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Displayed below are some selected recent viaLibri matches for books published in 1760

        Epistola ad regio-Borussicam societatem litterariam Duisburgensem de studii ichthyologici faciliori ac tutiori methodo adiectis nonnullis speciminibus una cum tabula aeri incisa figuras coloribus suis distinctas exhibente.

      1760 - Regensburg, typis Weissianis, 1760. 4:o. 24 pp. & 1 folded hand-coloured engraved plate. Modern reddish-brown paper covered boards with dark blue title label (bound by Johanna Röjgård). Old marbled edges. Nice copy. Nissen Die zoologische Buchillustration 3627. The plate signed by I. St. Loibel. [Attributes: Hard Cover]

      [Bookseller: Mats Rehnström Rare Books SVAF, ILAB]
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        Scenographia Pontis hodie Mollis

      Rome - John Wilton-Ely 600The watermark that is present is number 33 in John Wilton-Ely on page 1161 and is dated between 1760 to 1761.This print is from the series \"Il Campo Marzio dell\' Antica Roma\"\"The Campo Marzio occupies a special place in Piranesi\'s artistic development, in terms of both his ideas and his imaginative use of visual techniques in support of them. Like the other treaties of the 1760s, this work is a sophisticated blend of archaeology and polemic in which historical evidence is employed to defend the creative genius of Rome. There are also sugns of the artist\'s growing concern with the problem of modern design, and the publication is, significantly dedicated to the British architect Robert Adam, who shared Piranesi\'s belief in the imaginative use of antiquity.\" (John Wilton Ely II pg 613)Giovanni Battista Piranesi was one of the leading figures in the development of the neoclassical style in the late 18th Century. As architect, archaeologist, artist, designer, collector, and antiquities dealer, he produced a series of etchings and engravings depicting the glories of ancient Rome. These fine prints served as source material for other architects and designers. He was born in Venice on the 4th October 1720. The son of a stone-mason, he was educated as an architect under his maternal uncle Matto Lucchesi and under Carlo Zucchi. In 1740 Piranesi left Venice for Rome, there he studied etching under Giuseppe Vasi. He appears to have had little success in these early years in Rome and as his father was unable to continue his allowance returned to Venice in 1744. He was soon, however, encouraged to return to Rome by Giuseppe Wagner, a successful engraver and publisher of Venice. This time he achieved success, and a constant series of works, illustrating architecture and antiquities, issued from his studio until his death in 1778. His output in etched plates is enormous (about 1000 numbers in all). While he achieved a work of magnitude in pictorial records of Roman monuments of antiquity and of the Renaissance, and gave immense archæological, antiquarian, and topographical value to this work, the artistic quality always predominates. He was fond of peopling his ruins with Callot-like figures, and \"like Callot makes great use of the swelling line\" (Hind). He had two sons and a daughter, all of whom helped him in his work and after his death carried on his publications in Rome and Paris. They were Francesco (born 1748 or 1756; died 1810), Pietro (who lived till after 1807) and Laura (born 1750). His position in Rome and in Europe after 1760 was a prominent one. He was well-known figure to the wealthy English visitors in Rome and was elected a Fellow of the Society of Antiquaries in 1757. Most of his life was passed in Rome, etching, writing, publishing, and directing a workshop in which the restoration and sale of antiques played a considerable part.He was famous for his poetic views of Rome and also his fantastic imaginary interiors. His skills, allied to his deep knowledge of archaeology, provided the substance for his Vedute (Views), a series of 135 etchings of ancient and contemporary Rome, published from 1745 onwards, which established the popular mental image of the city. Ornamenti Antichi was a collection of 110 etchings documenting large sculptural vases, together with other antiquities excavated (and in some cases created) in Italy in the 18th century. The prints were initially separately issued and sold by Piranesi over a period of several years and subsequently collected in two folio volumes, each with its own title page, in 1778. They illustrate a wide range of genuine antiquities, as well as Piranesi\'s own collections, from utilitarian objects such as cinerary urns, lamps, and sarcophagi to monumental vases. The plates in Vasi often included text by Piranesi with information about where the objects were discovered and their contemporary location, and the prints bore dedications to his patrons,

      [Bookseller: Alexandre Antique Prints, Maps & Books]
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        Friedrich II., der Große (Berlin 24. 01. 1712 - 17. 08. 1786 in Potsdam). König von Preussen. Großes Brustbild des jungen Königs im Oval auf einem Sockel, "Frederic II Roi de Prusse Electeur de Brandenbourg",.

      . Kupferstich v. J. G. Wille n. A. Pesne, um 1760, 37,7 x 27,2 (H). Von Campe 513; Le Blanc 151 II. Drugulin 6747. - Kupferstich von J. G. Wille (1715 Bieberthal - 1808 Paris). - Kleine Mängel fachgerecht restauriert und angerändert (1cm). - Wichtiges und seltenes zeitgenössisches Porträt. - Schönes Blatt.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Les Royaume D'Aragon.

      1760 - Paris: Jean Baptiste Nolin Jr., c. 1760. 550 x 430mm, in original outline colour. Trimmed to the engraved border and laid on paper for inclusion in a contemporary composite atlas. With two library stamp on the verso, a lion rampant on a shield surmounted by a crown. Scarce map of eastern Spain, centred on the city of Zaragossa, edited from the cartographic materials of Rodrigo Mendes de Silva, among others.

      [Bookseller: Altea Antique Maps]
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        Essai sur l'histoire oeconomique des Mers Occidentales de France.

      Paris, Claude J.-B. Bauche 1760 - One volume in 8vo; pp. (8), 300 + 4 pp contents; contemporary marbled calf, spine gilt in compartments with red gilt lettering-piece, marbled endpapers and marbled edges, very little rubbed, clean traces of damp stain in places, else clean and crisp, a good copy. Rare first edition. The author, doctor of the faculty of Caen and member of the Academy of Rouen, is best known for his utopias. In this work he describes the products of the sea, the process of fishing and French fisheries. His approach is historical, technical and economic. Higgs 2211, Kress 5907, Goldsmiths 9557 [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Dieter Stecher]
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        Lettres et Memoires Pour servir a L'histoire Naturelle, Civile et Politique Du Cap Breton, Depuis Son Etablissment Jusqu'a La Reprise De Cette Isle Par Les Anglois En 1758

      The Hague and London: Pierre grosse and Jean Nourse, 1760. 12mo., (6 4/8 x 4 inches). Half-title. Contemporary French mottled calf, spine in six compartments with five raised bands, red morocco lettering-piece in one, the others decorated with small floral tools (head of the spine chipped with minor loss and lower joint just starting, corners worn with minor loss). First Edition of "One of the few reliable published sources...about the French in Acadia during the 18th century"(DCB). "Pichon came to Canada from France in 1751 as secretary (till 1753) to the governor of Cape Breton (Jean-Louis de Raymond); he served in the vicinity till 1758...(TPL). "Pichon's work, composed in the form of letters written from Louisbourg, beginning in 1752 and ending with the capitulation of that fortress to the English in 1758, constitutes one of the few reliable published sources about the French in Acadia during the 18th century"(DCB). The letters provide a clear and accurate description of Ile Saint-Jean (Prince Edward Island), the trade with New England, the manners and customs of the Micmac and Malecite Indians, the French government in Louisbourg, military events and the causes of the war. One of Pichon's major responsibilities during his brief appointment was preparing the governor's reports to France, a task which allowed him to gather much valuable information he was to use in the writing of this book. Sent to Fort Beausejour (Chignecto), in 1753 he succumbed to the bribes of the commanding officer at Fort Lawrence, Captain George Scott and for more than a year engaged in espionage and subterfuge against the French under the assumed name Tyrell. The information he sold to Scott apparently enabled Col. Robert Monckton to capture the French fort at Chignecto in 1755. After some time spent as a prisoner of war, Pichon retired to England, where he was awarded a pension. Lande 710; Sabin 62610; Staton & Tremaine/TPL 274. For more information about this book, or a warm welcome to see it and other books in our library at 72nd Street, NYC, please contact Kate Hunter, M.A. Oxon, in the Rare Book Department.

      [Bookseller: Arader Galleries]
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        Ynddiddan Rhwng Wr Dall Ar ANGEU Neu Rybydd I Bawb Ynghyd Annogaeth I Ymbaratoi.

      Thomas Durston?, Shrewsbury? 1760 - Ynddiddan Rhwng Wr Dall Ar ANGEU Neu Rybydd I Bawb Ynghyd Annogaeth I Ymbaratoi Erbyn Awr Angeu. Gwrandewch Addyfc a Byddwch Ddoethion, Nag Ymwrthodwch a Hi. Dihar 8. 30. Shrewsbury?, Thomas Durston? c 1760?, 10*16.5cm, 16 pp, large woodcut of death discoursing with a man on title page, some outer margins shaved, affecting a few letters. A rare 18th century Welsh Ballad, a dialogue between death and an old man in 98 stanzas, beginning: Yr heneint mwyn Penllwydion, gwyr Ifenge teg ei gram, A ddeweh yn nes ei wrando, yn fawrion ag yn fan . The subtitle roughly translates as a warning for all with help for preperation for the hour of death. The woodcut on the title page shows a skeletal figure of Death with an arrow discoursing with an old man. The title-page of another 18th C edition of this ballad, printed by Thomas Durston at Shrewsbury, with the same woodcut of death and the old man, is reproduced as image 51 in Philip Henry Jones (ed), A Nation and its books, a history of the books in Wales (Aberystwyth, 1998). The accompanying caption reads An eighteenth-century Shrewsbury printed ballad, Ymddiddan rhwng Hen wr Dall ar Angeu. For once, the illustration related to the text: Death holds forth to the blind old man. First published in Cynghorian Tad i'w Fab (London, 1683). This ballad retained its popularity well into the nineteenth century. Due to the same woodcut being used it would seem likely that this edition was also printed in Shrewsbury. Not in Rees. Davies, A bibliography of Welsh Ballads (London 1911) records another edition printed by Thomas Durston (no 5). This edition not in ESTC. ((Based on Richard Standfast's Dialogue between a blind man and death))

      [Bookseller: Madoc Books]
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        "Gros-Tems sur les Cotes d'Angleterre".

      . Kupferstich um 1760/1770, nach L. Backhuysen (1631-1708), auf Bütten. 29:37,5 cm. Mit Wasserrand unten. Literatur: Nagler 2, der es als "schönes Blatt" bezeichnet.. Marie-Anne war die Tochter des Stempelschneiders A.E. Rousselet. Auch ihre Schwester Madeleine Therese wurde Kupferstecherin. Seit 1757 war sie mit dem in Paris tätigen Kupferstecher P.F. Tardieu (1711-1771) verheiratet, mit dem sie zusammenarbeitete.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Des Semis et Plantations des Arbres, et de Leur Culture

      Paris: H.L. Guerin & L.F. Delatour, 1760. First Edition. Hardcover (Full Leather). Very Good Condition. Full contemporary calf, worn, front cover detached but present, rear cracked but sound, headband frayed. Well worn at the corners and with an old bookplate from the Arnold Arboretum library (marked duplicate), small stain to the rear endpaper in the gutter affecting the inner margin of a number of the plates, but not touching any plate images. Title browned, scattered minor browning and staining, but mostly very clean. With 16 folding plates at the rear and one earlier on - 17 plates in all. lxxx, 383, (1), 27, (1), 10pp. Size: Quarto (4to). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Gardening; Inventory No: 045195.

      [Bookseller: Pazzo Books]
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        The Praise of Hell: Or, A View of the Infernal Regions (2 Vols.)

      London: G. Kearsly, 1760. "Containg Some Account of the Advantages of That Place, With Respect to Its Antiquity, Situation, and Stability. Together with a Description of Its Inhabitants; Their Dresses, Manners, Amusements, and Employments. To Which Is Added A Detail of the Laws, Government, and Constitution of Hell." 1st English language edition, 1760, originally published in French the previous year as "Eloge d'Enfer". A very clean, well-preserved set. Modern quarter calf over marbled boards. Raised bands, bright gilt-lettering to spines, new endsheets. A solid VG+ to Near Fine set with only light, occasional foxing. 2 beautiful engraved frontispieces, 6 plates. 16 mos, 415 pgs. all told. A puzzling work in which the author appears to make Lucifer's home seem more attractive than the alternative. He tells of the many important figures of the church who reside there, such as Alexander VI, and the many learned divines, including Albertus Magnus and Duns Scotus. Hell is easy to get to, so legend has it, and one meets all the most important people there. A wonderfully wicked--and very attractive-- mid 18th century look at hell. . First Thus. Collectible; Very Good.

      [Bookseller: Appledore Books, ABAA]
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        Votivtafel in Form eines kleinen Altars: Danksagung für Errettung der Kuh aus dem Morast.

      1760.. Farbenfrohe Votivtafel aus dem Jahre 1760 *1760 ExVoto. Josef Walz* mit 2 Schutzmadonnen und untenstehenden Personen bei der Errettung einer Kuh aus einem Sumpfloch. Die Tafel in Öl auf Holzplatte mit Portikus, sowie 2 Säulen am Außenrand und Unterrand, alles farbig bemalt. Gesamtgröße ca. 32 x 23,5 cm . Guter Zustand. - selten - ( Gewicht 650 Gramm ) >>>Votivtafeln sind Dankbilder für die Erhörung eines Gebetes <<< ( Pic erhältlich // webimage available ).

      [Bookseller: Buchhandlung & Antiquariat Friederichsen]
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        La gnomonique pratique, ou l'art de tracer les cadrans solaires avec la plus grande précision, par les meilleurs méthodes, mises à la portée de tout le monde. Avec Des Observations sur la manière de régler les Horloges.

      Chez Briasson 1760 - - Chez Briasson, A Paris 1760, In 8 (12,5x19,7cm), (6) xxij, 404pp. (2) 35Pl., relié. - Nouvelle édition, l'originale semble avoir paru en 1755 illustrée d'un frontispice par Gazot, gravé par Maniere, et de 34 planches dépliantes en fin de volume gravées par Meunier, ainsi que d'une grande carte dépliante de France dessinée par Bonne. Plein Veau d'époque marbré. Dos à nerfs orné. pièce de titre en maroquin rouge. 3 coins émoussés. Bon exemplaire. Sans aucun doute un des meilleurs traités généraux de gnomonique, en outre parfaitement illustré, réalisé sous le patronage de l'Académie des Sciences par l'érudit et savant bénédictin François de Bedos de Celles (1709 - 1779). L'avantage certain de ce traité tient tout entier dans la clarté de sa pratique et de son exposition, lesquelles permettent une application aisée et minutieuse. (6) xxij, 404pp. (2) 35Pl. [Attributes: Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Numismata antiqua a Marchione Jacobo Musellio recens adquisita aliis ab eodem iam editis addenda.

      - Veronae, 1760 (Veronae, apud Augustinum Carattonium [.], 1760), in-folio, cartonatura rustica coeva, pp. [6], 115, [1], XVI. Con antiporta, frontespizio, 4 tavole di titoli incisi in rame e 96 tavv. calcografiche di monete (II + XIII + LXXXI). Si tratta del volume finale di addenda alle "Numismata Antiqua" del Muselli, pubblicato a distanza di 10 anni dai tre volumi nei quali fu concepita originariamente l'opera (sul dorso è manoscritto il numero di tomo). Quest'addenda è formata, per la maggior parte, dalle monete lasciate al Muselli da Scipione Maffei. Ottime condizioni. [Attributes: Soft Cover]

      [Bookseller: Libreria Oreste Gozzini snc]
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        Raccolta degli editti, ordini, istruzioni, riforme, e lettere circolari istruttive della Real Giunta del censimento generale dello Stato di Milano. Riunita con Cesareo Real Dispaccio del di 19. Luglio 1749., e sciolta li 2. Marzo 1758.; coll'aggiunta degli editti, ordini, istruzioni, e lettere della Regia provvisionale delegazione per l'esecuzione del detto censimento. In Milano: nella Regia Ducal Corte, per Giuseppe Richino Mala,1760.

      - In-4°, pp. (10) 502 con 1 tav. b/n incisa da Dal Re in antip., 1 tav. lit. in nero rip. f.t. e 1 tabella rip. f.t. Leg. coeva p. pergamena con tit. oro impresso su due tass. granata appl. al ds., fleurons e fregi tip. filettati in oro impressi al ds., tagli rossi, vignetta incisa da Bianchi e Moncucco al frontespizio, capilettera fitomorfi xil., stemma austriaco xil. n.t. Riparazione alla cerniera di p. 137, gora al taglio intermedio e particolarmente evidente ad alcune pp., macchie ai piatti, ai margini e ai tagli, p. 381 numerata due volte. Di quest&#146;opera esistono due edizioni del 1760: una di pp. 530 totali e un&#146;altra &#150; la nostra &#150; con sole 502 pp. Un esemplare della presente edizione figura nella Bibliotheca Firmiana, Appendice, 244. ICCU segnala questa edizione in 2 sole biblioteche italiane: Biblioteca comunale di Palazzo Sormani &#150; Milano e Biblioteca dell'Archivio di Stato di Milano. Available on request description in English / La description des livres en français est à disposition sur demande / Se envían descripciones de libros a pedida. Lancellotti

      [Bookseller: Libreria La Fenice di Pietro Freggio]
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        Antuerpiani In Universam Sacram Scripturam Commentarius - Tribus Tomis Comprehensus, Atque Indicibus omnino sex auctus - 3 Teile in einem Buch. Editio Omnibus Locupletior, Et Emendatior, Cui praeter Sacrorum Bibliorum Textum ad primum Antuerpiense exemplar restitutum accedunt Prolegomena...; Levini Lemnii Libri duo... - Astrologia Francisci Ruei .... Liber de Gemmis... Notationes praeterea quamplurimae alterius ex eadem Soc. Jesu Presbyteri.....

      Venetiis, Pezzana, 1760.. Erstauflage, EA 403, 515, 311, CCXVIII Seiten 2°, Leder. eine mehrfach gefaltete Karte - ( das Heilige Land ), Kanten berieben, Buchrücken oben und unten etwas beschädigt, vorne und am Buchrücken etwas mit Würmschäden, sonst guter Zustand

      [Bookseller: Antiquariat Buchseite]
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        Physique des Comètes, Dans le sentiment de l&#146;Impulsion & du Plein; Par le P. Bertier, de l&#146;Oratoire; Correspondant de l&#146;Académie Royale des Sciences.A Paris, de l&#146;Imprimerie Royale, 1760.

      - In 12, [mm. 164 x 98], pp. XXIV &#150; 244 - (2) con 1 tav. ripiegata f.t.In pelle coeva, dorso liscio riccamente decorato in oro con sette compartimenti con fiorellini, delimitati da duplici filetti lateralmente e triplici orizzontalmente lisci, con piccole elementi vegetali verso l&#146;interno. Tassello con autore e titolo oro. I piatti presentano qualche abrasione, così come i labbri anteriori. Tagli rossi. Carte di guardia e risguardi marmorizzati. Segnacolo in tessuto staccato, ma conservato. Al frontespizio stemma reale con corona e ghirlanda. Testata incise e capolettera del primo libro incise in legno. Alcuni finalini incisi.Al risguardo anteriore etichetta: Faivre D.M.Il Bertier (1702-1783) dedica l&#146;opera sulla natura delle comete ai colleghi dell&#146;Académie Royale des Science. L&#146;interesse per questi corpi celesti era dovuto al recente passaggio della cometa che Halley aveva previsto per il 1757 e che invece, a causa del fu visibile solo dl dicembre dell&#146;anno seguente e raggiunse il suo perielio, cioè il punto di minor distanza dal sole nel marzo-aprile 1759, a causa del ritardo dell&#146;orbita provocato dall&#146;effetto gravitazionale dalla congiunzione di Giove e Saturno. Il primo dei tre libri che compongono l&#146;opera analizza le opinioni degli antichi filosofi, compresa quella di Aristotele che pensava si trattassero di esalazioni terrestri per dimostrare che non si tratta di questo, né di pianeti. Nel secondo si analizzano due tipi diversi di comete, quelle "surlunaires ou supérieurs & éloignées, les autres sublunaires ou inférieurs & voisines de la Terre". Nel terzo si analizzano tre ipotesi: la prima è che le due specie di comete siano uguali, la seconda che siano pianeti oltre Saturno e l&#146;ultima che si tratti di "tourbillons dans l&#146;éther pressé extraordinairement". Al Bertier si deve anche l&#146;opera Principes physiques, pour servir de suite aux Principes mathematiques de Newton.L&#146;ICCU localizza solo due copie di quest&#146;opera: una alla Braidense l&#146;altro alla Biblioteca Estense Universitaria.

      [Bookseller: EDITORIALE UMBRA SAS]
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        A Description of the Royal Palace, and Monastery of St. Laurence, called The Escurial; and of the Chapel Royal of the Pantheon. Translated from the Spanish of Frey Francisco de los Santos, Chaplain to his Majesty Philip the Fourth. Illustrated with Copper Plates [AND] Thompson (George): A Description of the Chapel Royal, called, The Pantheon or, Burial Place of the Kings of Spain. Translated from the Spanish of Frey Franciso de los Santos.

      London Printed by Dryden Leach For S. Hooper. 1760 - FIRST ENGLISH TRANSLATION. 2 parts bound in one volume. 4to, 184 x 109 mms., pp. xxxvii [xxxviii blank], 299 [300 blank], including half-title, engraved coat of arms on verso of errata leaf before dedication and list of subscribers; xi [xii blank], 60, 12 folding engraved plates at end of volume, contemporary calf, red leather label; upper front joint cracked and front joint slightly creased, corners a bit worn, some other very slight wear to the volume, but a good copy. The subscribers include the usual clutch of Royal Highnesses and the nobility, and luminaries such as Ralph Allen, the playwright and novelist Richard Cumberland, the antiquary and book collector Richard Fenton, David Garrick, John Hall Stephenson [sic, for Stevenson], Jonas Hanway, Thomas North, Lawrence [sic] Sterne, Voltaire, and William Warburton. The first edition of Santos' book was published in 1657 in Madrid, Descripcio?n del Real Monasterio de San Lorenzo del Escorial. The Escorial is said to be based on descriptions of Solomon's Temple; whatever its inspiration or source, it can easily survive the cliché of being described as one of the most remarkable buildings in the world. Thompson's translation is still one of the most useful accounts of the palace. [Attributes: First Edition; Hard Cover]

      [Bookseller: John Price Antiquarian Books, ABA, ILAB]
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        "l'Enfant en Meditation." Waldeinsamkeit mit einem Kind, betend vor einem lorbeerbekränzten Totenkopf, daneben Kreuz, Buch, Geißel usw., unten Inschrift.

      . Kupferstich mit Crayonmanier in Rötel, i.d. Platte sign. und dat. "Ch(arles) Eisen f(ecit) Grave par Louis Bonnet 1760", 22 x 17,5 cm.. "A Paris ches la Ve. de F. Chereau". - Alt montiert auf blaues Skizzenbuchpapier, dieses eigenhändig bez. "Carl Riedel Bay. Reg. & Bau Rath". Der Architekt und Maler Karl Christian Riedel (1764-1838) war Landbauinspektor in Ansbach, seit 1791 "auch in Bayreuth .... Kreisbau- und Regierungsrat" (Thieme-Becker, Bd. XXVIII, S. 319).

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        The Book of Common Prayer, And Administration of the Sacraments, and other Rites and Ceremonies of the Church, According to the Use of the Church of England: Together with the Psalter or Psalms of David. Pointed as they are to be Sung or Said in Churches.

      Oxford: Printed by Thomas Baskett. 1760 - 4to, 255 x 205 mms., unpaginated, collation: A-G8. BOUND WITH: The Holy Bible, Containing the Old and the New Testaments: Newly Translated out of the Original Tongues: And with the Former Translations Diligently Compared and Revised. London: Printed by Mark Baskett, Printer to the King's most Excellent Majesty; and by the Assigns of Robert Baskett. 1761. 4to, unpaginated, collating A-Uu4 [End of the Prophets], A-K8 [Apocrypha], A-O4 [New Testament, with separate printed title-page], A-D4 E3 [Index]. BOUND WITH: The Whole Book of Psalms, Collected into English Metre, The whole book of Psalms, collected into English metre, by Thomas Sternhold, John Hopkins, and others; Conferred With The Hebrew: Set forth and allowed to be Sung in all Churches, of all the People together, before and after Morning and Evening Prayer; and also before and after Sermons; and moreover in private Houses, for their godly Solace and Comfort: laying apart all ungodly Songs and Ballads, which tend only to the nourishing of Vice, and corrupting of Youth. London: Printed by A. Wilde, for the Company of Stationers, 1757. 4to, unpaginated, collating A-H4, I3. BOUND WITH: A Brief Concordance or Table to the Bible of the Last Translation: Serving for the more easy finding out of the most useful Places therein contained. Carefully Perused and Enlarged by John Downame. London: Printed for C. Ware., 1757. 4to, unpaginated, collating A-H4, I3, with the verso of the title-page for the New Testament with ms. genealogies for a Taylor family, with 3 further leaves at end of volume with more Taylor genealogy and, finally, in a different hand, a tribute (perhaps copied from a tombstone) "In memory of Thomas Woodcock of Newburgh House for 58 Years a Banker in Wigan." Bound in full 19th century blind panelled morocco, spines panelled in blind and "Holy Bible" in gilt, gilt dentelles, marbled end-papers, with binder's gilt notation on lower gilt margin of verso of front cover in very tiny letters, "Bound by [?Ramage] London"; some nicks and scratches to covers, top and base of spine chipped, corners a little worn, upper rear joint slightly cracked. The binding is almost certainly by John Ramage; the gilt lettering is miniscule and slightly blurred, but it looks like one of his more journeyman bindings. The BCP is T166782 : NLS, Essex only. The Bible appears to be Darrow and Moule 1135 and ESTC T90402: BL; American Bible Society (2), Essex Institute, NYPL; State Library of South Australia. Psalms is ESTC T82279: BL, NLS, Bodleian; Bibliothèque Nationale du Québec, St. Mark's College Library. The Concordance is ESTC T184193: Bodleian; Yale. [Attributes: Hard Cover]

      [Bookseller: John Price Antiquarian Books, ABA, ILAB]
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        NÜRNBERG: Gesamtansicht - um 1760, Kupferstich, 16x25 cm

      . .

      [Bookseller: Antiquariat Murr Bamberg GbR]
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        Continuation of The Complete History of England. Complete 4 Volume Set. 1760 & 1761 (continuation of A Complete History of England from the Descent of Julius Caeser, to the Treaty of Aix la Chapelle, 1748 )

      Richard Baldwin, London 1760 - Some wear to binding as expected but all still welll bound together & apart from some minor light foxing/discolouration interiors generally in nice clean condition. Complete with all the copper plates & the 6 fold out maps in good order. See my other listings for odd vols identically bound of the first 11 vols of this work. These 4 Weigh 3kg. Picture of this set available. [Attributes: First Edition; Hard Cover]

      [Bookseller: Tony Hutchinson]
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        [Op. 1]. Six Sonates a Violon Seul et Basse [Subtitle]: Dediées a Monsieur le Baron de Lathan... Ier. Oeuvre. Gravé par Mdme. Oger

      Paris: L&#39;Auteur... Et aux Adresses ordinaires de Musique. [1760]. Tall folio. Sewn. 2ff. (title, dedication), [1] (blank), 2-27 (music), [i] (privilege) pp. &#11;&#11;With the signature of the composer to foot of title. Minor tears, soiling and browning; edges frayed and curled. . First Edition. Lesure p. 225. RISM G736.&#11;&#11;A French violinist and composer, Gaviniés was "Leclair&#39;s successor as leader of the French violin school... The early 1760s were perhaps the apex of Gaviniés&#146;s career. He published three sets of sonatas for violin and basso continuo, one set for two violins and six concertos. Several symphonies were performed at the Concert Spirituel, where he conducted the orchestra from his position as leader. In the winter of 1763&#150;4, the Mozart family attended some of his concerts." Jeffrey Cooper in Grove online

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Le Berger Recompensé [The Shepherd Repaid]

      Paris: chéz L&#39;Auteur reu St. Jacques au dessus des Jacobins, 1760. A lovely pastoral print after the celebrated French Rococo artist Francois Boucher. Francois Boucher (1703-1770) was one of the most versatile and influential French artists of the eighteenth century. He not only decorated palaces and private residences, but also painted portraits, landscapes, and mythological scenes; and designed opera sets, porcelains, and tapestries. He was a prolific painter and draftsman and he excelled in cabinet-sized paintings for collectors, many of which were reproduced in print in an effort to satisfy the demands of eager connoisseurs. He began his career producing reproductive engravings of Watteau&#39;s paintings, but he quickly became one of the most fashionable artists in Paris. He was favoured by the King&#39;s mistress, Madame du Pompadour, and quickly became "premier peintre" to Louis XV. Boucher rejuvenated the &#39;pastoral tradition&#39; in French art, and was instrumental in developing the Rococo style which characterized French art during Louis XV&#39;s reign. This sublime print by the Parisian engraver Robert Gaillard is an evocative example of Boucher&#39;s sumptuous style of painting. A reclining shepherd has been playing the pipes beside the path where a pretty peasant girl passes by. They share a powerful gaze, and the girl offers him a wreath of spring flowers. The image is strikingly vibrant. Le Blanc, Manuel de L&#39;Amateur D&#39;Estampes , p. 261, no.27. Engraving. Printed on laid paper with watermark. In excellent condition with the exception of some light foxing. Creases on side and bottom of sheet where it has been folded. Trimmed within the platemark on the upper margin. Image size: 17 1/4 x 14 3/16 inches.

      [Bookseller: Donald Heald Rare Books]
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        Chasse par Jean - Baptiste Oudry, à Mr. le Chevalier de Breteuil

      OUDRY, Jean - Baptiste. Chasse par Jean - Baptiste Oudry, à Mr. le Chevalier de Breteuil. Wexelberg sculp. S.l.n.d. (c. 1760). In - 16°, cartone coevo. Titolo entro motivo ornamentale e 16 tavole incise all' acquaforte dal Wexelberg su disegni dell' Oudry. Le incisioni sono tonde (diam. mm. 80) senza margine, entro pas - par - tout di vecchia data. Il Thiébaud (p. 707) descrive un' edizione in - 8° oblungo. Graziosissima suite de scene venatorie (caccia al cinghiale, al cervo, al lupo, all' orso, ecc.).

      [Bookseller: Brighenti libri esauriti e rari]
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        in duas partes divisa, quarum prior, materiam medicam . accedunt syllabus medicamentorum compositorum. Editio tertia revisa.,

      Stuttgart, Erhard, 1760 - Folio. (32 x 21 cm). 10 Bl., 144, 232 S., 21 Bl., 44 Seiten. - Beigebunden: Taxa seu pretium . juxta Pharmacopoea Wirtenbergica . Ebendort. 1755. 66 Seiten. *Blake 350. - Vgl. Waller 7417. Wellcome IV, 372. Adlung-U. 323. - Vorliegend die 4. Auflage (inhaltsgleich mit der zweiten und dritten Auflage). Die Pharmacopoea Wirtembergica ist bei weitem die beste jener Zeit, freilich mehr ein Lehrbuch der pharmazeutischen Wissenschaften wie eine Pharmakopöe. Sie vereinigt große Gelehrsamkeit mit großer praktischer Erfahrung - sie ist eine Musterleistung ersten Ranges" (Tschirch). Sie gehört "zu den umfangreichsten Arzneibüchern und übertrifft sogar die ältesten Ausgaben des Nürnberger Dispensatoriums und der Augustana" (Adlung/Urdang S. 323). - Das schöne Frontispiz mit kleiner Ansicht von Stuttgart in allegorischer Umrahmung. - Innendeckel und Titelblatt mit altem Stempel, Frontispiz alt hinterlegt, mäßige Altersbräunung. Sprache: de Gewicht in Gramm: 2000 Lederband der Zeit (Deckel alt mit Bezugspapier, Einband berieben und beschabt).

      [Bookseller: Antiquariat Braun]
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        The Glorious Action off Cape Francois 21 Octobr. 1757, between Three English and Seven French Ships of Warr

      [1760] 1760 - circa 1760. Very early edition. This hand-coloured engraving was trimmed to the edges 295mm x 448mm ( 11 5/8" x 17 5/8") and mounted to a dark card stock. The English only title was mounted on the reverse on the reverse of the dark mounted card. The trimmed mounted engraving has wear to the corners causing some minor rounding. There is surface dirt and soiling on the engraving more so on the sky area. Good- condition, Full title: The Glorious Action off Cape Francois 21 Octobr. 1757, between Three English and Seven French Ships of Warr, wherein the latter were entirely defeated.English: Capt. Forrest, Ship: Augusta, Guns: 60, Men: 390 Capt. Suckling, Ship: Dreadnought, Guns: 60, Men: 375 Capt. Langdon, Ship: Edinburgh, Guns: 64, Men: 467

      [Bookseller: Lord Durham Rare Books (IOBA)]
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      [Bookseller: Librairie du Château de Capens]
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        Kunst- und Werck-Schule (Werck-Schul), Anderer Theil, Darin zu erlernen allerhand schöne bewärthe Lac- Spick- Terpentin- Oel-Fürnisse, ungemein bunte schöne Holz-Arbeiten, allerhand Farben, Holz, ...

      Nürnberg, Bey Gabriel Nicolaus Raspe, 1760. weiterer Inhalt: Verguldung und Versilberung auf allerley Dinge, Holz und andere Dinge in Formen zu giesen, Helfen- u anderen Bein- und Horn-Arbeiten, Kütten und Leime zu vielerley Sachen. Corallen-Arbeiten, Türkische-Papier u andere Papier-Künste, Bildereyen Radir- u Zeichen-Kunst, Marmor-Künste u Arbeiten, Gips- u Haufenblasen-Gießen, bunter Leinwand, Taffet-Tuch u Leder-Wichsung, Pergament-Färben, duftenden Siegel-Lack machen. kl. 8°, 560+16 Seiten Register, Pergamentband mit Rückentitel, Farbschnitt, , Hervorragend erhalten, Seiten und Einband nur mit minimalsten Altersspuren in schönem frischen Zustand..

      [Bookseller: Versandantiquariat Werner Eichel]
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        Tageszeiten, der liebe Morgen, der gesegnete Mittag, der gute Abend, die fröhliche Nacht.

      Augsburg JA Nilsonum 1760 - Original Kupferstiche. 24 x18 cm. (Plattengröße ). Gut erhalten. NILSON, JOHANN ESAIAS geboren in Augsburg am 2. November 1721 gest. am 11. April 1788 ebenda. Er war der bedeutensde deutsche Rokokostecher seiner Zeit, der einen eigenen Stil hervorbrachte und sich von den französischen Künstlern deutlich unterschied. Seine Stichfolgen zählen zu den schönsten Graphiken des späten 18. Jahrhunderts und sind in allen Museen der Welt zu finden. FOLGE VON 4 Blatt, Schuster 212-215. Nilson Folge LVIII. Alle Blätter gut erhalten, in den Rändern wenig Stockfleckig, ein Blatt mit kleinem leichten Braunfleck. An den Ecken alt montiert. 0,000 gr.

      [Bookseller: P. u. P. Hassold OHG]
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        The Gallant Action (off the Isle of Man) where the brave Capt. Elliot Defeated and Took the Marshall Belleisle

      Printed for T. Bowles in St. Pauls Church Yd JohnRobt. Sayer at the Golden BuckHeny. Parker & Eliz. Baken'ell [1760] - circa 1760. Very early edition. This hand-coloured engraving was trimmed to the edges 292mm x 441mm ( 11 1/2" x 17 3/8") and mounted to a dark card stock. The English only title was mounted on the reverse on the reverse of the dark mounted card. The trimmed mounted engraving has wear to the corners causing some minor rounding. There is surface dirt and soiling on the engraving more so on the sky area. Good- condition., National Marine Museum one copy, Full inscription.Frans. Swain Pinxt.The Gallant Action (off the Isle of Man.) where the Brave Capt. Elliot Defeated & took the Marshall Belleisle, Commanded by the Famous Thurotand two other French Ships of War the 28th of February 1760 Brilliant Capt. Loggie Ö. Guns 30 - Men 240 Pallas Capt. Clements Guns 36 - Men 240Le Terpsichore Capt. Defravandois Ö. Guns 26 - Men 300 La Blonde Capt. La Kayee Guns 32 - Men 400Printed for T. Bowles in St. Pauls Church Yd JohnRobt. Sayer at the Golden BuckHeny. Parker & Eliz. Baken'ell

      [Bookseller: Lord Durham Rare Books (IOBA)]
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        A View of Coombank near Sevenoak in Kent, the Seat of the Honble. Lieutt. Genl. Campbell / Veüe de Coombank, dans la Comté de Kent. Maison de L'honble. Lieutt. Genl. Campbell

      Printed for John Bowles & Son, at the Black Horse in Cornhill, T. Bowles in St. Pauls Church Yard, Robt. Sayer at the Golden Buck in Fleet Street. J. Boydell, London 1760 - A fine image of the verdant country estate of General Campbell, Baron Sundridge of Coombank. Born in Maidstone in 1735, William Woollett was one of the most renowned landscape engravers of his time and the first English engraver to achieve popular success in continental Europe. His artistic aptitude became apparent at an early age, and he was sent to London to train at St. Martin's Lane Academy and apprentice with the engraver and printseller John Tinney. Woollett began his career with a series of topographical views, but first truly distinguished himself as skilled engraver with the publication of his print of Richard Wilson's Destruction of the Children of Niobe . His copious plates after artists such as Stubbs, Vernet, and Claude proved so popular, that many of them were copied by engravers on the Continent. Beginning in 1766, he became an active member of the Society of Artists, where he served in a variety of positions. Although he specialized in landscapes, Woollett also engraved a number of marine and historical scenes including the print for which he is most famous, Death of General Wolfe after Benjamin West, and for which he was received the honorable title of Historical Engraver to His Majesty. Cf. Dictionary of National Biography. Engraving, printed on fine laid paper. Very good condition.

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        A Map of North Britain or Scotland from the Newset Surveys and Observations

      J. & C. Bowles and R. Sayer, London 1760 - From "The large Englis Atlas ", Size : 570x490 (mm), 22.375x19.25 (Inches), Original Outline Coloring minor repair to the middle of the left margin not affecting the map otherwise a very good copy

      [Bookseller: Alexandre Antique Prints, Maps & Books]
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        The Old Man, his Son, & his Ass.

      London Printed for T.Bowles in St. Pauls Church Yard. John Bowles & Son at the Black Horse in Cornhill c 1760 - Broadside, folio, hand coloured engraving by J.June, light soiling and usage, one neat repair, laid down on backing sheet. A Satire on a classic Aesop Fable - "The Miller his Son and His Ass". In this version the Miller and hgis Son are carrying the donkey to Market in front of laughing villagers. This version appears to be unrecorded. See BM. No. 4586 for a different version

      [Bookseller: A. R. Heath Rare Books]
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        An Accurate Map of Devon Shire Divided Into Its Hundreds. Drawn from the Best Authorities .

      Printed for T. & John Bowles, John Tinney, & Robert Sayer. 1760 - Highly decorative large map, with original outline hand colouring to the divisions of the hundreds. Large inset plan of Plymouth is located in the bottom right hand corner, and the rest of the map is surrounded by a large amount of topographical and statistical information relating to the county. The highly decorative title cartouche illustrates the trades and produce of the county. A smaller cartouche contains a dedication to the Duke of Bedford. A magnificent example. Size: 680 x 530mm

      [Bookseller: Roger Collicott Books]
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        OFFICIA SANCTORUM approbata ab illustrissimo, ac reverendissimo D. D. Abbate Generali Cisterciensi. Pro Monachis S. Mariae Populeti.

      Imp. Josephi Barbèr. Tarragona, 1760 - . 20 cm. Grabado xilográfico en la portada, enmarcada en orla tipográfica. [8], 191 pág., 1 h. Texto a dos columnas. Cabeceras, capitulares y "culs-de-lampe" xilográficas. Palau 199146, CCPB 485786-0. [Junto con:] OFFICIUM S. P. N. BERNARDI PRIMI CLARAEVALLIS ABBATIS. Imp. Franciscum Brusola. Valencia, 1832. 14 pág. CCPB 782122-0. Dos obras enc. en un vol. en pergamino reciente, lomera rotulada, cierres. Marcas de anterior poseedor. * Volumen elaborado por la orden cisterciense dedicado al oficio de los santos se estructura por meses y, al final, incluye un par de páginas manuscritas que contienen las respuestas e himnos a la fiesta de san Jaime apóstol, patrón de España. orden del cister, oficio de los santos, manuales, religión Liturgia Libros antiguos anteriores a 1830 latín

      [Bookseller: Libreria anticuaria Farré]
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      - 5 hh.+474 pp.(al comenzar los índices equivoca la paginación y retrocede de la 464 a la 461 terminando de paginar correlativamente. En realidad son 478 pp.) Hojas oscurecidas y con manchas de humedad antigua en primeras y últimas páginas pero papel recio y bien conservado. Enc. en pergamino de época. 20x15. Imp. de Andrés Ortega. Madrid, 1760. Palau, ref. 340843 LIBROS ANTIGUOS [Attributes: Hard Cover]

      [Bookseller: Librería Anticuaria Galgo]
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      P. AE. Le Mercier, Paris 1760 - RO40129925: 660 + 112 pages. Gravure en noir et blanc (volante) en frontispice. Gravure en noir et blanc en page de titre. Culs-de-lampe ornés en noir et blanc. Lettines ornées en noir et en rouge. Texte en latin, sur 2 colonnes, et en caractères noirs et rouges. Ouvrage en très mauvais état. Dos manquant. Plats très abîmés et se détachant. Pages de garde et de titre, ainsi que plusieurs autres pages détachées. Ex Decreto Sacro-Sancti Concilii Tridentini Restitutum, Pii V. Pont. Max. Jussu Editum, Clementis VIII. Primum, Nunc Denuo. Urbani Papae VIII. Auctoritate Recognitum. Additae Etiam Suo Loco Missae de Sanctis, qui Novissime a Summis Pontificibus, Alexandro VII. Clemente IX, Clemente X, Innocentio XI, etc. In-Folio Relié plein cuir. Etat passable. Plats abîmés. Dos abîmé. Déchirures Classification Dewey : 470-Langues italiques. Latin [Attributes: Hard Cover]

      [Bookseller: le-livre]
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        A voyage to South America describing atlarge the Spanish cities,towns,provinces and the Continent.

      London 1760 - second english ed. 2 vol in 8vo. (22),498 pgs; (2), 410 pgs, 9 leaves of index and 7 folding plates showingviews, customes etc. original half calf binding withred and green label. A fine copy of this classical travel book originally published in Spanishin 1748 at Madrid in 4 4to volumes.It was the most accurate description of the South American continent up to this date by two of the most important representatives of the Spanish enlightement. [Attributes: Hard Cover]

      [Bookseller: Libreria Pontes]
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        Boston]. Vue de Boston. Vuë de Boston vers le Cale du Port.

      1760 - Livre ancien Se vend a Augsbourg au Negoce commun de l&#146;Academie Imperiale des Arts Liberaux avec Privilege de Sa Majesté Imperiale et avec Defense ni d&#146;en faire ni d&#146;en vendre les Copies. COLLECTION DES PROSPECTS Estampes dites vues d&#146;optique, de la première génération, sorties des presses d&#146;Augsbourg en vif coloris d&#146;époque (XVIIIe s.). Cette série de gravures à l&#146;eau-forte représente des vues de villes du monde entier ou des sujets allégoriques et curieux. Les vues étaient destinées à être projetées à la lanterne ou vues ou regardées à l&#146;aide d&#146;un zograscope, appareil d&#146;optique permettant de visionner sur les foires ou dans les cabinets de curiosités ces belles vues exotiques. On reconnaît ces tirages au titre inversé qui se trouve dans la partie supérieure de l&#146;image. La série que nous proposons regroupe certains des plus rares thèmes de la production d&#146;Augsbourg : New-York, Boston, ou ces deux très étranges images extraites de la comedia dell&#146;arte portant en titre « collection des prostects theatrales pour servir aux cameres obscures et autres machines optiques ». A vue : 500 x 350 mm.

      [Bookseller: L'Oeil de Mercure]
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        The Works of Dr Jonathan Swift, Dean of St Patrick's, Dublin

      Printed for C Bathurst et al, London - 20 vols, various paginations. The set comprises 17 vols of works + 3 vols of letters published between 1760 - 1767. Illustrated with 13 copper engravings including the 'Gulliver maps', mostly in the first couple of volumes. Plus 4pp engraved music scores at the rear of vol 7. Three further volumes of letters were published and a one volume supplement in 1776. Lovely contemporary full nut brown calf binding with gilt lines and gauffered edges. Some hinges cracked, a couple of volumes have lost their title labels. Some transference to endpapers and pastedowns, some chipping to heads and tails of spine, some marks to boards here and there but generally this is a very strong clean set, with good lustrous and largely clean leather.

      [Bookseller: Stephen Foster - ABA ILAB & ibooknet]
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        GOZO Y CORONA DE GRANADA en la proclamación solemne que del Rey Nuestro Señor

      - Don Carlos Tercero celebró esta ciudad con la pompa que se describe el dia 20 de enero de 1760 . .Por José Antonio Porcel. Granada, Imprenta Real (1761), Frontis grabado, portada, 8-20 pp., 1 hoja 28 pp. 112 pp (deberia ser 164 falta 26 hojas). Escudo y retrato de Carlos III. Junto con "Proclama Augusta que la ciudad de Granada hizo en la exaltación al Trono de Carlos IV"por el P. Juan de Echeverria. Granada, Imprenta Real, 1789, 120 pp. Junto con: Funcion Nacional celebrada por el Ayuntamiento Constitucional de Granada el 19 marzo 1814 aniversario de la publicación de la Constitución Política de la Monarquía Española. Granada, Ofic. Nicolás Moreno, 42 pp. Junto con "Memoria del cumplido que hizo a la Ciudad de Granada don Blas Joaquín Alvarez de Palma, su Arzobispo, impresa por el Ayuntamiento, 14 pp. Junto con "Manifiesto de las diversiones y desahogos públicos con que la ciudad de Granada solemnizó la proclamación de Isabel II, Granada, Imp Benavides, 1834, 27 pp. Junto con "Sermón de Acción de Gracias" que predicó Bartolomé Venegas, arcipreste de Granada con motivo de las fiesta religiosas y populares acordados por el Ayuntamiento de Benaocaz. 1834, 114 pp. Junto con "Reglamento de buen gobierno y policia" para el Régimen interior y esterior del Teatro Cómico de esta Capital. Granada, Imprenta Viuda de Moreno, 1837, 15 pp. Junto con otros Estatutos, Trovas, etc, y el nº 1 del "Diario de Avisos de Granada, domingo 29 de agosto de 1841, Imprenta de Benavides, 8 pp. Sello en portada y en alguna de las obras del interior. Todo ello encuadernado en un volumen en pasta española con tejuelo. (36428).

      [Bookseller: Librería J. Cintas]
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      1760 - un volume (album), reliure d'époque plein veau havane raciné (binding full calfskin) in-quarto, dos à nerfs (spine with raised bands), frotté (rubbed), décoré or (gilt decoration) filets or (gilt line) et filets à froid (blind-stamping line decoration) - entre-nerfs - compartiments à fleuron au fer plein (floweret with full blocking stamp) - titre frappé or (gilt title)- pièce de titre sur fond bordeaux + pièce de titre sur fond noir (label of title) avec filet or (label of title with gilt line), coiffe supérieure manquante (head of the spine lightly faded),manque de cuir sur 1/2 centimètre carré en haut du dos + légers manques de cuir aux mors, plats décorés or (gilt decoration), d'un double encadrement au motifs Rococos (coquille saint Jacques + fleurons + glands aux angles avec les lettres P L V P au centre de l'encadrement central), charnière fendue (cracked joints), coins écornés (corners dog-eared) - toutes tranches dorées (all edges gilt) - , marque-page en tissu (bookmark in tissue), orné de 96 gravures sur 100 illustrations(manquent les N° 20-62-63-92) d'Emblèmes baroques et roccocos (Baroque and Rococo Imagery) par EICHLER Gottfried , légère rousseur sur la gravure N° 100, divisé en 5 parties sans pagination, sans date (1758-60) Augbourg Johann Georg Hertel Editeur, ".und gedanken welchen jedesmahlen eine hierzu taugliche historia oder gleichnis beygefuget dermahliger autor, und verleger Johann Georg hertel in augfpurg. ", Cesare Ripa: Baroque and Rococo Imagery (emblems), German edition published by Johann Georg Hertel accompanied by full-page scenes designed by Gottfried Eichler, the Younger. A superb collection of highly decorative plates covering all aspects of allegory with some sets of subjectson the Earth Air Fire and Water etc.célèbres et rares planches d'Emblèmes allégoriques roccoco d'aprés césar Ripa, edition allemande dessinée par Gottfried Eichler, de toute rareté, en bon état malgré les petits défauts signalés (very good condition in spite of the smalls defects indicated). [Attributes: Hard Cover]

      [Bookseller: Librairie Guimard]
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        Travel into Several Remote Nations -- Gulliver's Travels

      Bathurst London (Fleet Street) 1760 - A very early one volume edition of Jonathan Swift's Gulliver's Travels, complete in one volume. This was issued as volume two of Swift's collected works 15 years after his death. Very good condition, but front cover is partially detached and should be reattached by a restorer. Appears to be original 18th century leather calf binding. 1760 stated in roman numeral letters on the title page. Contains all 5 rare map plates. This copy has the bookplate on the front pastedown of Josias Booker, who was the founding chairman of Royal Insurance Company and the Church of St. Anne. Royal Insurance is now known as RSA Insurance Group, Royal Insurance Company of Liverpool. [Attributes: Hard Cover]

      [Bookseller: Bookbid]
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        Quae Exstant Opera

      J. Barbou, Parisiis (Paris) 1760 - Three volumes complete - Volume One - xxiv, 444pp; Volume Two - [4], 480pp and Volume Three - [4], 456pp, [2]. Contemporary full mottled calf, smooth back divided into six panels , morocco author label to second panel, volume label to third, remaining panels with central flower device and smaller flower corner pieces, covers with triple fillet border, gilt roll to edges and inner edges, all edges gilt, french curl marbled endpapers. Author label to volume one faded, spines slightly faded, slightly rubbed to extremities, head of volume one chipped with small amount of loss. Internally bright and clean, previous owners' book label and shelf mark labels to front pastedown. Engraved frontispieces to each volume. Dibdin II:455, Moss II:645, Brunet V:636, 'bon texte' [Attributes: Hard Cover]

      [Bookseller: Temple Rare Books]
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        Quæ exstant opera, recensuit J. N. Lallemand.

      - Parisiis, apud Desaint & Saillant. Typis J. Barbou. 1760. Drei Bände. 12mo (15,1 x 8,6 cm). Geglättetes marmoriertes Kalbsleder mit zwei roten Rückenschildern und dekorativer floraler Rückenvergoldung; dreifache Deckelfileten mit Eckfleurons, Steh- und Innenkantenvergoldung, Marmorpapiervorsätze, Goldschnitt. (Ein Kapital mit kleiner Fehlstelle). - Mit drei Kupfertafeln und drei Kopfvignetten von Lempereur nach Eisen. - Schweiger II, 1004. Graesse VI/II, 10. Cohen 972. Fürstenberg 91 und 194. Salomons 165 f. Dibdin II, 455: "Printed by Barbou and called by Harwood "one of the most beautiful and correct of all his classics." - "Das Haus Barbou hatte die volle Bedeutung des schön gedruckten Buches kleinen Formats erkannt. Einige der hübschesten dieser Ausgaben sind im Zusammenhang mit der Besprechung der Buchillustration bereits erwähnt worden, als da sind der Martial von 1754, der Plautus von 1759, der Tacitus von 1760, . Barbou fand hiermit nicht nur den Beifall des Publikums, sondern auch den der Fachpresse, und seine Arbeiten wurden im "Mercure" oder im "Journal des Savants" lobend angezeigt" (Fürstenberg). - Vereinzelt schwach altersfleckig, insgesamt aber schönes Exemplar in dekorativen Einbänden. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Martin Sartorius]
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