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Displayed below are some selected recent viaLibri matches for books published in 1650
2017-06-08 18:42:12
SKONNING, H.H.:
1650 1650 - Huor udi foregifuis icke alleniste adskillig Kortvillighed, anlangende deris Action oc Rættergang: Men alt saadant end ocsaa henført alffuorligheds Brug. Oc under slig Poetiske Dict, denne onde arrige oc forvirrede Verden udi sin Habit oc Gestalt, affmalit, med sine Documentis oc observationibus, Huad mand deraff haffuer at lære. Prentet udi Aarhus, i Autoris Tryckeri 1650. 332 blade, alle sider i bred røskenramme. Velholdt eksemplar indbundet i samtidigt helpergament med kalligraferet titel på ryggen. Med autografer af bogens ejermand fra 1650 og fremefter. * Hans Hansen Skonning [1579-1651] virkede foruden som forfatter også som bogtrykker og klokker ved Domkirken i Århus. Da biskop Morten Madsen i 1641 afsatte ham som klokker, tog han hævn med denne satire, rettet mod forholdene i Århus. Skonning oprettede et bogtrykkeri i Aarhus ca. 1630, i 1635 fik han bevilling til at drive en papirmølle. Foruden denne virksomhed udfoldede han stor flid som forfatter. Hans i datiden mest omtalte arbejde var Kattenes Rettergang med Hundene, en dyreallegori i smag med Reinecke Voss. Det er bredt satiriske fremstillinger i dårlige knittelvers, og Skonning hævder indædt, at sandhed og retfærdighed er hjemløse i denne verden, hvor lasten triumferer. Thesaurus 644. Bibl. Danica IV, 246. Houghton no. 15.:"A contemporary of Arrebo, Skonning is today an obscure figure. In his life-time, however, he was well-known as a poet and a printer. This first edition, an allegorical verse epic with prose commentary, is a relatively rare seventeenth-century Aarhus imprint, published at the aut … [Click Below for Full Description]
Bookseller: Peter Grosell, Antiquarian Bookseller
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2017-06-07 14:15:48
Nicholas Caussin
London-William Bentley, 1650. Book. A rare first complete edition of Caussin's work, a moral opus, that gives a Christianised account of what Caussin defines as four of the most prominent passions: Love, Desire, Anger and Envy, along with sub divisions of this genre. The aim of the book is to provide advice on how to effectively manage these emotions. Collated: Lacking plateNicholas Caussin (1583-1651)was a French Jesuit and Louis XIII'sconfessor between the months of March and December, 1637. After a falling out with Cardinal Richelieu, he was exiled to Quimper. There is controversy over the reason behind this dispute, but new research by Philippe Seller and Gerad Ferreyrolles have claimed it was due to his strong religious oppositions to hell's existence. In 1643, after the death of his banisher, he returned, and was asked to form an opinion of the Moral Theology of Jesuits. Condition: In a quarter Moroccan binding. Externally worn with rubbing to extremities and spine. Internally, firmly bound with failed binding to first few pages. Previous owner's document attached to front free-endpapers and ink marking on title page. Some foxing throughoutnot affecting the text. Pages generally bright with occasional marking. Final three pages laid down. Overall: GOOD ONLY. GOOD ONLY. [Attributes: First Edition; Hard Cover]
Bookseller: Rooke Books PBFA [Bath, United Kingdom]
2017-06-07 14:00:43
DUVAL Pierre (1618-1683)
3 ouvrages en 1 volume. 1- Les Princes Souverains de l'univers. Dédiez A Haut & Puissant Prince Henry de Savoye, Duc d'Aumale par son très-humble, & très-obéissant serviteur, P. Du Val, Géographe. 2- Les Estats des Princes de l'Europe. Par Du Val, Géographe. 3- De l'Estendue et Grandeur de l'Empire d'Allemagne. Avec l'explication des villes & rivières en langue Allemande, Latine & Françoise. Éditions originales (Très rare). A Paris, chez Jean Guignard 1650-1651. 31, 31, et 128 pages. Bandeaux, lettrines, culs-de-lampe et vignettes. Reliure plein-veau écaille du XVIIIe. Dos lisse avec titre doré en long. Tranches rouges. Coiffes manquantes. Charnières et coins frottés. Quelques pâles rousseurs. Quelques annotations manuscrites sur les 2 pages de garde. Bon état. Format in-12°(17x11). Pierre Duval (1618-1683) est un géographe français. On lui doit de nombreux ouvrages de voyages et de géographie. 1ère Edition [Attributes: First Edition; Hard Cover]
Bookseller: Livres et Collections [SEVRES, France]
2017-06-07 11:08:19
Eisenberg. Merian, Caspar.
Frankfurt 1650 - Kupferstich aus Topographia Obersachsen. 20,5x32. Topographia Superioris Saxoniae Thüringiae, Misniae, Lusatiae etc. 1. Ausgabe. Wüthrich S.24.
Bookseller: Altstadt Antiquariat Bode
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2017-06-06 21:46:22
Matthäus Merian d.Ä.
Frankfurt Merian. Historische Ortsansicht. Kupferstich / Radierung, 1650. Von Caspar Merian. 18,9 x 51,4 cm (Darstellung) / 26,5 x 55 cm (Blatt). Fauser 10995. Aus: Matthäus Merian d. Ä., Topographia Superioris Saxoniae Thüringiae/ Misniae Lusatiae etc: Das ist Beschreibung der Vorn[embste]n und Bekantesten Stätt/ und Plätz/ in Churfürstenthum Sachsen/ Thüringen/ Meissen/ Ober und NiderLaußnitz und einverleibten Landen (Frankfurt: Merian 1650). - In der Darstellung oben betitelt und jeweils rechts und links im Himmel unausgefüllte Wappen. - Gesamtansicht der Stadt Pirna über die Elbe hinweg mit der Marienkirche und Schloß Sonnenstein. - Blatt knickspurig und angeschmutzt, mittig ausgeprägte Bugfalte und weitere vertikale Falten, seitliche Ränder angesetzt. Sonst guter Zustand. Caspar Merian (1627 Frankfurt am Main - 1686 Schloss Waltha/Westfriesland). Bedeutender topographischer Kupferstecher und Verleger des Barock. Sohn und Schüler des Kupferstechers Matthäus Merian d. Ä., Halbbruder von Maria Sibylla Merian. Nach dem Tod des Vaters führte er den Frankfurter Verlag gemeinsam mit seinem Bruder Matthäus d.J. Herausgegebene Hauptwerke 'Topographia Germaniae' und 'Theatrum Europaeum'. Sprache: Deutsch [Attributes: Hard Cover; In Dust Jacket]
Bookseller: GALERIE HIMMEL [Dresden, Germany]
2017-06-06 19:30:09
Amling, Karl Gustav:
Karl Gustav Amling, geboren 1650, gestorben 1703. Original-Kupferstich aus der Folge: \"Szenen aus der Geschichte Otto von Wittelsbachs\". Gestochen von Karl Gustav Amling nach Peter Candid. Maße Blatt: 30,5 x 42,8 cm. Maße Abbildung: 24,0 x 38,0 cm. Unter dem Stich typografisch bezeichnet: Otto M. Comp: P. Witelspac: Boioariae Dux Landeshutam Civitatem, et Arcem in Monte Adiacente sedem Ducalem Aedificat an: MLXXXII, P. Cand. pinxit. C. G. ab Amling delin. et sculpsit.1697\". Blatt wenig fleckig, winziges Loch im Bildbereich, ehemaliger Passepartoutausschnitt etwas gedunkelt. Gutes Exemplar. Original copper engraving by Karl Gustav Amling after Peter Candid. Labeled typographically below the engraving. Measure sheet: 30,5 x 42,8 cm. Measure plate/image: 24,0 x 38,0 cm. Sheet with traces of use, lightly spotted, lightly darkened. Good condition. Versand D: 4,90 EUR Originalkupferstich / original copper engraving
Bookseller: Antiquariat Lenzen GbR
2017-06-06 17:30:52
Merian, M.
Matthaeus Merian ca. 1650. 32x38cm. Uncoloured. Excellent condition. Uncommon slightly larger version of Merian’s map of the British Isles.
Bookseller: Garwood & Voigt [Sevenoaks, United Kingdom]
2017-06-06 13:18:54
Stefano della BELLA
1650. Acquaforte, priva della firma dell’artista. Magnifica prova, ricca di toni, impressa su carta vergata databile alla prima metà del diciottesimo secolo, rifilata alla linea marginale, in buono stato di conservazione. Etching, the artist's signature is missing. Beautiful proof, with rich tonalities, printed on laid paper datable from the first half of the eighteenth century, trimmed at the borderline, in good conditions. De Vesme/Massar 277. 170 170mm [Attributes: Soft Cover]
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-06-06 08:45:44
Merian Matthäus, 1593-1650
Merian Matthäus, 1593-1650. Maastricht, siege of 1676, Theatrum vol XI, anno 1682 Maastricht, siege of 1676, Theatrum vol XI, anno 1682, edited in Merians Theatrum Europaeum, vol XI, size of the leaf: 35x37 cm., upper part, plate size: 8,6x34,2 cm., below, 17,3x34 cm. Reference: Fauser, Nr. 8237+8238 [Attributes: Hard Cover]
Bookseller: Hammelburger Antiquariat [Hammelburg, Germany]
2017-06-05 23:39:03
Argoli Andrea
Patavii Typis Pauli Frambotti bibliop. 1650. 4°, mm 220 x 160, pp. (10), 338, (2). Legatura coeva in piena pergamena morbida, titolo manoscritto al dorso. Esemplare completo e senza difetti, carte interne fresche e marginose; bella marca tipografica a frontespizio, Minerva tende il braccio destro verso un ulivo e tiene con la mano sinistra lo scudo; motto su nastro: Pacis opus. Capilettera istoriati, finalini xilografici e due grandi xilografie alle pp. 71 e 88. Seconda edizione dopo la prima uscita dai torchi di Giulio Crivellari.  La prima parte di solo testo, con qualche tabella illustrante i calcoli dell'Argoli. La seconda parte è composta esclusivamente dalle tavole di calcolo e misurazione astronomica riguardante il moto del sole, della luna e dei pianeti Saturno, Giove, Marte, Venere, Mercurio; interessanti anche le misurazioni riguardanti le eclissi solari e lunari, il volume si chiude con le tavole che misurano la posizione degli astri e un Catalogus Civitatum pro differentia Meridianorum.
Bookseller: Libreria Spalavera
2017-06-05 23:39:03
TITI Placido (de)
Giovan Battista Malatesta,, milano, 1650. In 4° (21,8 x 17). Pp. (16), 323, (1). Stupenda antiporta allegorica incisa (firma di app. coeva "Ioannis Livii Gaioni" al verso). Altra firma abrasa al front. Con 9 illustrazioni incise f.t. (la terza ripiegata e le restanti a piena pagina al recto e al verso su 4 fogli). Un fascicolo di testo proviene da altro esemplare ed è stato rimarginato in basso; ciononostante copia attraente in legatura coeva pergamena rigida, titolo su tassello al dorso. Unica edizione di questo trattato. Titi (1601-1668) è ancor oggi considerato uno dei principali dissertatori della materia astrologica di tutto il Seicento. L’opera, come descritto esaustivamente da Cantamessa (Astrologia in & outs, Milano 2011, III-8022), verte sulla difficoltà di calcolare con precisione l’oroscopo natale, già peraltro affrontato da Tolomeo in epoca antica. La questione viene risolta individuando il pianeta dominante e la congiunzione del Sole e della Luna. Titi è ancor oggi noto tra gli appassionati per aver definito il sistema delle case, noto come sistema placidiano, che è quello dell'astrologia moderna. RICCARDI, II-II, 150. PIANTANIDA, Libreria Vinciana, n. 1618 (riporta data errata). THORNDIKE, VIII, pp. 302-303. CAILLET, III-10734
Bookseller: LIBRERIA ANTIQUARIA PIEMONTESE [TORINO, Italy]
2017-06-05 20:51:10
BERLIN, Irving:
New York, 1650 Broadway, 1946. 9 sheets of music to movie Blue Skies, released 16 Oct.1946. As sung in I.Berlin\'s \"Blue Skies\" starring Bing Crosby, Fred Astaire, Joan Caulfield, Billy DeWolfe, Olga San Juan, Frank Faylen, Victoria Horne. Produced by Sol C.Siegel, directed by Stuart Heisler. Blue Skies (5 S.), I\'ll See You In Cuba (5 S.), You\'d Be Surprised (5 S.), I\'ve Got My Captain Working For Me (3 S.), Puttin\' On The Ritz (5 S.), Russian Lullaby (5 S.), Heat Wave (7 S.), All By Myself (6 S.) & (Running Around In Circles) Getting Nowhere [with cover-illustration by Hal Weinstein] (5 S.). Piano notes with symbols for Guitar and Chords for Ukulele and Banjo. 30 x 23 cm. Original-Hefte mit illustr.Umschlägen (Papier leicht gebräunt, Besitzervermerke auf den Umschlag-Vorderseiten). 9 Notenheftchen für Piano, meistens mit Symbolen für Gitarre und Akkorden für Ukulele und Banjo (Russian Lullaby mit Ukulele Arr. von May Singhi Breen). Amerika, Film, Filmmusik, Letternotations, Musik 20.Jh., Noten, Unterhaltungsmusik
Bookseller: Antiquariat Gerber AG
2017-06-05 09:37:59
Lancicius, Nicolai (Nicolaus):
Antverpiae (Antwerpen), Apud Iacobum Meursium 1650 - (16)/838/(26), (12)/937/(37) S., Bibliotheksexemplar (Jesuitenbibliothek) mit Resten eines Rückenschildes und Stempeln (entwidmet), Einbände berieben und bestoßen, Außengelenke teils etwas eingerissen, Vorsatzblätter erneuert, Papier gebräunt und teils stock-/braunfleckig, Seiten im Randbereich teils mit altem Wasserrand, ansonsten gut erhaltenes Exemplar, Text in Latein / ex-library copy with rests of a label on spine and stamps (Jesuits library), binding rubbed / bumped, some joints with a tear, new preliminary pages, paper browned and partially foxed, pages at the margin partially waterstained, else good, text in Latin, la Gewicht in Gramm: 4500 Gr.4° (ca. 19,5 x 29,5 cm), gebunden in spätere Halbledereinbände / bound in later half calf,
Bookseller: Antiquariat An der Vikarie
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2017-06-04 19:49:46
Antiphonar.-
1650 Schwarze römische Choralnotation auf rotem vierlinigem System. Mit Initialen in Rot und Blau.- In der unteren Außenecke mit kleinem Loch (ca. 1 cm). Versand D: 5,00 EUR
Bookseller: Antiquariat Schramm
2017-06-04 19:49:46
Antiphonar.-
1650 Schwarze römische Choralnotation auf rotem vierlinigem System. Mit 2 blauen und 1 roten Initiale.- Etwas gebräunt. Versand D: 5,00 EUR
Bookseller: Antiquariat Schramm
2017-06-04 17:48:15
Visscher, Cornelius (um 1619 Haarlem - 1662),
1650-1660. In der Platte bezeichnet \"P.D. Laer pinx., Corn. Visscher fecit.\" Ebenmäßiger Druck auf festem Bütten. Mit winzigem, teils schmalem Rändchen um die Plattenkante. 35,9 x 29 cm. Papier: 37,2 x 30 cm. Hollstein 54 II. Hollstein 13 (after Laer). - Knickspur in der unteren rechten Ecke. Viehdiebe, Pieter van Laer, Pieter de Laer, Hollstein 54, Hollstein 13
Bookseller: Kunstantiquariat Joachim Lührs
2017-06-04 16:38:24
MERCATOR, Gerardus.
[ca. 1650]. 36 x 47 cm. Bis auf Randrisse, gut erhalten.Mit 3 Wappen- u. Textkartusche. In feinem Kolorit. Die Karte zeigt das Gebiet der dalmatinischen Küste, Golf von Venedig, Slowenien, Kroatien, Slavonien, Bosnien. Versand D: 4,00 EUR Karten und Pläne, Balkan
Bookseller: Antiquariat Burgverlag
2017-06-04 14:42:33
PORTUGAL)
No date. Ca. 1650. Briet, Philippe. Copper plate engraved map, uncolored, approx. 6 x 7 1/2 inches on sheet 6 3/4 x 9 1/2 inches. Very good condition. Text in Latin on verso.
Bookseller: oldimprints.com [USA]
2017-06-04 13:41:39
Blaeu
Bookseller: Bryars and Bryars [United Kingdom]
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2017-06-04 12:35:25
PALLADIO, Andrea.
Paris: Edme Martin, 1650. Rare French language edition of Palladio's famous Quattro libri dell' Architettura. This edition was the last to be printed from the woodblocks of the first Venetian edition of 1570. Later editions became even more ornate, yet demand for copies printed from Palladio's original designs was so great that Consul Smith had a facsimile printed for English admirers of the work in the eighteenth century. Printing and the Mind of Man, no. 92 (listing the second edition, with the same plates as here). A very good copy with splendid provenance. Small folio, together four books each with ornamental title page, illustrated throughout, continuous pagination and a single leaf with printed Royal imprimatur, ample margins; an innocuous watermark to the top margin of the fourth book, but a very good copy in early half calf binding of the Berlin Royal Library with stamp to title-page, some wear, joints starting. Printing and the Mind of Man, second edition, number 92. Berlin Catalogue 2596.
Bookseller: Rare Illustrated Books [Australia]
2017-06-04 09:10:47
Eisenach. Merian, Caspar.
Frankfurt, Topographia Obersachen 1650 - Kupferstich. 23,5x34,7. Mit restaurierten Randeinrissen. "Älteste bekannte Stadtansicht von Eisenach." Topographia Superioris Saxoniae Thüringiae, Misniae, Lusatiae etc. Wüthrich 24.
Bookseller: Altstadt Antiquariat Bode
2017-06-04 04:14:55
Kupferstich v. Merian, um 1650, 23,2 x 16,5 cm. Die Darstellungen befinden sich auf zwei Abbildungen untereinander. Oben: Gesamtansicht mit Blick vom Königstuhl auf die Stadt über den Neckar bis zum Heiligenberg. Die untere Darstellung zeigt Besichtigung und Weinprobe am ersten Großen Fass. JPEG-Bilder auf Anfrage möglich. Heidelberg.: General view of HEYDELBERGA and the first Great Heidelberg Tun. Copperplate engraving by Merian, ca. 1650, 23,2 x 16,5 cm. JPEG pictures upon request. View from Koenigstuhl of the town across the Neckar up to Heiligenberg. The lower depiction shows tour and wine tasting from the first famous extremely large wine vat.
Bookseller: Gertraud Bracker [Weilheim i. Ob., Germany]
2017-06-04 03:23:25
Blaeu, J.
Published by J. Blaeu , Amsterdam no date given approximately 1650 - , 38 x 27 cm engraved map with contemporary hand colour, coats of arms, dolphin cartouche, on 42 x 30 cm page with Spanish text verso First Edition thus , a few small nicks at edges to page engraved area not affected, 3 breaks in printed right hand margin due to printing or binding, otherwise map in very good condition a nice crisp copy 42 x 30 cm Map [Attributes: First Edition]
Bookseller: Keoghs Books
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2017-06-04 01:33:53
Carlo MARATTI
Acquaforte, circa 1650, firmata in lastra in basso a sinistra. Esemplare nel secondo stato di cinque, con l’aggiunta della firma dell’artista e prima della completa cancellazione della tracce di gamba del Bambino nel margine bianco inferiore sinistro. Splendida prova, impressa su carta vergata coeva con filigrana "stella nel cerchio e croce", con sottili margini, tracce di colore nel margine inferiore destro, per il resto in ottimo stato di conservazione. Allievo di Andrea Sacchi, il Maratti si trasferisce a Roma nel 1650. La predilezione per la rappresentazione dei soggetti legati alla Vergine, alla quale secondo il Pascoli era devotissimo, gli valse il soprannome di Carluccio delle Madonne. Il corpus grafico dell’artista è da ricondurre agli inizi della sua carriera, alla bottega del Sacchi , e comunque prima del 1660. Tutte le incisioni del Maratti esistono in più stati, il primo dei quali, senza la firma dell’artista, è veramente molto raro. Si può pertanto ipotizzare che si tratti di prove di stampa, date alla luce solo per l’approvazione dell’autore, il quale successivamente imprimeva il proprio nome come autorizzazione alla stampa. Etching, 1650 approximately, signed on lower left plate. Example in the second state of five, with the signature of the artist and before the signs of the Child’s leg, on lower left, were removed. Beautiful work, printed on contemporary laid paper, with "star in circle with cross" watermark, with thin margins, signs of colour on lower right, otherwise in excellent condition. Maratti, a pupil of Andrea Sacchi, moved to Rome in 1650. His fav … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-06-03 15:13:01
Pier Francesco MOLA
1650. Acquaforte e punta secca, firmata in lastra in basso a sinistra. Esemplare nell’unico stato conosciuto. Bellissima prova, impressa su carta vergata coeva priva di filigrana, irregolarmente rifilata al rame, lievi restauri agli angoli perfettamente eseguiti, in ottimo stato di conservazione. Il soggetto è tratto dalle Metamorfosi di Ovidio. Giunone gelosa di Io, principessa di Argo amata da Giove, la trasformò in una giovenca affidandola ad Argo, il gigante dai cento occhi. Mercurio, invitato da Giove, uccise il guardiano dopo averlo incantato con la sua musica. L’opera rappresenta una delle due incisioni d'invenzione del Mola insieme alla Vergine ed il Bambino (Batsch 3). L’atteggiamento disinvolto dell'artista verso l'arte si manifesta in questo lavoro in cui sembra indifferente alle finezze tecniche lasciando andare la mano di getto, come usava nel disegno. Nessuna sua acquaforte testimonia di un grande impegno verso questo mezzo di espressione artistica, lasciando lo spazio all'istinto. La composizione, pur non essendo uguale, ricorda un suo dipinto del medesimo soggetto conservato oggi ad Oberlin (Ohio). Foglio molto raro. Etching with drypoint, signed on plate at lower left. Example in the only known state. Beautiful proof, on contemporary laid paper, no watermark, irregularly trimmed at the platemark, small perfectly repaired areas at the corners, in very good conditions. This theme is taken from Ovidius' Metamorphoses. Juno is jealous of the princess Io who, in turn, is loved by Jupiter. For this reason the goddes transforms Io into a heifer and places her unde … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-06-03 13:53:49
Anonimo
Francia, 1650. Cabreo finemente eseguito su carta francese con filigrana databile alla metà del XVII secolo. Il foglio appareneva ad un "Album Amicorum" venduto in asta a Parigi nel dicembre 2008 e successivamente, purtroppo, diviso in singoli fogli che risultano presenti nel mercato antiquario dallo scorso gennaio. L'album era composto da una miscellanea di incisioni e manoscritti, quasi tutti raffiguranti piante delle fortificazioni delle principali città europee, con particolare attenzione alle città italiane che, a differenza delle altre opere manoscritte, sono accuratamente rifinite con acquarello dai toni verde e rosa. I cabrei risutano tutti della stessa mano, con titolo latino ed iscrizioni e commenti in lingua francese. Una sorta di album di disegno da viaggio eseguito da un anonimo autore con grandi conoscenze architettoniche e militari, con probabili finalità di studio preparatorio, probabilmente ispirato ad un opera cartografica a stampa del periodo. Le piante delle città italiane ricordano per molti elementi le opere di Jodocus Hondius II inserite nel "Nova et accurata Italiae Hodiernae descriptio" pubblicato a Leida nel 1627. Ottimo stato di conservazione di questo unico documento sulla città. 240 185mm
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-05-31 20:56:08
Salvator ROSA
Coppia di incisioni all’acquaforte e puntasecca, circa 1650/60, monogrammate in lastra in basso a destra ed a sinistra rispettivamente. Stato unico. Bellissime prove, impresse su carta vergata coeva priva di filigrana, con sottili margini, in ottimo stato di conservazione. Le due stampe documentano la capacità del Rosa di ricreare un’atmosfera da favola ellenistica, dove le divinità mitologiche sono rappresentate in perfetto equilibrio con la natura circostante. Rotili ritiene che le opere siano databili intorno al 1651/6, sostenendo che simboleggino i fiumi dei quattro continenti, in analogia con la Fontana dei Quattro Fiumi di Piazza Navona realizzata da Gian Lorenzo Bernini, 1648/51. Pair of etchings and drypoint, about 1650/60, signed on plate at the bottom right and left respectively. Only state. Beautiful proof, printed on contemporary laid paper without watermark, with narrow margins, in excellent condition. The two prints documenting the ability of Rosa to recreate a fairytale Hellenistic, where mythological gods are represented in perfect harmony with the surrounding nature. Rotili believes that the works are dated around 1651/6, arguing that symbolize the rivers of the four continents, in analogy with the Fountain of the Four Rivers in Piazza Navona created by Gian Lorenzo Bernini, 1648/51. Bartsch 15&16; Rotili 16 & 17; Wallace 96 & 97; Massari, Tra Mito ed Allegoria, p. 438, 163 & 164; Costamagna, Incisori Napoletani del’600, 63 & 64. Dimensioni 210x94. [Attributes: Signed Copy; Soft Cover]
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-05-31 10:46:47
Deutschland. -
Altkolorierte und gerahmte Kupferstich-Karte nach Abraham Ortelius von Blaeu, Amsterdam, ca, 1650. Ca. 38 x 48 cm (Darstellung), ca. 60,5 x 70 cm (Rahmenaußenmaß). Historische Karte Deutschlands. Mit Titelkartusche und einer Widmungskartusche von Abraham Ortelius an Jakob Monau. Links unten Legende der Ortsnamen zur Zeit Karls des Großen, rechts davon "Amsterdami Apud Guilj. Blaeuw". Aus Blaeus "Theatrum orbis terrarum, sive, Atlas novus" mit lateinischem Rückentext. Gerahmt in Goldleiste unter Passepartout, Rückseite verglast (dadurch lateinischer Text lesbar). Goldleiste mit minimalen Absplitterungen.
Bookseller: Antiquariat Rainer Schlicht [Berlin, Germany]
2017-05-31 08:36:18
Giovanni Francesco GRIMALDI detto il "Bolognese"
Acquaforte, 1650 circa, priva della firma ma con il nome dell’editore De Rossi i basso a destra. Magnifica prova, ricca di toni, impressa su carta vergata coeva priva di filigrana, rifilata al rame, in ottimo stato di conservazione. Conosciuto come "il Bolognese", Grimaldi era probabilmente nato in questa città intorno al 1606 e, in effetti, la produzione degli ultimi anni fu fortemente influenzata dai suoi primi contatti con la tradizione dei Carracci. Etching, 1650 circa. A very good impression, printed on contemporary paper, trimmed to the platemark, in very good conditions. Around 1606 and, as a matter of fact, his later production was strongly influenced by his first contacts with the Carracci tradition. He moved to Rome when twenty and in 1636 he was admitted to the Accademia di San Luca, of which he became principe in 1666. Once in Rome, he worked on several important commissions, mainly landscapes, for many famous patrons, among them three popes. His reputation grew very fast this way; in 1648 he was called in Paris to work on decorative project inside the Louvre, in the palazzo of Cardinal Mazzarino and the Jesuit church. He came back to Rome in 1651 and he lived there until his death, in 1680. Although his landscape style is rooted in the classical tradition of Annibale Carracci and Domenichino, it also recalls other tendencies about landscape painting of the time, such as the Venetian, the Northern and the Romantic tradition of Gaspar Dughet and Salvator Rosa. Grimaldi worked with Dughet on the realization of the incredible cycle of landscape frescoes in San Mart … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-05-31 02:56:10
SACHSEN:
Grenzkol. Kupferstich v. Robert Cordier ( tätig um 1650 ) n. Nicolas Sanson (1600-1667) aus Cartes générales de toutes les parties du monde, Paris, dat. 1655, 35 x 46 cm Zeigt Sachsen mit den Markgrafschaften Meissen und Lausitz und der Landgrafschaft Thüringen. Titelkartusche unten rechts sowie Meilenanzeiger oben links. ** Photos auf Wunsch im JPG-Format erhältlich.**
Bookseller: Kunsthandlung Goyert [Köln-Cologne, Germany]
2017-05-30 05:19:51
Giovanni Francesco GRIMALDI detto il "Bolognese"
Acquaforte, 1650 circa, firmata in lastra in basso al centro. Magnifica prova, ricca di toni, impressa su carta vergata coeva , rifilata al rame o con sottilissimi margini, in ottimo stato di conservazione. Conosciuto come "il Bolognese", Grimaldi era probabilmente nato in questa città intorno al 1606 e, in effetti, la produzione degli ultimi anni fu fortemente influenzata dai suoi primi contatti con la tradizione dei Carracci. Grimaldi realizzò oltre cinquanta incisioni di paesaggi, tutti fortemente influenzati dalla formula paesaggistica di Annibale Carracci e Domenichino. Le sue stampe, così come i dipinti e i disegni di vedute, sono caratterizzate da un approccio alla natura estremamente regolare e controllato, enfatizzando le linee orizzontali, verticali e i piani. Alla stregua dei suoi modelli bolognesi, Grimaldi usava spesso masse rocciose o di terra sporgenti, file di alberi posizionate strategicamente, e architetture posizionate nei piani per disporre il suo schema organizzativo. Bibliografia: Bartsch 14. Dimensioni 219x309. Etching, 1650 circa, signed on lower centre plate. Magnificent work, rich in shades, printed on contemporary laid paper, trimmer to platemark or with very thin margins, in excellent condition. Known as "il Bolognese", Grimaldi was probably born in the city around 1606 and, as his late production suggests, he was deeply influenced by his early contact with Carracci. Grimaldi realized more than fifty engravings of landscapes, and all of them show the influence of the landscape formula of Annibale Carracci and Domenichino. His prints, like his pai … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-05-29 12:12:19
um 1650. - Unter Passepartout. Gut. Sprache: Deutsch Gewicht in Gramm: 3000
Bookseller: Plesse Antiquariat Minzloff
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2017-05-29 10:40:18
Famiano Strada
Juxta exemplar Romae imp : Apud haeredes F. Corbeletti, 1650. - 1650 1ed Famiano Strada War Belgium Habsburgs Illustrated Portraits Kings Queens Adolphus I Queen Elizabeth Mary Stuart Farnesius + Famiano Strada’s history of Belgium illustrated with portrait engravings. Famiano Strada (1572 – 1649) was a Jesuit priest, historian, and moralist. Main author: Famiano Strada Title: Famiani Stradæ Romani, è Soc. Ies. De Bello Belgico Decas Secvnda Ab initio Præfecturæ Alexandri Farnesii Parmæ Placentiæqve Dvcis III. An. MDLXXVIII. Vsque ad An. MDXC Published: Juxta exemplar Romae imp : Apud haeredes F. Corbeletti, 1650. Language: Latin Notes & contents: • Illustrated with 12 copper portrait engravings o Alexander Farnesius o Matthias Archdux Austria o Franciscus Lanovius o Franciscus Hercules Valesius o Don Franciscus de Verdugo o Guilielmus Ludovicus o Adolphus I o Queen Elisabeth o Robertus Dudleus o Pope Sixtus V o Mary Stuart FREE SHIPPING WORLDWIDE Wear: wear as seen in photos Binding: tight and secure leather binding Pages: complete with all 637 pages; plus, indexes, prefaces, and such Publisher: Juxta exemplar Romae imp : Apud haeredes F. Corbeletti, 1650. Size: ~5in X 3in (12.5cm x 7.5cm) FREE SHIPPING WORLDWIDE Shipping: Very Fast. Very Safe. Free Shipping Worldwide. Satisfaction Guarantee: Customer satisfaction is our first priority. Notify us within 7 days of receiving your item and we will offer a full refund guarantee without reservation. $499 Photos available upon request. [Attributes: First Edition; Hard Cover]
Bookseller: Schilb Antiquarian
2017-05-29 10:40:18
Strada, Famianus 1572-1649 (Famiano); into English by Sr Rob Stapylton, Knight
London: printed for Humphrey Moseley, 1650. First printing. Hardcover. Fair. First edition in English, 1650. 4to, original leather, fair copy with boards heavily varnished and held on with two ugly leather patches, spine quite worn, with 8 of the 14 plates, pp. (8), 143 (1) 83 (3) 24 (48; table, errata, 2pp catalog of books). Contents very good.
Bookseller: Caliban Books ABAA-ILAB
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2017-05-28 20:48:32
Merian Matthäus, 1593-1650
Merian Matthäus, 1593-1650. Schwanau-Wittenweier, anno 1638, Merian, Theatrum, anno 1670 Schlacht bei Wittenweier (Baden) 1638 (Delineation des hartten Treffens so zwischen den Key: Gen: Graff Götzen Duc de Savelli und Hertzog Bernhart von Saxen Weinmar bey Wittenweyr vorgangen Ao 1638) aus: Theatrum Europaeum Bd. III, S. 963 Kupferstich Format: 36 x 29 cm Sauber, nahezu fleckenfrei. Schlachtszene mit den Schweden bei Witteweiher und Kappel Datum 9. August 1638 Ort Wittenweier bei Schwanau, Baden Ausgang Sieg der weimarer Truppen, Protestantische Seite Folgen Der Anfang vom Ende der Festung Breisach Konfliktparteien Frankreich, Schweden, Protestanten Kaiserliche Truppen, Katholiken Befehlshaber Bernhard von Sachsen-Weimar Federigo Savelli Johann von Götzen Die Schlacht bei Wittenweiher fand am 9. August 1638 beim Dorf Wittenweiher (heute: Wittenweier, ein Ortsteil von Schwanau) statt, welches in der Schlacht völlig zerstört wurde. Der protestantische Feldherr Bernhard von Sachsen-Weimar hatte sich im Südwesten Deutschlands festgesetzt. Die Versuche der Kaiserlichen unter Federigo Savelli und Bayern unter Johann von Götzen, ihn dort zu vertreiben, waren blutig fehlgeschlagen (Schlacht bei Rheinfelden). Nun bedrohte Bernhard die Festung Breisach. Unter den französischen Truppen, die Bernhard unterstützten, war der spätere Marschall Turenne. Die kaiserliche und bayerische Armee hatte ein Stärke von etwa 18.500 Mann. Sie begleitete einen Versorgungstross für die Festung Breisach von Offenburg nach Breisach. Dieser Tross blieb der protestantischen Armee nicht verborgen. So macht … [Click Below for Full Description]
Bookseller: Hammelburger Antiquariat [Hammelburg, Germany]
2017-05-28 13:57:50
Janssonius, J.
Janssonius J, 1650. "Nobilis Saxoniae fl. Visurgis, cum Terris adiacentib. Ab Inclyta Brema ad ostium maris". Altkol. Kupf.-Kte. von J. van Loon bei J. Janssonius, (um. 1650). Mit 3 ausgem. fig. u. herald. Rollwerkskart. 47,5:54 cm. Koeman I, map 2080:1A (Weser River) - Zeigt den Wesserlauf von Bremen-Hamelingen bis zur Mündung in die Nordsee; in zwei Teilen übereinander.
Bookseller: Antikvariat Krenek [Prag, Czech Republic]
2017-05-28 08:21:28
ca. 1650. . . . 1 Vol. . 16 folios pp. Folio. Medio Pergamino. América (México), Siglo XVII . Pleito del Dean y Cabildo de la santa Iglesia Catedral de México contra Lorenzo Vidal de Figueroa, cura de la Iglesia de Veracruz, sobre los diezmos que goza la catedral. En este alegato jurídico, se repasa los privilegios concedidos por el patronazgo real a la iglesia de México. En este recorrido histórico es cuando surgen diversos datos desconocidos del arzobispo Fray Juan de Zumárraga, sobre la cuestión de los privilegios de la catedral. Por lo que se ve, su papel fue destacado en la constitución y regulación de los fondos económicos necesarios para el mantenimiento de la catedral. Obtuvo el clérigo durangués ciertas concesiones del Papa para la catedral de la que fue su fundador y edificador. Este raro impreso aporta una nueva perspectiva sobre el que fuera introductor de la imprenta en México. .
Bookseller: Librería Anticuaria Astarloa [Bilbao, Spain]
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2017-05-28 03:24:07
Merian Matthäus, 1593-1650
Merian Matthäus, 1593-1650 - Düren-Jülich. »Eigentliche Abbildung des Hessischen Einfalls in der Lotringer Qvartir und wie ritterlich der Lottring. von H. Gr. vo Nassaw nebe dem Ob. Mandeslo Secvndirt das der feind gäntzlich geschlage worde den 10 Ap. 1644.« Kupfer aus Merian, Theatrum Europaeum 1647. 29,5×39 cm. Der Rurlauf von Jülich bis Düren mit dem anliegenden Gebiet, zeigt u. a. auch Eschweiler, Hambach, Steinstrass, Birkesdorf usw. Referenz: Wüthrich, V, Nr. 14 [Attributes: Hard Cover]
Bookseller: Hammelburger Antiquariat
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2017-05-28 03:24:07
Merian Matthäus, 1593-1650
Merian Matthäus, 1593-1650. Düren, anno 1647, Vogelschauansicht, Merian Matthäus Matthaeus Merian (1593 - 1650) Düren / Nordrhein Westfalen Düren aus der Vogelschau 1647 Motivmass: 27x31 Blattmass: 31x37 cm. Kupferstich aus: Topographia Westfaliae, farbfrisch, gut erhalten, breitrandig. [Attributes: Hard Cover]
Bookseller: Hammelburger Antiquariat [Hammelburg, Germany]
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2017-05-27 22:55:31
Nicolas BEREY
Parigi, 1650. Carta nautica del Mediterraneo, edita da Jaillot. Nicolas Berey (1606-1665), conosciuto come abile coloritore di carte geografiche, divenne in seguito intagliatore delle stesse, e parzialmente, per brevissimo tempo, editore. La sua attività si svolse principalmente intorno alla bottega di Nicolas Sanson I; sua figlia sposò Alexis Hubert Jaillot. Incisione in rame, coloritura coeva dei contorni, tracce di umidità in alto con parziale perdita di parte incisa del bordo, per il resto in ottimo stato di conservazione. Molto rara. Bibliografia: Mare Nostrum p. 36. Sea chart of the Mediterranean sea, published by da Jaillot. Nicolas Berey (1606-1665), famous for his skills as painter of maps, became also engraver and, for a short period, he was also a publisher. He worked mainly in close contact with Nicolas Sanon’s workshop, his daughter married Alexis Hubert Jaillot. Copperplate, contemporary colour on the outlines, signs of humidity on upper part which partly damaged the engraving, in general in good condition. Very rare. Mare Nostrum p. 36. 770 460mm
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-05-27 19:17:07
Merian Matthäus, 1593-1650
Merian Matthäus, 1593-1650. Andernach/Rheinlauf/Hammerstein, anno 1650, Merian Matthäus, Blattmaß: 32x37 cm. Topographia Colonia et al.: Andernach Hammerstein aus: Matthäus Merian (Herausgeber und Illustrator) und Martin Zeiller (Textautor): Topographia Colonia et al. Merian, Frankfurt am Main 1646, S. 48. "Andernach / Statt / Schloß / vnd Zoll / am Rhein. Es stehet ein kleine Meil vber diesem Ort / am Coblentzer Weg / ein weisser Thurn / allda sich das Cöllnische Land vom Trierischen / vnnd das Niderland vom Oberland / scheydet; wie zwar Quade / in deutscher Nation Herrlichkeit (Anderer Meynungen hiedurch nichts benommen) redet. Es gedencken dieses Antonaci, oder Antoniaci, oder Antunaci, Antennaci, die Notitia Imperii, vnd das Itinerarium Antonini. Ligt in der Ebne / vnd ist mit fruchtbaren Bergen vmbgeben; allda man schöne Krüg machet. In der Trierischen Chronick stehet / Ertzbischoff Johannes, der Anno 1212. gestorben / habe das Jus Patronatus der Pfarrkirchen zu Andernach / vnd den Hoff daselbst / mit allen Zugehörden / wie auch den Hof zu Nidernberg erkaufft. An. 1632. im Herbst / ist diese Chur-Cöllnische Statt Andernach / von dem Schwedischen General Baudissin / mit Gewalt erobert / vnd außgeplündert: Hernach im Jahr 33. von den Keyser- vnd Spanischen vergebens belägert / vnnd folgends von den Schwedischen selbsten willig verlassen worden. Als im Jahr 1642.die Frantzosen / vnd Weymarischen / im Stifft Cölln sich befunden / seyn die Hatzfeldischen durch die Wetteraw / auff Kirchheim / Friedberg / Vsingen / durch den Cambergischen Grund / von dannen auff Limpurg / Mon … [Click Below for Full Description]
Bookseller: Hammelburger Antiquariat [Hammelburg, Germany]
2017-05-27 16:56:46
Plowden, Edmund; Hicks, Fabian; Walter, Sir John
1650 - The First Abridgment of Plowden in English Plowden, Edmund [1518-1585]. H[icks], F[abian], Editor and Translator. [Walter, Sir John [1566-1630], Digestor]. An Exact Abridgment in English, Of the Commentaries, Or Reports of the Learned and Famous Lawyer, Edmond Plowden, An Apprentice of the Common Law. Concerning Diverse Cases and Matters in Law, And the Arguments Thereupon; In the Times of the Reignes of King Edward the Sixth, Queen Mary, King Philip, And Queen Mary, And Queen Elizabeth, With the Exceptions to the Pleadings, And Answers Thereunto; The Resolutions of the Matters in Law, And All Other Principall Matters Arising Upon the Same. By F.H. of the Inner Temple London, Esq. London: Printed by R. White, And T. Roycroft, For Henry Twyford, And Are to be Sold at His Shop in Vine Court in the Middle Temple, 1650. [viii], 232, 62 pp. Octavo (5-1/2" x 3-1/2"). Contemporary sheep, blind frames to boards, blind rules and small early private-library shelf label to spine, early hand-lettered title to fore-edge. Light rubbing, minor worming to front board, shallow slice to rear, front free endpaper and rear endleaves lacking, armorial bookplate of the Earls of Macclesfield to front pastedown, small embossed Macclesfield stamp to head of title page. Moderate toning to text, light foxing in a few places, brief corrections in early hand to a few leaves. A handsome copy. $750. * First edition, one of two issues from 1650. Thomas Ashe's Abridgment des Touts les Cases Reportes a Large per Plowden (c. 1597) was the first abridgment of Plowden. An Exact Abridgment was the first … [Click Below for Full Description]
Bookseller: The Lawbook Exchange, Ltd., ABAA ILAB
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2017-05-26 16:58:25
Erasmus, Des Roterdamus
Joh. Maire, Lug. Batavorum 1650 - 12mo. Pp (vi), 454, (2 Blank, 26. Full vellum, front edge yapp, lettered in manuscript to spine. Clean, tight, sound. [Attributes: Hard Cover]
Bookseller: Leakey's Bookshop Ltd.
2017-05-26 15:01:21
Stefano della BELLA
Acquaforte, 1650, firmata in lastra in basso a destra. Frontespizio dell’opera di Giovan Carlo Coppola. Magnifica prova, impressa su carta vergata coeva con filigrana del "sole", rifilata al rame, in perfetto stato di conservazione. Il Cosmo o vero L'Italia trionfante, è un "poema sacro" dedicato a Ferdinando II, stampato a Firenze, nella Stamperia granducale, nel 1650. Il Cosmo, poema di venti canti in ottave, ha come materia, suggerita da Ferdinando II, un leggendario episodio della difesa dell'Italia dai barbari, al tempo dell'imperatore Onorio, per opera di Cosimo o Cosmo, discendente di Perseo e mitico capostipite della famiglia dei Medici. L’incisione del Della Bella raffigura Cosmo, con lo scudo che mostra lo stemma mediceo, vittorioso nel duello con Radagario, re dei Goti. Bellissima e rara incisione. Etching, 1650, signed in plate lower right. Frontispiece of the work of Giovan Carlo Coppola. Magnificent proof, printed on contemporary laid paper with watermark "sun", trimmed to the copperplate, in perfect condition. The Il Cosmo o vero L'Italia trionfante is a "sacred poem" dedicated to Ferdinand II, printed in Florence, in Stamperia granducale in 1650. The Cosmo, a poem of twenty songs in eighth, has the subject suggested by Ferdinand II, a legendary episode in the defense of Italy from the barbarians, at the time of the Emperor Honorius, for Cosimo or Cosmo, a descendant of Perseus and the legendary founder of the Medici family. The engraving depicts Cosmos, with a shield showing the Medici coat of arms, victorious in battle with Radagario, king of the Goths. Bea … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-05-25 16:10:55
FLANDERN ( Vlaanderen ): GENT ( Umgebung / Environs ):
mit altem Kolorit, um 1650, 41 x 52 Westorientierte Karte mit 2 schönen. altkol. Wappenkartuschen, unten mittig Meilenanzeiger. Zeigt die Umgebung von Gent.- Gebiet Middelburg, Antwerpen, Kortrijk. - Mit deutschem Rückseitentext.
Bookseller: Antiquariat Nikolaus Struck [Berlin, B, Germany]
2017-05-25 13:39:14
Antonio TRIVA
1650. Acquaforte, firmata in lastra in basso al centro. Esemplare di stato unico. Magnifica prova, impressa su carta vergata coeva priva di filigrana, con sottili margini, in eccellente stato di conservazione. Di questo autore, nativo di Reggio Emilia, si conoscono solo otto lavori, dei quali quattro sono vedute di città. Opera molto rara. Bibliografia: Bartsch 1. Dimensioni 137x180. Etching, signed on lower centre plate. Example in one state. Magnificent work printed on contemporary laid paper without watermark with thin margins, in excellent condition. This artist was born in Reggio Emilia; there are eight works realized by him, four of which are city views. Very rare work. Bartsch 1. Dimensioni 137x180. [Attributes: Signed Copy]
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-05-25 08:35:09
Merian Matthäus, 1593-1650
Merian Matthäus, 1593-1650. Copperengraving, edited by Merian Matthäus, in Neuwe Archontologia Cosmica, anno 1646, size of the leaf: 32 x 38 cm., good print. [Attributes: Hard Cover]
Bookseller: Hammelburger Antiquariat [Hammelburg, Germany]
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