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Displayed below are some selected recent viaLibri matches for books published in 1800

        Antique Master Print-ITALIAN LANDSCAPE-TRAVELLERS-WOODEN BRIDGE-Both-ca. 1800

      - Antique print, titled: 'Sulmona near Tivoli', Mountain landscape (near Rome) with men with pack mules crossing a river over a wooden bridge. Etching on handlaid paper. Description: From a series: 'Landscapes near Rome.', this from a later edition, published c. 1800. Artists and Engravers: Made by Both after own design. Jan Dirksz Both (between 1610 and 1618 - August 9, 1652) was a Dutch painter, draughtsman, and etcher, who made an important contribution to the development of Dutch Italianate landscape painting. Condition: Very good, given age. Top margin quite foxed, few small stains in the image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: Q2-180 The overall size is ca. 13.5 x 9.8 inch. The image size is ca. 10.7 x 8 inch. The overall size is ca. 34.4 x 25 cm. The image size is ca. 27.2 x 20.2 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Master Print-FAMOUS-COMPOSERS-MUSIC-BACH-HANDEL-Scotti-Bettelini-c. 1800

      - Antique print, titled: 'Al nobil uomo il sig. March: Cav: Gius: Antonio Corsi.', An overview (Parnassus) of the most famous musical composers until the 18th century. This includes such geniuses as Bach, Gluck, Handel, Corelli, Palestrina, Scarlatti and Pergolesi, and numerous others. Very rare. Etching/engraving on wove (vellin) paper. Description: Published by Breitkopf and Hürtel in Leipsig, c. 1851. Artists and Engravers: Made by Pietro Bettelini after Luigi Scotti. Pietro Bettelini (Caslano, 1763-Rome, 1828) was a Swiss engraver. He started to study art at an early age. He received instructions from Gandolfi and Bartolozzi; but in his subsequent works he inclined more to the style of Raphael Morghen. He died at Rome in 1828. After Luigi Scotti. Condition: Excellent, given age. Some small stains in the margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: TPC-P3-01 The overall size is ca. 18.1 x 25.4 inch. The image size is ca. 14.3 x 21.8 inch. The overall size is ca. 46 x 64.5 cm. The image size is ca. 36.2 x 55.4 cm.

      [Bookseller: ThePrintsCollector]
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        Grande route au Mont St. Gotthardt, en Suisse non loin de l?Hospice.

      se vend chez C.G. Morasch à Dresde, o.J. (1800), - 34x50 cm (Bild), kolorierte Radierung, (Kolorit etwas verblasst, Blatt fleckig im Rand). 1 Blatt (48x59.5) Passstraße mit Reisenden | St Gotthardstrasse | St. Gotthard-Pass. Mit interesantem Détail des Sonnenschutzes, der von den weiblichen Reisenden getragen wurde.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Rothe: Benezit Bd. 11, 1440 / Jentzsch: Benezit 7, 818.

      [Bookseller: Harteveld Rare Books Ltd.]
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        Album mit 39 ausgeschnittenen Blumenbildern aus der Familie des Berliner Verlegers Christoph Friedrich Nicolai.

      Berlin um 1800. - 8vo (ca. 19,5x16,5 cm), Halblederband der Zeit, 39 Blätter mit aufmontierten Blumenbildern. Album mit 39 Decoupages oder Papierstecklingen mit Blumen. Deutschland / Berlin Ende 18. Jahrhunderts, um 1800. In einem Halblederband der Zeit mit marmorierten Einbanddeckelbezügen, etwas berieben, innen gelegentlich leichter gebräunt, wenige Blumenbilder etwas später ausgebessert. Ein schönes Album mit sogenannten Blumen-Decoupages, aus dem Kreis des Berliner Schriftstellers und Verlegers Christoph Friedrich Nicolai (1733-1811), der die berühmte Nicolai'sche Buchhandlung seines Vaters geerbt hatte und mit Lessing und Moses Mendelssohn befreundet war. Mit dessem Exlibris auf dem vorderen Innendeckel. Die hier vorliegenden Scherenschnitte wurden wahrscheinlich von einer jungen Frau aus dem Umkreis der Nicolai’schen Familie in ihrer Freizeit gemacht, sie haben zwar nicht die Qualität der berühmten Papiermosaiken der berühmten Decoupage-Künstlerin Mary Delany (1700-1788), sie könnte aber von deren berühmten Blumenmosaiken gehört haben. Im 17. Jahrhundert war Italien, vor allem Venedig, Vorreiter im Handel mit dem Fernen Osten und es wird allgemein angenommen, dass über diese Handelsverbindungen die ausgeschnittenen Papierdekorationen ihren Weg nach Europa gefunden haben. Die wichtigste Künstlerin, die Decoupage für Blumenbilder verwendete, war Mary Delany (geb. Granville, 1700-1788), eine englische Künstlerin und Briefschreiberin, berühmt für ihre Papiermosaiken. Album with 39 decoupages or paper cuttings of flowers. Germany / Berlin late 18tg century, around 1800. Half calf over marbled boards, rubbed and soiled, some cuttings probably later fixed (repaired). Nice album with flower decoupages from the circle of Berlin enlightement writer and publisher Christoph Friedrich Nicolai (1733-1811), who inherited his father's famous Nicolai'sche Buchhandlung. His enthusiasm for English literature won for him the friendship of Lessing and Moses Mendelssohn. These paper -cuttings are quite simple and probably made by a young woman in leisure times. They don't have the quality of the famous paper mosaicks of Mrs. Delany, but she or him might have heard of the famous art work in England in that time. The word decoupage comes from Middle French decouper, meaning to cut out or cut from something. In the 17th century, Italy, especially Venice, was at the forefront of trade with the Far East and it is generally thought that it is rheough these trade links that the cut out paper decorations made their way into Europe. The most important artist using decoupage for flower paintings was Mary Delany (née Granville, 1700-1788), an english artist and letter-writer, famous for her paper-mosaicks. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Thomas Mertens]
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        Skizzen, Gedanken, Entwürfe, Umrisse, Versuche, Studien die bildenden Künste betreffend.

      Magedeburg, bey G. Ch. Keil. 1799-1800. - Erstes Bändchen in 2 Heften, in 2 Heften. 8°. 2 Bl., 126 S., 1 Bl. Druckfehler, 1 mehrfach gefalteten gestochenen Tafel; S. 127-258 und 4 gestochenen Tafeln. Lithographierte Originalbroschuren. Sehr seltene Publikation, von der 1801 unter dem Titel "Neue Skizzen" noch ein drittes Heft erschien. Unser Exemplar mit handschriftlicher Widmung des Verfassers, der darauf Bezug nimmt, "Die drei ersten Hefte dieses Kunstjournals" einem leider unkenntlich gemachten Grafen widmet. - Johann Adam Breysig (1766-1831) war Maler, Dekorateur, Theatermaler und Kunsterzieher. Erg gilt als einer der ersten Entwickler des Panoramas. Im Aufsatz "Ueber meinen ersten Plan zu einem Panorama" auf S. 140-150 beklagt sich Breysig über den "rechtmässigen" Erfinder, den Iren Robert Parker, der 1787 ein Patent zum Betrieb eines Panoramas eingereicht hatte. Breysig war der Überzeugung, dass ihm die Idee geklaut wurde und nach England verkauft wurde. Auf alle Fälle war er der erste Betreiber eines Panoramas in Deutschland. Die anderen Aufsätze über Themen der Zeichnung, der Theatermalerei, der Farbenlehre u.a. - Rücken mit Papierschildchen und in den Gelenken angerissen. Einbände etwas angerändert. Stellenweise etwas fleckig.- Unbeschnitten, Heft 2 unaufgeschnitten. [Attributes: First Edition]

      [Bookseller: Daniel Thierstein]
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        GENERAL ZOOLOGY OR SYSTEMATIC NATURAL HISTORY

      G. Kearsley/Thomas Davison 1800-1826, London - Twelve (of fourteen) volumes bound in eighteen volumes comprising twenty-two parts and including index, bound in recent 3/4 polished calf leather and marbled boards with blind rules, gilt-lettered and decorated spines, and gilt-lettered brown morocco spine labels. Illustrated with engraved title pages and 1048 plates. Includes 233 plates of mammals in 14 parts in 4 volumes; 140 plates of amphibians in 2 parts in 2 volumes; 190 plates of fish in 4 parts in 4 volumes; 139 plates of insects in 2 parts in 2 volumes; and 346 plates of birds in 10 parts in 5 volumes. Minor foxing to the plates with many tissue guards still in place, text generally clean. Near Fine in a Fine, attractive binding [Attributes: Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Soliman der Zweite oder Die drei Sultaninnen

      In dem K.K. Hof-Theater Music Verlag in der Burg [PNs 87-91], Wien 1800 - Oblong folio. Disbound. [i] (title), 2-6, 1f. (blank); [i] (title), 2-3, [i] (blank); [i] (title), 2-5, [i] (blank); [i] (title), 2-4; 1f. (title), 7, [i] (blank) pp. Engraved. Comprises the overture and four separate numbers from the opera: "Die Männer sind geschafen," "Man gewinnt nicht Mädchenherzen," "Tandeln und scherzen," and "In des Mondes Silberstrahlen."Remnants of wrappers to spine of outer leaves. Very slightly worn and soiled. A very attractive copy overall. [?]First Edition. Scarce. Grove Music Online. RISM S7113, S7113a, S7114. OCLC no. 68880888 (one copy only, at the Koninklijke Bibliotheek). Soliman der Zweite, to a libretto by Franz Xaver Huber after Charles Simon Favart, was first performed in Vienna at the Kärntnertortheater on October 1, 1799. "Among the works Süssmayr composed for the Kärntnertortheater, Der Marktschreyer (1799) and Solimann der Zweite (1799) enjoyed the most performances. The latter's success is reflected in Beethoven's set of piano variations (woo76, 1799) on the terzetto 'Tändeln und Scherzen'. Süssmayr, like most Viennese opera composers, used a wide range of national styles in his German works, including Italian seria and buffa idioms, French comique forms, popular German styles, and melodrama. His melodic gift and formal craftsmanship show best in his solos, duets, and trios. " Linda Tyler, et al. in Grove Music Online. [Attributes: Soft Cover]

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        Tagebuch einer Reise durch die östliche, südliche und italienische Schweiz. Ausgearbeitet in den Jahren 1798 und 1799.

      1800 1800 - 1st edition. Kopenhagen: Brummer 1800. With 3 engraved plates. [4] + 4 + 540 pp. A few leaves, including plates, a little foxing in margin otherwise a clean and well-preserved copy on heavy paper bound in contemporary calf with coloured label and richly gilt on spine and with goldline on boards. With stamp on title "Grev (Count) Scheel" and older names on free endpaper. * Reisebuch einer Frau, die, ungewöhnlich für die damalige Zeit, allein durch die Schweiz und Italien gereist ist. Nicht nur ihre Sprache wie ihre Empfindungsweise ist an den Weimarer Klassikern geschult, sondern auch ihr naturwissenschaftlich interessierter Blick. Die drei Tafeln zeigen Landschaftansichten. Wäber I,50. Engelmann 923.Travel journey by a lady who, very exceptionally for the time, traveled through Switzerland and Italy all by herself. [Attributes: First Edition; Soft Cover]

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        4 Rare Antique Prints-ALLEGORY-4 SEASONS-GIRL-Thomas Cheesman-Domenichino-1800

      - Set of 4 original antique prints, titled: 'The Seasons', each a girl's protrait. Each of the girls is an allegory of one of the four seasons. Rare as a complete set. Handcoloured stipple and line engraving on a vellin type paper. Description: Separately published master prints, published ca. 1800. Our definition of a Master Print is a seperately published print or series of prints, not being an illustrative print to a text. These can both be prints made by old masters (artists) or prints made by others (artists, engravers, etchers) after old masters.�Artists and Engravers: Engraved by T. Cheesman after Domenichino. Thomas Cheesman (1760-1835) was a British printmaker, engraver and miniature painter. He was trained by Bartolozzi, and worked for the firm of John Boydell. Domenico Zampieri (also: Domenichino, 1581-1641) resisted the popular Baroque style of his time, preferring the 'disegno' style. He worked with Carracci and Reni on the Farnese Palace murals. Condition: Very good, given age. Occasional small creases in the margins, thumbing in the bottom margin of one of the prints. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Professionally matted, not examined out of matting. Storage location: DPO-74-01/02 The overall size is ca. 20.9 x 24.8 inch. The image size is ca. 13 x 16.1 inch. The overall size is ca. 53 x 63 cm. The image size is ca. 33 x 41 cm.

      [Bookseller: ThePrintsCollector]
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        28 Antique Master Prints-LANDSCAPE-PROOF-STATES-Isendoorn a Blois-ca. 1800-1830

      - 29 Antique master prints, untitled. Three different landscapes with farmhouses, three views of Castle Cannenburgh, and a study of a Etching Made by 'Reinier Albert Lodewijk Baron Isendoorn a Blois' after own design. R. A. L. Baron Isendoorn a Blois (1786-1856) was a great collector of graphic art. He amassed a large collection, which was sold in 1879. Condition: Good, given age. Some of the proof sheets with tears in the margins and soiling (typical of atelierproofs). General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 13 x 10.9 inch. The image size is ca. 8 x 7.2 inch. The overall size is ca. 33 x 27.8 cm. The image size is ca. 20.2 x 18.3 cm. [Attributes: Soft Cover]

      [Bookseller: ThePrintsCollector]
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        Domplatz mit Blick auf den Dom ('Vue D'Une Petite Ville De Hollande').

      - Kupferstich v. Dequevauvilliers n. J. van Huysum & Storelli, um 1800, 28 x 35 Müllers, Xanten im Bild; Graphische Blätter des 17.-19. Jahrhunderts, Nr. 12. - Dieses Blatt ist nach dem im Louvre befindlichen Gemälde des J. van der Heyden (1637-1712) gestochen worden.

      [Bookseller: Antiquariat Norbert Haas]
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        Antique Master Print-BULL AFTER POTTER-COW-SHEET-LANDSCAPE-Liernur-Potter-1800

      - Antique print, titled: 'Stier naar Potter', Standing Bull, after the painting by Paulus Potter. Aquatint etching and rotel engraving. Plate colouring (a-la-pouppee) on a vellin type paper. Made by A. Liernur after Paulus Potter. Alexandre Liernur (Dutch; 1769-1815) Student of several painters. He went to Rome in 1794 as a "pensionnaire" of the Dutch Prins Willem II. He returned early in 1796 because of the political situation in Italy. In the period 1801-1802 he was in Paris where he made watercolor drawings of paintings in the Louvre. Back in Holland he continued with watercolor, but as one of the first and few in the Netherlands he also mastered the aquatint techniques. This technique was introduced from England and it was a very difficult, expensive and time consuming technique. The aquatints he made after his own designs made him famous. In 1797 he became a member of the Painters Society: 'Ars Aemula Naturae'. His famous aquatint after 'The young bull' by P. Potter was made for the Amsterdam Painters Society: 'Felix Meritis'. Condition: Fair, given age. Several little tears, remargined using contemporary paper backed with acid free archival tape. No margin in bottom. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 26.4 x 17.6 inch. The image size is ca. 25.5 x 17.2 inch. The overall size is ca. 67 x 44.7 cm. The image size is ca. 64.8 x 43.7 cm.

      [Bookseller: ThePrintsCollector]
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        Malvina

      Chez Maradan 1800 - - Chez Maradan, A Paris 1800, In-12 (10x17cm), (4) iv, 255pp. (2) ; (4) 259pp. (2) et (4) 251pp. (2) ; (4) 259pp. (2), 4 tomes en 2 volumes reliés. - Edition originale, rare, illustrée de 4 frontispices légendées et encadrés par Tardieu et gravés par Binet. Reliures en pleine basane brune d'époque mouchetée. Dos lisses richement ornés de 2 caissons avec un losange irradiant, un caisson à la grotesque et des roulettes. Pièces de titre et de tomaison en maroquin rouge. Frise d'encadrement sur les plats. Roulette sur les coupes et intérieure. Tranches dorées. Très bel exemplaire, malgré un coin émoussé, d'une belle fraîcheur. Ce roman épistolaire de type sentimental connut un grand succès en son temps, il mit à la mode ce prénom de Malvina qui avait été inventé un peu plus tôt pat le poète ossinaique Mac Pherson. Sophie Cottin place en effet son héroïne dans un château d'Ecosse, où elle s'est promise dans cette retraite choisie, de s'occuper de la fille de son amie chérie et décédée. "Depuis l'inoculation de l'amour dans la Nouvelle Héloïse, dit Chénier, il n'est point de situation mieux conçue, mieux développée, plus pathétique en tous ses détails, que celle de Malvina, s'introduisant déguisée dans le château d'une famille qui la persécute, y devenant la garde-malade d'Edmond, son amant ; et là, muette, impénétrable autant qu'active et vigilante, l'arrachant, à force de soins, à la mort qui semblait déjà le saisir." in Revue des romans, 1839. Les 5 romans de Sophie Cottin furent constamment réédités au XIXe siècle. NB : Cet ouvrage est disponible à la librairie sur demande sous 48 heures. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] first edition, rare, illustrated with 4 frontispieces legendary and framed by Tardieu and engraved by Binet. Bindings in full brown fleece of speckled contemporary. Smooth backs richly adorned with 2 caissons with an irradiating diamond, a box with the grotesque and roulettes. Title and tomato pieces in red morocco. Frieze framing on the boards. Roulette on cuts and inside. Slices golden. Very beautiful copy, despite a blunted corner, a beautiful freshness. (4) iv, 255pp. (2) ; (4) 259pp. (2) et (4) 251pp. (2) ; (4) 259pp. (2) [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Naples.( pris de la Villa Réale )

      Artist: Wild/ Moncel du Th; issued in: ; date: ca 1800 - - technic: Lithography; - colorit: original colored; - condition: Right corner on outer margin lightly restored; - size (in cm): 37 x 49; - description: Beautiful view of the city Naples

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Poems by In Two Volumes.

      Printed by T. & J. Swords 1800 - with 3 Bewickesque woodcut vignettes, and various tail-pieces, second 2 leaves in vol. i minimally (and unaccountably) shorter, last few leaves in vol. i irregularly browned, pp. 147; 168, 8vo, contemporary tree sheep, small loss of surface to lower board ov vol. i, cracking to upper joint of vol. ii, good, book label inside front cover of Amos Tuck French. First collected edition, and, for the time and place, an exceptionally nice copy. The verses include several of a patriotic kind, celebrating independence, the Constitution, and one, Peace - a poem published shortly after the ratification of Peace between America and Great-Britain. This includes the following verses: For Peace we sued, in days of deep distress, But sued in vain - our wrongs had no redress: Let Britain, then, her own mad acts repent, Her dwindled power, and fame eclipsed lament .' The French family of New Hampshire might be described as American aristocracy. Heading the list of subscribers (in vol. ii) is John Jacob Astor - the Astor family being one that the Frenchs were to intermarry with. The Tuck as the middle name allows French to rejoice in the book label reading: Amos Tuck French, Tucks Eden, Tuxedo Park.' (ESTC W28911)

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
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        LETTER FROM ALEXANDER HAMILTON, CONCERNING THE PUBLIC CONDUCT AND CHARACTER OF JOHN ADAMS, ESQ PRESIDENT OF THE UNITED STATES

      Philadelphia: Re-printed pro bono publico, 1800. 54pp. Modern quarter calf and boards, gilt leather label. Minor toning. Very good plus. Untrimmed and unopened. Philadelphia edition, printed "for the public good," following the first edition of the same year printed in New York. The great betrayal, which may have cost Adams the election of 1800. Hamilton originally issued this work with the hope of giving Charles Cotesworth Pinckney a majority over Adams. Hamilton writes of Adams: "...He does not possess the talents adapted to the administration of this Government, and that there are great and intrinsic defects in his character which unfit him for the office of Chief Magistrate." "This and Adams' reply are probably the plainest talk ever indulged in, in print, between two great statesmen. It received many answers, from both Republicans and Federalists" - Ford. This edition was printed by William Duane, publisher of the pro-Republican newspaper, the AURORA. Very popular in its time, Hamilton's work was reprinted four times during the 1800 election. EVANS 37570. NAIP w020637. HOWES H116. FORD 73. SABIN 29959. REESE, FEDERAL HUNDRED 81.

      [Bookseller: William Reese Company - Americana]
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        Ansicht der Stadt Hall in Tyrol". Altkolorierte Umrissradierung von Joseph Schaffer. Aus: Karl Schütz und Laurenz Janscha, Ansichten der Residenzstadt Wien, der Vorstädte und der umliegenden merkwürdigen Gegenden.

      Wien, Artaria, (um 1800). - Nebehay-W. 671, 90. - "Die Wiener Ansichten von Carl Schütz und Johann Ziegler gehören ohne Zweifel zu den schönsten Stadtbildern, die eine europäische Hauptstadt aufzuweisen hat." (Christian M. Nebehay im Vorwort zu C. Schütz, J. Ziegler und L. Janscha, Die Wiener Ansichten. [1981]). - Kaum fleckig. Minimaler hinterlegter Randeinriss (ohne Bildberührung). *** /// *** Copyright: Matthaeus Truppe - Stubenberggasse 7 - A-8010 Graz - +43 316 829552 *** /// *** Sprache: Deutsch Gewicht in Gramm: 0

      [Bookseller: Matthaeus Truppe Antiquariat]
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        Ferrandino. Fortsetzung der Geschichte des Räuber-Hauptmanns Rinaldini von dem Verfasser derselben. Drei Teile in drei Bänden.

      147, 1 126, 2 119, 1 S., je Band 1 gestochene Titelvignette. 16, 8 x 10, 5 cm, Pappbände der Zeit mit goldgeprägtem Rückentitel und Bandzählung auf zwei Rückenschildern (eins rot, das andere grün) und Feldertrennung, dreiseitiger Rotschnitt. Frühe Ausgabe ohne Verlagangabe. WGII 83 titelt "Ferrandino" und datiert Lpz.:Gräff (Rinaldo Rinaldini 10. - 18. Buch) 1800 - 1801. Goedeke V. 279 11, 28 titelt "Fernando Fernandini" und datiert 1799. "Die Vulpius-Bibliographie (in Jahrbuch der Slg.Kippenberg Bd.6 von 1926, S.93) bezeichnet diese Auflage als Nachdruck des zehnten bis achtzehnten Buchs von Rinaldo Rinaldini, zuerst als Erweiterung innerhalb der zweiten rechtmäßigen Auflage, Leipzig, Gräff 1800-1801, erschienen. Die von Goedeke erwähnte Auflage 1799 kann auch Vulpius nicht nachweisen. Goedeke irrt sicher, da Ferrandino ja erst 1800 rechtmäßig gedruckt wurde." Dank an den Kollegen Günther Trauzettel.Kanten leicht bestoßen, sonst und im Ganzen gut erhaltenes Exemplar. * * *Achtung ! ! ! Wichtiger Hinweis * * * * Derzeit eingehende Anfragen und Bestellungen können wohl erst ab Montag, dem 15. Oktober 2017, bearbeitet werden. * * *

      [Bookseller: Matthias Severin Antiquariat Am Bayerisc]
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        GRANT RICE FOREST SCENE .1800s. OIL PAINTING in ORIGINAL FRAME - IMPRESSIVE VF

      1800's 1800 - AN ENTICING FOREST SCENE IS FEATURED IN THIS GREAT PAINTING. The emphasis is on the foreground tree, which is awash in Fall colors. Although we do not know much about Grant Rice, we know that this is an appealing work of art (we believe - but cannot prove - that Grant is the artist based on the attached paper on the back of the frame). Our understanding is that Grant Rice was also a poet (although we have not been able to verify that). This outstanding work was purchased from an estate in the 1960s by our consignor, and has been kept carefully ever since. The original art sits within an original era frame which measures about 15" x 19", and looks excellent! CONDITION: this original looks quite nice. Probably drawn in the late 1800s. We grade the art itself VERY FINE, and the frame FINE / VERY FINE. The frame has some "crazing" and seems to us to have gold leaf (we are not certain of that, but the gold color of the frame is remarkable). It would look very nice on display, and represents an historic era in American Art History. PHOTOS: we are providing five images. The first photo does a good job of showing the entire framed picture. The second shows the notation on the back indicating that Grant Rice is the artist. The third shows the back of the frame. The other two pics (which may or may not be visible depending on where you see this listing) show a corner detail, and some small damage to the back of the frame (which we feel matters very little since it would not been seen if this picture were hung on a wall). This art is a showpiece, suitable for fine collections. SHIPPING COSTS: Our Canadian and International rates are just estimates, it might cost more. For those concerned about our shipping charges, please be advised that this great work of art can be picked up in our Tampa Florida warehouse for NO shipping charge. Condition: VF

      [Bookseller: DTA Collectibles]
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        Apotheker - Compositionen. - Handschriftliche Rezepte eines Apothekers oder Drogisten des frühen 19. Jh.; von Zahnputzmittel über Quittenliqueur bis Metallvergoldung.

      o.J. (um 1800), - in-8vo, 91 unnum. Bll., mit ca. 260 Rezepten, mittels schwarzer Tinte in deutscher Kurrentschrift handgeschrieben, 1 Tafel mit Illustrationszeichnung in Tinte, durchgehend schwacher Fleck am rechten Rand, guter Zustand, Pergamenteinband d. Z. mit hs. Beschriftung auf Rücken, Rest von 2 Leinenbändchen, etwas fleckig, ansonsten guter Zustand. Anonyme Sammlung von chemischen Rezepten aller Art, alle von der gleichen Hand aufgezeichnet. Der Verfasser ist kein Laie, wie die teils lateinisch abgekürzten Rezepttitel und Bestandteile verraten. Medizinische Medikamente sind kaum enthalten, dagegen verschiedene Körperpflegeprodukte und Kosmetikartikel, aber auch Spirituosen, Putzmittel, Farben usw. Jedes Rezept enthält einen Titel, die Inhaltsstoffe und wenn nötig eine Herstellungsanleitung. Diese können in Einzelfällen mehrere Seiten umfassen und eine ist gar illustriert (Kartoffelbrandwein und Kartoffelessig). Die Rezepte sind in keiner bestimmten Ordnung und enthalten u.a. Anleitungen zur Herstellung von verschiedenen Färbemitteln, Seifen, Danziger Goldwasser, Maraskino, Quittenliqueur, Kaffeeliqueur, englischem Bier (Ale), Essence d?absinthe, Stiefelwachs, Graugarnfärbemittel, Candela fumalis, Eisen zu vergolden (Eisenvergoldung), Witterung um einen Fischotter zu fangen, Mittel gegen Krebs (wohl das Schalentier gemeint), wohlriechendes Mundwasser, usw. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

      [Bookseller: Harteveld Rare Books Ltd.]
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        Peinture d'histoire

      1800. Original Ink Henri Pille representing a historical scene, preserved in matte board and gilt wood frame.Figure appreciated the Montmartre art world whose work is developed through history paintings and genre scenes often tinged with humor, Pille is best known as a designer pen. It performs numerous illustrations for publishing, especially in the Alphonse Lemerre editor and contributor to magazines and newspapers such as The Courier French, Le Rire, Le Monde illustrated, Le Procope, newscasters, The Amusing Journal, Life Modern, The Thief or The Little French illustrated. He published the drawings in the journal of the cabaret Le Chat Black and participated in the design of silhouettes for shows his shadow theater. In his letters to his brother Theo, Vincent van Gogh repeatedly expressed his admiration for the work of Henri Pille he met during his stay in Paris between May 1875 and March 1876. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information!(circa 1880) 21,5x35cm (dessin) 42x58cm (cadre) une feuille sous marie-louise et cadre

      [Bookseller: Librairie Le Feu Follet]
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        Rapport fait au Gouvernement Francais Des Evenemens qui se passes en Egypte

      First edition. 8vo. Full contemporary calf, boards with gilt borders, black morocco labels to spine, gilt, extremities slightly rubbed, some minor marginal worming not affecting the text, pencil note to front free endpaper. 65, [1]pp. De l'Imprimerie Nationale, Cairo, An 8

      [Bookseller: Maggs Bros. Ltd.]
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        Wallenstein. A drama in two parts. Translated from the German by S.T. Coleridge. (The Piccolomini, or the first part of Wallenstein, a drama in five acts.

      T. N. Longman & O. Rees. 1800 - FIRST EDITION. BOUND WITH: The Death of Wallenstein. A tragedy in five acts. Translated from the German by S.T. Coleridge. FIRST EDITION.) Front., 2pp ads. part I, 3pp ads. part II; front. with minor damp stain & sl. offsetting to title. Contemp. half calf, spine lettered in gilt, marbled boards; sl. rubbed, corners a little bumped. A good-plus copy. ESTC T61110 & T61109; Tinker 684; Wise 16 & 17. Die Piccolomini and Wallensteins Tod were written between 1797 and 1799, first performed in April 1799. They form the second and third parts of a trilogy subtitled Ein dramatisches Gedicht. Wallensteins Lager, the first part, is, effectively, a light-hearted prelude, while Die Piccolomini and Wallensteins Tod constitute the main interest of the tragedy. The work was based on the life of the Bohemian soldier and nobleman Albrecht von Wallenstein, 1583-1634, a celebrated figure in the Thirty Years? War. These are the first English translations. The Piccolomini bound without the separate titlepage. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jarndyce, The 19th Century Booksellers]
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        Travels from France to Italy, through the Lepontine Alps; or, An itinerary from Lyons to Turin, by the way of Pays-de-Vaud, the Vallais, and across the Monts Great St. Bernard, Simplon, and St. Gothard: with topographical and historical descriptions of the principal places which lie contiguous to the route; including some philosophical observations on the natural history and elevation of that part of the Alps to which are added remarks on the course of the Rhone from its source to the Mediterranean sea.

      London, Printed by S. Hamilton, for G.G. and J. Robinson, 1800, - in-folio, 4 leaves (1 blanc - printed titlepage - advertisement - contents) + 1 engraved titlepage with view + 218 p. + 1 ll. blanc + 1 folded handcoloured engraved map ?Chart of places. including the principal Peaks of that Chain of the Alps from the Buchetta to Mont St. Gotthard? + 1 townplan of Lyon in black + 25 plates printed in brown (soot brown or ?bistre?), with most of the original protective tissue gards (mostly browned in the margins), some waterstains to the lower margins of the engraved titlepage and some others, hw. ownership on first free fly ?J. Matilda Scott?, Original leather spine, boards with rests of orig.-cloth. First edition, reprinted in 1806. This book has never been translated into French. Illustrated engraved titlepage with view followed by the numbered plates I to XXVII, which includes 1 general coloured map, 1 town-plan of Lyon printed in black and 25 views printed in bistre, all after drawings by Albanis Beaumont. Bel album très rare et très recherché pour la qualité des illustrations (Perret). Plates numb. I up to XXVII: Vue de Lyon, taken from the Arsenal / Lyon Aquaduct, built by the Romans / Voltaire?s Tomb - Roman Theatre at Lyons / Geometrical plan of Lyons including the New Buildings of Parrache (tirage en noir) / Cascade and Lake of Nantua / Town of Nantua, Continuation of the same / Representation of the above Lake / Loss of the Rhone (Perte du Rhône) / Re-appearance of the Rhone / Fort of Cluse / Ferney / Geneva / Versoix / Morges / Lausanne / Vevay (sic.) / Salt-Works at Bex, Canton of Berne (sic.: aujourd?hui Vaud) / Bridge of St. Maurice on the Rhone / Martigny and the Valley of the Rhone / Glacier between those of Valsoray and La Valpeline / Summit of the great St. Bernard, inculding the Hospice or Convent / Sion / Source of the Rhone and Glacier of la Furca / Ascent of the St. Gothard / Hospice on the St. Gothard / The Devil?s Bridge.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Abbey: Travel in Aquatint & Lithography n° 53; Wäber, 109; Perret 0333. [Attributes: Hard Cover]

      [Bookseller: Harteveld Rare Books Ltd.]
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        THE PROSPECT BEFORE US. VOLUME I.

      Richmond: Printed for the Author, and Sold by M. Jones, S. Pleasants, Jun. and J. Lyon, 1800. 184pp. Modern calf, gilt leather label. Light tanning. Very good. The passionate and extraordinarily rare anti-Federalist screed from the "scandalmonger" himself, James T. Callender, suppressed by the Federalists who convicted him for sedition for writing it. Callender was a notorious journalist and political pamphleteer during the Federal period, issuing savage attacks on George Washington, John Adams, Alexander Hamilton, and others. The present work was partially financed by Vice President Thomas Jefferson who was, along with James Madison, actively working against the president and his Federalist cohorts. Jefferson had been particularly impressed with Callender's attack on Hamilton, and wanted a similar work scrutinizing the Adams administration, especially as he was running against the incumbent president at the time. The pamphlet is an attack on the political corruption within the Federalist party and inside the Adams administration, with Callender focusing his ire on the president himself. He labels the president a "hoary headed incendiary," "a man who has deserted and reversed all principles," and describes the Adams administration as "one continued tempest of malignant passions. As President, he has never opened his lips, or lifted his pen without threatening and scolding; the grand object of his administration has been to exasperate the rage of contending parties to calumniate and destroy every man who differs from his opinions...." As a result of this pamphlet, Adams' and Hamilton's Federalist party used the new Sedition Act to prosecute Callender at the height of the 1800 election campaign, citing twenty passages from THE PROSPECT BEFORE US in the indictment (though never naming the book itself). After a frustrating and politically-charged trial stacked clearly against the defendant, presided over by Federalist judge Samuel Chase, who frequently interrupted the defense lawyers, and consisting of an all-Federalist jury, Callender was found guilty. He was fined $200 and sentenced to nine months in prison. Callender was the last and most famous target of the Sedition Act, and the only defendant prosecuted under the law in a southern state. After Jefferson's election the new President pardoned Callender, but refused the writer's request to receive a lucrative postmaster's appointment. Callender then switched sides, revenging himself by spilling the details of Jefferson and his mulatto mistress Sally Hemings. In 1803, while drunk, he drowned in a shallow sidewater of the James River. The shadowy circumstances of his death, combined with the many powerful enemies he had made, led to numerous Vince Foster-like conspiracy theories. The first part of THE PROSPECT BEFORE US was popular and welcome in Virginia at the time of publication, but roundly criticized and suppressed in Philadelphia and elsewhere. As a result, the work is extremely rare, and hardly ever encountered outside institutions. James Morton Smith, "Sedition in the Old Dominion: James T. Callender and THE PROSPECT BEFORE US" in THE JOURNAL OF SOUTHERN HISTORY, Vol. 20, No. 2 (May 1954), pp.157-82. HOWES C72. EVANS 37083. SHAW & SHOEMAKER 271. BRINLEY 4790. William Safire's novel SCANDALMONGER (2000) is a lively fictional treatment of Callender's career and a must-read for any enthusiast of the Federal era. REESE, FEDERAL HUNDRED 80.

      [Bookseller: William Reese Company - Americana]
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        Watercolour on paper representing a turner at work.

      Canton ? c1800. - (393 x 355 mm) Mounted on old paper. Images of trades and daily life were a favourite subject matter of Chinese export art. Increasing trade with China during the 18th century made Westerners more curious about life in the East leading to a demand for pictures. Chinese artisans quickly exploited this growing interest by producing watercolours that showed figures and scenes of specialist trades.

      [Bookseller: Hünersdorff Rare Books ABA ILAB]
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        Libro Copto con custodia, Etiopia, primi ‘800

      Sconosciuta 1800 - Libro Copto con custodia, Etiopia, primi ‘800 di Sconosciuto, 1800, Sconosciuto Collezionismo condizioni: BUONE CONDIZIONI Note: Libro Copto con custodia, Etiopia, primi ‘800 La presenza della custodia in cuoio con tracolla fa pensare che questo libro fosse un breviario. Buonissime condizioni. Misure: 11 x 15 cm. Rarità assoluta. [Attributes: Hard Cover]

      [Bookseller: Libreria Libr'Aria]
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        [The ships Erebus and Terror in the Arctic]. [England?, ca. 1850?]. Oil painting on canvas (65.5 x 91 cm), showing 2 ships in a rough sea amid dangerous rocks and ice. Later mounted on another canvas and stretched over a wooden frame, with a handwritten note about the painting pasted on the back.

      Cf. Howgego, 1800-1850, P9, R27 & F21. A mid-19th-century oil painting depicting two ships (3-masted barks) in a rough sea amid dangerous rocky and icy cliffs, mountains and outcroppings. Pasted to the back is an old slip of paper with a note (the parts of the text in parentheses are lost, but have been filled in based on an earlier transcription): "The sailing ships ('Erebus' and 'Terror') passing through the Davis Straig(ht) in 1846 [the 6 later "corrected" to 7]. It was on this expedition that Sir John Franklin discovered the North West Passage, and in which he lost his life". In fact Franklin sailed these two ships through Davis Strait in 1845, passed on through Lancaster Sound in search of a Northwest Passage and spent the winter on Beechey Island. In 1846 he and his expedition made their way through (using the modern names) Peel Sound and Franklin Strait into McClintock Channel, where they got caught in the ice near King William Island. Most of the crew died there, including Franklin in 1847. A few made it on foot to the mainland but were unable to reach any outpost. The last died in 1848. Since no one who saw the ships in these waters survived, the anonymous artist who made the present painting appears to have turned to an 1847 painting of the same ships by John Wilson Carmichael in London, though he did not copy it. Carmichael had earlier made a drawing of an expedition in search of the Northwest Passage by William Edward Parry (who made three expeditions in the years 1819 to 1825, each with two ships), but in 1847 he used parts of his existing Arctic scene as models for the composition of a new painting showing an Antarctic scene of James Clark Ross's voyage with the ships Erebus and Terror in 1842: "'Erebus' and 'Terror' in the Antarctic". Carmichael's drawing and painting survive at the National Maritime Museum in Greenwich. The central ship in the present painting follows that in Carmichael's painting quite closely and the second ship more distantly. The rocks and ice are similar in general appearance and arrangement but quite different in detail.With some restorations along the edges of the painting and a small scuffmark near the foot toward the left, but generally in good condition.

      [Bookseller: ASHER Rare Books (Since 1830)]
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        Landkarte von dem Reiche der Liebe" - allegorische Landkarte Liebe Fantasiekarte Allegorie allegory love map fantasy Kupferstich antique print

      seltene original Kupferstich-Karte um 1800 - alt von Hand teilkoloriert - Blattmasse: ca.27 x23,5 cm - gut erhalten rare original copper engraved map from about 1800 - partly handcolored - good condition. Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint!

      [Bookseller: Antiquariat Steffen Völkel GmbH]
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        Nouveau Voyage dans la Haute et Basse EGYPTE, la SYRIE et le DAR-FOUR, ou aucun européen n'avoit pénétré; fait depuis les années 1792 jusqu'en 1798; contenant des détails curieux sur diverses contrées de l'intérieur de l'Afrique; sur la Natolie, sur Constantinople et Paswan-Oglow, etc. Avec des notes critiques sur les ouvrages de Savary et de Volney. Traduit de l'anglais sur la deuxième édition, par J. Castera.

      Dentu An VIII - 1800 - 2 vol. in-8 de XXXVIII 371 pp. et 2 ff.n.ch. 391 pp., demi-basane de l'époque, dos lisse orné, pièces de titre et de tomaison, tranches jaspées. Bon exemplaire de cette première édition française, ornée d'une planche gravée en frontispice, de deux cartes repliées et d'un plan. Relation de voyage où l'auteur livre un récit vivant, fourmillant d'anecdotes (Blackmer 220 - Gay 43 - Boucher de la Richarderie I, pp. 255-59 - Chadenat 5027). [Attributes: First Edition; Hard Cover]

      [Bookseller: Dimitri KRONIS]
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        BRIENZ., "Vue du Village & du Lac de Brienz". Ansicht vom See aus, links zwei Angler auf einem Felsen, auf dem See ein Lastkahn.

      Aquarell über Tuschfeder von H. Goldschmid, um 1800, 22,5 x 36,5 cm. Der Künstler nicht bei Brun verzeichnet. - Stimmungsvolle Ansicht in zarten Blau-Grün-Tönen. Rechts unten signiert. Aquarell/Zeichnung, Europa, Schweiz

      [Bookseller: Buch- und Kunstantiquariat]
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        Two autograph fragments signed ("H. More" & "Han More") of letters to unknown recipients, one being a farewell, the other being an invitation

      Adelphi [London]; n.p., 1800. 10.3 x 18.5 and 6.3 x 18.5 cm. Small oblong. 10.3 x 18.5 and 6.3 x 18.5 cm. Small oblong. The fragment of June 7 is the closing of a letter to an unidentified female correspondent: "Adieu! My dear madam! May ... peace and comfort attend your change of Scene, and gild every scene you are to pass thru ..." ; th second is an invitation to tea, at the end of a letter to an unidentified male correspondent: "Will you my dear Sir, come up and drink tea with us this afternoon if the weather permits...?" [With:] A portrait engraving of Ms. More from an original painting by H.W. Pickersgill (24 x 15.5 cm).

      [Bookseller: James Cummins Bookseller]
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        \"Ca a été.\" Ein Liebhaber zieht in einem Sessel neben dem Bett seiner halbentblößten Geliebten seine Strümpfe an, sie küssen sich zum Abschied.

       Kupferstich mit Punktiermanier von G. Texier nach L.L. Boilly, um 1800, 44 x 36 cm. Thieme-Becker Bd. XXXII, S. 572. - In aquarellierter Montage. Alt gerahmt im Stil der Zeit. Versand D: 6,00 EUR Berufe, Galanterie, Genre

      [Bookseller: Antiquariat Bierl]
 33.   Check availability:     buchfreund.de     Link/Print  


        Two autograph fragments signed ("H. More" & "Han More") of letters to unknown recipients, one being a farewell, the other being an invitation

      Adelphi [London]; n.p., 1800. 10.3 x 18.5 and 6.3 x 18.5 cm. Small oblong. 10.3 x 18.5 and 6.3 x 18.5 cm. Small oblong. The fragment of June 7 is the closing of a letter to an unidentified female correspondent: "Adieu! My dear madam! May ... peace and comfort attend your change of Scene, and gild every scene you are to pass thru ..." ; th second is an invitation to tea, at the end of a letter to an unidentified male correspondent: "Will you my dear Sir, come up and drink tea with us this afternoon if the weather permits...?"[With:] A portrait engraving of Ms. More from an original painting by H.W. Pickersgill (24 x 15.5 cm).

      [Bookseller: James Cummins Bookseller ]
 34.   Check availability:     ABAA     Link/Print  


        Soliman der Zweite oder Die drei Sultaninnen.

      Wien: In dem K.K. Hof-Theater Music Verlag in der Burg [PNs 87-91], [ca. 1799-1800?]. Oblong folio. Disbound. [i] (title), 2-6, 1f. (blank); [i] (title), 2-3, [i] (blank); [i] (title), 2-5, [i] (blank); [i] (title), 2-4; 1f. (title), 7, [i] (blank) pp. Engraved. Comprises the overture and four separate numbers from the opera: "Die Männer sind geschafen," "Man gewinnt nicht Mädchenherzen," "Tandeln und scherzen," and "In des Mondes Silberstrahlen." Remnants of wrappers to spine of outer leaves. Very slightly worn and soiled. A very attractive copy overall. Possible First Edition. Very scarce. Grove Music Online. RISM S7113, S7113a, S7114. OCLC no. 68880888 (one copy only, at the Koninklijke Bibliotheek). Soliman der Zweite, to a libretto by Franz Xaver Huber after Charles Simon Favart, was first performed in Vienna at the Kärntnertortheater on October 1, 1799. "Among the works Süssmayr composed for the Kärntnertortheater, Der Marktschreyer (1799) and Solimann der Zweite (1799) enjoyed the most performances. The latter's success is reflected in Beethoven's set of piano variations (woo76, 1799) on the terzetto 'Tändeln und Scherzen'... Süssmayr, like most Viennese opera composers, used a wide range of national styles in his German works, including Italian seria and buffa idioms, French comique forms, popular German styles, and melodrama. His melodic gift and formal craftsmanship show best in his solos, duets, and trios... " Linda Tyler, et al. in Grove Music Online.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS]
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        Wordsworth, William Wadsworth and Samuel Taylor Coleridge] Lyrical Ballads, with other poems

      T.N.Longman and O.Rees,, London 1800 - 2 volumes. 12mo. Expertly bound in attractive contemporary-style (modern), half straight-grain morocco, spines gilt in compartments. The excessively rare first edition, first issue for volume 2, with lines omitted from poem 'Michael' on p.210 and 3 errata on final leaf; and the second edition (volume 1). Second volume, with 42 new poems and the first appearance of Wordsworth's 40pp. Preface in vol.1 defining his ideas on poetry. "Its outline of the supreme function of poetry, expressed in such phrases as that poetry 'takes its origins from emotion recollected in tranquility', set a new tone; and it became in effect the revolutionary manifesto of the romantic poets of the next generation". Small staining to lower margin of H6-8 of vol.2, some light foxing or soiling, but overall an extremely well-preserved, fresh and bright copy. Becoming a lasting rarity.

      [Bookseller: Nudelman Rare Books]
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        Autograph letter signed.

      N. p., 1 April [before 1800]. - 1 p. with address and fragments of a broken red wax seal on verso. To Gaspard-Francois-Xavier Gaufridi (Gaufridy, 1757-99), his father's longtime legal advisor, describing a complicated legal and financial incident involving six francs, the knowledge of de Sade's family, and a reimbursement, and mentioning his brother Louis-Marie: "Votre lettre m'a extrêmement touché mon cher Gofredi, je vois avec douleur tous les chagrins qu'ont vous donné et je suis prêt à trouver les moyens de les réparer. Si vous n'aviez pas parlé de ses six francs à quelqu'un, je ne vous les aurai point ôté. Mais célà étant venue à la connaissance de ma famille je suis obligé de vous prier de remettre le billet entre les mains de mon frère ou de ma mere. Mais ne vous en affligez pas, car vous en ferez serez bien dedamager parvenu que ceci ne transpire pas et qu'au contraire vous disiez que je vous ai abandonné. Vous saurez bientôt de quoi il est question. Sade" (punctuation added). - Old folds, toning, corners folded.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Die Barbierstube der Abderiten / La Boutique des Barbiers d'Abdera / The Monkeys' Barbershop. Original-Umrißkupferstich.

      Wien, Johann Eder ohne Jahresangabe (um 1800).. Format des Abdruckes ca. 27,2 x 36,1 cm, Blattgröße ca. 30 x 36,3 cm. An den oberen beiden Ecken auf Trägerkarton gefalzt, schwache Randbräunung, gut erhalten. Klassische Schildbürgeriade: Barbiere als Affen, Katzen behandelnd. - Kilian Ponheimer (genannt Kilian Ponheimer der Ältere), österreichischer Kupferstecher fertigte Landschaften nach Brand, Schmutzer, Hunglinger, Janscha, Hackert, von Molitor und Weirotter, er schuf einige Vorlagen für den Wiener Kaufruf nach Vorlagen von Opiz. Siehe Nagler, Bd. 11, S. 490.

      [Bookseller: Antiquariat Stefan Wulf]
 38.   Check availability:     Biblio     Link/Print  


        Landkarte von dem Reiche der Liebe" - allegorische Landkarte Liebe Fantasiekarte Allegorie allegory love map fantasy Kupferstich antique print

      Wien, Reilly 1800 - seltene original Kupferstich-Karte um 1800 - alt von Hand teilkoloriert - Blattmasse: ca.27 x23,5 cm - gut erhalten | rare original copper engraved map from about 1800 - partly handcolored - good condition. | Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! Sprache: Deutsch Gewicht in Gramm: 1500

      [Bookseller: Antiquariat Steffen Völkel GmbH]
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        Reveries sur La Nature Primitive De L'Homme. Sur les sensations, sur les moyens de bonheur qu'elles lui indiquent, sur le mode social, qui conserveroit le plus de ses formes primordiales.

      Paris: J. Ch. Laveaux, De La Tynna, Moutardier, Cerioux , An VIII (1799/1800) - The first complete edition. xviii + 340 pp. 21 x 13 cm. Gold-decorated ivory-coloured boards. Turquoise silk endpapers. Silk page marker. Original spine label. The boards are a bit age darkened and rubbed. Tthere is an owner's name in pencil on a second endpaper, with a small light stain on the rear board. Internally the book is very tight and fresh. E.P. de Senancourt, 1770-1846, was born in Paris, but lived 12 years in Switzerland, returning to Paris c1798. His fame rests on three works of which this is the first. He was a figure of the Romantic Movement, much influenced by Rousseau. Goethe's Werther is also a persistant influence. Neglected in his day he became appreciated later in the nineteenth century. This edition is apparently scarce. Copac lists only one copy of this edition, and that is held in the British Library.

      [Bookseller: Saintfield Antiques & Fine Books]
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        Corografia del Ducato di Ferrara

      Incisione in rame, mm 660x890. Grande carta geografica montata su tela coeva, divisa in 24 stacchi, incisa da Andrea Bolzoni e pubblicata originariamente a Ferrara nel 1758. Terzo stato, dopo quelli del 1758 e del 1782, che presenta l'abrasione del nome del Baruffaldi dalla lastra e la dedica a Francesco II nel cartiglio di sinistra, con data variata a 1800. Si tratta del migliore studio cartografico del Ducato, con grande ovvia attenzione all'aspetto idrografico. Bell'esemplare, lievi ondulazioni della carta.

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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        London Illustrated

      Artist: Cruchley GF; issued in: London; date: ca 1800 - - technic: Lithography; - colorit: original colored; - condition: Very good; - size (in cm): 25 x 37; - description: Book shows 24 big original hand colored Lithography?s of all interesting places in London with silk paper between each print, index of contents: St.Pauls Kath. Thames Tunnel,Tower of London, Trafalgar Square, Westminster Abbey, Marble Arch etc.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        THE SWALLOW: A Fiction. Interspersed with Poetry.

      London. E. Newbery. 1800. xviii, [2], 157, [1 blank], [1 Note], [1 blank] pages. Illustrated with engraved frontispiece dated December 16 1799. Recently re-backed in green vellum to match original, over original marbled boards. 14.0 x 9.3cms. First edition. Inscriptions to front pastedown and front endpaper; edges of boards slightly worn; else an excellent copy. Roscoe J210. Osborne p.272; Gumuchian 3499.

      [Bookseller: David Miles Books]
 43.   Check availability:     Direct From Seller     Link/Print  

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