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         The ROYALIST'S DEFENCE: Vindicating the King's Proceedings in the Late Warre Made Against Him.; Clearly Discovering, How and by what Impostures the Incendiaries of these Distractions have subverted teh knowne Law of the Land, the Protestant Religion, and reduced the people to unparallel'd Slavery. Veritas emerget Victrix

      Printed in the Yeare, (n. p.) 1648 - [16], 142, [2 (including Errata)] pp. Head- tailpieces. 4to: A - V^4. 7-3/8" x 5-5/8" [18.7 cm x 14.5 cm]. "Sir Charles Dallison was an officer in the Royalist army during the English Civil War. He was also a serjeant-at-law and in 1648 he published an often cited work justifying his reasons for supporting the Royalist cause."'The most expansive and cogently argued of all Royalist self-vindications'. In it he explains that he initially took up arms because of the Militia Ordinance which he considered an illegal act because the king did not give his royal assent to it. In the opinion of Dallison no new law can be passed without the assent of the king, so those who marched under the authority of the Militia Ordinance were committing high treason, and it was the duty of all loyal subjects to defend the king against those who break the law and commit high treason."From the library of a descendent of the famous Parliamentary military commander during the English Civil War. General wear to binding, with chip to leather at top of spine. Fairfax bookplate. Age-toning to paper, and some thumbing throughout. An About VG copy. Early brown full leather binding. No eps [Attributes: Hard Cover]

      [Bookseller: Tavistock Books, ABAA]
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         Antique Master Print-EWALD SCHREVELIUS-PROFESSOR-MEDICINE-Bailly-Danckerts-1648

      1648 - Antique Master Print, titled: 'Ewaldus Screvelius [.].' - Portrait of Ewaldus Schrevelius, professor of medicine in Leiden and The Hague. Description: Very rare portrait. Ref: Hollstein 7. Provenance: Dr. B. W. Th. Nuyens (Not in Lugt).Artists and Engravers: Made by 'Hendrik Danckerts' after 'David Bailly'. Hendrik Danckerts (ca. 1625-1680) worked in The Hague. He travelled to Italy and England. David Bailly (184-1657) worked in Leiden. He specialised in very finely executed portraits. Engraving on hand laid paper. Watermark: Coat of arms with a French Lily. Anonymous. Very good, given age. Thin margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 17 x 26.3 cm. The image size is ca. 17 x 26.3 cm. The overall size is ca. 6.7 x 10.4 inch. The image size is ca. 6.7 x 10.4 inch. Storage location: LA-A2-26

      [Bookseller: ThePrintsCollector]
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         Abrégé du Monde.- Premiere partie ou Discours du Globe terrestre.- Description de l'Evesché d'Aire en Gascogne.- Seconde Partieou Discours general. - Troisiesme Partie ou les Lumieres.- Quatriesme Partie ou les Religions.- Cinquiesme partie ou

      Antoine De Sommaville, Paris 1648 - Fort et petit in-12 ( 130x75 mm ), plein cuir brun d'époque, dos muet à 4 nerfs.PREMIER PLAT ABSENT, étiquette de bibliothèque collée sur caisson de queue.Réunion de plusieurs textes de Pierre DUVAL.-1 ) Abregé du Monde. première Partie ou Discours du Globe terrestre. 1648. 107 pages. Titre. Epistre. Le Monde. Connoissance du Globe terrestre. Surface des Globes et Planisphere terrestres. les Grands Cercles. L'Equinoctial. Le Zodiaque. Le Meridien. L'Horizon. Les Zones. Les Climats & Paralleles de jours, etc.-2 ) Description de l'Evesché d'Aire en Gascogne. 1651. 60 pages.-3 ) Abregé du Monde Cinquiesme Partie ou Divers Traittez de Geographie et de Chronologie pour l'Histoire de Notre Temps. 1651. 141 pages.-4 ) Les cartes du Monde. Pour l'intelligence des Cartes du Monde. Amerique ( Mexique ou Nouvelle Espagne, Virginie, Bresil, Terre ferme, Isles en la mer du Nord, Canada ou Nouvelle France, Perou, Paraguai, Nouveau Mexique, Chili, Magellanique, Floride ). Afrique ( Abassinie ou Haute Ethiopie, Nubie, Nigritie, Isles d'Afrique, Biledulgerid ou Numidie, Zanguebar, Barbarie, Congo, Egypte, Guinee, Cafrerie ). Asie ( Chine, Perse, Indes en general, Turquie d'Asie, Terre-Ferme de l'Inde, Presqu'isle de l'Inde delà le Gange, deçà le Gange, Isles en la Mer Orientale, Tartarie, Georgie, Arabie ). Europe.-5 ) Abrege du Monde Troisiesme Partie ou Les Lumieres de l'Histoire 1650. 190 pages -6 ) Abrege du Monde Seconde Partie ou Discours General de ses Noms, Qualitez & Divisions, des Gouvernemens, Forces & Richesses des Pays, de la Religion & meurs des Habitans. 1651. 100 pages.-7 ) Abrege du Monde Quatriesme Partie ou Les Religions, Patriarchats, Archeveschez a Eveschez de l'Univers. 1651. 143 pages. Anciens. Geographie

      [Bookseller: Librairie FAUGUET]
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         "The set of various animals, the ""Man's book"" (complete set).".

      "Complete set of prints designed by Nicolaes Berchem and published by Clement de Jonghe between 1648 and 1652. The set is titled: 'ANIMALIA / ad vivum delineate et aqua forti aeri / impressa / Studio et arte / NICOLAS BERCHEMI. / Clemendt de Jonge excud. Amst'. The set has been passed on through at least three collections without being dismembered: collection A. Artaria (1807-1893) [L. 33], Richard Jung (1911-1986) [L. 3791]; on the verso of each plate also another mark which remains at the moment unidenified. The title plate shows a shepherd sitting on the ground accompanied by a dog, whereas the others various animals: goats, rams, sheeps, mouflons and dogs. Some of the plates are signed: nr. 2 'Berrighem f.', nr. 4 'Berrighem f.', nr. 7 'Berrighem'; all plates are numbered except the title print. "."Etching on laid paper, some with watermark of fool's cap, trimmed to plate mark, total: 100 x 110 mm ca.; state IV/7; Hollstein / Bartsch 49-56 "

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
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         Le Trouvère Grand Opéra en quatre actes Représenté sur le Théâtre de l'Opéra Imperial Traducion Française de Mr. Emilien Pacini... Partition in 8o Piano et Chant Prix net 20f. [Piano-vocal score]

      Paris: Léon Escudier [PN L.E. 1648], 1857. First Edition, second issue of the revised version. Hopkinson 54B (citing two issues, the first of which is engraved and the second lithographed). Including ballet music newly-composed for the Paris production by Verdi to pp. 155-202. l trovatore, to a libretto by Salvadore Cammarano with additions by Leone Emanuele Bardare after Antonio García Gutiérrez's play El trovador, was first performed in Rome at the Teatro Apollo on January 19, 1853 and in a revised version (as La trouvère) in Paris at the Opéra on January 12, 1857. "Il trovatore, though without doubt one of the two or three most popular Verdi operas, has until recently fared rather badly with critics and commentators, mostly because of its unabashedly formalistic exterior in comparison with the works on either side of it, Rigoletto and La traviata. This attitude at last shows signs of changing, perhaps as our criteria for judging Verdi's musical dramas alter with time. Indeed, many of the most important stages in the critical rehabilitation of this opera have concentrated attention on just those aspects that were earlier castigated. The libretto, for example, with its immovable character types and 'unrealistic' stage action, has recently been seen as one of the work's great strengths, its economy of dramatic means and immediacy of language forming the perfect basis on which to build Verdian musical drama. Similarly, the extreme formalism of the musical language has been seen as serving to concentrate and define the various stages of the drama, above all channelling them into those key confrontations that mark its inexorable progress." "But if one trait can be singled out that best accounts for the opera's success, it is probably the sheer musical energy apparent in all the numbers. Time and again we find a relentless rhythmic propulsion in the accompaniment, and a tendency for the melodic lines to be forced into a restrictive compass, freeing themselves rarely but with consequent explosive power." Roger Parker in Grove Music Online.. Large octavo. Dark brown morocco-backed brown textured paper boards, upper with initials "C.G." gilt, spine with titling gilt. 1f. (recto title within decorative border incorporating the names of various Verdi operas, verso blank), Lithographed. Publisher's facsimile signature handstamp to lower outer corner of title. Binding slightly worn, rubbed, and bumped; front endpaper with small chip to outer edge. Slightly foxed.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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         INSTRUCCION SOBRE LA PESTE. DEL DOTOR MIGUEL MERCADO. TRADUXOLA DE LENGUA TOSCANA EN CASTELLANA DON BALTASAR VICENTE DE ALHAMBRA INFANZON, Y LA DEDICA A LOS ILUSTRISIMOS SEÑORES DIPUTADOS DEL REINO DE ARAGON.

      - Zaragoza. Imp. Diego Dormer. 1648. 14x10 cm. Portada facsimilada en papel de la época y otra portada manuscrita + 15 h. de Censura, dedicatoria, Décimas + 173 págs. + 5 h. de Tabla. 1 pequeño escudo heráldico. Margen superior un poco corto. Pleno pergamino a la romana de época. Una hoja de la dedicatoria, también manuscrita, caligrafía y tinta de la época. Edición muy rara en comercio. Solamente se conocen 4 ejemplares; 1 en la BN ( Sig. R/33763 ), 1 en la Universidad Complutense de Madrid ( Sig. BH MED 4522 ), 1 en la Universidad de Zaragoza ( Sig. 78-98 ) y otro en la Universidad de Navarra ( Sig. FA 139.340 ) . Palau, nº 1650529, la califica de rarísima . Salva, nº 2722, la reseña mal. Heredia no la conoció. [Attributes: Soft Cover]

      [Bookseller: Librería Torreón de Rueda]
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         Prospettiva di fortificationi dell'ingegnere et capitano Girolamo Portigiani Fioren[tin]o : nella quale rimirando ciascheduno professore esperto dell'arte della militia, potrà in un subito come in uno specchio vedere tutto quello o quasi, che altrove alla lunga & del fabricare & del difendere & dell'espugnar fortezze

      Alla Pace si stampano per Gio. Giacomo de Rossi, In Roma 1648 - In-4 oblungo (235x185 mm.), frontespizio inciso + ritratto dell'autore racchiuso in uno scudo contornato da elementi architettonici baroccheggianti + 18 tavole incise (prevalentemente bastioni). Legatura in mezza pelle della prima metà del secolo XIX, dorso liscio con titolo inciso in oro su tassello, piatti marmorizzati. Normali e lievi segni d'uso, due sbiadite macchiette alle prime due carte, ma bell'esemplare. Atlante fortificatorio assai importante, che testimonia del grado di perfezione raggiunto dai procedimenti di carattere geometrico-matematico intesi alla rappresentazione grafica su un piano dell'immagine di una figura dello spazio, proiettando cioè la stessa da un centro prospettico posto a una distanza finita. Questa elaborata tecnica doveva poter consentire di riconoscere facilmente su carta "come in uno specchio" (come recita il titolo) la figura dello spazio (il bastione), ed era perciò destinata (sempre come recita il titolo) a "soldati ma ancora a qualunque altra persona che o del disegno o delle mattematiche ed in particolare delle prospettive si dilettano". Girolamo Portigiani (1540- 1591), proveniente da un'antica famiglia di fonditori fiorentini, fu anch'egli "maestro di getti" oltre che architetto civile e militare e ingegnere idraulico al servizio del duca di Savoia Carlo Emanuele I. Questa sua opera, come è noto, è rarissima. Bibliografia: Riccardi, II, 312: "raro". Marini, pp. 94-95: (segnala 20 tavole). Manzi, 135. D'Ayala, p. 114. [Attributes: Hard Cover]

      [Bookseller: AU SOLEIL D'OR Studio Bibliografico]
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         HISTOIRE DU LANGUEDOC, AVEC L'ESTAT DES PROVINCES VOISINES. PAR M. PIERRE ANDOQUE, CONSEILLER DU ROY AU SENECHAL & SIEGE PRESIDIAL DE BEZIERS.

      PAR JEAN & HENRY MARTEL, & GUILLAUME BESSE. 1648 - IN-FOLIO (24,5 X 35 X 6,5 CENTIMETRES ENVIRON), DE (16) + 618 ET (20) PAGES, RELIURE D'EPOQUE PLEIN VEAU HAVANE, PLATS ENCADRES D'UN FILET DORE, DOS A SIX NERFS ORNE DE FLEURONS A FROID, TITRE A FROID. ILLUSTRE D'UNE BELLE VIGNETTE DE TITRE GRAVEE SUR CUIVRE PAR S. ROUGE AUX ARMES DE LA PROVINCE DE LANGUEDOC. EDITION ORIGINALE. AU CONTREPLAT SUPERIEUR, BEL EX-LIBRIS GRAVE AUX ARMES DU BIBLIOPHILE HUGUES-FRANCOIS VERCHERE DE REFFIE (1680-1755) : "DE SABLE, A LA FASCE D'OR ACCOMPAGNEE EN CHEF D'UN CROISSANT D'ARGENT ET, EN POINTE, DE TROIS ETOILES A QUEUE D'ARGENT" ET A LA DEVISE : "IN TENEBRIS LUMEN RECTIS". VERCHERE FUT JUGE DE LA VILLE DE MARCIGNY ET SYNDIC PERPETUEL DE CETTE VILLE EN 1741. IL LAISSA UNE RICHE BIBLIOTHEQUE. QUELQUES DEFAUTS EXTERIEURS, DONT PETITS MANQUES DE CUIR AUX COIFFES ET ERAFLURE SUR UN PLAT, TRACES DE MOUILLURES ANCIENNES SUR CERTAINES PAGES, PETIT TRAVAIL DE VER EN MARGE DE QUELQUES PAGES, SANS ATTEINTE AU TEXTE, SINON BON EXEMPLAIRE DE CET OUVRAGE RARE. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie du Château de Capens]
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         Wallia Principatus Vulgo Wales.

      Blaeu 1648 - VG, 1648, map of Wales, hand coloured in outline, wide margins, 2 coloured decorative cartouches to right side, the lower one with the dedication to King Charles, and the upper one with the map title, with the 5 Bishops armorials in-between, sailing vessels, and the coat of arms in the left hand corner, with English place names, showing towns, castles, forests and county boundaries, the map being based on Speed's map of Wales, German Letterpress to verso, extracted from Blaeu's Atlas Major, Theatrium Vol IV. Small mark to lower left margin, minor marginal spotting, sheet 596*494 mm [23.5*19.25 inches], map 50*38.5cm [19.5*15 inches]. (Tooley p70. Booth p46. Chubb p61 LX).

      [Bookseller: Madoc Books (ABA-ILAB)]
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         Missale Romanum ex decreto Sacrosancti Concilij Tridentini restitutum. PII V. pontificis Max iussu editum et Clementis VIII

      Apud Cleras - Venetiis, 1648. LATINO 5 Esemplare in folio con legatura coeva in pelle verde con fregi e cornici dorate alle coperte e dorso, quest' ultimo con nervature. Segni di usura alle estremità frontespizio presente ma distaccato, alcuni fori di tarlo. Controguardie postume. Meraviglioso frontespizio inciso a tutta pagina con titolo in rosso e nero al centro. Tagli dorati, capilettara incisi, presenti richiami a fine pagina e segnatura fascicoli, testo in rosso e nero, numerose pagine di spartiti con testo, a fine volume alcune aggiunte tra cui Missae propriae sanctorum dell' Ex tipographia Orsiniana del 1821. Raro e particolareggiato USATO

      [Bookseller: Biblioteca di Babele]
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         Journal contenant tout ce qui s'est fait et passé en la cour de Parlement de Paris, toutes les chambres assemblées, sur le sujet des affaires du temps présent.

      À Paris, chez Gervais Alliot et Jacques Langlois, 1648, - petit in-4, 427-[1] pp., anomalie de pagination sans manque de texte, bradel papier marbré, dos lisse (reliure moderne). Bon exemplaire en dépit d'un discret travail de ver sur les premiers cahiers et de mouillures.Relié avec : Journal de ce qui s'est fait es assemblees du parlement depuis le commencement de janvier M.DC.XLIX. Ensemble par adition ce qui s'est passé de plus mémorable, tant en la ville de Paris, qu'ailleurs, pendant le mesme temps. A Paris, chez Jacques Langlois, 1649, 47-[1] pp. Troisième édition du Journal contenant tout ce qui s'est fait et passé en la cour de Parlement de Paris, bien complète d'après la collation qu'en donne Moreau. Le présent ouvrage compte 428 pages (la dernière page n'est pas chiffrée) et présente une anomalie : la pagination s'interrompt à la page 216 pour reprendre à la page 325, sans qu'il y ait de lacune dans le récit. Le Journal commence le 13 mai 1648, et non pas le 3 mai ainsi que le mentionnent de manière erronée les deux premières éditions, et s'achève le 1er avril 1649. Le Journal de ce qui s'est fait es assemblees du parlement depuis le commencement de janvier M.DC.XLIX., que l'on trouve habituellement à la suite des deux premières éditions de Paris, offre le récit des évènements écoulés entre le 1er et le 31 janvier 1649. En plus des trois éditions parisiennes, il existe une contrefaçon publiée par Mathieu Colombel et Jérémie Bouillerot sous le titre de Nouveau journal du Parlement et tirée de la deuxième édition officielle, et une édition de Rouen, donnée sur la troisième édition de Paris. Moreau, II, 1741. [Attributes: Soft Cover]

      [Bookseller: Librairie Historique F. Teissèdre]
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         The Fourth Part of the Institutes of the Laws of England: Concerning the Jurisdiction of Courts [etc.]. Wing C4930; ESTC R504744 [the edition identified in November, 2014, two copies located in ESTC]

      Printed by M. Flesher, for W. Lee, and D. Pakeman, London 1648 - Contemporary blind ruled sheep, quite worn, rebacked, some browning, final blanks quite chipped, yet a sturdy copy; with the frontispiece portrait The rare, just identified second edition of Coke's exhaustive examination of English courts, comprising the fourth (and last) part of his famed Institutes, treating of King's Bench, Common Pleas, Chancery, Star Chamber and several dozen other courts

      [Bookseller: Meyer Boswell Books, Inc., member ABAA]
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         1648 Francis Bacon Natural History v Philosophy Scientific Experiments Puritan

      Lugduni Batavorium: Franc. Hackium, 1648. - 1648 Francis Bacon Natural History v Philosophy Scientific Experiments Puritan “Some books should be tasted, some devoured, but only a few should be chewed and digested thoroughly.” Francis Bacon Francis Bacon, one of the most famous English philosophers and scientists of the Renaissance. While most of his work deals with discovery, scientific method, and the scientific revolution, he did lean strongly toward Puritanism in his personal devotion. An extremely rare Elzevier printing of Bacon’s “Historia Naturalis,” or ‘Natural History.’ While Elzevier does not appear on the imprint or title page, Willems makes mention that Hackiana was an extension of the house of Elzevier. In this work, Francis Bacon sought to show the divisions of natural history, but more importantly to show how natural history overlaps with natural philosophy and they are not two distinct disciplines. This book helped lay the foundation for many philosophical methodologies that would be important through the 18th- and 19th-centuries. Item number: #1898 Price: $750 BACON, Francis Fr. Baconi De Verulamio Historia naturalis & experimentalis de ventis, &c Lugduni Batavorium: Franc. Hackium, 1648. Details: • Collation complete with all pages: [16], 232, [16] • References: Willems 1279; Goldsmid I, 21 • Language: Latin • Binding: Leather; tight & secure • Size: ~5in X 3in (13cm x 8cm) Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving, and we will offer a full refund without reservation! 1898 Photos available upon request [Attributes: First Edition; Hard Cover]

      [Bookseller: Schilb Antiquarian]
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         Manière universelle de Mr Desargves, pour pratiquer la perspective par petit-pied, comme le Géométral. Ensemble les places et proportions des Fortes & Foibles Touches, Teintes ou Couleurs. Par A. Bosse, Graueur en Taille Douce, en l'Isle du Palais.- [Sigue:] Moyen universel de pratiquer la perspective sur les tableaux, ou Surfaces Irrégulières. Ensemble Quelques particularitez concernant cet Art, & celuy de la graueure en Taille-Douce. Par A. Bosse.- A Paris: Chez ledit Bosse, MDCLIII [1653]

      De l Imprimerie de Pierre Des-Hayes, MDCXLVIII 1648 - [Para pedidos desde fuera de España, por favor, consulte las condiciones de venta y envío, tipo A. / For orders to be delivered outside Spain, please, let you see our sale and shipping terms, type A. / Pour les commandes à livrer hors d'Espagne, s'il vous plait, voyez les conditions de vente et de livraison, type A].- // Dos obras encuadernadas juntas en 1ª ed.- 4° menor, (172x110mm.); Manière universelle.: [16], 1-176, [2], [6, con doble numeración de 173 a 184], 193-342, [2] p.; sign.: [2], [a4], e4, A-Z4, Bb-Uu4; dos portadas, la primera, grabada; primera página de dedicatoria, también grabada; 159 grabados fuera de texto a toda página, el primero como portada de los demás, numerados 1 a 156; las planchas 151 y 156 impresas dos veces; la explicación de la última plancha es un grabado adicional en talla dulce que ocupa casi todo el recto de Uu4; en p. 321-338, reedición de 'Girard Desargues: Exemple de l'une des manieres universelles du S.G.D.L. touchant la pratique de la perspective sans emploier aucun tiers point, de distance ny d'autre nature, qui soit hors du champ de l'ouvrage, Paris, 1636'.- Moyen universel.: [2], 79, [1] p.; sign.: [1], A-K4; frontispicio grabado y 33 grabados, fuera de texto, de los que el primero como portada de los demás, 30 de ellos a toda página y 2 en doble página.- // Encuadernación s. XIX en media piel; lomo cuajado con tejuelo en marroquín rojo; cortes tintados de amarillo; conserva registro. Puntas rozadas; papel de los planos rozado, levemente perdido sobre la piel en plano delantero. Dos exlibris manuscritos tachados en portada de la primera obra. Márgenes recortados, llamadas de atención y subrayados frecuentes aunque muy livianos; leves cercos antiguos de humedad en margen interior de los dos primeros cuadernillos y en margen inferior de algunas páginas, sin afectar; manchas esporádicas; cerco oscurecido en margen lateral de p. 43 a 49 de la segunda obra.- // Proc.: Sin datos.- // Refs.: Andersen, p. 741; Brunet, I, 1127.- // El volumen reúne dos obras maestras del grabado, de la mano de Abraham Bosse, en las que este se emplea para la enseñanza de la perspectiva. La primera de ellas es, en realidad, un tratado explicativo de la geometría proyectiva de Girard Desargues, a quien se considera su fundador por ser el primero en adoptar un punto del infinito como elemento de referencia. Bosse, que se había formado en la materia con el propio Desargues, ya había dedicado anteriormente, en 1643, dos obras a difundir gráficamente su teoría(1). El propio Desargues dejó escrito en la nota inicial fechada en octubre de 1647 que precede al texto de la primera de las reunidas en este volumen, Manière universelle de Mr Desargves, pour pratiquer la perspective par petit-pied, comme le Géométral, sentirse plenamente comprendido y bien interpretado. Bosse lo hizo dividiendo su tratado en dos partes: Premiere partie de la regle de la pratiqve de la perspective, povr les traict des figvres, D'assiette, d esleuation, de profil & d'ombre ou d'ombrage y Seconde partie de la Regle de la pratiqve de la perspective, povr les places et proportions des Fortes & Foibles Touches, Teintes ou Coleurs, e incluyendo, dentro de la obra, en las páginas 321-338, la reedición del breve tratado de teoremas geométricos conocido como 'Perspective', que Girard Desargues había publicado en 1636 con el título de Exemple de l'une des manieres universelles du S.G.D.L. touchant la pratique de la perspective sans emploier aucun tiers point, de distance ny d'autre nature, qui soit hors du champ de l'ouvrage. La impresión de la Manière universelle adoleció de varias erratas en la numeración de páginas y declaración de signaturas, de modo que tanto si el conjunto se ordena por las páginas como si se ordena por las signaturas, el libro quedaba descabalado para tortura de los encuadernadores. El que tenía que haber sido cuadernillo Aa fue impreso como Y; y el cuadernillo Z fue paginado con dos números de pagina en cada una en una serie qu [Attributes: First Edition; Hard Cover]

      [Bookseller: Andarto B.]
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         La Biblioteca Aprosiana

      Manolessi. Two parts in one volume, 12mo (137x69 mm). (10), 733 [i.e. 683], (1 blank) pp. Roman and Italic type. With a frontispiece engraved by Giovanni Mattia Striglioni after Domenico Piola, showing the inside of a library with, on top, the coat-of-arms of Giovanni Niccolò Cavanna, dedicatee of the work and friend of the author. The second part opens with a separate title-page on p. 667. At l. C12r half-page woodcut illustration depicting an Egyptian stele. Contemporary green morocco, panels within gilt frame, richly decorated gilt spine with four raised bands and red morocco lettering-piece, marbled endpapers. Reference notes in English by an eighteenth-century hand on the front flyleaves. A fine copy. RARE FIRST EDITION, financed by the dedicatee Giovanni Niccolò Cavanna and edited by Lorenzo Legati, of the catalogue of the first public library of Liguria, the Aprosiana Library, named after its founder, the Augustinian Friar Angelico Aprosio, and established in 1648 at the Augustinian monastery of Ventimiglia. The library contained over ten thousand volumes (cf. L. Gavazzi, Angelico Aprosio, la Biblioteca Aprosiana e il complesso di Sant'Agostino a Ventimiglia, Ventimiglia, 2010). The work consists of a list of the collection supporters - the "Fautori" -, arranged in alphabetical order by first name. For each "Fautore", the author gives bio-bibliographical notes and describes the books donated by him to the library. In most cases the donor is also a writer or a scholar who gave to the library works of his own. The catalogue interrupts at the letter C. The continuation (up to letter M) remained unpublished and is known only in an autograph manuscript that Aprosio prepared for printing, which is today preserved at the University Library in Genoa. The second part of the volume contains the Biblioteca Aprosiana cantata by Pier Francesco Minozzi. The name of the author is concealed behind the pseudonym of Cornelio Aspasio Antivigilmi, actually Aprosio's anagram including also the name of his hometown, Ventimiglia. Angelico Aprosio entered the Augustinian order at the age of fifteen. He lived for a while in Genoa and Siena, before moving to Monte San Savino (1632-1634), where he taught philosophy and met the lifelong friend P.F. Minozzi. From there he moved back to Genoa in 1634. From 1637 to 1648 he was in Treviso and Venice, where he made the acquaintance of G. F. Loredan and Pietro Michiel, on whose libertine book Arte degli Amanti he wrote a commentary. Aprosio was also in touch with other learned scholars like L. Mancini, G. Scioppio, and L. Allacci. In 1647 he was invited by Giuliano Spinola, whose son was a pupil of Aprosio, to go back to Genoa. In 1648 he finally found a house for his already conspicuous library in the monastery of his order in Ventimiglia. In 1653 the library was officially recognized by Pope Innocent X, who issued a ban prohibiting the sale of any of its books, and was open to the public. In the following years, Aprosio dedicated himself to increasing the library, enlarging the monastery to host the volumes, and compiling the library catalogue. The library was partly dispersed in 1798 upon the arrival of the French troops and with the suppression of the Augustinian order. Part of the volumes ended up in the National Library of Genoa. In his last years Aprosio corresponded with G. Naudé, F. Redi, Gronovius, the cardinal Mazarin, and above all with Antonio Magliabechi. Aprosio died in 1681. La Biblioteca Aprosiana is also the most important source about his life (A. Asor-Rosa, Aprosio, Angelico, in: "Dizionario Biografico degli Italiani", III, 1961, s.v.). Melzi, I, p. 69; Brunet, I, 325; Peignot, 77..

      [Bookseller: Libreria Govi Alberto]
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         Taciti Opera quae extant ex recensione a iusto lipsio postremum regentsita, 2 Bände in einem Buch. eiusque auctis emendatisque commentariis illustrata item c. velleius paterculus cum eiusdem iusti lipsi auctioribus notis, Iusti Lipsi Dispinctio Notarum Miranddulani condicis ad corn. Tacitum - Editio Ultima, C. Uelleius Paterculus cum Animaduersionibus Iusti Lipsi I, Quas Postermum Auxit et Emandauit.

      Antwerpiae, Es Officina Plantiniana Balthasaris Moreti., 1648 - 547, 31, 36, 84, 14 Seiten Goldprägung am Buchrücken, 6 Bünde, Kanten etwas berieben, guter Zustand Schlagworte: Antwerpen Cornellii la Gewicht in Gramm: 7550 [Attributes: Hard Cover]

      [Bookseller: Thomas Schäfer]
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         De Effectibus Magicis Libri Sex Ac de Nuce Maga Beneventana

      BENEVENTO: Per Franciscum Hieronymum Colligni, 1648. brossura. BUONO. 15 20,5. USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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         Antique Master Print-PEACE-SPAIN-LOW COUNTRIES-80 YEAR WAR-Hollar-1648

      - Antique Master Print, titled: 'Eigetlycke Afbeeldinghe ende Maniere van de publicatie van den Peys tusschen syne Mayesteyt den Coninck van Spagnien, ende de Heeren Staeten Generael van de Vereenichde Nederlanden ' - A large crowd gathered on the Grote Markt in Antwerp, when the peace between the Spaniards and the United Provinces / Netherlands was announced in 1648, which marked the end of the 8o year war. Etching on laid paper. Watermark: Foolscap L494. (=period) Description: Source unknown, to be determined. Ref: Pennington 561, I (2), N.H. 994, I (2).Artists and Engravers: Made by 'Wenzel Hollar' after own design. Vaclav Hollar, known in England as Wenceslaus or Wenceslas and in Germany as Wenzel Hollar (1607-1677), was a reknown Bohemian etcher, who lived in England for much of his life. He was born in Prague, and died in London, being buried at St Margaret's Church, Westminster. His oeuvre is vast, but difficult to find in early impressions. Condition: Excellent, given age. Vertical fold near middle. A small tear in the lower left image corner, backed with contemporary paper. Margins cropped to the image edge. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: R-166 TPC The overall size is ca. 13 x 8.4 inch. The image size is ca. 13 x 8.4 inch. The overall size is ca. 33 x 21.4 cm. The image size is ca. 33 x 21.4 cm.

      [Bookseller: ThePrintsCollector]
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         DE BYZANTINAE HISTORIAE SCRIPTORIBUS, SUB FELICISSIMIS LUDOVICI XIV ( ).

      E Typ. regia, 1648 - LABBE, PH., (ED). DE BYZANTINAE HISTORIAE SCRIPTORIBUS, SUB FELICISSIMIS LUDOVICI XIV ( ). BYZANTIUM -- LABBE, Ph., (ed.). De byzantinae historiae scriptoribus, sub felicissimis Ludovici XIV (.). - Eklogai peri presbeion. Excerpta de legationibus. Interpret. C. Cantoclaro. Acced. Notae & animadvers. H. Valesii. - Eclogae historicorum de rebus byzantinis. - Par., E Typ. regia, 1648. 3 parts in 1 vol. 58, (12), 220, (16); 119, (1) pp. - Bound with: THEOPHYLACTUS. Istorion biblia Ê. Historiarum ll. VIII Interpret. J. Pontano. Studio & opera C.A. Fabroti. Par., E Typ. Regia, 1647. (28), 256, (12) pp. - And: NICEPHORUS. Istoria syntomos. Breviarium historicum de rebus gestis ab obitu Mauricii ad Constantinum usque Copronymum. Interpret. D. Petavio. Par., E Typ. Regia, 1648. (8), 88, (5) pp. - Tog. 3 works (=5 parts) in 1 vol. W. 4 engr. ti-vign. & num. fine engr. initials and head- & tailpieces. Fol. Cont. blind tooled vellum w. raised bands & gilt coat of arms of Delft ('Y') on both sides. (Spine ends gone, upper joint split w. some dam. of vellum, lower joint partly split, corners bumped, ties fail, faintly stained/browned in places, else in very good interior condition with very ample margins (large paper copyu)). (Corpus Byzantinae Historiae). In-folio (440x300mm), contemporary calf, missing in the back, clear water stain in one corner. (REF: P2-6E) [Attributes: Hard Cover]

      [Bookseller: Im Perraud]
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         Het Verbont des Levens, Van Godt gemaeckt met Abraham ende sijnen zade, ende niet met de andere Volckeren, Ofte Ontdeckinge ende wederlegginge vande monstreuse opinien die desen aengaende drijft Iacob Batelier, in sijn valsch-genaemde Helder-Licht over Romeynen negen. Alwaer in het breede gehandelt wort van de natuere des genaden-verbonts, ende van de voor-rechten der Joden, ende van den staet dier volckeren die sonder woort godts in hare wegen wandelen, ende worden alsoo de fondamenten van sijne nieuw-bedachte verklaringe over Rom. 9. om-geworpen.

      Leyden, Hieronymus de Vogel 1648. (28) 945 (1) p. Origineel Perkament, 8° (Onder- en bovenkant rug missen een klein stukje perkament, onderste marge voorwerk wat teer, plaatselijk wormgaatjes in de marges, vochtvlekken door het gehele boekblok. Zeldzaam werk.).

      [Bookseller: Antiquariaat De Roo]
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         PEACE AND SAFETY FOR THE WHOLE KINGDOM OR, AN EXPEDIENT FOR SAFE AND WELL-GROUNDED PEACE BETWEEN THE KING AND HIS PEOPLE.

      - As also for the speedy settlement of all interests. Studyed and published for the honor of the Kings Majesty, his Royal Posterity, the present and future happiness of the whole Kingdom. This Expedient was read by the Author himself at the Bar of the House of Peers, the Sixth day of July, 1648. Pp. 16(last blank), one small decorative initial; small f'cap. 4to; bound in later (but not recent) qr. red calf, the spine ruled in gilt around 5 raised bands and with gilt lettered black leather title label, marbled papered boards, slightly rubbed, fore-corners lightly worn; a few tiny edge chips and splits, a little light foxing and soiling (including a couple of small ink stains); London, 1648. First edition. Wing F522. *'This Day Mr. Farrer was called in, and read what he had conceived to be a good Way for procuring of a safe and well-grounded Peace. And the House gave him Thanks, for his Pains and Zeal and good Assections expressed in his Desires of settling of a safe and well-grounded Peace; and, upon Occasion, they will consider of them in convenient Time'. [from the House of Lords Journal, Volume 10, entry for 6 July, 1648]. The pamphlet is dedicated to the Earl of Manchester, \lquote Speaker of the House of Peers\rquote . Edward Montagu, 2nd Earl of Manchester (1602-1671) was a prominent commander of Parliamentary forces early in the Civil War, and for a time was Oliver Cromwell's superior officer. He was in supreme command at the battle of Marston Moor, but by November 1644 he strongly expressed his disapproval of continuing the war, and in 1645 he resigned his command. Thereafter he played a leading role in negotiations for an arrangement with the King. He opposed the trial of Charles, and retired from public life during the Commonwealth.\fs22 He \fs24 actively assisted the Restoration of Charles II, and in 1661 he was made a Knight of the Order of the Garter. Richard Farrar was also the author of \i An expedient for the king, or, King Charles his peace-offering, sacrificed at the altar of peace, for a safe and well-grounded peace the welfare and happiness of all in generall, and every subject in particular. Farrar\rquote s plea that he be given 'free liberty from both Houses of Parliament to repair to his Majesty to the Isle of Wight, & there to deliver him the particulars in writing, and by discourse' was not granted, although some negotiations with the king were held at Newport. (In November 1647, Charles had fled his army guards and escaped to the Isle of Wight). At the end of 1648, Charles was moved to Windsor Castle, and in January 1649, the House of Commons indicted him on a charge of treason, passing a bill creating a separate court for his trial. On January 30, 1649 he was executed. [Attributes: Hard Cover]

      [Bookseller: Kay Craddock - Antiquarian Bookseller]
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         De Effectibus Magicis Libri Sex Ac de Nuce Maga Beneventana

      Per Franciscum Hieronymum Colligni, BENEVENTO 1648 - LATINO Seicentina in latino in edizione beneventana, rivestimento in tutta pergamena muta sul piatto, titoli a caratteri sciolti manoscritti sul dorso, segni del tempo e piccoli strappetti sulla coperta, data manoscritta sul piatto, annotazioni manoscritte sul foglio di guardia, parziale ex libris nel sottocoperta, frontespizio completo di notizie bibliografiche e tipografiche arricchito da marca tipografica zoomorfa in clipeo, pagina danneggiata nel suo margine superiore, capolettera filigranata in cornice, testo su colonna e a piena pagina, alcune pagine presentano fori e strappi, bel finalino figurato a caratteri neri, ulteriore segno manoscritto nell'ultima pagina

      [Bookseller: Biblioteca di Babele]
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         Manière universelle de Mr Desargues, pour pratiquer la Perspective par petit-pied, comme le Geometral. Ensemble les Places et Proportions des Fortes & Foibles Touches, Teintes ou Couleurs

      Pierre Des-Hayes, Paris 1648 - Demi basane du vingtième siècle. Un volume in-8 (198x131 mm), (16)-168-(8) pages, puis pages 169 à 176, puis pages 193 à 342-(2) pages. Les sauts de paginations sont conforme à la collation attendue. Le titre gravé se trouve, comme il se doit au recto de la planche 1 à la page 58. Notre exemplaire est incomplet, comme souvent, du frontispice et du portrait du dédicataire, Michel Larcher. . Mouillures, importantes aux premiers feuillets Édition originale de cet ouvrage recherché et magnifiquement illustré par Abraham Bosse (1602-1676) qui était l'un des plus fervent défenseur de Desargues Kemp [in. The Science of Art, pp. 120-123 Desargues (1591-1661) , was the "greatest perspectivist and projective geometer of his generation. Desargues was a civil and military engineer, an architect specialising in staircase design and above all a geometer of extraordinary spatial vision. His intellectual ambition was expressed in two closely-related aspirations: the building of a geometry of position (i.e. non-metrical) based on projective techniques; and the provision of all-embracing methods of geometrical operation for practitioners in various fields . In 1643, Bosse brought out the first of the publications in which he expounded Desargue's views. These consisted of treatises devoted to -- manières universelles -- for the cutting of stones in architectures according to the principles of projective geometry and the making of sundials, etc. These attracted new assaults, this time from an expert in stonecutting, Curabelle, who devoted three pamphlets to the criticism of Desargues's works"]. Desargues : DSB, IV, pp.46-51. Bosse : DSB, II, pp. 333-34 ___________________________________________________________________________________ ______________________________ENGLISH_DESCRIPTION______________________________ ___________________________________________________________________________________ Twentieth-century quarter sheep. 8vo (198x131 mm), (16)-168-(8) pages, then pages 169 to 176 and pages 193 to 342-(2) pages. The engraved title page following page 58 as it should be, at the recto of plate 1. Engraved title page and 156 plates (151 and 156 used twice) on 81 leaves Our copy is incomplete. The frontispiece and the portrait of Michel Larcher are missing . Waterstains, important onf the beginning First edition, beautifully illustrated by Abraham Bosse (1602-76), who was Desargues's most ardent propagandist. This is an important work in the "French perspective wars" from 1630-80. Kemp [in. The Science of Art, pp. 120-123 Desargues (1591-1661) , was the "greatest perspectivist and projective geometer of his generation. Desargues was a civil and military engineer, an architect specialising in staircase design and above all a geometer of extraordinary spatial vision. His intellectual ambition was expressed in two closely-related aspirations: the building of a geometry of position (i.e. non-metrical) based on projective techniques; and the provision of all-embracing methods of geometrical operation for practitioners in various fields . In 1643, Bosse brought out the first of the publications in which he expounded Desargue's views. These consisted of treatises devoted to -- manières universelles -- for the cutting of stones in architectures according to the principles of projective geometry and the making of sundials, etc. These attracted new assaults, this time from an expert in stonecutting, Curabelle, who devoted three pamphlets to the criticism of Desargues's works"]. Desargues : DSB, IV, pp.46-51. Bosse : DSB, II, pp. 333-34 In 8 / 8vo 727g. [Attributes: First Edition; Hard Cover]

      [Bookseller: Eric Zink Livres anciens]
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         The quack

      - Scene with a quack trying to sell his wares to several bystanders, a sick man lying on the ground next to him. A small market, houses and a church tower in the background. The group of figures is loosely inspired by the etching 'the quack' (1648) by Adriaen van Ostade (1610-1685). Pen and brown ink and watercolours on velin, 252 x 252 mm. Within brown ink border. Top edge pasted on mount, small tear in upper left corner and left edge, otherwise in very good condition.

      [Bookseller: Antiquariaat A.G. van der Steur]
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         Allocutiones gymnasticae

      GUINIGGI, Vincenzo. Allocutiones gymnasticae. Venetiis, apud Balleonium, 1648. In - 16° antico, (mm. 115 x 75) piena pelle coeva, dorso e piani profusamente decorati in oro. (16), 424, (8) pp., e ff. bianchi. Frontespizio allegorico inciso in rame. Il Guiniggi di Lucca, entrò nella compagnia di Gesù nel 1601, insegnò retorica al Collegio romano, e fu destinato a continuare la storia della Compagnia dopo il P. Sacchini. Morì a Roma nel 1653. Sommervogel, III, 1941.

      [Bookseller: Brighenti libri esauriti e rari]
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         Le rivolutioni di Napoli. con pienissimo ragguaglio d ogni successo, e trattati secreti, e palesi

      presso Filippo Alberto conforme la copia di Venezia, s.l. (Ginevra) 1648 - Legatura coeva in piena pergamena con titolo ms. al ds. Antica firma di appartenenza al frontis. e lieve brunitura della carta, ma ottimo esemplare. Rara edizione (seconda?) di un anno successiva alla prima. Br. Libr., p. 400; non in Vinciana ( Tra i migliori libri sulla rivoluzione di Masaniello ) e in Lozzi che citano altre edizioni. 8vo (cm. 15,6), 206 pp., 1 c.nn. (bianca). Ancora aldina al frontis. [Attributes: Soft Cover]

      [Bookseller: Libreria Ex Libris ALAI-ILAB/LILA member]
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         The historie of the holy warre; by Thomas Fuller, B.D. prebendarie of Sarum, late of Sidney Colledge in Cambridge; [bound with] The Holy State [and the Profane State]

      Cambridge: printed by Roger Daniel, and are to be sold by John Williams at the signe of the Crown in Pauls Church-yard, 1647 / 1648. Small Folio: [16], 286, [28, chronological table and index]pp, with additional engraved title page depicting the crusades and folding map of Palestine; [8],189 [124 mis-numbered 104], 200-394,435-510 (pagination is irregular, per ESTC Citation No. R6571, but text is continuous), with additional engraved title-page and 20 engraved portraits. The Profane State has separate title page, dated 1642. Contemporary full calf boards paneled in gilt, spine rebacked in period style with red morocco lettering piece gilt, marbled edges and end papers. A Fine copy, tightly bound, pages fresh and bright, with excellent impressions of the plates; minor marginal staining to first few leaves, repairs to explanatory leaf opposite first frontispiece. Pforzheimer 390 and 92 (for first editions). Lowndes 847 (citing this edition of The Holy State as "best"). Wither to Prior 386 and 387. Wing F2438 and F2444. Allibone, p. 643. The Holy War is the third edition, with re-engraved title page (Pforzheimer). The Holy State is the second edition, enlarged. Based on Fuller's extensive reading in medieval sources, The Holy War is the first modern history of the crusades in English. In his judgment, the Papacy, in waging them, had spent European lives and wealth for nothing more than a faraway plot of land and a few relics. The Holy State and The Profane State, Fuller's celebrated studies in virtue and vice--"the most popular and characteristic of all his books" (ODNB)--provides rule of conduct, offering as exemplars a rich collection of model characters, along with short biographies of historical figures from Queen Elizabeth and Sir Francis Drake to St. Augustine and Joan of Arc. Allibone calls it, "Perhaps . . . the best of his works; and certainly [it] displays to better advantage than any his original and vigorous powers of thinking." Note: With few exceptions (always identified), we only stock books in exceptional condition. All orders are packaged with care and posted promptly. Satisfaction guaranteed. Fine.

      [Bookseller: Fine Editions Ltd]
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         Le rivolutioni di Napoli... con pienissimo ragguaglio d’ogni successo, e trattati secreti, e palesi

      presso Filippo Alberto conforme la copia di Venezia, 1648. 8vo (cm. 15,6), 206 pp., 1 c.nn. (bianca). Ancora aldina al frontis. Legatura coeva in piena pergamena con titolo ms. al ds. Antica firma di appartenenza al frontis. e lieve brunitura della carta, ma ottimo esemplare. Rara edizione (seconda?) di un anno successiva alla prima. Br. Libr., p. 400; non in Vinciana (’Tra i migliori libri sulla rivoluzione di Masaniello’) e in Lozzi che citano altre edizioni.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
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         The quack

      Scene with a quack trying to sell his wares to several bystanders, a sick man lying on the ground next to him. A small market, houses and a church tower in the background. The group of figures is loosely inspired by the etching 'the quack' (1648) by Adriaen van Ostade (1610-1685). Pen and brown ink and watercolours on velin, 252 x 252 mm. Within brown ink border. Top edge pasted on mount, small tear in upper left corner and left edge, otherwise in very good condition.

      [Bookseller: Historisch Antiquariaat A.G. van der Ste]
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         Funffzehende Schiffart Warhafftiger und zuvor nie erhorter bericht eines Engelischen welcher mit einem Schiff die Auffart genandt in Cambaia

      The second edition of Hulsius's German translation from the 1612 edition. 4to. Engraved fignette on the title. Modern boards. 75pp. Franckfurt, Le Blon,

      [Bookseller: Maggs Bros. Ltd.]
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         Le Theatre du Monde, ou Nouvelle. Atlas Mise en lumiere Par Guillaume & Jean Blaeu. Quatrieme Partie.

      Amsterdam, 1648. - Copper engraved with early hand colour Folio 540 x 330 mm Volume four of six from the French edition of the Theatre du Monde. The volumes of this work were published separately between 1635 and 1655, with the fourth volume being introduced with French text in 1645. This particular volume features a hand coloured pictorial frontispiece, highlighted with gold, and 58 general and county maps, each superbly coloured by a contemporary hand. Throughout the text, 4 hand coloured illustrations are present. The series of lavishly illustrated maps includes a separate map of each county, and is one of the greatest achievements of English seventeenth century cartography. In excellent overall condition, this atlas features a fine period binding with gilt title and decoration. Blaeu published his first world atlas in 1639, which was gradually extended until the appearance of the celebrated Atlas Major of twelve volumes in 1662. The maps were mainly derived from those in Speed's Theatre, and the order followed that of Camden's Britannia, first published in 1607. The cartographic detail, including the errors, were copied from Speed or Jansson, and their similarity to the latter's maps has caused problems for collectors, although there are certain minor difference between the maps of the two atlases. Whilst the Blaeu decoration is somewhat more formal than his rivals', each atlas is of great cartographic importance. The presentation of the Jansson and Blaeu atlases, however, in large vellum bound folios invariably exceed that of Speed's work. The Blaeu family were one of the most famous publishers of maps, globes and atlases during the seventeenth-century. Cartographers, globe makers and booksellers, the Blaeu business flourished in Amsterdam for over 40 years, until a fire destroyed their premises in 1672. They lost all of their plates, prints and stock, which effectively ruined the firm. Willem Blaeu founded the business in 1596. It initially functioned as a globe and instrument makers, but soon expanded into maps, topography and sea charts. The Atlas Novus was Willems great work; a major work which intended to include the most up-to-date maps of the entire world. He issued the first two volumes in 1635, but died in 1638 before the atlas was completed. The running of the business was passed on to his sons Johannes and Cornelius, in addition to the role of the official cartographer of the East India Company. After the death of Cornelis in 1644, Johannes continued the business alone and established his own reputation as a great mapmaker. Johannes completed his father's grand project in 1655 with the sixth and final volume of the Atlas Novus. He also produced the Tooneel der Steden van der Vereenighde Nederlanden in 1649-1653, as well as a similar set of Italian town plans which were published in 1663. Skelton 43. Not in Chubb (but compare 59). Kinglsey 12(ii) Condition: Excellent overall condition. A small number of the maps feature light creasing and water stains to the margins, however, this does not effect the engraved area. [Attributes: Hard Cover]

      [Bookseller: Sanders of Oxford ltd]
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         Missale Romanum ex decreto Sacrosancti Concilij Tridentini restitutum. PII V. pontificis Max iussu editum et Clementis VIII

      Apud Cleras - Venetiis, 1648. rilegato. BUONO. 28 40,5. USATO

      [Bookseller: Biblioteca di Babele]
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         In C. Corn. Taciti qvinqve libros histor. superstites, annotatio politica.

      - Strassburg, Friderici Spoor, 1648. 4:o. (4),+ 192,+ (4) s. Titel tryckt i rött och svart. Sammanbunden med: BOECLERUS, Johann Heinrich (pres.) || DREILING, Melchior (resp.) Specimen subtilitatum politicarum et aulicarum. Diss. Strassburg, Friderici Spoor, 1648. 4:o. (2),+ 28,+ (2) s. Sammanbunden med: BOECLERUS, Johann Heinrich. In C. Cornel. Taciti, XV. capita priora lib. I. Annal. Commentarius. Strassburg, Joannis Philippi Mûlbit, 1643. 4:o. (7),+ (blank),+ 263 s. Titel tryckt i rött och svart. Fuktrand sid. 1-2. Sammanbunden med: BOECLERUS, Johann Heinrich (utg. & förord). Historia Caroli Magni imperatoris Romani. Ex præcipuis scriptoribus eorum temporum concinnata, studio Johannis Ioachimi Frantzii, Argentoratensi. Accessit Eginhardi Carolus, et præfatio Iohannis Henrici Boecleri, qua institutum hujus opusculi declaratur. Strassburg, Joannis Philippi Mûlbit, 1644. 4:o. (8),+ 120 s. Titel tryckt i rött och svart. Sammanbunden med: BOECLERUS, Johann Heinrich. De auspicio regio liber. Strassburg, Ioh. Phil. Mûlbii, 1645. 4:o. (8),+ 62 s. Samtida pergamentband med ?I H Boecleri Opuscula Varia? i bläck på ryggen. Försättsbladet med halvt bortriven gåvoinskift och första titelbladet med överstrukna äldre namnteckningar. Från Cederhielms bibliotek på Säby och med Hammers exlibris. Fint samlingsband med fem tidiga arbeten av Boeclerus. Johann Heinrich Boeclerus (1611-72) var tysk historiker och från år 1637 professor i vältalighet i Strassburg. Som sådan introducerade han den unge Schefferus i studiet av klassikerna. Han kallades av drottning Kristina till den skytteanska professuren i Uppsala 1647, men avböjde och rekommenderade istället Schefferus. 1649 kom han ändå till Sverige och Uppsala som professor i vältalighet och 1651 utnämndes han till rikshistoriograf. Han stannade dock endast till 1651, då han återvände till Strassburg och professorsstolen i historia.

      [Bookseller: Centralantikvariatet]
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         1648 1st ed Francis Bacon Sylva Sylvarum New Atlantis Philosophy Opium Healing

      Lvg. Batavor : Apud Franciscum Hackium, 1648. First edition. - 1648 1st ed Francis Bacon Sylva Sylvarum New Atlantis Philosophy Opium Healing “Some books should be tasted, some devoured, but only a few should be chewed and digested thoroughly.” Francis Bacon Francis Bacon, one of the most famous English philosophers and scientists of the Renaissance. While most of his work deals with discovery, scientific method, and the scientific revolution, he did lean strongly toward Puritanism in his personal devotion. This book ‘Sylva Sylvarum’ with ‘Novus Atlas’ is a famous set of philosophical treatises covering topics such as medical treatments for prolonged life and preservation of youth by using opium! Bacon wrote this book as a collection of miscellaneous topics – others include ancient wisdom and secrets. This Latin translation was edited by Jacob Gruter and includes a preface by William Rawley. Rawley, Bacon’s secretary, decided to add the unfinished but fascinating ‘New Atlantis’ to the end of this printing of ‘Sylva’. In 1648, both Elzevier and Hackiana published examples of this work; however, Hackiana decided to re-engrave the illustrated title page. Item number: #1228 Price: $599 BACON, Francis Fr. Baconis de Verulamio sylva sylvarum, sive Hist. naturalis (nunc Latio transscripta a Iacobo Grutero), et Novus Atlas (cum præfatione W. Rawley) Lvg. Batavor : Apud Franciscum Hackium, 1648. First edition. Details: • Collation complete with all pages: [1], [34], 612, [47]; 87 • Binding: Vellum; tight and secure • Language: Latin • Size: ~6in X 4in (15cm x 10cm) Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving, and we will offer a full refund without reservation! 1228 Photos available upon request. [Attributes: First Edition; Hard Cover]

      [Bookseller: Schilb Antiquarian]
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         EIKON BASILIKE The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings

      [London], 1648. Early edition (Madan 21; Almack 15; Wing E-270). Full red morocco leather binding (18th C?) with elaborate gilt decorative stamping to front & rear boards; raised spine bands; gilt stamped title in second compartment & gilt stamped decorations in the remainder. AEG. Gilt dentelles. Marbled eps. Binding with minor signs of use & wear. Recent bookseller notes to preliminary blank, with modern London bookseller ticket to front blank. Frontis is a touch grubby and shows a tiny bit of edge chipping. Title leaf floated, with period signatures of Robert Bridge and Joseph MacIntyre. H2 with small hole along gutter. Pale staining to margins (heavier to first half of the volume). Tiny worm run to edge of first couple of leaves, and some tiny runs to margins in places. Scattered pale marginal foxing. Withal, a handsome VG+ copy of this title.. [4], 302, [16] pp. Numerous mispaginations throughout. Double-page engraved frontispiece by William Marshall, "designed for this edition". [Madan]. 8vo: A - U^8 (D1 mis-signed as E1) ^4 (a)^4. 6-1/4" x 3-13/16" (16 cm x 9.7 cm). A lovely copy of this famous Royalist publication, purporting to be the memoirs of the recently executed King. So controversial was it that Parliament commissioned an answer with John Milton's Eikonoklastes. Milton was the first to cast doubt on its authorship, and Madan's New Bibliography of the Eikon Basilike demonstrated that while Dr. John Gauden was the author, he worked closely from Charles' manuscripts.

      [Bookseller: Tavistock Books, ABAA]
 35.   Check availability:     Biblio     Link/Print  


         EIKON BASILIKE. The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings

      [London], 1648. Early edition (Madan 21; Almack 15; Wing E-270). Full red morocco leather binding (18th C?) with elaborate gilt decorative stamping to front & rear boards; raised spine bands; gilt stamped title in second compartment & gilt stamped decorations in the remainder. AEG. Gilt dentelles. Marbled eps. Binding with minor signs of use & wear. Recent bookseller notes to preliminary blank, with modern London bookseller ticket to front blank. Frontis is a touch grubby and shows a tiny bit of edge chipping. Title leaf floated, with period signatures of Robert Bridge and Joseph MacIntyre. H2 with small hole along gutter. Pale staining to margins (heavier to first half of the volume). Tiny worm run to edge of first couple of leaves, and some tiny runs to margins in places. Scattered pale marginal foxing. Withal, a handsome VG+ copy of this title.. [4], 302, [16] pp. Numerous mispaginations throughout. Double-page engraved frontispiece by William Marshall, "designed for this edition". [Madan]. 8vo: A - U^8 (D1 mis-signed as E1) ^4 (a)^4. 6-1/4" x 3-13/16" (16 cm x 9.7 cm). A lovely copy of this famous Royalist publication, purporting to be the memoirs of the recently executed King. So controversial was it that Parliament commissioned an answer with John Milton's Eikonoklastes. Milton was the first to cast doubt on its authorship, and Madan's New Bibliography of the Eikon Basilike demonstrated that while Dr. John Gauden was the author, he worked closely from Charles' manuscripts.

      [Bookseller: Tavistock Books, ABAA ]
 36.   Check availability:     ABAA     Link/Print  


         Mercure armorial, enseignant les principes & élémens du blazon des armoiries, selon l'ordre & les termes qui se pratiquent en cette science. Enrichy d'un bon nombre de figures enluminées de couleurs propres pour l'intelligence du livre. Œuvre curieux & nécessaire pour introduire la noblesse dans la connoissance des armes.

      Paris, Alexandre Lesselin, 1648, pleine basane de l'époque, dos à nerfs orné. -Petite restauration avec du papier de l'époque dans la marge ext. de 1 f. sans atteinte du texte, petites mouillures claires dans la marge ext. du dernier tiers des ff.-Bel exemplaire. - petit in-4 de 1 titre frontispice-(12)-187 pp. + 13 pp. ch. à nouveau 170 à 182 ; Les lettrines, bandeaux et très nombreux blasons gravés sur bois sont coloriés (au pochoir) à l'époque, comme dans tous les exemplaires.Edition originale. Très rare.Saffroy 2148 (collation erronée)."Joli livre illustré d'agréable façon. Première édition fort rare." (Saffroy).Traité fondamental qui contribua à la normalisation des règles héraldiques au XVIIe siècle.

      [Bookseller: LIBRAIRIE PHILIPPE SERIGNAN]
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         Biblia Sacra. Vulgate (Vulgatae) Editionis Sixti V. Pont. Max. Ivssv Recognita atque edita.

      Venetiis, Apud Iuntas et Baba (Venedig, Tommaso Giunta II., Erben u. Francesco Baba) 1648. 8°. Gest. Titelbl., 9 nn. Bll. (von 10), 936 S., 24 nn. Bll., mit Initialen, Text- u. Schlussvignetten, sow. zahlr. Holzschnittillustrationen. Gut erhaltener jüngerer Halblederband, Zierlinien u. Beschriftung am Rücken goldgeprägt, Einbanddeckel mit Kiebitzpapier überzogen, Vorsatz erneuert, Buchschnitt buntgesprenkelt, gering bestoßen u. berieben. Anfangssblätter wasserrandig, teilw. im Innenfalz fachgerecht restauriert, Kupfertitel mit festem Blatt hinterklebt, Seiten sonst nur leicht gebräunt und fast fleckenlos. Mit Besitzvermerk von alter Hand am gestochenen Titelblatt (de Bosizio Alessandro) u. einem Eigentumsstempel am vorderen fliegenden Vorsatzblatt avers (Alexander von Bosizio zu Thurnberg). \"Caxton Exhibition. Bibles 118,1125. OCLC 311720029 (Bibelsammlung der Württembergischen Landesbibliothek) - schön gestaltete venezianische Bibel des 17. Jh. mit Kupfertitel und mehr als zweihundert aussagekräftigen Textholzschnitten. Das Titelblatt wurde von Giacomo Pecini (auch Piccini; um 1617-1669) gestochen (Vgl. Nagler. Monogrammisten IV,835). Nicht im Österreichischen Bibliotheksverbund und bei NUC. Die fehlenden Seiten (Praefatio ad Lectorem) liegen in Kopie bei.\" Versand D: 15,00 EUR Heilige Schrift, Religion, Christentum, Katholizimus, Holzschnitt, Illustration, Italien

      [Bookseller: Antiquariat Löcker]
 38.   Check availability:     buchfreund.de     Link/Print  


         Funffzehende Schiffart: Warhafftiger und zuvor nie erhorter bericht eines Engelischen welcher mit einem Schiff die Auffart genandt in Cambaia.

      1648 - The second edition of Hulsius's German translation from the 1612 edition. 4to. Engraved fignette on the title. Modern boards. 75pp. Franckfurt, Le Blon, Coverte's account of the fourth east india Company voyage to the East Indies, following the first edition published in London in 1612. The author was steward on board the Ascension under Capt. Sharpey they left Plymouth with a companion vessel the Union , in March 1607, and, on their voyage south, were among the first Englishmen to see the Cape of Good Hope, arriving there in July 1608. The Ascension having separated from the the Union in a storm reached India, via Madagascar, Pemba Island and Socotra, the ship ran aground while approaching Surat. Not granted permission to remain in Surat, the crew departed to various destinations. Coverte and others set out for the Moghul Court at Agra, arriving there in December 1609. He and other crew members left Agra in January 1610 ?with the intention of making their way back to the Levant by the overland route. Travelling by way of Kandahar, Esfahan, and Baghdad.they reached Aleppo in December 1610 and from the coast of the Levant sailed for England. They subsequently arrived home in April 1611? (Howgego). An absorbing account presented in the form of a travel diary, Penrose described the work as a ?vigorous narrative.it relates its author's reception by the Emperor Jahangir, and his tedious journey across India, Afghanistan, and Persia, and as such is one of the best examples of a travel journal that the period produced.? As pointed out by Parker ( Books to Build an Empire ) ?This voyage marks the lowest depth to which the company's misfortunes sank in its early years, for the loss of the two ships nearly ruined it financially . during these years of unprededented English travel and trade into the east there was a great dearth of literature describing the voyages of the East India company's ships. between 1608 and 1614 only one book appeared which described England's new-found commerce. Church 307. cf.Howgego, C211; Penrose (Travel & Discovery in the Renaissance), p324.; Parker ( Books to Build an Empire ) p181 et sec.; Mendelssohn, p.388. [Attributes: First Edition; Soft Cover]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
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         Biblia Sacra. Vulgate (Vulgatae) Editionis Sixti V. Pont. Max. Ivssv Recognita atque edita.

      Venetiis, Apud Iuntas et Baba (Venedig, Tommaso Giunta II., Erben u. Francesco Baba) 1648. - Caxton Exhibition. Bibles 118,1125. OCLC 311720029 (Bibelsammlung der Württembergischen Landesbibliothek) - schön gestaltete venezianische Bibel des 17. Jh. mit Kupfertitel und mehr als zweihundert aussagekräftigen Textholzschnitten. Das Titelblatt wurde von Giacomo Pecini (auch Piccini; um 1617-1669) gestochen (Vgl. Nagler. Monogrammisten IV,835). Nicht im Österreichischen Bibliotheksverbund und bei NUC. Die fehlenden Seiten (Praefatio ad Lectorem) liegen in Kopie bei. 8°. Gest. Titelbl., 9 nn. Bll. (von 10), 936 S., 24 nn. Bll., mit Initialen, Text- u. Schlussvignetten, sow. zahlr. Holzschnittillustrationen. Gut erhaltener jüngerer Halblederband, Zierlinien u. Beschriftung am Rücken goldgeprägt, Einbanddeckel mit Kiebitzpapier überzogen, Vorsatz erneuert, Buchschnitt buntgesprenkelt, gering bestoßen u. berieben. Anfangssblätter wasserrandig, teilw. im Innenfalz fachgerecht restauriert, Kupfertitel mit festem Blatt hinterklebt, Seiten sonst nur leicht gebräunt und fast fleckenlos. Mit Besitzvermerk von alter Hand am gestochenen Titelblatt (de Bosizio Alessandro) u. einem Eigentumsstempel am vorderen fliegenden Vorsatzblatt avers (Alexander von Bosizio zu Thurnberg).

      [Bookseller: Antiquariat Löcker]
 40.   Check availability:     ZVAB     Link/Print  


         Gesamtansicht

      - Kupferstich v. Merian n. Ioh. Hermann R.V., 1648, 23 x 34

      [Bookseller: Antiquariat Nikolaus Struck]
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         SCHWEINFURT. Gesamtansicht.

      - Kupferstich von Merian, 1648, 22 x 33 cm.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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         Antiquitatum veronensium libri VIII. Nunc primum in lucem editi variisq. iconibus et antiquis inscriptionibus locupletati.

      Paolo Frambotti, Padova 1648 - In Folio (mm 375x260); pagg. (18), 244, (12). Assai ricco l'apparato iconografico con 34 tavole incise finemente in rame, di cui 32 fuori testo. Fra le splendide tavole in fresca impressione, il prospetto del Teatro Romano e la magnifica tavola con la pianta della citt?, ripiegate pi? volte, il territorio Veronese, le due tavole ichnografiche, la veduta dell'Anfiteatro, la Naumachia, la stupenda veduta del Colle di San Pietro da ponte Nuovo, tutte su doppio foglio, alcune riprese dal pittore veronese Giovanni Caroto e dall'umanista Torello Sarayna, incise da F. Huret e Giovanni Georgi; riporta inoltre i ritratti di Fracastoro e Montano; le restanti tavole raffigurano prevalentemente reperti archeologici romani. Splendido frontespizio architettonico con figure allegoriche, il leone di San Marco che campeggia al centro sopra il timpano (a significare la dominazione veneziana) e una pianta della citt? nella predellina in basso; ritratto dell'autore sempre entro fregio architettonico. Il raffinato apparato iconografico di quest'opera accompagna la storia della citt? e dei veronesi illustri.Piena pelle coeva con titolo su tassello in oro al dorso con nervi. Magnifici capolettera e testatine istoriate con decori fitomorfi e grottesche, incise in silografia. Folio (mm 375x260); pagg. (18), 244, (12). With 34 plates engraved in copper engraved by incise F. Huret and Giovanni Georgi. Among the plates, the famous prospect of the roman theatre after the original by Caroto, famous veronese painter, the large plan of the town, the map of the territory after Forlani and Ortelius, the view of the castle from ponte nuovo, the plan of the Arena, the naumachia, a ship battle in the Arena (all double) and many others single sheet architectural engravings, with the portraits of Panvinio, Fracastoro e Montano.Original calf binding wit title on label on spine. Some water stains in outer margins at beginning and end, otherwise a fine copy. Binding somewhat soiled and worn with conservative restorations.Prima edizione della pi? bella opera sulle antichit? della citt? di Verona. L'opera rimase inedita fino al 1647, questa tiratura non Ë che una successiva emissione della prima con qualche lieve modifica in corso di stampa; fu ripubblicata altre due volte, nel 1658 e 1668. La presentazione del tipografo Paolo Frambotti esplica le vicende della pubblicazione dell'opera per impulso delle autorit? civiche veronesi come atto di omaggio al loro concittadino per questa sua "posthuma proles", affidata dapprima alla cura di Paolo Malaspina e Marco Antonio Clodio, ai quali si aggiunsero successivamente altri.L'autore (Verona 1530 - Palermo 1568) erudito agostiniano, trasferitosi a Roma giovanissimo, dopo i primi studi ecclesiastici eseguiti nella sua citt?, dedicÚ le sue indagini allo studio delle antichit? romane, acquistando grande fama. Pio IV lo nominÚ revisore alla Biblioteca Vaticana. Tra le sue opere di notevole interesse, oltre alle Antiquitatum veronensium, anche i Commentarii ai Fasti (1558), i Commentarii ai Trionfi, i Comizi imperiali, ecc. Le schede manoscritte da Panvinio, conservate alla Bibl. Vaticana, sono preziose fonti sui monumenti romani, oltre a notevoli testimonianze sul suo metodo critico: egli infatti confrontava le fonti storiche con quelle artistiche. Bell'esemplare con qualche traccia di umidit? ai margini delle prime carte e delle ultime. Legatura con qualche intervento di restauro conservativo.Cicognara 4059: "Opera insigne per la cura con cui sono illustrati i monumenti della citt?". storia locale.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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         WÜRZBURG. "Herbipolis. Würtzburg". Große Panorama-Gesamtansicht, rechts der Main.

      - Kupferstich von Merian, 1648, 24 x 63,5 cm. Fauser 15736. - Von zwei Platten gedruckt. - Mit zwei kleinen, kaum sichtbaren, hinterlegten Fehlstellen, rechts ein hinterlegter Einriss.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
 44.   Check availability:     AbeBooks     Link/Print  


        Antiquitatum veronensium libri VIII. Nunc primum in lucem editi variisq. iconibus et antiquis inscriptionibus locupletati.

      In Folio (mm 375x260); pagg. (18), 244, (12). Assai ricco l'apparato iconografico con 34 tavole incise finemente in rame, di cui 32 fuori testo. Fra le splendide tavole in fresca impressione, il prospetto del Teatro Romano e la magnifica tavola con la pianta della città, ripiegate più volte, il territorio Veronese, le due tavole ichnografiche, la veduta dell'Anfiteatro, la Naumachia, la stupenda veduta del Colle di San Pietro da ponte Nuovo, tutte su doppio foglio, alcune riprese dal pittore veronese Giovanni Caroto e dall'umanista Torello Sarayna, incise da F. Huret e Giovanni Georgi; riporta inoltre i ritratti di Fracastoro e Montano; le restanti tavole raffigurano prevalentemente reperti archeologici romani. Splendido frontespizio architettonico con figure allegoriche, il leone di San Marco che campeggia al centro sopra il timpano (a significare la dominazione veneziana) e una pianta della città nella predellina in basso; ritratto dell'autore sempre entro fregio architettonico. Il raffinato apparato iconografico di quest'opera accompagna la storia della città e dei veronesi illustri.Piena pelle coeva con titolo su tassello in oro al dorso con nervi. Magnifici capolettera e testatine istoriate con decori fitomorfi e grottesche, incise in silografia. Folio (mm 375x260); pagg. (18), 244, (12). With 34 plates engraved in copper engraved by incise F. Huret and Giovanni Georgi. Among the plates, the famous prospect of the roman theatre after the original by Caroto, famous veronese painter, the large plan of the town, the map of the territory after Forlani and Ortelius, the view of the castle from ponte nuovo, the plan of the Arena, the naumachia, a ship battle in the Arena (all double) and many others single sheet architectural engravings, with the portraits of Panvinio, Fracastoro e Montano.Original calf binding wit title on label on spine. Some water stains in outer margins at beginning and end, otherwise a fine copy. Binding somewhat soiled and worn with conservative restorations.Prima edizione della più bella opera sulle antichità della città di Verona. L'opera rimase inedita fino al 1647, questa tiratura non è che una successiva emissione della prima con qualche lieve modifica in corso di stampa; fu ripubblicata altre due volte, nel 1658 e 1668. La presentazione del tipografo Paolo Frambotti esplica le vicende della pubblicazione dell'opera per impulso delle autorità civiche veronesi come atto di omaggio al loro concittadino per questa sua "posthuma proles", affidata dapprima alla cura di Paolo Malaspina e Marco Antonio Clodio, ai quali si aggiunsero successivamente altri.L'autore (Verona 1530 - Palermo 1568) erudito agostiniano, trasferitosi a Roma giovanissimo, dopo i primi studi ecclesiastici eseguiti nella sua città, dedicò le sue indagini allo studio delle antichità romane, acquistando grande fama. Pio IV lo nominò revisore alla Biblioteca Vaticana. Tra le sue opere di notevole interesse, oltre alle Antiquitatum veronensium, anche i Commentarii ai Fasti (1558), i Commentarii ai Trionfi, i Comizi imperiali, ecc. Le schede manoscritte da Panvinio, conservate alla Bibl. Vaticana, sono preziose fonti sui monumenti romani, oltre a notevoli testimonianze sul suo metodo critico: egli infatti confrontava le fonti storiche con quelle artistiche. Bell'esemplare con qualche traccia di umidità ai margini delle prime carte e delle ultime. Legatura con qualche intervento di restauro conservativo.Cicognara 4059: "Opera insigne per la cura con cui sono illustrati i monumenti della città".

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
 45.   Check availability:     maremagnum.com     Link/Print  

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