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Displayed below are some selected recent viaLibri matches for books published in 1685

        Batavia Illustrata, ofte Verhandelinge Vanden Oorspronk Voortgank, Zeden, Eere, Staat en Godtsdienst van Ou Batavien Mitsgaders Van den Adel en Regeringe van Hollandt

      Johan Veely, Tongerloo, Jasper Doll, 's Gravenhage, 1685. First Edition. Hardcover (Full Leather). Very Good Condition. Full contemporary leather, worn at edges, heavily at corners, hinges rubbed, spine cracked but binding firm and intact. Bright internally, wear to endpapers. Attractively engraved added title page. Printed in two columns, 1520 numbered leaves. Size: Octavo (8vo). Text is clean and unmarked. Quantity Available: 1. Shipped Weight: Over 3 kilos. Category: History; Antiquarian & Rare. Inventory No: 041459. . This book is extra heavy, and may involve extra shipping charges to some countries.

      [Bookseller: Pazzo Books]
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        Historia Insectorum Generalis

      Lugd. Batavorum: Jordanum Luchtmans, 1685. First edition of the Latin translation by Henricus Christianus Henninius, from the original Dutch edition of 1669. With 13 folding plates depicting insects, plus a folding table and several woodcut devices. Octavo, 212pp plus index. Very good condition. Full polished calf, respined. Swammerdam (1630-1680) was a Dutch biologist and microscopist. He was among the first to study insects systematically, and advanced understanding of insect anatomy by dissecting insects under microscope and describing the phases of insect metamorphosis.

      [Bookseller: Johanson Rare Books]
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        Valentinian: A Tragedy. As 'tis Alter'd by the late Earl of Rochester, And Acted at the Theatre-Royal. Together with a Preface concerning the Author and his Writings. By one of his Friends

      Printed: 1685. 1647-1680 Quarto, 8.7 x 6.6 inches. First edition. A4, a-c4, B-L4, M2. 82 pp. This is a good copy, in paper wrappers. Valentinian is a Jacobean era stage play, a revenge tragedy written by John Fletcher that was originally published in the first Beaumont and Fletcher folio of 1647. The play dramatizes the story of Valentinian III, one of the last of the Roman Emperors, as recorded by the classical historian Procopius. Like many plays in Fletcher's canon, Valentinian was both revived and adapted during the Restoration period. An adaptation under the same title by the poet and playwright John Wilmot, 2nd Earl of Rochester was staged in 1684 at Drury Lane and published in 1685. Rochester changed the play's order of scenes and eliminated the final act entirely, making Fletcher's heroine Lucina the central focus of the drama. "An adaptation by Rochester, in poor taste, of Beaumont and Fletcher's tragedy of 'Valentinian' appeared in 1685, under the title 'Valentinian: a Tragedy.' When the play was produced in 1685, Betterton played Aecius with much success and Mrs. Barry appeared as Lucina. Three prologues were printed, one by Mrs. Aphra Behn."

      [Bookseller: James Gray Bookseller]
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        Historie Del Signor D. Colombo. Nelel quali s'hà [sic] particolare, & vera relatione della vita, e de' fatti dell'Ammiraglio D. Christoforo Colombo suo Padre, E dello scoprimento, ch'egli fece dell'Indie Occidentali, dette Mondo Nuovo, hora possedute da Serenissimo Rè [sic] Cattolico, Nuovamente di lingua Spagnuola tradotte nell'Italiana dal Sig. Alfonso Ulloa. Consecrato All'Illustrissimi Sign. Quintiliano Rezzonico, Nobile Barone del Sacro Romano Impero, et Maria Elisabetta di lui Sorella.In Venetia, Appresso Giuseppe Tramontin, 1685.

      1685 - In 12, [mm. 136 x 73], pp. 8 – (40) – 494 – (12). Legatura in cartone con striscia color carta da zucchero di rinforzo al dorso, leggeremente allentata. Titolo calligrafato al dorso. Esemplare in barbe di questa rara edizione che presenta un gran numero di errori alla numerazione della pagine (23, 89, 93, 99, 125, 152-153, 155, 160, 196, 206, 214, 215, 240, 283, 296, 299, 337, saltati i nn. 338-339, 363, 433, 448, 468, 469, 470, 471, 491). Frontespizio riquadrato con capilettera, testate e finalini xilografati. Appunti numerici al piatto anteriore e alla carta di sguardia. Hernando Colon ( o Fernando Colombo), nato a Cordova nel 1488 fu il figlio secondogenito di Cristoforo, avuto da Beatriz Enriquez de Arana. Seguì il padre nel quarto ed ultimo viaggio che fece verso le Americhe, nel 1502, in cui esplorò la zona del centro America, naturalmente questo produsse in lui un grande interesse per la geografia e per lo studio. Durante i suoi viaggi in Europa, grazie alla disponibilità economica raccolse circa 15.000 volumi dei quali circa la metà andò poi dispersa e che oggi costituiscono uno dei nuclei della Biblioteca Colombina di Siviglia, con circa 1200 incunaboli. Sui libri annotava personalmente data di acquisto e costo, lasciando dunque dati estremamente importanti sul commercio dei libri tra la fine del XV e l'inizio del XVI secolo, oltre che sui suoi spostamenti in Europa. Alla sua morte, tra le sue volontà lasciò inoltre disposizioni per l'incremento ed il mantenimento della biblioteca che raccoglie anche i circa duecento libri appartenuti al padre eche era all'epoca la più grande biblioteca privata esistente. Questa, che è la sua opera più famosa vide la stampa postuma a Venezia nel 1571: nel proemio esprime il suo orgoglio "Percioche io sono figliuolo dell'Ammiraglio Don Christoforo Colombo, personaggio degno di eterna memoria, il quale scoprì l'Indie Occidentali, & anco perché io navigai con lui alcun tempo, parea che frà l'alte cose che io hò scritte, dovesse essere una, e la principale la vita, & il maraviglioso scoprimento , che del Nuovo Mondo, e delle Indie ei fece; poiché gli aspri, e continui travagli, e le infermità, ch'ei patì, non gli concessero tempo per ridur ciò di memoria in historie [ ] solamente da gli scritti, e lettere, che dell'istesso Ammiraglio rimasero, e da quella à che io mi ritrovai presente, prometto di raccogliere quel, che alla sua historia, & vita s'appartiene". Fernando fu umanista, matematico e soprattutto cosmografo, ma dedicò la sua vita e il suo patrimonio soprattutto alla sua biblioteca. Morì a Siviglia nel 1539. L'editore dedica l'opera che era stata tradotta da Alfonso Ulloa, scrittore spagnolo ben presto stabilitosi a Venezia dove aveva seguito il padre aggregato all'ambasciata presso la Serenissima e dove tradusse scrittori spagnoli e portoghesi, a Quintiliano Rezzonico ed a sua Sorella Maria Elisabetta. Di questa edizione l'ICCU registra un unico esemplare presso la Biblioteca Diocesana di Narni. Nello stesso anno, sempre a Venezia, vide la luce un'altra edizione coi tipi di Apollonio Zamboni.

      [Bookseller: EDITORIALE UMBRA SAS]
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        Geistliche Seelen-Jagd/Das ist: Erstes Dominicale Oder Sonntägliche / und mit neuen Exordiis auff die Kirchweyhungen gerichte Predigen / Mit unterschidlichen/außerlesnen/und mehreren Theils auß Welschen Authoribus gezognen raren Concepten/annehmlichen neuen Historien und Gleichnussen/sittlichen Sprüchen und Lehren/ Sambt dreyfachem Register/deren eines weiset/wie jede Predig nit allein an seinem gesetzten/sondern auch an allen anderen beliebigen Sonntagen durch das gantze Jahr füglich kan geprediget werden

      Dillingen, Caspar Bencards 1685.. kl.-4°. 6 Bll., 1320 S. Pgmt. d. Zt. über Holzdeckel. Metallschließen. Einbd. staubfleckig, einige Ss. stockfl., Tit mit altem Namenszug. EA Nicht im VD17; Bautz XIX, 1469f. - Ignatius TRAUNER (1638-1694) war Abt von St. Emmeram, als Kanzelredner berühmt, veröffentlichte umfangreiche Predigtsammlungen, die in erster Linie eine Hilfe für Amtsbrüder darstellen sollten. In den jeweils über 1000 Seiten umfassenden Konvoluten fanden sie Muster für Buß- und Passionspredigten ("Gallus Cantans"), Sonntagspredigten ("Geistliche Seelen-Jagd"), Leichenpredigten ("Schuldiges Seelen-Geleit") oder Festtagsreden ("Fragmenta Sacra"). Ein detailliertes Inhaltsverzeichnis, eine umfängliche "Anweisung, wie man alle gegenwärtige Predigten ... appliciren kan", und ein ausführliches lateinisches Register verliehen den Anthologien ihren besonderen Gebrauchswert als Nachschlagewerke.

      [Bookseller: Antiquariat Burgverlag]
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        Morias Enkomion (In Greek), Stultitiae Laus Desid, Erasmi Rot. Declamatio (Encomiun Moriae - In Praise of Folly)

      Amsterdami: Henricum Wetstenium, 1685. Early Edition. Hardcover. Very good. 16mo. (Approx 3x5 inches). (viii),152pp. Engraved title showing a fool in the pulpit preaching. Dedicatory Preface to Thomas More. Bound to style in full brown calf, the spine in four compartments with three raised bands, and with the boards tooled in blind in period style. Ownership name dated 1696, early writing on the front pastedown and a preliminary blank; early bookplate. Title trimmed close else a very good copy in a fine binding by Beswick.

      [Bookseller: Thorn Books]
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        HISTORIA INSECTORUM GENERALIS

      Historia insectorum generalis, in qua quaecunque ad insecta eorumque mutationes spectant, dilucide ex sanioris philosophia & experientiae principiis explicantur, cum figuris & indicibus necessariis, ... .- Lugduni Batavorum, Apud Jordanum Luchthans, MDCLXXXV (1685); en 4º piel de época con adornos dorados en lomo, 10 hojas de preliminares incluida portada, 212 páginas y 9 hojas. 13 láminas y 1 estado plegado. El autor fue un anatomista y zoólogo holandés (1637 - 1680) que se dedicó al estudio de la anatomía y costumbres de los insectos a los que estudio con microscopios construidos por él mismo y sobre los que escribió obras consideradas como clásicas con las de Redi o Malpigio. La primera edición es de 1669 en holandes, y tanto esa como la que ofrecemos en latín no aparece en la bibliografía de Brunet que si recoge una del mismo año en francés (tomo V, 599.)

      [Bookseller: LIBRERIA ANTICUARIA SANZ SL]
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        DE INSECTIS IN METHODUM REDACTUS, CUM NOTULARUM ADDITIONE, with HISTORIAM ANIMALIUM ANGLIA

      London, Excudebat R.E. sumptibus S. Smith, ad Insignia Pricipis in Coemeterio D. Pauli. 1685.. LATIN EDITION EDITED by M. LISTER with his ADDED APPENDIX, 1685. Ex Library copy from the Birmingham Medical Institute. Small 8vo, approximately 185 x 120 mm, 7¼ x 4½ inches, 21 engraved plates, 14 to the first part and 7 in the Appendix, separate title page and pagination to Appendix, pages: [7], [1,blank], 1-356, [4], 1-45, [1] verso of page 45 blank, bound in plain vellum, no title to spine, gilt library stamp to foot of spine. Binding slightly dusty and stained, pale library stamps to title page and plates, a few plates have 2 pale library stamps, a few plates and text page just affected by pale stain to lower corners, a few margins a little dusty, 1 new free endpaper on old paper to match, 2 top margins trimmed off but no loss to images, 1 outer margin trimmed, no loss of image, library book-plate on first pastedown, overall a very good copy. Martin Lister edited this edition for the Royal Society, and supplied the appendix on marine life. Martin Lister (1639–1712) was a prominent Fellow of the Royal Society who was made an honorary MD in 1684. In later in life he moved to London, where he acted as Vice-President of the Royal Society and also as Censor of the Royal College of Physicians. In 1697–78 he travelled abroad, and finally retired to Epsom, where he continued to transact voluminous correspondence. Lister was one of the most high-profile and well-connected naturalists of the age. His letters thus provide a unique window onto early enlightenment cultures of medicine and natural philosophy throughout Britain and continental Europe. See Dictionary of Scientific Biography, Volume 8, page 416. MORE IMAGES ATTACHED TO THIS LISTING.

      [Bookseller: Roger Middleton]
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        Ch' n' ha Cervel hapa gamb. O sia la liberatione di Vienna assediata dall' armi Ottomane. Poemetto giocoso. In lingua popolare Bolognese consecrato.

      Parma, heredi di [Mario] Vigna, 1685. - 8vo. (16), 121, (3) pp. With engr. frontispiece and 5 engr. plates by Giovanni Giuseppe Cosattini. Contemp. Italian vellum. First edition of Lotto Lotti's (1667-1714) poem celebrating the liberation of Vienna from the 1683 Turkish siege, written in the Bologna dialect. "Divided in 5 cantos of 30 to 40 eight-line verses each" (Kábdebo). Among thre pretty engravings are scenes of battle and siege. - Somewhat browned and (finger-)stained throughout; worming to blank margin near beginning; vellum on lower board and spine-end restored professionally. Sturminger 1971. Kábdebo II, 290. British Library (17th c. Italian books) I, 503. ICCU VEAE\001923. [Attributes: First Edition]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        India Orientalis. Cum Adjacentibus Isulis Nova Deleneatione ob Oculos Polita

      Engraved double page map, hand colored, cartouche, 495 x 580 mm (25" x 20 3/4"). Some foxing overall, normal aging, browned somewhat along center fold, reinforced along edges on verso with paper tape and along fold on verso with cellotape; still an attractive map with a strong impression. Seutter (1685-1757) was born in Augsburg, and served as an apprentice with Homann before establishing his own firm in Augsburg in 1710. He was considered one of the most important German cartographers, but it seems that much of his work were copies of Homann maps. He published several atlases, and globes, but his most famous work was his "Geographical Atlas or an Accurate Depiction of the Whole World" published in 1725. This map of India has a large uncolored cartouche illustrating ships, Poseidon, and natives listening to a wise man, and bring gifts to a king. despite some aging and restoration, the map is attractive and bold, and has considerable detail. matthias-seuter.com. Bagrow p. 185 & 272.

      [Bookseller: Nicholas D. Riccio Rare Books & Prints]
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        Carta que escrivio un medico Christiano que estava curando en Antiberi, a un Cardenal de Roma, sobre la bebida del Cahue o Café

      1685: preparing coffee, a rare Spanish essay on the beverage. 1685. Madrid. In folio (320 mm x 220 mm). 2 ff. Loose in later red cloth binding. Uncut, a little foxed, else a fresh and clean example. First edition of this considerably rare, early, and interesting essay; written by Juanini and addressed to a Cardinal in Rome, on the history of coffee, both as a beverage and medicine. The essay makes references to the earliest description of the coffee plant by Prosper Alpini, in his De medicina Aegyptiorum (Venice, 1591) and of its knowledge by the Turcs, Arabs and Persians. The work concludes with instructions for its preparation, duration, ways and manners of drinking, recommendations, and even of mixing it with toasts and chocolate. Hunersdorf, Coffee: a bibliography, London, p776.

      [Bookseller: Hs Rare Books]
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        Veuë de la Ville, et du port de Calais, du costé de la terre

      Paris: distribuë par l'Auteur, en l'Hostel des Manufactures des Gobelins, et en la rue St.Jacques, [1685]. Copper engraving, on two joined sheets, by A.F. Baudouin with the figures by R. Bonnart, after Van der Meulen. Titled in French and Latin. 24 x 59 1/2 inches overall. A fine view of the fortified town of Calais and its environs, recalling king Louis XIV's gradual acquisition of territory on the Channel coast from 1667 onwards. This excellent panorama shows Calais as seen from the landward side looking across to the ramparts of the fortifications surrounding the town, to the roofs of the town itself and then beyond to the sea. In the fore and mid-ground the French army of King Louis XIV moves forward towards the town, this scene enlivened by Van der Meulen's portrayal of the stormy conditions: hats blow off, cloaks are wrapped around peoples' heads, foot soldiers lean into the wind. This sort of detail supports the statement in the imprint that the present scene was painted from life by Van der Meulen. Adam Frans Van der Meulen was a landscape and genre painter, who specialized in battle scenes, and his early works, i.e. those from the years before he left for Paris (the earliest dated work is from 1653) are mainly cavalry skirmishes in the manner of his teacher Pieter Snayer. After he moved to Paris, the character of his work changed and became more ceremonial. He now specialized in large topographical views and military scenes and in royal journeys, processions and receptions. His most important task was to accompany the king on his many campaigns during the wars of conquest waged in the 1660s and 1670s against, inter alia the Spanish Netherlands, and as Peintre de conquêtes du roi officially to portray the memorable sieges, battles and conquests of le Roi Soleil in large-scale canvases or cartoons which were later transformed into tapestries. Van der Meulen was born in Brussels, where he was baptised in 1632. In 1646 he was apprenticed to the battle painter Pieter Snayers. In 1651 he became a master in the Guild of St Luke in Brussels but by 1663 he had moved to Paris, where he joined a group of Netherlandish artists associated with the French painter Charles Le Brun (1619-90), who not only was Premier peintre du roi, but also (from 1663) director of the Parisian tapestry manufactory Manufacture royale des Gobelins. Van der Meulen quickly became a protégé of Le Brun, and on his recommendation Van der Meulen was appointed court painter to Louis XIV on 1 April 1664 and at the same time became Le Brun's collaborator in the tapestry manufactory. In 1673 he was accepted as a member of the Académie royale de Peinture et de Sculpture without any obligation to submit a morceau de réception; in 1681 he became conseiller and in 1686 premier conseiller. He died as a highly esteemed artist in the Hôtel des Gobelins 15 October 1690.

      [Bookseller: Donald Heald Rare Books]
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        DE MOTU ANIMALIUM

      De Motu Animalium. Editio Altera. Correctior & emendatior.- Lugduni in Batavis, Johannem de Vivie, Cornelium Boutesteyn, Danielem à Gaesbeeck & Petrum vander Aa, MDCLXXXV (1685); 2 tomos en 8º mayor pasta época cabeceras con alguna falta, 1º, 8 hh (incluido frontis), 280 pp. (en realidad 274 pp.) 9 hh., de índice y 18 láminas plegadas. 2º, 2 hh. 365 pp. 7 hh., de indice. Muy buen ejemplar de esta segunda edición Con Borelli se originó la teoría neurogénica de la acción del corazón y la primera sugirió que la circulación se asemejaba a un sencillo sistema hidráulico. Fue el primero en insistir en que el latido del corazón es una simple contracción muscular. Considerado por el propio Borelli a ser su obra más importante, De Motu Animalium es también su trabajo más conocido. Aquí Borelli tratado de explicar los movimientos del cuerpo animal a principios de mecánica, por la que ahora es considerado el padre de la biomecánica.

      [Bookseller: LIBRERIA ANTICUARIA SANZ SL]
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        Fleta, Seu Commentarius Juris Anglicani Sic Nuncupatus, Sub Edwardo

      1685. Selden, John [1584-1645], Editor. Fleta, Seu Commentarius Juris Anglicani Sic Nuncupatus, Sub Edwardo Rege Primo, Seu Circa Annos ab Hinc CCCXL. Ab Anonymo Conscriptus, Atque e Codice Veteri, Autore Ipso Aliquantulum Recentiori, Nunc Primum Typis Editus. Accedit Tractatulus Vetus de Agendi Excipiendique; Formulis Gallicanus, Fet Assavoir Dictus. Subjungitur Etiam Joan. Seldeni ad Fletam Dissertatio Historica. London: Typis S.R. Prostant apud H. Twyford, T. Bassett [et al.], 1685. [viii], 553, [3] pp. Quarto (8-1/2" x 6-1/2"). Recent period-style quarter calf over cloth, endpapers renewed, early repair to lower corner of title page. Toning, dampspotting to portions of text. Annotations in early hand to margins of a few leaves, interior otherwise fresh. * Second edition, "Multis Errobis Purgata." The work by an anonymous author describes the practice of the courts, the forms of writs and an explanation of law terms as they existed during the reign of Edward I. It was John Selden who first called the attention of the public to this ancient treatise, and was instrumental in procuring its publication. While Bracton earns the highest praise as the father of legal learning, Fleta earns a share of it for the illustrations he offered to some of the obscurities found in Bracton. Selden's appended dissertation (pp.453-553) contains many interesting observations about Bracton, Britton, Fleta, and Thornton "and shows what use was made of the Imperial law in England whilst the Romans governed here, at what time it was introduced into this nation, what use was formerly made of it, how long it continued, and when the use of it totally ceased in the King's Courts at Westminster.": Bridgman, A Short View of Legal Bibliography 87. Sweet & Maxwell, A Legal Bibliography of the British Commonwealth 1:53 (20).

      [Bookseller: The Lawbook Exchange, Ltd.]
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        The Happy Ascetick: or, The Best Exercise. To which is added a letter to a person of quality, concerning the holy lives of the primitive Christians by Anthony Horneck, Preacher at the Savoy. The Second Edition, Corrected and Enlarged

      C. Alston. Hardcover. 8vo, old calfskin binding, front hinge broken and cover detached, small hole in one leaf and lacking the Hogarth frontispiece. "Imprimatur. Nov. 17, 1685. C. Alston. London: Printed for H.M. and M.P. and Sold by Joshua Phillips at the Seven-Stars and Joseph Watts at the Half-Moon in St. Pauls Church-yard. 1686." at bottom of title page. ~Fair. No DJ. Hardcover. Moderate to heavy shelf wear to boards; satisfaction guaranteed. . Fair. 1686.

      [Bookseller: Earthlight Books]
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        THE RULES OF CIVILITY; or, Certain Ways of Deportment observed amongst all Persons of Quality upon several Occasions. Newly revised and much Enlarged.

      R. Chiswell, T. Sawbridge, G. Wells & R. Bently., London 1685 - Duodecimo speckled roan red title label spine decorated with lyre designs between decorated rules & gilt panel to covers (tips rubbed) [10] + 300pp. Early initials G.A. at top of title, ownership John Haynes 1692 crossed out in margin of Contents, a few marginal worm holes, mainly to sign.C but none touching the print. *Original edition was Nouveau traite de la civilite (Paris 1671) by Antoine de Courtin. Neat handsome copy of an early well arranged translation from the French to include everything from eating to letter writing, from dancing to conversation, about neatness and all behaviour towards speriors and inferiors (referenced ESTC R14935). 1 volume.

      [Bookseller: Abbey Antiquarian Books]
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        An Historical Vindication of the Divine Right of Tithes, from Scripture, Reason, and the Opinion and Practice of Jews, gentiles, and Christians in all Ages. Designed to Supply the Omissions, Answer the Objections, and Rectifie the Mistakes of Mr. Selden?s

      his is a rare publication and has been rebacked to preserve the original period boards. The pages are clean with only occasional foxing to the first and last few leaves and a slight browning to the title-page. There is an interesting ex libris plate from James Harrop Dransfield on the front paste-down. It shows a head in profile impaled upon a sword with the motto: Cutta Cavat Lapidem Non Vi Sed Saepe Cadendol. Also contains the bookplate of  James Harrop Dransfield with the quotation "Gutta Cavat Lapidem No Vi Sed Saepe Cadendo." or "A drop of water hollows a stone, not by force, but by continuously dripping." and it has a Head impaled on a Standing Sword. This is an extremely rare book sold by Calixbooks online. NO Copies of the First Edition are present in ANY library. All libraries have the 1685 edition. No copies of the 1685 edition are available online. Only one library around the world has a copy of the book. Thomas Comber:?I have reason to believe many have been encouraged to commit by that current and commonly received Error, That Tithes are not due by Divine right, but only by humane positive Constitutions. For in the days of our Fathers, while the Divine right was generally maintained and believed, it was thought a matter of Conscience to pay Tithes justly. But now they that are either so cunning to avoid discovery, or so great to despise the punishments of the Law, do without scrupple in part, or in whole, subtract or detain their Tithes, and by this false Principle are perswaded it is no Sin that they need to repent of, so that the same Error that encourages them to do this great injury to the Church, causeth them to do a greater to their own Souls.? Comber?s Epistle Dedicatory. Comber blames the common occurrence of this error on Selden?s work on tithes, from whom the argument is borrowed. Comber seeks to straighten out this legal mess and get the believers back to giving every Sunday. A rare and unusual book sold online. Wing C-5472.

      [Bookseller: Calix Books]
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        Bibliographia Historica, Chronologica et Geographica Novissima, Perpetuo Continuanda. sive conspectus primus Catalogi Librorum Historicorum, Chronologicorum et Geographicorum, tam Sacrorum quam Profanorum quotquot currente hoc Semisaeculo, id est, ab Anno M.DC.LI per universam Europam. Accedit Eiusdem Musaeum seu Syllabus Iconum sive Imaginum illustrium à saeculo hominum, quae in ejus Musaeo spectantur.

      apud Jannsonio - Waesbergios,, Amstelodami, 1685 - Cm. 13,5, pp. (16) 788. Legatura strettamente coeva in piena pergamena molle con titoli manoscritti (posteriormente) al dorso. Piccoli ritocchi alla cuffia, peraltro esemplare genuino e ben conservato. Edizione originale, non comune, di quest'antica compilazione bibliografica riguardante le opere di storia, geografia e cronologia pubblicate in Europa nella seconda metà del '600. Il Beughem (1638-1710) fu libraio a Emmerich e le sue ricerche bibliografiche sono considerate fra le più interessanti del tempo. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Benacense]
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        Dryadum, Amadryadum, Cloridisque triumphus, ubi Plantaru Universa natura spectatur.

      - Padova, P.M. Frambotti, 1685. Folio (328 x 220mm). pp. (28), 709, (90), with one beautiful engraved emblematic title and an engraved portait of dalla Torre, printer's device on last leaf. Contemporary vellum, old repair to foot of spine. Hunt 372. Pritzel 9585. Georgio dalla Torre (Latin Turre) was an Italian botanist and director of the Padova Gardens from 1649-1681. A rare work.

      [Bookseller: Antiquariaat Junk]
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        Herodiani de Romanorum Imperatorum Vita post Marcum. Usque ad Gordianum Nepotem. Libri VIII. Angelo POLITIANO interprete

      Patavii (Padova), Typographia Seminarii Opera Petri Antonii Brigoncii 1685.. Quibus Chronologia, Genealogia, & Geographica Imperii Romani descriptio adjecta sunt. kl.-8°. Schmutztitel, Titel, 2 Bll.,176; 278 S. Mit 1 mehrf. gefalt. Karte des römischen Reichs u. 1 mehrf. gefalt. Plan Roms in Kupfer gest. Pgmt. d. Zt. m. goldgprägt. Rückensch. Graesse II, 253 - Vorliegende Ausgabe von Politianos Übersetzung enthält den griechischen Originaltext. Bei Graesse wird diese Ausgabe mit bloß dem griechischen Text ("Ce n'est que le texte grec sans la trad. latine") und ausschließlich einer Karte genannt - der Plan von Rom wird nicht erwähnt.

      [Bookseller: Antiquariat Burgverlag]
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        Nouvel Abrege Chronologique De l'Histoire De France, Contenant Les Evenemens De Notres Histoire, Depuis Clovis Jusqu'a Louis XIV, Les Guerres, Les Batailles, Les Sieges, Etc., Nos Loix, Nos Moeurs, Nos Usages, Nouvelle Edition...le Mort De Louis XIV

      Paris: Briand 5 volume set bound in contemporary calf. Very scarce. The author Charles Jean-Francois Henault (1685-1770) wrote the work which was translated into many languages including Chinese. Voltaire said that he was "the only man who taught French history". In these volumes his successors continue the account unto the decade just before the French Revolution. This was the last set issued during the Ancien Regime. It covers the history of France from Louix XIV to Louis XVI in 1783. There was still no understanding by most of the government leaders how deep the economic crisis was. (The Assembly of Notables were to be convened in 1787 only to disband when they rejected the stop gap fund to spend more to get out of the economic crisis. It was in 1789 when Louis XVI made the fateful decision to convene the Estates-General). Seldom do the five volume sets appear and in the last volumes much is made of the political events, notes of the United States, but mainly a continuation of the history. Volume III lacks the original gilt lettered black morocco label else a remarkable set. Various publishers with Briand among the most prominent.. Original Calf. A Very Good Matched Set/No Dust Jacket as Issued. 12mo - over 6¾" - 7¾" tall.

      [Bookseller: Alcuin Books, ABAA-ILAB]
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        IL Criticon Overo Regole Della Vita Politica Morale Di Don Lorenzo Gracian Tradotte Dallo Spagnolo in Italiano Da Gio; Pietro Cattaneo Divisa in Tre Parti - La Primavera Della Fanciulezza, L'Estate Della Gioventú, L'Inverno Della Vechiezza

      Appresso Nicoló Pezzanna, Venetia, 1685. 1st Italian Edition. Printer's device to the title. Double columned type - minor foxing and worming. Full contemporary vellum-backed boards, good. Half inch sq tear (with loss) to the half-title, inch sq cut from the bottom of the title page. Remains an exceptional example overall; scans &c on request.

      [Bookseller: MW Books Ltd.]
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        Histoire de la conquest de la Floride, par les Espagnols, sous Ferdinand de Soto

      First French edition, and amongst the earliest available, of Soto?s exploration of Southern United States. 1685. Paris. Denys Thierry. In 8vo. 12 ff. + 300. Contemporary French speckled calf, raised bands to spine, tooled in gilt, red morocco title label lettered; joints renewed, else fine. Title page with minor mainly marginal toning, scattered leaves present minor toning but overall very good. First French edition of the Relacam Verdadeira ?first published in 1557, which is known in a single copy. A rare book consisting of the anonymous eyewitness? account of De Soto?s expedition to Florida ad the Southern United States. Furthermore, the work includes the dramatic tale of Juan Ortiz, a member of the Narvaez expedition captured by the Indians and rescued by De Soto. The anonymous Portuguese original is a known in a single copy and is found at the NYPL. This is the first translation into French, made by the 17th century French historian Citri de la Guette, to compete with the later Florida del Ynca of Garcilasso de la Vega (published in Lisbon in 1605), considering this less well-known and historically more accurate ?and considering the contemporaneity a consistent argument- relation was due for notoriety. It is the basis and inspiration for the English translation of the following year "A relation of the invasion and conquest of Florida by the Spaniards" (1686). The NUC mistakenly records an edition of 1589 (actually the 1699 reprint by Couterot). "The English translation, the first account in the English language of the settlement of California, is inferior to the French edition being "erroneous as to numbers, distances, and names of places"? Sabin." (Kenneth Nebenzahl). Sabin, 24864. Bell, H186.

      [Bookseller: Hs Rare Books]
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        [World Map, Bible]: A Map of all the Earth and how after the Flood it was divided among the Sons of Noah

      Amsterdam: Visscher, Nicholas (Nicolaus), 1685. Very good, early color (perhaps some recent enhancement), few tiny worm holes, minor restoration at lower right (no image loss) and flattened center fold. Minmial browning margins. The date is approximate. Numerous biblical vignettes, some with Hebrew lettering. This was done for a Dutch bible, this one published by Visscher in Amsterday. Shirley's entry 457 is a similar map but without the Visscher imprint (and this issue does not have the tabular information in the lower central area. North America is labeled with "Japhet," and "Eden" is shown towards the cetner of the depiction of Asia. The vignettes are quite decorative. Moxon was a print and globe-maker, and he was the first tradesman to be elected to the Royal Society (online Dictionary of National Biography). The image measures 32 x 46 cm (18 x 12.5 inches), and has good margins..

      [Bookseller: The Prime Meridian: Antique Maps & Books]
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        Mr. William Shakespear's Comedies, Histories, and Tragedies. Published according to the true Original Copies. Unto which is added, Seven Plays, Never before Printed in Folio... The Fourth edition

      London: Printed for H. Herringman, E. Brewster, and R. Bentley. 4th Edition. Hardcover. Very Good. THE 1685 FOURTH FOLIO OF SHAKESPEARE: A very good, complete, exceptionally tall copy. A Shakespeare folio represents one of the highest points of collecting in the English language. The first folio, published in 1623 (now virtually unobtainable), is the first complete collection of Shakespeare's plays; without it, the English-speaking world would have little or no record of many of the greatest and most influential works in the Western world.  Three seventeeth-century folio editions followed: The Second Folio, 1632; The Third Folio, 1663-64; The Fourth Folio, 1685. The rarity of Shakespeare folios available for private purchase in recent years is well-documented. Harold M. Otness, in his 1990 census of Shakespeare folios, explains: "The number of copies of each edition printed is lost, but speculation puts the press runs at several hundred copies each... American institutions hold at least 561 copies of the four editions combined, which may constitute as many as half of the extant copies worldwide." In the last century there has been a steady transfer of folios from private hands to public libraries and institutions as many try to complete "sets" of the four folios, or recognize the necessity of owning a folio to anchor any collection of English language and literature. The opportunity for a private individual to own a folio is becoming increasingly scarce.  THIS COPY OF THE FOURTH FOLIO IS IN VERY GOOD CONDITION: The Shakespeare folios are notoriously poorly-printed and, because of their popularity and importance, well-handled. As Otness notes: "Most copies of the Shakespeare Folios show considerable wear and have replacement pages. This is particularly true of the title and portrait pages and other introductory leaves... The Folios have been subjected to considerable wear over the years, and 'perfect' copies are rare today." The Brewster/Bentley issue (presumed first issue), without Chiswell's name on title page. London: Printed for H. Herringman, E. Brewster, and R. Bentley, 1685. Folio, 18th-century full sheep rebacked, red leather labels. Final leaf supplied from another copy of the same edition, portrait washed and pressed with a few almost undetectable paper repairs; interior very clean with only minor blemishes, four leaves in center of text treated at an early date. One of the tallest copies on record: 369x233mm, the same as the famed George Daniel - Abel Berland copy. A wide-margined copy in beautiful early binding of one of the most desirable books in all of collecting. Rare.

      [Bookseller: The Manhattan Rare Book Company]
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        Veuë de la Ville de Besançon, du costé de Dole, et Situation du lieu dans la franche Comté

      [Paris: published by Van der Meulen, 1685]. Copper engraving, on two joined sheets, by A.F. Baudouin, after Van der Meulen. Titled in French and Latin. 24 x 59 1/2 inches overall. A lively panorama of Besançon and its environs, recalling King Louis XIV's war against Spain of 1667. This excellent view of the capital of the Franche Comté region of France, shows Besançon almost encircled by the river Doubs and overlooked by the surrounding hills. In the foreground is a lively scene of travellers on horseback and on foot. The legend beneath the view includes an extensive index to the various buildings in the city, these are tied in to the index by the inclusion of small numbers engraved on the view. This peaceful scene probably recalls the occupation of Franche Comté in Febuary 1668 by Condé on the orders of the French King Louis XIV. This action was the final act in the War of Devolution waged by Louis in support of his wife's claim to Flanders, hitherto a vassal state of Spain. The imprint notes that the present scene was painted from life by Van der Meulen. Adam Frans Van der Meulen was a landscape and genre painter, who specialized in battle scenes, and his early works, i.e. those from the years before he left for Paris (the earliest dated work is from 1653) are mainly cavalry skirmishes in the manner of his teacher Pieter Snayer. After he moved to Paris, the character of his work changed and became more ceremonial. He now specialized in large topographical views and military scenes and in royal journeys, processions and receptions. His most important task was to accompany the king on his many campaigns during the wars of conquest waged in the 1660s and 1670s against, inter alia the Spanish Netherlands, and as Peintre de conquêtes du roi officially to portray the memorable sieges, battles and conquests of le Roi Soleil in large-scale canvases or cartoons which were later transformed into tapestries. Van der Meulen was born in Brussels, where he was baptised in 1632. In 1646 he was apprenticed to the battle painter Pieter Snayers. In 1651 he became a master in the Guild of St Luke in Brussels but by 1663 he had moved to Paris, where he joined a group of Netherlandish artists associated with the French painter Charles Le Brun (1619-90), who not only was Premier peintre du roi, but also (from 1663) director of the Parisian tapestry manufactory Manufacture royale des Gobelins. Van der Meulen quickly became a protégé of Le Brun, and on his recommendation Van der Meulen was appointed court painter to Louis XIV on 1 April 1664 and at the same time became Le Brun's collaborator in the tapestry manufactory. In 1673 he was accepted as a member of the Académie royale de Peinture et de Sculpture without any obligation to submit a morceau de réception; in 1681 he became conseiller and in 1686 premier conseiller. He died as a highly esteemed artist in the Hôtel des Gobelins 15 October 1690.

      [Bookseller: Donald Heald Rare Books]
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        Monumenta omnia mathematica, quae extant ... ex traditione ... Francisci Maurolici

      Palermo: Cyllenius Hesperius, 1685. First edition of Maurolico&#146;s translation of Archimedes, one of the two most important versions of the sixteenth century (the other being Commandino&#146;s). Francesco Maurolico (1494-1575) &#147;ranked with Commandino as a first-rate student of Archimdes, and indeed these two &#133; were the outstanding interpreters of Archimedes in the first three-quarters of the century. However, Maurolico&#146;s interest, unlike Commandino&#146;s, was not in establishing a philologically sound version or translation of the Archimedean texts that survived but in presenting mathematically coherent texts that achieved Archimdedes&#146; objectives. This will become particularly clear when we examine &#133; those texts in which Maurolico skillfully grafted medieval material onto the traditional Archimedean texts&#148; (Clagett, Archimdes in the Middle Ages, vol. 3, part III, p.749; all of his chapter five, &#145;Francesco Maurolico in the Medieval Archimedes&#146;, pp.749-1053, is devoted to this translation). <br/><br/>& &#147;This paraphrase of Archimedean texts was made by the Sicilian Francesco Maurolico (1494-1575) probably between 1534 and 1550. A partial edition was printed at Messina between 1670 and 1672 by Paolo Bonacota, printer to the Senate of Messina, which largely paid for the edition. This was, however, never published, as the editor, Borelli, had to leave Sicily for Rome. The sheets of what had been printed remained stored in the house of one Lorenzo di Tommaso, an apothecary, who had obtained the original manuscript from the family of Maurolico. In 1678 these were confiscated by the Spanish authorities and taken to Palermo. This is recorded in a letter here printed. <br/><br/>& & &#147;Juan Silvestre Salva says that he acquired the sheets: we know from a letter that he acquired 425 copies of the original aborted edition, but it is difficult to determine to what extent these sheets may be present in this edition, although the preliminaries and sheets Mm-Rr would seem to be from a different press (the paper is different, they are signed differently, etc.). The statement that six books had been printed would take us to the end of De lineis spiralibus on Ff1 recto (followed by a line of ornaments).&#148; (Arnaud de Vitry 32). Folio: 302 x 201 mm, pp. viii 296, title printed in red and black, with woodcut arms of the dedicatee,18th century calf with richly gilt spine. A fine and clean copy. Scarce.

      [Bookseller: SOPHIA RARE BOOKS]
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        Chronyk van Vrankryk (2 Tomes - Complet). Door den Heer De Mezeray, raad, en Historieschryver des Konings van Vrankryk

      Timotheus Ten Hoorn, Jan Bouman 1685 Door den Heer De Mezeray, raad, en Historieschryver des Konings van Vrankryk, in't Nederduitsch gebracht door G. v. Broekhuisen1, 2 vol. fort in-4 rel. plein vélin du temps dos à 5 nerfs, plats estampés à froid, Timotheus Ten Hoorn, Jan Bouman, t' Amsterdam, 1685, Tome I : 54 pl. hors texte - frontispice, 3 ff. n. ch. (titre et Aan de Leezer), 990 pp. et 11 ff. n. ch. (tables) ; Tome II : 8 pl. hors texte - 997 pp., 9 ff. n. ch. (tables) et 1 f. n. ch. (errata) Bon exemplaire, en reliure du temps (rel. lég. frottées, petite fente au mors en queue, petite tache à un plat, mq. le premier feuillet de garde du tome I) de cette traduction hollandaise des Chroniques de Mézeray, bien complet du frontispice et des 62 portraits hors texte (certains parmi les portraits des premiers rois étaient demeurés blancs). Klaversma et Hannema, Jan en Casper Luyken, 383-384 Néerlandais

      [Bookseller: Librairie Du Cardinal]
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        Prospettiva della rinominata piazza e guglia del Popolo

      Acquaforte, 1685, firmata in lastra in basso a sinistra. Magnifica prova, impressa su carta vergata coeva, con sottili margini, lievi restauri alla piega centrale perfettamente eseguiti, per il resto in perfetto stato di conservazione. Gaspar van Wittel , naturalizzato in italiano Gaspare Vanvitelli è il vero precursore del vedutismo settecentesco. Nato in Olanda, si trasferisce a Roma nel 1674, a 22 anni. L?ingegnere Cornelis Meyer gli commissiona alcuni rilievi per il suo libro sul corso del Tevere, contribuendo in modo decisivo alla passione per il paesaggio e per la veduta. L?opera risale al periodo giovanile del Vanvitelli, e rappresenta il suo contributo principale al lavoro di Cornelis Meyer denominato L arte di restituire a Roma la tralasciata navigatione del suo Tevere. Alla Santità di Nostro Signore Papa Innocentio XI, edito nel 1685. Dimensioni 430x220. Etching, 1685, signed in plate lower left. Magnificent proof, printed on contemporary laid paper, with thin margins, small repaired area to the center fold perfectly executed, otherwise in perfect condition. Gaspar van Wittel, naturalized Italian Gaspare Vanvitelli is the true precursor of the eighteenth-century landscape painting. Born in Holland, he moved to Rome in 1674, at age 22. The engineer Cornelis Meyer commissioned him some relief for his book on the course of the Tiber, contributing significantly to the passion for the landscape and the view. This work presented here date back to the early period of Vanvitelli, and his major contribution to the work of Cornelis Meyer called L arte di restituire a Roma la tralasciata navigatione del suo Tevere. Alla Santità di Nostro Signore Papa Innocentio XI,, published in 1685. Size 430x220.

      [Bookseller: Libreria Yelets]
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        Le Fontane di Frascati

      Serie completa di quattordici tavole sulle fontane di Frascati, riprese da quelle incise da Giovanni Battista Falda che fu il primo a raffigurare i giochi e i "teatri" delle acque presenti nei parchi delle ville Aldobrandini, Ludovisi e Borghese. Le tavole sono in controparte rispetto alle vedute del Falda; il Sandrart si avvalse dei suoi collaboratori Hans Ulrich Frank, Johannes Meyer e Suzanne Marie von Sandrart che le riprodussero accompagnandole con didascalie bilingui in tedesco e latino. Incisioni in rame, in eccellente stato di conservazione. Dimensioni 330x230 circa A complete series of fourteen plates depicting the fountains in Frascati, inspired to Giovanni Battista Falda?s works, the first to depict the fountains and the water ?theatre? in the gardens of the Aldobrandini, Ludovisi and Borghese villas. The plates are the counterparts of Falda?s ones; in his job, Sandrart was helped by Hans Ulrich Frank, Johannes Meyer and Suzanne Marie von Sandrart, who reproduced the plates adding also bilingual captions, in Latin and German. Engraving, in excellent condition. Dimensions 330x230 circa. Norimberga Nurnberg

      [Bookseller: Libreria Antiquarius]
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        Conversations morales sur les jeux et les divertissemens

      Cehz Andrè Pralard 1685 in 16° - pp.pp 40nn + 432 - Pelle con titolo e fregi in oro al dorso - Testo in francese - Probabile prima edizione - legatura originale. Non censito su ICCU al maggio 2011 - Parziale mancanza del dorso e lievi abrasioni al piatto superiore - Mancanze al frontespizio - Jean Frain, seigneur du Tremblay (1641, Angers - 1724, Angers), auteur angevin, est un écrivain français.Il occupe le poste de conseiller au Présidial d'Angers de 1666 à 1672 et devient membre de l'Académie d'Angers à partir de 1685. Il a produit de nombreux ouvrages.

      [Bookseller: Antica Libreria Srl]
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        Cynographia curiosa seu canis descriptio... mantissa curiosa ejusdem argumenti, complectente Joh. Caji libell. De canibus Britannicis, & Joh. Henr. Meibom epist. de KYNOFOPA, aucta. -

      Norimbergae (Nürnberg), Endteri, 1685.In-4. Piena pelle coeva, dorso con 5 nervi, tassello e fregi oro; lievi abrasioni. Inconsueta antiporta inc. in rame con il titolo entro otto figure emblematiche. (50), 258, (16) pp.; uniformi bruniture. Rara prima edizione di una delle poche opere antiche sui cani. Tratta l'anatomia e le malattie dei cani, illustra le varie razze, discute della loro natura e del loro uso per la caccia, il lavoro ecc. Alla fine si trova lo scritto sui cani inglesi del Kay e l'epistola sui cani del Meibonius. L'opera è citata dal Ceresoli, sebbene l'autore non sia italiano, «per la sua importanza ai fini della conoscenza dei cani nel sec. XVII». Non in Krivatsy. Wellcome IV, 318. Souhart 368. Schwerdt II, 63: «The first edition of a curious book on dogs, including sporting dogs». First edition of one of the earliest works on dogs, including their diseases and anatomy. With an engr. frontispiece. Contemp. calf, gilt spine; slightly rubbed. Uniform browning throughout.

      [Bookseller: Libreria Antiquaria Rappaport]
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        Bacco in Toscana. Ditirambo. Con le Annotazioni.

      in Firenze, per Pietro Matini all'Insegna del Lion d'Oro, 1685. 1685 In-4° (252x172mm), pp. (8), 264, legatura antica p. pergamena rigida con titolo e filetti oro su tassello al dorso. Tagli rossi. Frontespizio in rosso e in nero con emblema della Crusca. Il testo del poemetto giunge fino alla p. 46; il resto del volume è occupato dalle amplissime annotazioni del Redi stesso. Indice alle pp. 231 e sgg. Manca il ritratto, presente solo in rari esemplari. Ottimo esemplare. Prima edizione. Nel ditirambo, constante di 980 versi in vario metro, il Redi immagina che Bacco, con il suo corteo e con Arianna, si fermi sul Poggio Imperiale di Firenze per intessere l'elogio del vino in genere e dei singoli vini toscani. Il poema è pieno di invettive contro chi ama bere il caffè, la birra ("la squallida cervogia"), il sidro e, soprattutto, l'acqua. "Oltre l'esser questa un'eccellente poesia ditirambica, ha ancor il pregio di darci la notizia de' piu' celebrati Vini Toscani al tempo dell'Autore, e le note son piene di erudizione analoga all'argomento" (Lastri). L'opera, cui lo stesso De Sanctis riconosceva naturalezza di movenze, elegante fattura e brio d'immaginazione, venne largamente imitata da numerosi poeti, tra cui anche Carlo Porta e Giovanni Meli. Simon, 1268. Gamba, 827. Prandi, p.11. Belloni, p. 160. quadrio, II, p. 490. Moreni, II, 235. Razzolini, p. 289. Oberlé, 1039: "Edition originale très recherchée". Tiraboschi, VIII, 468. Capponi, p.319. Graesse, VI, I, p.58. Vinciana, 2988: "in alcuni rari esemplari si trova aggiunto un ritratto dell'A. inc. da Adriano Alluech".

      [Bookseller: Libreria Antiquaria Galleria Gilibert]
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        Admirandi Archimedis Syracusani Monumenta omnia mathematica, quae extant, quorumque catalogum inversa pagina demonstrat, ex traditione . D. Francisci Maurolici?.

      apud Cyllenium Hesperium 1685 opus praeclarissimum, non prius typis commissum, à matheseos verò studiosis desideratum, tandemque è fuligine temporum accurantè excussum Ad Illus. et Religiosissimum Virum Fr. Simonem Rondinelli?. - In folio - pp.pp 1b + 8nn + 296 - Pergamena - Frontespizio inciso in rosso e nero con emblema del dedicatario, Simone Rondinelli; numerose incisioni nel testo, alcuni finalini. Marca di Hesperius Cyllenius in fine - Molto raro - Mancanza alla pergamena in parte del dorso e del piatto inferiore. Diffusi aloni d'umido in particolare alle prime ed ultime pagine. Prime quatto carte brunite. Rari fori di tarlo che non ledono il testo. Per il resto buon esemplare - sumpt. Antonini Giardinae bibliopolae Panorm - Altri difetti: strappo alla terza carta ma senza mancanza Olschki vi, 6001; Viganò 170; Riccardi 1, 43-44

      [Bookseller: Antica Libreria Srl]
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        Tractatus novi de potv caphe; de chinensium thé et de chocolata.

      Parisiis, P. Muguet, 1685. 12mo. pp. (6), 202, (4, index), with 1 engraved frontispiece and 3 engraved plates. Contemporary blind pigskin. Vicaire 294. First Latin edition. Interesting collection of three treatises dealing with coffee, tea and chocolate, each accompanied by a nice plate depicting the described plant (i.e. Faba Café, Thé Chinensis & Ramus arboris Cacao) and a drinking person. A good copy.

      [Bookseller: Antiquariaat Junk B.V.]
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        Observationes de Ortu, ac vegetatione Plantarum cum Novarum Stirpium historia iconibus illustrata...

      Romae, Typis Dominici Antonii Herculis, 1685. 4to (245 x 175mm). pp. (6), 106, with 17 fine engraved plates. Recent red calf, spine in 6 compartments with gilt lettering. First and only edition. Giovanni Battista Trionfetti (1658-1708) was professor of botany at the University of Rome and director of the Royal Botanic Gardens there from 1676-1706. The fine engravings are by the author and show recently introduced plants. Old name on titlepage. Hunt 373; Johnston 280.

      [Bookseller: Antiquariaat Junk B.V.]
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        Historiae Conchyliorum, Liber Primus [II, III, IV].

      London, by the author, 1685-1692. Small folio (296 x 205mm). Leaves 667 with 976 engravings almost all before letters and mostly without the decorative borders, including engraved titles and engraved section titles, etc. 18th century green morocco, richly gilt ornamented spine in 6 compartments, sides with gilt corner pieces and borderlines, gilt edges. Early proof plates of Lister's famous work on shells and described by Wilkens as 'the true First Edition'. 'At intervals he would gather together sets of prints and give copies to his friends as an earnest of his progress, thus creating a confusing series of volumes, in which no two copies seemed to be alike' (Keynes p. 24). The title is different from the first collected edition which reads as follows: 'Historiae sive synopsis methodicae conchyliorum'. Our copy agrees with Keynes 45: "Lister seems to have distributed more copies of this form of the proofs.... Wing records nine with this title-page, not including the one in the Cambridge University Library". Keynes lists his own copy with 290 leaves. Our copy has almost as many leaves as the copy in the Cambridge University Library which seems to have 678 leaves and like our copy has the Appendix to Lib. IV. "In fact it seems that Lister distributed more than ten sets of prints under the title 'Historiae Conchyliorum'" (Keynes p. 24). The impressions of the engravings are sharp and clear as to be expected with an early state of the plates. The first collected edition has 490 leaves with 1084 engravings and is likewise dated 1685-1692, but was not published before 1697. These engravings are numbered and with explanatory engraved text, most engravings are within decorative borders. Lister's work was the first major shell iconography, the second conchology per se (preceded by Buonanni's Recreationi of 1681), and the first attempt at a systematic classification of mollusca. Lister published no accompanying text, but instead had brief descriptions engraved on each plate (mostly not or only partly present in the here offered early issue). The plates were engraved by William Lodge and Anna and Susanna Lister after drawings by the two latter, Lister's wife and daughter respectively. 'The species illustrated are recognisable more often than not and none is reversed - a remarkable achievement in itself considering that the gastropod shells had to be engraved in mirror image to ensure correct reproduction' (Dance p. 24). There are also several plates of fossils, particularly ammonites. Lister presented the plates and his shell collection to the Ashmolean Museum, and in 1768 it was decided to publish them in an edition of 250 (300 were in fact printed), accompanied by notes by Lister that the editor, William Huddesford, had discovered on a set of proof plates, and indices, one based on Lister's nomenclature, the other on the Linnaean system. Small marginal paper repair at the lower margin of title not affecting the engraving. A former owner put in pencil next to the plates the number corresponding to the 1770 edition. Keynes, G. Dr. Martin Lister, a bibliography no. 45 and pp. 21-35.; Dance pp. 23-25; Nissen ZBI, 2529 see also Wilkes, G.L. Notes on the Historia Conchyliorum of Martin Lister (1638-1712) pp. 196-205 (Journ. Soc. Bibl. Nat. Hist. 3 part 4).

      [Bookseller: Antiquariaat Junk B.V.]
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        A Perfect Copy of All Summons of the Nobility to the Great Councils and Parliaments of This Realm, From the XLIX of King Henry the IIId. Until These Present Times ..

      London Robert Clavell 1685. G : in Good condition. Bumped corners. Some scratching to tree leather. Spine hinges cracked but intact. Tooled spine rubbed and chipped at top and tail. Bookplates on eps. Pages cut. Pages slightly browning. Clean and tight First Edition Leather cover 13pp; 580pp + index :: 320mm x 210mm (13" x 8") :: .. with Catalogues of Such Noblemen as Have Been Summoned to Parliament. in Right of Their Wives .. of their fathers titles. Text in Latin

      [Bookseller: Barter Books]
 38.   Check availability:     TomFolio     Link/Print  


        Castorologia explicans castoris animalis naturam & usum medio-chemicum ... Iam vero ejusdem auctoris & aliorum medicorum observationibus luculentis ineditis, adfectibus omissis, & propria experientia parili aucta a Joanne Franco.

      8°. 7 n.n. Bl., 223 S., 1 S. Mit 2 gestochenen Kupfertafeln (ohne den gestochenen Titel). Lederband der Zeit. Wellcome IV, 56. - VD17 12:187830D. - Sehr seltene Arbeit mit reicher Rezeptsammlung zur Anwendung des Biberfettes und Bibergeil dem sogenannten Castoreum. Johann Marius war Stadtphysicus in Ulm. - Einbanddeckel mit grösserer Wurmspur. Titelblatt mit handschriftlichem Besitzvermerk. - Selten.

      [Bookseller: Daniel Thierstein Buchantiquariat]
 39.   Check availability:     antiquariat.de     Link/Print  


        La pratique des accouchemens

      Paris, 1685. 1st edition. Portal, Paul (1630-1703). La pratique des accouchemens. . . . 8vo. [20], 368pp. Frontispiece portrait engraved by Le Febure after Revel, 8 plates engraved by Le Febure mostly after Revel. Paris: Gabriel Martin for the author, 1685. 187 x 119 mm. Calf c. 1685, gilt spine, rubbed, hinges repaired. Some foxing & browning. Very good copy. First Edition. Garrison-Morton 6148. Includes demonstration that version could be done with one foot. Portal also recognized both the anatomy and clinical importance of placenta praevia. His Pratique was based on thousands of cases from the Hotel-Dieu in Paris. Cutter & Viets 81-83, 197.

      [Bookseller: Jeremy Norman's Historyofscience.com ]
 40.   Check availability:     ABAA     Link/Print  


        LAGERLÖÖF, PETRUS [preses] & NORLIND, DANIEL [respondent]. Dissertatio de draconibus.

      A.a. (Sthlm), N. Wankijff, 1685. Liten 8:o. (4),44 s. Tagen ur band med spår av gammal ryggremsa och rödstänkta snitt. Disputationsdatumet ändrat för hand och det tryckta "maji" har ersatts av "junij" i bläck. Aningen nära skuren i övre marginalen på sina håll. En reva i nedre marginalen och in i texten på s. 31. Sista två bladet delvis loss och med lite pappersförluster i inre marginalen. Med en samtida tillskrift: "mons Hargelius".. Lidén Catalogus disputationum 5. Med en hyllningstext av G. Carlholm. Behandlar drakar, basilisker, lindormar och andra dess släktingar. Aldrovandi, Jonstonius och Kircher tillhör de åberopade källorna

      [Bookseller: Mats Rehnström]
 41.   Check availability:     Antikvariat     Link/Print  


        Sammelband from the Library of Gravesande: Monumenta omnia mathematica (1685) + Opera quae extant (1615)

      Panormi [Palermo]: apud D. Cyllenium Hesperium, sumpt. Antonini Giardinae bibliopolae Panorm., 1685 Book. Fine. Hardcover. 1st Edition. Folio - over 12 - 15" tall. Monumenta omnia mathematica, quae extant, quorumque catalogum inuersa pagina demonstrat : ex traditione ... D. Francisci Maurolici ... opus præclarissimum, non priùs typis commissum [ed. J. S. Salva]. Folio (309x213 mm). [8], 296 pp., title page printed in red and black with large woodcut device, many woodcut diagrams in text, blanks present. Bound at the end are two excerpts (complete in itself) from Archimedes' Opera quae extant (edited by David Rivault, Paris: Claude Morel, 1615), in parallel Latin and Greek text with several woodcut ills. and diagrams: (1) Planorum Aequiponderantium, seu centra gravitatum planorum, pp. 145-218; (2) De insidentibus humido libri duo..., pp. 487-549 (1:blank). Near contemporary calf (rubbed and scuffed at extremities, but binding sound and strong), gilt spine with label, edges colored in red, silk marker present. Text somewhat browned throughout, some (mainly marginal) dampstaining, occational paper repairs to edges, p. 250 with small hole. Provenance: Willem Jacob 's Gravesande (1688-1742), Duch philosopher and mathematician (18C inscription to first page of first extract, reading "Gennete / Ex libris Domini s'Gravesande"). A nice copy of interesting provenance. ---- A paraphrase of Archimedes' works made between 1534 and 1550 by the Sicilian Francesco Maurlico (1494-1575) some of which was printed at Messina by Paolo Bonacota, 1670-72. This was never published but the sheets were acquired by Lorenzo di Tommaso and then confiscated by the Spanish authorities in 1678. Juan Siverstre Salva acquired 425 copies of the original edition (COPAC). The bound in extracts are form the second and influential 1615 Greek and Latin edition (DSB) of the works of Archimedes, valuable for its numerous woodcuts and diagrams (see Houzeau-L. 826; Riccardi I/1, 43; Cantor II, 659)..

      [Bookseller: Milestones of Science Books]
 42.   Check availability:     Biblio     Link/Print  


        Opera omnia anatomica et medica. Nunc simul collecta, & diligenter rec. per T. de Diemerbroeck

      Utrecht: M. a Dreunen, & G. a Walcheren, 1685 Book. Fine. Hardcover. 1st Edition. Folio - over 12 - 15" tall. 3 parts in one volume. Folio (314 x 195 mm), [18], 568, [6], [16], 303, [1], [2], 130, [2], [4], 70 pp., engr. title, engraved folding portrait of the author and 16 folding anatomical plates. Contemporary blind-tooled vellum with 6 raised bands, author's name and title in cript to spine. Interior bright and virtually unspotted. An excellent copy. Complete. --- Wellcome II, 467; Waller Cat. 2452. - Ysbrand van Diemerbroek (1609-1674) practised medicine in Utrecht and became Professor of Anatomy and Medicine at Leyden. Beside his comprehensive work on anatomy, he is also remembered for his studies of the plague. This collected works were edited by his son Tieman, also a physician..

      [Bookseller: Milestones of Science Books]
 43.   Check availability:     Biblio     Link/Print  


        Gudz werk och hwila/ thet är hela werldenes undersamma skapelse/ uti sex dagar af then altzmäktige gud fullbordad: sampt then siunde dagens nödwendiga helgelse/ af samme alwise gud instiktad: efter månge lärde mäns anledning af christeligit ock wälmeent upsåt uti swenska rijm beskrefwen them til tiänst som gerna betrakta thet himmelska.

      Sthlm, N. Wankijf, 1685. Folio. (6),298,(18) s. Diskret renoverat samtida solkigt pergamentbd med handtextad titel på ryggen samt nyare för- och eftersättsblad. Obetydligt bläckkludd på titelbladet vilket i likhet med det nästföljande bladet har minimala lagningar i yttermarginalerna. Det tredje bladet med ersatt nedermarginal. Små fläckar i texten och i marginalerna, t.ex. i övre marginalen på s. 23-38. Litet hål i övre marginalen på s. 85. Enstaka roande marginalanteckningar i bläck från 1700-talets första hälft. Med monogrammet "CC" i bläck nederst på titelbladet. Enligt anteckning J. Viktor Johanssons exemplar. Smutstitelbladet saknas!. Collijn 870. Första upplagan av den 11000 verser långa lärodikten som trycktes om flera gånger under 1700-talet. Den har antika förebilder i Lucretius och Ovidius men även mer moderna som t.ex. Guillaume de Salluste du Bartas och i synnerhet dansken Anders Arrebo. Spegel, född i Skåne, var föga förvånande danskorienterad men tog ovanligt nog intryck också från engelskt kulturliv. "Gudz werk och hwila" har likheter med Miltons "Paradise lost" (1667), något som föranlett litteraturhistoriker att kalla "Gudz werk och hwila" den första influensen av Miltons epos på kontinentens litteratur. Samtidigt är verket lärdomshistoriskt intressant då det söker ge en bild av hela skapelsen, en skapelse som fortfarande var under upptäckt: "Jag skal likwäl rätt nu om andra saker röra/ så framt man tåleligt tekz blotta nampnen höra / om giraf, hwilket diur iag fuller intet kenner/ men andra säya thet uti Jamaica renner"

      [Bookseller: Mats Rehnström]
 44.   Check availability:     Antikvariat     Link/Print  


        Linear Perspective: or, a New Method of Representing justly all manner of Objects as they appear to the Eye in all Situations. A Work necessary for Painters, Architects, &c. to Judge of, and Regulate Designs by. [Bound with:] New Principles of Linear Perspective: or the Art of Designing on a Plane the Representations of all sorts of Objects, in a more General and Simple Method than has been done before.London: R. Knaplock, 1715; 1719.

      First edition of Taylor's important work on perspective, here bound with its second edition which contains significant new material. "Despite the impulses he received from other mathematicians, Taylor's contribution to the theory of perspective remains highly original. He plucked from the works of others the ideas that were mathematically the most fruitful, and taking these as a starting point, he built up a theory that was far more general, comprehensive and systematic than anything seen before" (Andersen, p. 498).<br/><br/> "Like all Taylor's writing, his book on linear perspective was so concise that Bernoulli characterized it as "abstruse to all and unintelligible to artists for whom it was more especially written." Even the second edition, which nearly doubled the forty-two pages of the first, showed little improvement in this matter. Its effect, nevertheless, was very substantial, since it passed through four editions, three translations, and twelve authors who prepared twenty-two editions of extended expositions based on Taylor's concepts. He developed his theory of perspective in a formal and rigorous fashion in a sequence of theorems and proofs. The most outstanding and original of his ideas in this field were his definition and use of vanishing points and vanishing lines for all lines and planes, and of his development of a theory and practice for the inverse problem of perspective that later served as a basis for work by Lambert and for the development of photogrammetry. Taylor also made free use of the idea of associating infinitely distant points of intersection with parallel lines, and he sought to devise methods for doing geometric constructions directly in perspective" (DSB XIII, 267). <br/><br/> "Taylor's <i>Linear Perspective</i> consists of five sections, the first of which contains fundamental definitions and theorems. The second section treats a number of problems related to determining perspective images. The third and fourth sections take up problems of shadows and reflections in the picture plane, and finally, the fifth section presents some inverse problems of perspective. In <i>New Principles</i> Taylor added two more topics which appear as appendices. <br/><br/> "In the first appendix, Taylor dealt with the problem of finding the image of a line upon an irregular surface as a shadow. He had previously outlined the shadow procedure in a description of <i>Linear Perspective</i> he wrote for <i>Philosophical Transactions...</i><br/><br/> "Taylor's second appendix bears the heading "A New Theory for mixing colours taken from Sir Isaac Newton's Opticks". Here Taylor adapted Newton's model for explaining the mixing of light rays - later known as <i>Newton's colour circle</i> - to the mixing of colour pigments. Taylor's inclusion of this appendix manifests his wish to have the art of painting based on scientific principles. For drawing lines he presented a very advanced theory, partly of his own devising, and for mixing colours he applied the newest theory of light and colours" (Andersen, pp. 500-1). <br/><br/> Brook Taylor (1685-1731) was born in Edmonton, Middlesex. He entered St. John's College, Cambridge in 1701, graduated in law in 1709, was elected a Fellow of the Royal Society in 1712, and was appointed its Secretary in 1714. "From 1712 to 1724 he was a frequent contributor to <i>Philosophical Transactions</i>, submitting papers on mathematics and natural philosophy. In addition, he found time to practise music and to paint. According to his first biographer, his grandson William Young, Taylor was an accomplished landscape painter... It is very likely that Taylor's interest in classical geometry, combined with his painting activities, led him to study perspective" (ibid., pp. 494-6). <br/><br/> K. Andersen, The Geometry of an Art, 2007. For a very detailed analysis of both works, see Andersen's <i>Brook Taylor's Work on Linear Perspective. A Study of Taylor's Role in the History of Perspective Geometry, 1992.</i><br/><br/> Arnaud de Vitry 787.. Two works bound in one contemporary calf, 8vo (196 x 120 mm), pp. [iv], 42, [2, publisher's catalogue], with 18 engraved plates; pp. [xiv], 70, with 13 folding engraved plates. Contemporary calf, covers decorated in blind, hinges worn and capitals chipped, title page with some light marginal browning, but in all a very good and genuine copy

      [Bookseller: Sophia Rare Books]
 45.   Check availability:     Antikvariat     Link/Print  


        Gudz werk och hwila/ thet är hela werldenes undersamma skapelse/ uti sex dagar af then altzmäktige gud fullbordad: sampt then siunde dagens nödwendiga helgelse/ af samme alwise gud instiktad: efter månge lärde mäns anledning af christeligit ock wälmeent upsåt uti swenska rijm beskrefwen them til tiänst som gerna betrakta thet himmelska.

      Sthlm, N. Wankijf, 1685. Folio. (8),298,(18,2 blanka) s. Hfrbd från 1700-talets första hälft med upphöjda bind, sparsam oxiderad ryggdekor och stänkta snitt. Ryggen ngt blekt och med några små fuktfläckar. Pärmarna ställvis ytligt nötta och en del nagg på frampärmen. Titelbladet med en bortklippt namnteckning i nedre marginalen. En lagad reva i nedre marginalen på s. 19. Sporadiska småfläckar, t.ex. på s. 62 och 105-08 i övre yttre hörnet. Smärre fuktfläckar i övre marginalen på s. 143-45 och en reva i texten på s. 187. Med Anna Lisa Celsings namnteckning. Från Biby.. Collijn Sveriges bibliografi 1600-talet 870. Första upplagan av den 11000 verser långa lärodikten som trycktes om flera gånger under 1700-talet. Den har antika förebilder i Lucretius och Ovidius men även mer moderna som t.ex. Guillaume de Salluste du Bartas och i synnerhet dansken Anders Arrebo. Spegel, född i Skåne, var föga förvånande danskorienterad men tog ovanligt nog intryck också från engelskt kulturliv. "Gudz werk och hwila" har likheter med Miltons "Paradise lost" (1667), något som föranlett litteraturhistoriker att kalla "Gudz werk och hwila" den första influensen av Miltons epos på kontinentens litteratur. Samtidigt är verket lärdomshistoriskt intressant då det söker ge en bild av hela skapelsen, en skapelse som fortfarande var under upptäckt: "Jag skal likwäl rätt nu om andra saker röra/ så framt man tåleligt tekz blotta nampnen höra / om giraf, hwilket diur iag fuller intet kenner/ men andra säya thet uti Jamaica renner". Anna Elisabeth (Lisa) Celsing (1681-1761) var syster till Gustaf Celsing d.ä. Hon gifte sig 1709 med Johannes Albertus Lubomirski. Denne var polsk furste av Wiesnick och Jaroslaw, hade enligt egen uppgift varit katolsk missionär i Kina och vände sig 1708 till Karl XII med önskan att omvända sig till den lutherska läran. Han fick kunglig pension och dog i Sverige 1732 samt begravdes bland Celsingarna i Sollentuna kyrka

      [Bookseller: Mats Rehnström]
 46.   Check availability:     Antikvariat     Link/Print  


        De rebus seculi post Christum natum decimi sexti liber memorialis cum commentario.

      Strassburg, Georgii Andreae Dolhopffi, 1685. 8:o. (2),+ 96, 87-353 s. Samtida pergamentband. VD17 23:323596Q. Troligen första upplagan. Ett nytryck utkom i Kiel 1697. Postumt utgiven krönika om vad som skett år för år 1501-1601. Johann Heinrich Boeclerus (1611-72) var tysk historiker och från år 1637 professor i vältalighet i Strassburg. Som sådan introducerade han den unge Schefferus i studiet av klassikerna. Han kallades av drottning Kristina till den skytteanska professuren i Uppsala 1647 men avböjde, och rekommenderade istället Schefferus. 1649 kom han ändå till Sverige och Uppsala som professor i vältalighet och 1651 utnämndes han till rikshistoriograf. Samma år återvände han dock till Strassburg och till professorsstolen i historia

      [Bookseller: Centralantikvariatet]
 47.   Check availability:     Antikvariat     Link/Print  

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