Bosselman.

      [Bookseller: Tavistock Books, ABAA ]
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      London: Published by Edw. Orme, Bond Street, the corner of Brook Str, Jany. 1, 1817. Mezzotint. Printed on wove paper. In good condition with the exception of being trimmed just outside the platemark on all sides. A few creases in image and a small mended tear on bottom margin. Crease along upper left corner. Image size: 18 7/8 x 23 ¾ inches. 18 7/8 x 23 ¾ inches. 19 1/8 x 23 13/16 inches. A captivating English mezzotint depicting two pointers At the sudden apprehension of the scent, both dogs stop dead in their tracks. The black dog in the foreground is transfixed, fiercely ready. Both dogs will spring into action at the order. Careful attention has been paid to every aspect of their poses, their bodies completely given to the scent of their prey. This superb rendering by John Nost Sartorius is perfectly captured by William Ward, one of the masters of mezzotint, who emphasizes the hypnotic state mind the pointers are thrown into.For most of the eighteenth and nineteenth century, animal portraiture, in particular paintings and engravings of prized hunting dogs, became a veritable craze in England. This national passion occupied the talents and imaginations of some of the country's best artists, and created an entire genre of sporting art. Dictionary of National Biography

      [Bookseller: Donald Heald Rare Books ]
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        [Currants] [Black Currant; White Currant; Dutch Red Currant] [Pl. V]

      [London: G. Brookshaw, no date but watermarked 1817]. Aquatint engraving, with some stipple, printed in colours and finished by hand. In good condition. 16 3/8 x 12 7/8 inches. 20 1/2 x 16 1/4 inches. A fine image from Brookshaw's masterpiece: 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. George Brookshaw's 'Pomona Britannica' is the finest work on fruit and flowers ever produced. Its breathtaking images display a level of technical virtuosity and beauty that distinguish this magnificent work as a true work of art.As a retired cabinetmaker, Brookshaw produced his seminal botanical study late in his career, at first publishing it in parts and then as a complete edition in 1812. The fact that this outstanding work took ten years to complete is evident in the quality of its images and the care with which Brookshaw executed each individual picture. 'Pomona Britannica' was produced as a visual record of the best available varieties of fruit in an attempt to encourage gardeners to experiment with growing fruit, and illustrates examples found in the Royal gardens at Hampton Court, Kensington Gardens, and the private gardens of the Prince of Wales in Blackheath.'Pomona Britannica' differs from other botanical works in its dark aquatinted backgrounds and its stylized compositions. By using aquatint to create a contrasting background, Brookshaw manages to produce a truly dramatic effect. His use of stylized composition distinguishes his pictures from the dry scientific illustrations found in other botanical studies and creates an exceptionally beautiful visual experience. 'Pomona Britannica' is not only a didactic study, it is a masterpiece of illustration in which every picture is a testament to the artist's talent and ingenuity. Cf. Dunthorne 50; cf. Great Flower Books (1990) p. 81; cf. Nissen BBI 244; cf. Sandra Raphael An Oak Spring Pomona 40a.

      [Bookseller: Donald Heald Rare Books ]
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        Picturesque Rides and Walks, with Excursions by Water, thirty miles round the British Metropolis

      London: J. Hassell, 1817. First edition. Hardcover. Very good. Yes. Two leather bound volumes with spines in 6 compartments, red labels, gilt titles. As so often happens with early 19th century books the collation of these two volumes matches neither the 'directions for placing the cuts' as found at the end of each volume nor the collation as given in the reference. Numerous plates are bound in locations other than indicated, four listed in Tooley (Epsom, Holland House, Melrose Hall and Guildford) are missing and one (Holland House Crouch) which is not listed in Tooley, but is in the directions to the binder is present. It appears that the intent was that the two volumes were each to have 60 plates. Volume One of this set contains 62 plates and volume Two has 55. Having looked carefully at the two volumes it seems possible that the 'missing' plates were not ever present. A lovely set with charming little plates.

      [Bookseller: Thorn Books ]
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        VOYAGE DANS LE MILANAIS, A PLAISANCE, PARME, MODENE, CREMONE. Et dans plusieurs autres villes de l'Ancienne Lombardie.

      Wassrmann In-8 p. (mm. 210x128), 2 voll., mz. pelle coeva, dorso a cordoni con fregi e tit. oro, pp. (8),392; (4),371 "Edizione originale" di quest?opera dell?archeologo francese Millin (1759-1818), di notevole interesse per la storia dell?arte. Cfr. Brunet,III,1723 - Cicognara,4144 - Fossati Bellani,I,475. Solo qualche lieve fiorit., altrim. esemplare intonso, ben conservato.

      [Bookseller: Libreria Antiquaria Malavasi]
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      nella Stamperia di Giovanni De Bonis In-16 gr. (mm. 183x117), cartonato muto coevo, tit. oro su tassello al dorso, pp. 78,(2), con 9 belle figure in 8 tavv. inc. su rame, f.t. e piu' volte ripieg., che illustrano macchine e navi a vapore. Con questo saggio, l'economista Serristori (1793-1857) fece conoscere in Italia l'importanza della nuova scoperta. "Seconda edizione" (la prima e? del 1816, Firenze). Alone al marg. interno di alc. cc., altrim. esempl. ben conservato.

      [Bookseller: Libreria Antiquaria Malavasi]
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        Les marattes, ou moeurs, usages et costumes de ce peuple... paris, nepveu, 1817.

      Due volumi di cm. 13,5, pp. (4) xv (1) 202; (4) 238. Con 10 tavole fuori testo incise in rame e finemente colorate, di cui 6 ripiegate. Solida ed elegante legatura coeva in mezza pelle rossa, dorsi lisci con filetti, fregi e titoli in oro, piatti inquadrati da triplice filetto dorato. Esemplare con arrossature sparse, ma complessivamente genuino e ben conservato. Interessante relazione su questa popolazione dell'India.

      [Bookseller: Studio Bibliografico Benacense]
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        Reise in Brasilien. Aus dem Englischen.

      Mit 2 gefalt. gest. Karten. X, 624 S. Marmorierter Pappband d. Zt. mit Rückenschild. Neue Bibliothek der wichtigsten Reisebeschreibungen, Bd. 11. - Sabin 38274; Borba de Moraes I, 438 Anm.; Bosch 303: "A classical work on the North of Brazil"; Hünersdorff/Hasenkamp, Coffee I, 819. - Erste deutsche Ausgabe; gekürzte Fassung der ein Jahr vorher in London erschienenen Originalausgabe. Die Schilderung von Henry Kosters (1793-1820) ausgedehnten Reisen durch die Provinzen Pernambuco, Rio Grande do Norte, Paraíba, Ceará und Maranhão und seinen Erfahrungen als Zuckerrohrpflanzer zu Beginn des 19. Jahrhunderts bilden eine wichtige Informationsquelle. Die Karten zeigen den Hafen von Recife und den nördlichen Küstenstreifen. - Tls. etwas stockfleckig. Dekoratives Exemplar!

      [Bookseller: Antiquariat Turszynski]
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        Pompeiana: The Topography, Edifices, and Ornaments of Pompeii.

      London: Rodwell and Martin, 1817-1819.. 8vo. (10 x 6.5 inches). pp.xxxii + 273 + unnumbered fold-out map + 2 (Emendations & Directions to the Binder). Pages untrimmed. Frontis with tissue guard + 4 unnumbered plates, including fold-out map, before p.1. Five unnumbered plates altogether. 77 numbered plates, including numerous extensive fold-outs, all in excellent condition. Contemporary full vellum, floriated gilt border on top board, 5 raised bands and gilt decorated panels to spine. Elegant rococo bookplate of Mary Wood. Old pencil inscription on blank prelim Lucy Claxton / Rome / bound by Volpak / given by Sir Wm Gell. Apart from some notes by Sir William Hamilton, this was the first study in English of the excavation of Pompei. Gell and Gandy used a camera lucida for their drawings. A rare association copy of a scarce edition, additionally uncommon in this binding. Apart from some minor rubbing to the gilt, a short split at the top of the front hinge (which looks old and stable) and a few marks here and there, the condition of this copy is excellent. The unfinished footnote on p.192 is not completed in the otherwise pernickety 'Emendations' at the end, next to the interesting 'Directions to the Binder'. A handsome volume.

      [Bookseller: John Taylor Books]
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        Iconographie Grecque (1808) [and] Planches de l'iconographie Romaine (1817): Two Works in One

      Paris: De l'imprimerie de P. Didot l'Aine (1808-1817). First edition. Large folio. Measures approximately 18" x 24". Two complete works in one volume, each with a separate engraved title page: 59 [and] 69 engraved plates. All 128 plates with the original tissue guards laid in. Contemporary half calf and diaper cloth boards. Bookplate of Emma Cooper & William Poole Bancroft on the front pastedown. Ex-library copy with bookplate and small ink stamp on the title pages and plates. Both boards are worn and detached, else a good sound copy with scattered foxing. The ancient Greek and Roman portrait sculpture, medallions, coins, and related antiquities are expertly engraved and printed with a striking three-dimensional effect. The plates collate thus: Iconographie Grecque (1-39, 39, 40-57, Supplement A.); Planches de l'iconographie Romaine (1-16, A, B, 17-24, 24, 25-39, 39*, 40-63, 64A, 64B).

      [Bookseller: Between The Covers]
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        Försök till en historisk-topographisk beskrifning om Häradshammars socken i Östergöthland.

      Uppsala, Zeipel och Palmblad, 1817. 8:o. 36 s. + BERNHARDT, GUSTAF. Beskrifning öfwer Hardemo socken uti Nerike. En af Örebro läns kongl. hushållningssällskap med högsta priset år 1814 belönt skrift. Med en charta. Strängnäs, C. E. Ekmarck, 1818. 8:o. (2),52,(1 blank,1) s. & 1 utvikbar grav. karta. + PETRI, J. E. Beskrifning öfwer Hölö socken i Södermanland, i geographiskt, historiskt, oeconomiskt och statistiskt afseende, med charta; jemte särskild beskrifning öfwer kongl. lust-slottet Tullgarn. Sthlm, J. A. Walldén, 1828. 8:o. (6),101,(1) s. & 1 utvikbar litograferad karta. + CRÆLIUS, FRANZ D. Beskrifning öfver Säfs socken i Westerdalarne och Stora Kopparbergs län. Falun, C. R. Roselli, 1830. 8:o. 66 s. & 1 utvikbar tryckt tabell. + CRÆLIUS, FRANZ DANIEL. Beskrifning öfwer Nås socken i Westerdals fögderi af Stora Kopparbergs län, utgifwen. En charta och en tabell åtfölja detta häfte. Falun, C. R. Roselli, 1837. 8:o. (7,1 blank),13-166 s. & 2 utvikbara tryckta tabeller & 1 utvikbar litograferad karta. Ngt nött enkelt hfrbd från 1800-talets mitt med blindpressad och guldornerad rygg. Grönsprängda snitt. I synnerhet de tre första arbetena delvis ngt fukt- och lagerfläckiga. Två små revor på s. 35-36 i det första arbetet med någon bokstavs förlust. Det avslutande bladet i det andra arbetet lagat och dess karta fäst i yttre marginalen. Liten reva i marginalen på s. 85 i det tredje arbetet. Fläck på s. 26 i det femte arbetet och s. 160-161 med förlust av ett tiotal bokstäver efter att ha varit ihopklistrade. Kartan med reva i vikningen. "Beskrifning öfwer Nås socken" saknar fyra sidor av subskribentförteckningen. Med L. F. Rääfs exlibris.. Setterwall 6261, 5821, 6058, 5724 respektive 5721. Fiske Runic literature s. 20 för Ekborn. Teijler Litteratur om Örebro län 7527 för Bernhardt. Essén Sörmländsk bibliografi s. 72 för Petri. Wingborg Litteratur om Dalarna 8544 respektive 8420 för Crælius. Anders Peter Ekborn (1791-1853) beskriver i sin avhandling om Häradshammar bl.a. Tåsbystenen. Johan Erik Petri (1798-1852) författade sin Hölöbeskrivning under sin tid som komminister i pastoratet. Franz Daniel Crælius var lantmätare. "Beskrifning öfwer Nås socken" var den första i en serie planerade beskrivningar som även skulle innefatta socknarna Floda och Jerna. De andra delarna utkom dock aldrig

      [Bookseller: Mats Rehnström]
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        Jern-kontorets Annaler 1817 (Första årgången)-1845 (Tjugonionde årgången).

      Stockholm, 1817-1845. 66 häften i original-gråpappersomslag. Oskurna ex. Sviten är genomgående illustrerad med utvikbara planscher och tabeller. Sviten är i mycket gott skick, inlagan som ny, någon enstaka volym med nött rygg.. Jernkontorets Annaler utkom 1817-1977. Lundstedt 2, 23. Vår svit består av 1817: 2 häften; 1818: 2 häften; 1819: 1 häfte; 1820: 1 häfte; 1821: 1 häfte; 1822: 1 häfte; 1823: 1 häfte; 1824: 1 häfte; 1825: 2 häften; 1826: 2 häften; 1827: 1 häfte + 1 bihang + Ytterligare bihang; 1828: 2 häften; 1829: 1 häfte + 1 bihang; 1830: 1 häfte; 1831: 1 häfte + supplement; 1832: 2 häften + 1 bihang; 1833: 3 häften + 1 bihang + 1 bilaga; 1834: 4 häften + 1 tabeller o planscher; 1835: 4 häften; 1836: 3 häften + 1 register; 1837: 2 häften + 1 bihang; 1838: 2 häften; 1839: 2 häften; 1840: 2 häften av 3 (OBS! Häfte 2 1840 saknas!); 1841: 3 häften; 1842: 2 häften; 1843: 3 häften; 1844: 2 häften; 1845: 2 häften. Bilden föreställer de sex första häftena, men är representativa för resten av serien

      [Bookseller: Antikvariat Röda Rummet AB]
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        Angélo Guicciardini, ou le bandit des alpes.

      Traduit de l'anglais. I-VI. Paris, J. G. Dentu, 1817. 12:o. (4),IV,284 + (4),307 + (4),342 + (4),359 + (4),312 + (4),365 s. Sex oskurna häften i samtida gråpappersomslag med tryckta titeletiketter på ryggarna. De fyra första delarna med tryckmakulatur på omslagens insidor. Ryggarna aningen blekta och lätt snedlästa. Några revor på omslagsryggarna. Smärre lager- och rostfläckar. Sporadiska fuktfläckar i övre yttre hörnet och yttermarginalen. Några revor i yttermarginalen på s. 319 i del III, s. 9 i del IV och s. 77 i del VI. Lite tråkiga småfläckar i inre och nedre marginalen på s. 151-63 i del V. Fläck i yttermarginalen fram till s. 6 i del VI. Trevlig svit från Östanå.. Översatt till franska av René-Jean Durdent. Originalet, "Angelo Guicciardini; or, the bandit of the Alps. A romance", utkom första gången 1809

      [Bookseller: Mats Rehnström]
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      London: Published by Edward Orme, June 4th, 1817. Stipple with etching, colour-printed with hand-colouring. State iii/iii, with the title in closed letters, and engraved inscription: "George Stubbs pinxt.*** Geo. Townly Stubbs sculpt. Engraver to His R.H. the Prince of Wales. / London Republished June 4th. 1817, *** ANVIL. *** by Edwd. Orme, Bond Street". 7 7/8 x 9 7/8 inches. 12 1/2 x 15 5/16 inches. A magnificent portrait of the famous stallion Anvil, by the master equine painter George Stubbs. George Stubbs is considered to be one of the greatest English painters. His ingenious animal and sporting pictures remain unrivalled in their passionate depiction of emotion and their commitment to naturalistic observation. Stubbs was briefly apprenticed to the painter Hamlet Winstanley, a relationship that quickly ended, leaving the young artist to his own education. In contrast to contemporary academic theory, Stubbs' attached great importance to the belief that art should imitate nature, not the work of other artists. He spent years carefully studying human and equine anatomy so that he could truthfully represent natural form and movement. A result of this study was his famous Anatomy of the Horse, which details, with beautiful engraving, the various elements of a horse's anatomy, from skeletal form to muscular definition. By the 1760's, Stubbs had developed a considerable reputation as a sporting artist and had attracted a number of distinguished patrons. Continuing in search of innovation, Stubbs began experimenting with a myriad of different mediums, becoming accomplished in both enamels and printmaking. Through arduous application, he became a talented mezzotint engraver and worked with ease in both soft ground and etching techniques. Stubbs' masterful paintings inspired some of the greatest engravers of the day to reproduce his work for publication, including his own son George Townly Stubbs who reproduced with faithful accuracy the sublime emotion inherent in his father's exquisite works. Stubbs was elected Director of the Society of Artists and a Royal Academician, and today his prized paintings are housed in some of the finest museums in the world.Stubbs was often commissioned to paint accurate portraits of specific steeds for proud aristocratic patrons, who wished to highlight their horses' racing success. This practice is expertly exemplified with this magnificent print of the stallion Anvil, bred by Thomas Paton. The image shows Anvil in an enclosed paddock, and exhibits a keen attention to naturalistic detail. Anvil was first a stallion in the stud of the Prince of Wales and went on to win a great number of races at some of the best courses in England. This beautiful print demonstrates that, with subtle atmospheric effects and complex compositional structure, Stubbs succeeds in raising the genre of equine portraiture to a poetic level. Lennox-Boyd, George Stubbs 114, ii/iii; Siltzer, The Story of British Sporting Prints, p. 272

      [Bookseller: Donald Heald Rare Books ]
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        Synopsis algarum Scandinaviæ, adjecta dispositione universali algarum.

      Lund, ex officina Berlingiana, 1817. 8:o. XL,135 s. Samtida ngt nött hfrbd med rikt guldornerad och blinddekorerad rygg. Gröna snitt. Interfolierad. Ryggen ngt blekt och med oxiderad guldornering. Enstaka lagerfläckar och de inledande tre bladen ngt fläckiga. Litet hål på s. 23. Ett fåtal blyertsanteckningar och två försiktigt inklistrade modernare anteckningsblad på slutet.. Krok 28. Carl Adolph Agardh räknas som den vetenskapliga algologins grundare och i detta arbete presenteras hans systematiska indelning för första gången. Han påbörjade strax därpå en mer omfångsrik framställning av algväxterna, men detta arbete utkom endast i två delar (1820 och 1828) och blev aldrig fullbordat. Bokens tryckta dedikation är ställd till Agardhs beskyddare och vän Lars von Engeström

      [Bookseller: Mats Rehnström]
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        Picturesque Rides and Walks

      1817. first edition. Large-Paper Copy of “Picturesque Rides and Walks,”with 120 Hand-Colored Aquatint PlatesHASSELL, J[ohn]. Picturesque Rides and Walks, with Excursions by Water, Thirty Miles round the British Metropolis; Illustrated in a Series of Engravings, Coloured after Nature: with an Historical and Topographical Description of the Country within the Compass of that Circle. London: Printed for J. Hassell…Islington; and sold by all Booksellers, 1817-1818.First edition. Large paper copy. Two octavo volumes (8 3/8 x 5 1/4 inches; 213 x 134 mm.). [iii]-viii, 249, [1, blank], [2, “Directions for Placing the Cuts”], [8, index]; [2], 272, [9, index], [1, blank], [2, “Directions for Placing the Cuts”] pp. Bound without the half-titles, as usual. With 120 hand-colored aquatint plates.Contemporary half dark green roan, ruled in gilt, over drab boards. Smooth spines decoratively tooled and lettered in gilt, with the gilt cipher of the Earl of Essex surmounted by a coronet at head of spine. Marbled edges and endpapers. Some scattered light foxing and occasional offsetting from the plates. Pencilled note on the verso of the front free endpaper of Volume I: From the library of the Earl of Essex. Bookplate of John H. Baker on front pastedown of each volume. An excellent copy.Originally issued in twenty-four parts, May 1816-May 1818.“In 1817 was published [Hassell’s] Picturesque Rides and Walks…round the British Metropolis, two dumpy volumes in small octavo. These are copiously illustrated by a hundred and twenty views, which, though small, are charmingly composed and tinted, and make an interesting record of the topography of London and its suburbs in the early part of last century, when Paddington and Kensington were still rural villages. The sixty plates of the first volume are all drawn and engraved by Hassell; in the second volume the majority are by D. Havell after Hassell” (Martin Hardie).Abbey, Scenery, 218. Martin Hardie, p. 140. Tooley 251.

      [Bookseller: David Brass Rare Books, Inc. ]
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        Rosa Montezuma / Rosier des Montezuma

      Paris: 1817-1824. Stipple engraving, printed in colours and finished by hand, engraved by Langlois. Very good condition apart. 13 1/2 x 10 inches. More than with any other painter, Redouté's flowers are alive, and always shown at the ephemeral moment of their greatest beauty. Pierre-Joseph Redouté was one of the world's great flower painters. Born into a family that had been painters for at least two generations, Redouté went to Paris in 1782 with his brother where they worked as scene painters for the Théâtre Italien. Redouté painted flowers in his spare time. The search for subjects led him to the Jardin du Roi and eventually to Gerard van Spaendonck who made him an assistant. While at the Jardin du Roi, Redouté came to know Charles-Louis L'Heritier, an amateur botanist and writer of independent means. He gave Redouté a full-time job as an illustrator, instructing him in plant anatomy. Redouté's scientific understanding of plants contributed greatly to the clarity of his depictions. But it was Redouté's work in stipple engraving and colour printing that was to be of the greatest importance. Stippling and the application of two or three colour inks to one plate were engraving innovations that Redouté brought to French printmaking, and these were brought to perfection in Les Roses from which this work comes.Redouté together with Claude-Antoine Thory, an ardent botanist and collector of roses, have together in Les Roses produced a work not only of great artistic merit, but also an invaluable scientific record as well. `Redouté and Thory knew, described and figured almost all the important roses known in their day. Included were many of the key ancestors of our present-day roses. The plates in Les Roses have artistic value, botanical and documentary value, both for the species and cultivars still surviving and for those that have disappeared' (Gisele de la Roche). The roses used as specimens for the work were taken from the collections of Thory, the Malmaison gardens, and from other collections around Paris. Many of the flowers were novelties in Redouté's time, and a number were dedicated to the memory of his friends and acquaintances, such as l'Héritier de Brutelle and Ventenat. Cf. Cleveland Collections 807; cf. Dunthorne p 232; cf. Great Flower Books (1990), p 128; cf. Nissen BBI 1599; cf. Pritzel 7455; cf. Stafleu & Cowan TL2 8748.

      [Bookseller: Donald Heald Rare Books ]
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        Selecta opuscula academica.

      Edidit Johannes Norrmann. 1-3. Lund, Berlingianis, 1817-19. 8:o. (8),+ 3-385,+ (1); IV,+ 583; (4),+ 604,+ (2) s. Samtida hfrbd, guldornerade och blindpräglade ryggar, marmorerade pärmar och gröna snitt. Tre volymer, ryggarna något flammiga. Fint exemplar ur Ericsbergs bibliotek. Samlingsutgåva med flertalet av Mathias Norbergs tal och kungörelser (del 1) och en stor del av hans avhandlingar (del 2-3). Redaktören Johannes Norrman var, liksom Norberg, från Norrland och han disputerade under Norbergs presidium 1808. Han blev själv sedermera professor. Matthias Norberg (1747-1826) var professor i orientaliska språk vid Lunds universitet. Han reste 1777 iväg på sin utländska resa och skulle förena sig med Björnståhl i Konstantinopel för en vidare resa i Orienten. År 1779 anlände Norberg till Konstantinopel men då Björnståhl samma år dött i Grekland fick han inga anslag för den vidare resan, utan fick fortsätta sina studier i Konstantinopel. Professorsutnämningen som Björnståhl tidigare fått gick nu istället till Norberg och 1780 tillträdde han posten. Som professor var han oerhört flitig och 158 disputationer ventilerades under hans presidium. Hans internationellt mest kända arbeten är utgåvorna av "Codex Syriaco-Hexaplaris Ambrosiano-Mediolanensis", Lund 1787 och "Codex Nasaraeus, liber Adami apellatus", Lund 1815-16. Mot slutet av sitt liv återupptog han sina turkiska studier och 1818 utgav han en latinsk utgåva av det turkiska geografiska arbetet "Cihan-nüma" samt en historik över Turkiet

      [Bookseller: Centralantikvariatet]
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        Wisbok, innehållande walda swenska sånger, jemte några norska och danska.

      I-II. Sthlm, S. Rumstedt respektive Elmén och Granberg, 1817. 8:o. (6),182 + (2),124,(10) s. Häftad i samtida gråpappomslag med tryckt etikett med titeln "Wisbok". Oskuren. Ryggen med revor nedtill och liksom etiketten ngt nött. Det första häftet inledningsvis med enstaka ljusa lagerfläckar. Små fläckar på s. 38-39, i yttre marginalen på s. 158 och s. (1-4) i det avslutande registret. Reva i nedre marginalen på s. 59 i första delen och litet hål på s. 63 och i nedre marginalen på s. 85. Med L. F. Rääfs namnteckning och exlibris.. En ny upplaga kom 1820. Enligt osäker uppgift redigerad av C. F. Dahlgren. Utgivaren påpekar att han inte hämtat material från Geijers och Afzelius nyligen utkomna samlingar. Innehåller även material från samtida författare som exempelvis Franzén, Wallin, Silfverstolpe, Choræus och Hammarsköld. Den sistnämndes "Skridsko-farten", som tryckts fyra år tidigare i "Poetiska studier", återfinns här som "Skridsko-wisa": "Hur glad och lustig är wår fart/ wid sken af tända bloss!/ Deruppe Carlawagnens ljus, och böljan under oss!/ Med jernbeslagna dansar-skor,/ på hafwets spegelplan,/ wi skynda till en nordisk bal. -/ Raskt, bröder! sätten an." De danska och norska visorna återfinns tryckta på originalspråken på s. 111-24 i andra delen

      [Bookseller: Mats Rehnström]
 20.   Check availability:     Antikvariat     Link/Print  

        A NEW AND COMPLETE SYSTEM OF UNIVERSAL GEOGRAPHY. Or an authentic history and interesting description of the whole world and its inhabitants...

      In-8 gr. (mm. 258x210), 2 voll., p. pelle bazana coeva, sottile cornice dorata ai piatti, fregi e tit. oro su due tasselli al dorso, pp. (2),XX,774; 1105; con antiporta allegorica e grande vignetta inc. al frontesp. di ciascun vol.; molto ben illustrati da complessive 81 tavv. f.t. inc. in rame di cui: 33 carte geografiche (numer. piu' volte ripieg.); 2 tavv. sul sistema solare o copernicano e la sfera armillare; 47 tavv. che raffigur. vedute di città, monumenti, usi e costumi delle varie popolazioni. Nell'opera anche "faithful accounts of all the new discoveries from Columbus to the present time.. interesting extracts from narratives of modern travellers.. forming a complete collection of voyages and travels, with a compendium of astronomy". Con qualche arross. o fiorit., 1 tav. con macchia margin. ma certamente un buon esemplare, con bell'ex libris nobiliare.

      [Bookseller: Libreria Antiquaria Malavasi]
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        Lærebog i den oekonomiske Haugedyrkning, eller kort, og paa Erfaring grundet, Underviisning, i at anlægge nyttige Hauger, opelske og pleie Haugevæxter og Træer, til Nytte og Fornøielse, paa Landet i Danmark. 2 dele sambundet.

      Kjøbenhavn, Fr. Brummer, 1817. XVI s. + 328 s. Indb. samt. halvlæderbind med gulddek. ryg.. Med slid på kanter og hjørner og en lille revne langs øverste del af ryggen. Indre fals lidt løs. Blokken pæn og meget velholdt. Johan Georg Vothmann var gartner i Sønderborg på Als. Født 1755 og død februar 1788. Bogen omhandler: Haver i almindelighed, Køkkenhaven og gennemgang af div. grøntsager, Frugthaven med gennemgang af div. sorter.(Porto kr. 40,- på brevforsendelser i Danmark)

      [Bookseller: Bøger & Kuriosa]
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        Cock Shooting [and] Pheasant Shooting. [A pair of sporting prints]

      London: 1817, the first plate watermarked '1816'. Aquatints, coloured by hand, by T. Sutherland. (First print with skillfully repaired tear). Sheet sizes: 14 7/8 x 18 1/8 inches and 15 x 18 1/4 inches. A lovely pair of sporting prints Henry Thomas Alken was born into what became an artistic dynasty. He studied under the miniature painter J.T. Barber and exhibited his first picture (a miniature portrait) at the Royal Academy when he was sixteen. From about 1816 onwards he "produced an unending stream of paintings, drawings and engravings of every type of field and other sporting activity. He is best remembered for his hunting prints, many of which he engraved himself until the late 1830s ... To many, sporting art is 'Alken', and to describe his work or ability is quite unnecessary" (Charles Lane British Racing Prints pp.75-76). Siltzer, p. 57; Snelgrove Alken 46.

      [Bookseller: Donald Heald Rare Books]
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        Svenska djurens historia, med figurer, skurne i träd.

      Sthlm, Elméns & Granbergs tryckeri, 1817. 8:o. (4),132 s. Fint stänkdekorerat pappbd med brun titeletikett i marokäng (Bonniers bokbinderi). Ryggen lätt gulnad. Endast putsad inlaga med enstaka lager- och småfläckar. Liten bläckfläck i texten på s. 24. Lagad reva upptill på titelbladets baksida och på s. 4. Nött och solkigt tryckt främre och bakre pappomslag från annat ex. löst bifogat. Bra ex. med Gunnar Brusewitz namnteckning och exlibris.. Müntzing I:69 för andra upplagan som utkom 1839 under titeln "Swenska djuren". Det finns exemplar med en extra plansch vid s. 127. En variant existerar tryckt på bättre papper och med förkortat förord. "Svenska djurens historia" var en av de första svenska böckerna som illustrerades med trägravyrer, vilka skars med Thomas Bewicks zoologiska arbeten som förlaga. Författaren påstår sig i förordet ha utfört arbetet själv, vilket Björn Dal betvivlar då han saknade vänster underarm och bar protes

      [Bookseller: Mats Rehnström]
 24.   Check availability:     Antikvariat     Link/Print  

        NUOVA RACCOLTA DI CINQUANTA COSTUMI PITTORESCHI INCISI ALL'ACQUAFORTE... Dedicati a Sua Eccellenza Alessandro Narischkin Gran Ciambellano di Sua Maestà l'Imperatore di tutte le Russie... In Roma Presso Giovanni Scudellari..., 1817.

      2 raccolte in una. Solida ril. carton., Tassello con tit. manoscr. al dorso, tagli spruzzati in blu, cm 16x22, 47 inc. del Pinelli (di 50; mancano le ultime 3 inc.). Segue:, Num° Cento Vedute di Roma e sue vicinanze, Presso Tommaso Cuccioni... (1820), 2 ricchi frontespizi di cui uno con veduta del Foro romano e 99 inc. Qualche fioritura, prevalentem. a margine del campo di stampa alle inc. del Pinelli, decisamente buone le condiz. dell'opera del Cuccioni.

      [Bookseller: Editoriale Umbra]
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      Havniæ, MDCCCXVII-MDCCCXXI (1817-21) apud J H Schubothium, (8)+317+(1) + XIV+132+(2)+135-277+(1)s med 11 (av 12) handkolorerade fågelplanscher graverade av Arfvidsson. Välhållet något senare (ca 1850) svart halvklotband, förgylld röd marokängryggtitel, förgyllda kapitälorneringar, marmorerade pärmöverdrag, stänkta renskurna snitt (bunden hos Ångbokbinderi Fabriken Fenix, Helsingfors); M Ds exlibris, Emil Hongbergs ägarnamnteckning, inlagan mycket fräsch med endast obetydliga anmärkningar, planscherna rena, fläckfria och klara med endast marginella smådefekter.. PARS PRIOR cum X tabulis aeneis pictis (317s). PARS POSTERIOR cum II aeneis pictis (s 1-132). PARTIS POSTERIORIS FASCICULIS POSTEROR (s 135-277). Den saknade planschen är IX:2 i pars prior (del I). Med denna avhandling grundlade Nilsson sitt anseende som ornitolog. Bearbetningen till svenska började publiceras 1820 under samlingsnamnet SKANDINAVISK FAUNA. EN HANDBOK FÖR JÄGARE OCH ZOOLOGER, där den ingår som fågeldelen

      [Bookseller: Antikvariatet i Norrköping]
 26.   Check availability:     Antikvariat     Link/Print  

        Les soirées du chateau de Valbonne ou la Moral Evangelique Mise en Action; Ouvrage Destiné à l'Instruction & a l'Amusements de la Jeunesse, et Dedié à S.A.S. Madame la Duchese Douairiere d'Orleans. Orné de 12 Gravures

      Paris: Locard et Davi…[et al n.d., ca. 1817] Finely bound by Morell in full brown. Gilt-ruled covers and spine, gilt inner dentelles, top edge gilt. Two volumes, twelvemo. . Two engraved title-pages with vignettes, ten copper-engraved plates, depicting scenes of French life. A little light offsetting. A very good, attractive copy. Elisabeth Brossin de Mère neé Guenard (1751-1829), published over 300 books under her maiden name and several pseudonyms (A.L. Boissy, J.H. F. Geller, "Faverolles, ancien officier de cavalerie," etc.) and earned the nickname "la providence des libraires et des cabinets de lecture." She wrote a large number of moral tales and books for the education of young people, but also salacious memoirs, anecdotes and compilations. Some of her better known works include Irma ou les Malheurs d'une jeune orpheline (1800); Mémoires historiques de Mme la princesse de Lamballe (1801); Les Enfants voyageurs, ou les petits botanists (1819), etc.

      [Bookseller: Michael R. Thompson, Booksellers, ABAA/I]
 27.   Check availability:     IOBABooks     Link/Print  

        A Voyage Round the World, from 1806 to 1812; in Which Japan, Kamschatka, the Aleutian Islands and the Sandwich Islands Were Visited... With an Account of the Present State of the Sandwich Islands, and a Vocabulary of Their Language

      NY., 1817.. b/w folding map. First American edition. “An account of Cambell’s journey to China and Japan, and along the coast of Alaska. Of great value is his description of the Hawaiian Islands. Campbell became close to Kamehameha I, King of Hawaii, and became the king’s sailmaker. He built the first loom in those islands. After a shipwreck, Campbell had both his feet frozen... American imprints of this date, relating to Pacific voyages, are rare.” - Hill 245. “Campbell’s description of Kodiak is particularly valuable.” - Lada Mocarski 71. “Probably the earliest printing of a Hawaiian vocabulary in America. The American edition contains information not found in the Edinburgh edition.” - Forbes 461. See also Hunnewell p. 29. Huntress 184C. Judd 30. Pages tanned, red line under “Campbell” on title page, otherwise a very presentable copy of a scarce book. Bound in later burgundy morocco over 19th century marbled boards.

      [Bookseller: Ten Pound Island Book Co.]
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        Histoire des campagnes d'italie en 1813 et 1814... a londres, egerton and booth, 1817.

      Due parti legate in un volume di cm. 26, pp. (4) 228 (4); (2) + 7 tavole incise in rame e più volte ripiegate fuori testo. Solida ed elegante legatura coeva in piena pelle, dorso a nervi con ricchi fregi e titoli in oro su doppio tassello in marocchino bicolore. Tagli colorati, dentelles e sguardie marmorizzate. Opera non comune e molto documentata sulle campagne del 1813 e 1814 che videro Lombardia, Veneto e Fiuli teatro di massicce oprazioni militari. La trattazione storica è basata su materiali autentici forniti dallo Stato Maggiore dell'esercito italiano. Esemplare freschissimo ed in eccellente stato di conservazione, impreziosito da una legatura da grande collezione.

      [Bookseller: Studio Bibliografico Benacense]
 29.   Check availability:     Link/Print  

        THEATRE Des DAMES ou Choix de Jolies Scenes tirees du Repertoire du Vaudeville

      Paris:: Chez Le Fuel,. (n. d.).. 18mo, in 6s. 4-5/8" x 3" [11.8 cm x 7.7 cm]. 1st edition. Ca 1817. [4], 209, [5] pp. Printed by Didot.. Bound in beautiful color printed silk onlays [same design to front & back], affixed to gold boards, with floral motif panel affixed to spine. AEG. Slipcase, also with color printed silk onlays.. General wear to silk panels. One engraving protrudes slightly. A. Very Good copy, in a rubbed slipcase, with 1 cm seam splits at. slipcase opening.. Quite scarce work compiling divers French theatrical pieces from 1792- 1815. OCLC locates 4 cc worldwide, with KVK adding a 5th. . Engraved title, with vignette. Illustrated with 8 full-page copperplate engravings. 1817 calendar at rear, with engraved headpieces by Bosselman.

      [Bookseller: Tavistock Books, ABAA]
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        Mandeville. A Tale of the Seventeenth Century in England

      Edinburgh: Printed for Archibald Constable and Co. and Longman Hunt Rees Orme and Brown 1817 Edinburgh: Printed for Archibald Constable and Co. and Longman, Hunt, Rees, Orme, and Brown, 1817. First edition. 3 vols., 12mo. . Contemporary tree calf, spines with red and green labels, all half titles. Minor foxing to preliminaries, joints starting, but a sound copy in a lovely contemporary binding. Tinker 1084; Wolff 2588; Summers, A Gothic Bibliography, p. 398 . Godwin's Gothic novel, inspired partly by Wieland by Charles Brockdon Brown, and by Joanna Baillie. "Written like all his novels in the first person the book attempts to show how obsession leads to madness. Godwin sought to trace the breakdown of personality from within ... [Mandeville] is an openly avowed exploration of the subconscious mind which gradually overrides and destroys conscious rationality ... Mandeville ... is an essay in one of the great themes of romanticism" - St. Clair, THE GODWINS AND THE SHELLEYS, p. 440

      [Bookseller: James Cummins Bookseller ]
 31.   Check availability:     ABAA     Link/Print  

        The Life of Andrew Jackson, Major General in the Service of the United States: Comprising a History of the War in the South, From . . .the Creek Campaign, to . . . New Orleans

      Philadelphia: M. Carey and Son, 1817. Complete with viii introductory pages and 425 text pages. Frontispiece and 4 folding maps. Sound binding. Upper corners of front free endpaper and first blank are clipped. Several owners' info on endpapers. Old, neat mends to marginal wormholes in the upper free corners of the frontispiece and title page. Dampstains to five or six of the first and last leaves. Some occasional light toning and foxing throughout. Three of the four maps are complete. One map is missing a 2" x 4" piece at the lower edge which does not affect any key features. All of the maps have tissue or archival tape mends on the reverse. The cover shows some wear and the front joint is cracked, but holding well. The original spine label is worn, but legible. Pre-presidential biography of Andrew Jackson published just before the general led U.S. forces to victory in the First Seminole War. Concentrates on Jackson's leadership and campaigns against the Creeks and British during the War of 1812 including his decisive victory at New Orleans. See Howes R171 and Sabin 21731. Quite scarce when found in original binding with frontispiece and all four maps. . First Edition. Leather. Good to Very Good. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Read'Em Again Books]
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        Letztes mineral-system. aus dessen nachlasse auf oberbergamtliche anordnung herausgegeben und mit erlaeuterungen versehen (von j.k. freiesleben).

      Freyberg and Wien, Graz und Gerlach/ Gerold, 1817. 8vo (203 x 128mm). pp. xiv, 58. Publisher's printed decorated wrappers. First edition. "The final version of Werner's systematic arrangement of minerals, published posthumously by his students. A landmark in mineralogy, despite its slim size" (Wilson, Mineral Books p. 62). Abraham Gottlob Werner (1749-1817) was the most prominent German mineralogists of the period. "Although Werner is best known for his contribution to the founding of geology as a science, he first achieved recognition as a mineralogist. He considered mineralogy to be the basis for all the study of the earth, dividing it into five branches, of which geognosy (historical geology) was one and oryctognosy (descriptive mineralogy) another. And during all the years in which his theories on geognosy were arousing so much interest and controversy, he continued to work on his mineralogical system, the final version of which appeared after his death in 1817 (DSB XIV, p. 257). Title page with old oval library stamp "K.K. St. Oest. Eisenwerks", and old signature. A very well preserved copy.

      [Bookseller: Antiquariaat Junk B.V.]
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        The Northern Cambrian Mountains or a Tour Through North Wales

      London: Thomas Clay, 1817 Describing the scenery and general characters of that romantic country. Embellished with a series of highly finished coloured views engraved from original drawings. Artists includeTurner, Compton, Robson, Gandy, Nicholson, Girtin, De Wint, Fielding and Prout. In contemporary half red roan, with green marbled boards, a little worn and scratched, corners and edges a little bumped and worn, some gilt tooling. Spine recently re-backed in red calf, title and tooling in gilt. Internally, new endpapers, ink name to head of title page (Mrs Judge, Ramsgate), some light foxing to text sheets and title, elsewhere minimal, some light finger soiling to some edges, 60 pp, 30 pl, superbly hand coloured aquatints by the artists of the day, dated either 1815 or 1816, in the first issue state, each followed by a 2 page description. (Originally issued in 10 parts.) Rarely comes on the market. Wonderfully atmospheric plates! (Abbey 522. Tooley 155)

      [Bookseller: Madoc Books]
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        A NEW AND COMPLETE SYSTEM OF UNIVERSAL GEOGRAPHY. Or an authentic history and interesting description of the whole world and its inhabitants...

      In-8 gr., 2 voll., mz. pelle coeva con ang. (spacchi alle cerniere), filetti e tit. oro al dorso, pp. (4),XX,774; 1105; con 2 antiporte allegoriche inc.; molto ben illustr. da complessive 72 (su 81) tavv. f.t. inc. in rame di cui: 30 sono carte geografiche (numer. piu' volte ripieg.) e 42 sono tavv. che raffigurano vedute di città, monumenti, usi e costumi delle varie popolazioni. Mancano complessivam. ca. 140 pp. di testo nel secondo vol. Nell'opera anche "faithful accounts of all the new discoveries from Columbus to the present time.. interesting extracts from narratives of modern travellers.. forming a complete collection of voyages and travels, with a compendium of astronomy". Con arross. o fiorit. interc. nel t. ma complessivam. un discreto esempl., con bell'ex libris nobiliare.

      [Bookseller: Libreria Antiquaria Malavasi]
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        A Narrative of Voyages and Travels, in the Northern and Southern Hemiospheres, Comprising Three Voyages Round the World

      Boston: E. G. House, 1817. First edition. Hardcover. Very good. Yes. 8vo. 598pp. Folding map and two plates, one a portrait of the author, the other of Abba Thulle. Modern full polished calf. Spine in 6 compartments, gilt rules, blind tooling; Leather lettering label, gilt. Boards tooled in blind. The final two leaves have been remargined (no loss), a facsimile of the errata sheet has been bound in at the rear, occasional light foxing else a very good copy. Includes a biographical sketch, 'written by a friend', who, according to Hill, was probably Horace Holley. The author visited Palau, Hawaii, Galapagos, Manila, Canton, Macao, New Guinea, Australia, East Indies, Chile and Peru. Howes D233. Hill, 83; Ferguson, 673. Forbes, 463, which notes that this Narrative is particularly important for its text concerning Bligh, the Bounty and Pitcairn Island "part of which appears nowhere else." The folding plate is of Pitcairn.

      [Bookseller: Thorn Books]
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      iv, 230pp, [6]pp. Engraved frontispiece. Contemporary full tree calf, expertly rebacked, with red label and gilt banding. 12mo. First edition. Very slight rubbing to extremities. Some light browning to frontispiece and initial pages, else a very good copy.Moon

      [Bookseller: David Miles]
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        Laou-Seng-Urh, or, "An Heir in his old Age." A chinese Drama.

      London, John Murray, 1817. (IV), iii, (II), xlix, 115 pp. Bound full brown calf with gilt dentelles, gilt tool edges, gilt top. Spine with golddec. and raised bands. Spine crack along one hinge. Uncut on two sides. Double-gilt frame with blind toole ornamental pattern. Marble end-paper and C.E. Soya exlibris inside frontboard. (Sign. Anker Kyster.). Spine restored. Previous owners name and note written with ink. Boards very fine as well as the internal. (Porto kr. 40,- på brevforsendelser i Danmark)

      [Bookseller: Bøger & Kuriosa]
 38.   Check availability:     Antikvariat     Link/Print  


      London, Samuel Bagster, 1817.. FIRST EDITION 1817. Small 8vo, 165 x 100 mm, 6½ x 4 inches, 4 engravings, 2 engraved illustrations and 2 engraved pages of explanatory text, 52 pages of prelims, Preface, Contents and Advice to Cooks, 364 unnumbered pages, bound in antique half calf, gilt lettering and decoration to spine, marbled boards, edges coloured pale yellow. Light age-browning, first inner paper hinge cracked, neat ink inscription on blank endpaper, otherwise a very good clean crisp copy, no loose pages and binding tight and firm. Though a common title the first edition is scarce. See Bitting, Gastronomic Bibliography page 262 and A Matter of Taste A Bibliographical Catalogue of International Books on Food and Drink, by William Cagle, page 575 reference 797, both listing the second edition, English Cookery Books to the Year 1850 by Arnold W. Oxford, reprint by Holland Press, page 145, listing first edition, Marcus and Elizabeth Crahan Collection of Books on Food, Drink and Related Subjects, list a 5th edition. The first part of the title "Apicius Redevivus" was dropped in all editions after the first following the author's death. MORE IMAGES ATTACHED TO THIS LISTING.

      [Bookseller: Roger Middleton]
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        A Narrative of the Briton's Voyage to Pitcairn's Island; Including an Interesting Sketch of the Present State of the Brazils and of Spanish South America

      London: Law & Whittaker, 1817 [12]+180 pages with 16 etchings on 12 plates (including the frontispiece), two of them folding. Octavo (8¼" x 5") period half calf with marbled boards, spine tooled in blind, morocco label. (Hill, Pacific Voyages, p.274 describing the first edition) Second Edition. After reconnoitering Brazil, the Briton was ordered to the Pacific in search of the American frigate Essex, then threatening British whalers in those waters. Hill calls this "A very interesting narrative including some curious details regarding the mutiny of the Bounty, and the meeting with the last survivor, John Adams, when the ship called at Pitcairn Island." He also notes information regarding Captain David Porter, of the Essex, and his proceedings in the Marquesas. This second edition was published the same year as the first, which came out of Taunton, Somersetshire, England. When the Briton, accompanied by the Tagus, visited Pitcairn on September 17, 1814, Shilliber did not go ashore, but he interviewed the young men who came out to the ship. Among them was Thursday October Christian, Fletcher Christian?s first born son, and Shilliber drew a sketch of him, the only one known to exist. Below the sketch he wrote ?Friday October Christian.? Condition: Some rubbing and wear to the covers, spine foot chipped; some foxing and darkening to the contents, small wormholes in lower margins, 1 folding plate with 4" crease tear, back hinge beginning else very good.. Second Edition. Full-Leather. Very Good. Octavo.

      [Bookseller: The Book Collector]
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      Taunton: Printed for the Author by J.W. Marriott, 1817.. [6],iii,[3],179,[2]pp. plus twelve plates (two folding) comprised of sixteen etchings. Modern green calf gilt by Middleton, red morocco label. Boards slightly bowed. Larger folding plate faintly spotted. Else a fine copy. A fascinating and valuable account of Pacific travel, by an officer in the Royal Marines on the H.M. Frigate Briton, including much information on the mutiny of the Bounty, and an interview with the last survivor on Pitcairn Island. Shillibeer was able to record what he saw in beautiful etchings he made on the spot, including views of Rio de Janeiro, Lima, Juan Fernandez, Callao, and Santa Christina, as well as portraits of Friday Fletcher October Christian (Fletcher Christian's son), Patookee, a lady of Lima, and several others. "An engaging narrative including some curious details regarding the mutiny of the BOUNTY, gleaned from a meeting with the last survivor, John Adams, when the ship called at Pitcairn Island. The BRITON first visited Rio de Janeiro. From Brazil the vessel was ordered into the Pacific to search for the American frigate ESSEX, then threatening British whalers in those waters. Interesting information regarding Captain David Porter of the ESSEX and his proceedings in the Marquesas is included. Various places on the coast of Chile and Peru were visited, particularly Lima, as well as the Galapagos Islands" - Hill. HILL 1563. BORBA DE MORAES, p.796. SABIN 80483.

      [Bookseller: William Reese Company - Americana]
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      London: Printed for John Sharpe by C. Whittingham, 1817. 175 x 102 mm (6 7/8 x 4"). xii, 215 pp. Simple but pleasing contemporary aubergine straight-grain morocco by Edmund Lloyd of Harley St. (stamp-signed on front turn-in), covers with plain gilt rule border and rosettes at corners, raised bands flanked by gilt rules, all edges gilt. WITH TWO EXCELLENT FORE-EDGE PAINTINGS OF LONDON VIEWS, one showing Westminster Bridge and the Abbey, the other depicting London Bridge and the dome of St. Paul's Cathedral. Engraved title page and five section titles, all with charming vignettes. Extremities with just a hint of rubbing, plates and adjacent leaves a bit foxed (two of the plates conspicuously so), occasional mild corner creases, otherwise an excellent copy, the binding solid and lustrous, the text clean and fresh, and the fore-edge paintings vivid, sharp, and generally well preserved. This is a charming edition of the popular and influential "Seasons," composed in 1726-30 and credited with challenging the artificiality of English poetry and beginning a new era of sentiment for nature, offered here with a rare and especially fine contemporaneous double fore-edge painting. In his "Fore-Edge Painting," Weber says that of the 3,000 or so paintings that he has examined, only between two and three per cent have two paintings fully covering the same edge. He says further that only an extremely small number of such double fore-edge paintings were executed after the death of Thomas Edwards in 1834, since "the skill and time involved in the execution of such painstaking work, and doubtless the subsequent difficulty of obtaining adequate remuneration for the additional labor involved" militated against their production. Weber notes that "if there is any aspect of fore-edge painting which can be rightly and truly designated 'a lost art' it is the art of double paintings." The London scenes which appear here are unusually crisp, without the dreamlike, rather hazy quality so common to pastoral scenes. When the leaves are fanned to the right, Westminster Abbey is revealed, towering over Westminster Bridge and the boats on the busy Thames. The detail is precise, in the architecture of the bridge and buildings, the activity on the sailboats and skiffs on the river, and the reflections in the water, slightly disturbed by the currents. When fanned to the left, the fore edge displays another view of the Thames, this of the more massive London Bridge, with St. Paul's Cathedral and the City in the background and a number of boats engaged in enterpriase both great and small in the foreground. Both scenes have a vitality that is a sharp contrast to the tranquil landscapes usually seen on fore edges of the period. Their clarity and vividness communicates the energy of a great city of commerce. Ramsden lists binder Edmund Lloyd, who also did business as a publisher and bookseller, at a Harley Street address in 1817.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        Description des antiques du Musée Royal

      paris: Imp. de Mme Hérissant le Doux, 1817. relié. 12,5x20cm. Edition originale. Reliure en plein veau noir, dos lisse orné de filets dorés et à froid, date et nom en queue, double encadrement de filets à froid sur les plats, armes dorées non identifiées frappées sur les plats. Rousseurs éparses sans gravité, une petite tache angulaire sur la première garde. - Imp. de Mme Hérissant le Doux, paris _1817, 12,5x20cm, relié. - relié

      [Bookseller: Librairie Le Feu Follet]
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        Almanach auf des Jahr 1834

      Carlsruhe: (C.F.Müller) . Binding 20 x 14 mm, 38 pp, with 4 full and 16 half page coloured lithographs, gilt decorated green morocco, a.e.g, held in a matching green morocco slipcase, one edge a little torn. “...the earliest of the Almanach issues, published between... 1817 and circa 1840 are certainly considered... as incunabula of the art of lithography... they must be considered technical miracles of the first order...” Bondy pp54-5.

      [Bookseller: Bow Windows Bookshop]
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        Pompeiana: The Topography, Edifices, and Ornaments of Pompeii

      London:: Rodwell and Martin,, 1817-1819.. First edition.. 8vo. (10 x 6.5 inches). pp.xxxii + 273 + unnumbered fold-out map + 2 (Emendations & Directions to the Binder). Pages untrimmed. Frontis with tissue guard + 4 unnumbered plates, including fold-out map, before p.1. Five unnumbered plates altogether. 77 numbered plates, including numerous extensive fold-outs, all in excellent condition. Contemporary full vellum, floriated gilt border on top board, 5 raised bands and gilt decorated panels to spine. Elegant rococo bookplate of Mary Wood. Old pencil inscription on blank prelim "Lucy Claxton / Rome / bound by Volpak / given by Sir Wm Gell". Apart from some notes by Sir William Hamilton, this was the first study in English of the excavation of Pompei. Gell and Gandy used a camera lucida for their drawings. A rare association copy of a scarce edition, additionally uncommon in this binding. Apart from some minor rubbing to the gilt, a short split at the top of the front hinge (which looks old and stable) and a few marks here and there, the condition of this copy is excellent. The unfinished footnote on p.192 is not completed in the otherwise pernickety 'Emendations' at the end, next to the interesting 'Directions to the Binder'. A handsome volume.

      [Bookseller: John Taylor Books P.B.F.A.]
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      London: Printed for J. Hassell, 1817. FIRST EDITION. 162 x 102 mm (6 3/8 x 4"). Two volumes. QUITE ATTRACTIVE LATE 19TH CENTURY JADE GREEN CRUSHED MOROCCO IN AN ARTS AND CRAFTS DESIGN BY WOOD OF LONDON (stamp-signed on front turn-ins), covers with gilt-rule border and stippled cornerpieces incorporating drawer handles and three graceful tulips, raised bands, spines gilt in compartments with a wide frame formed by drawer handles, heart ornaments and much stippling, turn-ins decorated with charming gilt tulips, marbled endpapers, top edges gilt, other edges rough trimmed. WITH 120 HAND-COLORED AQUATINT ENGRAVINGS of attractions in London and the Home Counties, as called for. Abbey "Scenery" 218; Tooley 251. Front joint of one volume with just a hint of rubbing at the head, faint minor spotting to covers, spines just slightly sunned to a richer green, trivial imperfections internally, but A PARTICULARLY FINE AND PRETTY SET, the text and plates very clean and fresh, and the ornate bindings lustrous and with no significant wear. This is one of the small guidebooks that were the specialty of watercolorist John Hassell (1767-1825), offered here in a pretty Arts and Crafts-style binding. A publisher and printseller as well as an artist, Hassell illustrated his guides with hand-colored aquatints of his own drawings. Most, like ours, focused on sights within easy travelling distance of London. Here, we see a variety of stately homes and charming villages from the Home Counties surrounding London--Buckinghamshire, Essex, Hertfordshire, Berkshire, Middlesex, Kent, and Surrey--the incarnation of the genteel English countryside we read of in Jane Austen. Hassell extols the virtues of this corner of England in his preface, proclaiming that "within a radius of thirty miles [of London] is to be found almost every thing that can embellish or give zest to society; that can indulge the most sanguine expectation of the amateur; gratify the meditative passion of the antiquarian; repay the most inquisitive researches of the botanist; amuse the peripatetic, or add to the enjoyments of a man of pleasure." With this book, he hoped to awaken the jaded residents of London to the rich diversions around them. To us, the volumes represent a valuable and intriguing historical record of the region during the first part of the 19th century, made all the more appealing because the decorative binding and diminutive illustrations are so charming. The bindery Wood of London was active in the last quarter of the 19th century into the 1930s. Their work ranged from decorative bindings for sets to the kind of fine morocco binding seen here, and were of consistently high quality in materials, design, and execution.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        Picturesque Rides and Walks, With Excursions By Water, Thirty Miles Round The British Metropolis, Illustrated In A Series Of Engravings, Coloured after Nature: With An Historical And Topographical Description Of The Country Within The Compass Of That Circle

      London: J. Hassell, 1817-1818. First edition. leather_bound. Full maroon morocco covers neatly rehinged. Aeg. Near fine. 2 vols./No Dust Jacket. Hassell, John. 249 & 272 pages. 8vo, 8 1/2 x 5 1/2 inches. 120 hand-colored aquatint plates. Issued originally in twenty-four parts in paper wrappers, TOOLEY 251 calls it "A charming little work, and valuable as a pictorial record." ABBEY SCENERY 218. notes their edition as 6 3/4 x 4 1/4 inches with no mention of the Large Paper Copy. Index for each volume. BRYAN'S DICTIONARY, Vol. III, p.20 notes Hassell as, "a draughtsman and engraver in aquatint, flourished during the latter part of the 18th, and the early years of the 19th centuries." RUSSELL, GUIDE TO BRITISH TOPOGRAPHICAL PRINTS, p.84. "A prolific artist whose work was reproduced in aquatint was John Hassall, born 1767, a friend of biographer George Morland......His own work, much of which he aquatinted and published himself, is quaintly attractive....." Elegant binding by Riviere & Son, raised bands, spine panels richly gilt, double gilt cover border fillets, inner dentelles, marbled endpapers, modest extremity rubbing, interior contents bright and fresh.

      [Bookseller: Royoung bookseller, Inc.]
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