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Displayed below are some selected recent viaLibri matches for books published in 1815

        COURTEOUS FAIRY

      19. MELI, Giovanni. BARKER, W. W., trans. THE COURTEOUS FAIRY and THE WORLD. Two Poems of the late John Meli in the Sicilian Dialect with biographical notes by the Abbe Contreras on the author; and the notes in the second edition of his works, to the poem of The World. Freely Translated into English Verse by W. W. Barker. Messina, 1815 to 1834. Quarto. 82ff. Manuscript on lined paper. Beautifully bound in full walnut crushed morocco, intricately gilt, with five raised bands. Crushed green morocco doublures with wide walnut morocco dentelles, also intricately gilt. Silk moire endleaves. Slipcase. T.e.g. Giovanni Meli (1740-1815) was a Sicilian physician, poet, essayist, and satirist from Cinisi, near Palermo. He held the chair in chemistry at the University of Palermo for twenty years, but his first love was Sicilian poetry. The Courteous Fairy ("La Fata Galanti") was his first substantial work in the Palermitan dialect, written at the age of 22, four years before his first published collection. Although much of Giovanni Meli's work has been translated into English and published, "La Fata Galanti" has yet to appear in print in English. The second title mentioned, "The World," would have probably been a translation of Meli's "L'Origini di lu Munnu," and is not actually included in the bound manuscript. William Wilton Barker (1769-1856) the translator, was the British consul in Messina. His wife was from Palermo, which could explain his proficiency in the Palermitan dialect. The poem tells of a would-be poet who rescues a toad from a peasant. The toad reveals itself to be the Courteous Fairy in disguise. She offers him any favor he desires, and he asks for her help in becoming a poet. They travel on a winged horse to the Isle of Falsehood, the Isle of Medicine, Mount Parnassus, and more. His soul separates from his body to go to the Underworld and on his fabulous journey he meets numerous figures of literature, myth and antiquity, gently satirizing them all. Finally the Fairy advises him to give up poetry for more realistic pursuits, and reveals herself to be the creation of his own fancy. John Howard Payne (1791 to 1852) was an American actor, playwright, and diplomat. Although discouraged by his family from entering the theater, he secretly publish

      [Bookseller: Boston Book Company ]
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        ARCHITECTURE TOSCANE, OU PALAIS, MAISONS, ET AUTRES EDIFICES DE LA TOSCANE

      P. Didot l'Aine Paris: P. Didot l'Ain?1815. Striking Inlaid and Painted Morocco by a Czech Binder,Probably Executed in Chile 445 x 286 mm (17 1/2 x 11 1/4"). vii, [i], 50, [4] pp. VERY DRAMATIC 19TH CENTURY DEEP PURPLE MOROCCO, ELABORATELY DECORATED IN GILT AND BLIND AS WELL AS INLAID AND PAINTED, BY F. HROMADA (stamp-signed at foot of front board), upper cover with thick- and thin-ruled gilt and black borders enclosing an elegant frame with shell-like cornerpieces formed by gilt and inlays painted green and white, the frame enclosing a large central title cartouche supported by two lovely gilded mermaids emerging from a foamy spray; lower cover with intricate inlaid strapwork in black extending the length of the cover, floral gilt cornerpieces, inlaid red and green morocco ornaments (at the middle of each side), and azured gilt decoration at various locations; raised bands, spine gilt in thick- and thin-ruled compartments, multiple-ruled gilt turn-ins, all edges gilt, leather hinges. With extra engraved title and 109 ENGRAVED ARCHITECTURAL PLATES. Front free endpaper with library stamp of Geneva architect Albert Bourrit. Avery, p. 404; Graesse II, 550. For the binding: T. Holley & I. Espinosa, "Encuadernaciones Artististicas Hechas en Chile durante el Siglo 19," Santiago de Chile: I. Espinosa, 1986. Corners a bit bumped, joints and extremities a little rubbed (tiny crack at very top and bottom of front joint), isolated faint foxing or mild thumbing, otherwise A FINE COPY, the text uncharacteristically fresh and bright, the margins remarkably ample, and the memorable binding without any serious condition problems. This is an attractively illustrated work on the architecture of Tuscany--particularly Florence--in an unusually animated and imaginative binding by a Czech-Chilean artisan. French architects Auguste Henri Victor Grandjean de Montigny (1776-1850) and Auguste-Pierre-Sainte-Marie Famin (1776-1859) received the prestigious Prix de Rome in 1799 and 1801, respectively, and were thus enabled to spend four years each in Rome studying classical and Renaissance architecture. They were particularly captivated by the buildings of Tuscany, and considered Florence to be second only to Rome in its importance to Italian architecture: 85 of the plates here are devoted to Florentine buildings, and the others depict the architecture of Siena, Arezzo, Pistoia, Livorno, and Pisa. The illustrations are line drawings that include diagrams, facades, architectural detail, and appealing views demonstrating deep perspective (and 18 of the plates are elaborate and handsome title pages for the various chapters). The book's initial publication in 1806 stimulated interest in Italian Renaissance architecture, and it was reprinted in 1837, 1846, 1874, and 1923. After the fall of Napoleon I, Grandjean emigrated to Brazil, where he introduced Neoclassical structures and had a considerable and lasting influence on the architecture of that country. South America was also home to our binder, Francisco (Frantisek) Hromada, a Czech who was active as a gilder in Valparaiso, Chile, from about 1858 onwards. According to Holley and Espinosa, Hromada was, with Adolfo Boehme and Enrique Ahrens, one of the most distinguished Chilean binders of his day. While our large-format binding may (or may not) have been produced in Chile, it is very much in the European style, with strong Romantic elements (even if it was produced closer to 1850 than 1800). Whenever it was done, it is bursting with energy at the same time that it is elegant and carefully executed.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        Changing Horses to the Mail Coach

      [N.p., but London: n.d., but 1815]. Aquatint printed in brown, coloured by hand, by R. Havell. (Trimmed to the image and mounted).12 1/2 x 17 5/8 inches. A classic Pollard image from the great age of coaching. James Pollard was the youngest son of the London engraver and print-seller Robert Pollard. He began work at the age of fifteen as a painter but quickly turned to engraving as well. In the 1820s his coaching scenes became both fashionable and lucrative. From 1821 he exhibited a small number of pictures at the Royal Academy and the British Institution which brought him more patrons. Between 1830 and 1840, Pollard also painted a number of racing pictures and some of the earliest scenes of steeplechasing. In all his work he took great pains over accuracy. "Changing Horses to the Mail Coach is the first of four prints after James Pollard illustrating this familiar scene on the road" (Selway, The Regency Road, p. 50). Mail was transported in Great Britain via Royal Mail coaches beginning in 1784. They traveled over ever improving roads, thanks to "macadamized" roads, until 1838 when the task was given to the railways. The changing of the mail horses is said to have been accomplished in later years in as little as 45 seconds. Selway James Pollard , p. 40; Selway, Regency Road I.

      [Bookseller: Donald Heald Rare Books ]
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        Bacchi tempel öpnadt vid en hieltes död.

      Stockholm, Elméns och Granbergs tryckeri, 1815. Grav. titelblad,+ (8),+ 127 s. Nio inklistrade grav. vignetter i texten. Lagerfläckig. Sammanbunden med: Musiken till Bacchi tempel. St. Petersburg och Åbo, 1815. Grav. titelblad,+ 1-21 grav. s. med noter. Något nött samtida hfrbd, guldornerad rygg med röd titeletikett. Från Harald Wiens bibliotek på Löberöd, med dess exlibris samt med G. Londicers namnteckning. Andra upplagan av Bacchi tempel, den första publicerades 1783. Vinjetterna är graverade av J. F. Martin. Denna andra upplaga innehåller första publiceringen av Bellmans ej fullbordade levernesbeskrivning

      [Bookseller: Centralantikvariatet]
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        BABBAGE (Charles) An Essay towards the Calculus of Functions, pp. 389-423. Presented within the complete volume of the Philosophical Transactions of the Royal Society, Vol 105,

      * "Babbage believed that his new scheme would serve as a generalized calculus to include all problems capable of analytical formulation, and it is possible to see here a hint of the inspiration for his concept of the Analytical Engine. While the work on the engines and his other scientific, social and political activities caused him virtually to abandon mathematical research at the age of thirty, the calculus of functions was the area he often yearned to continue. In fact the calculus of functions was not taken up by other workers, and it is the aspect of Babbage's mathematical work that modern mathematicians find the most fascinating" (Dubbey, The Mathematical Work of Charles Babbage). * Presented within the complete volume of the Philosophical Transactions of the Royal Society, Vol 105, Parts I and II (complete), bound in one volume for 1815, comprising, vi, 26, 454, (8)pp large quarto, with 16 engraved plates (some folding), morocco backed library cloth with a neat unlinked library name stamp on general title, foot of last leaves and occasionally elsewhere, occasional inked library stamp, some occasional marginal light browning, a good copy, London, Bulmer, sold by Nicol, printers to the Royal Society,1815. * A FULL LIST OF CONTENTS OF THIS VOLUME SENT ON REQUEST. Other papers include: ROGET (Peter M.) Description of a New Instrument for Performing Mechanically the Involution and Evolution of Numbers, p.9-28; BREWSTER (David) Experiments on the Depolarisation of Light as Exhibited by Various Mineral, Animal, and Vegetable Bodies, with a Reference of the Phenomena to the General Principles of Polarisation, p.29-53; WITH: On the Effects of Simple Pressure in Producing That Species of Crystallization Which Forms Two Oppositely Polarised Images, and Exhibits the Complementary Colours by Polarised Light, pp.60-64; WITH: On the Laws Which Regulate the Polarisation of Light by Reflexion from Transparent Bodies, pp.125-159; WITH: On the Multiplication of Images, and the Colours Which Accompany Them in Some Specimens of Calcareous Spar, pp.270-292; WILSON PHILIP (A. P.) Experiments Made with a View to Ascertain the Principle on Which the Action of the Heart Depends, and the Relation Which Subsists between That Organ and the Nervous System, pp.65-90; DAVY (Humphry) Some Experiments and Observations on the Colours Used in Painting by the Ancients, pp.97-124; WITH: Some Experiments on a Solid Compound of Iodine and Oxygene, and on Its Chemical Agencies, pp.203-213; WITH: On the Action of Acids on the Salts Usually Called Hyperoxymuriates, and on the Gases Produced from Them, pp.214-219; HERSCHEL (William) A Series of Observations of the Satellites of the Georgian Planet, Including a Passage through the Node of Their Orbits; With an Introductory Account of the Telescopic Apparatus That Has Been Used on This Occasion; and a Final Exposition of Some Calculated Particulars Deduced from the Observations, pp.293-362.

      [Bookseller: Jeffrey Stern Antiquarian Bookseller]
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        The History Of The Decline and Fall of The Roman Empire,

      Lackington Allen & Co. et al London : Lackington, Allen & Co. et al, 1815. New edition. leather_bound. Contemporary full brown calf, spines decorated in gilt floral motifs with black spine labels. Very good. 12 vols./No Dust Jacket. 22 x 14 cm. Engraved portrait and folding maps. Generally acclaimed as the greatest historical work in the English language, first edition published, 1776-1788, to immediate public regard, and to supply its continuing demand, New Editions were published. "Gibbon's profit on the whole is stated to have been 6000 pounds with the booksellers netting the handsome sum of 60,000 pounds." [see: ALLIBONE, Vol.I, p.662]. BRUNET Vol.II, p.1585. Extensive Index. Cover border panels in gilt, spines rubbed and a bit dried, text mostly clean, modest joint wear, overall all a sound set.

      [Bookseller: Royoung bookseller, Inc. ]
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        A Collection of Decorated Letters & Numerals with Calligraphic Alphabets and Numerals

      not indicated [not indicated: not indicated]. [circa 1815]. Seventeen oblong etched and engraved plates. Sheet size: 16 x 39 cm. Image size to the plate marks: 13 x 32 cm. (Sizes vary between 1 and 2 cm.) Printed in black on thick sheets of wove paper. Near fine with light soiling to the edges. A very rare collection of elaborately decorated letters and numerals, designed and engraved by Gius Lanzani, "Incisore Calligrafo," in collaboration with a team of other Italian artists and engravers.The collection consists of three sets. Each decorated letter and numeral features an elaborate allegorical design. Obvious examples include: Adam & Eve, the Three Fates, the The Seven Deadly Sins (for numerals 2, 3, and 7); and a Gallows, a Lion, and the Devil (for the letters G, L, and D). Most, however, are not easy to decipher. Contemporary situations and events are also depicted, both humorous and allegorical, such as Waterloo for W. Thus we know that the plates were made sometime after 1815. Stunning calligraphy, beautifully designed, engraved, and printed. Very scarce. OCLC locates no copies. A list with more detailed descriptions of each set is available. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Life of Napoleon, A Hudibrastic Poem in Fifteen Cantos, by Dr. Syntax

      T. Tegg London: T. Tegg, 1815. Hardcover. Very Good+. Full calf, ornate border gilt-stamped on boards, and replicated on expertly rebacked spine, with gilt-stamped lettering in leather label, ornately blindstamped compartments, 5 raised bands. Complete with color engraved title-p. and 29 plates. Dark scuff mark at fore-edge of rear board (nearly 2 inches long), with a similar mark (much smaller) at front joint; some light rubbing along edges of boards. A nice, internally clean copy.

      [Bookseller: Sanctuary Books ]
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        Qualified Horses and Unqualified Riders,

      1815. Alken's First Published WorkThe Comic Foibles of Amateur Horsemen[ALKEN, Henry]. Qualified Horses and Unqualified Riders, or the reverse of Sporting Phrases taken from the Work entitled Indispensable Accomplishments... [by] Ben Tally Ho, an occasional Visitor in Leicestershire. London: S. & J. Fuller, 1st Septr, 1815.First edition, watermarked J. Whatman 1815. Oblong folio (10 3/4 x 14 1/2 in; 270 x 362 mm). Engraved title and seven hand-colored engraved plates. uncut.Late nineteenth century crushed crimson morocco over marbled boards ruled in gilt. Spine with four raised bands, decoratively tooled and lettered in gilt. Original printed gray wrappers bound-in. Occasional light smudges to margins, damp-stain to lower right corner of last plate, not affecting image, otherwise an excellent copy of Alken's first published work. A second edition appeared in 1821. Though Siltzer notes an earlier edition of 1811, no other bibliographer has noted such and there are no records of an 1811 edition found in international institutional libraries, nor in auction records within the last thirty-five years. The issue under notice is found in only six libraries worldwide. Alken's satiric reposte to Frankland's Indispensable Accomplishments, taking the Frankland ("Billesdon Coplow") scenes and captions and turning them on their ear, specifically on the rider's behind as he's tossed hither and yon by a horse clearly more in control of things than the rider, who is finally carried off the field of comic disaster by his friends.The Plates:1. Going along a slapping pace...2. Topping a Flight of Rails...3. Charging an Ox-fence...with good Success.4. Got in and getting out...very clever.5. Facing a Brook. Verifying the old Adage, look before you leap.6. Swishing at a Rasper...7. Returning home in Triumph. He disdain'd a Slothful Easy Life, so took to hunting.Schwerdt I, p. 20. Siltzer, p. 69. Tooley 44.

      [Bookseller: David Brass Rare Books, Inc. ]
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        Monuments Anciens et Modernes de l'Hindoustan

      Paris: Didot, [1815-] 1821. 2 volumes in 3, small folio. (14 7/8 x 10 3/4 inches). Text: half-titles in each volume, folding table in vol. 1, 4pp errata and 2pp list of plates in rear of vol. 2. Atlas: engraved title with a large vignette after Henry Salt, 3 engraved maps hand-colored in outline, 143 engraved plates (12 hand-colored, and including 24 plates after Thomas Daniell). Contemporary French red calf-backed red paper boards, flat spines in six compartments divided by gilt roll tools, lettered in gilt in the second and fourth compartments. A beautiful copy of the very rare large-paper first edition of Langles definitive work on India, profusely illustrated and including plates after Thomas Daniell. A contemporary review described this work as follows: "Doubtless it was a vast undertaking to give a complete description of the immense country of Hindostan; to trace its history; to set forth the religion and the manners of its inhabitants; to study and to design its antique monuments and its populous cities: such an undertaking required the united knowledge and talents of the geographer, the philologist, the historian, the philosopher, and the archaeologist. Several estimable artists have already made us acquainted with the picturesque views and the romantic sites of this interesting country, with the various and singular costumes of the Hindoos, and their prodigious monuments. Many learned Indianists have developed the mysteries, till then but imperfectly known, of the Brahmanic theology; and the most celebrated travellers, judicious antiquaries, and well-informed officers, have in almost every part extended their inquiries to the most minute details of topography. However, not one of them has been able to present us with a complete view of the country, whose several parts they have described. Far be it from us to refuse the well-deserved need of praise to the major part of these authors; but one man alone, a man of superior talent, placed in a situation which enabled him to take in with a single glance, to collate, compare, and digest into one body all the materials which had been furnished by so many and such able writers, has succeeded in forming them into one beautiful and symmetrical edifice. M. Langles is the person to whom we allude" (Port Folio, vol. XVI, July to December 1823, p. 252). Langles was the most noted Orientalist in France and served as the keeper of the Oriental manuscripts at the Royal Library. Published in 26 parts beginning in 1813, Brunet cites three issues: regular paper at 15fr per part, papier velin at 24fr per part and grande papier velin at 36fr per part. The illustrations notably include 24 plates after Thomas Daniell, as well as other views of ancient monuments after Forbes and others. The colour plates are largely after Indian miniatures in the Royal Library collection and are richly hand-coloured and heightened with gold. Brunet III, 819-820.

      [Bookseller: Donald Heald Rare Books ]
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