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Displayed below are some selected recent viaLibri matches for books published in 1713
2013-10-12 08:20:30
Müller, Johann Joachim
Johann Felix Bielcken (gedruckt b. Johann David Werther), Jena, 1713. Folio (35 x 22 cm). Mit einigen Holzschn.-Vignetten u. Initialen. Titel in Rot u. Schwarz. 15 Bl., 794 S., 1 Bl., 768, 200 S., 37 Bl., zweispaltig gedruckt. Ldr. d. Zeit auf 6 Bünden m. dekorativer Rückenvergoldung, grünem RSchild. u. blindgeprägt. Stehkanten. Goldgeprägt. Supralibros (2 Türme in Oval unter Krone m. geflügelten Schildhaltern). Johannes Joachim Müller (1665-1731) war Leiter des Herzoglich-Sächsischen Archivs in Weimar. Von seiner mit zahlreichen Dokumenten versehenen Geschichte der Reichstage erschienen nur drei Abschnitte, darunter der vorliegende, ausführliche über die Zeit von 1440 bis 1493. - Einbände gering berieben, Wurmspuren auf Deckeln. Papier durchgehend etw. gebräunt, stellenweise im Rande fleckig. Dekorative Bände von guter Erhaltung. gr. [Attributes: First Edition]
Bookseller: Antiquariat Düwal [Berlin, Germany]
2013-09-19 13:57:46
WELLS Edward 1667-1727
London: James Knapton, 1713 In modern half leather tan calf, with marbled boards. Spine has gilt tooling and title. Internally, new endpapers, 1st ed, title page within double ruled borders, [4], 5-78 pp, 9 plates (folding of 14?). Bound with Young Gentlemans Opticks, London 1713. [4], 83-171 pp, [1] errata, 14 plates (folding), some water staining to last few pages of text. With a booksellers label to epd. (ESTC T140931) no ESTC listing for the Optick part.
Bookseller: Madoc Books
2013-09-07 21:20:40
[Cockman Thomas].
London.George Strahan. 1713. [iv],1-131pp. Recent quarter calf gilt over marbled boards with vellum-tipped corners. Octavo. First edition. Some browning to pages. Else, a very good copy.An attack on Anthony Collins' book 'Free-Thinking' published the same year.
Bookseller: David Miles Books
2013-08-18 22:11:17
Kaerchner, Simon; Karchner, Simon
1713. Kaerchner, Simon [1649-1722]. Tractatus Canonisticus in Librum IV. Decretalium, Judici Utriusque Fori Ecclesiastici Accommodatus, Multumque Utilis, Ac Necessarius, In Quo Universa Materia de Sponsalibus, & Matrimonio, Hujus Impedimentis, Dispensationibus, Istarumque Clausulis Explicatis tam a S. Poenitentiaria, Quam a Romana Dataria Inseri Consuetis Pertractantur. Cum Duplici Indice; Uno Generali Praefixo Operi; Altero Particulari Rerum, Atque Verborum Juxta Numeros Marginales per Totum Opus Continuatos. Augsburg: Impensis Philipi Jacobi Veith, 1713. [xcviii], [i], 931, [1] pp. Folding woodcut table of consanguinity. Octavo (6" x 4"). Contemporary limp vellum, early hand-lettered title to spine, ties lacking. Light rubbing to extremities, vellum beginning to crack through pastedowns, hinges cracked but secure. Woodcut head and tail-pieces. Light toning to text, faint dampstaining to lower corner of first third of text block, some soiling to title page. Small later owner stamps to verso of front free endpaper and foot of title page, interior otherwise clean. * Only edition. A commentary on the 21 chapters of Book IV of the Decretals of Gregory IX that relate to sex, betrothal and marriage. Pp. 920-931 is an appendix of problems. The book has two useful indices. Kaerchner was chancellor of the University of Graz. OCLC locates 1 copy in North America (at the University of Alberta). Not in Backer-Sommervogel or the British Museum Catalogue.
Bookseller: The Lawbook Exchange, Ltd.
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2013-08-16 14:29:02
Edmund Gibson; Church of England
London : printed by J. Baskett, 1713. Leather Bound. Good. Complete in two volumes. London : printed by J. Baskett; and by the assigns of Thomas Newcomb, and Henry Hills, deceas'd. And are to be sold by R. Whitledge, 1713. Folio, 15??????????? x 10???????????. 1291 pp + Appendix of Instruments, Tables, Index. Contemporary full leather boards. Spine has 6 bands, red and tan title plates, intricate giltwork on spine and borders. Front board of volume 2 detached, cracking to hinges, binding starting. Red speckled page edges. Red and black title page in volume 1. Title page missing from volume 2. Foxing, mostly around end pages. Ownership inked in classic hand on title page. This is an oversized or heavy book that requires additional postage for international delivery outside of Canada and the US. <br><br>
Bookseller: Sequitur Books [Boonsboro, MD, U.S.A.]
2013-08-10 14:43:16
FICTION ROMANESQUE) CERVANTES (Miguel de).
Paris, Compagnie des Libraires, 1713. - 6 volumes in-12. frontispice. 8ff. 440pp. + frontispice. 3ff. 432pp. + frontispice. 4ff. 442pp. + frontispice. 5ff. 532pp. + 4ff. 482pp. (i.e.494). + frontispice. 4ff. 501pp. 1f. Plein veau, dos à nerfs orné (Reliure de l'époque, quelques défauts, une coiffe réparée anciennement, quelques coiffes élimées). Importante édition en partie originale, dans la traduction classique de Filleau de Saint-Martin. Elle contient pour la première fois un sixième tome, écrit par un anonyme en continuation du cinquième tome qui contenait déjà une suite composée par Filleau de Saint-Martin en 1695. "Como se ha dicho, Filleau de Saint-Martin publicó una continuación de Don Quijote en 1695, pero sobrevino su muerte y quedó sin acabar. Un anónimo la continuó simulando que la traducía de un manuscrito español de Cide-Hamete Benangely, formando un tomo sexto, que desde ahora se junta a los Quijotes en francés" (Palau). 57 planches hors texte, incluant les 5 frontispices (le cinquième tome n'en possède pas). Rousseurs et quelques taches. Assez bon exemplaire cependant, relié à l'époque. Palau, 52718. [Attributes: Hard Cover]
Bookseller: Librería Comellas
2013-08-01 08:26:25
BESLER, Basil (1561-1629)
Eichstatt: 1713, 3rd edition. Hand-coloured engraving. 21 x 17 1/2 inches. Basil Besler published "Hortus Eystettensis", the earliest large folio botanical, at Eichstatt near Nuremburg, in 1613. He worked on the drawings for the 374 copper engravings over a period of sixteen years using the plants in the garden of Bishop Johann Conrad von Gemmingen, his patron. Depicted in this florilegium were flowers, herbs, vegetables and newly discovered plants such as tobacco and peppers. Besler was, in modern terms, a botanist and horticulturalist, and he was familiar with real and alleged medicinal properties of various plants. Besler had the good fortune to live at a time when exotic plants were being shipped to Europe from all over the world. The garden that he organized and illustrated for his patron was both ornamental and experimental, and the large book he had engraved after his drawings was unique. The prints, made by a team of master engravers, are strong and exquisitely done.
Bookseller: Donald Heald Rare Books
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2013-07-28 15:22:03
BESLER, Basil (1561-1629)
Eichstatt: 1713, 3rd edition. Hand-coloured engraving. 21 x 17 1/2 inches. Basil Besler published "Hortus Eystettensis", the earliest large folio botanical, at Eichstatt near Nuremburg, in 1613. He worked on the drawings for the 374 copper engravings over a period of sixteen years using the plants in the garden of Bishop Johann Conrad von Gemmingen, his patron. Depicted in this florilegium were flowers, herbs, vegetables and newly discovered plants such as tobacco and peppers. Besler was, in modern terms, a botanist and horticulturalist, and he was familiar with real and alleged medicinal properties of various plants. Besler had the good fortune to live at a time when exotic plants were being shipped to Europe from all over the world. The garden that he organized and illustrated for his patron was both ornamental and experimental, and the large book he had engraved after his drawings was unique. The prints, made by a team of master engravers, are strong and exquisitely done.
Bookseller: Donald Heald Rare Books
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2013-07-16 05:21:29
[Le Marchand, Florence, attributed to]
Paris: Alexis de la Roche, 1713. First edition. 12mo. viii, 232 pp. Contemporary green-dyed vellum with morocco lettering piece, covers slightly warped, joints partly cracked, light dampstain in lower outer corner of first four leaves, title soiled, with repairs in blank gutter . First edition of an allegorical fairy tale set in an enchanted pre-Roman Italy, intended, naturally, for the moral instruction of young minds. It includes a key to the sometimes wonderfully fanciful names of the characters (e.g., "Homotille," Grilison," "Ponirge¢" etc.), each of which represents a particular vice or virtue.€ OCLC locates a few copies in Europe, but none in North America. The book was collected and reprinted later by Charles-Joseph de Mayer in the famous LE CABINET DES FEES (Amsterdam, 1785 -1789), but also in the earlier collection of LE CABINET DES FEES (Amsterdam, Estienne Roger, 1717) where, apparently, it was attributed to the Comtesse de Murat (1670-1716). Very rare
Bookseller: James Cummins Bookseller
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2013-06-17 15:35:18
FRANCESCO II SFORZA, Duca di Milano
Diploma manoscritto del Duca di Milano con il quale egli assegna lo stemma gentilizio al fratello Giovanni Paolo Sforza, Marchese di Caravaggio, e a tutti i suoi discendenti. Copia autentica estratta dal Regio Archivio di Milano il 3 luglio 1713. Fascicolo coevo In-folio, coperta originale in cartone rustico, contenente 6 pagine manoscritte e le ultime due bianche, all'interno, doppio foglio con grande arma araldica della famiglia Sforza, interamente dipinta in vivaci colori e disposta orizzontalmente con alcune note manoscritte laterali. In allegato documento sciolto di 4 pagine, manoscritto alla prima con i dati dell'estratto, datati 1713. Ottimo esemplare.
Bookseller: Livres anciens et modernes Gilles Hassan
2013-06-11 14:25:02
MANFREDI Eustachio
Per Costantino Pisarri 1713 In 16, pp. 84. Br. Edizione originale rara della raccolta delle Rime. Manfredi, più noto come matematico e astronomo. Si occupò anche di idraulica, campo dove ebbe come maestro il Guglielmini. Per queste sue conoscenze fu nominato Sopraintendente alle acque del territorio bolognese. Fu anche apprezzato scrittore, autore in particolare di rime d'occasione, in particolare per gonfalonati, lauree, monacazioni. In particolare, rivela notevoli qualità in rime particolarmente ispirate come Donna negli occhi vostri, scritta per la monacazione di Giulia Caterina Vandi, donna da lui amata. Gamba, 2333 (cita solo l'edizione bodoniana del 1793). ITA
Bookseller: Libreria Antiquaria Coenobium
2013-06-10 11:21:18
[RÉMOND].
The main interest of father and son Rémond is the metamorphosis of butterflies. The beautifully drawn watercolour drawings of caterpillars are of a superb quality and the animals are drawn with painstaking precision. The work is very much in the tradition of Maria Sibylla Merian who at the beginning of the same century was fascinated by the same subject and published in 1713-1717 a 3 volumes pioneering work 'Der rupsen begin?' We presume that the watercolours and the extensive notes to these plates are by Louis Rémond and the translation of Roesel von Rosenhof by his son Maurice. The whole project was certainly intended to be published. In a draft (May 1808) of a letter of Maurice Rémond to A.J.P. Kleemann (no. 14), the son of C.F. Kleemann and the son-in-law of Roesel von Rosenhof, Rémond informs him of his intention to publish Roesel's work together with his own observations. "Mes compatriotes les français ne connaissent guère de cet ouvrage que la beauté des figures et ignorent les détails intéressantes que renferme le texte, votre langue étant peu répandu en France; c'est ce qui m'a fait former le projet d'en donner une traduction que l'accompagnerai de mes propres observations". He continues asking him details of his father's life which he wants to incorporate in his work. In a reply dated 30 May 1808 Kleeman wishes him success with his project "Je souhaite la plus heureuse réussite de votre projet louable', and adds several pages of text concerning the life of his father C.F. Kleemann. The work of De Geer (no. 3) and Reaumur (no. 4) were studied in detail, notes and d … [Click Below for Full Description]
Bookseller: Antiquariaat Junk B.V.
2013-03-26 22:50:48
Malpighi, Marcello
ex Typographia Seminarii : apud Jo. Manfrè 1713 In 4° ,carte 18 non num., pagg. num. da 19 a 184, rilegatura coeva in t. pergamena con titolo in nero al dorso. Malpighi è considerato il fondatore dell' embriologia descrittiva. Questa opera rimase inedita a lungo e venne data alle stampe solo grazie all'opera del medico veronese Girolamo Gaspari.
Bookseller: Nuovi Quaderni di Capestrano
2013-02-18 12:58:49
Fürstliche Schatz- und Rent-Kammer nebst seinem Tractat vom Goldmachen wie auch vom Ministrissimo oder Ober-Staats-Bedienten. Leipzig, zu finden bey T. Fritschen, 1713. 8:o. (32),370,471-72,373-484,(11) s. & 1 utvikbar tryckt tabell. Ngt solkigt samtida pergamentbd med stänkta snitt. Enstaka små maskhål i ytterfalsarna och ngt fler i innerfalsarna. Inlagan med en del vikta hörn och sporadiska fläckar, t.ex. i yttermarginalen på s. 329-34. Ngt solkig på s. 402-04. Små revor i yttermarginalen på s. 65-66 och i nedre marginalen på s. 359. Aningen fuktbucklig mot slutet. Oidentifierad förvärvsanteckning daterad Hamburg 25 juni 1729 på försättsbladet.. Catalogue of the Kress library 2879. Med tryckt dedikation till den tysk-romerska kejsaren. Författarens här omtryckta "Unterricht von Goldmachen" utkom första gången 1684 i Leipzig. Intressant nog tas den här med i en bok som annars behandlar statsfinanser och förvaltning
Bookseller: Mats Rehnström
2013-01-24 18:08:56
Van Der Aa, Pierre
Leyden, 1713. First edition. Rare and important original color map of southeast North America, from Maryland and Illinois in the north (including Philadelphia) to Mexico in the south and the Bahamas in the east. Noted for its great detail, with Native American villages, mountains and rivers, and English, French and Spanish settlements. With the Mississippi River very clearly defined, but depicted too far to the west; Florida with a slightly blunted peninsula, with St. Augustine named. Title cartouche embellished with Native American figures, a lion, deer and figures in canoes. From 'Le Nouveau Theatre du Monde', and based on Delisle's important Carte du Mexique de la Floride of 1703. Cumming (155) lists its title as "La Florida(sic)...." and dates it 1713. 11 3/4 x 9". Matted and framed. A slightly light impression on the female Native American figure. With old color, possibly early. Without fold marks, very good. Cumming, W.P. (SE) 155.
Bookseller: Antipodean Books, Maps & Prints [US]
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2013-01-16 09:32:54
Due volumi di cm. 28, pp. (4) vi (2) 1504 complessive. Con antiporta figurata a ciascun volume, frontespizi in rosso e nero con vignetta centrale e 171 tavole fuori testo finemente incise in rame (alcune delle quali più volte ripiegate). Solida legatura coeva in piena pelle, dorsi a nervi con titoli e ricchi fregi in oro. Sguardie e tagli marmorizzati. Pochi segni d'uso e carte con solo qualche brunitura. Splendida edizione di questa Bibbia il cui ricco apparato iconografica la rende assai ambita. Le tavole risultano di ottima qualità, assai ben impresse e raffigurano episodi e scene bibliche; tra queste sono presenti 5 carte geografiche ripiegate.
Bookseller: Studio Bibliografico Benacense
2013-01-12 17:08:43
LONICER, ADAM
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [U.S.A.]
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2013-01-12 17:08:43
LONICER, ADAM
Bookseller: Phillip J. Pirages Fine Books and Medieval Manuscripts [McMinnville, OR, U.S.A.]
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2013-01-09 11:20:56
HORATIUS FLACCUS, Q.
Rod. & Gerh. Wetstenios HFF, Amsterdam 1713. 4to. (20)+171+(1)+239+(1) pages. Engraved frontispiece. Title printed in red and black. Contemporary full red morocco with richly gilt spine. All three edges gilt. A well-preserved copy. Armorial bookplates on front endpaper and pastedown.. Attractive copy, from the library of Danish professor Holger Friis-Johansen, of the second edition of Richard Bentley's important Horace edition. The first edition was published in Cambridge 1711
Bookseller: Vangsgaards Antikvariat
2013-01-05 12:11:44
Graevii, Jo. Georgii (Johann Georg Graevius)
Hamburg Leipzig: Christian Liebezeit, 1713. (8 Bl.). 637 S., (1 Bl.); mit 1 gestochenen Porträtfrontispiz; lektoriert u. herausgegeben von Johann Albert Fabricius, unter Mitarbeit von Peter Burmann (der Ältere); 2., verbesserte Aufl.; Schweinsledereinband der Zeit, mit handschriftl. Rückentitel; Einband fleckig, fliegender Vorsatz mit kl. Besitzervermerk. Leder. Befriedigend. 16,5 cm.
Bookseller: Versandantiquariat Rainer Kocherscheidt
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2012-12-24 08:59:46
(MEIBOM, Anna.) Relation veritable de l'horrible et detestable assassinat commis en la personne de mr.
Utrecht, la veuve Voskuyl, 1713. 8:o. (2),+ 212 s. Välbevarat något senare hfrbd, rikt guldornerad rygg med röd titeletikett, röda snitt. Ur Ericsbergs bibliotek, med Carl Jedvard Bondes exlibris. Författarinnan Anna Meibom var svägerska till den mördade Johan (Hans) von Schade, diplomat i polsk tjänst. Johan (eller Hans) von Schade (1671-1703) var född i Danmark men sedan 1698 i polsk tjänst och sedan år 1700 polsk resident i Köpenhamn. Han kom dock snabbt i konflikt med många och framförallt med den danska ministern Christian von Plessen. Efter svåra motgångar fick Schade efter egen ansökan slutligen avsked 1703, och en fransman Antoine Moreau utsågs till hans efterträdare. Innan Schade hunnit lämna Köpenhamn dog dock Moreau plötsligt. Schade skyndade sig då till dennes hus för att försegla hemliga papper, men där befann sig redan Plessens folk. En ordstrid uppkom och slutade med att kammarrådet Burchard v. Suhm stack ned Schade med sin värja. Han dog två dagar senare av såret. Ett antal oklarheter kring mordet fanns och Anna Meibom anklagar här i "Relation veritable", utgiven tio år senare, Plessen för en mordkomplott planerad av illvilja och ondska, och att denne senare även förföljt den stackars änkan, d.v.s. författarinnans syster
Bookseller: Centralantikvariatet
2012-12-24 06:26:43
FER, NICOLAS DE - DANMARK.
Kobberstik ved P. Starckman. 48 x 57 cm. Konturkoloreret. Med vertikal midterfold i papiret som ved udgivelsen. Paris, privilegium dateret 1713. Stor dekorativ titelkartouche i s/h. Nogle små skjolder i margin.. Udarbejdet med Pierre Duvals Danmarkskort som inspirationskilde.Nicolas de Fer (1646-1720). Kartograf, kobberstikker og forlægger
Bookseller: Finnerups Antikvariat
2012-10-22 18:00:36
[REMOND].
. The main interest of father and son Remond is the metamorphosis of butterflies. The beautifully drawn watercolour drawings of caterpillars are of a superb quality and the animals are drawn with painstaking precision. The work is very much in the tradition of Maria Sibylla Merian who at the beginning of the same century was fascinated by the same subject and published in 1713-1717 a 3 volumes pioneering work 'Der rupsen begin ' We presume that the watercolours and the extensive notes to these plates are by Louis Remond and the translation of Roesel von Rosenhof by his son Maurice. The whole project was certainly intended to be published. In a draft (May 1808) of a letter of Maurice Remond to A.J.P. Kleemann (no. 14), the son of C.F. Kleemann and the son-in-law of Roesel von Rosenhof, Remond informs him of his intention to publish Roesel's work together with his own observations. "Mes compatriotes les francais ne connaissent guere de cet ouvrage que la beaute des figures et ignorent les details interessantes que renferme le texte, votre langue etant peu repandu en France; c'est ce qui m'a fait former le projet d'en donner une traduction que l'accompagnerai de mes propres observations". He continues asking him details of his father's life which he wants to incorporate in his work. In a reply dated 30 May 1808 Kleeman wishes him success with his project "Je souhaite la plus heureuse reussite de votre projet louable', and adds several pages of text concerning the life of his father C.F. Kleemann. The work of De Geer (no. 3) and Reaumur (no. 4) were studied in detail, notes and … [Click Below for Full Description]
Bookseller: Antiquariaat Junk
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2012-10-22 18:00:36
RÉMOND].
The main interest of father and son Rémond is the metamorphosis of butterflies. The beautifully drawn watercolour drawings of caterpillars are of a superb quality and the animals are drawn with painstaking precision. The work is very much in the tradition of Maria Sibylla Merian who at the beginning of the same century was fascinated by the same subject and published in 1713-1717 a 3 volumes pioneering work 'Der rupsen begin...' We presume that the watercolours and the extensive notes to these plates are by Louis Rémond and the translation of Roesel von Rosenhof by his son Maurice. The whole project was certainly intended to be published. In a draft (May 1808) of a letter of Maurice Rémond to A.J.P. Kleemann (no. 14), the son of C.F. Kleemann and the son-in-law of Roesel von Rosenhof, Rémond informs him of his intention to publish Roesel's work together with his own observations. "Mes compatriotes les français ne connaissent guère de cet ouvrage que la beauté des figures et ignorent les détails intéressantes que renferme le texte, votre langue étant peu répandu en France; c'est ce qui m'a fait former le projet d'en donner une traduction que l'accompagnerai de mes propres observations". He continues asking him details of his father's life which he wants to incorporate in his work. In a reply dated 30 May 1808 Kleeman wishes him success with his project "Je souhaite la plus heureuse réussite de votre projet louable', and adds several pages of text concerning the life of his father C.F. Kleemann. The work of De Geer (no. 3) and Reaumur (no. 4) were studied in detail, notes and … [Click Below for Full Description]
Bookseller: Antiquariaat Junk [Amsterdam, Netherlands]
2012-06-28 17:36:50
Gentleman of Cambridge.
John Morphew & A. Dodd, 1713. First edition of this response to Anthony Collins's Discourse on Free-thinking, one of many published replies to Collins's landmark treatise on the role of independent critical thought in religion and philosophy. The present rebuttal is often assigned to Richard Bentley, although ESTC considers that an erroneous attribution.
Bookseller: PRB&M/SessaBks (Philadelphia Rare Books & MSS Co.) [U.S.A.]
2012-06-28 16:02:55
CHOISY (DIT) ABBé DE CHOISY François-Timoléon de
- Chez Nicolas pepie , à Paris 1713, -in12 (9x16cm), (8) 210pp., relié. - Prima edizione, rara. Pelle di pecora del primo tempo. Torna lavorato in rilievo. Una mancanza in mente. Un angolo ottuso. Strofinato insieme. L'autore afferma nella prefazione voler eliminare il romanzo Astrée suoi surperfluités e hanno stabilito un nuovo romanzo sui valori fondamentali del vecchio. "Con la pubblicazione del nuovo Astrea, Abbe de Choisy trasforma l'opera" in un piccolo libro di galanteria rustica ", si concentra sulla storia d'amore testo di Astrea e Celadon, eliminando aspetto teologico e politico del testo." Henri Coulet. Incisione XVIII ex libris, tre bande di azzurro e 3 d'oro, fiancheggiato da due corvi, con il motto: Nil Nisi virtute. - [FRENCH VERSION FOLLOWS] Edition originale, rare. Reliure en demi basane d'époque. Dos à nerfs orné. Un manque en tête. Un coin émoussé. Ensemble frotté. L'auteur déclare dans la préface avoir voulu purger Le roman de l'Astrée de ses surperfluités et avoir établi un nouveau roman sur les valeurs essentielles de l'ancien. "En publiant La nouvelle Astrée, l'abbé de Choisy transforme l'oeuvre "en un petit ouvrage de galanterie champêtre", il concentre le texte sur les amours d'Astrée et de Céladon, éliminant les aspect théologiques et politiques du texte". Henri Coulet. Ex libris gravé du XVIIIe, aux trois bandes d'azur et 3 d'or, encadré de deux corbeaux, avec la devise : Nil nisi virtute.
Bookseller: Librairie Feu Follet [FR]
2012-06-28 11:03:33
Fabris Salvator
. . Seltene erste Ausgabe.- Brunet II, 1155 - Graesse II, 544 - Thimm 97: "Fabris divides his work into two books and six parts. The first book treats throughly the question of broad principles and of the more 'academic' actions with the rapier, alone or accompanied with dagger or cloak; it discusses in a very exhaustive manner the relative value of the past and present methods. The second book is one wherein is demonstrated certain rules with which it will be possible to strike the enemy from the moment the sword is drawn, without halting or waiting any time, principles which have never been treated by any master or writer".- Seltener Kopenhagener Druck, gewidmet König Christian IV. v. Dänemark. Wahrscheinlich das früheste dänische Buch mit gestochenen Illustrationen.- "Das Fechtbuch des F. aus Padua, der zu denn ersten Fechtmeistern seiner Zeit gehörte, hat auch auf die deutsche Fechtkunst eingewirkt." (Lex. d. Buchw. I, 527).- Gereinigtes u. im Randbereich meist restauriertes Ex., Ebd. fleckig, Rückengelenke u. Ecken erneuert.# With together 190 (half-page) engravings in the text, contemporary calf with gilt spine, covers gilt stamped.-Brunet II, 1155 - Graesse II, 544 - Thimm 97: "Fabris divides his work into two books and six parts. The first book treats throughly the question of broad principles and of the more 'academic' actions with the rapier, alone or accompanied with dagger or cloak; it discusses in a very exhaustive manner the relative value of the past and present methods. The second book is one wherein is demonstrated certain rules with which it will be possib … [Click Below for Full Description]
Bookseller: Antiquariat Johannes Müller
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2012-06-27 22:58:18
[ARBUTHNOT, JOHN]; BARNIVELT, ESDRAS [POPE, ALEXANDER]
London: B Motte, 1713. London: B Motte. G: in Good condition without dust jacket as issued. Cover rubbed and scuffed. Darkening and occasional marks and foxing throughout. 19th century binding. 1713. Reprint. Brown tooled leather cover. 200mm x 130mm (8" x 5"). ix; 358pp. .
Bookseller: Barter Books [United Kingdom]
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2012-06-27 22:58:18
Arbuthnot, John]; Barnivelt, Esdras [Pope, Alexander]
London: B Motte, 1713. 200mm x 130mm (8" x 5"). ix; 358pp. G: in Good condition without dust jacket as issued. Cover rubbed and scuffed. Darkening and occasional marks and foxing throughout. 19th century binding. [Attributes: Hard Cover]
Bookseller: Barter Books Ltd [Alnwick, NORTH, United Kingdom]
2012-06-26 07:51:44
Phaedrus
Tiguri, typis Davidis Gessneri, 1713. Kl.-8°, Fronti. (, 8 Bl., 149 S., 1 Bl., OPerg. der Zeit, Notizen von alter Hand (Schülerschmierereien), 3 Bl. m Wurmfrass (ohne Textverlust), Preis in CHF: 660. Phaedrus (um 20 v. Chr. bis um 51 n. Chr.), voller Name wohl: Gaius Iulius Phaedrus, römischer Fabeldichter in der Regierungszeit der Kaiser Augustus, Tiberius, Caligula und Claudius. Phaedrus literarisches Vorbild war der griechischen Fabelschreiber Äsop (um 600 v. Chr.) dessen Fabeln er aus dem griechischen ins lat. übertrug und erstmalig in Versform fasste. David Gessner (1647-1729), Sohn eines reichen zürcher Eisenhändlers, gründete 1670 die Buchdruckerei gleichen Namens. Frontispiz von Johann Georg Seiller, Kupferstecher, aus Schaffhausen (1663-1740).
Bookseller: Antiquariat Peter Petrej
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2012-06-25 01:56:51
[Kennedy, Peter. b. 1685]. Wrangham, Francis [1769 - 1842] - Prior owner
London: Printed for Bernard Lintott, 1713. 1st edition. Period full brown calf boards with later respining to style. Modern eps. General wear to binding. 2 early prior owner signatures. A VG copy.. [24], 109, [3] pp. Publisher adverts last 3 pages. Folding plate. Head- tailpieces. Decorative initial capital letters. 8vo: A^8 a^4 B - H^8. 7-1/2" x 4-3/4" "Fr. Wrangham" written in t.p. top margin, who is presumed to be book collector Francis Wrangham, whose collection was auctioned by Sotheby's in 1843 [cf., p. 311 of Wrangham's privately-printed catalogue, 1826].
Bookseller: Tavistock Books, ABAA [U.S.A.]
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2012-06-22 06:46:24
Köhler, Diderich
Bremen, gedruckt bey Hermann Brauer, 1713. 8 Bll., 424 Seiten. Titel in rot und schwarz. Über KVK nur 2 Expl. nachweisbar – diese lt. KVK-Eintrag nur mit 416 Seiten vermutlich nicht vollständig. Ebenso scheint dort auch die (hier vorhandene), den „Herren Bürgermeisteren und Raht der Kayserl. Freyen Reichsstadt Bremen“ gewidmete Vorrede, die mit einem Gedicht von T.S. endet, zu fehlen. - Einband der Zeit, lädiert, mit Wurmspuren, stark berieben und bestossen; Rücken mit Fehlstellen. Text etwas knapp beschnitten; durchgehend gleichmäßig gebräunt, leicht fleckig. [Attributes: First Edition; Hard Cover]
Bookseller: A la Recherche [Bonn, Germany]
2012-06-22 06:12:50
QUEVEDO VILLEGAS, Francisco de.
Imp. Manuel Román. Madrid, 1713. . 21 cm. [16], 634 pág., 9 h. de índices (sign. [calderón]4, 2[calderón]6, A-Z4, 2A-Z4, 3A-Z4, 4A-M4, 4N2). Marca tipográfica en la portada (Vindel 573), orlada. Capitulares y culs-de-lampe xilográficas. Texto con apostillas marginales. Ilustr. con 7 grabados calcográficos. Enc. en pergamino a la romana, tejuelo. Puntos de óxido, papel algo tostado, cercos de antigua humedad en varias páginas. Fina señal de taladro entre las páginas 231 y 280, sin afectar al texto. Restauración de anterior poseedor en página 179. Marcas de anterior poseedor en la portada y en un grabado. * Primera cumbre del Parnaso de Francisco de Quevedo (1580-1645) dedicado a las seis musas que, junto a las tres de la segunda cumbre, reflejaban una clasificación por temas de la obra del poeta. Si Clío alaba con sus versos a personajes históricos de todos los tiempos, Polimnia es el eco del poema moral, mientras que Melpómene ejerce de altavoz de la poesía fúnebre mediante la presentación de exequias o epitafios. Erato, la cuarta Musa, encarna la temática amorosa: es precisamente en este apartado donde encontramos a Lisi, supuesta amante del poeta. Por último, Terpsícore y Talía se centran en otra de las conocidas facetas del autor, el poema satírico-burlesco. En cuanto a la primera de las láminas: "Especial mención merece [.] la versión hispana, castellanizada, del motivo que nos ofrece la ilustración de la portada para la edición de El Parnaso español de Francisco de Quevedo, editado en Madrid por Melchor Sánchez, en 1668." que nuestro ejemplar también reproduce (María I … [Click Below for Full Description]
Bookseller: Libreria Anticuaria Farré [Barcelona, Spain]
2012-06-21 18:13:44
John Milton
London - J. Tonson, 1713 Book. Very Good. Hardcover. A beautiful little book of Milton's poetry. Fifth edition. Illustrated with numerous engravings. With Milton's Tractate of Education, his essay on educational reform. In English, with a number of Latin works and one in Greek. Condition: In a half calf binding with marbled boards. Externally, sound with slight rubbing. Internally, firmly bound, generally bright and clean. Overall: VERY GOOD INDEED.
Bookseller: Rooke Books
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2012-06-19 16:06:48
Hervieux de Chanteloup, J. C.
1713. Paris. Claude Prudhomme. In 8vo (167mm x 102mm). Contemporary red morocco, boards with double gilt fillet, spine with raised bands and lettered in gilt, excellent condition. Slight toning and browning, uniform to a few leaves; rubricated throughout, a very fresh copy. Second edition of one of the few books dedicated to canaries. The illustration includes three full page plates, showing the sing of the canaries and different perspectives of a cage. Provenance, printed ex libris of Alexis Carrel, a Nobel prize winner in 1913; Carrel was a famed physician, later on relatively unknown for his ideologies and contributions to the Nazi government. His research was mainly done in the United States at the Rockefeller Institute for Medical Research, the mayor contribution was probably in the field of surgery, applied to war wounds.
Bookseller: Hs Rare Books
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2012-06-19 16:06:48
Hervieux de Chanteloup, J. C.
1713. Paris. Claude Prudhomme. In 8vo (167mm x 102mm). Contemporary red morocco, boards with double gilt fillet, spine with raised bands and lettered in gilt, excellent condition. Slight toning and browning, uniform to a few leaves; rubricated throughout, a very fresh copy. Second edition of one of the few books dedicated to canaries. The illustration includes three full page plates, showing the sing of the canaries and different perspectives of a cage. Provenance, printed ex libris of Alexis Carrel, a Nobel prize winner in 1913; Carrel was a famed physician, later on relatively unknown for his ideologies and contributions to the Nazi government. His research was mainly done in the United States at the Rockefeller Institute for Medical Research, the mayor contribution was probably in the field of surgery, applied to war wounds. [Attributes: Hard Cover]
Bookseller: HS Rare Books [Capital Federal, CAP, Argentina]
2012-06-19 10:32:22
SARNELLI POMPEO
Michele Luigi Muzio, Napoli. Napoli (1713) - Michele Luigi Muzio. 1 ff bb, 4 pp nn, 275 pp (i.e. 293), 7 pp nn, 1 ff bb. Antiporta incisa in rame (datata 1708), magnifica incisione in rame p.v.r. con una vista di Napoli a volo di uccello, 44 tavole incise in rame (3 p.v.r.). Alcune tavole presentano più figure. ISBN indica solo 40 carte di tavole. Legatura coeva in piena pergamena. Qualche brunitura ma ottima copia. Una delle prime edizioni di questa celebre guida di Napoli (prima 1685) che si fa notare per le numerose illustrazioni e per la splendida veduta di Napoli. Pompeo Sarnelli nacque a Polignano a mare (BA) nel 1649; a 14 anni si trasferì a Napoli dove fu avviato alla carriera ecclesiastica. Nel 1692 divenne vescovo di Bisceglie (BA) dove morì nel 1724. Cfr.: "Ritratto o modello delle grandezze, delizie e maraviglie della nobilissima città di Napoli", Gioan Battista Del Tufo, Olga Silvana Casale, Maria Teresa Colotti, 2007, pag. liii; "Napoli dal cinquecento all'ottocento", Claudia Petraccone, 1975, pag. 78; "Racconti di opere e racconti di uomini: la storiografia artistica a Napoli tra periegesi e biografia, 1685-1700", Valter Pinto, 1997, pag. 249. Size: in 12° (144 mm x 83 mm) [Attributes: Hard Cover; In Dust Jacket]
Bookseller: ARCHETYPON STUDIO BIBLIOGRAFICO [Susa, TO, Italy]
2012-06-18 09:58:58
[Dezallier d'Argenville, Antoine Joseph]:
Paris, Jean Mariette, 1713.. Nouvelle [3ieme] Edition 4°. 5 Bll., 293 (1) S., 6 Bll. Mit 33 [von 38] Kupfertafeln und zahlreichen Holzschnitten und Vignetten. Es fehlen die 5 Tafeln A1-A5. Leder. Alter beschabter und beriebener Einband mit neuem Leder ergänzt. Neuer Rücken unter Verwendung des alten. Ordentlicher Zustand nach Restaurierung. Seiten teils angefleckt u. m. Eck-Knicken. Tafeln angefleckt, Ausklapptafeln m. Quetschfalten u. teils angerändert. Verso Tafeln teils mit gärtnerischen Handzeichnungen in Blein. Zwei Tafeln mit amateurhafter alter Ankolorierung.; 3. Erstmals im Titel des dritten Drucks wird der seinerzeit berühmte (Garten)Architekt Alexandre LeBlond als Urheber genannt, der wesentlich zur Verbreitung des französischen Gartenstils im Ausland beitrug und unter anderem das Schloß Peterhof bei St. Petersburg schuf. Erst in späteren Auflagen wird der tatsächliche Autor, Antoine Josephe Dezallier d'Argenville genannt, der wohl bei Le Blond Malunterricht genommen hatte. Während sich die Forschung weitgehend einig ist, dass Teile der Kupferstiche auf Le Blond zurückgehen, so ist umstritten, ob er auch an der Gesamtkonzeption dieses bedeutenden Gartenbuches mitwirkte. Eines der wichtigsten Gartenbücher des 18. Jahrhunderts, das bis 1771 viele Auflagen erlebte. Marie Luise Gothein widmet dem Buch allein 3 Seiten in ihrer "Geschichte der Gartenkunst", vermutet aber eher Le Blond als Autor: "Niemals wieder hat ein Buch mit so klarer faßlicher Sicherheit das Wesen eines Stiles in Lehrsätze umgegossen." Auf ihre Anmerkung, dass es den Nutzgarten etwas überheblich nur … [Click Below for Full Description]
Bookseller: Bibliotheca Botanica
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2012-06-15 15:16:08
Beaux illustrés du XVIIIe DESEINE François
A leide: Chez Pierre Vander, 1713. relié. 6 tomes en 6 Vol. in 12 (9x16,5cm). Edition originale, illustrée de 108 planches, dont 27 dépliantes (dont deux très grandes et trois cartes). Pagination continue du premier au dernier volume. Pages de titre en rouge et noir. Catalogue de l'éditeur in fine. Exemplaire aux armes en queue du Dauphin de France. Pleine Basane d'époque. Dos à nerfs orné. Pièce de titre et de tomaison en maroquin rouge. Coiffe de tête des tomes II et V légèrement élimées ; celle du tome I fragile. Ensemble frotté. Coins pour la plupart émoussés. Bon aspect d'ensemble. Deseine a voulu donné un aspect complet de la ville de Rome, non seulement par ses monuments et oeuvres d'art (anciens et contemporains), mais également par ses spécificités politiques, c'est ainsi que les deux derniers tomes sont consacrés au gouvernement du Vatican, dont une grande partie à sa comptabilité. Un chapitre, particulièrement intéressant, s'occupe des cimétieres de la ville. Dans la préface, l'auteur cite les livres dont il a emprunté des extraits pour composer le sien. La description déborde de la ville même, puisqu'elle s'intéresse aux grands palais et jardins environnants (Frascati et Tivoli). Pour la description de Rome elle-même, le livre procède par quartier ou arrondissement. La composition détaillée de chaque tome se trouve après la préface du tome I. Ce type d'édition, richement illustrée, rejoint les séries des Délices de l'Italie, Délices des Pays-bas... puisqu'elle est organisée suivant le même modèle, mais sur une seul … [Click Below for Full Description]
Bookseller: Librairie Le Feu Follet
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2012-06-13 16:48:44
THEOCRITUS) THÉOCRITE.
Londres, E. Curll. 1713. In 12 de (6)-II-IV-108pp-3pp. (publicité de l'éditeur), reliure en plein veau fauve, dos à 4 nerfs avec caissons ornés et décorés, plats décorés de frises et de filets estampés, un plat frotté à six endroits, frontispice orné d'une belle gravure représentant un portrait de l'auteur, vie de Théocrite par Basil Kennet, ex-libris, bel exemplaire. La traduction des idylles de Théocrite par Creech furent publiés pour la première fois en 1684, deux ans après la publication de sa traduction de Lucrèce qui avait connu un immense succès, belle et estimée traduction. [Attributes: Hard Cover]
Bookseller: Librairie Scritti [Paris, France]
2012-06-13 16:28:46
Treaty of Utrecht]:
London, 1713. 55pp. printed in double-column format in parallel English and Latin. Small quarto. Dbd. Very good. This commercial treaty was signed the day after the peace treaty between England and France ending the War of the Spanish Succession (Queen Anne's War). It granted England liberal trading terms on many New World products, especially reducing the duty on tobacco brought into France, which the British hoped would greatly benefit Virginia. Not in EUROPEAN AMERICANA or Arents. DAVENPORT 101. KRESS 2887. GOLDSMITHS 5022. TPL 6365. SABIN 96537 (note).
Bookseller: William Reese Company - Americana [New Haven, CT, U.S.A.]
2012-06-13 16:26:51
TREATY].
Lisbon, Na Officina de Antonio Pedrozo Galram, 1713. 4°, recent machine-marbled wrappers. Woodcut Portuguese royal arms on title-page. Woodcut initials. Text in Portuguese and French, with some Latin toward the end. Single small wormhole in lower inner margins, never affecting text. Overall in good to very good condition. 12 pp. *** First Portuguese Edition. France recognizes Portuguese rights in Maranhão and Pará, exclusive Portuguese control over navigation in the Amazon, and agrees that residents of Cayenne will not enter Portuguese territory for purposes of trade, nor to obtain slaves in the district of Cabo do Norte. Moreover, French missionaries and anyone else under French protection are not to intrude upon the lands adjudged in this treaty incontestably to pertain to Portugal. On the other hand, the king of Portugal agrees that his subjects shall not trade with Cayenne.This Portuguese edition of the treaty is followed by ratification by France's plenipotentiary, in French, and ratification by the Portuguese plenipotentiary in Latin.*** Borba de Moraes (1983) II, 867. Innocêncio VII, 386: without collation. JCB, Portuguese and Brazilian Books 713/1. Schäffer, Portuguese Exploration to the West and the Formation of Brazil 60. Greenlee Catalogue II, 665: upper margin severely cropped, with loss of text. Not in Alden & Landis. Not in Rodrigues or Sabin. Not in Porbase, which lists only two microfilm copies at Biblioteca Nacional de Portugal. Copac repeats British Library and Oxford University. NUC: Not located in NUC.@, which lists a French edition. [Attributes: First E … [Click Below for Full Description]
Bookseller: Richard C. Ramer Old and Rare Books [New York, NY, U.S.A.]
2012-06-10 19:56:04
NEWTON, Isaac
Engraved vignette on title, one folding engraved plate (a bit foxed), & numerous woodcut diagrams in the text. 14 p.l., 484, [8] pp. Large 4to, cont. English speckled calf (finely rebacked & recornered by Aquarius). Cambridge: [University Press], 1713. Second edition and a fine copy; this is the first edition to include the General Scholium in which Newton gives a general resumé of the work. This edition was edited by Newton's favorite pupil, Roger Cotes, who provided an important preface in which he undertook to explain and defend Newton's account of gravity. Very fine copy. ❧ Babson 12. See Dibner, Heralds of Science, 11, Horblit 78, and Printing & the Mind of Man 161 for the first edition. .
Bookseller: Jonathan A. Hill, Bookseller, Inc.
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2012-06-10 13:47:15
Chauvini, Stephani (Chauvin, Etienne)
Leeuwarden, Halma 1713. 6 Bll., 719 S., 44,5 x 28 cm, mit illustr. Kupfertitel, gest. Titelvignette und 30 gefalt. Kupfertafeln, moderner Halbledereinband mit Rückenprägung leicht berieben. Erstausgabe von 1692.. Zusammenstellung der zeitgenössischen Ansichten über Naturwissenschaften, Technik und Philosophie.
Bookseller: Wissenschaftliches Antiquariat Köln
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2012-06-07 14:49:21
NEWTON, Isaac.
- Engraved vignette on title, one folding engraved plate (a bit foxed), & numerous woodcut diagrams in the text. 14 p.l., 484, [8] pp. Large 4to, cont. English speckled calf (finely rebacked & recornered by Aquarius). Cambridge: [University Press], 1713. Second edition and a fine copy; this is the first edition to include the General Scholium in which Newton gives a general resumé of the work. This edition was edited by Newton’s favorite pupil, Roger Cotes, who provided an important preface in which he undertook to explain and defend Newton’s account of gravity. Very fine copy. ? Babson 12. See Dibner, Heralds of Science, 11, Horblit 78, and Printing & the Mind of Man 161 for the first edition. [Attributes: First Edition; Hard Cover]
Bookseller: Jonathan A. Hill, Bookseller Inc.
2012-06-05 21:34:14
Einband - Missale romanum].
Venedig, Nicolo Pezzana, 1713. - (36), 472, XCII SS. Durchgehend in rot und schwarz gedruckt. Mit gest. Titelvignette und 3 ganzs. Textkupfern (Suor Isabella Piccini sc.) sowie zahlreichen Holzschnittinitialen und gedruckten Noten. Goldgepr. Kalbslederband der Zeit über Holzdeckeln. Schließen fehlen. 4 Lesebändchen. Kl.-Folio. Seltenes, schön illustriertes Missale des Spätbarock mit reizvollen Kupfern der venezianischen Kupferstecherin Isabella Piccina, Tochter und Schülerin des Giacomo Piccini und Nonne im Convento di Sta. Croce in Venedig (vgl. Thieme/B. 26, 581). - 5 Bll. etwas fingerfleckig (dav. 2 stärker) und mit restaurierten Wurmspuren im w. Rand, sonst innen weitestgehend sauber. Der Einband im "à la fanfare"-Stil mit Mosaikbändern ist ein schönes Beispiel für das Wiederaufleben des nach der Mitte des 16. Jahrhunderts geprägten Fanfarestils im 18. Jahrhundert. Kennzeichnend ist neben der symmetrischen Anordnung das Rahmengerüst mit rund und eckig ausgeführten Kartuschen und verschlungenem verbindenden Bandwerk sowie dichtem Füllwerk in der Form von Blattvoluten und Blüten. "Es handelt sich um einen sehr arbeitsaufwendigen Stil, da geometrische Präzision des Entwurfes sowie Formenreichtum und Kleinteiligkeit der Stempel größte Sorgfalt vom Vergolder verlangten" (Kat. Slg. Schäfer, 65). Die Aufwendigkeit des vorliegenden Einbands wird dadurch noch erhöht, daß die Rahmenbänder im Mosaikstil durch Einlegearbeit dunklerer Lederpartien ausgeführt sind. Wie meist wird hier "die Kontur der Intarsie mit einer Filete betont. Die Technik der 'reliures mosaiques' oder 'à compa … [Click Below for Full Description]
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Austria]
2012-06-05 21:22:15
DAVILA, ENRICO CATERINO (1576-1631)
Venezia: Domenico Lovisa, 1713, Hardback, Book Condition: Very Good, 1st Edition in this form. Very good copy in the original full, limp vellum. Raised bands with gilt-blocked titling. Minor, generalized wear to the bands and panel edges with 2 tears along the band stitching. Remains uncommonly well-preserved overall; tight, bright, clean and strong; 8vo 8" - 9" tall; 834 pages; Description: 834 p. Subjects: France --History --Religion and politics --Church history --16th century 834 pages. Inventory No: 166064.
Bookseller: MW Books [Ireland]
2012-06-03 13:48:35
Miri, Adam Erdmann; Gymnas. Zitt. Con-Rect.
Dreßden ; Leipzig : Zimmermann, 1713. - [5] Bl., 218 S., [5] Bl.: Frontisp.; 7,5 x 15,5 cm. Titelblatt in Rot- u. Schwarzdruck. Am Anfang und Ende etwas fleckig und wasserrandig. Neu eingebunden (Hartkarton). [Attributes: First Edition; Hard Cover]
Bookseller: A la Recherche
2012-06-01 23:28:48
DESEINE Francois.
Pierre Vander Aa,, Leide, 1713. 6 parti in 3 voll. in-16, pp. 1738 (num. cont.), (20), bella leg. p. pelle con cornici in oro ai piatti e picc. fregi a secco, tit. oro ai d. con nervi. Tagli colorati marmorizz. Risguardi in carta dec. Front. a due colori. Segnalibro cons. Al primo vol. doppio antip. inc. in rame su doppia pagina con allegoria di Roma e stemma araldico. Con 3 carte geogr. ripp., 26 vedute ripp. e 70 tavv., tutte inc. in rame. Rossetti G-1071. Fossati Bellani 885. Borroni 8064/2. Cicognara 3699. Olschki 16815. Schudt 557. I dorsi sono rifatti con restauro ottimamente eseguito. Splendido esempl. 0040
Bookseller: SCRIPTORIUM Studio Bibliografico [Mantova, MN, Italy]
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