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Displayed below are some selected recent viaLibri matches for books published in 1690

        Kupferstich - Karte, n. Franc. Maria Levanto in Genua bei Coronelli, "Le Coste maritime di Valentia e Catalogna da C:S. Martin sin a C. Dragonis, com'anche L'Isle di Magliorca, Minorca et Evisa".

      - um 1690, 39 x 51 Oben links die Titelkartusche. Nordwestorientierte Karte der Balearen mit Darstellung der der Küste von Vallenzia und Katalonien von Cap St. Martin bis Cap Dago ( nördlich von Barcelona ). Neuausgabe der Karte bei Coronelli nach der 1664 erschienen Karte von Francesco Maria Levanto, der den 1. ital. Seeatlas herausgab ( Prima parte dello specchio del Mare ). - Gutes Exemplar dieser seltenen Karte.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Kupferstich - Karte, aus "Mercurio Geographico" v. Giorgio Widmann n. G. Cantelli da Vignola bei Rossi, "Alta Lombardia e Stati ad essa Circonuicini . 1680".

      - mit altem Grenzkolorit, um 1690, 43,5 x 55.5 Die Titelkartusche befindet sich unten Links. Die Karte zeigt das Gebiet westlich von Brescia - Parma mit Ligurien, Savoyen, Piemont, Aosta, sowie den Herzotümern Mailand und Parma. Im Nordweten noch der Genfer See.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Liguria, ò Stato della Republica di Genova

      Amsterdam 1690 - Incisione in rame, coloritura originale d'epoca, mm 380x515. Non comune e decorativa carta, arricchita da tre elaborati cartigli. Piacevole carta del territorio il quale comprende i territori compresi tra Nizza e La Spezia. Schenk e Valk fondarono una società editoriale che pubblicò lastre acquistate da editori precedenti. Ottimo esemplare marginoso

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        Deorum concilium in pinciis Burghesianis hortis ab eq. Joanne Lanfranco Parmensi tum spirantibus ad vivum imaginibus tum monocromatibus atque ornamentis mira pingendi arte expressum à Petro Aquila ad similitudinem delineatum et incisum. ( Giovanni Lanfranco's ceiling painting of the Council of Gods in the Casino of the Villa Borghese in Rome.)

      Rome: Dominico de Rossi, Jo. Jacobi (Jo. Jacobi de Rubeis), circa 1690. - Oblong folio. 46.5 x 69 cm. (18.25 x 27.25 inches) page size. Suite of 8 engravings with a partial duplicate. Housed in a custom portfolio with painted boards, leather spine, large embossed leather label, leather ties and leather corners by the celebrated Russian-American binder Alexandr (Sasha) Mosalov. OCLC Number: 490248693; Getty ID/Acc. No.: 2005.PR.87*The suite of prints reproduces Giovanni Lanfranco's ceiling painting of the Council of Gods in the Casino of the Villa Borghese in Rome.The title leaf is ornamented with the engraved insignia of the dedicatee Giovanni Battista Borghese.Some foxing. [Attributes: Hard Cover]

      [Bookseller: Wittenborn Art Books]
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         [ANGOLA] Pascaert vande custen van Angola.

      Amsterdam circa 1690 508 x 577 mm. Très belle carte marine figurant les côtes de l'Angola entre les bouches du Zaïre et le Cap Nègre. Elles est ornée de deux très grands cartouches animés de personnages et d'animaux. Eminent cartographe hollandais de la seconde moitié du XVII siècle, Johannes van Keulen fonda son entreprise en 1678. Il se spécialisa dans la production de cartes nautiques et publia deux atlas maritimes qui eurent une influence considérable. Bel exemplaire.

      [Bookseller: Librairie Le Bail]
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         Lisbone, ville capitale du royaume de Portugal située à l'embouchure du Tage.

      circa 1690 210 x 305 mm. Ravissant panorama gravé par Pierre Aveline, graveur à l'eau-forte et au burin spécialisé dans les vues de villes et les maisons royales. Avec liste de 28 légendes. Bel exemplaire finement aquarellé à l'époque avec rehauts d'or.

      [Bookseller: Librairie Le Bail]
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        Traité de la Lumiere. Où sont expliquées les Causes de ce qui luy arrive dans la Reflexion, & dans la Refraction. Et particulierement dan l'etrange Refraction du Cristal d'Islande...Avec un Discours de la Cause de la Pesanteur

      Woodcut device on general & divisional titles and numerous woodcut diagrams & illus. in the text. General title printed in red & black. 4 p.l., 124, [2], 125-128, [2], 129-180 pp. 4to, cont. vellum over boards. Leyden: P. vanderAa, 1690. First edition of one of the great classics of optics. This book contains Huygens' classical formulation of optical phenomena in terms of the wave theory of light, opposing the corpuscular theory advanced by Newton. Huygens showed how all points of a wave front originate partial waves and thereby propagate further wave motion. Thus reflection and refraction of light could also be explained. By the same means the complicated phenomena of double refraction and the polarization by double refraction were also explained. Huygens' wave theory of light remained unaccepted for over 100 years until Thomas Young used it to explain optical interference. The second part of this book - the Discours de la Cause de la Pesanteur - contains Huygens' mechanical explanation of gravity. His "point of view was that gravity should not be attributed to a quality or propensity of bodies, but should be explained, like every other natural process, in terms of motion."-Wolf, I, p. 164. This copy belongs to the issue in which Huygens' initials are on the title rather than his full name (no priority established). A fine and fresh copy. ? Dibner, Heralds of Science, 146. En Français dans le Texte 125. Evans, First Editions of Epochal Achievements in the History of Science (1934), 32. Horblit 54. Sparrow, Milestones of Science, 111.

      [Bookseller: Jonathan A. Hill, Bookseller, Inc.]
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        Essay Concerning Humane Understanding

      1690 - LOCKE, John. An Essay concerning Humane Understanding. In Four Books. London: Printed by Eliz. Holt, for Thomas Basset, 1690. Folio (8 by 13 inches), period-style full dark brown calf, morocco spine label, raised bands. $75,000.Rare first edition, first issue, of Locke's remarkable study of the nature of knowledge, a fundamental work in the history of Western thought. Locke's investigation was continued by David Hume and Immanuel Kant; John Stuart Mill considered Locke to be the founder of the analytic philosophy of mind. An excellent, wide-margined copy of Locke's most famous work, a touchstone of the Age of Enlightenment, with extensive marginalia in a neat early hand indicating that this copy was well-read."Locke was the first to take up the challenge of Bacon and to attempt to estimate critically the certainty and the adequacy of human knowledge when confronted with God and the universe" (PMM 164). Locke's conclusion""that while man can never attain a perfect and universal understanding of the world, he can gain sufficient knowledge to secure his own well being""became a touchstone for the Age of Enlightenment. With the Essay Locke initiated the criticism of human knowledge and further opened the discourse on free inquiry. "The Essay Concerning Humane Understanding". was the first attempt on a great scale, and in the Baconian spirit, to estimate critically the certainty and the adequacy of human knowledge" (Fraser). "Locke's philosophy has not only had a profound effect upon philosophical and political thought, but also laid the foundations of modern psychology, dominating the field until well into the 19th century" (Norman). "The importance of few philosophical books have been so quickly recognized as was the case with the present [Essay Concerning Humane Understanding]. It passed through many editions in English and has several times been translated" (Pforzheimer). First issue, with "printed by Eliz. Holt" in the imprint on the title page (rather than "sold by Edw. Mory"). "Peter Nidditch has estimated about 900 copies were published, chiefly of the Holt issue. But it is possible there were as few as 500" (Yolton, 69-70). PMM 164. Yolton 61A. Norman 1380. Wing L2738. Pforzheimer 599. Wither to Prior 527. Early owner signatures of R. Styleman on title page and Robert Dixon on front and rear free endpapers. Marginal ink notes in an early, neat, and legible hand on virtually every page of the first three (of four) books, indicating that this copy was very carefully read and studied.Text generally quite clean, period-style calf near-fine. An excellent wide-margined copy of this rarity. [Attributes: First Edition]

      [Bookseller: Bauman Rare Books]
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         Londres ville capital du royaume d'Angleterre.

      circa 1690 212 x 308 mm. Très beau panorama de Londres, gravé par Pierre Aveline, graveur à l'eau-forte et au burin spécialisé dans les vues de villes et les maisons royales. Avec liste de 7 légendes. Bel exemplaire finement aquarellé à l'époque avec rehauts d'or.

      [Bookseller: Librairie Le Bail]
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        Galeriae farnesianae icones Romae in AEdibus Sereniss. Ducis Parmensis ab Annibale Carraccio ad veterum aemulatione posterorumque admiratione coloribus expressae cum ipsarum monocromatibus et ornamentis a Petro Aquila delineatae incisae. (17th Century engravings of the ceiling in the Palazzo Farnese, Rome by Annibale Carracci)

      Rome: Dominico de Rossi, Jo. Jacobi (Jo. Jacobi de Rubeis), circa 1690. - Oblong folio. 47 x 69 cm. (18.5 x 27.25 inches) page size. Suite of 4 unnumbered and 20 numbered engravings. (24 of 25 plates, lacking plate no. 5). Housed in a custom portfolio with painted boards, leather spine, large embossed leather label, leather ties and leather corners by the celebrated Russian-American binder Alexandr (Sasha) Mosalov. OCLC Number: 26691776.Annibale Caracci e i suoi incisori, Rome, 1986: XLII, Edition D, pp. 169-183; this copy lacking their plate no. 9 (actually numbered 5).". . . riproducenti la galleria di Palazzo Farnese e precedute da quattro tavole non numerate costituite da: frontespizio, dedica, allegoria con Annibale Carracci che risolleva le sorti della pittura, monumento funebre ad Annibale Carracci. La serie è stata stampata da Giovanni Giacomo De Rossi ed è accompagnata da versi di Giovanni Pietro Bellori; essa compare nel catalogo di vendita della bottega De Rossi del 1677 come opera stampata in quell'anno, anche se la stampa con il monumento al Carracci è datata 1674. I rami della serie, conservati presso la Calcografia Camerale, furono fatti distruggere nel 1824 da papa Leone XII per le iconografie considerate troppo audaci. La galleria Farnese è stata affrescata da Annibale Carracci negli anni tra il 1597 e il 1608 per commissione del Cardinale Odoardo Farnese. Il tema della figurazione è l'amore terrestre rappresentato attraverso i miti più celebri dell'antichità pagana."The Loves of the Gods is a monumental fresco cycle, completed by the Bolognese artist Annibale Carracci and his studio, in the Farnese Gallery which is located in the west wing of the Palazzo Farnese .The huge ceiling in the reception room of Palazzo Farnese, painted just as the seventeenth century was beginning, was part of a great cycle of decorative paintings on the theme The Loves of the Gods, which Carracci painted for Cardinal Odoardo Farnese. They are his undoubted masterpieces and were tremendously influential, for two centuries ranking with Michelangelo's work in the Sistine Chapel and Raphael's frescos in the Vatican as the supreme examples of Western painting. Generations of young painters were set to copy it.During the protracted period it took to complete the frescos, the Palazzo Farnese cycle became a test bed for the Carraccis' revitalized classicism. Annibale Carracci transformed the reception room into a shining collection of classical pictures. In fact, the decoration was not intended to be a single scene, but imitated a collection of framed paintings surrounding the main scene. This was the Triumph of Bacchus and Ariadne which fills the centre of the ceiling. The individual pictures are painted with a smiling, serene sense of classical antiquity revisited and reinterpreted through the art of Raphael, Michelangelo, Titian and Correggio. Many of the separate currents that had flowed through the Renaissance came together here. They gave life to a new sort of art which was characterized by the supremacy of resplendent and light-hearted decoration, filled with colour and movement.Some foxing. [Attributes: Hard Cover]

      [Bookseller: Wittenborn Art Books]
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        Histoires des perruques

      - Aux dépens de l'auteur, à Paris 1690, In 8 (9,5x17cm), (24) 544pp. (1), relié. - First Edition. Pelle di pecora a tempo pieno marrone. Torna a nervi ornato. Mascella superiore frazionata spaccò e la coda. Abbastanza buona copia. Questo è il primo grande scritto sull'argomento. Questa storia parrucche e acconciature, ma le barbe e colore dei capelli (dall'antichità al XVII secolo) è stato scritto fuori per dimostrare agli ecclesiastici che dovrebbero rinunciare a indossare la parrucca era incredibilmente popolare nel XVII secolo. "... le opere del teologo sono pieni di apprendimento e abbondanza di particolari curiosi ... ed è diventato scarso '(Brunet V, 819-820). Lavoro molto interessante, pieno di informazioni preziose sul tema. - [FRENCH VERSION FOLLOWS] Edition originale. Reliure en pleine basane brune d'époque. Dos à nerfs très orné. Mors supérieur infimement fendu et ouvert en queue. Assez bon exemplaire. Il s'agit du tout premier écrit d'envergure sur le sujet. Cette histoire des perruques et des coiffes, mais aussi du port de la barbe et de la teinte des cheveux (de l'Antiquité au XVIIe) fut écrite en outre de manière à prouver aux écclésiatiques qu'ils devaient abandonner le port de la perruque qui s'était incroyablement répandu au XVIIe siècle.'...les ouvrages de ce théologien sont remplis d'érudition et abondant en détails curieux...et sont devenus rare' (Brunet V, 819-820). Ouvrage fort intéressant, plein de renseignements précieux sur le sujet.

      [Bookseller: Librairie Le Feu Follet]
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        1906. THE HISTORY OF JAPAN TOGETHER WITH A DESCRIPTION OF THE KINGDOM OF SIAM 1690-92.

      - EARLY ACCOUNT OF 18TH CENTURY JAPAN & SIAM BY A DOCTOR Glasgow 1906, MacLehose. Red cloth, 336+398+386p., 3 volumeset, many fold out plates, index, superbly bright, fine copya reprint copy of London 1727 edition, tops gilt,15 x 23 cm.FINE COPY IN COLLECTOR'S FINE CONDITION Color scans available for this book on request. Description content 2016Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Galeria dipinta nel palazzo del prencipe Panfilio da Pietro Berretini da Cortona intagliata de Carlo Cesio (A set of sixteen etchings after Pietro da Cortona's ceiling of the Galleria, Palazzo Pamphili, Piazza Navona, Rome)

      Rome: Dominico de Rossi, Jo. Jacobi (Jo. Jacobi de Rubeis), circa 1690. Oblong folio. 45.5 x 69 cm. (17.75 x 27.25 inches) page size. Suite of 16 numbered engravings. Housed in a custom portfolio with painted boards, leather spine, large embossed leather label, leather ties and leather corners by the celebrated Russian-American binder Alexandr (Sasha) Mosalov. OCLC Number: 27358448 Pietro da Cortona (1 November 1596/7 - 16 May 1669) was born Pietro Berrettini, but is primarily known by the name of his native town of Cortona in Tuscany. Carlo Cesio or Carlo Cesi (1622-1682) was a painter and engraver of the Roman school. Cesio was born at Androdoco, in the Roman States, in 1622. The ceiling of the Galleria Pamphilj was painted by Pietro da Cortona with the Legend of Aeneas in 1651-54. After the mid-seventeenth century it became the new pattern for palace galleries, not only in Italy but also in Paris, where in 1704-07 a gallery was appended to the Palais Royal and painted with the same subject matter by Antoine Coypel. The form and iconography of the Galleria Pamphilj continued to be major influences well into the eighteenth century - even on the work of artists with no direct contacts with Rome, e.g. on Lorenzo de' Ferrari in Genoa. Some foxing.

      [Bookseller: Alan Wofsy Fine Arts]
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        Galeria dipinta nel palazzo del prencipe Panfilio da Pietro Berretini da Cortona intagliata de Carlo Cesio(A set of sixteen etchings after Pietro da Cortona's ceiling of the Galleria, Palazzo Pamphili, Piazza Navona, Rome)

      Rome: Dominico de Rossi, Jo. Jacobi (Jo. Jacobi de Rubeis), circa 1690. - Oblong folio. 45.5 x 69 cm. (17.75 x 27.25 inches) page size. Suite of 16 numbered engravings. Housed in a custom portfolio with painted boards, leather spine, large embossed leather label, leather ties and leather corners by the celebrated Russian-American binder Alexandr (Sasha) Mosalov. OCLC Number: 27358448Pietro da Cortona (1 November 1596/7 - 16 May 1669) was born Pietro Berrettini, but is primarily known by the name of his native town of Cortona in Tuscany.Carlo Cesio or Carlo Cesi (1622-1682) was a painter and engraver of the Roman school. Cesio was born at Androdoco, in the Roman States, in 1622.The ceiling of the Galleria Pamphilj was painted by Pietro da Cortona with the Legend of Aeneas in 1651-54. After the mid-seventeenth century it became the new pattern for palace galleries, not only in Italy but also in Paris, where in 1704-07 a gallery was appended to the Palais Royal and painted with the same subject matter by Antoine Coypel. The form and iconography of the Galleria Pamphilj continued to be major influences well into the eighteenth century - even on the work of artists with no direct contacts with Rome, e.g. on Lorenzo de' Ferrari in Genoa.Some foxing. [Attributes: Hard Cover]

      [Bookseller: Wittenborn Art Books]
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        Romanum Museum, sive thesaurus ermitage Antiquitatis

      Roma J. J. Komarek Boem 1690 Un volume in-4plein veau brun, dos à nerfs orné. Frontispice gravé, page de titre en rouge et noir, portrait gravé de l'auteur, 7 ff. non chiffrés, 124 pages, 7 ff. (index), 1 f. (addenda). L'ouvrage est illustré de bandeaux, vignettes et lettrines gravées ainsi que de 159 planches de bas reliefs, statues, instruments, bijoux, vases, objets quotidiens de la Rome antique. Les illustrations gravées sur cuivre sont dessinées par le peintre Calo Maratta et gravées par Billy. L'ensemble, ordonné en cinq parties, plus une sixième consacrée aux phallus et priapes rappelle les cabinets d'antiquité qui fleurissaient alors à travers l'Europe. Rare édition originale de l'oeuvre dont les planches sont bien conservées. Quelques feuillets de texte légèrement brunis, reliure d'époque portant des marques d'usures.Dimensions : 330x230x45mm, poids : 3,5kg, envoi soigné en Chrono 13 de Chronopost. Un volume, 4to, full brown calf, raised spines gilt tooled and gilt-lettered back. First edition, with numerous copper engraved head-pieces and vignettes, illustrated with 159 copper engraved plates by Carlo Maratta (Italian painter, 1625-1713), including the phallus and "Priapes"engravings. Faded contemporary binding, occasional age-tanned paper, very fresh plates. - - * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * Attention ! Les montants des frais de port mentionnés ne sont valables que pour la France continentale. Pour toute autre destination, veuillez prendre contact avec la librairie par téléphone fixe +33 (0) 5 67 67 46 33 ou portable +33 (0) 6 04 51 14 09 ou par courriel : librairie@scriptorium-albi.frBeware! The shipping rates here given are only available within France. For any other destination please contact the book shop by phone: +33 (0) 5 67 67 46 33 or GSM: +33 (0) 6 04 51 14 09, or by e-mail: librairie@scriptorium-albi.fr

      [Bookseller: Le Scriptorium d'Albi]
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        Vita della beata Cunegonda vngara regina di Pollonia estratta, e compendiata dalli processi esaminati dalla Santa Sede dal sacerdote Gioseppe Maria Favini da Crema Dottore in S. Theol. e Cons. della Sag. Cong. dell'Indice F.M.C

      nella stamperia di Paolo Moneta, 1690. 80x150mm Antica annotazione al frontespizio

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        Insularum Indiae orientalis nova descriptio.

      1690 ca.. Incisione in rame, coloritura d'epoca, 388x495. Bella carta con rose dei venti e bel cartiglio figurato. Valck e Schenk fondarono una società editoriale che rilevò le lastre di Janssonius, ristampandole con minime varianti. Non comune. Splendido esemplare marginoso.

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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        Der Krancke Soldat bittende, Daß er hinführo besser möge conserviret, mitleidiger tractiret, und vorsichtiger curiret werden. Allen Hohen Generals-Persohnen und brafen Officirern, die ihre Soldaten lieben, zu sonderbahren Nutzen. Hierbey ist gefüget Eine kurtze Information für die Feldscherer, wie sie sich bey allen Wunden und blessuren zu verhalten haben, und selbige nach denen besten principiis curiren können. Sampt einer woleingerichteten Feld-Apotecke [.].

      Ohne Ort (Stettin), Johann Adam Plener, 1690. - Erstausgabe. - Die letzte Seite mit einer ganzs. Holzschn.-Darstellung eines Soldaten. - Der Arzt und Heraldiker Janusz Abraham Gehema (1647-1715) studierte in Danzig Medizin, welches Studium er in Leiden (Niederlande) abschloss. 1681 trug man ihm in Königsberg die Doktorwürde an. Den Titel „königlicher Rat und Arzt" soll er sich selbst erteilt haben. Als Leibarzt war er ab 1636 beim Herzog Gustav Adolf von Mecklenburg-Güstrow tätig. 1695 siedelte er nach Berlin, um eine Stelle als Mediziner anzutreten. - Etw. gebräunt. Ganz vereinzelt einige zeitgen. Anstreichungen bzw. Marginalien. Vereinzelt kl. Wurmspuren im weißen Rand. - VD17, 23:275057S; Krivatsy 4600. ge Gewicht in Gramm: 500 12°. 84 nn Bll. (das letzte weiß), Mod. Ppbd. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Gesamtans., üb. d. Rhein, m. Darstellung der Belagerung 1586, "Prise de Nuys".

      - Kupferstich v. Romeyn de Hooghe, um 1690, 26,5 x 33 Schmitt, Neuss v. 1477-1900, Nr. 34. - Seltenes Blatt.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Warhafftige Relation der H. Oerther zu Jerusalem, welche auß ergangenen Befehl deß Groß-Türcken anno 1690 in dem Monat April wiederumb zugestellet worden, denen mindern Brüdern, als Observaten und Reformaten deß Seraphischen Ordens S. Francisci. Vienna, Andreas Heyinger, 1692.

      1690. 4to. (48) pp. All edges sprinkled in red. Disbound. Exceedingly rare separate "offprint" issue, with Heyinger's imprint and date on title page, of this account usually only encountered bound after a half-title as part of Francisco Caccia's "Monumentum Gloriae Seraphicae" (bibliographically unrecorded thus). Contains the German translation of the Sultan's mandate by which suzerainity over several holy sites in Jerusalem (particularly, two vaults in the Church of the Holy Sepulchre, part of Golgotha, the Seven Arches of the Virgin, and the Stone of the Anointing) was restored to the Franciscans. Includes relevant correspondence and indulgences (all in German). - Some browning and staining. Removed from a collection; old number "23" on t. p. An early work from the press of Andreas Heyinger, active in Vienna from 1692 to 1732. Cf. VD 17, 12:113676Z.

      [Bookseller: Antiquariat Inlibris]
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        Lettres du Prince de Conti ou L'accord du libre arbitre avec la grace de Jesus-Christ, enseigne' par son Alt. Serenissime au P. De Champs Iesuite, ci devant premier Professeur en Theologie, Recteur du College de Paris, trois fois Provincial, & maintenant Supérieur de la maison Professe, avec plusieurs autres pieces sur la meme matiere.

      A Cologne, chez Nicolas Schouten, 1690, 1 volume de 80x150 mm environ, (1) f., (36) ff. ( titre, discours, eclaircissement, table), 263 pages, (1) f., pleine basane brune, dos à nerfs portant titres dorés, orné de caissons à fleurons dorés, tranches jaspées. Des notes à l'encre ancienne sur la page de titre et la première garde, quelques rousseurs et pages brunies, restaurations sur la reliure. Armand de Bourbon, prince de Conti, né à Paris le 11 octobre 1629 et mort au château de la Grange-des-Prés près de Pézenas le 21 février 1666, était le plus jeune des trois enfants et le deuxième fils d'Henri II de Bourbon, prince de Condé et de Charlotte Marguerite de Montmorency; il était le frère de Louis II de Bourbon-Condé, dit le « Grand Condé », et d'Anne Geneviève de Bourbon-Condé, duchesse de Longueville. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.

      [Bookseller: Librairie Diogène]
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        PARANINFO CELESTE HISTORIA DE LA MYSTICA ZARZA, MILAGROSA IMAGEN Y PRODIGIOSO SANTUARIO DE ARANZAZU, DE RELIGIOSOS OBSERVANTES DE NUESTRO SERAFICO PADRE SAN FRANCISCO EN LA PROVINCIA DE GUIPUZCOA DE LA REGION DE CANTABRIA. Escríbela, y conságrala a la soberana Reyna De Angeles, y Hombres María Santísima Señora Nuestra.

      Pedro de Huarte, Impressor, San Sebastian 1690 - Folio,(30x21 cm).En pergamino de época. Portada, 17 folios.Dividido en tres libros:72 p.,60p.,69 p.,8 folios.Texto recuadrado con cenefas.Capitulares y cul de lamps xilográficas adornando todo el texto.Buen ejemplar en general. [Attributes: First Edition]

      [Bookseller: Librería Torres-Espinosa]
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        Opera [omnia]. Post Horstium denuo recognita [...] secundis curis Domni Johannis Mabillon [...] e Congregatione S. Mauri. Paris, (Jean-Baptiste Guignard, Thomas Moette, Pierre Auboyn), Pierre Delaunay, 1690.

      1690. 2 Bde. (29) Bll., 400 Spp., (401-)406 SS., 407-702 Spp., (703-)716 SS., 717-1260 Spp., (1261)-1266, 1267-1574, CXVIII Spp., (53) SS. (3) Bll., 1356 Spp., (17) Bll. Beide Titel in rot und schwarz gedruckt und mit großer Holzschnittdruckermarke. Mit gest. Kopfstück und großer gest. Initiale. Französische Lederbände der Zeit auf 6 Bünden mit goldgepr. Rückentitel und hübscher Rücken- sowie Stehkantenvergoldung. Dreiseitiger gesprenkelter Rotschnitt. Folio (278:398 mm). Neuedition der erstmals 1667 von Jean Mabillon vorgelegten Werkausgabe; 1719 erschien eine dritte Ausgabe. Die vorliegende gilt als "editio ommnium aestimatissima" (Janauschek); so auch Ebert: "Wird der Ausgabe Paris 1719 [...] vorgezogen". Der Zisterzienser Bernhard von Clairvaux (1090-1150), einer der bedeutendsten Mystiker des Mittelalters, trat als Kreuzzugsprediger hervor und zählte zu Pierre Abaelards theologischen Gegnern. "Bernhards Mystik hat die Frömmigkeit der nächsten Jahrhunderte, auch die evangelische, nachhaltig beeinflußt. Bis in die neueste Zeit hat man Bernhard das sog. Passionssalve zugeschrieben [...], dem Paul Gerhardt 'O Haupt voll Blut und Wunden' nachgedichtet hat [...] In seinem Hauptwerk 'De consideratione ad Papam Eugenium' wandte sich Bernhard gegen das Machtstreben und die Weltherrschaft der Päpste und empfahl Eugen III., seinem früheren Schüler, Armut, Demut und Beschränkung auf das religiös-kirchliche Gebiet" (Bautz, BBKL I, 530ff.). - Gegen Ende etwas wurmspurig. Die ansprechenden Einbände mit Spuren fachmännischer Restaurierung. An den Titeln hs. Besitz- und Erwerbungsvermerke des Kamaldulenserklosters Insula Calvenata (frühes 18 Jh.), das die Bände als Geschenk von Henri-Louis Barrin de la Galissonière erhielt; der hintere Innendeckel des 1. Bands mit entspr. längerer Notiz. Brunet I, 796. Goldsmith B 612. Janauschek 1306. Ebert 1989 (falsch: "1696"). OCLC 55697858.

      [Bookseller: Antiquariat Inlibris]
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        Introduction à la fortification dédiée à Monseigneur Le Duc de Bourgogne

      paris chez l'auteur 1690 1 grand in 8° oblong vélin plats muets 80 planches sur 166, 1ère édition. Mouillures sur les pages.

      [Bookseller: Librairie Le Meur]
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        Galeriae farnesianae icones Romae in AEdibus Sereniss. Ducis Parmensis ab Annibale Carraccio ad veterum aemulatione posterorumque admiratione coloribus expressae cum ipsarum monocromatibus et ornamentis a Petro Aquila delineatae incisae. (17th Century engravings of the ceiling in the Palazzo Farnese, Rome by Annibale Carracci)

      Rome: Dominico de Rossi, Jo. Jacobi (Jo. Jacobi de Rubeis), circa 1690. Oblong folio. 47 x 69 cm. (18.5 x 27.25 inches) page size. Suite of 4 unnumbered and 20 numbered engravings. (24 of 25 plates, lacking plate no. 5). Housed in a custom portfolio with painted boards, leather spine, large embossed leather label, leather ties and leather corners by the celebrated Russian-American binder Alexandr (Sasha) Mosalov. OCLC Number: 26691776. Annibale Caracci e i suoi incisori, Rome, 1986: XLII, Edition D, pp. 169-183; this copy lacking their plate no. 9 (actually numbered 5). ". . . riproducenti la galleria di Palazzo Farnese e precedute da quattro tavole non numerate costituite da: frontespizio, dedica, allegoria con Annibale Carracci che risolleva le sorti della pittura, monumento funebre ad Annibale Carracci. La serie è stata stampata da Giovanni Giacomo De Rossi ed è accompagnata da versi di Giovanni Pietro Bellori; essa compare nel catalogo di vendita della bottega De Rossi del 1677 come opera stampata in quell'anno, anche se la stampa con il monumento al Carracci è datata 1674. I rami della serie, conservati presso la Calcografia Camerale, furono fatti distruggere nel 1824 da papa Leone XII per le iconografie considerate troppo audaci. La galleria Farnese è stata affrescata da Annibale Carracci negli anni tra il 1597 e il 1608 per commissione del Cardinale Odoardo Farnese. Il tema della figurazione è l'amore terrestre rappresentato attraverso i miti più celebri dell'antichità pagana." The Loves of the Gods is a monumental fresco cycle, completed by the Bolognese artist Annibale Carracci and his studio, in the Farnese Gallery which is located in the west wing of the Palazzo Farnese ... The huge ceiling in the reception room of Palazzo Farnese, painted just as the seventeenth century was beginning, was part of a great cycle of decorative paintings on the theme The Loves of the Gods, which Carracci painted for Cardinal Odoardo Farnese. They are his undoubted masterpieces and were tremendously influential, for two centuries ranking with Michelangelo's work in the Sistine Chapel and Raphael's frescos in the Vatican as the supreme examples of Western painting. Generations of young painters were set to copy it. During the protracted period it took to complete the frescos, the Palazzo Farnese cycle became a test bed for the Carraccis' revitalized classicism. Annibale Carracci transformed the reception room into a shining collection of classical pictures. In fact, the decoration was not intended to be a single scene, but imitated a collection of framed paintings surrounding the main scene. This was the Triumph of Bacchus and Ariadne which fills the centre of the ceiling. The individual pictures are painted with a smiling, serene sense of classical antiquity revisited and reinterpreted through the art of Raphael, Michelangelo, Titian and Correggio. Many of the separate currents that had flowed through the Renaissance came together here. They gave life to a new sort of art which was characterized by the supremacy of resplendent and light-hearted decoration, filled with colour and movement. Some foxing.

      [Bookseller: Alan Wofsy Fine Arts]
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        Deorum concilium in pinciis Burghesianis hortis ab eq. Joanne Lanfranco Parmensi tum spirantibus ad vivum imaginibus tum monocromatibus atque ornamentis mira pingendi arte expressum à Petro Aquila ad similitudinem delineatum et incisum. ( Giovanni Lanfranco's ceiling painting of the Council of Gods in the Casino of the Villa Borghese in Rome.)

      Rome: Dominico de Rossi, Jo. Jacobi (Jo. Jacobi de Rubeis), circa 1690. Oblong folio. 46.5 x 69 cm. (18.25 x 27.25 inches) page size. Suite of 8 engravings with a partial duplicate. Housed in a custom portfolio with painted boards, leather spine, large embossed leather label, leather ties and leather corners by the celebrated Russian-American binder Alexandr (Sasha) Mosalov. OCLC Number: 490248693; Getty ID/Acc. No.: 2005.PR.87* The suite of prints reproduces Giovanni Lanfranco's ceiling painting of the Council of Gods in the Casino of the Villa Borghese in Rome. The title leaf is ornamented with the engraved insignia of the dedicatee Giovanni Battista Borghese. Some foxing.

      [Bookseller: Alan Wofsy Fine Arts]
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        Entwurf für einen Rundbogen in einer Kapelle mit zwei Putten auf einer Wolke.

      - Feder in Schwarz, grau laviert und aquarelliert, auf Bütten, unten bezeichnet „Bogen von der Capell" sowie datiert „1690", rechts unten ältere Numerierung mit Bleistift „48". 21,1:16,3 cm. - Mit horizontaler Knickfalte und Werkstattspuren.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Das Neu-Geharnischte Groß-Britannien, Das ist: Wahre Landes- und Standes-Beschaffenheit Derer drey-vereinigten Königreiche Engel- Schott- und Irrlands : Jn völliger Beschreibung ihrer Provintzen, Jnsuln, Städte, Schlösser, Festungen, Früchten, Reichthümer und Regiments-Form, Wie nicht weniger der leßwürdigsten Staats- und Kriegs-Geschichten; Bevorab Jhrer neulichsten großwichtigsten Handlungen, absonderlich aber derer bey unlängster Versetzung der Cron von Jacobo II. Auf den jüngst-inthronisirten und gekrönten König Wilhelmum III. ... / Mit einer warhafften unpartheyischen Feder curiosen Gemütern grundrichtig vorgestellt, Darzu mit wahren Contrefaiten, Landkarten und Abrissen der fürnehmsten Städte und andern hierzu füglichen Kupffer-Bildern beleuchtet

      Nürnberg, Endter, 1690. [[gestochene Titelallegorie] 4] Bl., 1094 S., [9] Bl., 4° Ganzlederband über fünf Bünden (Kanten und Kapitale beschädigt) fehlen die Kupfertafeln und Karten. VD17 14:083766U Ausführliche Bschreibung von England Schottland und Irland. Verf. ermittelt, s. Holzmann-Bohatta Bd. VI, Nr. 5530. - Druck ursprüngl. fälschlich Johann Beer zugeordnet (vgl. Dünnhaupt, S. 488, F. 6) Versand D: 5,00 EUR

      [Bookseller: Antiquariat Michael Solder]
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        PIEMONTE (Canavese - Nizza - Susa - Saluzzo - Aosta) - "Il Corso del Fiume Rodano dalla sue Fonti fino al Mare col tratto dell'Alpi che chiudono l'Italia dalla Francia descritto da Giacomo Cantelli da Vignola, geografo del Sig.r Duca di Modena..." A Barbey sc.

      1690. Incisione in rame, f. 58x82 cm. ca. Esemplare con due fratture di circa 10 cm che toccano la parte incisa, a ridosso della piega centrale di legatura. Lieve gora e minime fioriture. Impressione potente. CANTELLI, Giacomo - Dato in luce da Gio. Giacomo Rossi in Roma, alla Pace con priv. del S.P., 

      [Bookseller: Galleria Garisenda]
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        Le Coste della Francia sul Mare Oceano

      1690. Carta geografica tratta dal Mercurio Geografico edito a Roma dal De Rossi. Giacomo Cantelli, nativo da Vignola come egli fa notare nella sua firma, fu il primo cartografo ufficiale della corte di Modena, dal 1685, anno in cui il duca Francesco II lo nominò geografo e conservatore della biblioteca ducale. Incisione in rame, in ottimo stato di conservazione. Rara. Uncommon map from "Mercurio Geografico", published in Rome by G. de Rossi. A rich cartouche enriches the map. The Italian cartographer Cantelli introduced a style in cartography that was followed and developed by Coronelli: his maps are very attractive and finely engraved, with elaborate strapworks and decorations. Roma Rome 580 790

      [Bookseller: Libreria Antiquarius]
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        Nova Persiae Armeniae Antoliae et Arabiae. [Amsterdam, 1690].

      1690. Oblong folio (590 x 500 mm). Engraved map in contemp. hand colour. Decorative cartouche, compass rose. Beautiful example of Cornelis Danckerts' map showing the Arabian Peninsula, Persia, Turkey, Cyprus, Egypt, and the eastern part of the Mediterranean. Slightly brownstained; otherwise in fine condition. Al Ankary 77.

      [Bookseller: Antiquariat Inlibris]
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        Andermahlig-vermehrte Edition speculi civium oder Burger-Spiegels [...]. Prag, Jan Karel Jerábek für Johann Ziegler in Nürnberg, 1690.

      1690. (8), 202. (12) SS. (Beigebunden) II: Ders. Prodromus redivivus speculi judicum [...]. Alt-Prag, Jan Karel Jerábek, 1690. (50) SS. Lederband der Zeit über Holzdeckeln. 4to. Sammelband zweier Hauptwerke des großen böhmischen Juristen J. J. v. Weingarten (1629-1701): der analog zu seinem "Fürstenspiegel" verfaßte "Bürgerspiegel", erstmals 1675 erschienen, doch hauptsächlich in der vorliegenden, maßgebenden Ausgabe verbreitet, sowie angebunden der "Richterspiegel" (erstmals 1682 gedruckt). - Papierbedingt durchgehend etwas gebräunt bzw. fleckig; erste Bll. mit Wurmspuren (etwas Buchstabenverlust). Der Einband ebenfalls mit Wurmspuren. I: VD 17, 1:015967Y. Wurzbach 54, 37. - II: VD 17, 23:306519S. Vgl. Wurzbach 54, 37.

      [Bookseller: Antiquariat Inlibris]
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        [Opera.] Sancti Ambrosii Mediolanensis episcopi opera, ad manuscriptos codices Vaticanos, Gallicanos, Belgicos, &c. nec-non ad editiones veteres emendata. Studio et labore monachorum Ordinis S. Benedicti, e Congregatione S. Mauri. Paris, Jean-Baptiste Coignard, 1686-1690.

      1690. 2 Bde. (26) SS., 1618 Spp., (47) SS. (12) SS., 1224 Spp., (53), (2) SS., LXIV, 614 Spp., (12) SS. Mit gest. Frontispiz (S. Thomassin nach Boulogne), 2 (wdh.) gest. Titelvignetten, 3 großen gest. Kopfstücken und 3 gest. figuralen Initialen. Blindgepr. Schweinslederbände der Zeit auf 6 Doppelbünden mit doppelten goldgepr. Rückenschildchen. Dreiseitiger gesprenkelter Rotschnitt. Folio (285:412 mm). "Ganz neue Recension und beste Ausgabe" (Ebert). Insgesamt vierte Gesamtausgabe der Werke des Hl. Ambrosius (340-397), Bischof von Mailand und einer der vier großen lateinischen Kirchenlehrer. Die vorliegende Edition von J. du Friche und N. le Nourry, die auch der bei Migne abgedruckten zugrundeliegt, ist bekannt als die der Mauriner, einer Benediktiner-Reformkongregation, die in der Pariser Abtei Saint-Germain-des-Prés ihren Sitz hatte und sich durch zahlreiche kritische Ausgaben der Kirchenväterliteratur verdient machte. Die schönen Einbände mit prägnanter Rollen-Blindprägung (Bogenfriese mit Knospen, Rankenwerk, Kugeln im Ornamentwerk; Rosetten-, Feuerrad- und Dentelle-Einzelstempel; das Mittelfeld mit Eckfleurons und großem maureskem Ornamentstempel) etwas fleckig bzw. berieben; Rücken mit geringfügigen Wurmspuren. Innen leicht gebräunt bzw. braunfleckig. Am Titel zeitgenöss. hs. Besitzvermerk der Wiener Unbeschuhten Augustiner; entspr. spätere hs. Bibliothekssignatur am Vorsatz und hs. Signaturschildchen am Rücken. Goldsmith (BM-French 17) A 363. Wetzer/Welte I, 700. Ebert 497.

      [Bookseller: Antiquariat Inlibris]
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        Les isles britanniques ou sont les royaumes d'Angleterre, d'Escosse et d'Irlande divisez en leurs provinces.

      sur le Quay de l'horloge, Parigi 1690 - Copper engraving, mm 600x490, outline original colour. Attractive and uncommon map with a large inset map with Orckney and Shetland islands. Left margins newly added and restored wormtrack in right part.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        Tirol Samt denen angren..

      1690. Rara carta geografica del Tirolo pubblicata a Norimberga alla fine del '600. Incisione in rame, in ottimo stato di conservazione. Dimensioni: 56x433. Bibliografia: Tomasi, Il Territorio Trentino - Tirolese, 44. Rara. A rare map of Tyrol published in Nuremberg at the end of the XVII century. Engraving, in excellent condition. Dimensions: 56x433. Bibliography: Tomasi, Il Territorio Trentino - Tirolese, 44. Rara. Norimberga Nurnberg

      [Bookseller: Libreria Antiquarius]
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        Calabria Citra olim Magna Graecia

      1690 c. Incisione in rame, coloritura originale d'epoca, mm 380x515. Non comune e decorativa carta, arricchita da tre elaborati cartigli. Piacevole carta del territorio il quale comprende i territori compresi tra Nizza e La Spezia. Schenk e Valk fondarono una società editoriale che pubblicò lastre acquistate da editori precedenti. Ottimo esemplare marginoso.

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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        Histoire des Guerres Civiles d'Angleterre. Premiere Partie et Seconde Partie

      Amsterdam: Henry Desbordes, 1690 A good copy of an extremely scarce work by de Rosemond, 'tiree des Auteurs Anglois'. 2 parts bound in one with separate title pages. The full leather binding is contemporary, with raised bands and the remains of gilt tooling to the spine. It is worn and there is a piece of leather missing from the spine, but it is sound. Internally: the front pastedown is damaged and there is a small ink note to the top; there is an unreadable ink signature to the reverse of the free endpaper; blank; title page; advertissement 2pp; Histoire..Sous le Regne d'Edouard Second pp 1-138 'fin de la I partie'; blank; title page to second partie; preface 6pp; text 'Histoire...Entre les Maisons d'Yorck & de Lancastre: Contenant une Relation suivie, depuis l'an 1398 jusqu'a l'an 1509' pp 1-395 in 4 books; fin; rear free endpaper. The first work has light brown toning to pages and a couple of pages have lost a little of the bottom margin where the page has been roughly opened. The second work is less toned. Occasional marking but generally clean.

      [Bookseller: E C Books]
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        Disegno della Prospettiva de Portici nella Piazza di S. Pietro in Vaticano..

      1690. Veduta per la prima volta edita da Matteo Gregorio de Rossi, qui nella ristampa di Carlo Losi del 1773. Incisione in rame, in perfetto stato di conservazione. Rara. Roma Rome 520 430

      [Bookseller: Libreria Antiquarius]
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        Les caractères ou les mours de ce siècle

      Paris, Etienne Michallet, 1690. In-12, [42]-505-[4]p. Hauteur des marges : 157mmCinquième édition originale, contenant 154 nouveaux caractères et notamment 2 qui ne seront présents que jusqu'à la septième édition. Exemplaire de deuxième état, avec le carton de la page 165 (le mot console n'est plus divisé sur deux lignes). En revanche, contrairement à ce qu'affirme Claudin, notre exemplaire n'a pas de correction manuscrite à la page 218. Exemplaire enrichi d'un frontispice : portrait de La Bruyère gravé par Savart en 1778.Reliure signée Cuzin (début XXème), plein maroquin vert, dos à nerfs orné, triple filet d'encadrement sur les plats, super ex-libris au centre des plats (postérieur), roulettes en bordure des contreplats, tranches dorées sur marbrures. Papier uniformément jauni, mais néanmoins bien conservé. Petits défauts.Provenance : Isidoro Fernández, avec son super ex-libris sur les plats et ses deux ex-libris sur le contreplat. Son super ex-libris illustre très bien ses intérêts : les Anciens et les Modernes, avec un intérêt supérieur pour les Anciens qui ont plus de poids dans la balance. Sa bibliothèque fut dispersée par Christie's en 2013. Selon son usage, Fernández indique en fin d'ouvrage la provenance. Cet exemplaire fut acheté à la librairie Giraud le 27 décembre 1931. Références : Rochebilière (623 & 624), Tchémerzine (VI, 317). Magnifique exemplaire, parfaitement établi

      [Bookseller: Librairie Trois Plumes]
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        Auteurs deguisez. Sous des noms etrangers; empruntez, supposez, feints à plaisir, chiffrez, renversez, retournez, ou changeez d'une langue en une autre

      - Chez Antoine Dezallier, à Paris 1690, In 12 (9,5x16,5cm), xxvj (2) 615pp., relié. - Prima edizione, rara, pubblicato anonimo. Tempo di vitello marrone pieno. Torna a nervi ornato. Parte del titolo in marocchino rosso. Rotolare su turni. Una mancanza in mente. Mascella superiore epidermide con piccole lacune. 2 angoli urtato. Copia piuttosto freddo. Francese per primo bibliografia dedicata agli autori anonimi o pseudonimi. L'autore, che morì nel 1706, non ha potuto continuare il suo lavoro, e ci vorrà il dizionario Barbier anonimo lavora per un lavoro completo sull'argomento. Inoltre, questo lavoro non si sovrappone il barbiere servirà come introduzione ad una vasta lavori in materia, e in effetti, questo è un saggio che cerca di capire le ragioni di anonimato o di travestimento anche se rimane un lavoro bibliografico (indice contenente 1.700 nomi) .. - [FRENCH VERSION FOLLOWS] Edition originale, assez rare, parue de façon anonyme. Reliure en plein veau brun d'époque. Dos à nerfs richement orné. Pièce de titre en maroquin rouge. Roulette sur les coupes. Un manque en tête. Mors supérieur épidermé avec petits manques. 2 coins émoussés. Exemplaire plutôt frais.Première bibliographie française consacrés aux auteurs anonymes ou pseudonymes. L'auteur, décédé en 1706, ne put poursuivre son travail, et il faudra attendre le dictionnaire de Barbier des ouvrages anonymes pour avoir un travail complet sur le sujet. Par ailleurs, cet ouvrage ne recoupe nullement celui de barbier, puisqu'il devait servir d'introduction à un vaste ouvrage sur le sujet, et en effet, c'est un essai qui tente de comprendre les raisons de l'anonymat ou du travestissement, bien que cela demeure un travail bibliographique (index contenant 1700 pseudonymes)..

      [Bookseller: Librairie Le Feu Follet]
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        Sammelband mit 37 Disputationen. Zumeist Altdorf bzw. Jena, Heinrich Mayer bzw. Samuel Krebs' Erben, 1684-1690.

      1690. 1. Moller, Daniel Wilhelm (praes.). Disputationem circularem de Flav. Vopisco [...] publicae [ton historiophilon episkepsei] exponit Johannes Philippus Cramerus, Norimbergensis. Altdorf, Heinrich Mayer, 1687. 20 SS. VD 17, 12:136727Z. - 2. Ders. Disputationem circularem de Sex. Rufo [...] publico [...] offert Johannes Jacobus Sturmius, Deininga-Rhaetus. Ebd., 1687. 16 SS. VD 17, 12:156414L. - 3. Ders. Disputationem circularem de Ael. Spartiano [...] proponit Wilhelmus Fridericus Höchstetter, Nördlinga-Rhaetus. Ebd., 1687. 16 SS. VD 17, 12:164213M. - 4. Ders. Disputationem circularem de C. Jul. Caesare [...] publico [...] subjicit Philippus Jacobus Breyer, Oberbronna-Alsatus. Ebd., 1687. 52 SS. VD 17, 12:136865R. - 5. Ders. Disputationem circularem de Tito Livio [...] proponit Georgius Fridericus Schmid, Norimbergensis. Altdorf, Schönnerstädt., 1688. 48 SS. VD 17, 12:164216K. - 6. Ders. Disputationem circularem de Ael. Lampridio [...] exhibet Wolfgang Hieronymus Lottes, Norib. Altdorf, Heinrich Mayer, 1688. 12 SS. VD 17, 12:136773B. - 7. Ders. Disputationem circularem de C. Plinio Sec. [...] proponit Carolus Im-Hof. Ebd., 1688. 24 SS. VD 17, 12:136737F. - 8. Ders. Disputationem circularem de Jul. Capitolino [...] submittit Jodocus Chirstophorus Mayr, Norimb. Ebd., 1689. 12 SS. VD 17, 12:136776Z. - 9. Ders. Disputationem circularem de M. Val. Corv. Messalla [...] proponit Joh. Ferdinandus Weissbeck, Poson. Hungarus. Ebd., 1689. 20 SS. VD 17, 12:146103B (Variante mit Widmungsempfängern). - 10. Ders. Disputationem circularem de Treb. Pollione [...] submittit Frid. Wilhelm. Zenckius, Spira-Nemes. Ebd., 1689. 15, (1) SS. VD 17, 12:136784R. - 11. Ders. Disputationem circularem de Paulo Orosio [...] exponit Johannes Jacobus Feuerlinus, Norimb. Ebd., 1689. 24 SS. VD 17, 12:136814A. - 12. Ders. Disputationem circularem de Volcatio Gallic. [...] proponit Balthasar Blosius, Norimb. Ebd., 1690. 16 SS. VD 17, 12:136820B. - 13. Ders. Disputationem circularem de S. Jul. Frontino [...] exhibet Carol. Benedict. Geuder, ab Heroltsberg. Ebd., 1690. 16 SS. VD 17, 12:164225H. - 14. Ders. Disputationem circularem de Jornande [...] proponit Johannes Ericus Metzgerus. Ratisbon. Ebd., 1690. 28 SS. VD 17, 12:136739W. - 15. Ders. Disputationem circularem de L. Apulejo Mad. [...] proponit David Stemler, Neustadiensis ad Orlam Variscus. Ebd., 1691. 40 SS. VD 17, 12:136852M. - 16. Ders. Disputationem circularem de J. C. Bulengero [...] p. p. Georg. Christoph. Schultheiß, Norimbergensis. Ebd., 1691. 16 SS. VD 17, 12:136856S. - 17. Ders. Disputationem circularem de Corn. Nepote [...] p. p. pro viribus defendere annitetur Joh, Fridericus Runckel, Nidda-Hassus. Ebd., 1683. 32 SS. VD 17, 23:283217W. - 18. Ders. Disputationem circularem de C. Salustio Cr. [...] defendere conabitur Johannes Carolus Freund, Norimbergensis. Ebd., 1684. 28 SS. VD 17, 12:164106X. - 19. Ders. Disputationem circularem de L. Annaeo Floro [...] tueri conabitur Joh. Guil. Marchtrenckher, Durlaco-Marchicus. Ebd., 1684. 32 SS. VD 17, 1:045230X. - 20. Ders. Disputationem circularem de Justino [...] tuebitur Christoph Daniel Metzger, Posonio-Hungarus. Ebd., 1684. 16 SS. VD 17, 12:164125C. - 21. Ders. Disputationem circularem de Valer. Max. [...] publicae ventilationi subjicit Andreas Seinßheimer, Noribergensis. Ebd., 1684. 32 SS. VD 17, 12:136759K. - 22. Ders. Disputationem circularem de C. Sueton. Tr. [...] publice defendendam in se suscipiet Johannes Jacobus Pesler, Noribergensis. Ebd., 1685. 24 SS. VD 17, 1:047281W. - 23. Ders. Disputationem circularem de Vellejo Pat. [...] examini subjicit Christophorus Laurus, Norimbergensis. Ebd., 1685. 28 SS. VD 17, 1:044074P. - 24. Ders. Disputationem circularem de S. Aurel. Vict. [...] publico submittit examini Guilielmus Bechmannus, Norimbergensis. Ebd., 1685. 16 SS. VD 17, 12:164159C. - 25. Ders. Disputationem circularem de Eutropio [...] publicae collationi subjicit Joh. Christoph. Hauer, Noribergens. Ebd., 1685. 24 SS. VD 17, 12:136764C. - 26. Ders. Disputationem circularem de Ammiano Mar. [...] publice respondendo tuebitur Christoph. Daniel Distel, Grevenberga-Noricus. Ebd., 1685. 28 SS. VD 17, 12:136767A. - 27. Ders. Disputationem circularem de Paulo Diac. [...] publice examinandam proponit Johannes Wolfgangus Oswald, Langenzenio-Francus. Ebd., 1686. 24 SS. VD 17, 12:164188Q. - 28. Ders. Disputationem circularem de C. Corn. Tacito [...] defendere conabitur Joh. Bened. Tabor, Moeno-Francof. Ebd., 1686. 40 SS. VD 17, 12:136733A. - 29. Ders. Disputationem circularem de M. A. Cassiodoro [...] submittit Fridericus Feuerlein, Norib. Ebd., 1686. 24 SS. VD 17, 12:149196W. - 30. Ders. Disputationem circularem de Sev. Sulpicio [...] proponit Johannes Paulus Stoy, Hersbrucco-Noricus. Ebd., 1686. 40 SS. VD 17, 12:136730C. - 31. Schmidt, Johann Andreas (praes.). Anaxagoram eiusque physiologiam [...] submittit Godofredus Lomerus, Augusta-Vindelic. Jena, Johann Jakob Bauhofer, 1688. (2), 102 SS. VD 17, 12:137069G (Variante ohne Widmung verso). - 32. Ders. Anaximenis vita atque physiologia [...] exponentur a Daniele Grothio Augusta Vindel. Jena, Krebs, 1689. 40 SS. VD 17, 12:154139M. - 33. Ders. Senecam ejusque theologiam [...] proponet Michael Fridericus Lerche Glogoviensis Silesius. Jena, Werther, 1686. (64) SS. VD 17, 1:053873Y (Variante ohne Titelwortlaut „autor respondens"). - 34. Ders. Aratus phaenomenorum scriptor [...] oculis eruditorum sistetur ab [...] Jo. Marcello Welschio Nordlinga-Rhaeto. Jena, Bauhofer, 1685. (34) SS. Mit gest. Falttafel. VD 17, 12:149984T. - 35. Ders. Daedalum mechanicum celebrem [...] ex tenebris fabulosi aevi in lucem nostrorum temporum evocabit Theophilus Fuhrmann Lipstad. Westphalus. Ebd., 1687. (2), 38 SS. VD 17, 12:145141H. - 36. Ders. Hipparchum Theonas, doctamque Hypatiam in Mathesi celebres [...] exhibet [...] Jo. Christoph. Kiesewetter Arnstad. Thur. Jena, Krebs, 1689. 32 SS. VD 17, 12:142550R. - 37. Moller, Daniel Wilhelm (praes.). Disputationem circularem de Q. Curtio R. [...] defendere annitetur Nicolaus Fridericus Fleyschbein a Kleeberg, Norbergensis. Altdorf, Heinrich Mayer, 1683. 16 SS. VD 17, 23:283225N. Pergamentband der Zeit auf 3 durchzogenen Bünden mit hs. Rückentitel "Moller et Schmid Dissertationes". Dreiseitiger gesprenkelter Rotschnitt. 8vo. Schöner Sammelband mit 31 von Moller betreuten Altdorfer Disputationen. Der aus Preßburg gebürtige Polyhistor Daniel Wilhelm Moller (1642-1712) studierte als Protestant in Wittenberg, lehrte hernach in Straßburg und verkehrte in Rom mit Athanasius Kircher. Nach seiner Rückkehr in seine Heimatstadt wagte er es, sich in Wien für die verfolgten Protestanten einzusetzen, weswegen er nach Altdorf fliehen mußte, wo er die Professur für Geschichte und Metaphysik erhielt. "Vom J. 1764 bis zu seinem [...] Tode hat er in diesem Lehramte, zu welchem sich noch das des Universitätsbibliothekars gesellt hat, mit unermüdlichem Eifer gewirkt. Seine Schriften, die fast ausschließlich in der Gestalt zahlreicher kurzer Abhandlungen auftreten, bezeugen sämmtlich im eminenten Sinne den erwähnten polyhistorischen Charakter seiner gelehrten Richtung und behandeln zum Theile recht wunderliche Themata, wie das bei der vorherrschenden Geschmacklosigkeit jener Epoche nur allzu häufig Sitte war. Am werthvollsten erscheinen verhältnißmäßig seine 'Disputationen' über eine längere Reihe von römischen und auch neueren Geschichtsschreibern; eine Anzahl von ihnen hat daher noch nach seinem Tode (1726) eine neue Ausgabe erlebt" (ADB XXII, 124). - Beigebunden sind noch sechs interessante Disputationen unter dem Vorsitz des Jenaer Theologen Johann Andreas Schmidt (1652-1756) aus seiner frühen Jenaer Zeit als Professor der Logik und Metaphysik, darunter eine über den antiken astronomischen Schriftsteller Aratos von Soloi (mit gest. Tafel zu den Sternbildern) sowie eine über Daidalos, den sagenhaften griechischen Kunsthandwerker. - Zeitgenöss. hs. Numerierungen; am vorderen Vorsatz etwas lückenhaftes hs. Inhaltsverzeichnis von zeitgenöss. Hand. Insgesamt sauber und wohlerhalten.

      [Bookseller: Antiquariat Inlibris]
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        Mare del sud detto altrimenti mare Pacifico

      1690 c.. Incisione in rame, mm 460x610.Importante carta, arricchita da un bellissimo cartiglio con due putti che sostengono una conchiglia, perfetta fusione di eleganza tipografica e rigore scientifico, come tutte le opere coronelliane. Mostra la California in forma di isola e Australia e Nuova Zelanda incomplete, riportando alcune note sulle scoperte di tasman, datate 1642 e 1654. La Nuova Zelanda è erroneamente collegata da una linea costiera ad una ipotetica terra australe. Traccia anche la rotta di Lemaire e Schouten, i primi che navigarono doppiando Capo Horn, dimostrando che non era parte di una fantomatica "Terra Australis" Senza testo al verso, tratta da "Corso geografico" una delle più celebri opere del vulcanico religioso veneziano, autore fra la fine del secolo e gli inizi del successivo di decine di importanti pubblicazioni fra cui ricordiamo il "Libro dei globi", oltre ai celebri globi costruiti per il re di Francia, e ancora "Isolario", "Teatro della guerra", "Atlante Veneto" e "Teatro delle città". Ottimo esemplare con piccolo alone in alto al centro. Clancy, The mapping of Terra Australis, 6.20; Tooley, The mapping of Australia 350.Leighly 90; Manasek: 62; McLaughlin: 104. Copper engraving, mm 460x610. Good condition, light waterstain at top centerfold. From Coronelli's "Corso geografico". One of the earliest maps of the Pacific embellished with decorative title cartouche and cherubs holding a shell. The map depicts California as an island and New Zealand and Australia as incomplete with notes about dutch discoveries by Tasman in 1642 and 1654. Coronelli connects New Zealand's coastline with an eastern coast "not yet well know" streching off towards Tierra del Fuego, part of that hypothetical southern continent. It also shows the track of the 1615-17 voyage by Lemaire and Schouten, who entered first the Pacific rounding Cape Horn. Lemaire was the first to sail south of Tierra del Fuego, proving that it was not part of the great, unknown Southern Continent.Clancy, The mapping of Terra Australis, 6.20; Tooley, The mapping of Australia 350.Leighly 90; Manasek: 62; McLaughlin: 104.

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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        Fiandra...

      1690. Decorativa e ricercata carta tratta dal celebre "Corso Geografico Universale" del Coronelli. Incisione in rame, finemente colorata a mano, in ottimo stato di conservazione. Detailed map of Fiandre by Vincenzo Coronelli. Coronelli was both a cleric and an encyclopedist, with a particular interest in geography and cartography. In 1681 Coronelli served as Royal Cartographer to King Louis XIV in Paris, gaining special access to the most current records on world geography sent in from the colonies, and provided by the French Academy of Sciences. Coronelli returned to Venice in 1684 and founded the Accademia Cosmografica degli Argonauti, a geographical society with membership drawn from the aristocracy and church hierarchy, and a year later he was appointed Cosmographer to the Republic of Venice. He also started a successful publishing career, and was sole author or contributor to over 140 titles and produced several hundred maps, either printed separately or as parts of atlases. By the end of the 17th century, Coronelli was perhaps the most famous map publisher in Europe and received constant requests from his contemporaries for information that would enable them to bring their atlases up to date. Venezia Venice 890 620

      [Bookseller: Libreria Antiquarius]
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        Isola del Giapone e penisola di Corea.

      1690 c.. Incisione in rame, mm 460x615. Piacevole carta, ricca di cartigli e stemmi, perfetta fusione di eleganza tipografica e rigore scientifico, come tutti i prodotti coronelliani. Tratte da "Isolario" una delle più celebri opere del vulcanico religioso veneziano, autore fra la fine del secolo e gli inizi del successivo di decine di importanti pubblicazioni fra cui ricordiamo il "Libro dei globi", oltre ai celebri globi costruiti per il re di Francia, "Atlante veneto", "Teatro della guerra", "Corso geografico" e "Teatro delle città". Buon esemplare con piccoli restauri alla piega centrale. Cortazzi, Isles of Gold, p. 48. pl. 75; Potter, Antique Maps, pp. 126-7; Campbell, #33; Walter, Japan a Cartographic vision, 191Copper engraving, mm 460x615. Good example of this important map of Japan and Korea, embellished by a decorative cartouche with title at top. A good example with minor restoration at centerfold. From Coronelli's Atlante Veneto. The Atlante was professionally designed as a continuation of Blaeu's Atlas Maior and by 1701 was extended to embrace up to twelve volumes. The remarkable Vincenzo Coronelli (1650-1718), encyclopaedist, geographer, inventor and Doctor of Theology, was citizen of the Republic of Venice. He was also one of the most prominent mapmakers and publishers in Europe of his day.Vincenzo Coronelli, in addition to being an ordined Franciscan priest who eventually became Father General of his order, was also one of the most prominent mapmakers and publishers in Europe of his day. He was appointed official Cosmographer to the Venetian Republic in 1685, a year after he founded the world's earliest geographic society, "L'Accademia Cosmografica degli Argonauti" in the same city. Cortazzi, Isles of Gold, p. 48. pl. 75; Potter, Antique Maps, pp. 126-7; Campbell, #33; Walter, Japan a Cartographic vision, 191

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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        Kst.- Karte, aus "Mercurio Geographico" v. Giorgio Widman bei Rossi, "Tavola Esatta dell' antico Latio e Nova Canpana di Roma".

      - mit altem Grenzkolorit, um 1690, 39 x 51,5 Die Titelkartusche befindet sich rechts oben, links oben ein großes Wappen. Die Karte zeigt die nahe Umgebung von Rom mit Einzeichnung der historischen Villen, Wasserleitungen und Straßen.

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         La Vie du Tasse

      Paris Étienne Michallet 1690 In-12 (89x158 mn). 10 ff. n. ch., 272 (notée 271) pp., 3 ff. n. ch. Maroquin rouge, filet d'encadrement sur les plats, dos à nerfs orné, titre doré, filet sur les coupes et les coiffes, filet intérieure, tranches dorées, doublure et garde de papier coquille (reliure de l'époque). Édition originale. La Vie du Tasse est un abrégé de celle, en italien, du marquis Giovanni Battista Manso (1569-1645). Manso fut l'ami et le protecteur du Tasse; l'auteur le célébra dans la Jérusalem délivrée. La biographie de Manso est la première autorisée consacrée au poète. Le projet de Charnes aurait d'abord été de narrer l'histoire du Démêlé du Tasse avec l'académie de la Crusca qui fit une critique virulente de la Jérusalem délivrée. Mais Charnes choisit finalement d'étendre son étude à l'ensemble de la vie du Tasse. L'auteur de la critique de référence sur la Princesse de Clèves, au service du Tasse. Jean-Antoine de Charnes (1641-1728), dit l'abbé de Charnes, se fit, par son esprit et son talent d'écrivain, une réputation qui remonta jusqu'à la cour. On lui confia ainsi l'éducation d'un des fils de Louvois. Il aurait été pressenti pour éduquer un prince, sans doute un enfant de la maison de Conti. Le projet aurait échoué en raison de certains écrits babins de Charnes, parus dans les Nouvelles de l'ordre de la boisson, qui auraient déplu à l'époque où Madame de Montespan régnait sur la cour. D'abord connu pour sa critique de la Princesse de Clèves, la Vie du Tasse est l'œuvre de Charnes la plus remarquable par l'exactitude des faits, l'intérêt de la narration, par une juste appréciation du grand poète qui en est le sujet, par d'heureux rapprochements de ses ouvrages avec ceux des grands maîtres de l'antiquité, et par la connaissance approfondie de la littérature italienne (Biographie universelle). Très bel exemplaire en maroquin rouge.

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