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Displayed below are some selected recent viaLibri matches for books published in 1670
2016-11-10 12:02:07
SPINOZA, Benedictus.
Hamburgi (Amsterdam), Apud Henricum Kunrath (J. Riewerts). In-4 de (6) ff., 233 pp., (1) p. pour l’errata. Vélin rigide à recouvrement, titre calligraphié au dos. Reliure de l’époque. 200 X 163 mm. RARE EDITION ORIGINALE ET DEUXIEME EMISSION DU TRACTATUS DE SPINOZA « a crystal clear exposition of the theory of natural right » (PMM). Brunet, V, 492 ; Caillet, 10314 ; Bierens de Haan, 4433 ; Graesse, VI, 469 ; Steinschneider, M. Catalogus hebraeorum in Bibliotheca Bodleiana, 7262 ; PMM, 153. RARE FIRST EDITION, SECOND PRINTING. Exemplaire bien complet du « feuillet d’errata présent seulement dans quelques exemplaires » (Graesse) « The Tractatus was printed five times in the seventeenth century. The successive editions were labeled T.1 to T.5 by Fritz Bamberger. 4 of these were in quarto, T.3 was an octavo volume. The quarto editions are so similar in appearance that the differences between them went unnoticed until 1865, when Graesse pointed out their typographical distinctions. I here list some features that may be helpful in distinguishing the editions. T.1 page 104 is numbered 304; in T.2 page 42 is numbered as 24 Moreover, in T.4 and T.5 the name of the fictitious publisher is spelt “Kunrath”, whereas in T;1 and T.2 it appears as “Kunraht”. The Tractatus was highly controversial; although formally banned only in 1674, it was considered illegal from its publication and there were attempts to have it repressed from the very start. So the Amsterdam publisher, Jan Rieuwertsz, had to be careful. He did not reveal his identity on the title page and when there was a demand for r … [Click Below for Full Description]
Bookseller: Librairie Amélie Sourget [paris, France]
2016-11-10 12:02:07
SPINOZA, Benedictus.
Hamburgi (Amsterdam), Apud Henricum Kunrath (J. Riewerts). In-4 de (6) ff., 233 pp., (1) p. pour l’errata. Vélin rigide à recouvrement, titre calligraphié au dos. Reliure de l’époque. 200 X 163 mm. RARE EDITION ORIGINALE ET DEUXIEME EMISSION DU TRACTATUS DE SPINOZA « a crystal clear exposition of the theory of natural right » (PMM). Brunet, V, 492 ; Caillet, 10314 ; Bierens de Haan, 4433 ; Graesse, VI, 469 ; Steinschneider, M. Catalogus hebraeorum in Bibliotheca Bodleiana, 7262 ; PMM, 153. RARE FIRST EDITION, SECOND PRINTING. Exemplaire bien complet du « feuillet d’errata présent seulement dans quelques exemplaires » (Graesse) « The Tractatus was printed five times in the seventeenth century. The successive editions were labeled T.1 to T.5 by Fritz Bamberger. 4 of these were in quarto, T.3 was an octavo volume. The quarto editions are so similar in appearance that the differences between them went unnoticed until 1865, when Graesse pointed out their typographical distinctions. I here list some features that may be helpful in distinguishing the editions. T.1 page 104 is numbered 304; in T.2 page 42 is numbered as 24 Moreover, in T.4 and T.5 the name of the fictitious publisher is spelt “Kunrath”, whereas in T;1 and T.2 it appears as “Kunraht”. The Tractatus was highly controversial; although formally banned only in 1674, it was considered illegal from its publication and there were attempts to have it repressed from the very start. So the Amsterdam publisher, Jan Rieuwertsz, had to be careful. He did not reveal his identity on the title page and when there was a demand for r … [Click Below for Full Description]
Bookseller: Librairie Amélie Sourget [paris, France]
2016-11-10 12:02:07
SPINOZA, Benedictus.
Hamburgi (Amsterdam), Apud Henricum Kunrath (J. Riewerts). In-4 de (6) ff., 233 pp., (1) p. pour l’errata. Vélin rigide à recouvrement, titre calligraphié au dos. Reliure de l’époque. 200 X 163 mm. RARE EDITION ORIGINALE ET DEUXIEME EMISSION DU TRACTATUS DE SPINOZA « a crystal clear exposition of the theory of natural right » (PMM). Brunet, V, 492 ; Caillet, 10314 ; Bierens de Haan, 4433 ; Graesse, VI, 469 ; Steinschneider, M. Catalogus hebraeorum in Bibliotheca Bodleiana, 7262 ; PMM, 153. RARE FIRST EDITION, SECOND PRINTING. Exemplaire bien complet du « feuillet d’errata présent seulement dans quelques exemplaires » (Graesse) « The Tractatus was printed five times in the seventeenth century. The successive editions were labeled T.1 to T.5 by Fritz Bamberger. 4 of these were in quarto, T.3 was an octavo volume. The quarto editions are so similar in appearance that the differences between them went unnoticed until 1865, when Graesse pointed out their typographical distinctions. I here list some features that may be helpful in distinguishing the editions. T.1 page 104 is numbered 304; in T.2 page 42 is numbered as 24 Moreover, in T.4 and T.5 the name of the fictitious publisher is spelt “Kunrath”, whereas in T;1 and T.2 it appears as “Kunraht”. The Tractatus was highly controversial; although formally banned only in 1674, it was considered illegal from its publication and there were attempts to have it repressed from the very start. So the Amsterdam publisher, Jan Rieuwertsz, had to be careful. He did not reveal his identity on the title page and when there was a demand for r … [Click Below for Full Description]
Bookseller: Librairie Amélie Sourget [paris, France]
2016-11-09 23:36:58
[Raffael]. Bartoli, Pietro Santi.
1670. Oblong folio (440 x 280 mm, plate size: 250 x 110 mm). Engr., illustrated dedication and 14 engr. plates by P. S. Bartoli after Raffael. Marbled wrappers. The present series of engravings, "di prima bellaza ed una delle più belle opere di questo intagliatore" (Cicognara), is dedicated to the Neapolitan baroque painter Nicolo de Simone by the classicist and engraver Bartoli (1635-1700). Bartoli's published works, usually series of engravings with classical and contemporary motifs assembled by his publisher Rossi, were highly praised and much sought after (cf. AKL). - Very rare; international library catalogues record only a microfiche edition (Cicognara Library, Cambridge 1989; identical collation). - Fine, wide-margined copy; only the dedication leaf slightly finger-soiled and with small defect to edge. Small blind stamp "Calcographia CAR" on first f. (not in Lugt). OCLC 51079148. Cicognara 3600. Not in Kat. der Ornamentstichslg. Berlin. Not in Libreria Vinciana. For Bartoli cf. AKL VII, 1993, 258.
Bookseller: Antiquariat Inlibris
2016-11-09 20:17:51
ALQUIE', FRANCOIS-SAVINIEN D'
Amsterdam, Boom, 1670-1671, tre parti in un volume, in-16 (140 x 82 mm) pp. (10)-60-153 (ma 453)-320. Legatura coeva in piena pergamena con unghie, titolo manoscritto al dorso, antiporta figurata incisa in rame, impresa tipografica xilografica al frontespizio della seconda parte. Dedicatoria ai governanti della Repubblica di Venezia. Seconda edizione, contemporanea alla prima (edita da Francois Clousier di Parigi), di questo raro volume costituente una versione francese compendiata dell'opera di Giovan Battista Rostagno "Viaggi dell'illustrissimo, & eccellentissimo sign. marchese Ghiron Francesco Villa in Dalmatia, e Leuante....." (Torino, per Giovanni Sinibaldo, 1668); nella prefazione si afferma di aver ricevuto il manoscritto dell'opera originale dal Rostagno stesso. Il Marchese di Villa prese le armi contro i Turchi nel 1665, sostenendo per due anni l'estenuante assedio di Candia (la citta' cretese capitolo', dopo 21 anni di eroica resistenza all'assedio turco, il 6 settembre 1669) e mori', dopo il suo ritorno in Italia, nel 1670, dei postumi delle ferite ricevute in guerra. La presente biografia non copre l'intero arco della vita del condottiero, ma solamente il periodo corrente dal 1665 al 1668, relativo ai suoi viaggi in Levante. Brunet, V, 1222. Graesse, VI, 315. Cicogna, 947. Prima edizione completa dell'opera, in francese.
Bookseller: Libreria Naturalistica snc [Italy]
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2016-11-07 17:54:38
[Reliure aux armes] Olivier Patru
Paris, Sébastien Mabre-Cramoisy, 1670. In-4, [12]-741-[1]p. Edition originale collective de ces ouvres. Patru, avocat réputé, est connu pour être le premier avocat reçu à l'Académie Française. Reliure aux armes d'Antoine Ferrand (1603-1689), avocat du Roi, lieutenant particulier au Châtelet. (Référence : OHR, n°183, fer n°1). Il est fort probable que Patru et Ferrand se connaissaient de par leurs positions à l'époque. Reliure plein veau, dos à nerfs orné, armes frappées au centre des plats, tranches mouchetées. Un mors fendu, l'autre en partie, manques en tête et pied de dos et aux coins, brûlure (?) partielle en haut du plat arrière, rousseurs, mouillure claire en haut des pages caressant le texte et à droite sur une bonne partie de l'ouvrage. Petit travail de vers en marge intérieure. Belles marges. Edition originale rare de cet ouvrage, provenance peu commune.
Bookseller: Librairie Trois Plumes
2016-11-05 14:51:36
Francisci (von Finx), Erasmus.
1670. Folio. With title-page printed in red and black with the Endters' woodcut device, engraved architectural frontispiece, full-page engraved coat of arms of the dedicatee Johann Georg III (1647-1691), engraved dedication, and 50 engraved illustration plates (2 double-page and some with more than 1 illustration). Further with woodcut tailpieces, woodcut figural and decorated initials, and headpieces built up from cast fleurons. Contemporary vellum. First and only edition of a magnificently illustrated encyclopaedic survey of the cultures, traditions, manners and customs of non-European peoples, notably the Japanese and the Chinese. The work is not arranged geographically but divided into six books successively treating (natural) history, politics and warfare, religious ceremonies, arts and sciences, hunting, and funeral traditions. The plates include depictions of a Japanese crucifixion, a lady from Nagasaki, Chinese temples, Brazilian cannibals, Japanese wrestlers and musicians, Indians from Florida, several torture methods, a tower cemetery, etc. - Erasmus Francisci (or Finx) was a prolific polyhistor and is considered one of the most influential figures of the German Baroque period. The present work carries on from his 1668 Ost- und West-Indischer wie auch Sinesischer Lust- und Stats-Garten, which was also arranged by topics rather than regions. - In very good condition. Binding slightly soiled and with a chip at the head of the spine. Alt-Japan-Katalog 497; BLC STC German (17th cent.), F700; Cordier, Japonica, cols. 382-383; Lipperheide 476; Sabin 25462; VD17 3:307864 … [Click Below for Full Description]
Bookseller: Antiquariat Inlibris
2016-10-30 18:33:54
TASSO TORQUATO.
Appresso Niccolò Pezzana, 1670. Cm. 26, pp. (8) 400. Grande stemma inciso in rame al frontespizio. Legatura del tempo in mezza pergamena con punte e titoli ms. posteriormente su doppio tassello. Sguardie rifatte. Esemplare complessivamente ben conservato. Non comune edizione che presenta il testo originale della Gerusalemme liberata con la traduzione a fronte in dialetto bergamasco. Cfr. Raccolta Tassiana n. 709; Serassi. "Traduzione stimatissima".
Bookseller: Studio Bibliografico Benacense
2016-10-28 19:00:17
Japan - Montanus, Arnoldus,
Printed by Tho. Johnson for the Author and are to be had at his House in White Fryers, London 1670 - London, Printed by Tho. Johnson for the Author, and are to be had at his House in White Fryers 1670. Folio (42,5 x 28 cm). [4] Bl., 488 S. Mit gestochenem Frontispiz, je 1 gestochenen Kopfvignette und Initiale, 1 gefalteten Kupferstichkarte, 24 gefalteten Kupfertafeln und 70 Textkupfern. Brauner Ganzlederband mit Rückenvergoldung, die Deckel mit Doppelfileten in Goldprägung. Der schöne Einband etwas berieben. Frontispiz bis zur Einfassungslinie beschnitten und auf altes Papier montiert. Papier meist stark gebräunt, vor allem die Tafeln. Fleckig, teils stärker, wenige Bl. mit Tusch- bzw. Rostflecken (bei einem Blatt dadurch einige Buchstaben unlesbar). Einige Textkupfer im Abdruck etwas flau. Einige Blätter in den Rändern hinterlegt oder repariert, einige Falttafeln im Bug geplatzt. Die älteren Restaurierungen mit Büttenpapier, die jüngeren mit Japan. Älterer japanischer (Holzschnitt) und neuer deutscher Namensstempel. Cox I, 325- 26. Cordier Bib. Jap. 384-85. Kress S-1341. Landwehr VOC 524. Lach, Asia in the Making of Europe III, S. 1873-79. Laures 498. Walter 102 (Variante). Zahlreiche Paginierungsfehler, bei vorliegendem Exemplar kurioserweise zwei Textkupfer jeweils mit zwei anderen innerhalb des Drucks vertauscht (nach Abgleich mit dem Exemplar der Beinecke Library der Yale-University). Die Tafel mit der Ermordung des Kaisers nach S. 303 statt nach S. 100 gebunden. Erste englische Ausgabe. Wichtiges, reich illustriertes Quellenwerk, das auf Schilderungen von Seefahrern, … [Click Below for Full Description]
Bookseller: Antiquariat Peter Fritzen
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2016-10-28 16:52:25
Alquie, Francois-Savinien d'.
1670. 12mo. 3 parts in 1 vol. (10), 60, 153 (but: 453), 320 pp. Contemp. vellum. First complete French edition. The account of the siege of the fortress of Candia, Crete, based on the reports of Giovanni Battista Rostagno, secretary to Duke Charles Emmanuel II of Milan, was first published in Italian in 1668. The engraved title page depicts the siege of Candia. - Ownership of the Swedish nobleman Corfitz Christian count Beck-Friis (dated Stockholm, 1876); unobtrusive ownership stamp to title page. Last in the Ottoman collection of the Swiss industrialist Herry W. Schaefer (his ms. ownership to endpaper; dated Zuroch, 28 March 1992). Atabey 17. Cioranescu 7075. Weber II, 347. Cf. Willems 1844.
Bookseller: Antiquariat Inlibris
2016-10-25 09:30:27
MEURISSE R.P
Metz Jean Antoine 1670 In8 MEURISSE (R.P.) - Histoire de la naissance, du progrès et de la décadence de l'hérésie dans la ville de Metz et le pays messin par le R. P. Meurisse, docteur et professeur en théologie à Paris, Evêque de Madame & Suffragant de l'évêché de Metz dédiée à Monseigneur, l'Illustrissime et Révérendissime Archevêque d'Ambrun, Evêque de Metz - Metz, Jean-Antoine, 1670 - in4 plein veau d'époque dos à nerfs,in8, 574pp + table - Page de titre manuscrite - 2ème édition qui ne comporte donc pas le sonnet de la 1ère - Reliure frottée Mors fragiles - La Page de Titre est MANUSCRITE - Rare (Favier 6206/ Noël 1609). Satisfaisant
Bookseller: L'Encrivore
2016-10-24 15:06:17
Longhi, Gioseffo.
1670. 945 x 620 mm. Engraved view on 2 sheets joined, letterpress text pasted below (4 columns in Italian, 4 columns in Latin: "Descrittione del gran Cairo [...] Cairi quae olim Babylon") with publisher's imprints. Watermark Panzano. Unrecorded in the standard bibliographies and without counterpart in western libraries, this unique, large-scale view of Cairo reflects the economic and cultural effervescence of the second-largest city in the Empire: under Ottoman rule since 1517 and having expanded south and west from its nucleus around the Citadel, Cairo in the latter half of the 17th century was second only to Constantinople. The Ottoman influence may be discerned in people's clothing in the foreground as well as in the city's architecture. On the river Nile, the map depicts numerous trade boats and sailors. To the left are soldiers battling as part of a tournament; on the right are the Sphinx (wearing a necklace!) and the famous pyramids of Giza: those of Khufu, Khafre, and Menkaure, as well as the smaller pyramids. The centre of the city shows numerous mosques and gardens. The letterpress text pasted under the engraving provides mostly historical and geographical information (in Italian and Latin). - Longhi's panorama seems to draw various aspects from previous works to create its own original representation of the Egyptian city. Indeed, it bears some resemblance to Braun and Hogenberg's 1572 "Cairos, quae olim Babylon, Aegypti maxima urbs", published in their famous "Civitates orbis terrarum". There are also similarities with Donato Bertelli's "La gran città del Cairo" ( … [Click Below for Full Description]
Bookseller: Antiquariat Inlibris
2016-10-22 18:12:50
TODESCHI PIETRO.
1670 c.. Incisione in rame, 405x513. Rarissima carta non proveniente da atlante, che deriva direttamente dalla raffigurazione dell'impero turco eseguita da Blaeu, il cui nome è anche riportato entro un cartiglio a destra. Todeschi fu editore bolognese specializzato nella ristampa di carte olandesi; la sua produzione, proprio per il mercato limitato e una conseguente limitata produzione, risultano piuttosto rare. Buon esemplare marginoso, con qualche restauro e margine inferiore molto breve successivamente ampliato con carta antica.
Bookseller: Libreria Antiquaria Perini s.a.s.
2016-10-22 15:58:03
Pfeiffer, August.
1670. 4to. (32) pp. With many woodcut type specimens. Disbound. Only edition; one of several variant issues. - A congratulatory publication by the prolific Saxon oriental scholar August Pfeiffer (1640-98) who was said to know seventy languages. The present rare work is dedicated to the Duke of Saxony Johann Georg II on the occasion of his 15th anniversary as Elector. It contains 15 celebratory poems in the world's principal languages German, Latin, Greek, Hebrew (with Latin literal translation), Chaldaic (with Latin transliteration and literal translation), in the Jerusalem dialect, in Syriac (with Latin literal translation), Samaritan, Arabic, Ethiopian, Farsi, Ottoman Turkish, Coptic, Armenian, and Chinese (all with Latin transliteration and literal translation). The end is brought up by a "fusa vacui" (or stopgap), namely Psalm 103 in no less than 35 different languages (Hebrew, Chaldaic, Syriac, Arabic, Ethiopian, Samaritan, Farsi, Ottoman Turkish, Armenian, Coptic, Iberian, Greej, Latin, Italian, Sardinian, Spanish, Portuguese, French, German, Saxon, Dutch, Danish, Norwegian, Swedish, English, Scots, Irish Gaelic, Hungarian, Polish, Czech, Serbo-Croatian, Chinese, Nahuatl, Inuit, and Quechua. - Browned throughout due to paper; binding loosened; old ownership to t. p. and page numbers throughout, but trimmed rather closely. This copy was bound from a defective set of sheets: several leaves (3 and 4 in each gathering) show a hole through the middle of the page, resulting in loss of text to several poems (mainly affecting Chaldaic, Arabic, Turkish, and Coptic). VD 17, 12: … [Click Below for Full Description]
Bookseller: Antiquariat Inlibris
2016-10-21 20:11:55
Grimmelshausen, Hans Jacob Christoph v.
Nürnberg, Wolf Eberhard Felßecker, 1670. Erste Ausgabe der "antimachiavellistischen Staatsphilosophie auf der Basis biblischer Exempel" (Dünnhaupt), abgefasst in 6 "Discursen", wovon der letztere sich speziell an Leserinnen richtet. Grimmelshausen unterzieht vier biblische Gestalten einer religiös-theologisch fundierten Kritik. Jonathan, Saul, Joab und David werden, dem Grundsatz der "Zweiköpfigkeit", dem "Weiß und Schwarz" im 'Satyrischen Pilgram' folgend, als staatsmännisch handelnde Personen einander gegenübergestellt. Grimmelshausen preist, dem Zeitgeist folgend, das Gottvertrauen Davids als dauerndes Vorbild jeder Politik, gegenüber der sich die den "gottlosen Machiavellistischen Staatsregeln" folgende Handlungsweise Sauls als unwirksam erweist. "Das Werk wird im wesentlichen von einer Paraphrase der 1. Sam. 8-31 und 2. Sam. 3-24 berichteten Geschehnisse zusammen mit Zitaten aus Garzonis 'Piazza Universale' konstituiert . Die Anregung zur Abfassung der Schrift könnte die deutsche Übrsetzung von Malvezzis 'Davide perseguitato' (1638 und 1643) gegeben haben" (Weydt, 'Grimmelshausen', 1971, S. 104). Der 'Ratio Status' ist das zweite Werk Grimmelshausens, das offen unter dessen Namen veröffentlicht wurde. "The frontispice is undoubtedly designed by Grimmelshausen himself. This is the only Simplician work to which the author signed his real name" (Faber du Faur). Um so erstaunlicher ist, dass das Frontispiz weder in Scholtes Abhandlung 'Grimmelshausen und die Illustrationen seiner Werke' (1912) noch in seinem im selben Jahr erschienenen Werk 'Probleme der Grimmeslhausenfors … [Click Below for Full Description]
Bookseller: Antiquariat Wolfgang Braecklein [Berlin, Germany]
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2016-10-21 19:55:34
Roberts, A.
1670. Small 8vo. (8), 252 [but 254], (2) pp. (includes final leaf of ads). Contemporary calf, rebacked. First edition of this extraordinary account of an Englishman's capture by Barbary pirates and subsequent adventures as a slave in Algeria. The narrative is framed as an authentic journal of a deceased traveller, prepared for the press by a friend of the departed. Through this mechanism the reader is taken into a proto-novelistic fantasy, albeit one that must have been informed by genuine experience of Eastern travel. As a slave under numerous masters the author tricks his way variously into employment as the cook to the King of Algiers, is then demoted to Keeper of the King's Bath and secretly fathers a daughter with one of the King's wives. After an unsuccessful stint as a gardener's assistant he journeys in the service of an officer, collecting tribute money with the Algerian army and offers his services as an advisor to the Ottoman governor of Tlemcen. He recounts observations on the various peoples encountered and their customs and peculiarities, marvelling at flying serpents, lions and ostriches and skirmishing with an army of Arabs. Against a backdrop of mosques, minarets and palaces, the narrative is peppered with anecdotes of meetings with Barbary pirates, European renegados, and dalliances with alluring women of the Maghreb. - The author takes particular relish in recounting the details of his sexual adventures: "the women in this country keep much at home, but their minds and affections are more wandering abroad, because they are so recluse; whereas if they had … [Click Below for Full Description]
Bookseller: Antiquariat Inlibris
2016-10-19 19:41:15
SANSON d'ABBEVILLE (Nicolas).
Paris, Pierre Mariette, [1670]. 313 x 427 mm. Très belle carte de la Guadeloupe, gravée par Peyrounin. Tandis que la Basse Terre est très détaillée, seuls quelques noms figurent dans la Grande Terre, où il est écrit "Terre fort peu habitée des François". Les deux forts de la Basse Terre sont représentés : le Fort Saint-Pierre, construit en 1635, et le Fort Royal, situé à la pointe sud de l'île, érigé vers 1640 et renommé Fort Delgrès. Sont également mentionnés les logis du gouverneur, Charles Houël, et du sieur Trézel, qui créa la toute première sucrerie de la Guadeloupe. Au large de l'île, on peut voir les îles de la Désirade et de Marie Galante, ainsi que les îles de Houël, rebaptisées Terre de Haut et Terre de Bas. La carte est ornée d'une rose des vents. Reconnu comme le fondateur de la cartographie française, Nicolas Sanson quitta sa ville natale d'Abbeville pour Paris, où il rencontra Richelieu en 1627. Ce dernier, très impressionné par son oeuvre cartographique, le présenta au roi Louis XIII qui le nomma Géographe Ordinaire du Roi. Il fut le premier, en France, à concevoir un atlas mondial et publia près de trois cents cartes. Petites taches brunes, petite galerie de ver dans la marge supérieure. Contours aquarellés à l'époque. Pastoureau, Atlas du Monde, Nicolas Sanson d'Abbeville, 53.
Bookseller: Librairie Le Bail
2016-10-19 08:57:51
Borelli, Giovanni Alfonso
Domenico Antonio Ferro, 1670. Small 4° (193x145 mm). [12] (including half title), 162, [1] pp. With the final errata leaf. At the beginning one folding plate viewing Etna eruption of 1669, engraved by Doria. Woodcuts in text. Bound in old vellum, edges sprinkled in red. Pastedowns and endpapers renewed. An excellent copy, slightly toned and soiled the half title. A few, light spotting on scattered leaves, mostly marginal. The rare first edition of the most significant 17th-century study of volcanology, with a fine plate depicting the great 1669 eruption. The work was written by Borelli during his stay in Messina, in behalf of the FlorentineAccademia del Cimento and of the secretary of the London Royal Society, Henry Oldenburg. The treatise offers not only a narrative description of the Etna eruption, but also systematic observations on the morphology of volcanoes, the nature and the causes of volcanic eruptivity, the generation and the structure of lava, disagreeding with the theories developed by Athanasius Kircher in the Mundus Subterraneus, and benefiting from the publication in 1669 of Steno?s De solido intro solidum (see item E). ?Borelli presented his own highly sophisticated understanding of a volcanic eruption as a geographical phenomenon which could be studied physically, chemically, and mathematically. His account of Etna?s most recent eruption explicitly critiqued a central argumeny put forth by the Jesuit Kircher in the Subterranean World. Using evidence from Etna?s lava flow and chancing morphology, Borelli negated the idea of eternal mountains and perpetual su … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Pregliasco
2016-10-18 21:43:02
SANSON d'ABBEVILLE (Nicolas).
Paris, Pierre Mariette, [1670]. 320 x 430 mm. Très belle carte de la Martinique gravée par Peyrounin, figurant le partage physique et ethnique de l'île intervenu en 1639 entre les Français et le peuple caraïbe : l'ouest de l'île est nommé Demeure des François, l'est la Cabesterre ou Demeure des sauvages. La carte porte de nombreuses indications : la Montagne Pellée, les bâtiments des pères jésuites, la maison de Jacques Dyel du Parquet, gouverneur de l'île de 1636 à 1646, puis de 1653 à 1658, le Carbet, lieu ou les Caraïbes font leurs assemblées. A l'emplacement de l'actuelle Case-Pilote figure l'église Nostre Dame. L'actuel îlet Saint-Aubin porte le nom d'îlet de Caerman, tandis que l'îlet Loup Garou s'appelle l'île aux Loups Marins. Tache d'encre dans le coin supérieur gauche, sinon bel exemplaire aquarellé à l'époque. Pastoureau, p. 416, cite un ensemble de cartes, dont celle-ci, publiées dans un atlas de Sanson d'Abbeville.
Bookseller: Librairie Le Bail
2016-10-18 21:43:02
SANSON d'ABBEVILLE (Nicolas).
Bookseller: Librairie Le Bail [France, Paris]
2016-10-17 15:39:42
Polibio
ex officina Johannis Janssonii à Waesberge & Johannis van Someren, 1670. 130x205mm 3 voll Testo latino e greco. Primo volume corredato di doppio frontespizio interamente inciso
Bookseller: Libreria Antiquaria Giulio Cesare
2016-10-16 18:54:20
Domenico Maria BONAVERI (Bologna 1653 - 1731)
1670. Bulino, circa 1670, monogrammato in lastra in basso. Da un soggetto di Tiziano. Bellissima prova, impressa su carta vergata coeva, con sottili margini, leggere abrasioni nel margine superiore, per il resto in buono stato di conservazione. La stampa fa parte dell'opera Notomie di Tiziano dedicate all'Ill.mo Sig. Francesco Ghislieri, edita a Bologna tra il 1670 ed il 1680. Il frontespizio contiene il ritratto di Tiziano tra le foglie di alloro, il leone di San Marco, un drappo contenente la dedica. Seguono 17 incisioni anatomiche, 3 dello scheletro e 14 dei muscoli. Quattordici delle tavole sono tratte dal De humani corporis fabrica del Vesalio e le altre dalle Tabulae anatomicae VI, pure del Vesalio. Queste ultime in realtà non furono in realtà disegnate da Tiziano, bensì da Jan van Calcar, mentre per il primo gruppo la paternità è dubbia e controversa. Rara. Engraving, circa 1670, monogrammed in plate below. AfterTitian. Beautiful impressions, printed on contemporary laid paper, with thin margins, light abrasions in the top, otherwise in good condition. These works are part of Notomie di Tiziano dedicate all'Ill.mo Sig. Francesco Ghislieri published in Bologna between 1670 and 1680. The title page contains the portrait of Titian between the bay leaves, the lion of St. Mark, a cloth containing the dedication. Here are 17 anatomical engravings. Fourteen of the plates are taken from De humani corporis fabrica of Vesalius and the other from Tabulae anatomicae VI, also of Vesalius. These in fact were not actually designed by Titian, but by Jan van Calcar, while the first g … [Click Below for Full Description]
Bookseller: Libreria Antiquarius
2016-10-16 18:54:20
Domenico Maria BONAVERI (Bologna 1653 - 1731)
1670. Bulino, circa 1670, monogrammato in lastra in basso. Da un soggetto di Tiziano. Bellissima prova, impressa su carta vergata coeva, con sottili margini, leggere abrasioni nel margine superiore, per il resto in buono stato di conservazione. La stampa fa parte dell'opera Notomie di Tiziano dedicate all'Ill.mo Sig. Francesco Ghislieri, edita a Bologna tra il 1670 ed il 1680. Il frontespizio contiene il ritratto di Tiziano tra le foglie di alloro, il leone di San Marco, un drappo contenente la dedica. Seguono 17 incisioni anatomiche, 3 dello scheletro e 14 dei muscoli. Quattordici delle tavole sono tratte dal De humani corporis fabrica del Vesalio e le altre dalle Tabulae anatomicae VI, pure del Vesalio. Queste ultime in realtà non furono in realtà disegnate da Tiziano, bensì da Jan van Calcar, mentre per il primo gruppo la paternità è dubbia e controversa. Rara. Engraving, circa 1670, monogrammed in plate below. AfterTitian. Beautiful impressions, printed on contemporary laid paper, with thin margins, light abrasions in the top, otherwise in good condition. These works are part of Notomie di Tiziano dedicate all'Ill.mo Sig. Francesco Ghislieri published in Bologna between 1670 and 1680. The title page contains the portrait of Titian between the bay leaves, the lion of St. Mark, a cloth containing the dedication. Here are 17 anatomical engravings. Fourteen of the plates are taken from De humani corporis fabrica of Vesalius and the other from Tabulae anatomicae VI, also of Vesalius. These in fact were not actually designed by Titian, but by Jan van Calcar, while the first g … [Click Below for Full Description]
Bookseller: Libreria Antiquarius
2016-10-10 11:31:21
TURNER, SIR JAMES.:
London, printed by M(argaret) W(hite) for Richard Chiswell, 1683, 1670. FIRST EDITION 1683, folio, 295 x 180 mm, 11¾ x 7½ inches, engraved portrait frontispiece by Robert White, title page printed in red and black, decorative wood - cut headpieces and initials, pages: [20], 372, lacking final advertisement leaf, bound in modern full panelled speckled calf with blind decoration to covers, gilt raised bands to spine, richly gilt in compartments, gilt lettered red morocco label, edges speckled red, new endpapers. Upper margins slightly trimmed at some time, no loss to printed area, faintest browning to title page offset from portrait, tiny hole in margin of P1, no loss of notes, a few pages lightly age - browned, 2 very small neat old repairs to fore - edge of Xx1. A very good clean sturdy copy in a handsome modern binding, lacking 1 advert leaf as noted. The first 2 books are concerned with the art of war of the Greeks and Romans, page 157 onwards is devoted to the modern arts of war. Sir James Turner (1615 - 1689) graduated master of arts from Glasgow University in 1631 and then embraced an army career, serving and fighting in many European countries. He became a Royalist, putting his Covenanter past behind him and in 1648 fought for the King and later served Charles II when in 1651 at Worcester he was captured. He was knighted after the Restoration but after a shameful incident in Scotland in 1668 he was deprived of his commission. In retirement he devoted himself to his writing. (ODNB). MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE … [Click Below for Full Description]
Bookseller: Roger Middleton P.B.F.A.
2016-10-08 14:16:58
(Sturlasson, Snorre)
Tryckt på Wijsingzborg, Johan Kankel, 1670. Folio. (10) + 110 + 529 (eg. 522) + (9) s. Helsides tresnitt. 1700-talls skinnbd. med rik ryggdekor i gull. Brunplettet. s. 522 feilpaginert (som 529). Inneholder den første trykte svenske oversettelsen av Heimskringla, oversatt og utgitt av Jonas Rugman. Med et forord av D. Gyldenstålpe og med en innledning av Hugo Grotius (s. 1-110).18th century half calf. Spine richly gilt. Marbled boards. 1 full-page woodcut. Browned. Some marginal waterstaining. Contains the first Swedish translation of Heimskringla, translated and edited by Jonas Rugman. With a preface by D. Gyldenstålpe and a long introduction by Hugo Grotius (pp. 1-110).
Bookseller: Ruuds Antikvariat
2016-10-03 14:48:06
DAL BOSCO Francesco
1670. in - 16, pp. (26) di frontespizio, intenzione dell'autore e indici, 366, (2) di imprimatur. Legatura coeva in p. pelle, titoli e fregi in oro al dorso, tagli spruzzati. Quarta edizione (la prima a Venezia, 1664) di opera dedicata alla farmaceutica e alla medicina pratica che fu ancora stampata in varie edizioni fino agli inizi del '700. Prontuario medico che ha la particolarità di essere stato compilato da un infermiere, in base all'osservazione diretta di mali, cure e condizioni dei pazienti, e che è diretto proprio all'educazione di altri infermieri. L'opera, che elenca casi anche estremamente curiosi, si conclude con un ''Antidotario'', ovvero una raccola di rimedi di farmacopea. Esemplare discreto, due carte slegate, margini sup. rifilati, bruniture della carta.
Bookseller: Libreria Antiquaria Pregliasco
2016-10-02 20:37:02
Ottoman Qur'anic calligraphy
1670. 591 p. of Naskhi script by a Bosnian Ottoman calligrapher, Abdurrahman el Bosnawi (Bosnavi), in Cairo 1080 AH. (1670 AD.). Full page endowment (Waqf) by Prince (Emir) Eyyub Bey el Kabir, the follower of Muhammad Bey abu al Thahab, to the Sultan Ahmed Mosque in the village of Abaza located in the castle of Sukhumi (now the capital of Abkhazia). All pages ruled in gold, illuminated openning two pages, Sura headings in red Thluth script, golden dots between verses (Aya).Replaced in Mamluk full leather binding with flap decorated and gilded. The script is fine Naskh developed from the style of Hamdullah Amasi school. The calligrapher was a Bosnian who known by his fine script according to Mustakim Zade in Tuhfe-i Hattatin (Calligrapher's masterpiece). 26 x 18 cm.
Bookseller: Archive [SAU]
Check availability:
2016-09-29 19:24:49
POLYBIUS
1670 - Historiarum libri qui supersunt. Interpete Isaaco Casaubono. Iacobus Gronovius recensuit, ac utriusque Casauboni, Ful. Ursini, Henr. Valesii, Iac. Palmerii & suas notas adjecit. Accedit Aeneae vetustissimi Tactici, Commentarius de toleranda obsidione, cum interpretatione ac notis Isaaci Casauboni. T. 1 - 3. Amstelodami 1670. Officina Johannis Janssonii aÌ€ Waesberge, & Johannis van Someren. (20 x 12 cm), k. [7], s. 77, [2], 908; k. [4], s. 909 - 1816; k. [1], s. 462, 2 frontispisy w miedziorycie, winiety w drzeworycie, opr. perg. z epoki. PieczÄ™cie, otarcia i niew. zabrudzenia opraw. Na okÅ‚adkach wszystkich 3-ech wol. tÅ‚oczone i zlocone superexlibrisy ksiÄ™cia d'Arenberg Charles'a Marie Raymonda (1721-1778), austriackiego feldmarszaÅ‚ka. Tekst dwuszpaltowo w jÄ™zyku Å‚aciÅ„skim i greckim. TreÅ›ciÄ… frontispisów sÄ… sceny bitewne legionów rzymskich (w tym bitwa morska). Polibiusz (ca 200-ca 120 p.n.e.) - grecki historyk z Megalopolis, kronikarz imperium rzymskiego. DzieÅ‚o zawiera "Dzieje Rzymu" (dotyczÄ… lat 264-146 p.n.e.), rodzaj historii powszechnej, które miaÅ‚y 40 tomów, jednak do naszych czasów zachowaÅ‚y siÄ™ tylko ksiÄ™gi 1-5 i obszerne fragmenty pozostaÅ‚ych. To wydanie w opracowaniu Casaubona, Ursinusa, Valesiusa i Gronoviusa. THERE ARE STAMPS. [Attributes: Hard Cover]
Bookseller: Antykwariat Wójtowicz
2016-09-29 13:40:19
[NICOLE, Pierre - PASCAL, Blaise]
Couverture rigide A Paris, chez la veuve Charles Savreux, 1670. In-12, reliure plein veau de l'époque, dos à 5 nerfs orné de caissons et de filets dorés, pièce de titre rouge, roulettes dorées sur les coupes, épidermures sur les plats, petit manque de cuir à la charnière inférieure du premier plat, 2 petits manques au bas du second plat, coins légèrement émoussés. 13 feuillets non chiffrés, 426 pages, 1 feuillet blanc. Edition originale de cet ouvrage, qui contient, outre les préceptes de Pierre Nicole, l'édition originale de 3 discours de Blaise Pascal sur la condition des grands. Ex-libris collé sur le premier contreplat. Très bon état intérieur, très frais. Bel exemplaire. Edition originale Bon
Bookseller: Librairie Girard-Talec
2016-09-28 12:40:57
Abraham ROGERIUS
First edition of the French translation of Thomas Crane (the original was published in Dutch in 1651 and a German edition was printed in 1663), illustrated with a magisterial title frontispiece showing a dance ceremony on fire, three prints full screen and two mid-page (included in paging) and a folding plate consists of ten figures; these boards were made by Roger from his observations. Another edition was published the same year as The Theatre of idolatrerie, or The Open Door to reach the knowledge of the hidden paganism; the text is exactly the same.Binding slightly later (probably XVIII) "cartonnage" speckled vellum way back with five nerves with two old handwritten labels library. Headdresses bowed slightly, the slightly slotted head and a little lack in upper flat tail joints. Tt slip connected after Tt 2 and Tt 3 Tt 4 before.A label "of Mr. January Flainville firm" and the bookplate of the Library of Baron de Caix St. Aymour glued on the first contreplat. dated 1767 handwritten notes regarding the purchase of the book on the back of the first guard.rare and curious work on religious ceremonies and traditional witchcraft India, its author, "Protestant pastor, was embarked in 1640 for the East Indies, and remained tied almost six years as minister of the Gospel to the Dutch factorie of Palivent, on the Coromandel coast. He took advantage of his stay in this country so little known, to ascertain the purpose of the Hindus, and having had the pleasure of bonding with some Brahmins, he obtained valuable information on their belief and worship "(Caillet, Manuel bibliographi … [Click Below for Full Description]
Bookseller: Librairie Le Feu Follet [France]
2016-09-28 06:48:30
Pfeiffer, August.
Wittenberg, Elias Fiebig for the heirs of Hiob Wilhelm Fincelius, 1670. 4to. (32) pp. With many woodcut type specimens. Disbound. Only edition; one of several variant issues. - A congratulatory publication by the prolific Saxon oriental scholar August Pfeiffer (1640-98) who was said to know seventy languages. The present rare work is dedicated to the Duke of Saxony Johann Georg II on the occasion of his 15th anniversary as Elector. It contains 15 celebratory poems in the world's principal languages German, Latin, Greek, Hebrew (with Latin literal translation), Chaldaic (with Latin transliteration and literal translation), in the Jerusalem dialect, in Syriac (with Latin literal translation), Samaritan, Arabic, Ethiopian, Farsi, Ottoman Turkish, Coptic, Armenian, and Chinese (all with Latin transliteration and literal translation). The end is brought up by a "fusa vacui" (or stopgap), namely Psalm 103 in no less than 35 different languages (Hebrew, Chaldaic, Syriac, Arabic, Ethiopian, Samaritan, Farsi, Ottoman Turkish, Armenian, Coptic, Iberian, Greej, Latin, Italian, Sardinian, Spanish, Portuguese, French, German, Saxon, Dutch, Danish, Norwegian, Swedish, English, Scots, Irish Gaelic, Hungarian, Polish, Czech, Serbo-Croatian, Chinese, Nahuatl, Inuit, and Quechua. - Browned throughout due to paper; binding loosened; old ownership to t. p. and page numbers throughout, but trimmed rather closely. This copy was bound from a defective set of sheets: several leaves (3 and 4 in each gathering) show a hole through the middle of the page, resulting in loss of text to several poems (m … [Click Below for Full Description]
Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH [Vienna, A, Austria]
2016-09-28 06:48:30
Pfeiffer, August
Wittenberg, Elias Fiebig for the heirs of Hiob Wilhelm Fincelius, 1670. 4to. (32) pp. With many woodcut type specimens. Disbound. Only edition; one of several variant issues. - A congratulatory publication by the prolific Saxon oriental scholar August Pfeiffer (1640-98) who was said to know seventy languages. The present rare work is dedicated to the Duke of Saxony Johann Georg II on the occasion of his 15th anniversary as Elector. It contains 15 celebratory poems in the world's principal languages German, Latin, Greek, Hebrew (with Latin literal translation), Chaldaic (with Latin transliteration and literal translation), in the Jerusalem dialect, in Syriac (with Latin literal translation), Samaritan, Arabic, Ethiopian, Farsi, Ottoman Turkish, Coptic, Armenian, and Chinese (all with Latin transliteration and literal translation). The end is brought up by a "fusa vacui" (or stopgap), namely Psalm 103 in no less than 35 different languages (Hebrew, Chaldaic, Syriac, Arabic, Ethiopian, Samaritan, Farsi, Ottoman Turkish, Armenian, Coptic, Iberian, Greej, Latin, Italian, Sardinian, Spanish, Portuguese, French, German, Saxon, Dutch, Danish, Norwegian, Swedish, English, Scots, Irish Gaelic, Hungarian, Polish, Czech, Serbo-Croatian, Chinese, Nahuatl, Inuit, and Quechua. - Browned throughout due to paper; binding loosened; old ownership to t. p. and page numbers throughout, but trimmed rather closely. This copy was bound from a defective set of sheets: several leaves (3 and 4 in each gathering) show a hole through the middle of the page, resulting in loss of text to several poems (m … [Click Below for Full Description]
Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH [Austria]
2016-09-27 13:59:52
Joachim von SANDRART (Francoforte 1606 - Norimberga 1688)
1670. Veduta della città, da un soggetto di Giovanni Battista Falda che fu il primo a raffigurare i giochi e i "teatri" delle acque di Roma. Le tavole sono in controparte rispetto alle vedute del Falda; il Sandrart si avvalse dei suoi collaboratori Hans Ulrich Frank, Johannes Meyer e Suzanne Marie von Sandrart che le riprodussero accompagnandole con didascalie bilingui in tedesco e latino. Incisione in rame, in eccellente stato di conservazione. A nice view inspired to Giovanni Battista Falda's works, the first to depict the fountains and the water "theatre" in Rome. The plates are the counterparts of Falda's ones; in his job, Sandrart was helped by Hans Ulrich Frank, Johannes Meyer and Suzanne Marie von Sandrart, who reproduced the plates adding also bilingual captions, in Latin and German. Engraving, in excellent condition. Norimberga Nurnberg 372 285
Bookseller: Libreria Antiquarius
2016-09-27 13:59:52
Joachim von SANDRART (Francoforte 1606 - Norimberga 1688)
1670. Veduta della città, da un soggetto di Giovanni Battista Falda che fu il primo a raffigurare i giochi e i "teatri" delle acque di Roma. Le tavole sono in controparte rispetto alle vedute del Falda; il Sandrart si avvalse dei suoi collaboratori Hans Ulrich Frank, Johannes Meyer e Suzanne Marie von Sandrart che le riprodussero accompagnandole con didascalie bilingui in tedesco e latino. Incisione in rame, in eccellente stato di conservazione. A nice view inspired to Giovanni Battista Falda's works, the first to depict the fountains and the water "theatre" in Rome. The plates are the counterparts of Falda's ones; in his job, Sandrart was helped by Hans Ulrich Frank, Johannes Meyer and Suzanne Marie von Sandrart, who reproduced the plates adding also bilingual captions, in Latin and German. Engraving, in excellent condition. Norimberga Nurnberg 435 245
Bookseller: Libreria Antiquarius
2016-09-27 13:59:52
Joachim von SANDRART (Francoforte 1606 - Norimberga 1688)
1670. Veduta della città, da un soggetto di Giovanni Battista Falda che fu il primo a raffigurare i giochi e i "teatri" delle acque di Roma. Le tavole sono in controparte rispetto alle vedute del Falda; il Sandrart si avvalse dei suoi collaboratori Hans Ulrich Frank, Johannes Meyer e Suzanne Marie von Sandrart che le riprodussero accompagnandole con didascalie bilingui in tedesco e latino. Incisione in rame, in eccellente stato di conservazione. A nice view inspired to Giovanni Battista Falda's works, the first to depict the fountains and the water "theatre" in Rome. The plates are the counterparts of Falda's ones; in his job, Sandrart was helped by Hans Ulrich Frank, Johannes Meyer and Suzanne Marie von Sandrart, who reproduced the plates adding also bilingual captions, in Latin and German. Engraving, in excellent condition. Norimberga Nurnberg 390 275
Bookseller: Libreria Antiquarius
2016-09-27 13:59:52
Joachim von SANDRART (Francoforte 1606 - Norimberga 1688)
1670. Veduta della città, da un soggetto di Giovanni Battista Falda che fu il primo a raffigurare i giochi e i "teatri" delle acque di Roma. Le tavole sono in controparte rispetto alle vedute del Falda; il Sandrart si avvalse dei suoi collaboratori Hans Ulrich Frank, Johannes Meyer e Suzanne Marie von Sandrart che le riprodussero accompagnandole con didascalie bilingui in tedesco e latino. Incisione in rame, in eccellente stato di conservazione. A nice view inspired to Giovanni Battista Falda's works, the first to depict the fountains and the water "theatre" in Rome. The plates are the counterparts of Falda's ones; in his job, Sandrart was helped by Hans Ulrich Frank, Johannes Meyer and Suzanne Marie von Sandrart, who reproduced the plates adding also bilingual captions, in Latin and German. Engraving, in excellent condition. Norimberga Nurnberg 425 310
Bookseller: Libreria Antiquarius
2016-09-27 13:59:52
Joachim von SANDRART (Francoforte 1606 - Norimberga 1688)
1670. Veduta della città, da un soggetto di Giovanni Battista Falda che fu il primo a raffigurare i giochi e i "teatri" delle acque di Roma. Le tavole sono in controparte rispetto alle vedute del Falda; il Sandrart si avvalse dei suoi collaboratori Hans Ulrich Frank, Johannes Meyer e Suzanne Marie von Sandrart che le riprodussero accompagnandole con didascalie bilingui in tedesco e latino. Incisione in rame, in eccellente stato di conservazione. A nice view inspired to Giovanni Battista Falda's works, the first to depict the fountains and the water "theatre" in Rome. The plates are the counterparts of Falda's ones; in his job, Sandrart was helped by Hans Ulrich Frank, Johannes Meyer and Suzanne Marie von Sandrart, who reproduced the plates adding also bilingual captions, in Latin and German. Engraving, in excellent condition. Norimberga Nurnberg 420 265
Bookseller: Libreria Antiquarius
2016-09-27 13:59:52
Joachim von SANDRART (Francoforte 1606 - Norimberga 1688)
1670. Veduta della città, da un soggetto di Giovanni Battista Falda che fu il primo a raffigurare i giochi e i "teatri" delle acque di Roma. Le tavole sono in controparte rispetto alle vedute del Falda; il Sandrart si avvalse dei suoi collaboratori Hans Ulrich Frank, Johannes Meyer e Suzanne Marie von Sandrart che le riprodussero accompagnandole con didascalie bilingui in tedesco e latino. Incisione in rame, in eccellente stato di conservazione. A nice view inspired to Giovanni Battista Falda's works, the first to depict the fountains and the water "theatre" in Rome. The plates are the counterparts of Falda's ones; in his job, Sandrart was helped by Hans Ulrich Frank, Johannes Meyer and Suzanne Marie von Sandrart, who reproduced the plates adding also bilingual captions, in Latin and German. Engraving, in excellent condition. Norimberga Nurnberg 390 305
Bookseller: Libreria Antiquarius
2016-09-27 13:59:52
Joachim von SANDRART (Francoforte 1606 - Norimberga 1688)
1670. Veduta della città, da un soggetto di Giovanni Battista Falda che fu il primo a raffigurare i giochi e i "teatri" delle acque di Roma. Le tavole sono in controparte rispetto alle vedute del Falda; il Sandrart si avvalse dei suoi collaboratori Hans Ulrich Frank, Johannes Meyer e Suzanne Marie von Sandrart che le riprodussero accompagnandole con didascalie bilingui in tedesco e latino. Incisione in rame, in eccellente stato di conservazione. A nice view inspired to Giovanni Battista Falda's works, the first to depict the fountains and the water "theatre" in Rome. The plates are the counterparts of Falda's ones; in his job, Sandrart was helped by Hans Ulrich Frank, Johannes Meyer and Suzanne Marie von Sandrart, who reproduced the plates adding also bilingual captions, in Latin and German. Engraving, in excellent condition. Norimberga Nurnberg 435 245
Bookseller: Libreria Antiquarius
2016-09-27 13:59:52
Joachim von SANDRART (Francoforte 1606 - Norimberga 1688)
1670. Veduta della città, da un soggetto di Giovanni Battista Falda che fu il primo a raffigurare i giochi e i "teatri" delle acque di Roma. Le tavole sono in controparte rispetto alle vedute del Falda; il Sandrart si avvalse dei suoi collaboratori Hans Ulrich Frank, Johannes Meyer e Suzanne Marie von Sandrart che le riprodussero accompagnandole con didascalie bilingui in tedesco e latino. Incisione in rame, in eccellente stato di conservazione. A nice view inspired to Giovanni Battista Falda's works, the first to depict the fountains and the water "theatre" in Rome. The plates are the counterparts of Falda's ones; in his job, Sandrart was helped by Hans Ulrich Frank, Johannes Meyer and Suzanne Marie von Sandrart, who reproduced the plates adding also bilingual captions, in Latin and German. Engraving, in excellent condition. Norimberga Nurnberg 405 240
Bookseller: Libreria Antiquarius
2016-09-27 13:59:52
Joachim von SANDRART (Francoforte 1606 - Norimberga 1688)
1670. Veduta della città, da un soggetto di Giovanni Battista Falda che fu il primo a raffigurare i giochi e i "teatri" delle acque di Roma. Le tavole sono in controparte rispetto alle vedute del Falda; il Sandrart si avvalse dei suoi collaboratori Hans Ulrich Frank, Johannes Meyer e Suzanne Marie von Sandrart che le riprodussero accompagnandole con didascalie bilingui in tedesco e latino. Incisione in rame, in eccellente stato di conservazione. A nice view inspired to Giovanni Battista Falda's works, the first to depict the fountains and the water "theatre" in Rome. The plates are the counterparts of Falda's ones; in his job, Sandrart was helped by Hans Ulrich Frank, Johannes Meyer and Suzanne Marie von Sandrart, who reproduced the plates adding also bilingual captions, in Latin and German. Engraving, in excellent condition. Norimberga Nurnberg 410 240
Bookseller: Libreria Antiquarius
2016-09-27 13:59:52
Joachim von SANDRART (Francoforte 1606 - Norimberga 1688)
1670. Veduta della città, da un soggetto di Giovanni Battista Falda che fu il primo a raffigurare i giochi e i "teatri" delle acque di Roma. Le tavole sono in controparte rispetto alle vedute del Falda; il Sandrart si avvalse dei suoi collaboratori Hans Ulrich Frank, Johannes Meyer e Suzanne Marie von Sandrart che le riprodussero accompagnandole con didascalie bilingui in tedesco e latino. Incisione in rame, in eccellente stato di conservazione. A nice view inspired to Giovanni Battista Falda's works, the first to depict the fountains and the water "theatre" in Rome. The plates are the counterparts of Falda's ones; in his job, Sandrart was helped by Hans Ulrich Frank, Johannes Meyer and Suzanne Marie von Sandrart, who reproduced the plates adding also bilingual captions, in Latin and German. Engraving, in excellent condition. Norimberga Nurnberg 430 240
Bookseller: Libreria Antiquarius
2016-09-27 13:59:52
Joachim von SANDRART (Francoforte 1606 - Norimberga 1688)
1670. Veduta della città, da un soggetto di Giovanni Battista Falda che fu il primo a raffigurare i giochi e i "teatri" delle acque di Roma. Le tavole sono in controparte rispetto alle vedute del Falda; il Sandrart si avvalse dei suoi collaboratori Hans Ulrich Frank, Johannes Meyer e Suzanne Marie von Sandrart che le riprodussero accompagnandole con didascalie bilingui in tedesco e latino. Incisione in rame, in eccellente stato di conservazione. A nice view inspired to Giovanni Battista Falda's works, the first to depict the fountains and the water "theatre" in Rome. The plates are the counterparts of Falda's ones; in his job, Sandrart was helped by Hans Ulrich Frank, Johannes Meyer and Suzanne Marie von Sandrart, who reproduced the plates adding also bilingual captions, in Latin and German. Engraving, in excellent condition. Norimberga Nurnberg 445 280
Bookseller: Libreria Antiquarius
2016-09-27 13:59:52
Joachim von SANDRART (Francoforte 1606 - Norimberga 1688)
1670. Veduta della città, da un soggetto di Giovanni Battista Falda che fu il primo a raffigurare i giochi e i "teatri" delle acque di Roma. Le tavole sono in controparte rispetto alle vedute del Falda; il Sandrart si avvalse dei suoi collaboratori Hans Ulrich Frank, Johannes Meyer e Suzanne Marie von Sandrart che le riprodussero accompagnandole con didascalie bilingui in tedesco e latino. Incisione in rame, in eccellente stato di conservazione. A nice view inspired to Giovanni Battista Falda's works, the first to depict the fountains and the water "theatre" in Rome. The plates are the counterparts of Falda's ones; in his job, Sandrart was helped by Hans Ulrich Frank, Johannes Meyer and Suzanne Marie von Sandrart, who reproduced the plates adding also bilingual captions, in Latin and German. Engraving, in excellent condition. Norimberga Nurnberg 430 240
Bookseller: Libreria Antiquarius
2016-09-25 20:32:06
RECUEIL DE FABULISTES. Madame de Villedieu - Desmay - Dreux du Radier - d'Ardenne.
In 12, demi veau blond, dos lisse orné de fleurons dorés, pièce de titre en maroquin bleue,tranches jaunes, légères mouillures claires sur une centaine de feuilles. Ex-libris Charles Henneguier. Bel exemplaire élégamment relié au 19e siècle.Le recueil se décompose comme suit : - MADAME DE VILLEDIEU. Fables ou histoires allégoriques dédiées au Roy. A Paris, chez Claude Barbin, 1670. (6) ff. et 104 pp. E.O. - DESMAY M.L.S. L'Esope du temps. Fables nouvelles avec des figures de taille-douce (14 gravures signées Hubert). A Paris, chez la veuve François Clousier & Pierre Bienfait, libraire dans la cour du palais, 1677. (4) ff., 108 pp. et (1) f. table. E.O. L'ésope françois. Fables nouvelles, avec des figures de tailles douces (14 gravures signées Hubert), chez la veuve François Clousier & Pierre Bienfait, 1678. (3) ff., 134 pp., (1) f. table. E.O. - DREUX DU RADIER. Fables nouvelles et autres pièces en vers, avec un examen critique des principaux fabulistes anciens et modernes. A Paris, chez F.G. Merigot, 1744. XXVI et 101 pp., (2) ff. E.O - ESPRIT- JEAN DE ROME D'ARDENNE, associé à l'académie des belles lettres de Marseille. Recueil de fables nouvelles précédées d'un discours sur ce genre de poèsie. A Paris, chez Ph. N. Lottin & J. H. Butard, 1747. VIII et 184 pp. E.O Les fables de Marie Catherine Hortense desjardins (1640-1683), qui se faisait appeler " Madame de Villedieu " sont très rares. Cette courtisane célèbre, native d'Alençon, avait acquis à Paris une grande renommée littéraire en faisant paraître plusieurs opuscules poétiques, pamphlets ou pièces de théâtre. Des jou … [Click Below for Full Description]
Bookseller: Librairie du Marais [France, Bellaing]
2016-09-25 09:08:39
Swalve (Bernhard, ca 1625-1680) :
Amsterdam, Joannes Janssonius a Waesberge et Haeredes Elizaei Weyerstraet, 1670 ; in-12 ; plein veau havane, dos à nerfs décoré et doré, titre doré, roulette sur les coupes (reliure de l'époque) ; (22) dont le titre-frontispice gravé représentant une scène de laboratoire de dissection et essais chimiques, (1) f. bl., 275 pp., (1) p. d'errata. Seconde édition (Fergusson, II-424 ; Duveen, Kraus : The Duveen collection of alchemy and chemistry, n°372, édition identique ; Wellcome, V-214). Né en Westphalie en 1645, Swalve fut reçu Docteur en Médecine à Leyde après avoir étudié avec Van der Linden, qui en fit un adepte d'Hippocrate ; là, il entendit Walaerus et étudia les théories de Harvey puis s'orienta vers l'obstétrique. Il devint le médecin de l'Amirauté et publia quelques ouvrages de médecine. Il se passionna pour la chimie et prit part aux débats sur les différentes écoles ; il fut un adepte de la "Pathologie salsa" de Tachenius, qui pensait que l'acide et l'alcali étaient les bases de la physiologie et de la pathologie. Auréole claire sur la partie supérieure de l'ouvrage, un peu plus marquée à certains feuillets, coiffe supérieure restaurée et petite usure aux coins ; bon exemplaire dans l'ensemble.
Bookseller: Librairie Ancienne Clagahé [France, Lyon]
2016-09-24 18:20:18
PALLAVICINO SFORZA PIETRO.
Ex Officina Plantiniana Balthasaris Moreti, 1670. Tre volumi di cm. 25, pp. xx, 814 (46); (4) 820 (52); (4) 898 (46). Bell'antiporta figurata, marchi tipografici ai tre frontespizi ed alcuni bei fregi tipografici bel testo. Bella e solida leg. coeva in piena pelle, dorsi a piccoli nervi con ricchi fregi e titoli in oro. Esemplare fresco e marginoso, in eccellente stato di conservazione, con solo qualche abile restauro alle cuffie superiori. Si tratta della rara prima edizione latina della Storia del Concilio di Trento scritta dal cardinale Sforza Pallavicino. L'originale (in volgare) apparve a Roma nel 1656 e si propose in una distinta posizione anti - sarpiana dando vita ad un vero e proprio dualismo dottrinale con la Storia del Sarpi. Per garantirne una circolazione europea Giovanni Battista Giattino eseguì la presente traduzione in latino che fu ristampata, sempre ad Anversa (in un volume), nel 1673. Fu più volte riproposto anche nel corso del diciottesimo secolo. Non comune. Cfr. Brunet (IV, 326):. "Traduction recherchée...".
Bookseller: Studio Bibliografico Benacense
2016-09-24 11:10:13
VALLE (Pietro della).
Paris, Chez Gervais Clouzier,4 volumes in-4 (18 X 24 cm), veau époque, dos à nerfs ornés, tranches rouges. Tome I (1670). 12 pp non chiffrées + 348 + 102 + 8 pp non chiffrées (table). Tome II (1684). 6 pp non chiffrées (épitre) + 402 pp. Tome II (1684). Paginé à la suite 403 à 612 pp. Tome IV (1665). 10 pp non chiffrées + 597 + 12 pp non chiffrées (table). (Coiffes émoussées, coins un peu usés, deux mors fendus sur 4 cm, manque le feuillet blanc au début du tome I et II, de petites rousseurs éparses, feuillets un peu brunis à la fin du dernier volume avec une mouillure angulaire claire aux cent dernières pages). Avec au tome I un frontispice représentant la femme de l'auteur et 4 bois gravés dans le texte. Bel exemplaire de cet ouvrage divisé en trois parties, la Turquie, la Perse et l'Inde, et composé de lettres adressées à un médecin napolitain Mario Schipano. Le tome 4 appartient à la première édition de 1665. Manque le tome III. Revues, corrigés & augmentés en cette édition d'arguments à chaque lettre, d'additions en la marge, & autres choses fort curieuses, qui ont été omises en la première impression
Bookseller: Librairie Jeanne Laffitte
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