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Displayed below are some selected recent viaLibri matches for books published in 1662

        Theatrum Machinarum Novum Exhibens Aquarias, Alatas, Iumenrarias, Manurias, Pedibus ac Ponderibus Versatiles, Plures, et Diversas Molas

      Cologne: Pauli Pricipus. Covers detached. Rubbed and scuffed boards. Occasional edge foxing and browning but content in overall good condition. Suitable for restoration rebinding and research. Lacking plates 15, 31, 32, 43, 44, 46, 49, 63, 64. 84, 86, 108 - 112, 116, 132, 133, 141, 142, 145, 153. Text in Latin. 1662. First Latin Edition. Leather cover. 350mm x 220mm (14" x 9"). xii; 53pp.; 131 plates. 131 (of 154) b/w plates present. .

      [Bookseller: Barter Books Ltd]
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        Iohannis Cluveri Historiarum Totius Mundi Epitome, A Prima Rerum Origine Usque Ad Annum Christi MDC XXX Esexcentis Amplius Authoribus Sacris Profanisque, Ad Marginem Adscriptis, Deducta, Et Historia Unaquaeque Ex Sui Seculi Scriptoribus.,

      Sumpt. Esaiae Fellgibeli , Bibliop., Vratislaviae (Breslau) 1662 - Noch Titel: "Ubi Haberi Potuerunt, Fideliter Aserta. Accesit Peripsum Authorem Continuatio Historiae Ad Annum MDC XXXIII, Nunc Aucta Ad Annum M DC LIII." Text Latein. (Epitomator = Verfertigt von Auszug aus vorliegenden Geschichtswerken - hier mehr als 600 laut C.). Erste Auflage Breslau "E novissima Editione Lugdunensi expresso". Sehr solider, unverletzter Pergament (Schweinsleder) -Einband mit tadelloser Bindung, geringe Abriebspuren, goldgeprägter Rückentitel auf farbigem, montiertem Lederschildchen, dieses mit starken Altersspuren, 6 Bünde-Bänder. Buchblock materiell einwandfrei, unverletzt, aber stark stockfleckig, dies jedoch nirgends lesestörend. Gestochener Vortitel, gegenüber handschriftliche Eintragung aus sehr alter Hand, Titelseite, 4 S. Praefatio, 900 Seiten + 54 Seiten Index. 1.1 Kg., 17,5 x 21 Cm. Gewicht in Gramm: 1100 Editio Septima Correctior Ganzpergament Gut, Altersschön

      [Bookseller: Antiquariat Clement]
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        TRAITÉ DES FIEFS ET DE LEUR ORIGINE avec les preuves tirées de divers auteurs anciens et modernes. Des capitulaires de Charlemagne, de Louis le Débonnaire, de Charles le Chauve et des Ordonnances de Saint-Louis. Et de quantité d’autres Actes MSS, extraicts de plusieurs Cartulaires Authentiques.

      Paris Louis Billaine 1662 - , in-folio, pl. veau blond, tit. doré sur pc. de maroquin bordeaux, dos à 6 nerfs orné de caissons ornés de fleurons, dentelles et quadruple filet doré, tr. mouchetées, p. de tit. bicolore, culs-de-lampe, bandeaux et lettrines, (plats frottés avec épidermures, coiffe de tête manquante, mors sup. fragile, trace de tipex sur p. de tit.), intérieur très frais, 7 ff.-384 p.-7 ff.-302 p.

      [Bookseller: La Memoire du Droit]
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        Traité des Anciennes Ceremonies: ou Histoire, Contenant leur Naissance et Accroissment, leur Entrée en l'Eglise, et par quels degrez elles ont passé iusques à la Superstition

      [s.l.: s.n], 1662 - The dedication, to Charles II, King of England is new to this edition, and is signed "Jonas Porrée", to whom Barbier therefore attributes the authorship, even though Porrée in his dedication maintains that the author is anonymous and claims only to have added some illustrations and examples to the text of the first edition (Amsterdam, 1646). The author attempts to trace the origins of rites of the Roman Catholic Church, linking them to pagan rituals, in an attempt to undermine the authority of the Church. This edition of 1662 was doubtless the text which Thomas Douglas used for his English translation of 1668 [Wing P-2980]. Signed on the fornt cover in ink by the nephew of SAMUEL TAYLOR COLERIDGE, "Francis George Coleridge / The Manor House / 1843". Francis George Coleridge was the son of Samuel Taylor's brother, James Coleridge Second edition (enlarged). Small 4to. [40], 118, [1]. Contemporary vellum, remnant of leather spine label. Covers and spine a little soiled. Barbier IV: 773e [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        The History of the Worthies of England

      London: by J.G.W.L. & W.G, 1662. FIRST EDITION. 1 volume, folio, complete with the engraved frontis portrait plate by Loggan but without the 12 page index which was issued later, largely clean and bright throughout. Bound in somewhat recent 1/2 maroon leather, raised bands, gilt lettered brown morocco spine label, hinges fine overall VERY GOOD. Fuller died in 1661 and this, his final work, was published by the efforts of his son one year later. Famously, this volume is perhaps mostly known for including the first biographical mention of William Shakespeare, 41 years after his folio, and 46 years after his death.

      [Bookseller: D&D Galleries - ABAA]
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        Kl. Ailianu poikiles historias biblia 14]. Cl. Aeliani variae historiae libri XIV. Cum notis Joannis Schefferi. Editio secunda.

      Straßburg, Friedrich Spoor, 1662. - (16), 446, (146) SS. Titel in rot und schwarz gedruckt. Mit Holzschnittdruckermarke am Titel. Pergamenteinband der Zeit auf 3 durchzogenen Bünden mit hs. Rückentitel. 8vo. Hübsche Textausgabe der "variae historiae" im zweispaltigen griechisch-lateinischen Paralleltext (die editio princeps war erst 1545 in Rom erschienen). Zweite, vom Editor verbesserte Ausgabe (zuvor ebda. 1647); die Vorrede unterzeichnet Uppsala, 11. Juli 1661. "Das hinzugefügte Lexicon in Aeliani v. h. ist brauchbar" (Hoffmann). - Etwas gebräunt; einige Anstreichungen der Zeit. Am Titel zeitgenöss. hs. Besitzvermerk des Johann Jakob Thurner sowie Stempel des Jesuitenkollegs Linz. VD 17, 3:304577G. Hoffmann I, 12. Schweiger I, 3. [Attributes: First Edition]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Hertfordia Comitatus, vernacule Hertfordshire

      Blaeu, [Amsterdam 1662 - A handsome example of Blaeu's English county map with exceptional original colour and highlights in gold This beautifully presented county map of Hertfordshire from Johan Blaeu's Atlas Mayor, sino Cosmographia Blavania. is from the only Spanish edition of this great work. The map itself is based on John Speed's map, published in 1612, though without the town plans. Blaeu's map includes the coats of arms of two prominent families. The title cartouche illustrates Hertfordshire's relationship to London in that the county supplied corn and hay to the pleading Londoners pictured on the right hand side of the title. Because of its proximity to London, Hertfordshire had many country houses, reflected in some of the placenames on the map: Waterford Hall, Aldbery Hall, Shingle Hall, and, of course, Waymer Castle. Koeman, Atlantes Neerlandici, Bl 60A, #199. Copper-engraved map, with full original colour and gilt embellishments, mild discolouration at center fold, overall very good condition. [Attributes: Hard Cover]

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Insula Canaria alias Fortunata dictae

      Amsterdam 1662 - Carta marina del archipielago canario. Grabado calcográfico. 60x52 cms. Con color original. escalas,barcos, cartelas y lineas loxodrómicas. Amplios margenes y perfecto estado de conservación. Texto francés en parte posterior. procede del Atlas Mayor o Cosmografia Blaviana que fue considerado elatlas mas importante impreso en los Paises bajos en el s XVII.

      [Bookseller: Libreria Pontes]
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        The Book of Common Prayer

      London: His Majesties Printers, 1662. 'The Book of Common Prayer and Administration of the Sacraments and other Rites and Ceremonies of the Church, According to the Use of the Church of England, Together with the Psalter or Psalms of David; Pointed as they are to be Sung or Said in Churches: and the Form and Manner of Making, Ordaining and Consecrating of Bishops, Priests and Deacons'. Separate Title and Register for the Psalms. Collates A2, a-d6, e2, A-Ee6; Aa-Mm6, Nn8, *6, Oo-Rr6, Ss8. Bound in early nineteenth century calf, raised bands, spine in seven panels, title to second panel, remaining panels made up with gilt leaf, flower head and roundel tools and filled in with pinheads, covers with a frame in-filled with repeated elaborate leafy stem tool, flower head to corners, gilt single-fillet to edges and inner edges, a.e.g., marbled endpapers. Slightly worn to extremities, abrasions to foot of upper cover with slight loss to leather and gilt, one or two small holes to leather covering upper joint, couple of small scrapes to lower cover. Internally some light water staining to head and foot of engraved title and first few pages, with a heavier water stain to bottom corner and fore-edge of the last six pages, light damp staining to upper corner of the Psalms, old note to ffep, 'King Charles the Second's booke, bought Feb the 16:1708/9 - May this booke be esteemed as long as England lasts against all its oposers: 1715', and with a list of the people responsible for the revision to the blank page opposite the engraved title, but otherwise generally fairly bright and clean. The Kalendar is printed in red and black, with engraved title page by David Loggan. From the library of Lord Eldon, Lord Chancellor under Pitt, with his circular book plate to reverse of front marbled endpaper. The 1662 Common Prayer "was shaped through the deliberations of the Savoy Conference, which took place in the Bishop of London's lodgings in the Savoy Hospital. Arrangements for this had begun in March 1661, and the work of revising the version of 1604 was completed in December" (Griffiths, Bibliography of the Book of Common Prayer, page 108). Wing B3622, Estc R3118 and Griffiths 1662:1(2). First Thus. Full Calf. Good+. Illus. by Loggan, David. Folio.

      [Bookseller: Temple Rare Books]
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        The History of the Worthies of England.

      First Edition [with the Index also in 1st. edition] Folio, engr. portrait by D. Loggan, 3 leaves (title, Dedication, To the Reader) 494 leaves (text) 6 leaves (Index), light waterstain on title some foxing (occasionally heavy) and browning throughout (as usual), otherwise a very good copy, bound in full antique-style calf, 3-line fillet borders in blind, morocco label on spine.

      [Bookseller: H. M. Fletcher]
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        Tractatus novus de nymphis Carolobadensibus Admirabilibus In Regno Bohemiae). - (Angebunden): Newe Wunder beschreibung. Deß Wilt oder Waltbads zu Pfeffers.

      o.V. und Strasser,, O.O. und Neuburg a.d. Donau, 1662 - O.O. und Neuburg a.d. Donau, o.V. und Strasser, 1662 und 1665. 8°. 6 n.n. Bl., 155 (recte 157) S. Mit gestochenem Kupfertitel; 8 n.n. Bl. 300 S. Pappband des 18. Jahrhunderts mit schwarz geprägtem Supralibros des Klosters Lambach. Hirsch-H. V, 104. - I: VD17 23:268633R. - II: VD17 12:191152W. - Haller I, 614. - Seltene Monographien über Karlsbad bzw. Bad Pfäfers, beschrieben durch den Stadtarzt von Neuburg an der Donau. Laut VD17 ist beim Titel über Karlsbad kein Drucktitel nachweisbar, hingegen fehlt offenbar eine Kupfertafel beim Buch über Pfeffers. - Titelblätter sehr stark gebräunt und fleckig. Eng beschnitten, stellenweise mit leichtem Textverlust. Im Innenfalz mit durchgehendem Wasserrand. Papierbezug am Rücken angeplatzt. Sprache: Lateinisch / Latin Pappband des 18. Jahrhunderts mit schwarz geprägtem Supralibros des Klosters Lambach. [Attributes: Hard Cover]

      [Bookseller: EOS Buchantiquariat Benz]
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        Four maps showing the course of the Dnieper River, Ukraine From the Atlas Major

      Amsterdam: Joan Blaeu, 1662. SET OF 4 Each measuring: 21 x 24 1/2" Hand-colored copper-plate engravings Joan Blaeu, born in Alkmarr in 1598, was the eldest child of Willem Jaszoon Blaeu, philosopher and pupil of famed astronomer Tycho Brahe, and his wife, Marretgen Conelisd. In 1599, Willem Blaeu, a globe and instrument maker, moved with his family to Amsterdam, where he opened a printing house specializing in maritime publications, but which also published works on literature, art, and theology. Joan was a student in Leiden from 1616 to 1619, after which he toured Europe for a year, a luxury often taken by the children of wealthy parents. It was not until 1630 that Joan Blaeu began to play an active position in the printing house, taking on the role of partner with his father. In 1638 Willem died, and Joan took charge of the large printing house. At this time he was also appointed cartographer to the Dutch East India Company. From 1636 to 1650, Amsterdam flourished politically, economically, and culturally. Trade with Asia and the Americas brought prosperity, and there were many new advances in the arts and sciences. During this period, Blaeu, who was deeply involved in the political, economic, and cultural life of his time, expanded the printing house and printed innumerable books, maps, and globes. In 1662, Blaeu published Atlas Major, the world's largest atlas, which contained six hundred maps that portrayed the entire known world of the 17th century, including legendary lands, exotic kingdoms, and distant empires. These maps were elegantly decorated and embellished, and they were unrivaled in detail and splendor. Not only was Atlas Major meant as a functional atlas, but, as the most lavish and expensive book sold in the 17th century, it was also intended as a glamorous object to be admired by wealthy owners. Atlas Major displayed the exceptional skill and art of mapmakers in Amsterdam. . Book.

      [Bookseller: Arader Galleries]
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        Metamorphosis et historia naturalis Insectorum (Parts 1 and 2)

      Medioburgi (Middelburg, Netherlands): Jacobum Fierensium, 1662. First Edition. Quarter Leather. Very Good. First Edition. Quarter Leather. 16mo - over 5¾" - 6¾" tall. Part 1 (1662) - (28) introductory pages, 236 text pages, 63 b/w plates including the frontispiece. Part 2 (1667) - (32) introductory pages, 259 text pages, 38 of 42 colored plates. Parts 1 and 2 were by Goedaert during his lifetime. (A third part based on Goedaert's notes, which were heavily edited by Johannis de Mey, was published in 1669 after Goedaert's death.) Rebound in quarter leather. Clean pages. Light wear. Very attractive coloring. Although Goedaert, a noted watercolorist and one of the earliest authors on entomology, did not devise a system of insect classification, attributed some insect larvae to spontaneous generation, and made a number of anatomical errors, he was the first person to base his research entirely upon firsthand observation-experiment and One of his contemporaries noted that in only a few years, Goedaert, who had no formal education, discovered and identified more distinct types of caterpillars than all of the naturalist that preceded him. (See Dictionary of Scientific Biography.).

      [Bookseller: Read 'Em Again Books, ABAA]
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        Comitatus Dorcestria sive Dorsettia vulgo Anglice Dorset Shire.

      1662 - Amsterdam, 1662, Spanish-text edition. Original colour. 380 x 510mm. Split in lower centre fold margin, small hole in printed border. Decorative map of Dorset, published in Blaeu's 'Atlas Major', with a large title cartouche, armorials and galleons.

      [Bookseller: Altea Antique Maps]
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        MAP OF LAVDERDALIA

      Amsterdam: Officina Blaviana Apud Ionnem Blaeu, 1662. The map itself measures 20" x 15 14". Light water-staining along bottom map border not affecting the map. Four small round wormholes at bottom edge and 3/4" wormhole just left of the map fold at bottom. Hand-colored map of Lauderdale, a long and narrow geographical district in the Scottish Borders. The great Roman Road traveled through the area on way to Edingurgh. Beautiful ornate engraved cartouche with J. Blaeu at bottom left of the map, engraved place name near top center. (See photographs). From Volume V of the "Nuevo Atlas de Los Reynos de Escocia e Yrland", printed in 1662 by Joan Blaeu. The maps in Blaeu's atlases were based on the work of Timothy Pont, a pioneer Scottish cartographer. The Blaeu maps of Scotland are rather scarce, printed only between 1654 and 1672. The Spanish edition is also quite scarce, published in 10 of a proposed 12 volumes in 1662. Joan Blaeu (1596-1673) learned his trade from his father, produced fine quality hand-colored maps in his shop in Amsterdam and was one of the premier mapmakers of his time. Map description is in Spanish.. Spanish Edition. 24 1/2" x 21 3/4".

      [Bookseller: Glenn Books]
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        De Homine Figuris et latinate donatus a Florentio Schuyl, Inclytæ Urbis Sylvæ Ducis Senatore, & ibidem Philosophiæ Professore.

      Lugduni Batavorum (Leyden), Apud Petrum Leffen & Franciscum Moyardum, 1662. 4to. Later half vellum with some wear. Internally a very nice, clean, and fresh copy, with some light occasional browning. (36), 121, (1) pp. + 10 plates. Complete with all 56 woodcut and engraved text-illustrations (many of which are full-page) and the 10 full-page engraved plates (several folded), one of which is the heart-plate with the 6 moveable parts, the Cardiac-flaps. A very good copy with good margins.. First edition of Descartes' seminal treatise on man, the first European textbook of physiology, constituting an epochal work of modern thought, defining the mechanism of man as it does. "In the Treatise of man, Descartes did not describe man, but a kind of conceptual models of man, namely creatures, created by God, which consist of two ingredients, a body and a soul. "These men will be composed, as we are, of a soul and a body. First I must describe the body on its own; then the soul, again on its own; and finally I must show how these two natures would have to be joined and united in order to constitute men who resemble us"." (SEP). This highly influential work was the first to present a coherent description of bodily responses in neurophysiological terms that are still, to a wide extent, accepted today. In his attempt to solve the central question around which almost all philosophical thought had revolved since the time of Aristotle, what the relation between the soul and the body actually is, Descartes came to create a milestone work of physiology which changed the entire trajectory of modern physiological conceptions. "Without Descartes, the seventeenth-century mechanization of physiological conceptions would have been inconceivable." (DSB). He believed that the relationship between the soul and the body was mediated by the brain and the nervous system, and his seminal attempts to explain neural mechanisms drew a great deal on the engineering developments of his time (eg. the hydraulic automata that had been installed at the Versailles). He developed a hydro-mechanical theory of how the soul controlled the contraction of muscle through the intermediary of the pineal and the cerebral ventricles, and he produced an explanation of how it received, through the nerves from the periphery, signals that gave rise to sensation. Descartes' theories quickly spread throughout Europe, and the work in which he had developed them, his "De Homine" became extremely influential. This posthumously published work was actually written in the 1630's, but after the condemnation of Galilei in 1633, Descartes did not dare publish it; "although it thus had to await posthumous publication in the 1660's, his writing of the Traité de l'homme proved extremely important in the further maturation of Descartes's physiological conceptions." (D.S.B. p.62). "Some time after Descartes's death in 1650, his French manuscript, copies of which had circulated among his friends and correspondents, was edited and published. The first version was a Latin translation (De homine) by Florentius Schuyl in 1662, the second the now better known 'original' French version (Traité de l'homme) edited by Descartes's self-appointed literary executor Claude Clerselier in 1664. In the seventeenth century the 1662 Latin version was probably much more widely read than the French text. There were problems for the editors of both versions. Firstly, there were differences between the manuscripts: Clerselier in Paris claimed that his version was Descartes's own, that the others were 'corrupt' and that Schuyl had been 'misled' by them. However, a more important difficulty was raised because it was clear that the text was intended to be illustrated - Descartes refers to figures and to features within these labelled by letters. But no set of figures accompanied the manuscripts. Both editors have left quite detailed accounts in their long prefaces - little treatises in themselves. Here I consider only Schuyl, the editor of the Latin De homine. Schuyl (1619-69) was a professor of philosophy in the town of 's-Hertogenbosch in the Netherlands, the country in which Descartes was living during the writing of Le monde. Two of the author's friends had copies of the manuscript that they supplied to Schuyl, and with one of these were included two sketches of illustrations apparently in Descartes's own hand. These Schuyl included. One of them represents the medial and lateral rectus muscles in the orbit, which deflect the eye nasally and temporally. The other figures Schuyl had to have made and, since he mentions no one else, one supposes that he designed them himself." (IML Donaldson, J R Coll Physicians Edinb 2009; 39:375-6).Wellcome II:453; Osler 931; Garrison and Morton 574. Waller only has a later edition

      [Bookseller: Lynge & Søn A/S]
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        [Mosaic marble tile floors from five churches, most or all in Rome]. [Rome?, ca. 1662 or 18th century]. Small folio (26 x 19.5 cm). 40 ink and watercolour drawings (28 round and 12 square, each ca. 11 x 11 cm) showing the decorative patterns and coloured marbles from the floors of 5 churches. Each has a triple-rule border in black ink with a panel at the foot containing the name of the church. Contemporary(?) boards covered with later (ca. 1840?) Storemont on shell marbled paper.

      A book of 40 detailed colour drawings showing the elaborate patterns in the mosaic marble tile floors of five different churches, with eight examples from each church: Santa Maria Maggiore (1-8), Santi Giovanni e Paolo (9-16), San Marco (17-24), Sant' Alessio (25-32) and Sant' Ivo (33-40). All probably refer to the Roman churches of these names, though the Basilica di San Marco in Venice also has elaborate mosaic floors. Some of the mosaics are in the Mediaeval Italian style called Cosmatesque, but some may date from the Renaissance. Besides a wide variety of triangular, square, rectangular, diamond, hexagonal, and octagonal tiles, there are many cut with circular edges and a few irregular quadrilaterals. Some are assembled to form stars in a hexagonal grid, round sunburst patterns and an endless variety of other patterns. All patterns show a rotational symmetry around the centre point or a repeating pattern in a square or hexagonal grid. The colouring of many of the tiles shows various styles and colours of marble veins.The drawings are difficult to date exactly. The leaves used for the drawings show a single paper stock, very close to Piccard VI, watermarks V.423 & V.424 (Rome 1662). The drawings could have been made as early as ca. 1662, but the lettering of the names of the churches seems more likely to date from the 18th century. In 1752, Monsignor Giuseppe Alessandro Furietti, a prelate from Bergamo, published an illustrated book on mosaics from classical Rome to his own day: De Musivis, Rome, 1752. This marked a new interest in such antiquities, but he illustrates mainly earlier examples and we find little link with the present examples, which were probably drawn before his book appeared. With smudges on a few pages, one slightly affecting the edge of one drawing, but otherwise in very good condition, with only a light marginal water stain in the last few leaves. The front hinge is broken and the spine and edges of the binding are somewhat tattered. Since many floor mosaics have been destroyed or damaged over the centuries, the present book provides a unique historical record of some of the designs.

      [Bookseller: ASHER Rare Books (Since 1830)]
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        "Civitatis Imp. Lindaviensis Territorium" und "Territorii Lindaviensis pars Septentrionalis".

      . 2 altkol. Kupferstiche nach Johann Andreas Rauben bei Blaeu, 1662, 46 x 58,5 bzw. 29 x 24 cm.. Koeman BI 60 A, 93 u. 94. - Aus dem "Atlas Major". - Die große Karte zeigt das Gebiet zwischen Wasserburg und der Mündung der Leblach in den Bodensee bis Sigmarszell im Norden. Die kleine Ergänzungskarte zeigt das Gebiet zwischen Wangen, Bettensweiler und Hergensweiler. Beide Karten mit schönen Titelkartuschen sowie Meilenzeiger. - Komplett in diesem guten Zustand selten.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
 18.   Check availability:     ZVAB     Link/Print  


        Kst.- Karte, aus "Atlas Major" b. Blaeu, "Dioecesis Bergensis tabvla".

      . mit altem Grenzkolorit,, 1662, 43,5 x 53,5. Mit 2 altkol. Kartuschen und Schiffstaff. auf dem Atlantik. Zeigt das Bistum Bergen. - Mit franz. Rückseitentext. Schönes Exemplar.

      [Bookseller: Antiquariat Nikolaus Struck]
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        March. Brandenburgici Pars, quae Marchia Media vulgo Mittelmarck audit. Altkolorierter Kupferstich aus Atlas Major bei J. Blaeu, Amsterdam, 1662. 39 x 52 cm.

      1662. . Dekorative, breitrandige Karte der Mittelmark mit Berlin im Zentrum.- Mit figürlicher Titelkartusche mit Wildschwein, Hund und Jagdhund sowie Meilenzeiger mit Putte und Geometer, ferner ein nicht ausgefülltes Wappenschild in der oberen rechten Ecke.

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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        Stellaeburgum sive Observatorium subterraneum, a Tychone Brahe in Insula Hvaena, extra Arcem Uraniam, extructum circa Annum MDLXXXIIII.

      Amsterdam, Joannes Blaeu, (1662). 44x55 cm. Kobberstukket eleveret plan over Stjerneborg, undergrundsobservatoriet på Hven, Brahes berømte observatorium. Her i fuld håndkolorering. Latinsk tekst på bagsiden.. Den, i litteraturen, ofte gengivne planche, som blev udgivet i Blaeu's Atlas maior 1662 ff

      [Bookseller: Lynge & Søn A/S]
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        Arcis Uraniburgi, in Insula Hellesponti Danici Hvenna constructae, a Tychone Brahe. Hellesponti Danici Hvenna constructae a Tychone Brahe.

      (Amsterdam, Blaeu, 1662). 47x57,5 cm. Kobberstukket, eleveret plan over Uranienborganlægget på Hven, Brahes berømte observatorium. Her i fuld håndkolorering.. Den, i litteraturen, ofte gengivne planche, som blev udgivet i Blaeu's Atlas maior 1662 ff

      [Bookseller: Lynge & Søn A/S]
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        Sculptura: Or the history and art of chalcography and engraving in copper

      London: J. C. for G. Beedle, and T. Collins, 1662. <p>First Mezzotint Published in England&#151;The Fairfax Murray Copy </p><p>Evelyn, John (1620-1706). Sculptura: Or the history, and art of chalcography and engraving in copper to which is annexed a new manner of engraving, or mezzo tinto, communicated by his Highness Prince Rupert to the author of this treatise. 8vo. [32], 148, [3, advertisement]pp. Engraved frontispiece by A. Hertochs after Evelyn, engraving on p. 121, folding mezzotint by Prince Rupert of the Rhine (1619-82). London: J. C. for G. Beedle, T. Collins and J. Crook, 1662. 168 x 106 mm. Contemporary panelled calf, gilt, rebacked, endpapers renewed. Light wear at spine. Light spotting and browning, offsetting on title from frontispiece, title-page with two horizontal rules in ink made at an early date. The Charles Fairfax Murray copy, with his bookplate; bookplate, duplicate stamp and perforated stamp (on leaf A2) of the Library of Congress; formerly owned by Leonard B. Schlosser (acquired via Marlborough Rare Books from his sale, Sotheby&#146;s New York, 18 June 1992, lot 456); bookplate of Arthur and Charlotte Vershbow. </p><p>The Fairfax Murray Copy of the First Edition of the First Book to Announce the Mezzotint Process, and containing the First Mezzotint published in England. This first English mezzotint, known as &#147;The Head of the Executioner,&#148; was executed by Prince Rupert of the Rhine, Charles II&#146;s cousin, who had brought the mezzotint technique with him when he settled in England after the Restoration of the English monarchy in 1660. From Evelyn&#146;s diary and papers preserved in the British Library we know that Evelyn first learned of the mezzotint technique from Rupert on 24 February 1661. A few weeks later, under the date 13 March 1660/1, Evelyn wrote in his diary that &#147;This afternoon Prince Rupert shew&#146;d me with his owne hands the new way of graving call&#146;d mezzo tinto, which afterwards by his permission I publish&#146;d in my History of Chalcography; this set so many artists on worke that they soone arriv&#146;d to that perfection it is since come, emulating the tenderest miniatures&#148; (quoted in Keynes, p. 116). Although Evelyn mistakenly credited Rupert with the invention of mezzotint, the prince actually learned the technique from Ludwig von Siegen, a German officer who invented the mezzotint process in the 1640s (Evelyn corrected the error in his Numismata [1697]). It was through John Evelyn and his Sculptura that the mezzotint process came to be highly regarded as a technique for the graphic arts in England. However, Rupert and Evelyn conspired to keep details of the process secret, lest it be &#147;prostituted&#148; at too cheap a rate. </p><p>Complete copies with the mezzotint are rare, since the print was often removed from the volume by print collectors. This copy was once in the collection of Charles Fairfax Murray (1849-1919), the noted English painter, dealer, collector, benefactor and art historian. Keynes, Evelyn 33. Wing E-3513. Wax, The Mezzotint: History and Technique (1990), pp. 21-22. </p>

      [Bookseller: Jeremy Norman's Historyofscience.com]
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        Pontvs Evxinvs

      Amsterdam, Janssonius, Joan, 1662. "Pontus Euxinus. Aequor Iasonis pulsatum remige primum". Orig. copper-engarving after A. Ortelius' map of the Black Sea. Published by J. Janssonius, ca. 1662. Orig. old colouring. With ornamental title-cartouche and 3 sailing ships. 37,5:48,5 cm.. Koeman I, map 0350H:1, ed. 1:405 (c. 1662 Latin). - Historical map of the Black Sea with Crimea peninsula and its environs.

      [Bookseller: Antikvariat Karel Krenek]
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        Blick auf einen Garten hinter den Mauern einer römischen Villa.

      . Schwarze Kreide, mit schwarzer Feder umrandet, auf blauem Papier. 17,7 x 28,6 cm. - Eine winzige Fehlstelle links unten. Auf alten Sammlungsuntersatz aufgezogen. Mit älterer Zuschreibung an Jan Frans van Bloemen (1662-1749). Provenienz: Sotheby's London, 1854, Uvedale Price's Sale; Sammlung Riggal, wahrscheinlich identisch mit der Sammlung Comte Rigal, Paris, Lugt Suppl. 2139..

      [Bookseller: Galerie Joseph Fach GmbH]
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        Interest van Holland, ofte gronden van Hollands-Welvaren.

      Amsterdam: van der Graft, 1662 - 12mo. [viii], 267, [2] pp., contemporary vellum, internally fresh, without stamps or inscriptions, a very good copy. Second, enlarged and improved edition published in the same year as the first edition. 'Pieter de la Court (1618-85), a textile manufacturer in Leiden, co-authored this work along with Jan de Witt. The section on politics and economics presents the basic principles of liberal Dutch commercial politics, which allow for freedom of opinion, as long as it does not interfere with commerce or industry' Katalog. Wolfenbüttel (Spinoza) 1977, 5. The Dictionary of Seventeenth and Eighteenth-Century Dutch Philosophers describes this as 'the first unequivocal expression of republicanism in the Dutch Republic'. Kress 1092. Schumpeter 368. Palgrave I, 447. [Attributes: Hard Cover]

      [Bookseller: Rudi Thoemmes Rare Books]
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        GABRIELIS ALVAREZ LUDEX PERFECTUS, seu de judice perfecto CHRISTO JESU domino nostro unice perfecto, vivorum et mortuorum iudici dicatus. Cum indicibus necessariis (...). & DE PRIVILEGIIS PAUPERUM ET MISERABILIUM PERSONARUM AD LEGEM UNICAM:

      Lugduni, Sumptibus Horatii Boissat & Georgii Remeus, 1662.2 works by Alvarez in 1 volume, both from the same publisher in Lyons, Iudex Perfectus being a first edition, De Privilegiis a second, 1662 & 1663. Latin text, folio, approximately 360 x 225 mm, 14 x 8¾ inches. Title pages printed red and black with large beautiful engraved printer's device of a ship and 2 angels, repeated on final page of Iudex Perfectus, some decorative head - and tailpieces and initials, each work and second part of the second work with half - title, text printed in double column, each work with an index at rear. IUDEX PERFECTUS: pages: [20], 324, [56]. 1 small printer's ink stain to 1 lower margin corner, otherwise clean. Treatise on the subject of judges, Roman and Canon law. DE PRIVILEGIIS PAUPERUM: subtitle: cod. quando imperator inter pupillos, & viduas, aliasqe miserabiles personas cognoscat : tractatus in duas partes distributus, juris studiosos, & in foro versantibus omnino necessarius, bonarum literarum sectatoribus accommodatissimus. Divided into 2 parts, pages: (14), 324, (60); (4), 218, (46). Small chip to fore - edge of half - title, contents very clean. First published in 1630 - 36 as Tractatus de privilegiis pauperum et miserabilium personarum authore. A treatise on poverty, beggars and old age. Binding: full pigskin over wooden boards, elaborately blind tooled, raised bands to spine, old faded, chipped paper label, original metal clasps, one defective, covers slightly soiled, tiny hole to surface at tail of spine, 1 ink number on front pastedown. A very good tight volume. Both works are scarce. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
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        THE HISTORY OF IMBANKING AND DRAINING OF DIVERS FENNS AND MARSHES, both in foreign parts, and in this kingdom; and of the improvements thereby.

      London, Printed by Alice Warren in the year of our Lord, MDCLXII, 1662.Extracted from records, manuscripts, and other authentick testimonies, by William Dugdale esquire, Norroy King of Arms. 1662. ASSOCIATION COPY. SIGNED AND DATED, REGINALD BLOMFIELD, POINT HILL, RYE, SUSSEX, EJUS LIBER, 1913. Folio in fours, approximately 340 x 225 mm, 13½ x 9 inches, 11 engraved maps, 1 folding, the rest double page, pages: [8], 424, [2], printed in double column, some mispagination in numbering, all catch words correct, printed marginal notes and a few printed pointing hands, title page printed in red and black, Dedicated to the Kings Most Excellent Majesty [i.e. Charles II], head - and tailpieces; bound in full (late 19th century or early 20th century) vellum, 2 contrasting decorated gilt leather labels to spine, marbled endpapers, edges stained red. Vellum dusty and marked, top cover bowed, labels slightly chipped, title page laid down with a small repair to lower inner margin, title page lightly stained and dusty, free blank endpaper with signatures has outer edge neatly strengthened with document tape, first folding plate has large neat repair to blank side, no loss of image, 6 other plates have small neat marginal repairs to blank side, 1 has very slight loss to outer margin, not affecting main image, a few other small repairs or small closed tears, not affecting images or text, 3 plates slightly cropped with loss to margins, no loss to images, plates were remounted on new stubbs, probably when the book was rebound, some pale age - browning to plates and text, few small old ink splashes, tiny hole to 1 page, affecting a couple of letters, no loss of meaning, occasional pencil notes to margins, large neat old ink name above Blomfield's signature "Edwd. Jas. Smythe, Brandon, Suffolk". Overall a very good copy of the scarce first edition signed by Sir Reginald Blomfield famous architect, author etc. Blomfield was made an Associate of the Royal Institute of British Architects (RIBA) in 1881 and a Fellow in 1906; an Associate of the Royal Academy in 1905 and elected to the Academy in 1914, where he had been Professor of Architecture 1907 - 11 and awarded the Royal Gold Medal in 1913. He was President of the RIBA in 1912 - 14 and was knighted in 1919. See Wikipedia for more details on his life and work. ESTC lists a copy with 13 extra page at the end, but the copies listed on Copac, V & A library, Nottingham library and the Cambridge Special Collections all have the same collation as our copy. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
 28.   Check availability:     maremagnum.com     Link/Print  


        Blaeu.J.,Isle Fehmarn,a.1662

      Blaeu.J., ,1662. Please look to the german text.INSEL FEHMARN, Kupferkarte von J. Blaeu, aus Atlas Major, span. Ausgabe, anno 1662, Blattgrösse: 52 x 30, Ansicht: 23 x 30cm.. Referenz: Koeman, BL 60 a, Nr. 474. Sauber und altkoloriert, am rechten Rand knapp beschnitten. Seltene, frühe Ansicht der Insel..

      [Bookseller: Hammelburger Antiquariat]
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        Territoria Anglen et Schwansen. Anno 1649.

      *** Kobberstukket kort over Angeln og Schwansen. Med byerne Flensburg, Schleswig og Eckernförde samt Schlien fjord. I øverste højre hjørne den imponerende titel- og dedikationskartouche. Kortet måler 42,5 x 53,5 cm. Kobberstiksarbejdet er udført af guldsmedebrødrene Matthias og Nicolai Petersen fra Husum. Kortet er udgivet af Johannes Blaeu i Amsterdam 1662. Gammel - formentlig samtidig - håndkolorering. Bagsidetekst på latin. Papirmål: 46 x 56 cm. Papiret er med vertikal midterfold som ved udgivelsen. - Et godt eksemplar.. Johannes Mejer (1606-1674), kartograf fra Husum i Slesvig.I perioden 1638 til 1648 opmålte han Slesvig og Holsten. En række af disse kort blev gengivet i bogen "Newe Landesbeschreibung der zwey Herzogthümer Sleswich und Holstein" med tekst af Caspar Danckwerth. Kortene var i sort / hvid og en kolorering vil derfor være senere. Oplagets størrelse kendes ikke, men der er vidnesbyrd om, at udover de aftalte eksemplarer blev der - uden Mejers godkendelse - fremstillet ialt ca. 21000 enkelttryk af hans kort.I 1656 erhvervede Johannes Blaeu i Amsterdam kobberpladerne, og han anvendte dem nogle år senere i sine store Atlasudgivelser på latin, fransk, hollandsk, tysk og spansk. I Blaeus udgaver har Johannes Mejers kort fået en titel på latin (i stedet for tysk) samt tekst på bagsiden - og de fleste eksemplarer er koloreret i samtiden.Johannes Mejers kort over Slesvig og Holsten fik en lang levetid: Frem til omkring år 1800 var de grundlaget for alle andre kort over Hertugdømmerne

      [Bookseller: Finnerups Antikvariat]
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        Voyage du Levant. 3me edition reveüe & augmentée.

      Bruxelles, Hubert Anthoine Velpius, 1662.Sm.8vo. Contemporary vellum, title and name on spine in manuscript (frontcover and top of spine repaired). With engraved title-page by W. Hollar (fecit 1650) and engraved portrait in armorial border after L. van Oost by W. Hollar (fecit 1650). (16),805 (= 508),(2) pp.* First published in Bruxelles in 1643; in handwriting on flyleaf: Peeter Coosemans den 17 Junius anno 1664 binnen Brussel. - The Belgian Stochove together with Fauvel, Fermanel and Baudouin set out their travels in 1630. They spent two years in the Levant, exploring in detail the Greek Islands and the coast of Asia Minor. Stochove was the fist to publish an account of their travels from Bruges to Constantinople, Aleppo, Jerusalem, Egypt and Sinai. - (Slightly waterstained). - Rare. Blackmer Collection 576; Atabey Collection 1178; Navari 248; Weber 267; Hage Chahine 4653; Boucher de la Richarderie p.210-211.

      [Bookseller: Gert Jan BESTEBREURTJE]
 31.   Check availability:     NVvA     Link/Print  


        Vers du Ballet Royal dansé par leurs maiestez entre les Actes de la grande Tragedie de l&#39;Hercule Amoureux. Avec la Traduction du Prologue, & des Argumens de chaque Acte. [Libretto]

      Paris: Robert Ballard. 1662. Small quarto. Full polished mid-tan calf with decorative spine in compartments gilt, dark red leather title label gilt, boards with gilt- ruled edges with decorative bird-like motif at corners, inner dentelles gilt. 1f. (title with woodcut device), pp. 3-7 (prologue), 51[!52] pp. With named cast lists for each of 18 entrées for Cavalli&#39;s Ercole amante. With fine woodcut headpiece and large decorative woodcut initial to prologue; occasional decorative initials and woodcut head- and tailpieces throughout. Binding somewhat worn, rubbed and bumped; hinges and joints cracking; small portion of lower spine lacking. Somewhat browned and foxed; some leaves trimmed just affecting tailpieces or signature designation in a few instances; small hole to pp. 29/30 just affecting text . First Edition. Malkin 9.1. Magriel p. 139. Slin p. 296. Not in Derra de Moroda. L&#39;Hercule Amoreux, a ballet with music by Lully, marked the occasion of the marriage of Louis XIV to Maria Theresa of Spain; it was first performed in Paris at the Tuileries on February 7, 1662. "This opera-ballet... was doubtless the most brilliant of all the festivities organized in honor of the king&#39;s marriage. The performance, before an immense crowd which filled the new theatre to capacity, lasted for six hours... But the magnificence of the new theatre, the extraordinary boldness of the machines and decorations, the numerous and sudden changes of scenes, and the sumptuousness of the costumes kept the audience in a constant state of excitement. They paid very little attention to the opera itself, but the ballet entries, particularly the one in which the king and queen danced together, surrounded by the most illustrious representatives of the nobility, threw them into ecstasy... The complete spectacle is a very happy fusion of two genres producing what we may call a &#39;court-opera-ballet&#39; in which the subjects of the ballet entries are closely related to the subject of the opera. The work is the result of the collaboration of at least six people: Camille Lillius wrote the Prologue, Buti wrote the libretto, Cavalli composed the music of the opera, Benserade devised the ballet entries and wrote the Vers, Lully composed the music of the ballet entries, and Gaspare Vigarani invented the machines." Silin: Benserade and his Ballets de Cour, p. 301. Ercole amante ("Hercules in Love"), an opera in a prologue and five acts by Francesco Cavalli to a libretto by Francesco Buti after Ovid&#146;s Metamorphoses, was commissioned by Cardinal Mazarin to mark the occasion of the wedding of Louis XIV to Maria Theresa of Spain. Cavalli (1602-1676) "was the most performed, and perhaps the most representative, composer of opera in the quarter-century after Monteverdi and was a leading figure, as both composer and performer, in Venetian musical life." Thomas Walker in Grove online A French poet, librettist and playwright, "[Benserade&#39;s] art of telling the truth about society people with elegance and dexterity was not only appreciated by the salons and developed in all the current poetic genres &#150; epigrams, madrigals, rondeaux, enigmas, portraits and epitaphs &#150; but was peculiarly suited to the court ballet. Benserade&#39;s popularity coincided with Louis XIV&#39;s career as a dancer of some talent, and between 1651 and 1669, when the king retired from the stage, Benserade wrote verses for 23 royal ballets." Margaret M. McGowan in Grove online

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        An Introduction to A Devout Life

      Printed at Paris, 1662. Printed at Paris, 1662. Book. Good. Hardcover. leather bound, 12mo, gilt paneled black morocco, rubbed, wear at spine head and tail, corners rubbed, lacing front free endpaper and rear endpapers, portrait frontis with additional title to tail end, mss initials of previous owner to verso of same showing through to top margin, light water stain to edge of portrait, rear blank worn, later ownership details to front blank, this scarce early English language edition includes the Summary of De Sales&#39; Life & a Collection of his Maxim[e]s.

      [Bookseller: Pendleburys - the bookshop in the hills]
 33.   Check availability:     Biblio     Link/Print  


        Anales del mundo desde la creacion de el y un tratado del origen de las poblaciones de toda la Europa

      Juan de Ybar 1662 - A history of the world from the Creation of the world to the birth of Christ, with special attention given to Europe, and Spain in particular. 4to, vi + 444pp. + index (24). Rebound in quarter calf over cloth boards, new endpapers, wear on several pages, water staining throughout. Book-plate of 'Fink-Errera' on paste-down endpaper. OCLC # 79887130

      [Bookseller: Loome Theological Booksellers]
 34.   Check availability:     IberLibro     Link/Print  


        Vers du Ballet Royal danse par leurs maiestez entre les Actes de la grande Tragedie de l'Hercule Amoureux. Avec la Traduction du Prologue, & des Argumens de chaque Acte. [Libretto]

      Paris Robert Ballard 1662. Small quarto. Full polished mid-tan calf with decorative spine in compartments gilt, dark red leather title label gilt, boards with gilt- ruled edges with decorative bird-like motif at corners, inner dentelles gilt. 1f. (title with woodcut device), pp. 3-7 (prologue), 51[!52] pp. With named cast lists for each of 18 entrees for Cavalli's Ercole amante. With fine woodcut headpiece and large decorative woodcut initial to prologue; occasional decorative initials and woodcut head- and tailpieces throughout. Binding somewhat worn, rubbed and bumped; hinges and joints cracking; small portion of lower spine lacking. Somewhat browned and foxed; some leaves trimmed just affecting tailpieces or signature designation in a few instances; small hole to pp. 29/30 just affecting text. First Edition. Malkin 9.1. Magriel p. 139. Slin p. 296. Not in Derra de Moroda. L'Hercule Amoreux, a ballet with music by Lully, marked the occasion of the marriage of Louis XIV to Maria Theresa of Spain; it was first performed in Paris at the Tuileries on February 7, 1662. "This opera-ballet... was doubtless the most brilliant of all the festivities organized in honor of the king's marriage. The performance, before an immense crowd which filled the new theatre to capacity, lasted for six hours... But the magnificence of the new theatre, the extraordinary boldness of the machines and decorations, the numerous and sudden changes of scenes, and the sumptuousness of the costumes kept the audience in a constant state of excitement. They paid very little attention to the opera itself, but the ballet entries, particularly the one in which the king and queen danced together, surrounded by the most illustrious representatives of the nobility, threw them into ecstasy... The complete spectacle is a very happy fusion of two genres producing what we may call a 'court-opera- ballet' in which the subjects of the ballet entries are closely related to the subject of the opera. The work is the result of the collaboration of at least six people: Camille Lillius wrote the Prologue, Buti wrote the libretto, Cavalli composed the music of the opera, Benserade devised the ballet entries and wrote the Vers, Lully composed the music of the ballet entries, and Gaspare Vigarani invented the machines." Silin: Benserade and his Ballets de Cour, p. 301. Ercole amante ("Hercules in Love"), an opera in a prologue and five acts by Francesco Cavalli to a libretto by Francesco Buti after Ovid's Metamorphoses, was commissioned by Cardinal Mazarin to mark the occasion of the wedding of Louis XIV to Maria Theresa of Spain. Cavalli (1602-1676) "was the most performed, and perhaps the most representative, composer of opera in the quarter-century after Monteverdi and was a leading figure, as both composer and performer, in Venetian musical life." Thomas Walker in Grove online A French poet, librettist and playwright, "[Benserade's] art of telling the truth about society people with elegance and dexterity was not only appreciated by the salons and developed in all the current poetic genres - epigrams, madrigals, rondeaux, enigmas, portraits and epitaphs - but was peculiarly suited to the court ballet. Benserade's popularity coincided with Louis XIV's career as a dancer of some talent, and between 1651 and 1669, when the king retired from the stage, Benserade wrote verses for 23 royal ballets." Margaret M. McGowan in Grove online

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Archiducatus Austriae superioris vulgo Supra Anisum...

      1662. Kupferstich, Darstellung: 53,5 x 49,5 cm. Wunderschöne detaillierte Karte von Oberösterreich mit Linz oben in der Mitte. Mit Legende, Wappen, Titelkartusche und einer leeren Kartusche unten links. Aus 'Atlas Maior' von Willem Janszoon Blaeu und Joan Blaeu. Unten und oben knapp beschnitten, 1 cm Einriss in der Falte unten, ansonsten gut erhalten. Kräftiger Abdruck. Beautiful detailed map of Upper Austria with Linz in the upper middle part. From 'Atlas Maior' by Willem Janszoon Blaeu and Joan Blaeu. With a key, coat of arms, cartouche with a title and an empty cartouche in the lower left part. Narrow upper and lower margin, 1 cm tear in the fold below, otherwise in a good condition. Deep impression.

      [Bookseller: Antiquariat Dasa Pahor]
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        DELL?HISTORIA ECCLESIASTICA DI PIACENZA di... Nella quale si spiegano le attioni de? Santi, Beati e Vescovi della sudetta città, l?antichissima immunità e giurisdittione dell?istessa Chiesa con le fondationi di molti luoghi sacri, le varie donationi e gratie riportate da Sommi Pontefici, Imperadori, Re e Principi... Si fà mentione di molte famiglie, huomini illustri, e maggiori successi... Si racconta l?origine de? nomi de? villaggi, terre, e castella sì del Piacentino, come di Stati forestieri. E nel fine l?Historia vera circa l?origine, e nascita di Cristoforo Colombo piacentino scopritore del Nuovo Mondo...

      Bazachi 1662 in folio, pp. (24), 387, bella leg. m. pelle con nervi e tass. al d. Tagli rossi. Testo su due colonne. È il solo volume III (su 3) che contiene la storia della città di Piacenza dal 1278 al 1435, con appendice sulla nascita di Cristoforo Colombo e l?elenco delle chiese, castelli, paesi del piacentino. I precedenti volumi furono pubblicati nel 1651. E' l'opera principale dello storico piacentino (1569 - 1649) noto anche per i suoi studi di agiografia locale, pubblicata postuma dal nipote suo omonimo. Picc. danni alle cuffie e qualche pagina legg. brun. ma ottimo esempl.

      [Bookseller: Studio Bibliografico Scriptorium]
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        Das ist, Die gantze Schrifft, Altes und Neues Testaments. Teutsch, D. Martin Luthers: Auff gnädige Verordnung deß ... Fürsten und Herrn, Herrn Ernsts, Hertzogen zu Sachsen ... 3 Bde. Nürnberg, Endter, 1662. 63 Bll., 1118 S.; 2 Bll., 416 S., 9 Bll. Mit 7 gestoch. Titeln u. Zwischentiteln, 13 ganzseit. Kupferporträts, 1 ganzseit. Wappenkupfer, 2 doppelblattgr. Kupferplänen, 4 doppelblattgr. Kupferkarten sowie 13 (3 doppelblattgr.) Kupfertafeln. Folio. Hldr.-Bde. d. Zt. (stärker beschabt u. bestoßen).

      1662. . 5. Ausgabe der Weimarer Kurfürstenbibel.- Mit Porträts der Kurfürsten und der sächsischen Herzöge sowie einem Porträt Martin Luthers, ferner mit zwei Plänen von Jerusalem, Abbildung der Arche Noah, Ansicht vom Augsburger Reichstag 1530, Kalender etc. Die Karten zeigen das Mittelmeer samt arabischem Raum, den Weg der Reise der Kinder Israels aus Ägypten durch das Rote Meer, das Gelobte Land u.a.- Der erste Kupfertitel an der Einfassungslinie beschnitten und auf das erste weiße Blatt montiert.- Vereinzelt leicht fleckig.-

      [Bookseller: Antiquariat Schramm]
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        Kst.- Karte, aus dem Atlas Major bei Blaeu, "Descriptio agri Civitatis Coloniensis. ..

      . 1662, 37 x 52. Westorientierte Karte. Oben mittig die Titelkartusche flankiert von 2 Wappen. Schöne und übersichtliche Karte des Stadtgebietes von Köln, im Süden noch Brühl. - Mit restaurierten Randeinrissen.

      [Bookseller: Antiquariat Nikolaus Struck]
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        'Coloniensis Archiepiscopatus Auctore Ioh. Gigante Medico et Mathematico. Amstelodami Guiljelmus Blaeuw Excudit.':.

      . Altkolorierter Kupferstich v. Joannes Gigas aus Atlas Major b. Blaeu, 1662, 38 x 49,5 (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request). Koeman Bl 56, 73. - Zeigt das Erzbistum Köln mit dem Rheinlauf von Xanten bis Lahnstein sowie der Grafschaft Mark und dem Herzogtum Berg. - Die Karte westorientiert mit zahlreichen ausgemalten Wappen. - Unten rechts Kartusche mit Maßstab.

      [Bookseller: Antiquariat Norbert Haas]
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        THE HISTORY OF IMBANKING AND DRAINING OF DIVERS FENNS AND MARSHES, both in foreign parts, and in this kingdom; and of the improvements thereby

      London, Printed by Alice Warren in the year of our Lord, MDCLXII, 1662.. London, Printed by Alice Warren in the year of our Lord, MDCLXII, 1662.. Extracted from records, manuscripts, and other authentick testimonies, by William Dugdale esquire, Norroy King of Arms. 1662. ASSOCIATION COPY. SIGNED AND DATED, REGINALD BLOMFIELD, POINT HILL, RYE, SUSSEX, EJUS LIBER, 1913. Folio in fours, approximately 340 x 225 mm, 13½ x 9 inches, 11 engraved maps, 1 folding, the rest double page, pages: [8], 424, [2], printed in double column, some mispagination in numbering, all catch words correct, printed marginal notes and a few printed pointing hands, title page printed in red and black, Dedicated to the Kings Most Excellent Majesty [i.e. Charles II], head- and tailpieces; bound in full (late 19th century or early 20th century) vellum, 2 contrasting decorated gilt leather labels to spine, marbled endpapers, edges stained red. Vellum dusty and marked, top cover bowed, labels slightly chipped, title page laid down with a small repair to lower inner margin, title page lightly stained and dusty, free blank endpaper with signatures has outer edge neatly strengthened with document tape, first folding plate has large neat repair to blank side, no loss of image, 6 other plates have small neat marginal repairs to blank side, 1 has very slight loss to outer margin, not affecting main image, a few other small repairs or small closed tears, not affecting images or text, 3 plates slightly cropped with loss to margins, no loss to images, plates were remounted on new stubbs, probably when the book was rebound, some pale age-browning to plates and text, few small old ink splashes, tiny hole to 1 page, affecting a couple of letters, no loss of meaning, occasional pencil notes to margins, large neat old ink name above Blomfield&#39;s signature "Edwd. Jas. Smythe, Brandon, Suffolk". Overall a very good copy of the scarce first edition signed by Sir Reginald Blomfield famous architect, author etc. Blomfield was made an Associate of the Royal Institute of British Architects (RIBA) in 1881 and a Fellow in 1906; an Associate of the Royal Academy in 1905 and elected to the Academy in 1914, where he had been Professor of Architecture 1907-11 and awarded the Royal Gold Medal in 1913. He was President of the RIBA in 1912-14 and was knighted in 1919. See Wikipedia for more details on his life and work. ESTC lists a copy with 13 extra page at the end, but the copies listed on Copac, V & A library, Nottingham library and the Cambridge Special Collections all have the same collation as our copy. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
 41.   Check availability:     Biblio     Link/Print  


        Histoire du Roy Henry le Grand / composee par Messire Hardouyn de Perefixe ; reveue, corrigee, & augmentee par l&#39;auteur

      A Paris : et au Palais : De l'Imprimerie d'Edme Martin ; Chez Thomas Iolly, Chez Louis Billaine, 1662. A Paris : et au Palais : De l&#39;Imprimerie d&#39;Edme Martin ; Chez Thomas Iolly, Chez Louis Billaine, 1662. New Edition. Finely bound in modern speckled leather-backed boards. All edges marbled. New endpapers and two blank prelim. leaves. Lacking frontis. Pages somewhat tanned with some dust-toning, as with age. Minor staining on title page with a small pen annotation/signature. Remains particularly well-preserved overall; tight and strong. Further scans, images etc. and additional bibliographical material available on request. . Physical description: [16], 560p. 16 cm. Subjects: Henry IV, King of France, 1553-1610 -- Biography -- Early works to 1800. Referenced by: BM STC French, 1601-1700, B453. Language: French. Notes: "Recueil de quelques belles actions et paroles memorables du roy Henry le Grand" has a divisional half-title (p. [517]); pagination and register are continuous. Bookseller&#39;s names bracketed together on title page with a left-brace.

      [Bookseller: MW Books Ltd.]
 42.   Check availability:     Biblio     Link/Print  


        Aerö,Denmark,map,Blaeu J. a.1662

      Aerö, ,662,. Aerö, map, edited by J.Blaeu, anno 1662, Atlas Major, Part I, spanish edition, size of the leaf: 52 x 30cm., of the map: 19 x 30 cm.."Descripcion de las Islas De Arroe, Rom, y Mandoe." Reference: Koeman Bl 60a, Nr. 475.Nice contemporary coloured, printed on thick paper..

      [Bookseller: Hammelburger Antiquariat]
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        'Iuliacensis Et Montensis Ducatus. De Hertoghdommen Gulick en Berghe.':.

      . Altkolorierter Kupferstich aus Atlas Major b. Blaeu, 1662, 38 x 49,5 (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request). Koeman Bl 56, 71. - Zeigt die Herzogtümer Jülich und Berg. - Oben rechts Kartusche mit den Wappen der beiden Herzogtümer. - Unten rechts Kartusche mit Maßstab. - Unten links Titelkartusche.

      [Bookseller: Antiquariat Norbert Haas]
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        "Iuliacensis et Montensis Ducatus. De Hertoghdomen Gulick en Berghe".

      . Kupferstich von Blaeu, 1662, 38 x 49,5 cm.. Koeman BI 56, 71. - Zeigt die Herzogtümer Jülich und Berg mit dem Rheinlauf von Argenfels bis Dinslaken. - Unten links Titelkartusche, oben rechts Kartusche mit den Wappen der beiden Herzogtümer, rechts unten Maßstab. - Breitrandig und wohl erhalten.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
 45.   Check availability:     ZVAB     Link/Print  


        GABRIELIS ALVAREZ LUDEX PERFECTUS, seu de judice perfecto CHRISTO JESU domino nostro unice perfecto, vivorum et mortuorum iudici dicatus. Cum indicibus necessariis (.). & DE PRIVILEGIIS PAUPERUM ET MISERABILIUM PERSONARUM AD LEGEM UNICAM:

      Lugduni Sumptibus Horatii Boissat & Georgii Remeus 1662 - 2 works by Alvarez in 1 volume, both from the same publisher in Lyons, Iudex Perfectus being a first edition, De Privilegiis a second, 1662 & 1663. Latin text, folio, approximately 360 x 225 mm, 14 x 8¾ inches. Title pages printed red and black with large beautiful engraved printer's device of a ship and 2 angels, repeated on final page of Iudex Perfectus, some decorative head- and tailpieces and initials, each work and second part of the second work with half-title, text printed in double column, each work with an index at rear. IUDEX PERFECTUS: pages: [20], 324, [56]. 1 small printer's ink stain to 1 lower margin corner, otherwise clean. Treatise on the subject of judges, Roman and Canon law. DE PRIVILEGIIS PAUPERUM: subtitle: cod. quando imperator inter pupillos, & viduas, aliasqe miserabiles personas cognoscat : tractatus in duas partes distributus, juris studiosos, & in foro versantibus omnino necessarius, bonarum literarum sectatoribus accommodatissimus. Divided into 2 parts, pages: (14), 324, (60); (4), 218, (46). Small chip to fore-edge of half-title, contents very clean. First published in 1630-36 as Tractatus de privilegiis pauperum et miserabilium personarum authore. A treatise on poverty, beggars and old age. Binding: full pigskin over wooden boards, elaborately blind tooled, raised bands to spine, old faded, chipped paper label, original metal clasps, one defective, covers slightly soiled, tiny hole to surface at tail of spine, 1 ink number on front pastedown. A very good tight volume. Both works are scarce. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST. [Attributes: First Edition; Hard Cover]

      [Bookseller: Roger Middleton P.B.F.A.]
 46.   Check availability:     IberLibro     Link/Print  


        GABRIELIS ALVAREZ LUDEX PERFECTUS, seu de judice perfecto CHRISTO JESU domino nostro unice perfecto, vivorum et mortuorum iudici dicatus. Cum indicibus necessariis (...). & DE PRIVILEGIIS PAUPERUM ET MISERABILIUM PERSONARUM AD LEGEM UNICAM:

      Lugduni, Sumptibus Horatii Boissat & Georgii Remeus, 1662.. Lugduni, Sumptibus Horatii Boissat & Georgii Remeus, 1662.. 2 works by Alvarez in 1 volume, both from the same publisher in Lyons, Iudex Perfectus being a first edition, De Privilegiis a second, 1662 & 1663. Latin text, folio, approximately 360 x 225 mm, 14 x 8¾ inches. Title pages printed red and black with large beautiful engraved printer&#39;s device of a ship and 2 angels, repeated on final page of Iudex Perfectus, some decorative head- and tailpieces and initials, each work and second part of the second work with half-title, text printed in double column, each work with an index at rear. IUDEX PERFECTUS: pages: [20], 324, [56]. 1 small printer&#39;s ink stain to 1 lower margin corner, otherwise clean. Treatise on the subject of judges, Roman and Canon law. DE PRIVILEGIIS PAUPERUM: subtitle: cod. quando imperator inter pupillos, & viduas, aliasqe miserabiles personas cognoscat : tractatus in duas partes distributus, juris studiosos, & in foro versantibus omnino necessarius, bonarum literarum sectatoribus accommodatissimus. Divided into 2 parts, pages: (14), 324, (60); (4), 218, (46). Small chip to fore-edge of half-title, contents very clean. First published in 1630-36 as Tractatus de privilegiis pauperum et miserabilium personarum authore. A treatise on poverty, beggars and old age. Binding: full pigskin over wooden boards, elaborately blind tooled, raised bands to spine, old faded, chipped paper label, original metal clasps, one defective, covers slightly soiled, tiny hole to surface at tail of spine, 1 ink number on front pastedown. A very good tight volume. Both works are scarce. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
 47.   Check availability:     Biblio     Link/Print  


        Etymologicon linguae latinae.

      Elzevir, Amsterdam 1662 - First edition, folio, pp. [68], 606; title printed in red and black, woodcut device on title page, text primarily in double column; nice large copy in full contemporary vellum, gilt supralibros on upper cover, as well as the name of Samuel Lossa, D.D., and the date "An: MDCCVII," both also in gilt; on the front free endpaper is a long inscription honoring Lossa's public service, also dated 1707; manuscript title on spine; very good and sound.Gerhard Vossius (1577-1649) was a life-long friend of Hugo Grotius, and at the University of Leiden devoted himself to philology and historical theology; later in life he was professor of Greek and Rhetoric. In 1632 he left Leiden to take the post of professor of history at the newly founded Athenaeum at Amsterdam, which he held until his death. The book was edited and seen through the press by his son, Isaac (1618-1689), himself a brillant scholar as well.Copinger 5028; Willems 1295; Vancil, p. 246; Zaunmuller 254. [Attributes: First Edition; Hard Cover]

      [Bookseller: Rulon-Miller Books (ABAA / ILAB)]
 48.   Check availability:     AbeBooks     Link/Print  

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