The viaLibri website requires cookies to work properly. You can find more information in our Terms of Service and Privacy Policy.

Displayed below are some selected recent viaLibri matches for books published in 1649
2017-09-05 14:09:46
DESCARTES, Rene
Paris: Henry le Gras, 1649. 1st Edition. Hardcover. 8vo - over 7¾ - 9¾" tall. 8vo (163 x 104 mm). [48], 16, 286 pp. Wood-engraved French royal arms on title, tailpiece and initials. Duplicate gathering A (pp. 1-16) bound in after preliminaries. Without the final blank leaf. Contemporary vellum, boards with yapp edges, later morocco gilt-lettered spine label (vellum little soiled). Very minor occasional spotting, light age-toning of text, marginal dust-soiling to final pages, but generally quite clean and crisp. Provenance: illegible marks of erased old stamp on title-page. A fine, wide-margined and unmarked copy. ---- Norman 625; Willems 1083; Tchmerzine II, p.791; Garrison-Morton 4965; Hunter & Macalpine, Three Hundred Years of Psychiatry, p.133-34. - FIRST EDITION of Descartes' renowned philosophical treatise about the passions of the soul. This was Descartes' last work published in his lifetime, drawing heavily on the then-unpublished Traité de l'homme. It contains an extensive discussion of mind-body duality and the first description of the reflex function (and the first use of the word reflex to describe it). For Descartes, that the soul was seated in the pineal gland, which mediated interaction between soul and body. "Descartes believed the soul to be a definite entity, giving rise to thoughts, feelings, and acts of volition. He was one of the first to regard the brain as an organ integrating the functions of mind and body" (Garrison-Morton). The publishing rights of this work were shared between Louis Elzevier and Henry Le Gras and only a small fraction of this issue … [Click Below for Full Description]
Bookseller: Milestones of Science Books [Germany]
2017-09-04 08:44:34
DESCARTES, Rene
Paris: Henry le Gras, 1649. 1st Edition. Hardcover. 8vo - over 7¾ - 9¾" tall. 8vo (163 x 104 mm). [48], 16, 286 pp. Wood-engraved French royal arms on title, tailpiece and initials. Duplicate gathering A (pp. 1-16) bound in after preliminaries. Without the final blank leaf. Contemporary vellum, boards with yapp edges, later morocco gilt-lettered spine label (vellum little soiled). Very minor occasional spotting, light age-toning of text, marginal dust-soiling to final pages, but generally quite clean and crisp. Provenance: illegible marks of erased old stamp on title-page. A fine, wide-margined and unmarked copy. ---- Norman 625; Willems 1083; Tchmerzine II, p.791; Garrison-Morton 4965; Hunter & Macalpine, Three Hundred Years of Psychiatry, p.133-34. - FIRST EDITION of Descartes' renowned philosophical treatise about the passions of the soul. This was Descartes' last work published in his lifetime, drawing heavily on the then-unpublished Traité de l'homme. It contains an extensive discussion of mind-body duality and the first description of the reflex function (and the first use of the word reflex to describe it). For Descartes, that the soul was seated in the pineal gland, which mediated interaction between soul and body. "Descartes believed the soul to be a definite entity, giving rise to thoughts, feelings, and acts of volition. He was one of the first to regard the brain as an organ integrating the functions of mind and body" (Garrison-Morton). The publishing rights of this work were shared between Louis Elzevier and Henry Le Gras and only a small fraction of this issue … [Click Below for Full Description]
Bookseller: Milestones of Science Books [Germany]
2017-09-03 21:36:08
LE DRU, NICOLAS
A Paris : Chez Arnould Cotinet, 1649, Paperback, Book Condition: Very Good, First Edition. Very good paperback copy with near contemporary binding; edges somewhat slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, clean and strong.; 8vo 8" - 9" tall; 18 pages; Physical description. : 19 p. ; 22 cm. Subject: Mazarin, Jules, 1602-1661 - Poetry. Fronde - Poetry. Fronde - France - Paris - Poetry. Language: French. 18 pages. Inventory No: 192961.
Bookseller: MW Books [Ireland]
Check availability:
2017-09-03 04:18:42
IANSSONIUM, Ioannem [Jan Jansson, 1588-1664]
NULL. Hard cover Amstelodami: Apud Ioannem Ianssonium, Anno 1649.- TOMO III, en un volumen de 358 folios, dividido en 2 partes, ambas con sendos frontis grabados al cobre, incluyendo 100 maravillosos mapas a doble folio con los países y continentes citados en la portada, magistralmente grabados al cobre y muy bien conservados; In-Folio Imperial (50 x 35 cm.); Texto en latín; Encuadernado en Plena Piel Pergamino Epoca con dobles ruedas paralelas doradas en planos o tapas, la exterior filete en oro y la interior tipo cadeneta dorada con florones en los ángulos de la rueda interior, y en el centro de ambas gran hierro dorado ornamental barroco floreado. Lomo liso con ruedas paralelas de cadeneta dorada, a modo de nervios, así como florones entre cada rueda. La encuadernación, aunque completa, está algo fatigada y con señales del tiempo, estando el lomo con los dorados poco marcados (se ofrece fotografía a petición del cliente).- Es de lamentar que alguien haya arrancado, y por tanto FALTAN, los tres siguientes mapas: mapa general de Hispania, mapa de Navarra Regnum y mapa de Castilia Vetus & Nova. CONTIENE LOS SIGUIENTES MAPAS, en excelente estado de conservación y sin mancha de ninguna clase: HISPANIA: 1. Biscaia y Guipuscoa; 2. León; 3. Galicia; 4. Portugal; 5. Andalucía (Sevilla y Córdoba); 6 Andalucía (Granada y Murcia); 7 Valencia; 8. Aragón; 9. Cataluña; 10. Baleares insulas. ITALIA: 11. Italia general; 12. Venecia; 13. Bergamo; 14. Brescia; 15. Cremasco; 16 Verona; 17. Polesino di Rovigo; 18. Bizentium; 19 Padova; 20. Treviñano; 21. Belunese; 22. Friuli; 23. Istria; … [Click Below for Full Description]
Bookseller: Libreria Miguel Miranda, AILA ILAB [ES]
2017-08-31 05:11:46
Edward Husband:Printer to the Parliament of England, London 1649 - An early black letter Parliamentary Act of the Commonwealth.Somewhat tanned,but in sound condition.The Woodcut Arms of the Commonwealth.No inscriptions.Scarce. [Attributes: First Edition]
Bookseller: David Pearson
2017-08-30 02:48:11
Pallavicino Hortensio.
ex Tyographia Ludovici Montiae apud Antonium Petrarcam, 1649. In-4? (cm. 23,8), legatura antica in p. pergamena rimontata (usure) con titolo ms. al dorso, nota ms. al taglio superiore; pp.176 in buono stato con 1 frontespizio figurato in rame f.t. e 13 tavole di ritratti in rame f.t., grandi iniziali ornate e fregi in silografia; sporadiche fioriture e lievi segni d'uso; esemplare verosimilmente ripulito. Edizione originale dell'opera allestita a Milano in occasione delle nozze tra Filippo IV di Spagna con Maria Anna d'Austria. Pregevoli le tavole dell'incisore Federico Agnelli che per la loro fantasia iconografica e la complessit? simbolica sono considerate espressioni emblematiche del barocco milanese. Recano imprese, insegne e ritratti dei sovrani del Sacro Romano Impero da Rodolfo I a Massimiliano I, da Carlo V a Rodolfo II fino a Ferdinando III. Cfr. Praz 443; Piantanida 657; Sommervogel VI, 115, 1. Buon esemplare.
Bookseller: Gabriele Maspero Libri Antichi
2017-08-29 21:04:35
Montecalerio Ioannis
1649. Carta geografica in cui sono raffigurati con vedute prospettiche di fantasia, tutti i centri in cui si trovavano i conventi dell'Ordine dei cappuccini. Margine graduato su tutto il perimetro. Alla carta è allegato un foglio con ricca cornice, incisa anch'essa su lastra di rame, con elenco e numero dei luoghi e dei religiosi
Bookseller: Libreria Trippini Sergio [IT]
2017-08-29 21:03:28
Montecalerio Ioannis
1649.
Bookseller: Libreria Trippini Sergio [IT]
2017-08-29 21:00:50
Giovanni MONTECALERIO (da Montecalerio)
Torino, 1649. Carta geografica tratta dalla "Chorographica Descriptio Provinciarum et Conventum.", atlante dell'ordine dei frati cappucini. L'atlante delle province cappuccine era stato iniziato in forma manoscritta dal ministro generale dell'ordine, padre Silvestro da Panicale nel 1632 e doveva servire da sussidio geografico per le visite generali. Alla sua morte il successore Padre Giovanni di Montecaliero, al quale spesso viene erroneamente attribuita la paternità delle carte, incaricò padre Massimino da Guechen di proseguire l'opera. Gli incisori delle lastre furono appunto Massimino da Guechen, Bernardino Burdigalensis e Ludovico Monteregali. L'atlante ebbe una prima edizione nel 1643 a Roma con un totale di 46 mappe (23 per l'Italia, 5 per la Spagna, 11 sulla Francia e 7 per la Germania), quindi ristampata nel 1646 ancora nella Città Eterna (Romae, et Taurini) con un numero di tavole accresciuto alle 51 definitive, compresa la grande carta geografica più volte ripiegata dell'Europa. Venne ristampata a Torino nel 1649, sumptibus Alexandri Federici Cauallerij sempre con le 51 carte geografiche definitive (l'Europa, 24 carte per l'Italia, 6 per la Spagna, 12 per la Francia e 8 per i territori dell'Impero). Infine si replicò a Torino per i torchi di Alessandro Federico Cavalleri un'ultima volta nel 1654 con le medesime carte presenti nella precedente pubblicazione. L'opera mostrava visivamente la diffusione dell'ordine, infatti le diverse carte dell'atlante, che rappresentano nazioni e province, offrono per ognuna di esse la statistica completa dei conventi. Incisione in … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Roma, Italy]
2017-08-29 08:27:44
Lesmi Alessio.
per Agostino Alterij, 1649. In-8° (cm. 14,5), legatura coeva in p. pergamena floscia con titolo recentemente ms. al dorso; pp. 168 in buono stato; dedica all'arciprete di Monza Bernardino Vela; fregi silografici; integrazione alle prime cinque carte che tocca il testo. «Storia romanzata che ha grande interesse anche per la storia di Monza» [Piantanida 3233]. Cfr. Predari 157. Esemplare più che discreto.
Bookseller: Gabriele Maspero Libri Antichi [IT]
2017-08-21 23:49:25
Bort, Pieter
4°, geheel perkamenten band, (12)+266+(10) pag. Onderstrepingen (17e- eeuws) in de tekst. C0432."Dekkers pag. 22-1; Roberts pag. 58; NNBW VII 179. De tekst is geheel gelijk aan bovengenoemde uitgave. Alleen het strookje en het verdwenen colophon tonen het verschil. Dekkers noemt drie drukken: 1649, 1655 en 1663. Eigenlijk zijn er dus slechts twee drukken. De STCN noemt deze druk van 1663 dan ook niet."
Bookseller: Antiquariaat A.G. VAN DER STEUR
Check availability:
2017-08-21 15:36:15
Mazarinade]
no imprint], [Paris, 1649. 8pp. Small quarto (signed in '2's). Extracted, some dusting and a few corner creases; very good. First edition. An anonymously published prose Mazarinade. Possibly somewhat uncommon: Worldcat includes a single record, without locations. Moreau notes: "il n'est ni railleur ni plaisant." MOREAU 2800. OCLC: 165513535. [Attributes: First Edition]
Bookseller: William Reese Company - Literature, ABAA [New Haven, CT, U.S.A.]
2017-08-21 15:36:15
Mazarinade]
[Paris: no imprint, 1649. 4pp. Small quarto. Extracted, sewn into later stiff wrapper. Early ink annotation in upper corner of cover title, a bit of foxing, lower corner of rear wrapper torn away. One of three editions in this configuration Moreau reports, differing in the type utilized for the cover title; a fourth included additional verses on the final page. An anonymously published verse Mazarinade, taking as its model the earlier poem, "Tout en tout de la cour" (1625). This copy conforms to the details included in one of the two records in OCLC: 3:6 begins 'Les Courtisans', 3:24 begins 'Les Fanfarrons', and page four does not include the line 'Les putains sont cul bas par tout,'. Moreau describes the title as "Rare"; OCLC in the record referenced locates 7 copies. MOREAU 3789. OCLC: 18234181.
Bookseller: William Reese Company - Literature, ABAA [New Haven, CT, U.S.A.]
2017-08-21 15:36:15
Mazarinade]:
[Paris: no imprint, ca. 1649]. - 4pp. Small quarto. Extracted, sewn into later stiff wrapper. Early ink annotation in upper corner of cover title, a bit of foxing, lower corner of rear wrapper torn away One of three editions in this configuration Moreau reports, differing in the type utilized for the cover title; a fourth included additional verses on the final page. An anonymously published verse Mazarinade, taking as its model the earlier poem, "Tout en tout de la cour" (1625). This copy conforms to the details included in one of the two records in OCLC: 3:6 begins 'Les Courtisans', 3:24 begins 'Les Fanfarrons', and page four does not include the line 'Les putains sont cul bas par tout,'. Moreau describes the title as "Rare"; OCLC in the record referenced locates 7 copies. MOREAU 3789. OCLC: 18234181.
Bookseller: William Reese Company - Literature, ABAA
2017-08-21 15:36:15
[Mazarinade]: [Beaudeau, Jean , Marquis de Clanleu]
A Paris: [no imprint], 1649. [2],34pp. Quarto (signed in 2s). Extracted from nonce volume, otherwise very good. First (?) edition. The letter opposed the peace then under consideration at the Rueil negotiations. It elicited a number of responses, and is considered among the more significant of the Mazarinades. OCLC locates ten copies (including some variants) spread over several records. MOREAU 1837. OCLC: 849746806 (etc). BARBIER II:1136.
Bookseller: William Reese Company - Literature ABAA-ILAB [US]
Check availability:
2017-08-19 23:25:35
Vitruvius Pollio.
Amstelodami [Amsterdam], Apud Ludovicum Elzevirium, 1649. Folio, 304x194mm. In later tan pigskin binding,with blind-tooled decorations and two burgundy lettering-pieces on the spine. Small cutting from a catalogue entry giving some details of Vitruvius Pollio and this work pasted onto top foredge corner of front paste-down. [8], 30, [2], 252, [2], 253-272, [28], 164, 69, [3] pages. Gift inscription 'Henry W. Finck | From his affect. Uncle | Robert C. Jenkins | April 17th 1893' manuscript on first blank. [Could be Henry Finck, author of Studies in Local Colour, (1891), 'studies' which describe a very restricted region of Morocco: Tangier and Tetouan; from 'British Travellers to Morocco and their Accounts, from mid-16th to mid-20th Centuries: A Bibliography' by Khalid Chaouch, University of Ben Mellal.] Added engraved illustrated title-page giving imprint. Some seventy woodcuts in text illustrating architectural styles and details, three of which are full-page; head- and tail-pieces, initials, marginal notes. 'Elementa architecturae collecta ab Henrico Wottonio ... scripta & edita Londini anno M.DC.XXIV. Nunc vero In Latinum versa A Joanne de Laet, Antverpiano' (first 30 pages) has divisional half-title and separate pagination and register. This section is a translation into Latin of Sir Henry Wotton's 'Elements of Architecture'. 'Epitome In omnes Georgii Agricolae De Mensuris et Ponderibus Libros, per Guilielmum Philandrum Castilionium' has a caption title on page 240. 'Marci Meibomii Notae in Vitruvium' has a divisional half-title on a leaf bound in between pages 252 and 25 … [Click Below for Full Description]
Bookseller: Collectable Books [GB]
2017-08-17 20:21:40
Smids, Ludolf
Gebonden in perkament, (16)+402+(26) p., ill. Goed exemplaar. Lit: Haitsma Mulier/Van der Lem 447, Tiele 1010."Eerste druk met goede afdrukken van de prenten. Ludolf Smids (1649-1720) was medicus te Amsterdam, maar hield zich tevens bezig met literatuur, geschiedenis en penningkunde. Zijn ‘Schatkamer' is zijn bekendste boek: een soort aardrijkskundig woordenboek van Nederland annex encyclopedie, geïllustreerd met 60 uitslaande gravures door Jacobus Schijnvoet (1685?-na 1733), naar de beroemde kasteeltekeningen van Roghman. In 1721 zou een afzonderlijke uitgave verschijnen van de 60 prenten onder de titel ‘Nederlandsche Oudheden'. In 1737 verscheen een door P. Langendijk vermeerderde tweede druk van het werk van Smids en een derde uitgave dateert van 1774. Tenslotte zou er in 1778 nog een ‘Aanhangsel tot Ludolf Smids M.D. Schatkamer der Nederlandsche Oudheden' verschijnen, van de hand van Th. van Brussel. De prenten in de latere drukken beginnen slijtage te vertonen."
Bookseller: Antiquariaat A.G. VAN DER STEUR
Check availability:
2017-08-15 07:24:11
Maaskamp, Evert]
"Groot 4º, moderne kunstleren band, (48) p., frontispiece en 20 platen. Mooi exemplaar. Lit: Landwehr, Col. plates 360; Hiler 557; Saalmink p.1649; cf Colas 1680 ev; cf Lipperheide Gb 39; cf Saalmink p.37; cf Tiele 706; cf Tooley 312; W.J.A. Arntz, Maaskamp's book of costume-prints, Quaerendo 1 (1971) 9-12; 5 (1975) 263-264"."Engelse vertaling van het tussen 1803 en 1807 verschenen werk ‘Afbeeldingen van de kleeding, zeden en gewoonten in de Bataafsche Republiek...' De prenten zijn in stippelgravure door L. Portman naar J. Kuijper en zijn handgekleurd. Ze hebben onderschriften in het Nederlands en , 523, en hebben twee adressen: Maaskamp te Amsterdam en Colnaghi te Londen. De twintig kostuumprenten in dit exemplaar zijn alle gedateerd 1811, zodat het boek niet in 1808 verschenen kan zijn! Slechts de frontispiece “De teken-kunst / La muse du dessin” is gedateerd 1805. Maaskamp verzorgde diverse uitgaven van dit boek (cf Landwehr 358 t/m 364), Het is het eerste werk in ons land dat de kleding behandelt in de verschillende provincies. Voorts zijn er steeds twee personen op een plaat afgebeeld, in een bepaalde situatie, wat de levendigheid ten goede komt. R0720"
Bookseller: Antiquariaat A.G. van der Steur
Check availability:
2017-08-14 12:31:25
Claude MELLAN (Abbeville 1598 - Parigi 1688)
Bulino, 1649, datato e firmato in basso C MELLAN G P ET F. IN AEDIBUS REG. 1649 Bellissima prova, impressa su carta vergata coeva, rifilata al rame, in ottimo stato di conservazione. L' opera, la più celebre e straordinaria di Claude Mellan, rappresenta la più venerabile reliquia custodia in San Pietro, un miracoloso tessuto di lino utilizzato da santa Veronica per asciugare il volto santo del Signore sulla strada del Calvario. L'immagine di Mellan, e la sua particolarità, è realizzata da una sola linea continua a spirale che, iniziando dal naso, tramite sottili variazioni di spessore e direzione, crea il volto di Cristo, il tessuto, l'iscrizione, la firma e la data. Uno degli effetti più sorprendenti dell'opera è che l'immagine è intessuta nella materia, che è sia la carta che il lino: tessuto e piastra coincidono. Il panno si arriccia all'estremità inferiore, mentre la firma e il motto fanno parte del supporto. Inoltre, le spirali descritte sono parallele e quindi infinitamente estensibili in ogni direzione. Le iscrizioni, come ha scritto Irvin Lavin. costituiscono "una sublime ambiguità che si adatta perfettamente ai misteriosi effetti polivalenti dell'immagine": FORMATUR UNICUS UNA letteralmente: Uno o l'Unico è formato da una. Unicus potrebbe riferirsi a Cristo in quanto unigenito, generato dall'Una Virgo, la Vergine Maria; oppure unicus si riferisce all'oggetto dell'Immagine, il Volto Santo, unico perché acheropita, cioè non prodotto da mano umana, ma dall'Una manus di Dio Padre che fece la vera icona sul lino della Veronica. Una potrebbe anche riferirsi alla mano del … [Click Below for Full Description]
Bookseller: Libreria Antiquarius
2017-08-13 18:02:55
CHARLES I, King of England (1600-1649); [John GAUDEN (1605-1662)]
[London]: [printed by John Grismond for Richard Royston], 1648 [i.e. 1649]. 12mo (165 x 95 mm; 6½ x 3¾ inches). Engraved double-page portrait by William Marshall. Early 20th-century half calf, marbled boards, all edges gilt, by Zaehnsdorf. Light wear to extremities; a few occasional pale stains, lacks terminal blank, generally fresh. FIRST EDITION, third state, with correct pagination in quire G. Originally attributed to Charles I, the bibliographer Falconer Madan believes it was written by John Gauden, who probably included some authentic writings of the king. Though the title-page reads 1648, it was published on 9 February 1649, ten days after the king was beheaded in the aftermath of the English Civil War. The famous allegorical frontispiece by William Marshall depicts Charles I as a Christian martyr. The work was so successful in its portrayal of the king that, at the Restoration, a special commemoration of the king on 30 January was added to the Book of Common Prayer. Charles I is the only saint formally canonized by the Church of England. ESTC R10559; Madan 1c; Wing E270. .
Bookseller: Riverrun Books & Manuscripts [USA]
2017-08-13 18:02:55
CHARLES I, King of England (1600-1649) - [John GAUDEN (1605-1662)]
[printed by John Grismond for Richard Royston], [London] 1649 - 12mo (6 1/2 x 3 7/8 inches). Engraved double-page portrait by William Marshall. Early 20th-century half calf, marbled boards, all edges gilt, by Zaehnsdorf. Light wear to extremities; a few occasional pale stains, lacks terminal blank, generally fresh. Originally attributed to Charles I, the bibliographer Francis F. Madan contends the Eikon Basilike was written by Bishop John Gauden, who probably included some authentic writings of the king. Though the title-page reads 1648, it was published on 9 February 1649, ten days after the king was beheaded in the aftermath of the English Civil War. The famous allegorical frontispiece by William Marshall depicts Charles I as a Christian martyr. The work was so successful in its portrayal of the king that, at the Restoration, a special commemoration of the king on 30 January was added to the Book of Common Prayer. Charles I is the only saint formally canonised by the Church of England. ESTC R10559; Madan 1c; Wing E270. First edition, third state, with correct pagination in quire G. [Attributes: First Edition; Hard Cover]
Bookseller: Riverrun Books & Manuscripts
2017-08-13 18:02:55
CHARLES I, King of England (1600-1649); [John GAUDEN (1605-1662)]
[printed by John Grismond for Richard Royston], [London]. 12mo (165 x 95 mm; 6½ x 3¾ inches). Engraved double-page portrait by William Marshall. Early 20th-century half calf, marbled boards, all edges gilt, by Zaehnsdorf. Light wear to extremities; a few occasional pale stains, lacks terminal blank, generally fresh. FIRST EDITION, third state, with correct pagination in quire G. Originally attributed to Charles I, the bibliographer Falconer Madan believes it was written by John Gauden, who probably included some authentic writings of the king. Though the title-page reads 1648, it was published on 9 February 1649, ten days after the king was beheaded in the aftermath of the English Civil War. The famous allegorical frontispiece by William Marshall depicts Charles I as a Christian martyr. The work was so successful in its portrayal of the king that, at the Restoration, a special commemoration of the king on 30 January was added to the Book of Common Prayer. Charles I is the only saint formally canonized by the Church of England. ESTC R10559; Madan 1c; Wing E270. [Attributes: First Edition; Hard Cover]
Bookseller: Riverrun Books & Manuscripts [Hastings on Hudson, NY, U.S.A.]
2017-08-13 15:11:05
Giovanni MONTECALERIO (da Montecalerio) (1578 - 1654)
Carta geografica tratta dalla "Chorographica Descriptio Provinciarum et Conventum....", atlante dell'ordine dei frati cappucini. L'atlante delle province cappuccine era stato iniziato in forma manoscritta dal ministro generale dell'ordine, padre Silvestro da Panicale nel 1632 e doveva servire da sussidio geografico per le visite generali. Alla sua morte il successore Padre Giovanni di Montecaliero, al quale spesso viene erroneamente attribuita la paternità delle carte, incaricò padre Massimino da Guechen di proseguire l'opera. Gli incisori delle lastre furono appunto Massimino da Guechen, Bernardino Burdigalensis e Ludovico Monteregali. La prima edizione fu stampata a Roma nel 1643, la seconda a Torino nel 1649 e quindi nel 1654 ed infine un'altra uscì nel 1712. Per convenzione attribuiamo le mappe al Montecalerio. L'opera mostrava visivamente la diffusione dell'ordine, infatti le diverse carte dell'atlante, che rappresentano nazioni e province, offrono per ognuna di esse la statistica completa dei conventi. Incisione in rame, lievissima gora d'acqua, per il resto in ottimo stato di conservazione. Rara. Taken from the "Chorographica Descriptio Provinciaru & Conventum....". Copperplate, very good condition. Rare. Torino Turin Dimensioni in mm. 320 X 220
Bookseller: Libreria Antiquarius
2017-08-12 10:11:37
Claes Jansz VISSCHER (1587 - 1652) / Barent LANGENES (fl. 1597/8).
Copper engraving (Excellent, strong engraving impression with full margins, some light staining in blank margins, small binding holes in far left of blank margin), sheet size: 14.5 x 18.5 cm (5.7 x 7.3 inches), platemark: 8.5 x 12 cm (3.3 x 4.7 inches). Amsterdam, 1649. A very rare and exquisitely engraved miniature map Corsica, from the exceedingly rare Visscher-Langenes atlas (1649). - This attractive and very rare miniature map depicts Corsica from an eastward-orientated perspective, with many of the towns marked with pictographic symbols. The Visscher-Langenes Atlas - The present map is from Claes Jansz Visscher’s exceedingly rare and lovely miniature atlas, Tabularum geographicarum contractarum libri quatuor denuò recogniti (Amsterdam, 1649), a late edition of the atlas Caert-Thesoor, which was first issued under mysterious circumstances in 1597, following some arrangement between the Amsterdam publisher Cornelis Claesz and the obscure Middelburg publisher Barent Langenes (the supposed first edition is now thought lost). Re-issued in several editions (all today are) over the two generations from 1598, the work set the gold standard for miniature atlases, as Koeman noted "The small maps [it contained] are extremely well-engraved: neat and clear and elegantly composed". Indeed, the maps were of uncommonly fine engraving, done by artists such as Jocodus Hondius I, Pieter van den Keere and Benjamin Wright. Many of the maps were based on ground-breaking information from recent Dutch voyages of exploration or current events. The leading Amsterdam publisher Claes Jansz Vissch … [Click Below for Full Description]
Bookseller: Antiquariat Dasa Pahor [München, Germany]
2017-08-11 06:13:14
Merian, Matthäus
Frankfurt, Merian, 1649ff. Kupferstich. ca. 23 x 33 cm. Im Passepartout. N/W 407.44 - Merian, Matthäus - Martin Zeller: Topographia Provinciarum Austriacaruu... Versand D: 7,00 EUR
Bookseller: Antiquariat Weinek [Austria]
2017-08-10 12:23:27
MERIAN, Matthäus.
Merian Matthäus in Frankfurt am Main, 1649. Incisione su rame di cm 19,5x31,8. Buono, ordinari segni d'uso e del tempo. Esemplare leggermente rifilato. Pubblicato sul libro "Bozen in alten Ansichten - Bolzano nelle antiche vedute." di Arnaldo Loner.
Bookseller: Studio Bibliografico Adige
2017-08-10 12:23:27
MERIAN, Matthäus.
Merian Matthäus in Frankfurt am Main, 1649. Incisione su rame di cm 19,5x31,8. Buono, ordinari segni d'uso e del tempo. Esemplare leggermente rifilato.
Bookseller: Studio Bibliografico Adige
2017-08-10 06:53:49
BROEKHUIZEN, JOAN VAN
8°: *-5* 8 6*4 (-6*1) A-G 8 H 6, gepag.: 56 [8] 124 pp. Gegraveerde titelpagina door Jan Goeree en op de in zwart en rood gedrukte typografische titelpagina een vignet door G. van der Gouwen naar Arnold Houbraken.Bij de opdracht aan Gerard van Papenbroeck diens wapen, gegraveerd door Harrewijn. Half leer, stempeltjes KB op titelpagina, goed exemplaar. Lit.: NNBW IV, 309; Kalff IV, p.566; Te Winkel IV, p.469 Scheepers I, 91; Fontaine Verwey cat. p.137 Deze bundel bevat de weinige Nederlandse gedichten die de dichter-krijgsman Joan van Broekhuizen (Amsterdam 1649 - Amstelveen 1707) heeft geschreven. Ze zijn uitgegeven door zijn vriend David van Hoogstraten die een jaar eerder al een uitgave van zijn Latijnse poëzie had bezorgd, gedichten in zo mooi Latijn dat ze hem wereldberoemd hebben gemaakt. Van Hoogstraten is ook de schrijver van het Leven des Dichters. Van Broekhuizen is het grootste deel van zijn leven in krijgsdienst geweest. Hij bleek het soldatenleven goed te kunnen verenigen met het beoefenen van de klassieke filologie en het schrijven van Latijnse gedichten. Van Hoogstraten vermeldt hoe Constantijn Huygens verbaest stondt over Broekhuizens poëzy, niet kunnende begrypen hoe hy onder de krygsrumoeren, en het bulderen der baren zulke schoone gedichten had kunnen voortbrengen. De laatste jaren van zijn bewogen leven sleet hij in afzondering in een buitenhuisje in Amstelveen, studerend, corresponderend en polemiserend met andere geleerden. Achter Van Broekhuizens gedichten volgen nog ruim 60 pagina's met lijk- en grafdichten op de Geleerden Heere en manha … [Click Below for Full Description]
Bookseller: Antiquariaat Arine van der Steur [Netherlands]
2017-08-08 16:07:33
Blon, Michel le
[C. Visscher?], 1649. 4o. 19th century full cloth. Good codition, some very slight foxing. Exlibris mr. W.C. Baert de Waarde and Daniel de Bruin. (24) pag. No text, illustrated with 12 copper engravings of blank coats-of-arms after designs by Michel le Blon, I.G excudit. 4 (4,7,9 and 11) are modern copies. The Museum für angewandte Kunst in Vienna has an edition of this set with 'C. Visscher excudit' on the title page, instead of I.G. (Inventarnummer: KI 2330-1). Literature: Hollstein II, 148 (with 4 reproductions), Van der Kellen 142-153 (all 12 prints reproduced on plates 55-57). H82.
Bookseller: Antiquariaat Arine van der Steur [Den Haag, Netherlands]
2017-08-08 15:19:37
Burns, Robert
Bookseller: Raptis Rare Books, ABAA/ ILAB [Palm Beach, FL, U.S.A.]
2017-08-08 15:19:37
Burns, Robert
Bookseller: Raptis Rare Books, ABAA/ ILAB [Palm Beach, FL, U.S.A.]
Check availability:
2017-08-06 14:30:19
CONRING, Hermann
1649 Hermann Corning Origins of German SAXON Law Politics Philosophy Charlemagne Hermann Corning was a 17th-centuery German jurist who made significant contributions to politics, law, and philosophy. He is known to be one of the first to lecture on government statistics with respect to political science. (Lindenfeld, 20). This book, “De Origine Juris Germanici” is a collection of discussions on law in Saxony from the earliest of times under Charlemagne and 8th-century Saxon wars. It has been one of the most important works on German law during the 17th- and 18th-centuries. Item number: #1170 Price: $499 CONRING, Hermann De origine iuris Germanici. Liber unus. Editio altera auctior. Accesserunt opuscula hactenus non edita. Helmestadii : Typis et sumptibus Henningi Mulleri, 1649. Details: • Collation complete with all pages: [4], 318, [7] • Binding: Hardcover; tight & secure • Language: Latin • Provenance: o from the library of a Jewish book collector in Prague – Guido Kisch • Size: ~7in X 6in (18cm x 15.5cm) Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving, and we will offer a full refund without reservation! 1170 Photos available upon request. [Attributes: First Edition; Hard Cover]
Bookseller: Schilb Antiquarian [Columbia, MO, U.S.A.]
2017-08-05 15:34:08
MERIAN, Matthäus].
[Merian M., Frankfurt am Main], 1649. Veduta raffigurante la fortezza di Covelo in Valsugana, situata in una cavità carsica posta tra i paesi di Cismon e Primolano, sulla strada che da Bassano porta a Trento. Come testimonia anche questa incisione si poteva salire alla fortezza con una sorta di "sedia" azionata da un argano. Nella parte inferiore rimandi geografici. Formato: Incisione in rame di dimensioni 19,5x30,5 cm. Buono, ordinari segni d’uso e del tempo.
Bookseller: Studio Bibliografico Adige [TRENTO, Italy]
2017-08-04 13:02:58
Manila] Niseno, Diego.
1649 - Extremely rare relation of the most destructive earthquake that stroke Manila since the Conquest by the Spanish. 1649. Madrid. Alonso de Paredes. Folio. 2 ff. Unbound. Foxed, upper corner soiled. 4,500 $ First edition. Important imprint for the history of Manila, giving a report of the destruction of Manila in the earthquake of 1645, and the state the city was left in the aftermath; extremely rare, this is apparently only the second known copy, the other at the Biblioteca Nacional de España. The imprint commences with a short review of Manila´s history, describing the original houses built by Conquistadores (made primarily of wood, and the later upgrade to housing of stone and roof tiles), and mentioning the victory won over Corsair Limahon´s Chinese fleet, who attacked Manila. The author provides an overview of the architectural history of Manila: “comencaron los Españoles a edificar sus casas de piedra, y teja, sin rezelo urgente de los temblores, que aunque son aqui ordinaries todos los años, no avian causado ruinas de cuidado; y assi en estos ultimos quarenta años, poco mas, o menos, que corrieron desde el postrer incencio, se hizieron hermosos edificios, y casas de habitacion tan altas, y capazes, que parecian Palacios; Templos sumptuosos con encumbradas, y hermosas torres, assi dentro como fuera de los muros de Manila, que la hazian muy vistosa, y luzida, y no menos acomodada para la salud y y recreo” The bulk of the relation however focuses on the natural disaster itself, the losses suffered –both in buildings and lives-, and finishes with the a … [Click Below for Full Description]
Bookseller: HS Rare Books
2017-08-02 21:14:08
Burns, Robert
Bookseller: Raptis Rare Books, ABAA/ ILAB [Palm Beach, FL, U.S.A.]
2017-08-02 21:14:08
Burns, Robert
Frederick Warne and Company, London. Octavo, bound in full brown morocco, decoratively bordered in gilt, spine gilt, gilt dentelles, all edges gilt. With a wonderful fore-edge painting of New Bridge and Broomielaw, Glasgow. Binding by H. & C. Treacher of Brighton. 614 pp. Illustrated. The earliest fore-edge paintings date possibly as far back as the 10th century; these earliest paintings were symbolic designs. Early English fore-edge paintings, believed to date to the 14th century, presented heraldic designs in gold and other colors. The first known example of a disappearing fore-edge painting (where the painting is not visible when the book is closed) dates from 1649. The earliest signed and dated fore-edge painting dates to 1653: a family coat of arms painted on a 1651 Bible. Around 1750, the subject matter of fore-edge paintings changed from simply decorative or heraldic designs to landscapes, portraits and religious scenes, usually painted in full color. Modern fore-edge painted scenes have a lot more variation as they can depict numerous subjects not found on earlier specimens. These include scenes that are erotic, or they might involve scenes from novels (like Jules Verne, Sherlock Holmes or Dickens, etc.). In many cases, the chosen scene will depict a subject related to the book, but in other cases it did not. In one instance, the same New Brunswick landscape was applied to both a Bible and to a collection of poetry and plays. The choice of scenes is made by either the artist, bookseller or owner, thus the variety is wide. The technique was popularized in the 18th ce … [Click Below for Full Description]
Bookseller: Raptis Rare Books, ABAA/ ILAB [Palm Beach, FL, U.S.A.]
2017-08-02 04:34:53
GOTTFRIED, Johann Ludwig.
Frankfurt, Archontologia Cosmica. [c.1649] - Sheet size: 321 x 372 mm Plate size: 352 x 270 mm Very good condition. Copper plate. Hand coloured.
Bookseller: Peter Harrington Gallery
2017-08-01 15:24:24
MERIAN, Matthaeus
Bookseller: Charles Agvent, est. 1987, ABAA, ILAB [Mertztown, PA, U.S.A.]
2017-08-01 15:24:24
MERIAN, Matthaeus
Bookseller: Charles Agvent, est. 1987, ABAA, ILAB [Mertztown, PA, U.S.A.]
2017-08-01 15:24:24
MERIAN, Matthaeus
Frankfurt: [Merian], 1649. First Merian Edition. Hardcover. Library bookplate on the front pastedown and slip on the rear, each plate with a small ink stamp on the verso. Small, old bookseller's ticket of Gustav E. Stechert of New York on the front pastedown. Very clean copy with only light marginal foxing and a small stain at the center of just the last few pages, most noticeable on the reversible portrait. Early ink name of Georg Neumann with a short paragraph in German in a small hand on the front endpaper. Binding a little darkened with white library numbers on the spine which has a small tear and a dark stain on the rear board that bleeds slightly into the interior. A Near Fine copy in an attractive binding. Matthaeus Merian. Small quarto (6-5/8" x 8") bound at a later date in early manuscript in red and black over boards with an illuminated letter; [3], 4-206, [2] pages. Illustrated with a title within allegorical engraved border, 42 engravings depicting the Dance of Death by Merian, an engraved illustration ("Memento Mori"), and a striking reversible portrait showing the sitter alive and dead. Merian's depictions of the Dance of Death were copied from fifteenth-century frescoes on the churchyard wall of the Dominican church in Basel; the frescoes were restored in the early sixteenth century and again in the early seventeenth century. Johann Jakob Merian originally engraved the plates in 1621, after the second restoration, and Matthaeus Merian revised them in 1649 for this edition. The images provide lively vignettes of contemporary life and costume, from the moneyl … [Click Below for Full Description]
Bookseller: Charles Agvent, ABAA [US]
Check availability:
2017-08-01 13:08:05
[LE MAISTRE (Antoine)]
Paris: Antoine Vitré et la veuve Martin Durand, 1649. In-8, plein veau, [16] ff., 580 pp., [8] ff.. 2e édition. Reliure épidermée, coiffes usagées. Jeux d'écritures anciens sur les gardes. . (Catégories : Religion )
Bookseller: Christophe Hue - Livres anciens
Check availability:
2017-08-01 11:44:58
KUFSTEIN:
- Kupferstich v. Merian, 1649, 19,5 x 31
Bookseller: Antiquariat Nikolaus Struck
2017-07-31 21:39:12
Pallavicino Hortensio.
ex Tyographia Ludovici Montiae apud Antonium Petrarcam, 1649. In-4? (cm. 23,8), legatura antica in p. pergamena rimontata (usure) con titolo ms. al dorso, nota ms. al taglio superiore; pp.176 in buono stato con 1 frontespizio figurato in rame f.t. e 13 tavole di ritratti in rame f.t., grandi iniziali ornate e fregi in silografia; sporadiche fioriture e lievi segni d'uso; esemplare verosimilmente ripulito. Edizione originale dell'opera allestita a Milano in occasione delle nozze tra Filippo IV di Spagna con Maria Anna d'Austria. Pregevoli le tavole dell'incisore Federico Agnelli che per la loro fantasia iconografica e la complessit? simbolica sono considerate espressioni emblematiche del barocco milanese. Recano imprese, insegne e ritratti dei sovrani del Sacro Romano Impero da Rodolfo I a Massimiliano I, da Carlo V a Rodolfo II fino a Ferdinando III. Cfr. Praz 443; Piantanida 657; Sommervogel VI, 115, 1. Buon esemplare.
Bookseller: Gabriele Maspero Libri Antichi
______________________________________________________________________________


      Home     Wants Manager     Library Search     563 Years   Links     Contact      Search Help      Terms of Service      Privacy     


Copyright © 2019 viaLibri™ Limited. All rights reserved.