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Displayed below are some selected recent viaLibri matches for books published in 1761
2017-11-20 12:54:48
Sarpi P.
In Helmstat (ma Verona), per Jacopo Mulleri, 1761-65, poi Verona, nella Stamperia Moroni, 1768, voll. 8 (6 + 2 di supplemento), in-4, legatura coeva in piena pelle, piatti inquadrati da cornicetta in oro, dorsi a 5 nervi con filetti in oro e titolo su tasselli in pelle verde (spellature, mancanze agli scomparti alti e bassi di tre volumi), tagli gialli, pp. VIII, 148, 364 - 443 - [8], 352 - [4], 492 - [4], 388 - [4], CVI, [2], 220 - [8], 391 - [4], 378, [2], l'ultima carta bianca. Con ritratto in antiporta al primo volume, 8 vignette ai frontespizi, 2 tavole incise in rame di ritratti in medaglioni e numerose testate finemente incise in rame. Tipograficamente una delle più belle edizioni. Parenti, Falsi luoghi, p. 103. Gamba, 2082 nota. Brunet, V, 141. Graesse, VI, 272.
Bookseller: Libreria Antiquaria Gozzini [IT]
2017-11-20 12:50:04
DURY, Andrew; KITCHIN, Thomas; AND OTHER ENGRAVERS
Bookseller: Libreria Antonio Pettini [IT]
2017-11-19 17:07:32
LIVRES ANCIENS] ANONYME
Francfort - Leipzig, s.e., 1761; in-18, 168 pp. + 3 ff. dépliantes hors-texte, broché (dos légèrement cassé). Traduction de l'allemand par M. Faesch, Lieut. Colon. dans les Troupes Saxonnes. Texte augmenté avec des Réflexions, par un Officier inconnu, sur une des plus grandes armées d'Europe de l?époque. Illustré de 13 planches gravées en taille-douce. Bon état. [Attributes: Soft Cover]
Bookseller: alphabets [NANCY, France]
2017-11-19 09:54:16
Callimachus
Lugduni Batavorum: apud Samuelem et Joannem Luchtmans, 1761. Lugduni Batavorum:: apud Samuelem et Joannem Luchtmans, 1761. Vellum. Good. 8vo.. 2 volumes. [xxviii] 636, [70]; [i] 844, [52] pages. Volume I has an engraved title page, letter press title page with publishers device below. Volume II has a letter press title page with publishers device below. Illustrations: plates depicting the subjects before each of the hymns, and illustrations of coins, medals etc. throughout. Contemporary Full vellum. Minor shelfwear, bumping of corners, slight bowing, vellum darkened. Titling in faded ink to the spine. Red speckling to page block edges, slight soiling. Page edges yellowed, some spotting. Name to top of fep. Initials of 'PJF' to pastedown, ink price & bookshop book was bought from to the bottom of the rear endpaper. Parallel Greek and Latin texts, notes an preliminaries in Latin.
Bookseller: Pinwell Books (PBFA) [Wooler, United Kingdom]
2017-11-19 08:53:29
Vincenzo BELLINI
Delle monete di Ferrara Trattato di Vincenzo Bellini Bellini è un numismatico (Gambulaga, Ferrara, 1708 - ivi 1783), parroco a Cassana presso Ferrara dal 1737 al 1758, quindi conservatore del museo costituito in città con le sue raccolte. Pubblicò: Dell'antica lira ferrarese di marchesini detta volgarmente marchesana (1754), trattazione esemplare, fondata su ampie ricerche d'archivio; De monetis Italiae medii aevi hactenus non evulgatis quae in suo musaeo servantur dissertatio (1755, con tre supplementi del 1767, 1774 e 1779); Delle monete di Ferrara (1761). L'opera più importante del B. è, però, il trattato Delle monete di Ferrara, al quale egli lavorava sin dal '55 (cfr. Corpus Nummorum Italicorum, X, Roma 1927, pp. 418ss.). In esso la storia della zecca di Ferrara è ampiamente descritta in tutte le sue vicissitudini da Federico Barbarossa a papa Clemente XI, sulla base di una documentazione veramente notevole e con una estrema precisione: solo in poche occasioni l'illustrazione non corrisponde alla descrizione del testo o la moneta non è riprodotta con esattezza. Vi s'incontrano tutti i pregi e i difetti delle opere precedenti e, se pur i riferimenti storici vi sono introdotti non solamente per dare una serie, e continuazione alla principale materia troppo sconnessa e spesse volte per molti anni interrotta, ma ancora per ammollire, e far grato... un argomento assai secco e rincrescevole per se medesimo, vi si sente una sempre maggior preoccupazione di dare a persone e a fatti una più esatta dimensione che agevoli l'effettiva comprensione delle cose passate.
In Ferrara, per Giuseppe Rinaldi. Bellini è un numismatico (Gambulaga, Ferrara, 1708 - ivi 1783), parroco a Cassana presso Ferrara dal 1737 al 1758, quindi conservatore del museo costituito in città con le sue raccolte. Pubblicò: Dell'antica lira ferrarese di marchesini detta volgarmente marchesana (1754), trattazione esemplare, fondata su ampie ricerche d'archivio; De monetis Italiae medii aevi hactenus non evulgatis quae in suo musaeo servantur dissertatio (1755, con tre supplementi del 1767, 1774 e 1779); Delle monete di Ferrara (1761). L'opera più importante del B. è, però, il trattato Delle monete di Ferrara, al quale egli lavorava sin dal '55 (cfr. Corpus Nummorum Italicorum, X, Roma 1927, pp. 418ss.). In esso la storia della zecca di Ferrara è ampiamente descritta in tutte le sue vicissitudini da Federico Barbarossa a papa Clemente XI, sulla base di una documentazione veramente notevole e con una estrema precisione: solo in poche occasioni l'illustrazione non corrisponde alla descrizione del testo o la moneta non è riprodotta con esattezza. Vi s'incontrano tutti i pregi e i difetti delle opere precedenti e, se pur i riferimenti storici vi sono introdotti non solamente per dare una serie, e continuazione alla principale materia troppo sconnessa e spesse volte per molti anni interrotta, ma ancora per ammollire, e far grato... un argomento assai secco e rincrescevole per se medesimo, vi si sente una sempre maggior preoccupazione di dare a persone e a fatti una più esatta dimensione che agevoli l'effettiva comprensione delle cose passate.
Bookseller: Libreria Editrice Belriguardo [IT]
2017-11-18 17:06:04
1761. Antique print, titled: 'Selim III.' - Prints shows a portrait of Selim III. Selim III (1761 – 1808) was the reform-minded Sultan of the Ottoman Empire from 1789 to 1807. Lithograph on wove paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Louis Goubaud' after an anonymous artist. Louis Goubaud (1780-1847) was born in Rome and trained as a history painter. He founded the Calcography Royale in Brussels in 1817. Condition: Excellent, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: E41-11 The overall size is ca. 15.4 x 11.8 inch. The image size is ca. 10.6 x 10 inch. The overall size is ca. 39 x 30 cm. The image size is ca. 27 x 25.5 cm.
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-11-17 12:40:15
--
Paris: Chez L'Auteur, 1761. 8vo (18,0 x 11,4 cm). (4 blanks), 134, 28, 16 (blanks) pp. Contemporary calf with sheepskin spine. Text written in brown and red ink within red and yellow-gilt frames. A nicely executed and very legible 18th-century manuscript, describing extensively all the aspects of the calculation of the yearly calendar dates, especially Easter (paschal full moon). The manuscript is divided into 2 sections: The first part discussing extensively the principles of the calendar calculations. The 2nd section is devoted to the calculation of the times of high tide in different ports with examples of calculations. The whole manuscript nicely executed, probably by one hand only. Our manuscript seems to be an original one and we have not been able to trace a copy of it that has been published in print. The whole manuscript nicely executed, probably by one hand only. Most pages with 14 to 16 lines to the page. First two leaves and last eight leaves blanks. Yellow-gilt of text-frame on sites bit emanated (pp 54/55 and 100/101); outer hinges with small fissure, but firmly holding; corners bumped. Otherwise a fine 18th-century original manuscript on the calculation of the date of Easter.For a full description and more images please visit our website: www.zaalbooks.nl .
Bookseller: Zaal Books [Netherlands]
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2017-11-16 12:50:54
ALBIZZI Tommaso degli.
Manoscritto in folio, datato 1761, composto da lettere, dal progetto vero e proprio, dimostrazioni, ragguagli monetari con le varie monete in uso sulla piazza di Livorno e negli scali del Levante, ecc. In totale cc. 34 tutte in chiara grafia. L'estensore di questo assai articolato, ed originale, progetto era il Capitano della Bocca del Porto di Livorno. Il tallero imperiale era la moneta di riferimento per gli scambi del porto di Livorno con gli scali del Levante (Smirne, Salonicco, Costantinopoli, Alessandria, Candia, ecc.), ed il fine sottointeso da tale progetto era, dopo aver fatto venire i conj da Vienna, portare qualche vantaggio per l'erario del Granducato. Progetto assai interessante che se mostra, da un lato, lo stretto rapporto del Granducato di Toscana con l'Impero Austro-Ungarico, testimonia anche la ferma volontà del Granduca di favorire quanto più possibile l'attività mercantile del porto di Livorno. 38.
Bookseller: Studio Bibliografico Vecchi Libri s.a.s. [IT]
2017-11-15 17:47:38
DU CAILLE (Louis-Alexandre) et LATTRE (Jean)
Paris, chez Ballard Imprimeur du Roy, Rue S. Jean de Beauvais a S. Cécile, [1761]. 1761, 1761. Un volume in 16 (120 x 85 mm) de : [34] ff. doubles montés sur onglets (Frontispice et titre gravés, Table, 31 cartes rehaussées à l'aquarelle, Privilège). Plein maroquin brun d'époque, dos à cinq nerfs orné et titré en lettres dorées, triple filet doré d'encadrement des plats, roulette dorée sur les coupes, tranches dorées. (accrocs au second plat, avec légère atteinte au cinquième caisson). "Bon exemplaire de ce petit atlas comportant trente cartes sur double-page finement gravées et rehaussées, donnant une carte générale du royaume de France suivie de ses généralités et régions. Il est orné d'un frontispice gravé par Tardieu d'après Poussin, et d'un titre gravé par Choffard. Les cartes des ""généralités"", précédée de la carte générale de France (a), sont numérotées de 1 à 29 (n° 16-17 et 22 sont sans numéro, mais correspondent avec la table, la carte 24 est numérotée 23), la carte de Paris est en 2 parties (n°1 b et c)."
Bookseller: Livres anciens et modernes Gilles Hassan [FR]
2017-11-14 22:32:13
THEATER
Boekband van rood halfleer met gemarmerde platten, 5 vergulde vignetjes op de rug, 2e helft 18e eeuw. 17 x 12 cm. 1. Aanspraak gedaan voor Demophontes. (4) p. handschrift.2. Metastasio: Demophontes, treurspel. Amsterdam, Izaak Duim, 1761. (6), 80 p. Met titelgravure.3. Musicale Pantomime De bedrogen Spanjard. (16) p. handschrift.4. [Simon Stijl], Krispyn Filozoof. Blyspel. Amsterdam, Izaak Duim, 1754. (6), 62 p. Met titelgravure door Nicolaas van Frankendaal.5. Danksegging. (2) p. handschrift.Bandje wat versleten. Goed papier, niet afgesneden.l Interessante combinatie van een gedrukte tragedie en een komedie, met een voor-, een tussen- en een naspel in nethandschrift. Wellicht de volledige tekst van een schouwburgvoorstelling uit de jaren 60 van de 18e eeuw, waarin gewoonlijk een tragedie werd gevolgd door een komedie, en deze voorafgegaan en afgesloten werden door een monoloog, die met een tussenspel aan elkaar werden gevoegd. Vergelijk ook met de aanplakbiljetten van Izaak Duim, die bewaard zijn gebleven in de KB en de UvA, waarop beide toneelstukken figureren - maar niet samen in één voorstelling in 1767 ging Demophontes wel samen met De schipbreuk of Lykstaetsie van Krispyn.
Bookseller: Antiquariaat Fokas Holthuis
2017-11-13 21:45:17
[Lauban].
Leipzig-Lauban, Nikolaus Schill Witwe, 1761. 8°. Mit einigen Holzschn.-Vignetten. 2 Bll., 132 S., Mod. marmor. Ppbd. Erstausgabe dieser Sammlung von acht Schriften, welche anläßlich des großen Brandes von 1760 erschienen sind. Luban (deutsch Lauban) ist eine Stadt in der Woiwodschaft Niederschlesien in Polen. Sie liegt 24 Kilometer östlich von Görlitz im seit 1945 polnischen Teil der Oberlausitz. - Durchg. etw. gebräunt bzw. braunfleckig. - Versand D: 9,80 EUR Lauban, Luban, Laubanisches Denkmal des Ernstes und der Güte Gottes; Bestehend in einer Sammlung derjenigen Schriften, die durch den entsetzlichen Brand welcher am 14ten July 1760 diese Sechsstadt beynahe ganz verzehret, veranlasset worden, Niederschlesien, Polen
Bookseller: Antiquariat Wolfgang Friebes
2017-11-12 11:53:53
HINTON, John (The Universal Magazine)
The Universal Magazine of Knowledge and Pleasure, London. First edition. March 1761 issue of "The Universal Magazine of Knowledge and Pleasure". By John Hinton at the King's Arms in Newgate Street London. Size 5-1/4 x 8-1/4. Complete with 59 pages text, a folding copperplate French and Indian Wars period scarce engraving titled "A Perspective View of the City of Quebec, the Capital of Canada" (30 cm x 20 cm) with text on Québec from p.113 to p.116, a hand colored copperplate botanical engraving (by Miller), and a copperplate engraved portrait of Charles Mordaunt Earl of Peterborough with page of text relating to him. Very good condition. The Universal Magazine of Knowledge and Pleasure was a periodical published in London in the period 1747-1814 by John Hinton and W. Bent. The magazine contains interesting articles including a description of Quebec, Seven Years War, news from America, History of London, History of Russia from Voltaire, Q & A of physics, the Whole Duty of Man, etc. Also, each issue contains letters, stories, music, theatre, poetry, foreign affairs, Marriages, Births, Deaths, stock prices, etc. The Universal Magazine is very similar to the Gentleman's Magazine in scope but is not nearly as common. A fascinating read of historical interest. [Attributes: First Edition]
Bookseller: Lord Durham Rare Books (IOBA) [St. Catharines, ON, Canada]
2017-11-12 11:51:50
HINTON, John (The Universal Magazine)
London: The Universal Magazine of Knowledge and Pleasure, 1761. 1st Edition. No binding. First edition. March 1761 issue of "The Universal Magazine of Knowledge and Pleasure". By John Hinton at the King's Arms in Newgate Street London. Size 5-1/4 x 8-1/4. Complete with 59 pages text, a folding copperplate French and Indian Wars period scarce engraving titled "A Perspective View of the City of Quebec, the Capital of Canada" (30 cm x 20 cm) with text on Québec from p.113 to p.116, a hand colored copperplate botanical engraving (by Miller), and a copperplate engraved portrait of Charles Mordaunt Earl of Peterborough with page of text relating to him. Very good condition. The Universal Magazine of Knowledge and Pleasure was a periodical published in London in the period 1747-1814 by John Hinton and W. Bent. The magazine contains interesting articles including a description of Quebec, Seven Years War, news from America, History of London, History of Russia from Voltaire, Q & A of physics, the Whole Duty of Man, etc. Also, each issue contains letters, stories, music, theatre, poetry, foreign affairs, Marriages, Births, Deaths, stock prices, etc. The Universal Magazine is very similar to the Gentleman's Magazine in scope but is not nearly as common. A fascinating read of historical interest.
Bookseller: Lord Durham Rare Books (IOBA) [Canada]
2017-11-12 10:37:23
JÉSUITES - COMMERCE]
- Avec des Notes & ornées de Figures. Au Paraguay, De l'Imprimerie Royale de Nicolas 1er, 1761, in-12, demi-basane rouge, dos lisse orné de filets dorés, tranches jaspées, ff. bl. de papier fort en début et fin de vol. [Rel. de la 1ère moitié du XIXème siècle], lég. frottée, fig. rognées. Titre gravé, 31 pp et 3 planches gravées hors texte. Colon Le Siècle des Lumières XIII, 61:381 signale, pour la même année, une édition in-4, également illustrée, de cette satire en vers contre les jésuites. Ces "Remontrances au Parlement Sur l'Arrêt rendu le 8 May 1761" concernent l'"Arrêt de la Cour du Parlement contre le Général et la Société des Jésuites qui condamne le Supérieur Général et en sa personne le Corps et Société des Jésuites à acquitter pour 1502266 liv. 2 sols 2 den. de Lettres de change tirées par le Frere La Valette sur les Lioncy frreres et Gouffre Négocians à Marseille." Rare pamphlet concernant l'affaire Lavalette, ce missionnaire jésuite dont les spéculations commerciales en Martinique et le retentissant procès qui s'ensuivit précipitèrent la chute des Jésuites. Il égratigne également toutes les activités des jésuites "dans l'Inde", au Canada, en Chine (Ces Peres de leurs prêts reçoivent à Pequin/Jusqu'à trente pour cent l'Evangile à la main"), au Mexique,etc. "Leur Paraguay fournit par ses trésors immenses/De quoi faire partout les plus grandes dépenses". Laurent Ricci, le général des jésuites a droit, lui aussi, à sa salve de "compliments" en vers. L'illustration est non moins éloquente. Elle contient, entre autres, un comptoir de commerce avec la légende: "En Fra … [Click Below for Full Description]
Bookseller: LIBRAIRIE CHAMONAL [France]
2017-11-10 23:27:33
Plowden, Edmund
1761 - First Edition of Plowden's Reports in English Plowden, Edmund [1518-1585]. The Commentaries, Or Reports of Edmund Plowden, Of the Middle-Temple, Esq; An Apprentice of the Common Law, Containing Divers Cases upon Matters of Law, Argued and Adjudged in the Several Reigns of King Edward VI. Queen Mary, King and Queen Philip and Mary, And Queen Elizabeth. Originally Written in French, And now Faithfully Translated into English, And Considerably Improved by Many Marginal Notes and References to All the Books of the Common Law, Both Ancient and Modern. To Which are Added, The Quaeries of Mr. Plowden, Now First Rendered into English at Large, With References, And Many Useful Observations. In Two Parts. With Two New Tables, More Compleat than any Yet Published, The One, Of the Names of the Cases, The Other of the Principal Matters. [London]: Printed by Catharine Lintot, and Samuel Richardson, 1761. vi, [2], 401, [3], 403-567, [1]; 15, [1]; [2], 68; [48] pp. Two parts. Part II has a separate title page beginning: The Second Part of the Commentaries. with the Imprint: "London: Printed for the Translator., 1761." Copperplate portrait frontispiece. Pagination and register continuous. Text complete. Folio (14" x 9"). Contemporary calf, rebacked in period style, blind rules to boards, blind fillets along joints, raised bands, blind ornaments and retained contemporary lettering piece to spine, blind tooling to board edges, hinges mended. Negligible shallow scuffing to spine, moderate rubbing to edges of boards, corners bumped and somewhat worn. Light toning to text, faint spotting … [Click Below for Full Description]
Bookseller: The Lawbook Exchange, Ltd., ABAA ILAB [Clark, NJ, U.S.A.]
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2017-11-10 20:34:39
Joseph Addison
Sakespears Head , in the Strand London: Birmingham, Printed By John Baskerville & J & r Tonson , 1761. A very handsome four vol set with full gilt decoration to spines single fillet to boards gilt edges, marbled endpapers frontis of Addison by G Kneller facing title page all four books are very clean and tight with all pages and plates as called for. Books are heavy & will require extra shipping & insurance than quoted. please feel free to email or phone for more details. Rare.. First Edition. Full Leather. Very Good. Illus. by Frontis & Engravings . Folio.
Bookseller: VANESSA PARKER RARE BOOKS [Westport, MAYO, Ireland]
2017-11-10 20:34:13
Joseph Addison
Sakespears Head , in the Strand London: Birmingham, Printed By John Baskerville & J & r Tonson , 1761. A very handsome four vol set with full gilt decoration to spines single fillet to boards gilt edges, marbled endpapers frontis of Addison by G Kneller facing title page all four books are very clean and tight with all pages and plates as called for. Books are heavy & will require extra shipping & insurance than quoted. please feel free to email or phone for more details. Rare.. First Edition. Full Leather. Very Good. Illus. by Frontis & Engravings . Folio.
Bookseller: VANESSA PARKER RARE BOOKS [Westport, MAYO, Ireland]
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2017-11-10 17:02:38
[COMMON PRAYER], [JANE AUSTEN association].
Cambridge: John Baskerville, 1761 [1762]. 'PRIDE AND PREJUDICE' ASSOCIATION. Third impression of the FIRST BASKERVILLE EDITION, owned by the family of Bishop Porteus (1731-1809), notable Abolitionist, Church reformer, and basis for the character of Mr. Collins in Jane Austen's 'Pride and Prejudice'. Large octavo (25 x 17cm), unpaginated. In contemporary red full morocco, recently re-backed with original gilt-decorated spine pasted over new spine. Elaborate gilt decoration to board borders. Marbled endpapers; all edges gilt. Bookplate of William Wade Porteous, notable bibliophile and collector, to front pastedown. Large calligraphic ownership inscription of Francis Thompson of Helperby, sister to Bishop Porteus, in black ink to flyleaf dated 1775. Repairs to corners and moderate wear to boards; wear and darkening to original leather pasted over new spine. Good overall, restored to an attractive and usable condition.
Bookseller: Adrian Harrington [UNITED KINGDOM]
2017-11-10 17:02:38
[COMMON PRAYER], [JANE AUSTEN association].
Cambridge: John Baskerville, 1761 [1762]. 'PRIDE AND PREJUDICE' ASSOCIATION. Third impression of the FIRST BASKERVILLE EDITION, owned by the family of Bishop Porteus (1731-1809), notable Abolitionist, Church reformer, and basis for the character of Mr. Collins in Jane Austen's 'Pride and Prejudice'. Large octavo (25 x 17cm), unpaginated. In contemporary red full morocco, recently re-backed with original gilt-decorated spine pasted over new spine. Elaborate gilt decoration to board borders. Marbled endpapers; all edges gilt. Bookplate of William Wade Porteous, notable bibliophile and collector, to front pastedown. Large calligraphic ownership inscription of Francis Thompson of Helperby, sister to Bishop Porteus, in black ink to flyleaf dated 1775. Repairs to corners and moderate wear to boards; wear and darkening to original leather pasted over new spine. Good overall, restored to an attractive and usable condition.
Bookseller: Adrian Harrington [UNITED KINGDOM]
2017-11-10 17:02:38
[COMMON PRAYER], [JANE AUSTEN association].
Cambridge: John Baskerville, 1761 [1762]. 'PRIDE AND PREJUDICE' ASSOCIATION. Third impression of the FIRST BASKERVILLE EDITION, owned by the family of Bishop Porteus (1731-1809), notable Abolitionist, Church reformer, and basis for the character of Mr. Collins in Jane Austen's 'Pride and Prejudice'. Large octavo (25 x 17cm), unpaginated. In contemporary red full morocco, recently re-backed with original gilt-decorated spine pasted over new spine. Elaborate gilt decoration to board borders. Marbled endpapers; all edges gilt. Bookplate of William Wade Porteous, notable bibliophile and collector, to front pastedown. Large calligraphic ownership inscription of Francis Thompson of Helperby, sister to Bishop Porteus, in black ink to flyleaf dated 1775. Repairs to corners and moderate wear to boards; wear and darkening to original leather pasted over new spine. Good overall, restored to an attractive and usable condition.
Bookseller: Adrian Harrington [UNITED KINGDOM]
2017-11-09 22:30:17
ROUSSEAU Jean-Jacques
Chez Marc Michel Rey|& Duchesne. - Chez Marc Michel Rey & Duchesne, à Amsterdam [Paris] 1761, in-12 (10x17cm), (12) iv ; 91pp. 407pp. et (4) 319pp. et (4) 255pp. et (4) 331pp. et (4) 308pp. et (4) 293pp. ; 40pp. ; 47pp., 6 volumes reliés. - Una vera prima edizione, che precede l'edizione originale pubblicato lo stesso anno dallo stesso editore. La nostra edizione, noto come Robin, è stata eseguita a Parigi a favore dell'autore, ma "nonostante [lui] di sé" (Rousseau, Confessioni, libro X). Per il grande rammarico di perfezionista Rousseau Malesherbe costretta a vendere la modifica Robin prima di consentire il flusso della edizione olandese. - [FRENCH VERSION FOLLOWS] Véritable première édition, antérieure à l'édition originale parue la même année chez le même éditeur. Notre édition, dite de Robin, fut exécutée à Paris au profit de l'auteur mais « malgré [lui]-même » (Rousseau, Les Confessions, livre X). Au grand regret du perfectionniste Rousseau, Malesherbe - alors censeur de la librairie - contraignit ce dernier à écouler l'édition de Robin avant d'autoriser le débit de l'édition hollandaise. Notre édition comporte, en outre, la préface dialoguée que l'éditeur hollandais n'inclura que dans le second tirage de 1761. Est relié à la suite le Recueil d'estampes pour La Nouvelle Héloïse (Chez Duchesne, Paris, 1761). L'ouvrage est illustré de 10 figures de Gravelot exécutées par Le Mire, Ouvrier, Lempereur, A. de Saint Aubin, Aliamet, Choffard et Flipart. Reliures de l'époque en plein veau marbré blond, dos lisses ornés de filets et fleurons dorés ainsi que de pièces de titre et … [Click Below for Full Description]
Bookseller: Librairie Feu Follet
2017-11-08 10:14:44
Baers, Jan -
Amsterdam, Adam Meyer, 1761. Contemporary blind paper wrapper, (29) engraved pages. Oblong: ca. 19,5 x 32 cm.The titlepage mentions: "In 't Koper gebragt door Chr. Sepp en Zoon." Titlepage + the pages 1-18; 26-30; 34, 45- 48: selection from Baers' two famous calligraphy-books (complete totally 58 pages); perhaps originally published as loose fascicles, so you could combine the pages as you like. All pages engraved with calligraphic texts. Cfr. Bonacini 128; Becker on the Hofer copy: "First edition. There is no prefatory or instructional text"; Berlin 5037; Hutton 6. Good copy.
Bookseller: Antiquariaat SECUNDUS [Netherlands]
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2017-11-07 20:34:59
1761. Antique Master Print, titled: 'Making a cast at a fault.' - A hunting party with dogs Etching & mezzotint engraving on hand laid paper. Watermark: coat of arms with a bend. Description: Source unknown, to be determined. State: Only state. Ref: This is an undescribed variant of a print Burford published in 1761. There are several distintive differences. This variant not in BM.Artists and Engravers: Made by 'Thomas Burford' after 'James Seymour'. Thomas Burford (1710-1774) was a painter and mezzotint engraver, active from 1741 to 1765. He was best known as an engraver of portraits. He was active in London. James Seymour (1702-1752) was an english painter, who specialised in hunting and sports scenes. Condition: Very good, given age. Large margins, some creasing. Light foxing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: R1-030 LATPC The overall size is ca. 16.6 x 11.4 inch. The image size is ca. 14 x 10 inch. The overall size is ca. 42.2 x 29 cm. The image size is ca. 35.5 x 25.3 cm.
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-11-05 19:31:00
Riqueti de Mirabeau Victor
s.e., s.l, 1761. in 16°, br., pp. VIII-413-(1). Esemplare con cuciture molto allentate, privo del dorso e con piatto anteriore staccato. Lievi fioriture al testo. Segni d'inchiostro al margine di poche pagine.
Bookseller: Libreria Antiquaria Borgolungo [Genova, Italy]
2017-11-05 18:53:44
Maximilien de Béthune, Duc de SULLY
London: A. Millar; R. and J. Dodsley; and W. Shropshire. London: Printed For A.Millar, 1761. Three Volumes. 4to. Vol I – portrait frontispiece, xxxiii, 540; Vol II - portrait frontispiece, viii, 555; Vol III – vii, 406, [122] Index. Ownership signature of John Charrington 1826 to the front paste down of each volume together with his bookplate. Charrington Brewery was a brewery company founded in Bethnal Green, London in the early 18th century by Robert Westfield. In 1766, John Charrington joined the company, which then traded as Westfield, Moss & Charrington from the Anchor Brewery in Mile End. It merged with United Breweries of London in 1964 to become Charrington United Breweries, then, after acquiring a number of other breweries, it merged with Bass Brewery in 1967 to become the largest UK brewing company, Bass Charrington, later simply Bass plc. The brewing operations of the company were bought by Interbrew (now Anheuser-Busch InBev) in 2000, while the retail side (hotel and pub holdings) were renamed Six Continents. In 2003 Six Continents split into a pubs business, now known as Mitchells & Butlers, and a hotels and soft drinks business, now known as InterContinental Hotels Group. Contemporary calf, gilt decorated spines with two labels (vol no missing from volume I). Third Edition of the English Translation. As finance minister in the reign of Henry IV, Sully introduced many reforms and removed many abuses of tax-collecting, managing to save between 1600 and 1610 an average of a million livres a year. Sully also served as grand commissioner of public works, superinten … [Click Below for Full Description]
Bookseller: Louis88Books [Andover, United Kingdom]
2017-11-05 16:34:04
Hebel, Johann Peter - Friedrich Becker (Hg.) Em[anuel] Büchel (Ill.)
Gr.8, XVI, 350 S., 7 lithogr. Taf. (davon 6 mehrfach gefaltet), Priv.-HLdr. d. Zt. m. gold. Rückenpräg., Min. berieben, sonst tadellos. EA. Die Lithographien nach Emanuel Büchel (gezeichnet 1761 - 1764) zeigen: Perspectivische Ansicht der Stadt Basel von der Morgenseite, Der Münsterplatz in Basel, Prospect des grossen Münsters und der Rheinbrücke zu Basel, Ansicht der Rhein Brücke zu Basel und Der St. Peterplatz in Basel. Dazu die Tafeln: Das Markgrafenland vom Basler Münster aus gesehen und Scholer, Buchbinder. - Emanuel Büchel, getauft 18.8.1705 Basel, gestorben 24.9.1775 Basel, ref., von Basel. [...] Bäckerlehre, bis 1735 Bäcker und Torschliesser am Steinentor. 1743 Sechser der Brotbäckerzunft, damit Basler Grossrat. B. begann als autodidakt. Kolorist von Kupferstichen anderer Künstler. 1735 schuf er sieben Pratteler Ansichten. Von 1736 an aquarellierte er Pilze, Vogeleier, Pflanzen, mineral. Steine sowie Blasensteine von Tieren und Menschen für Prof. Benedikt Stähelin. Ab 1738 folgten topograf. Ansichten Basels. 1748-63 zeichnete B. Versteinerungen, Landschaften und Ruinen für Daniel Bruckner. Mitarbeit an David Herrlibergers "Topographie der Eidgenossenschaft". Zeichner von Münzen, Medaillen, Siegeln, Wappenbildern und Fossilien, Phantasielandschaften mit röm. Ruinen, Kopien von Grabmälern, Wandbildern u.a. im Basler Münster sowie des Totentanzes im Predigerkloster für den Basler Rat (HLS).
Bookseller: antiquariat peter petrej [Switzerland]
2017-11-05 08:22:57
Hunrichs, J. W. A. und Johann Michael Stock:
Nürnberg, Homann Erben, 1761. ca. 50 x 50 cm (Karte); 55 x 56 cm (Blattmaß); Kolorierte Kupferstichkarte, gestochen von Johann Michael Stock (später in Leipzig Goethes Lehrer im Zeichnen, Stechen und Gravieren) unter Verwendung von Rokoko-Stilelementen. Hinter Passepartout. Sehr guter Zustand. // Zeigt die Grafschaften Oldenburg und Delmenhorst. Oben links Titelkartusche mit Widmung an Friedrich V., unten links Kartusche mit Meilenanzeiger (Oldenburger und Deutsche Meilen), Windrose oben im Jadebusen. Diese Karte ist von dem Deichgrafen und Justizrat Joh. Wilh. Ant.(nicht, wie die Kartusche angibt, L.V.A.) Hunrichs 1761 verfertigt worden und von besonderem Wert deswegen, weil sie erstmalig die Landstraßen und die Amts- und Vogteigrenzen wiedergibt. Seitdem Oldenburg 1667 durch Erbvertrag an Dänemark gefallen war, regierten hier Statthalter des dänischen Königs, zur Zeit der Kartenerstellung Friedrichs V. Hierauf beziehen sich das Monogramm FRD (für Fridericus Rex Danorum) über der Titelkartusche und das kombinierte dänisch-oldenburgische Wappen darunter. Auffällig sind lange Reihendörfer an den Rändern von Mooren und Verkehrswege durch mooriges Gelände, wie zum Beispiel der ?Loyer Mohr Weg? im Verlauf der heutigen Bundesstraße 211 zwischen Loy und Großenmeer sowie eine ?Höltzern Strasse? bei Moorhausen. /hinten [7 Warenabbildungen bei antiquariat.de]
Bookseller: Altstadt-Antiquariat Nowicki-Hecht UG [Leer, NDS, Germany]
2017-11-05 08:22:57
Hunrichs, J. W. A.
ca. 50 x 50 cm (Karte) 55 x 56 cm (Blattmaß) Kolorierte Kupferstichkarte. Hinter Passepartout. Sehr guter Zustand. // Zeigt die Grafschaften Oldenburg und Delmenhorst. Oben links Titelkartusche mit Widmung an Friedrich V., unten links Kartusche mit Meilenanzeiger (Oldenburger und Deutsche Meilen), Windrose oben im Jadebusen. Diese Karte ist von dem Deichgrafen und Justizrat Joh. Wilh. Ant.(nicht, wie die Kartusche angibt, L.V.A.) Hunrichs 1761 verfertigt worden und von besonderem Wert deswegen, weil sie erstmalig die Landstraßen und die Amts- und Vogteigrenzen wiedergibt. Seitdem Oldenburg 1667 durch Erbvertrag an Dänemark gefallen war, regierten hier Statthalter des dänischen Königs, zur Zeit der Kartenerstellung Friedrichs V. Hierauf beziehen sich das Monogramm FRD (für Fridericus Rex Danorum) über der Titelkartusche und das kombinierte dänisch-oldenburgische Wappen darunter. Auffällig sind lange Reihendörfer an den Rändern von Mooren und Verkehrswege durch mooriges Gelände, wie zum Beispiel der Loyer Mohr Weg im Verlauf der heutigen Bundesstraße 211 zwischen Loy und Großenmeer sowie eine Höltzern Strasse bei Moorhausen. /galerie
Bookseller: Altstadt-Antiquariat Nowicki-Hecht UG
2017-11-03 20:35:00
John Baskerville, Birmingham 1761 - Modern half-leather calf with original marbled boards, rubbed on edges. The spine, with black leather label, lettered and lined in gilt, a 5 mm x 3mm smudge halfway down. Internally new cream endpapers; significant browning to frontis and title page and an unsightly brown mark to page viii; contents generally clean and tight with occasional foxing. 15 plates plus vignettes plus frontis. Pp lxxviii, (2), 204, (28). Size: 12mo - over 6¾" - 7¾" tall [Attributes: Hard Cover]
Bookseller: Hugh Hardinge Books
2017-11-02 15:59:13
LE PELETIER DE SAINT FARGEAU ETIENNE
Paris, de l'imprimerie de Louis Cellot, rue Dauphine. Pp. (2) 99 (1). Unito a: DELIGNY. Reponse au memoire intitule: Memoire sur les demandes formees contre le General and la Societe des Jesuites. Paris, de l'imprimerie de H.L. Guerin, and L.F. Delatour, 1761. Pp. 48. Unito a: DELIGNY. Precis pour le Jesuites de France. Paris, de l'imprimerie de H.L. Guerin, and L.F. Delatour, 1761. Pp. 20. Unito a: LE PELETIER DE SAINT FARGEAU ETIENNE. Plaidoyer pour le syndic des Creanciers des sieurs Lioncy freres and Gouffre, negocians a Marseille. Contre le General and la Societe des Jesuites. Paris, de l'imprimerie de d'Houry, 1761. Pp. 55 (1). Unito a: LE PELETIER DE SAINT FARGEAU ETIENNE. Etat de la cause, pur le syndic des Creanciers des sieurs freres and Gouffre, negocians a Marseille. Contre le General and la Societe des Jesuites. Paris, de l'imprimerie de d'Houry, 1761. Pp. 13 (1). Unito a: LE PELETIER DE SAINT FARGEAU ETIENNE. Memoire pour les Jesuites des provinces de Champagne, Guyenne, Toulouse and Lyon, opposans and defendeurs. Paris, de l'imprimerie de J. Chardon, 1761. Pp. 48. Unito a: Memoire a consulter, et consultation pour les Jesuites de France. Paris, de l'imprimerie de L. Cellot, 1761. Pp. 51 (1). Unito a: TARGET GUY JEAN BAPTISTE. Second memoire pour le sieur Cazotte and la demoiselle Fouque; conte le General and la Societe des Jesuites. Paris, de l'impremerie de Michel Lambert, 1761. Pp. 72, 4. Unito a: TARGET GUY JEAN BAPTISTE - ROUHETTE. Memoire sur les demandes formees contre le General et la Societe des Jesuites, au sujet des engagemens qu'elle a contracte pa … [Click Below for Full Description]
Bookseller: Studio Bibliografico Apuleio [Trento, Italy]
2017-11-02 13:54:07
Plate 19: Tabula XVIIII, (2) XVIIII key plates and accompanying text pages (in latin): deal with the human anatomy and show the muscles and nerves on the anterior / front side of a male. Engraving / etching on a verge type of hand-laid paper. Description: This original antique print originates from '?Explicatio tabularum anatomicarum Bartholomaei Eustachii, anatomici summi' by Bernardi Siegfried Albini. ?Published in Leiden, The Netherlands by Joannem & Hermannum Verbeek, 1761. This is in fact a re-edition of the work of Eustachius, first published in 1714 by Giovanni Maria Lancisi, and again in 1744 by Cajetan Petrioli, and then in 1744 by Bernhard Siegfried Albinus, and subsequently at Bonn in 1790. The engravings show that Eustachius had dissected with the greatest care and diligence, and taken the utmost pains to give just views of the shape, size, and relative position of the organs of the human body. The fact that his book became a bestseller more than a century after his death shows the extent of the religious restrictions on anatomists all through the Renaissance.Artists and Engravers: Bartolomeo Eustachi (Italian: 1500 or 1514-1574), also known by his Latin name of Eustachius, was one of the founders of the science of human anatomy. His greatest work, which he was unable to publish, is his Anatomical Engravings. Completed in 1552 the author feared ex-communication by the Catholic Church. Bernhard Siegfried Albinus (originally Weiss) (1697 - 1770) was a German-born Dutch anatomist. Albinus is perhaps best known for his monumental Tabulae sceleti et musculorum corpor … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-11-02 13:54:07
Plate 23: Tabula XXIII, (2) XXIII key plates and accompanying text pages (in latin) deal with the human anatomy and show the nerves and muscles on the back side of a male; temporalis, occipitalis, frontalis, buccinator, masseter, splenius capitis etc. Engraving / etching on a verge type of hand-laid paper. Description: This original antique print originates from '?Explicatio tabularum anatomicarum Bartholomaei Eustachii, anatomici summi' by Bernardi Siegfried Albini. ?Published in Leiden, The Netherlands by Joannem & Hermannum Verbeek, 1761. This is in fact a re-edition of the work of Eustachius, first published in 1714 by Giovanni Maria Lancisi, and again in 1744 by Cajetan Petrioli, and then in 1744 by Bernhard Siegfried Albinus, and subsequently at Bonn in 1790. The engravings show that Eustachius had dissected with the greatest care and diligence, and taken the utmost pains to give just views of the shape, size, and relative position of the organs of the human body. The fact that his book became a bestseller more than a century after his death shows the extent of the religious restrictions on anatomists all through the Renaissance.Artists and Engravers: Bartolomeo Eustachi (Italian: 1500 or 1514-1574), also known by his Latin name of Eustachius, was one of the founders of the science of human anatomy. His greatest work, which he was unable to publish, is his Anatomical Engravings. Completed in 1552 the author feared ex-communication by the Catholic Church. Bernhard Siegfried Albinus (originally Weiss) (1697 - 1770) was a German-born Dutch anatomist. Albinus is perhaps b … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-11-02 13:54:07
Plate 43-45: Tabula XXXXIII, XXXXIII key plate, Tabula XXXXIIII, XXXXIIII key plate, Tabula XXXXV, XXXXV key plate and accompanying text pages (in latin) deal with the human anatomy and show a complete skeleton from the front, back and side. Engraving / etching on a verge type of hand-laid paper. Description: This original antique print originates from '?Explicatio tabularum anatomicarum Bartholomaei Eustachii, anatomici summi' by Bernardi Siegfried Albini. ?Published in Leiden, The Netherlands by Joannem & Hermannum Verbeek, 1761. This is in fact a re-edition of the work of Eustachius, first published in 1714 by Giovanni Maria Lancisi, and again in 1744 by Cajetan Petrioli, and then in 1744 by Bernhard Siegfried Albinus, and subsequently at Bonn in 1790. The engravings show that Eustachius had dissected with the greatest care and diligence, and taken the utmost pains to give just views of the shape, size, and relative position of the organs of the human body. The fact that his book became a bestseller more than a century after his death shows the extent of the religious restrictions on anatomists all through the Renaissance.Artists and Engravers: Bartolomeo Eustachi (Italian: 1500 or 1514-1574), also known by his Latin name of Eustachius, was one of the founders of the science of human anatomy. His greatest work, which he was unable to publish, is his Anatomical Engravings. Completed in 1552 the author feared ex-communication by the Catholic Church. Bernhard Siegfried Albinus (originally Weiss) (1697 - 1770) was a German-born Dutch anatomist. Albinus is perhaps best known … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-11-01 12:32:41
Venni, Giuseppe.
1761. Venezia, Antonio Zatta, 1761; cartonato, pp. 152, 3 tavv. b/n, ill. b/n, cm 22x30,5. italiano cartonato
Bookseller: Libro Co. Italia s.r.l.
2017-10-31 14:59:26
- Antique print, titled: 'Italie Volgens de Allernieuwste Uitgave van den Heere d'Anville.' - Attractive detailed map, based on D'Anville's important map of Italy. The map extends to Sicily, Corsica, Sardinia, and Majorca. A small inset shows Malta in relation to Sicily. The title is enclosed in a decorative cartouche. Engraving / etching with hand colouring on hand laid (verge) paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Isaak Tirion' after an anonymous artist. Made by 'Isaak Tirion' after an anonymous artist. Isaak Tirion, a Dutch publisher in Amsterdam, was born 1705. He produced serveral Atlases and Dutch town plans. The maps mainly based on those of Guillaume de l'Isle. He died in 1765. Condition: Good, given age. Crease lower right. Original folds as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-Iscra-B12-30 The overall size is ca. 18.4 x 16.3 inch. The image size is ca. 17.4 x 15.1 inch. The overall size is ca. 46.7 x 41.3 cm. The image size is ca. 44.3 x 38.4 cm.
Bookseller: ThePrintsCollector
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2017-10-31 14:59:26
- Antique print, titled: 'Italie volgens de allernieuwste van den Heer d' Anville ' - A map of Italy, with Corsica, Sardinia and Sicilia. A small inset map of Malta. Originally hand coloured engraving on laid paper. Description: Published by I. Tirion as part of 'Nieuwe en Beknopte Hand Atlas', 1761 ed.Artists and Engravers: Made by an anonymous engraver after 'Jean Baptiste Bourguignon d'Anville'. Isaak Tirion (1705-1765) was a Dutch publisher in Amsterdam. He produced serveral Atlases and Dutch town plans. Condition: Excellent, given age. Original middle fold as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: B14-31 The overall size is ca. 20.7 x 16.2 inch. The image size is ca. 17.6 x 15 inch. The overall size is ca. 52.6 x 41.1 cm. The image size is ca. 44.6 x 38.2 cm.
Bookseller: ThePrintsCollector
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2017-10-31 12:53:17
2 Antique master prints, untitled. A ship's wharf & A bend in the river with a ship. Printdrawing on laid paper paper. Watermark: A printdrawing is a work of art made to simulate a drawing, using a combination of graphical techniques including roulette, mezzotint, crayon / stipple engraving, etching and aquatint etching. Description: Made in 1761, published in 1765 State: Only state Ref: LNP 2 & 3. signed in pencil on the backArtists and Engravers: Made by 'Cornelis Ploos van Amstel' after 'Herman Saftleven'. Cornelis Ploos van Amstel (1726-1798) was active as merchant in Amsterdam. He was an avid collector of art and invented a method of making prints after drawings from his own collection. Herman Saftleven (1609-1685), Dutch painter, engraver and draughtsman. Condition: Very good, given age. No margins, as published, together on the original support. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: LA-B3-02 The overall size is ca. 2.6 x 3.6 inch. The image size is ca. 2.6 x 3.6 inch. The overall size is ca. 6.5 x 9.1 cm. The image size is ca. 6.5 x 9.1 cm. [Attributes: Signed Copy]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
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2017-10-30 15:21:36
ANONIMO.
S.t, 1761. 2 voll., in 8°, p. pelle, pp. LXXII + 187 + 328. Nervi. Tagli rossi. Carta forte. Ampi marg. Lettere e fregi in o. ai d.
Bookseller: Libreria Cicerone M.T.
2017-10-29 22:18:12
- Plate 13: Tabula XIII, XIII key plate and accompanying text pages (in latin): deal with the human anatomy and show the urinary system, kidneys, ovaries, aorta, arteries etc. Engraving / etching on a verge type of hand-laid paper. Description: This original antique print originates from '?Explicatio tabularum anatomicarum Bartholomaei Eustachii, anatomici summi' by Bernardi Siegfried Albini. ?Published in Leiden, The Netherlands by Joannem & Hermannum Verbeek, 1761. This is in fact a re-edition of the work of Eustachius, first published in 1714 by Giovanni Maria Lancisi, and again in 1744 by Cajetan Petrioli, and then in 1744 by Bernhard Siegfried Albinus, and subsequently at Bonn in 1790. The engravings show that Eustachius had dissected with the greatest care and diligence, and taken the utmost pains to give just views of the shape, size, and relative position of the organs of the human body. The fact that his book became a bestseller more than a century after his death shows the extent of the religious restrictions on anatomists all through the Renaissance.Artists and Engravers: Bartolomeo Eustachi (Italian: 1500 or 1514-1574), also known by his Latin name of Eustachius, was one of the founders of the science of human anatomy. His greatest work, which he was unable to publish, is his Anatomical Engravings. Completed in 1552 the author feared ex-communication by the Catholic Church. Bernhard Siegfried Albinus (originally Weiss) (1697 - 1770) was a German-born Dutch anatomist. Albinus is perhaps best known for his monumental Tabulae sceleti et musculorum corporis humani, … [Click Below for Full Description]
Bookseller: ThePrintsCollector
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2017-10-29 22:18:12
Plate 1-8 on 4 sheets: Tabula prima-octava and accompanying text pages (in latin): deals with the endocrine system and shows kidneys etc. Engraving / etching on a verge type of hand-laid paper. Description: This original antique print originates from '?Explicatio tabularum anatomicarum Bartholomaei Eustachii, anatomici summi' by Bernardi Siegfried Albini. ?Published in Leiden, The Netherlands by Joannem & Hermannum Verbeek, 1761. This is in fact a re-edition of the work of Eustachius, first published in 1714 by Giovanni Maria Lancisi, and again in 1744 by Cajetan Petrioli, and then in 1744 by Bernhard Siegfried Albinus, and subsequently at Bonn in 1790. The engravings show that Eustachius had dissected with the greatest care and diligence, and taken the utmost pains to give just views of the shape, size, and relative position of the organs of the human body. The fact that his book became a bestseller more than a century after his death shows the extent of the religious restrictions on anatomists all through the Renaissance.Artists and Engravers: Bartolomeo Eustachi (Italian: 1500 or 1514-1574), also known by his Latin name of Eustachius, was one of the founders of the science of human anatomy. His greatest work, which he was unable to publish, is his Anatomical Engravings. Completed in 1552 the author feared ex-communication by the Catholic Church. Bernhard Siegfried Albinus (originally Weiss) (1697 - 1770) was a German-born Dutch anatomist. Albinus is perhaps best known for his monumental Tabulae sceleti et musculorum corporis humani, which was first published in Leiden in … [Click Below for Full Description]
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-28 16:56:02
[VILLENEUVE (Daniel Jost de)]
Amsterdam, Aux dépens de la l'éditeur, 1761, 1761 2 volumes in-12, XXIV-339, VI-384 pp. Reliure plein veau époque, dos lisses ornés, pièces de titre rouge.(infimes différences de décor sur les dos, dos et mors restaurés sur un volume, coiffes restaurées). Ex libris manuscrit de l'écrivain Félix Nogaret (1740-1831) Édition originale. Quérard, Supercherie Littéraire II-791. Cioranescu 63462. Un des chefs-d'oeuvre de la littérature utopique du XVIIIe siècle, de l'auteur nous ne savons rien, Quérard nous indique qu'il fut directeur des finances de Toscane. (voir l'Exposition de la BNF "Utopie, la quête de la société idéale en Occident"; Versin; Servier) Près des chutes du Niagara, dans le désert, le narrateur entend des voix, il s'approche et découvre un vaisseau de structure singulière... La charpente était de liège, les mâts de roseaux, les voiles d'un tissu serré..., les cordages formés de ces filamens appelés chevelure de Vénus : l'équipage avait pour rames des éventails énormes et pour ancre un cerf-volant d'une grandeur immense avec une queue aussi longue que celle d'une comète de la sixième classe, chargée de vessies innombrables". Le narrateur décrit ensuite la vie sur la lune ou la population semble vivre dans une totale harmonie, ainsi que les avancées technologiques de cette civilisation lunaire. Exemplaire du littérateur Félix Nogaret (1740-1831) auteur prolifique, notamment du célèbre "Fond du sac". Son ex-libris manuscrit est suivi d'un petit commentaire de l'ouvrage de sept lignes.
Bookseller: Librairie Giard [France, Lille]
2017-10-28 12:04:07
1761. Map : 'Belgica Foedrata .' (Map of the Netherlands.) Copper engraved hand coloured map of the seven provinces, now the Netherlands. Stunning large cartouche with the coats of arms of Zeeland, Holland, Utrecht, Friesland, Groningen and Overijssel. Also depicted is Neptune and several sailing ships. Also a cartouche with scale. Copper engraving on verge type hand laid paper with watermark. Later hand colouring. Description: Published in Augsburg, 1761.Artists and Engravers: Tobias Conrad Lotter was born 1717 in Germany. He became a publisher and engraver in Augsburg. He was engaged by Matthias Seutter the elder as an engraver and married his daughter. He also was successful with his own business and became one of the better known German cartographers. After his death in 1777, the business was continued by his son Matthias Albrecht Lotter. Condition: Excellent; general age related toning; some light staining from handling. Original middle fold as issued. A few tiny wormholes backed. Lower middle fold a bit separated, backed. Storage location: B24-22 The overall size is ca. 24 x 20.1 inch. The image size is ca. 23 x 18.7 inch. The overall size is ca. 61 x 51 cm. The image size is ca. 58.5 x 47.5 cm.
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-28 12:04:07
Antique print, titled: 'Belgica Foederata Complectens Septem Provincias, Ducatum Geldrae, Comitatus Hollandiae et Zeelandiae, Dioec: Traject: Transisul: Groningam et Frisiam.' - Handsome map of the 7 Provinces. Decorated with a very large cartouche showing the coats of arms of Zeeland, Holland, Utrecht, Friesland, Groningen and Overijssel. Also a depiction of Neptune. With compass rose and a scale cartouche. Copperplate engraving / etching with contemporary hand colouring on hand laid paper. Description: Published by Lotter, Augsburg, 1761.Artists and Engravers: Made by 'Tobias Conrad Lotter' after an anonymous artist. Tobias Conrad Lotter was born 1717 in Germany. He became a publisher and engraver in Augsburg. He was engaged by Matthias Seutter the elder as an engraver and married his daughter. He also was successful with his own business and became one of the better known German cartographers. After his death in 1777, the business was continued by his son Matthias Albrecht Lotter. Condition: Good, given age. Some paper separation and minimal paper damage in the lower edge of the middle fold (slightly affecting the image), backed with acid-free archival tape. A few small unobtrusive spots. A few light wrinkles. Original middle fold as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B5-46 The overall size is ca. 23.8 x 19.5 inch. The image size is ca. 23 x 18.6 inch. The overall size is ca. 60.5 x 49.5 cm. The image size is ca. 58.3 x 47.3 cm.
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-10-28 10:08:43
Boscovich, Rogerius Josephus.
Venedig Zatta, 1761. (17,5 x 11,5 cm). XLIII, 343 S. Mit gestochener Titelvignette. Dekorativer Lederband der Zeit mit reicher Rückenvergoldung. Erste in Venedig veröffentlichte Ausgabe, vom Autor überarbeitet und verbessert. Erstmals 1760 in London erschienen. - "A long didactic poem. contains a useful summary of contemporary views on the eclipses of the Sun and the Moon" (L. L. Whyte: R. J. Boscovich S. 179). - Schmutztitel mit Besitzvermerk von alter Hand. Vereinzelt gering stockfleckig. Rechte obere Ecke gegen Ende mit kleinem schwachen Wasserrand. Ein Blatt mit kleinem Eckabriss (ohne Textverlust). Einband gering berieben und bestoßen. Insgesamt wohlerhaltenes Exemplar in dekorativem Einband. - Ricardi I, 181 (55/2) [Attributes: Hard Cover]
Bookseller: Antiquariat Gerhard Gruber [Heilbronn, Germany]
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2017-10-28 09:27:52
Amat y Junient, M. de
s/e, (Perú) 1761 - JUICIO DE RESIDENCIA DEL GOBERNADOR Y CAPITÁN GENERAL DEL REINO DE CHILE - Folio; cartoné moderno. BELLO IMPRESO LIMEÑO. El juicio de residencia consistía en someter a la consideración de las autoridades la actuación de los funcionarios que dejaban sus puestos por cualquier razón; se examinaban las cuentas y se retenían sus sueldos hasta comprobar que estaba todo en orden; así sucedió en este caso en que Amat fue ascendido a Virrey del Perú; curiosamente incluye loas poéticas al principio y al final del impreso; es remarcable la calidad de impresión de esta obra , sobretodo la portada enmarcada por una orla de 4 tipos de hierros ornamentales , totalmente inusual en esta imprenta. 2 ejemplares en OCLC. "RESIDENCIA" TRIAL OF THE GOVERNOR OF CHILE - A BEAUTIFUL LIMA IMPRINT. Folio; modern hard wrappers. The residencia trial involved the placing under consideration of the authorities the actions of functionaries when leaving their posts for any reason; accounts were examined and salaries were withheld until it was shown that all was in order; such occurred in this case when Amat was elevated to Viceroy of Peru; curiously, it includes poetic praise at the beginning and end of the imprint; the quality of printing of this work is remarkable, especially the title page framed by 4 types of ornamental irons, entirely unusual in this press. 2 copies in OCLC. 11 pp páginas [Attributes: Soft Cover]
Bookseller: Libreria de Antano (ILAB & ABA Members) [U.S.A.]
2017-10-28 06:51:40
Joinville Jehan (de), Nangis Guillaume (de)
Imprimerie Royale, Parigi, 1761. Volume in folio legato in pelle (conservati parte dei piatti originali con le Armi del Re di Francia in ampi tondi dorati), dorso a nervi, sguardie, frontespizio con ampia vignetta incisa in rame, XXII, 558, CLXXXIII pp., una (di due) carta incisa ripiegata ft. Importantissimo trattato sul regno di San Luigi di Francia, annota ogni avvenimento politico, sociale, economico e guerresco accaduto facendo riferimento ai manoscritti originali ed alle analisi storico politiche dell'epoca. Ad essi è aggiunta una puntigliosa vita del santo Re, delle Sue gesta e dei miracoli a Lui attribuiti. Le ultime CLXXXIII pagine sono occupate da un ampio ed esauriente glossario e da un amplissimo indice. Da notare la presenza di timbri di antica biblioteca straniera. Notande le vignette ed i culs de lampe davvero squisiti, incisi in rame da Eisen, Gravelot, Le Mire et Sornique. Splendida ed assai poco comune opera qui presentata in più che buono stato, poche e davvero ininfluenti le mende d'uso e le rarissime arrossature. Importante, peccato davvero per la tavola corografica mancante.
Bookseller: Accademia degli Erranti di Vada Monica [Torino, Italy]
2017-10-28 06:39:29
Anon.
Vienna, February 2nd . 1761 - Copper engraving (Very Good, uncut margins, remainder of other platemark in the lower blank margins) 58 x 44 cm (22.8 x 17.3 inches). An extremely rare 18th century broadside in Old Slavic Church Cyrillic, printed in Vienna, showcases an icon, made by the bishop of the Serbian Orthodox church, Arsenije Radivojevi_, for the only Serbian church in Slovakia. This extremely rare broadside is a copper engraved copy of an Orthodox painted icon, and showcases an image of young Virgin Mary, accompanied by her parents St. Anna and St. Joachim to the presentation to the temple to St. Zacharias, followed by a group of angels. The interior of the temple is decorated with Baroque rocaille ornaments and an image of the Annunciation in the upper part. The text below is written in the old Slavic Church Cyrillic script and is ornated with an image of the Serbian church in Komárno in today’s Slovakia. The painted icon was ordered by a bishop of the Serbian Orthodox Church in the Eparchy of Buda, Arsenije Radivojevi_ (1759-1769) for the decoration of the Serbian church in Komárno, consecrated to the Presentation in the Temple. The Eparchy of Buda (Budapest) in the 18th century covered the Serbian Othodox church on the territory of Hungay, which included parts of today’s Croatia, Slovakia and Czech Republic. The beginnings of this only Serbian Orthodox Church in Slovakia go to the year 1756, when the bishop of the Eparchy of Buda, Dionisije Novakovi_, started building the church. In 1759 Radivojevi_ took over the patronage over the construction, which wa … [Click Below for Full Description]
Bookseller: Antiquariat Dasa Pahor [Germany]
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